The landmark original 1975 release, these 10 songs provided a bridge between traditional and progressive bluegrass. The presence of Jerry Garcia greatly expanded the bluegrass audience, exposing thousands of fans to mountain music for the first time, but Garcia's melodic banjo picking and soulful baritone are also essential ingredients. Former bluegrass boy Peter Rowan contributes three now-standard original cuts, and the band covers material ranging from traditionals and Stanley Brothers favorites to the Rolling Stones. Fiddle master Vassar Clements represents the tradition, soaring freely through the verses and breaks with astonishing fire and grace. It remains an important historical document, although the two recent Acoustic Disc volumes (also recorded during the band's only tour in 1973) offer even greater performances and more selections. --Marc Greilsamer
Old & In the Way,Old & in the Way,Sugarhill [Country],Bluegrass,Country,Traditional Bluegrass
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The Civil War - Traditional American Songs And Instrumental Music Featured In The Film By Ken Burns: Original Soundtrack Recording
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J0O Release Date: 1990-12-29 |
Tracks:
- Drums Of War - Old Bethpage Brass Band
- Quote - Oliver Wendall Holmes
- Ashokan Farewell - NA
- The Battle Cry Of Freedom - NA
- We Are Climbing Jacob's Ladder - NA
- Dixie/Bonnie Blue Flag - The New American Brass Band
- Cheer Boys Cheer - The New American Brass Band
- Angel Band - Russ Barenburg
- Johnny Has Gone For A Soldier - Jacqueline Schwab
- Lorena - Jay Ungar
- Parade - The New American Brass Band
- Hail Columbia - The New American Brass Band
- Dixie - Bobby Horton
- Kingdom Coming - Jay Ungar
- Battle Hymn Of The Republic - Matt Glaser
- All Quiet On The Potomic - Jacqueline Schwab
- Flag Of Columbia - Jacqueline Schwab
- Weeping Sad And Lonely - Jacqueline Schwab
- Yankee Doodle - The Old Bethpage Brass Band
- Palmyra Schottische - The New American Brass Band
- When Johnny Comes Marching Home - The Old Bethpage Brass Band
- Shenandoah - John Colby
- When Johnny Comes Marching Home - M. Manson
- Marching Through Georgia - J. Ungar
- Marching Through Georgia(Lament) - Jacqueline Schwab
- Battle Cry Of Freedom - Jacqueline Schwab
- Battle Hymn Of The Republic
- Ashokan Farewell/Sullivan Ballou Letter - Paul Roebling
Customer Reviews:
Civil War.......2007-07-16
Great Job.......2007-05-13
I love it......
The Service with Amazon is excellent too.
Thanks for being there.
Very relaxing.......2007-03-31
A great peice of Civil War history........2007-02-14
Music Befitting This Most Tragic of Wars.......2007-02-12
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Beyond
Dinosaur Jr. Manufacturer: Fat Possum [Old] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OCZ9R8 Release Date: 2007-05-01 |
Tracks:
- Almost Ready
- Crumble
- Pick Me Up
- Back To Your Heart
- This Is All I Came To Do
- Been There All The Time
- It's Me
- We're Not Alone
- I Got Lost
- Lightning Bulb
- What If I Knew
Amazon.com
Since bassist Lou Barlow left Dinosaur Jr. in 1989, the band--whose last record was 1997's expansive Hand It Over--has largely become an alter-ego moniker for guitarist/vocalist J Mascis. But now the original trio (including drummer Emmett "Murph" Murphy) has reunited for the first time since Barlow's split, and the 11-song outcome makes one ask: Why did they wait so long? Mascis's thunderous "Almost Ready," featuring both his combustible guitar and weary vocals, is the perfect blast-off, allowing Murphy's backbeat to set a turbulent pace early, and while songs like "Been There All the Time" and the Neil Young accolade "This Is All I Came to Do" have Mascis as primed as ever, Barlow (whose '90s-era Sebadoh set the bar for lo-fi bands) reappears with two of the record's strongest tracks: the poppy "Lightning Bulb" and "Back to Your Heart," which recalls late-in-the-game Hüsker Dü. These 50 minutes of music are as cohesive as they are conquering, and whether the same can be said of the once-prickly relationship between Mascis and Barlow will ultimately decide if this is a one-off reunion or if the real Dinosaur Jr. is back for awhile. --Scott HolterCustomer Reviews:
The return of Dinosaur Jr........2007-07-20
Stephen
Beyond Expectations.......2007-07-04
Beyond belief.......2007-07-04
Green Mind changed my life forever. It was *the* album to live by when I was in college, some 15+ years ago. It defined a thoughtful, angsty existence for a thinking, feeling American adolescent. And the drums, bass, vocals, guitar... they were all amazing. Honed to fuzzy sonic perfection. Mascis ranks near to Neal Young for literally being able to speak volumes with his guitar work. He just goes and goes and goes. The newer albums never lived up to the perfection of the classics, from the original "Dinosaur" to "Bug" and "You're Living All Over Me." But they all had 3 or 4 great songs that made them worth the while.
When I heard a new album was coming out, I was very skeptical to say the least.
Now I am in disbelief.
This new album, "Beyond," is amazing. Some of the best alt-rock songs recorded to date. And Barlow, who could be annoying and self-indulgent in the past, has actually performed some real winners.
This album is a gift to the music loving public.
I can't say enough good things about it.
Lou Barlow Back for Beyond.......2007-06-29
Of course those two albums didn't have the original Dinosaur lineup. By 1989 bassist Lou Barlow was kicked out of the band and that same year formed Sebadoh and later on Folk Implosion.
Only a couple of years ago Merge Records re-released the original Dinosaur classics (the first 3) and soon re-issued 'Green Mind' w/ three bonus tracks and 1993's 'Where You Been' (I only liked the opening song: "Out There").
Soon a whole new fanbase of Dinosaur Jr. sprouted and I do believe it helped ignite this reunion of the three original members: J, Lou & drummer Murph.
Yes! Lou Barlow is back and he writes/sings two of the eleven songs on 'Beyond' - "Back to Your Heart" and "Lightning Bulb" -which should bring a smile to any Dino-fan, that's followed the band since 1988's 'Bug'.
I haven't been a fan for that long, but I have been a devoted fan for about 12 years now, even when two of the worst Dinosaur Jr. albums were released 'Without A Sound' and 'Hand It Over'-
At the start of 'Beyond' from the opening chords of "Almost Ready" you just know Dinosaur Jr. are back with that fully charged noisy jangly bliss, they are known for!
Then on to two other near perfect Dino tracks, the swooning "Crumble" and the soaring "Pick Me Up".
As always exceptionally awesome guitar playing from J. Mascis. Yeah he's still got it! A highly under-rated guitarist that the mainstream should be taking notes from.
One of my favorite tracks is the In-your-face onslaught of "Been There All the Time" an instant classic for sure and just as good as most of the songs on my favorite Dinosaur Jr. album - 'Bug'.
I also really like J 's softest track on 'Beyond' the song "I Got Lost"-
Lets hope the original Dinosaur Jr. lineup is here to stay because this is the band's best in over 15 years.
Sounds Like What 'Green Mind'.......2007-06-26
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Licensed to Ill
Beastie Boys Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000024JN Release Date: 1995-03-28 |
Tracks:
- Rhymin & Stealin
- The New Style
- She's Crafty
- Posse In Effect
- Slow Ride
- Girls
- Fight For Your Right
- No Sleep Till Brooklyn
- Paul Revere
- Hold It Now, Hit It
- Brass Monkey
- Slow And Low
- Time To Get Ill
Amazon.com essential recording
The joke of Licensed to Ill's cover--that the Beasties could crash their jet into the side of a mountain and keep on tickin'--serves as a good metaphor for a career that even some of their 1986 admirers thought might be over after the one-time-only shock of this full-length debut. That thousands of funk-junkie wannabes have since failed at re-creating its groove, breaking-the-law vibe, and ear-splitting mix of rock and rap is an even better joke. And funniest of all is the record itself, which packs dexterous boasts, aural puns, and lots and lots of yelling into a disc that can still be listened to with as much pleasure as it gave in '86. --Rickey WrightCustomer Reviews:
Always a classic.......2007-06-09
The Beginning of the Beastie Boys' Dynasty.......2007-06-05
Formerly a punk-rock outfit called the Young & the Useless, New Yorkers Mike D, MCA and King Ad-Rock hooked up with Def Jam founder Rick Rubin in the mid-1980's to create a hip-hop masterpiece. Released in the fall of 1986, License to Ill took both the hip-hop world and mainstream pop culture by storm. Though this was their debut LP, the three MC's traded verses like veterans. Hip-hop rhythm tracks were combined with guitar licks for one of the first rap/rock fusion efforts, sowing seeds for the sub-genre's late 90's resurgence in the likes of Limp Bizkit and Rage Against the Machine.
Lyrically, the Beasties are basically college-age party animals throughout the album, telling wild stories about getting kicked out of White Castle, get-togethers stocked with Budweiser, and related tales of cheerful, hedonistic mayhem. In interviews, band members admitted to having a Schoolly-D fixation at the time, and so there are also some casual gun references here and there. "Slow and Low" covers an unreleased Run-DMC song, with the unforgettable line "White Castle fries only come in one size.." "Rhymin' & Stealin'" is pre-gangster rap pirate fantasy, where the Boys vow to send sucker MC's "to Davy Jones' locker.." "No Sleep `til Brooklyn" has a great guitar contribution by Slayer's Kerry King, as the Boys vow to keep the party going "eight days a week.."; the now-legendary "Paul Revere" is a cowboy fantasy (co-written with Run DMC) where the Beasties play desperadoes on the frontier, set to a reverse-drum track rhythm: "MCA was with it, and he's my ace, so I grab the piano player and I punched him in the face; piano player's out, the music stopped; his boy had beef, and he got dropped.."
The album's signature song was the top-10 pop smash "(You Gotta) Fight for Your Right". The rocker is almost out of place amidst all the straightforward hip-hop, but it's just as well that it was the album's closer. The Beasties expanded the cultural diversity of rap as well as expanding its cultural acceptance worldwide.
As of 2007, the LP's 20th anniversary has already passed; a deluxe re-release is in order; it should include any unreleased songs (such as the early "Rock Hard" EP; also, bootleg releases have included rare songs like "Scenario", "I'm Down" and an alternate take of "Fight for Your Right"), as well as a DVD version of the now-rare VHS home video compilation.
The Joke Is..........2007-05-08
The joke, Mr. Wright, is not them crashing their jet into the side of a mountain and surviving, but rather what the image turns into when you unfold the album cover and hold it length-wise with the tail-end up. It's the image of a 'joint' being mashed out (like a cigarette in an ashtray). So I think the genius behind it works, making the obvious - unobvious.
Also, the call letters on the rear of the plane (3MTA3) actually spell 'EAT ME' when viewed in reverse - which is what is usually done when you're smokin' a fatty and 'Jake' is on ya.
As for the album itself - CLASSIC! True Beastie Boy gold!
A near-excellent album.......2007-03-09
Let there be ill.......2007-03-09
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O.C.M.S.
Old Crow Medicine Show Manufacturer: Nettwerk Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00019JQHI Release Date: 2004-02-10 |
Tracks:
- Tell It To Me
- Big Time In The Jungle
- Poor Man
- Tear It Down
- Hard To Love
- CC Rider
- Trials & Troubles
- Hard To Tell
- Take 'em Away
- We're All In This Together
- Wagon Wheel
Amazon.com
During the "folk music-scare" of the early 1960s, a bunch of white middle-class youths with names like the Greenbriar Boys and the Even Dozen Jug Band discovered the mountain music of the Stanley Brothers, Skillet Lickers, and Uncle Dave Macon and set about introducing it to the country's college kids. Four decades later, the members of OCMS fit the profile of those early revivalists, yet if anything they have tapped deeper into the primal elements of an American art form. As demonstrated on their debut, they have assimilated not just the sound--banjos, harmonicas, acoustic guitar and bass--but more importantly the haunting spirit of music that was made to keep hard times at bay. How else to explain their ability to take a well-worn chestnut like "CC Rider" and infuse it with an energy that reveals once again why it is a classic? Not content to live completely in the past, they wrote "Big Time in the Jungle," which, though it is about Vietnam, could easily be transposed to 2004's desert conflicts. Kindred spirit and producer David Rawlings (Gillian Welch's longtime collaborator) has kept their energy intact, but one can only wonder what sort of magic they must deliver live. --Michael RossCustomer Reviews:
Old Crow Medicine Show.......2007-06-12
OCMS.......2007-03-28
If you have the opportunity to see these guys perform live, go. They are a gift.
Great CD.......2007-01-16
Awesome!.......2007-01-09
Wagon Wheel.......2006-11-07
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1776 (1969 Original Broadway Cast)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027WJ Release Date: 1992-05-19 |
Tracks:
- Overture - Orchestra
- Sit Down, John
- Piddle, Twiddle And Resolve/Till Then
- The Lees Of Old Virginia
- But, Mr. Adams
- Yours, Yours, Yours
- He Plays The Violin
- Cool, Cool, Considerate Men
- Momma Look Sharp
- The Egg
- Molasses To Rum
- Is Anybody There
- Finale
Amazon.com
Evidence that one can make a musical about anything, Exhibit A: 1776. As one might expect, the whole concept of making a musical about the creation and signing of the Declaration of Independence was greeted in the late 1960s with, well, ridicule. The show debuted on Broadway in 1969, and three years later, when its run finally ended, it was its producers who had the last laugh. In addition, it toured for an additional two years and beat out Hair (in 1969 yet!) for a Tony Award. This recording, with the original Broadway cast, includes many of the same actors who went on to star in the film, the version with which most audiences today are probably familiar. One notable exception is Rex Everhart, who replaced Howard da Silva at some performances and on this recording. But there's still William Daniels as John Adams, though in some cases his performance is more subdued than it was on film. Musically, 1776 is an odd creation, considering when it came into being. As one might expect, there's a lot of fife and drum going on, especially in the opening number and during "The Lees of Old Virginia." For those less than familiar with the plot, it hinges on the idealism of Adams, who's trying his best to back up the American Revolution with some legislative action, and spends much of his time arguing with either the Continental Congress or God, as in "Piddle, Twiddle, and Resolve": "A second flood, a simple famine / Plagues of locusts everywhere / Or a cataclysmic earthquake / I'd accept with some despair / But no, you sent us Congress / Good God, sir, was that fair?" (One could argue that he gets further with God.) While not entirely historically accurate, and containing some rather peculiar numbers (Franklin, Jefferson, and Adams sitting around debating what their new country's national bird is going to be ranks among the oddest), there's no questioning 1776's staying power. --Genevieve WilliamsCustomer Reviews:
Sound Quality not perfect on CD.......2007-07-18
Before Sondheim's COMPANY and after MAN OF LA MANCHA..........2007-04-30
And as to the reviewer who was shocked that it would win out over HAIR? Listen to "Mamma Look Sharp" or "Molasses to Rum to Slaves" to hear exactly the play's political and often-unflattering ideological landscape. This was definitely a Vietnam-era play whose content was as disturbingly pertinent, then, as it is, now. And, despite all of this, the score and play never become leaden or preachy. On the contrary, each performance is a gem, and each character is witty and unique. Who knew that history could be a passionate and fun adventure?
Overrated Tony Award Winner.......2006-06-16
Brilliant, Definitive and Remarkably Accurate!.......2005-12-18
William Daniels IS John Adams to many people, and even though the story of the birth of the United States probably wasn't this lyrical and lively, Composer Sherman Edwards was historically accurate in the facts of the tale.
In addition to learning about the signing of the Declaration of Independence, this is also love story... in fact two love stories, with John Adams and his wife Abigail, separated by circumstance and interacting only in his mind, and Thomas Jefferson and his wife, Martha, here, played by the big throated (and now legendary) Betty Buckley.
There is also a sense of fraternity, with the members of the Continental Congress grappling with the concept of breaking away from a tyranical ruler. And even though you know the outcome, the story is still filled with tension and excitement in the mechanics of it. Just how DID this country get formed?
The disc's liner notes explain the show's libretto and give you some rare behind-the-scenes info about the creation of the musical, the challenges it faced before becoming the standard that it now is, and a bit about the amazing Mr. Edwards, which is a story worthy of being told as well.
It's an Independence Day must!
Saw this on Broadway .......2005-11-12
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The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BNI90O Release Date: 2005-12-13 |
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
- Lord of the Rings: The Fellowship of the Ring/The Shire
- Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
- Lord of the Rings: The Fellowship of the Ring/Very Old Friends
- Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
- Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
- Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
- Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
- Lord of the Rings: The Fellowship of the Ring/Three Is Company
- Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
- Lord of the Rings: The Fellowship of the Ring/Saruman the White
- Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
- Lord of the Rings: The Fellowship of the Ring/Strider
- Lord of the Rings: The Fellowship of the Ring/The Nazgul ...
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Weathertop
- Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
- Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
- Lord of the Rings: The Fellowship of the Ring/Orthanc
- Lord of the Rings: The Fellowship of the Ring/Rivendell
- Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
- Lord of the Rings: The Fellowship of the Ring/The Council of ...
- Lord of the Rings: The Fellowship of the Ring/The Great Eye
- Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
- Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
- Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
- Lord of the Rings: The Fellowship of the Ring/Moria
- Lord of the Rings: The Fellowship of the Ring/Gollum
- Lord of the Rings: The Fellowship of the Ring/Balin's Tomb
Tracks:
- Khazad-Dum
- Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
- The Mirror of Galadriel
- The Fighting Uruk-hai
- Parth Galen
- The Departure of Boromir
- The Road Goes Ever On (part 1)
- May It Be (composed and performed by Enya)
- The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
- Lord of the Rings: The Fellowship of the Ring/Khazad-D
- Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
- Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
- Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
- Lord of the Rings: The Fellowship of the Ring/Parth Galen
- Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
- Lord of the Rings: The Fellowship of the Ring/May It Be
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
Amazon.com
As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth VincentelliAlbum Description
An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.Customer Reviews:
Beautiful.......2007-06-15
Awesome.......2007-06-12
Excellent Music tracks from Movie.......2007-05-03
Complete?.......2007-04-07
Great Collection, Poor Packaging.......2007-04-03
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.
Music-5
Packaging-3
*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
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Big Iron World
Old Crow Medicine Show Manufacturer: Nettwerk Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FNO1DE Release Date: 2006-08-29 |
Tracks:
- Down Home Girl
- Cocaine Habit
- Minglewood Blues
- My Good Gal
- James River Blues
- New Virginia Creeper
- Union Maid
- Let It Alone
- God's Got It
- I Hear Them All
- Don't Ride That Horse
- Bobcat Tracks
Amazon.com
A concept album about gigantic household appliances taking over the world? No such luck. As the images of Hank Williams, Bob Dylan and Sun-era Elvis floating in the background might indicate, this Nashville band is strictly old school, singing about unemployed riverboat workers, covering Woody Guthrie and plucking banjos like there was no tomorrow. Produced by David Rawlings, Big Iron World boasts the expected barnstormers ("Cocaine Habit") and late-night meditations ("God's Got It") alongside a handful of folkie sing-a-longs ("Down Home Girl") and a thoroughly unexpected reference to Karl Rove. And where else are you going to hear songstress Gillian Welch banging away on the drums? --Aidin VaziriCustomer Reviews:
This aging fanboy..........2007-06-25
Cool Beans.......2007-06-08
yowch.......2007-05-12
love it.......2007-04-01
It's been growing on me.......2007-02-21
There are a few songs on the album that I still don't love: Down Home Girl has a pretty monotone, repetitive sound; Union Maid is too obviously a throw-back; and Bobcat Tracks is just hokey.
Now that I got my complaints out, though, what a great album. My Good Gal is reminiscent of my favorite Louvin Brothers song (Knoxville Girl); New Virginia Creeper demands dancing; and I Hear Them All is up there with the best of American folk political protest songs. Just a great time, great musicians, and I wish they'd come play live in New England.
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Waterloo, Tennessee
Uncle Earl Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MTPAE0 Release Date: 2007-03-13 |
Tracks:
- Black-Eyed Susie
- The Last Goodbye
- One True
- Wish I Had My Time Again
- My Little Carpenter
- My Epitaph
- Buonaparte
- Bony On The Isle Of St. Helena
- Sisters Of The Road
- Streak O' Lean, Streak O' Fat
- D & P Blues
- The Birds Were Singing Of You
- Wallflower
- Drinker Born
- Easy In The Early ('Til Sundown)
- I May Never
Amazon.com
After switching to big-name British producer John Paul Jones (of Led Zeppelin fame; he also contributes some instrumental support), this female stringband quartet continues to go wider and deeper in its exploration of acoustic Americana. On their sophomore release, Uncle Earl's balance contributes to their range. Each of the four is a virtuosic musician, all contributing vocals that blend into the buoyant harmonies of "One True," the a cappella shape-note spiritual "Buonaparte," and the field hymn "Easy in the Early ('Til Sundown)." While uptempo fare spotlights the sprightly fiddle of Rayna Gellert, banjoist Abigail Washburn sings a stark meditation on mortality in the revival of Ola Belle Red's "My Epitaph," with guitarist Kristin Andreassen illuminating the vocal purity of A.C. Carter's "The Birds Were Singing of You." As for percussion, Gillian Welch provides guest drums on "The Last Goodbye," and Andreassen's clogging serves as a rhythm track behind Gellert's fiddle on "Sisters of the Road." --Don McLeeseCustomer Reviews:
What a sound!.......2007-05-28
Another Excellent CD.......2007-05-07
Woohoo for Waterloo!.......2007-04-16
Excellent .......2007-04-11
Should be your favorite uncle..........2007-03-24
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Old School
Koko Taylor Manufacturer: Alligator Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NA2744 Release Date: 2007-04-03 |
Tracks:
- Piece Of Man
- Gonna Buy Me A Mule
- Black Rat
- Money Is The Name Of The Game
- You Ain't Worth A Good Woman
- Better Watch Your Step
- Bad Avenue
- Bad Rooster
- Don't Go No Further
- All Your Love
- Hard Pill To Swallow
- Young Fashioned Ways
Amazon.com
Go ahead and call it a comeback. Despite her advancing years and frail health following a 2003 hospitalization, Old School shows that the Queen of Chicago Blues has no intentions of abdicating her throne just yet. Koko Taylor isn't terribly prolific--this is only her third album in 14 years--but she's also never released a lackluster effort, and this is no exception. As the title suggests, you should be prepared for tough, rugged Chicago blues sung by one of the masters of the genre, regardless of gender. Taylor's legendary booming voice does show some wear, but her husky pipes, wang-dang-doodle attitude, and sheer enthusiasm will convince any skeptics that the singer is far from phoning in her performance. The disc is split evenly between originals and covers of Willie Dixon, Magic Sam, and others, all powered by a gritty yet professional no-nonsense band featuring guitarists Steady Rollin' Bob Margolin and Criss Johnson, along with the harmonica great Billy Branch. Musically, there aren't many surprises, but at this stage Taylor isn't pushing boundaries with her meat-and-potatoes diet of grinding shuffles mixed with the occasional slow blues. Knocking off a tune or two from the hour-long program might have made this a more concise, compact statement, however. Yet with songs as frisky as "Bad Rooster"--possibly an answer to the classic "Little Red Rooster"--and a strutting version of Dixon's "Don't Go No Further," there's no doubt that Taylor remains as passionate and intense as when she was first claiming her crown, nearly four decades ago. --Hal HorowitzAlbum Description
With her first album in seven years, the aptly titled Old School, Taylor once again shows the world what she does so well. From foot-stomping barnburners to powerful slow blues, Koko proves in an instant that her blues are joyous and life-affirming, powerful and soul-stirring.With Old School, Taylor brings it all back home, supported by a band of veteran musicians and young revivalists. Singing like she did for Chess Records early in her career, Taylor belts out a set of material that could easily have topped the blues charts in the 1950s, and will certainly reach the top of the blues world today.
Koko Taylor, guitarist Criss Johnson and Alligator president Bruce Iglauer produced Old School. Recorded in Chicago, the 12 songs (including five new Taylor originals and songs by Willie Dixon, Magic Sam, Lefty Dizz, and E.G. Kight) all hearken back to Taylor's early years in the Windy City. They range from the humorous truth of Piece Of Man to the rocking blues advice of Better Watch Your Step to the tough street scene of Bad Avenue (done in classic Muddy Waters style), to Koko's version of Memphis Minnie's Black Rat, a song she used to sing as a teenager. "I put my heart and soul into everything that I do," says Taylor. "I worked long and hard on Old School, and I want my fans to enjoy it as much as I do."
Customer Reviews:
Queen of the Blues.......2007-07-17
Koko's Still Got It!.......2007-07-10
Her voice still strong, still able to plead, prod, cajole and coerce, Ms. Taylor proves that no one will be pretending to ascend to her Queen of The blues throne anytime soon.
If you've always loved Koko, you'll find that nothing has changed. And that's a good thing.
YES, WE ARE IN THE BACK STREETS BUT WE ARE NOT CRYING.......2007-06-26
koko.......2007-06-16
GREAT SINGER RETURNS.......2007-06-11
Average customer rating:
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Overture of the Wicked
Iced Earth Manufacturer: Steamhammer/SPV ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PA9PME Release Date: 2007-06-05 |
Tracks:
- Ten Thousand Strong 3:53
- Something Wicked Trilogy: Prophecy / Birth Of The Wicked / The Coming Curse 18:31
Album Description
America's most successful pure Heavy Metal band has returned with the kickoff for their most ambitious project to date! Iced Earth have long been known as the champions of American Metal and have consistently delivered absolute quality for their legions of fans. Overture Of The Wicked is the opening salvo in their forthcoming two-part series that continues their famed Something Wicked This Way Comes series. The Overture Of The Wicked CDS contains a brand new song along with a re-recording of some of the Something Wicked... material. The first shot has been fired and Iced Earth is back!Customer Reviews:
Very cool return.......2007-07-13
So that's why I'm happy as hell for the return of the band and in this metal-happy musical climate of today I wholeheartedly wish Schaffer has finally his revenge and gathers the recognition that always eluded the band through 15 years of hard work and excellent music.
So what we have here is a taster of the forthcoming new album and a reworking of the classic "Something Wicked" trilogy from 1998's 'Something Wicked This Way Comes'.
Well, the new song "Ten Thousand Strong" is the first Iced Earth song we've heard written specifically for new singer Tim 'Ripper' Owens (since the 'Glorious Burden' album was written with Barlow in tow and only later was resung by Owens), and it shows; the guy is a monster singer. The song is pretty much 'Glorious Burden' fare, except perhaps a bit better. This is killer, even if simple, stuff.
No doubt the eyeopener here is the remake of the old trilogy, and so Ripper is *again* cast to repeat a Barlow performance, and one much loved by fans no less. And again, he falls short; clearly he is no match for Matt's tone and emotional delivery and comes across a bit forced and shrill sounding. The re-recording itself (I mean the music) is cool, even if I still prefere the original.
One very cool feature of this record is the return of 'Alive in Athens's excellent skinsman Brent Smedley, and if you fear after 8 years out of the band he may have lost his touch, well rest assured it's not the case because he is an absolute monster, even more than on the old days. If someone said it's Richard Christy playing, no one would doubt it, it's that good, stunning machine gun precision all the way. Another thing to mention are new axeman Tim Mills' lead guitar breaks, which are probably the best lead guitar ever featured in the band.
Finally a special mention to the excellent cover art, depicting the return of the Set Abominae character.
So all in all a very nice taster for what I hope is a killer CD to come in September, and one to finally put this great band where it has always deserved: at the top of the metal world :)
Let's just hope Schaffer manages to keep a lineup together long enough to see it happen.
IE Shouldn't Look Back.......2007-07-05
If Iced Earth and its fans can manage to look forward to the future instead of looking back at what was, then there is reason to be optimistic. This single will serve as a good primer for the full-length.
NOOOOOOOOOOOO!!!!!!.......2007-07-03
This is only four songs on a single, and only one of them is new. The new song "Ten Thousand Strong" is great. It bears traces of old Iced Earth without being the same old crap or repetitive.
Why do I scream "NOOOOOOOOOOOO!!!!!!" for the title then? The other three tracks.
The other three tracks are not re-recordings, but new versions of the "Something Wicked..." trilogy at the end of "Something Wicked This Way Comes", "Prophecy", "Birth of the Wicked", and "The Coming Curse"
I don't mind having Tim Owens sing over songs that were originally done by Matt Barlow. But they completely RE-DID these songs! They sound very little, if anything like the originals. I am sort of a music traditionalist by nature. Cover songs don't appeal to me as much as originals, re-recorded albums are never better than originals unless it's an unchanged remastering.
It's not just the lack of Barlow's deeper, more husky voice in these songs, it's a completely new guitar, bass, and drum lines used. The rhythms are done at different speeds, the moods are changed. Where once "Prophecy" was a darkly moody, brooding song, it's now something resembling generic "demonic" metal.
I look forward to the new Iced Earth album. I love Iced Earth, and if Schaffer continues to get better with age like his previous albums, I will love it. What I do NOT like is the "rewriting of history" so to speak, the re-writing of these three classic songs of the "Wicked" trilogy. Please... if you don't want Barlow's voice on them, just record Owens over the song as it was! Don't totally rewrite the rhthyms, tempos, moods, etc! It ruins it for traditionalists who have stuck with IE through the ages.
This really didn't need to be done. But it's still pretty cool........2007-07-02
First off, the trilogy sounds more produced than ever. Some parts sound really cool and dark, but in general the song just sounds more computerized and polished than the original's. One good thing, however, is the ethnic addition. The song sounds very middle eastern now, which it sort of lacked before. Anyway, I'll take the original version any day. But this version is still pretty good. Makes for a good recap before the new album comes out, but like I said it just sounds too computerized and polished. Also, I like Owens, but he can't match this song which was written with Barlow in mind.
"10,000 Strong" is unremarkable. It's just a single, so I can't complain to much, but it doesn't feel as heavy as it should be. I blame this on the mix and the production.
Fantastic single, but the redone material loses something in translation.......2007-06-28
Ten Thousand Strong: This first track is the new single, fresh material from the upcoming album, and I have to say that I love it. The riffing is a little similar, perhaps reminiscent of Declaration Day or Attila from Glorious Burden, but this song in my opinion is better than anything from that album. The harmonizing between Ripper and the backround vocals is just amazing and Ripper himself is at the top of his game here. I admit that I'm not the biggest fan of Ripper as the IE vocalist (mostly because I'm still missing Barlow) but here I think he really works. The Glorious Burden felt like an album meant for Barlow but with Ripper filling the void. This track was meant for Ripper, and I can only hope the rest of the album sounds like this. Bravo to Schaffer! 9/10
Prophecy: Here I was not so pleased. As I said, I really love the original trilogy, perhaps a little too much to deal with the changes they've made to it. This song starts out interesting, almost on a more ominous tone, but the great part about the original track is the mellow tone in the first few minutes. Here the mellow tone is replaced with heavier slow tempo guitars, so when the actual main riff starts, it doesn't pack the same punch. And the main riff itself seems palm muted to the point of not even being the same riff anymore. Instead of the loud open chords we used to have, it sounds restrained and totally misses the same feel. Ripper's vocals are pretty good here, though of course he doesn't quite capture Barlowe's haunting tone. This is a fairly dissapointing take on this track. 5/10
Birth of the Wicked: The second track is more of a success. Not much is lost in the rerecording. The guitairs, while not as chunky as in the original, aren't as badly muted as in Prophecy. There are some interesting solos in here too, really impressive ones that I dig. Ripper's vocals work pretty well here as well. It is weird to hear the clocks after the song ends and not before however, but this change is fairly insignificant. Overall, while still not as good as the original, this is a good track. 7/10
The Coming Curse: Like Prophecy, this remake severely dissapoints. I loved the piano intro in the original and they decided to omit that here. It really provided a great buildup to this epic track and jumping right into the main riff doesn't have the same affect. And once again, the main riff is greatly muted and severely loses it's punch. The drums sound way too prominent over the guitars and I keep waiting for the riff to sound more meaty, but this really never happens. Another one of my favorite parts about the original was the backing vocals, the haunting choruses that were put in about halfway through. The vocals are similar, and still fairly haunting, but here it's not as prominent and not as affective. You can really tell it's just a couple of people instead of the overwhelming presense they gave before. This once has some interesting guitar work in the middle, and Ripper's vocals still work on some level, but overall I'm dissapointed. 5/10
The new material is great, and I hope the new album stays that way. The remade trilogy is interesting as an experiment, but by no means should it be a replacement. Perhaps it will work better incorporated into the album, I don't know. Overall, I'm still greatly anticipating this album. While the trilogy does lose something, musically it is still technical and harmonic just as we expect from Schaffer. I would still recommend getting this, just take into consideration what I said about the rerecordings and you might enjoy them. This is still one of my favorite metal bands and recommend them to any fan of old school metal.
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