Man-Child

1. Hang Up Your Hang Ups

2. Sun Touch

3. Traitor

4. Bubbles

5. Steppin' in It

6. Heartbeat

Man-Child,Herbie Hancock,Sony,Electro,Funk,Fusion,Hard Bop,Jazz,Jazz Music,Jazz-Funk,Post-Bop

Jazz

Music

jazz

Tracks:

Overture
I Love You More Than You'll Ever Know
Morning Glory
My Days Are Numbered
Without Her
Just One Smile
I Can't Quit Her
Meagan's Gypsy Eyes
Somethin' Goin' On
House In The Country
The Modern Adventures Of Plato, Diogenes And Freud
So Much Love/Underture
Refugee From Yuhupitz (Instrumental)
I Love You More Than You'll Ever Know (Bonus Track)
The Modern Adventures Of Plato, Diogenes And Freud (Bonus Track)

Customer Reviews:

great first album .......2007-06-13

How they could kick Al Kooper out of this band after creating there debut god only knows.

Too bad the marriage was so short.......2007-05-15

Blood, Sweat & Tears was the total brainchild of Al Kooper. He made one classic LP with them, then left/was pushed out, they hire a singer and BOOM, they explode commercially. Talk about irony. Unlike many, though, I don't put down the Clayton-Thomas version of the band. In fact, I think that the self-titled LP was a classic of a sort. The material (all covers, right?) was well-chosen, the arrangements were tight and imaginative, the production was incredible, and Clayton-Thomas did a great job. It only lasted one album, but it was a great album.

But this is the real McCoy. A groundbreaking stunner. Had it not been for Kooper's vision, that second BS&T album could never have happened. This was the child that was father to the man. Though it has escaped grandiose status for almost 40 years, it is a stone cold classic.

B.S.& T. is Only Good with Al Kooper.......2006-11-06

This is an exceptional album.....not your typical Blood, Sweat and Tears commercialized garbage that was created after this album. This was their first album, raw and orginal, not over-produced or watered down for a top 40 audience. It is, in fact, the band driven and led by the great rock and blues musician, Al Kooper. When B. S. & T. "lost" Al Kooper, they lost everything.....fortunately, we can find what they lost in this album.

The Masterpiece.......2006-07-23

This album doesn't have any of Blood Sweat and Tears hits. However, it is the band's best album, at least from a conceptual sense. Even though every song is completely different from the last, it somehow feels like a smooth transition to go from one song to the next. This album also represents the original lineup of Blood Sweat and Tears, including the creator keyboardist (and on this album, vocalist), Al Kooper. Kooper had actually formed this band because of creative issues with Danny Kalb, the leader of another great band, the Blues Project. Kooper's experience in the Blues Project can be seen on this album, as there is still a great deal of blues infused into even the classical and r&b numbers. Some notable tracks that I especially enjoyed on this album include "I Love You More Than You'll Ever Know," "Overture," and the haunting but beautiful, "World Without Love."

Al Kooper COULD Be President of General Motors..........2006-05-23

Considering the shape they're in today, it could be a big improvement.

This was, of course, a huge sleeper in its day. Unlike the later Clayton-Thomas BST album, this one produced no "Top Ten" played hits. However, as a concept album it was great, and as one which paved the way for white-boy blues, it was something really new.

We loved them more than they'd ever know...and hey, look closely at the album cover. Take it from me - this was WAY before Photoshop.

Hipgnosis - how did they DO that, anyway??

Average customer rating:

The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE
A Landmark Classic Now Made Even Better.
A Milestone of Early Rock!
I Love it !
The Who's classic rock opera gets a 35th birthday celebration fit for a king!

Tommy

Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DJZAH
Release Date: 2003-10-28

Tracks:

Overture
It's A Boy
1921
Amazing Journey
Sparks
Eyesight To The Blind (The Hawker)
Christmas
Cousin Kevin
The Acid Queen
Underture
Do You Think It's Alright
Fiddle About
Pinball Wizard
There's A Doctor
Go To The Mirror!
Tommy Can You Hear Me?
Smash The Mirror
Sensation
Miracle Cure
Sally Simpson
I'm Free
Welcome
Tommy's Holiday Camp
We're Not Gonna Take It
See Me Feel Me/Listening To You

Tracks:

I Was
Christmas (Out-Take 3)
Cousin Kevin Model Child
Young Man Blues (Version 1)
Tommy Can You Hear Me? (Alternate Version)
Trying To Get Through
Sally Simpson (Out-Takes)
Miss Simpson
Welcome (Take 2)
Tommy's Holiday Camp (Band's Version)
We're Not Gonna Take It (Alternate Version)
Dogs (Part 2)
It's A Boy
Amazing Journey
Christmas
Do You Think It's Alright?
Pinball Wizard

Customer Reviews:

The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE.......2007-06-12

The Album is a masterpiece of all time rock n roll, even if this is "the less Who album" of the Who... but nevermind!
The Sound in both Stereo (from the original master tape discovered in the vault of UMG) and 5.1 (mixed by Pete Townshend himself) is great...
As you put the disc in your player you'll hear the great differences from the 1996 reissue even if you have only a "simple" CD player..
If You're a great Who fan and you a have SACD player buy ABSOLUTELY this album and enjoy it 'til the laser of your player won't work anymore...
The second disc is clearly for fans only but the quality of some track even if are demos or outtakes is very very good!!

A Landmark Classic Now Made Even Better........2006-12-26

One of the most important, groundbreaking amd influential albums in the history of rock and roll, The Who's 1969 magnum opus "Tommy", a rock opera about a deaf, dumb and blind kid who sure plays a mean pinball, is now better than ever thanks to the brilliance of SACD and DSD remastering techniques.

Every song on the cd sounds like it was recorded just yesterday. It is 100 % crystal clear, perfectly remixed and remastered. It gives you a clearer view of the story as well as a more pleasurable than ever listening experience. Pete Townshend and the people involved in this truly put their hearts into making "Tommy" better than ever.

The bonus disc is also worth it. A lot of awesome raritis. The liner notes are an interesting read, and the album itself is of course a masterpiece nobody should be without.

A Milestone of Early Rock!.......2006-09-29

"Tommy" is beyond question one of the big milestones of early rock. Musically the band were at the peak of their creativity.

All band members were obviously extremely talented musicians and both Roger Daltrey and Pete Townshend were/are great singers. Apart from few exceptions like "Cousin Kevin" all songs are outstanding; and it's really great to have the whole story on one CD - compared to the old double vinyl album.

Though the storyline may seem a little weird today ( to me it always did ), there is so much great music on this album.

The second bonus CD gives a very interesting insight in the developement of some of the songs. Though the sound quality is exellent CD 2 will mainly be of interest to hard-core Who fans. None of these alternate versions are better than the ones chosen for the album, though a few come close. The studio version of "Young Man Blues" which did not appear on the original album is a nice addition too!

I Love it !.......2006-09-06

I was so blind-sided by this reissue - really. I have looked at this for a few years now, but I never picked it up. My impression of this was that it had some very good music along with some dated sounding tracks, so it wasn't a high priority. I'd been having very good luck buying hybrid SACD's even though I don't own a SACD player; the CD layers benefit greatly from the DSD mastering, making them stand head and shoulders above the latest PCM remasters (there are a few exceptions), so I decided to take the plunge.

The CD layer is stunning. I must have been sitting there with my mouth open after "Overture" began. I experienced emotion that wasn't there on previous listens to this on CD and vinyl. Yes, some of the tracks still sound dated, but most of this album is very good indeed, and this remaster is so incredible. If you own a great stereo rig, I highly recommend buying this - in fact, even if you don't have a great rig, I recommend it!

The Who's classic rock opera gets a 35th birthday celebration fit for a king!.......2006-08-13

The Who's fourth studio(and fifth overall) album Tommy was released in May of 1969.
The Tommy album by The Who was the make or break for the group because if Tommy had failed, The Who would have probably disbanded due to lack of funds despite their concerts selling out based on Pete Townshend's guitar smashing and Keith Moon's drum kit demolishing at the end of each gig.
Guitarist Pete Townshend, under the gun after I Can See For Miles failed as a single in the UK(although it was their biggest ever hit here in the US) came up with a rock opera about a deaf, dumb and blind kid named Tommy whom becomes those aforementioned things after witnessing an event as a child that traumatized him(his father killing his step-father whom he considered his father).
Originally considered to be a single length album, the band felt it didn't make sense so they expanded it into a double album and the result is one of rock's Top 10 greatest double studio albums in history(alongside other classic double albums like the then-already released Jimi Hendrix's Electric Ladyland and The Beatles' White album and would help pave the way for more classics like The Rolling Stones' 1972 masterwork Exile on Main Street, The Who's 1973 release Quadrophenia, Elton John's 1973 classic Goodbye Yellow Brick Road, Genesis' 1974 masterwork The Lamb Lies Down on Broadway, Led Zeppelin's 1975 classic Physical Graffiti, Pink Floyd's 1979 masterpiece The Wall and Bruce Springsteen's 1980 classic The River among many others).
Alot of classics appear on this album like the Overture, the classic Top 20 hit Pinball Wizard, Amazing Journey, the Underture(best instrumental on here which is basically a repeat of the album's other instrumental Sparks), Go to the Mirror, I'm Free, Cousin Kevin(one of bass player John Entwistle's greatest compositions), Fiddle About(about the perverted Uncle Ernie), Tommy's Holiday Camp(another excellent ditty written by drummer Keith Moon whom did an excellent rendition in the film version of Tommy in 1975) and the classic finale We're Not Gonna Take It/See Me Feel Me.
The other tracks on the album It's a Boy, 1921(You Didn't Hear It), Eyesight to the Blind, Christmas, The Acid Queen, Do You Think It's Alright, There's a Doctor I've Found, Tommy Can You Hear Me?, Smash the Mirror, Sensation, Miracle Cure, Sally Simpson and Welcome are all great pieces as well though tend to be overlooked.
The album made The Who legends for good and peaked at #4 on the Billboard chart and was their first Gold seller(eventually Platinum).
In 1996, the album was re-released as a remastered CD but used different masters for the remixed reissue.
In October of 2003(just in time for Tommy's 35th Anniversary), Geffen Records(formerly known as MCA) re-released the album as a 2-disc Hybrid SACD with the original mix on the CD layer and a killer 5.1 mix on the SACD layer and this version uses the very original tapes that were found in Universal's vault after being said that the original tapes were destroyed by Kit Lambert in a fire. As a result of the discovery of the original tapes, the sound quality is amazing on here.
Disc two has great outtakes and demos like I Was, The Who trying to record Sally Simpson with hilarious results and instrumental versions of Tommy Can You Hear Me and Tommy's Holiday Camp among many other rarities plus a cool booklet with rare photos.
Highly recommended.

Average customer rating:

The City of Prague Philharmonic Orchestra needs a guitar player!
Persuaders Theme!
A Variety Of Classics!
Incredible Barry Collection
" one of cinema's greatest composers...John Barry"

John Barry: The Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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The Music of John Williams: 40 Years of Film Music
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ASIN: B00005BADD
Release Date: 2001-05-22

Tracks:

Zulu
From Russia With Love
From Russia With Love - 007
Goldfinger
The Ipcress File
The Knack
Mister Moses
Thunderball
The Wrong Box
Born Free
The Quiller Memorandum
You Only Live Twice
The Girl With The Sun In Her Hair
Deadfall

Tracks:

The Lion In Winter
On Her Majesty's Secret Service
On Her Majesty's Secret Service
Midnight Cowboy
Midnight Cowboy
The Appointment
The Last Valley
Walkabout
Monte Walsh
Diamonds Are Forever
The Persuaders
Mary Queen Of Scots
The Man With The Golden Gun
The Dove

Tracks:

The Tamarind Seed
King Kong
Eleanor And Franklin
Robin And Marian
The Deep
Hanover Street
The Black Hole
Moonraker
Somewhere In Time
Raise The Titanic
Body Heat
Frances
Octopussy
The Cotton Club

Tracks:

High Road To China
A View To A Kill
Out Of Africa
The Living Daylights
Dances With Wolves
Dances With Wolves
Chaplin
Moviola
Indecent Proposal
The Specialist
The Scarlet Letter
Cry The Beloved Country
Mercury Rising
The James Bond Theme

Customer Reviews:

The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09

Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.

Persuaders Theme!.......2006-03-02

Buy it for the Persuaders theme, probably the best TV theme song ever written.

A Variety Of Classics!.......2005-12-06

John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.

There is over four hours of music in this set with a colorful and informative booklet.

Incredible Barry Collection.......2004-03-11

Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.

" one of cinema's greatest composers...John Barry".......2001-07-06

This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!

Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!

Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)

You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.

Songs of Free Men/ A Paul Robeson Recital

Average customer rating:

Robeson on wax
The voice, the sound quality and the interpretation
A Voice from the 40s, often dated, often moving
Robeson at his best
some of the greatest songs of the last century

Songs of Free Men/ A Paul Robeson Recital

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Spirituals

ASIN: B0000029YJ
Release Date: 1997-12-09

Tracks:

Balm in Gilead
Chassidic Chant
Quiet Flows The Don: From Border To Border
Quiet Flows The Don: Oh, How Proud Our Quiet Don
Elijah, Op. 70: The Lord God Of Abraham
The Purest Kind Of Guy
Joe Hill
The Peat-Bog Soldiers
The Four Insurgent Generals
Native Land
Song Of The Plains
Cradle Song
Within Four Walls
By An' By
Sometimes I Feel Like A Motherless Child
John Henry
Water Boy
My Curly Headed Baby
Mah Lindy Lou
Wagon Wheels
The House I Live In
Showboat: I Still Suits Me
Sylvia
Showboat: Ol' Man River
Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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ASIN: B00062FLI8
Release Date: 2004-11-30

The Best Choral Album in the World...Ever!

Average customer rating:

I love it and I give it as a gift
MarMSED
Diverse range but the songs are butchered...

The Best Choral Album in the World...Ever!

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Only Choral CD You'll Ever Need
Gloria: Music of Praise & Inspiration
The Power & The Majesty: Essential Choral Classics

ASIN: B00002ZZH6
Release Date: 2005-06-07

Tracks:

Gloria In Excelsis Deo - Academy And Chorus Of St Martin In The Fields
Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
Zadok The Priest - Ambrosian Singers
Miserere Mei, Deus - Gerald Finley
Veni Creator Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
Lacrimosa - London Philharmonic Choir
For Unto Us A Child Is Born - Ambrosian Singers
The Heavens Are Telling - John Shirley-Quirk
Panis Angelicus - Halle Choir
Ave Maria - Groupe Vocal De France
Ode To Joy - The Westminster Choir
Va, Pensiero - Chorus Of the Royal Opera House
Chorus Of Slave Girls - Chorus Of The National Theatre Of Sophia
Coro De Romanticos - Coro Cantores De Madrid
In Paradisum - Choir Of Kings College, Cambridge
Totus Tuus - Choir Of King's College, Cambridge
Song For Athene - Winchester Cathedral Choir
Celebration - London Symphony Chorus
Jerusalem - Royal Choral Society

Tracks:

Zion Hort Die Wachter - South German Madrigal Choir
Pleni Sunt Coeli Et Terra - Charles Brett
Hallelujah Chorus - Ambrosian Singers
Thou Knowest, Lord - Choir Of King's College, Cambridge
Veni Sancte Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
Awake The Harp - City Of Birmingham Symphony Chorus
And Then Shall Your Light Break Forth - New Philharmonia Chorus
L'Adieu Des Bergers - Choeurs Rene Duclos
Agnus Dei - Peter Barley
Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
Ave Verum Corpus - Schutz Consort
Begluckt Darf Nun Dich, O Heimat - Bavarian State Opera Chorus, Munich
Vedi! Le Fosche Notturne Spoglie - Chorus Of the Royal Opera House
Laudamus Te - Radio France Chorus
Chichester Psalms - Rachel Masters
The Lamb - Vasari Singers
Agnus Dei - Winchester Cathedral Choir
Requiem Aeternam - Choir Of Kings College, Cambridge
Dies Irae - Philharmonia Chorus
O Fortuna - London Philharmonic Choir
Pomp And Circumstance March No. 1 (Land Of Hope Glory) - Royal Choral Society

Customer Reviews:

I love it and I give it as a gift.......2006-12-11

This is the first collection of choral music that I've purchased and I love it. I own copies of operas and requiems and masses, but if you attend choral concerts, as I have been recently, you learn there is a huge colletion of choral music appart from the forms I've been listening to. I appreciate the producers selecting "Song for Athene" by Tavener and "Celebration (Standing Stone)" by McCartney. They are new to me and I love them. Disk 1 ends with "Jerusalem" and Disk 2 ends with "Land of Hope and Glory." As an American I rarely hear these and I am so glad they were included. I believe this album was intended to help popularize choral music and I believe the selections do fine job towards that end.

I know snobs rage against popularizing classical music, but everyone deserves exposure to the beauty of song. I will also mention here "The East Village Opera Company" because they work to popularize opera by setting it to a rock beat. They do a fine job but also get criticized for attempting to popularize classical music.

"The Best Choral Album in the World...Ever" was so popular with my teen-age daughter that it was hard to get it back from her. I give the album as a gift to nephews and nieces.

MarMSED.......2005-08-27

The music selections are extraordinary. The only problem has to do with the balance of sound. There are some parts that are very loud, and some that are so very soft. You have to continually adjust the volume.

Diverse range but the songs are butchered..........2005-07-24

Well, this CD isn't horrible by any stretch, but it is irritating to someone who's more than a casual listener of choral music. I'm by no means as musically "literate" as many reviewers out there, but I have a collection of probably twenty-five or thirty choral CD's and this is one that will probably be gathering dust in the back of the CD book.

The peices are well-performed for the most part, but they are hopelessly edited. Beethoven's Ode to Joy is somewhere around twenty four minutes, but this CD only includes an arrangement of about five minutes. The beautiful Miserere is, uncut, almost eleven minutes but is cut down to five and a half minutes here.

Looking back, I should have realized the major editing that would be involved, just by the sheer number of peices on it. I'm familiar with a great many of them and I know they're too long to fit onto a seventy minute disc without some major cutting going on. I just didn't reason that out before I shelled out the money for it.

Bottom line. This CD has decent singing, but is nothing special. If you're a newcomer to this genre, you might get this as a quick overview of the different types of choral music out there, but if you're any kind of an avid listener, this CD will drive you insane with the severity of the cuts. Beginners, if you're looking for a great collection CD, you'd do better to look at "Choral Moods". It doesn't have the diversity in styles of this one, but it will introduce you to incredibly talented composers. To the old hats out there, steer clear of this one and look to CD's by your preferred individual composers themselves. It's more money, but much less frustration in the long run. The old sayings are sometimes the best: You get what you pay for.

Joy to the World - Eugene Ormandy, Philadelphia Orchestra

Average customer rating:

Joy To The World........a joy indeed!
If you like classical Christmas music, this is for you
"Joy To The World . . . The Lord Has Come . . . And Heaven And Nature Sing"
Christmas music done in Ormady's rich "Philadelphia Sound"
A Timeless Christmas Classic

Joy to the World - Eugene Ormandy, Philadelphia Orchestra

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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A Christmas Festival
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The Joy of Christmas

ASIN: B000003EPC
Release Date: 1990-10-25

Tracks:

Hark! The Hearld Angels Sing
Away In The Manger
The Little Drummer Boy
We Wish You A Merry Christmas
Waltz of the Flowers
What Child Is This
Sleigh Ride
The First Nowell
Carol of the Bells
O Come, All Ye Faithful
Joy to the World
I Wonder As I Wander
Good King Wenceslas
Silent Night
Jesu, Joy of Man's Desiring
Angels We Have Heard On High
Silver Bells
Messiah: Pastoral Symphony (Messiah)
Messiah: Hallelujah Chorus

Customer Reviews:

Joy To The World........a joy indeed!.......2007-03-16

This wonderful CD has everything to celebrate the great joy of the Christmas season. Recorded in the early 1970's it still sounds as fresh and timeless as it did way back then.
The orchestrations are majestic and imaginative without being mushy or too symphonic in structure.The addition of the chorus in most of the carols is an added bonus. The singers and orchestra blend wonderfully without either dominating the other too much. The programme of selected songs is excellent and with some lovely orchestra only tracks the CD is not tiring to listen to creating a well balanced programme.
Maestro Eugene Ormandy conducts the Philadelphia Orchestra with great zeal and a passion for the music that is felt by the listener.The chorus master is the very talented Robert Page and the carols are arranged and orchestrated by the great Arthur Harris.
The sound quality is excellent and the CD has been beautifully remastered without any loss of crispness or dynamics.The stereo balance and instrument placement sound superb with the singers centre stage.
This is a remarkably good CD from the RCA Gold Seal range and is a must for lovers of really good seasonal music played with love and passion for the joys of the Christmas season.
Thank you for taking the trouble to read my review and I wish one and all much enjoyment from this lovely CD.

Happy listening!

If you like classical Christmas music, this is for you.......2007-01-13

A truly great collection of classical Christmas music. Highly recommended.

"Joy To The World . . . The Lord Has Come . . . And Heaven And Nature Sing".......2006-12-15

For those of you who, like me, love traditional and old-fashioned Christmas carols with a chorus and a full orchestra, this album is just a perfect listen this Yuletide season. It's always been a delight listening to this classic Christmas CD, "Joy to the World with Eugene Ormandy and The Philadelphia Orchestra and Chorus." It creates a nostalgic feeling and an atmosphere of an old-fashioned Christmas that reminds me so much of the past Christmas celebrations I had with my late parents. This is the kind of Christmas music they so loved.

The Philadelphia Orchestra and Chorus under the direction of Robert Page performed ten of the nineteen tracks and The Philadelphia Orchestra performed the rest of the tracks without the Chorus under the baton of one of the most respected names in conducting and orchestration, Eugene Ormandy. Arthur Harris beautifully and traditionally arranged all the songs. This is one of the greatest Christmas albums ever recorded and a worthy addition to your Christmas collection.

The true essence of Christmas is captured by the artful blend of voices from the chorus combined with the sublime orchestration from the first carol, "Hark! The Herald Angels Sing" to the last piece, Handel's "Hallelujah Chorus from Messiah."

Each and every track is a highlight and sacredly performed. My top favorites are "Silent Night," Bach's "Jesu, Joy of Man's Desiring," Tchaikovsky's "Waltz of the Flowers" from "The Nutcracker," "Angels We Have Heard On High," "Away In A Manger," "What Child Is This? (Greensleeves), and "Joy To The World."

"Joy to the world
The Lord has come
Let earth receive her King
Let every heart prepare Him room
And heaven and nature sing."

Joyfully recommended!

Christmas music done in Ormady's rich "Philadelphia Sound".......2004-12-04

"Joy to the World" has Eugene Ormandy with the Philadelphia Orchestra and Chorus providing a rich selection of Christmas songs, both classical and traditional, arranged by Arthur Harris. It is the former that are most impressive, although there are fewer of them, starting with Mendelssohn's "Hark! The Herald Angels Sing" and Tchaikovsky's "Waltz of the Flowers" from "The Nutcracker," then ending with Bach's "Jesu, Joy of Man's Desire," and the "Pastoral Symphony" and "Hallelujan Chorus" from Handel's "Messiah."

Eugene Ormandy (born Jenö Blau in Budapest) was one of the most famous of the popular American conductors of the 20th century, known best for his long time relationship with the Philadelphia Orchestra. Originally gaining public notice with the orchestra when he served as a last-minute replacement for an ill Arturo Toscanini in 1931, Ormandy would serve as Musical Director in Phialdelphia from 1938 until 1980. Under his baton the Philadelphia Orchestra became known for its warm tones, textured romantic "Philadelphia Sound," which is well represented on this Christmas album. I always thought Ormandy's interpretation of Rachmaninoff was particularly strong, although I do not know enough about classical music to articulate a coherent defense of that position beyond noting that when Vladimir Horowitz played Rachmaninoff's Third Concerto on the occasion of the 50th anniversary of his Carnegie Hall debut, he picked Ormandy as the conductor of the orchestra that night.

There is over an hour's worth of music here for you to enjoy if you like more of the classical approach to your Christmas music. But Ormandy's work is always marked by an ability to bring out the emotions of music being played by a symphonic orchestra. That is why the standout tracks here are "The Little Drummer Boy," "I Wonder as I Wander," and "What Child Is This?" You would not normally think of these songs as working as well song by a chorus that by a single individual, but this album will get you to rethink your position. In terms of choirs at Christmas I still have a preference for the Mormon Tabernacle Choir and the Ray Conniff Singers (I embrace the extremes), but in terms of listening to an orchestra play Christmas music, this is as good as it gets.

A Timeless Christmas Classic.......2003-12-08

I'm a lover of traditional Christmas music and I've acquired about 20 CDs of it. There's nothing my family likes better in December than putting on some good Christmas music and getting in the mood for the season, hearing once again the old favorites you've known since childhood. Of all the Christmas music CDs I've tried, I have two desert-island favorites, the two I always reach for first. This is one of them. I think it's one of the greatest recordings of traditional Christmas music ever made. The arrangements (by Arthur Harris) are joyous, beautiful, and soul-stirring; the performances are heartfelt and magnificent. If you can listen to this CD and not feel filled by the Christmas spirit, you must be (a) named Ebeneezer Scrooge, or (b) deaf. This one is a timeless Christmas classic, not to be missed. Warmest recommendation.

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock

Average customer rating:

Ladies & gentleman: The Lord'n Savior, God Almighty
So Fashionable, and So Disappointing
A nice combination of period nad tradiitonal
Wait! Before you buy...
La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000057DB
Release Date: 1990-10-25

Tracks:

Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
Messiah: Part One - 2. Accompagnato : Comfort Ye My People
Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
Messiah: Part One - 7. Chorus : And He Shall Purify
Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
Messiah: Part One - 11. Air : The People That Walked In Darkness
Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
Messiah: Part One - 13. Pifa (Pastoral Symphony)
Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
Messiah: Part One - 17. Chorus : Glory To God In The Highest
Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
Messiah: Part One - 20. Air : He Shall Feed His Flock
Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
Messiah: Part Two - Air : 23. He Was Despised

Tracks:

Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
Messiah: Part Two - 27. Accompagnato : All They That See Him
Messiah: Part Two - 28. Chorus : He Trusted In God
Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
Messiah: Part Two - 36. Air : Thou Art Gone Up On High
Messiah: Part Two - 37. Chorus : The Lord Gave The Word
Messiah: Part Two - 38. Air : How Beautiful Are The Feet
Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
Messiah: Part Two - 43. Air : Thou Shalt Break Them
Messiah: Part Two - 44. Chorus : Hallelujah
Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
Messiah: Part Three - 46. Chorus : Since By Man Came Death
Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
Messiah: Part Three - 48. Air : The Trumpet Shall Sound
Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
Messiah: Part Three - 51. Chorus : But Thanks Be To God
Messiah: Part Three - 52. Air : If God Be For Us
Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

Average customer rating:

It doesn't get much better than this
Absolute Brilliance
maybe their best
now this album rocks!!
KICK ASS

In Defiance of Existence
Old Man's Child
Manufacturer: Century Media
ProductGroup: Music
Binding: Audio CD

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Revelation 666: Curse of Damnation
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ASIN: B00008J2KE
Release Date: 2003-03-25

Tracks:

Felonies Of The Christian Art
Agony Of Fallen Grace
Black Seeds On Virgin Soil
In Defiance Of Existence
Sacrifice Of Vengeance
The Soul Receiver
In Quest Of Enigmatic Dreams
The Underworld Domains
Life Deprived

Album Description

The fifth album from this revered Norwegian black metal act which features the talents of Galder and Nicholas Barker of Dimmu Borgir. 9 tracks. Century Media. 2003.

Customer Reviews:

It doesn't get much better than this.......2006-12-06

In 2003, three years after Old Man's Child's last album and two years after Dimmu Borgir's latest, Galder returned with two new discs (the sixth C.D. from his side project, OMC's "In Defiance Of Existence," and Dimmu Borgir's "Death Cult Armageddon"). As on other Old Man's Child releases, Galder handled nearly every instrument on this album: second guitar, vocals, bass guitar, and synthesizers. But he is, unexpectedly, not the only one on here who really gets to show off his talents: Dimmu Borgir/Cradle Of Filth/Benediction alumni Nicholas Barker (who had been hired to pound the skins on this album), goes completely nuts, beating the stuffing out of his trapkit, and driving most of these rhythms with remarkable, fast, thumping blast beats.

Like all great melodic black metal, "In Defiance Of Existence" has several pretty, tranquil parts, but it's first and foremost brutal. The heavy parts feature Galder spewing his venomous, kind of snarly vocals over cold, opaque soundscapes of fiery guitars and ultra fast double kick drumming.

But this album also has a lot of great, very refined texture and variety because several of these songs subtly slip in a touch of moody keyboards and/or acoustic guitars. And OMC aren't like some dark metal bands who either make a song completely melodic or completely heavy (with no middle ground), because many of these tracks, like "Agony Of Fallen Grace" (which has a walloping, machine gun rhythm but also includes some spacey synths), are brutal and ambient at the same time.

The record's best song might be "Black Seeds On Virgin Soil." After a melodic intro, a surging, whiplash onslaught made up of a hurricane of guitar riffs and extremely busy double bass work bursts onto the scene. Similarly, "The Soul Receiver" begins with the sounds of a symphony, but then catapults into a heavily churning, pummeling rhythm. Track seven, "In Quest Of Enigmatic Dreams," is an interlude consisting of a very pretty string arrangement, but the album goes out with a bang: "The Underworld Domains" and "Life Deprived" are both scorchers, bursting with thrashy, scalding riffs and ultra-fast, skull-cracking blast beats.

It's a shame that Dimmu's "Death Cult Armageddon" and "In Defiance Of Existence" came out the same year because when someone releases an album from both of his projects, the side project will probably always be overshadowed by the main one. Thus this disc is sometimes overlooked due to DB's bigger, wider selling, and all around better release. But, regardless, OMC is as good as any melodic/symphonic black metal group on the market today, and "IDOE" is easily one of the genre's finest releases of the past several years.

Absolute Brilliance.......2006-06-24

In Defiance of Existence is truly a landmark black metal album. As a black metal fan of over ten years now, it is an album that absolutely stands out as one of the best I have ever heard. Galder is an absolute genius and the addition of Nicholas Barker on drums completes the potential of an concept that is completely realized if not surpassed. Every song is amazing. It does not get any better. I have always marveled at how Galder nearly alone can outdo the whole of Dimmu Borgir but that is just what he does. This album is the best that OMC has ever done and is completely amazing. An absolute triumph and an essential part of any black metal fan's collection.

maybe their best.......2006-04-08

This is one awsome cd. It might end up being my favorite OMC cd. Only time will tell if thats the case. Either way Galder delivers again. Nick barker ex Dimmu,ex Cradle is the new drummer and does a great job blasting the skins for OMC.
Felonies Of The Christian Art- 8.4 Fantastic opening song. Its a typical OMC song done well. I particularly enjoy the swirling soloing between 3:14 and 3:40. Although the rest of the song is just as good.
Agony Of Fallen Grace-10+ It gets a 10+ because it might be my favorite OMC song ever. Although it does have much competition. The guitar section between 1:20 and 1:37 is especially noteworthy. It encompasses such emotion and sorrow yet beauty and grace as well. Thank god it shows up again toward the end of the song although it could have probably been made into an entire song itself. Also the drums of Nick Barker bring this song to life with a fury I havent felt in earlier OMC cds.
Black Seeds On Virgin Soil-8.2 Not as good as the previous two but hardly a letdown. OMC just dont have any filler songs. Everything has its own place on the cd. This starts out with some acoustic guitar but than bust loose into black metal intensity. Good variety of guitar in this song.
In Defiance Of Existence- 8.7 It opens with guitars and drums that evoke images of splashing waves on rocky norwegian fjords. Than Nick kicks a$$ with some double bass. Overall many fine riffs, melodies and blastbeats.
Sacrifice Of Vengeance- 9 Dont let the tranquill accoustic opening fool you. This is OMc not John Denver. 20 seconds in the riffs begin with a vengence. Nicks Drums are so good you can almost feel his sticks stinging your flesh. Thats a small sacrifice to pay to have the hellish pleasure of hearing this viking vengence. At 3:27 to 3:50 there is a magnificant seering, squawking sounding solo that blows my mind away.
The Soul Receiver 10 Awsome. Reminds me of old Dimmu. This experiance is all about the melody and the melody is good. This is a fitting anthem to the raping, pilaging reapers that once were the terrors of northern europe. Hail the vikings!
In Quest Of Enigmatic Dreams-7.5 Even the vikings needed some tranquility I guess. Pretty acoustic interlude.
The Underworld Domains-9 If in quest of enigmatic dreams was tranquil than this is a nightmare. Maybe the hardest song here or maybe not. Either way this is the underworld so what do you expect.
Life Deprived-9.5 The drums are so cool on this one combined with the buzzsaw riffs and some well placed solos. I get this mechanical impression with this one. Very hard song. A violent end yes, but what do you expect with a title like In defiance of Existance.

now this album rocks!!.......2006-03-06

muuuch better than Vermin...alot better... thats all i have to say on that subject. there was so much intensity and originality in this album you wouldnt have thought that galder was in Dimmu...unlike Vermin... barker is a great drummer yes, but stands nowhere neer the god himself...Hellhammer... i recommend this album to any melodic bm fan as well as any metal fan in general

KICK ASS.......2005-08-18

PURELY AN AMAZING BLACK METAL CD. MY FAVORITE SONGS ARE"BLACK SEEDS ON VIRGIN SOIL" "SACRIFICE OF VENGENCE" "THE SOUL DECEIVER" AND "FELONIES OF THE CHRISTAIN ART." ITS GREAT.

Average customer rating:

Man-Child...
The best from Hancock in the '70s.
A space funk masterpiece
Hang Up YOUR Hang Ups!
Great Follow-up to (2) classics.......................

Man-Child
Herbie Hancock
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Jazz Fusion | Jazz | Styles | Music

Modern Postbebop | Jazz | Styles | Music

General | R&B | Styles | Music

General | Funk | R&B | Styles | Music

Jazz Funk | Funk | R&B | Styles | Music

Electronica | Dance & DJ | Styles | Music

Jazz | Imports | Stores | Music

R&B | Imports | Stores | Music
Similar Items:

Thrust
Secrets
Sextant
Head Hunters
Flood

ASIN: B000026OWF
Release Date: 2000-06-23

Tracks:

Hang Up Your Hang Ups
Sun Touch
Traitor
Bubbles
Steppin' in It
Heartbeat

Album Details

1992 Digitally Remastered Edition of One of the Best Regarded of all the Keyboard Wizard's Solo Albums.

Customer Reviews:

Man-Child..........2007-05-17

I was a 16-year-old when I heard "Steppin' in It." If anyone had told me that this was a fusion/jazz compilation, I would have given them the following response: "I don't have a clue of what you're talking about, but I do know one thing, this music is from outer space!"

I didn't know what to make of the music on this album, but it forced me to stretch my mind to accept what my ears were taking in. As my focus was Dance music at the time, this album, though funky, was "different." It took time for me to appreciate what Herbie was laying down.

Thirty-two years later, I can look back and say, "outstanding!" Five stars for Herbie Hancock and "Man-Child."

The best from Hancock in the '70s........2006-03-21

"Headhunter" and "Thrust" tend to receive the most accolades, and both are solid albums, but this neglected gem is the most accessible and consistently funky work from this period in Herbie Hancock's career. For someone looking to experience the brilliant yet accessible sound of "Takin' Off" and "My Point of View" redone in a fusion/funk setting, this album is a great place to start.

A space funk masterpiece.......2005-03-08

A real Herbie fan would realize that there was so much inovation on this album. Check the vicious landing of the space ship traitor and the gorgeous fender on sun touch and hang up your hang ups OWWWWWWW.Some reviewers think they know Herbie because of rock it and thrust but know Herbie from his jazz tradtional to fusion to eclectic transitions and then go back and listen to manchild.Talk what you know people this album is brilliant!! Own it and be prepared!!!disc commander

Hang Up YOUR Hang Ups!.......2005-01-13

Considering that this album is the follow up to Herbie Hancock's brilliant 'Headhunters' and 'Thrust',the albums that wrote the book on the funk-jazz sound 'Man-Child' is bound to be as magical an album as the mysterious cover art suggests and it is."Hang Up Your Hang Ups" is a strident,funky blacksploitation thats chocked FULL of guitar and Moog breaks for you hip-hop samplers!Elsewhere "Sun Touch" and "Bubbles" are smoldering,drippy funky fusion filled with lush,melodic keyboard and analog synth textures."The Traiter","Heartbeat" and "Steppin In It" are harder edged uptempo funk.Overall 'Man-Child' comes off as the 'pure funk album' Herbie was planning to make with his previous two records because the jazz influences are kept to a bare minimum.For fans of fusion and mid 70's electronic Moog/ARP funk this album is a treasure but for those interested in earlier,more abstract fusion this may not be your thing.It's only a pitty that some very similar sounding and conceived albums by George Duke and Jan Hammer from roughly this same period remain out of print.It's a testament to the fact that,luckily,Hancock managed to be connected with Columbia records who have kept classic funk LP's by Herbie Hancock like this in print!

Great Follow-up to (2) classics..............................2004-07-28

I definately recommend- Headhunters & Thrust before you buy this one, but once you have those, Man-Child is just as essential. This is a killer continuation of the funk H.H. & the Headhunters started with the album of the same name. It's like "Headhunters" opened the door- "Thrust" F*@#'d S*@# up and "Man-Child" was a sweet goodbye to some of the best funk music you will ever hear....... Ya dig?

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