| 1. Love for Sale |
| 2. Masquerade Is Over |
| 3. There Will Never Be Another You |
| 4. All Blues |
Masquerade,George Benson,Thunderbolt,Contemporary Jazz,Crossover Jazz,Hard Bop,Jazz,Jazz-Pop,Pop,Quiet Storm,R&B,Smooth Jazz
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Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001FLQ Release Date: 1990-10-25 |
Tracks:
- Overture
- Think Of Me
- Angel Of Music
- The Mirror (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night
- Prima Donna
- All I Ask Of You/Reprise
- Entr'acte
- Masquerade
- Wishing You Were Somehow Here Again
- The Point Of No Return
- Down Once More.../Track Down This Murderer
Amazon.com
Highlight versions of cast recordings are by definition a compromise, and this reduction of Andrew Lloyd Webber's Phantom of the Opera is no exception. Weighing in at 59 minutes, it's over 40 minutes shorter than the two-disc version, excising many musical scenes that convey the flow and impact of the show (which include, admittedly, a lot of patter and screaming). On the other hand, all the hits are here--"Think of Me," "Angel of Music," the title tune, "The Music of the Night," "All I Ask of You," "Masquerade," and "Wishing You Were Somehow Here Again"--and Michael Crawford and Sarah Brightman are still on hand to make their distinctive contributions to the original London cast. So if you're looking for a convenient, inexpensive single disc that will let you enjoy Lloyd Webber's scrumptious melodies without having to immerse yourself in the action, this just might be for you. --David HoriuchiCustomer Reviews:
Music of the Night????????.......2007-02-28
Great short version!.......2006-12-06
A long time favorite.......2006-08-26
The Best Recording of this Show Available.......2006-04-21
1)It has the original Broadway cast, the best.
2)It cuts out the more risqu? parts of the show (believe me, there are some), making it "appropriate for the whole family."
3)The entire CD is on one disc, so you can go through the show w/o switching discs.
4)The only song that the movie soundtrack has on it that this doesn't is "Learn to Be Lonely," which appears in the credits, and isn't really a great song anyways.
Great CD.......2006-03-14
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Masquerade of a Fool
Danni Leigh Manufacturer: Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OIOG9O Release Date: 2007-05-14 |
Tracks:
- Quarter Over You
- I Thought Forever Was a Long, Long Time
- History Will Decide
- I Can Help You Find Your Heart
- Masquerade of a Fool
- Shame on Me
- So Called Friend
- Damned If I Do
- Was It Worth It to You
- Day by Day
- Unfinished Kiss
Album Details
With her New Album "Masquerade of a Fool" Danni Leigh Returns to her Roots. With her Patented Whiskey Drenched Vocal Delivery Echoing Country Music's Greatest Traditionalists Danni Continues with the Neo-honky-tonk Album Where "29 Nights" (Decca/Universal) Ended. Danni Leigh Put Together a Collection of her Favorite Original and Unreleased Songs, Recorded in Nashville, Tn. All Songs Are Co-written by Danni Leigh Together with Some of the Finest Songwriters of Today's Country-scene Such as Big Kenny (Big and Rich).Customer Reviews:
Danni's back to her country roots and better than ever!.......2007-07-10
Danni's fourth and best album!!.......2007-07-07
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Khachaturian: Masquerade Suite; Kabalevsky: The Comedians; Tchaikovsky: Capriccio Italien; Rimsky-Korsakov: Capriccio Espagnol / Kondrashin
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000GV4H Release Date: 1999-01-12 |
Tracks:
- Masquerade Suite: Waltz
- Masquerade Suite: Nocturne
- Masquerade Suite: Mazurka
- Masquerade Suite: Romance
- Masquerade Suite: Galop
- The Comedians, Op. 26: Prologue
- The Comedians, Op. 26: Comedians' Galop
- The Comedians, Op. 26: March
- The Comedians, Op. 26: Waltz
- The Comedians, Op. 26: Pantomine
- The Comedians, Op. 26: Intermezzo
- The Comedians, Op. 26: Little Lyrical Scene
- The Comedians, Op. 26: Gavotte
- The Comedians, Op. 26: Scherzo
- The Comedians, Op. 26: Epliogue
- Capriccio italien, Op. 45
- Capriccio espagnol, Op. 34: Alborada
- Capriccio espagnol, Op. 34: Variazioni
- Capriccio espagnol, Op. 34: Alborada
- Capriccio espagnol, Op. 34: Scena e canto gitano
- Capriccio espagnol, Op. 34: Fandango asturiano
Amazon.com
Kondrashin came to the U.S. in 1958 to conduct concerts for Van Cliburn. While he was recording the Tchaikovsky First Piano Concerto with Cliburn, RCA also had him make these recordings (originally two LPs) with pickup musicians in New York's Manhattan Center. The nucleus of the orchestra was composed of members of the old NBC Symphony, and the ensemble plays splendidly, with violinist Oscar Shumsky earning his solo credit. Kondrashin leads spirited performances of these warhorses, mostly music so vulgar we should be ashamed of enjoying it as much as we do. RCA's famous "Living Stereo" sound has transferred splendidly to this CD, making it an exquisite, guilty pleasure. --Leslie GerberCustomer Reviews:
Four Enjoyable Performances.......2005-10-06
The opening brass fanfare of Tchaikovsky's Capriccio italien is precise and impressive, making it my favorite recording of this work.
The performance of Rimsky-Korsakov's Capriccio espagnol is as good as anyone else's, with a full sound.
The real reason to have the disk is the inclusion of two obscure pieces, Masquerade Suite by Khachaturian and The Comedians by Kabalevsky. The former shows the surface gaiety and underlying tensions at a costume party. The latter is music depicting a troupe of clowns. Both get a lively, engaging treatment.
All four pieces are played with brio and are a joy to hear.
A Classic!.......2005-06-19
Get It To Listen Masquerade Suite (Others Are Alright...).......2004-02-17
The CD leaflet is quite informative to describe the life of Khachaturian in writing the Masquerade Suite. So, it is worth the price of the CD since it provides more information about a relatively obscure composer. I think the music really got my attention and interested in learning about where Khachaturian got his influence.
The other pieces are a mixed bag and probably depends on what your tastes are. I personally found Kabalevsky not to be quite memorable since there are no distinct theme. It's a different style which takes time to appreciate. To me, it sounds very modern like Aaron Copland which doesn't appeal to me. It is really a progression from romatic to modern music.
Tchaikovsky is much more like what you are used to from him. Expect lush and some beautiful tunes. It is not played often so you will not be humming this immediately. So, you just have to listen to it a while. It is pretty slow with highs and lows which means more patience to detail.
Rimsky-Korsakov is more exciting and probably what you expect in this CD. This probably would make sense if the entire CD would focus on strong movements like this one. I guess that is the drawback when a CD album comes out. You are sure to really want to hear one piece but the others are not up to par. However, even popular CDs you buy is a mixed bag so this is not unlike in this regards. So, I would recommend listening to the samples and then decide to buy it. You will love Khachaturian but probably won't feel the same about the others.
Simply BEAUTIFUL!.......2003-02-06
But it's his Masquerade Suite I love the most. Khachaturian's music has a feel as if it should come from a contemporary of Saint Saens, instead of one living and composing in the 20th century (he died in 1978). I danced to this as a ballet dancer, and I don't know any music quite so filled my heart and soul.
Few composure can imbue their music with so much passion. The Masquerade Suites' Waltz, Romance and Nocturne are just breathtaking.
I had to hunt and hunt to find this on a record, so I so delighted to see it on CD!!
Just is nothing as beautiful! To think this same composure also gave us the Gayne Ballet and Spartacus is simply amazing.
So discover the beauty of Khachaturian!
A rollicking good time.......2000-10-17
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The Orphans
Kristeen Young Manufacturer: Test Tube Baby ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PRGN36 |
Product Description
11-track CD on Test Tube Baby, 2006.
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Barber: Concerto for violin Op14; Korngold: Much Ado about Nothing Op11
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GLX Release Date: 1994-08-16 |
Tracks:
- Concerto For Violin And Orchestra Op. 14: 1. Allegro
- Concerto For Violin And Orchestra Op. 14: 2. Andante
- Concerto For Violin And Orchestra Op. 14: 3. Presto in moto perpetuo
- Concerto For Violin And Orchestra In D Major Op. 35: 1. Moderato nobile
- Concerto For Violin And Orchestra In D Major Op. 35: 2. Romance: Andante
- Concerto For Violin And Orchestra In D Major Op. 35: 3. Finale: Allegro assai vivace
- Much Ado About Nothing - Suite Op. 11: 1. The Maiden In The Bridal Chamber - Lento - Molto moderto, With Charm And Grace
- Much Ado About Nothing - Suite Op. 11: 2. Dogberry And Verges. March Of The Watch - In The Tempo Of A Grotesque Funeral March
- Much Ado About Nothing - Suite Op. 11: Scene in the Garden - Molto espressivo
- Much Ado About Nothing - Suite Op. 11: Masquerade: Hornpipe - Animato
Amazon.com
There have been so many great recordings of all of the important masterpieces that critics and listeners are often justified in thinking that there's no point in recording them yet again. Then along comes a recording like this one, which revives one's faith in the future of classical music. Gil Shaham is competing with classic performances by Isaac Stern in the Barber, and Jascha Heifetz in the Korngold. And he's as good as either of them, not to mention far more impressively recorded. In particular, the Korngold Concerto--a masterpiece just now coming into its own--has never sounded so resplendent. What a great disc! --David HurwitzCustomer Reviews:
great performance, substandard recording.......2006-10-15
To begin, there are some real dynamics problems with this recording. Its as if the orchestra was recorded using overzealous compression while the soloist was placed front and center with artificially exaggerated levels. I am sure the other reviewers would have to admit that Mr. Shaham was placed way to forward in this recording. His violin sounds enormous!
Second, and this is very curious considering this was a studio recording, Mr Shaham's violin begins to go out of tune in the second movement. It is only the lower strings, but it is very evident to my ears-this resolves itself as the music climbs higher, but I am shocked that no one stopped the recording session to address this.
I will say that the performance is excellent, particularly the conducting, as the dynamics in the score, especially at the end of the second movement, are very well articulated by Mr. Previn. While Mr. Shaham is excellent, I feel the emotions of this piece, for whatever reason, are better served by a female player. I have seen Hilary Hahn perform this piece live, and I believe she understands the intentions of Barber to the letter.
All in all, a very good effort by the performers, a seriously questionable effort by the recording company and especially those overseeing this recording session.
One Of Gil Shaham's Best Concerti Recordings.......2004-02-15
Excellent music.....Excellent performance............2003-12-28
even if you are not a fan of Barber or you are not into his music this Cd is highly reccomended...
M. Can EL
Barber/Korngold - Shaham/Previn, REALLY GOOD!.......2003-09-05
Great recording of the best lydian melody ever written.......2003-04-12
I love the Heifetz recording and respect it because he has that sound that no one can come close to but I much prefer this recording because of the great tone and because I like Shaham's vibrato alot more. There is so much more warmth and expression when I listen to this recording of the Korngold.
The concerto by Barber is also a terribly fresh and original work. The third movement has intense energy like a tornado forming and shaham plays with a great sence of control and maturity in his playing. I have several recordings of the Barber concerto and this is a good one but I dont really think I have a favorite recording because I like my other recordings by Kogan, Oliveira, Hahan, and Perlman. The Barber is a great concerto and should not be ignored.
I play this CD when I want to hear the Korngold but I still play the Heifetz also, both recordings are important to me. I don't really think that Heifetz played it any better.
I understand there is a DVD of Kavakos playing the Korngold but only available in foreign countries, how sad.
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The Masquerade Overture
Pendragon Manufacturer: Snapper Classics UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007YNRRM Release Date: 2005-05-31 |
Tracks:
- The Masquerade Overture
- As Good As Gold
- Paintbox
- The Pursuit Of Excellence
- Guardian Of My Soul
- The Shadow
- Masters Of Illusion
- The Last Man On Earth (Live)
Customer Reviews:
Top of the line.......2007-01-05
5 stars.......2006-02-25
superb masterpiece.......2005-06-14
This is symphonic melodic prog music from the first piece to the last. For those who already know Pendragon, this album is as good as "The World" or "Window of life". This is also their best selling album (at least before "Not of this world" come out).
See on the DPRP progressive music site for critical review and more details.
Fantastic progressive music.......2005-06-13
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The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast)
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000072VS Release Date: 2002-11-26 |
Tracks:
- Prologue-The Stage Of The Paris Opera House, 1911
- Overture
- The Dress Rehearsal Of Hannibal
- Think Of Me
- The Mirror... (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night
- Notes/Prima Donna
- All I Ask Of You
- I Gave You My Music...
- Entr'acte
- Masquerade
- The Graveyard
- Wishing You Were Somehow Here Again
- Wandering Child.../Bravo Monsieur...
- The Point Of No Return/Down Once More
- The Phantom's Lair
Amazon.com
A few years after The Phantom of the Opera debuted in London, Harold Prince unveiled Andrew Lloyd Webber's gothic musical in Canada, in 1989. It was so good that this recording of highlights from the Canadian cast is--dare we say it?--more enjoyable than the equivalent London cast highlights album. No, it doesn't have the authenticity of London principals Sarah Brightman (for whom then-husband Lloyd Webber wrote the role of Christine) and Michael Crawford, but it doesn't have their idiosyncrasies, either, and it does have the richer voices of Colm Wilkinson and Rebecca Caine (who played Jean Valjean and older Cosette, respectively, in the 1985 London cast of Les Misérables). At 69 minutes, the Canadian album is also 10 minutes longer than the London, allowing inclusion of the prologue and dress rehearsal for Hannibal. Of course, Lloyd Webber's melodies--"Angel of Music," "The Music of the Night," "All I Ask of You," "Wishing You Were Somehow Here Again"--are scrumptious on any continent. --David HoriuchiAlbum Description
1990 Polydor release featuring highlights from Andrew Lloyd Webber's epic musical by the Original Canadian Cast, including Colm Wilkinson and Rebecca Caine. Directed by Harold Prince, it features 17 tracks, including 'Think Of Me', 'Notes/ Prima Donna', 'Masquerade' and 'Wishing You Were Somehow Here Again'.Album Details
Contains highlights from the Andrew Lloyd Webber brainchild performed in Ottawa, Vancouver, Montreal & Calgary during April, 1991 through September, 1992. Stars Colm Wilkinson & Rebecca Caine in leading roles.Customer Reviews:
Iffy.......2007-01-22
And Colm Wilkinson as the Phantom? Whose idea was that??? I really do not like his voice, even as Valjean in Les Miz. I highly doubt he's a strong enough singer to pull of "Music of the Night" the way Michael Crawford or Hugh Panaro (best Phantom EVER) can.
If, however, this was on iTunes, I'd jump at the chance to get Rebecca's songs!
Rebecca Caine is what made me buy this album........2006-12-04
As for everything else...
Honestly, Colm Wilkinson cannot sing. His voice is just too weak for the role. Like one of the reviewers before me said, he's no Michael Crawford, not even Gerard Butler. Maybe I should hear him sing in Les Miserables to appreciate his voice.
As for Byron Nease, he's okay, but I've easily heard better.
In all, the album's okay, but there are many better recordings.
Very Nice!!!!.......2006-08-25
Apart from that Rebecca Caine is a stunning Christine!!!! And at times seems to me to be...dare I say.... better than (my personal favourite singer) sarah brightman, Ms. Caine's "Think Of Me" blew me away, it was very inspiring....
Overall the rest of the cast is very good as well and if you are a true "phan" this is a must have CD very much worth its price!!!!
NOT AS GOOD AS THE LONDON CAST RECORDING.......2006-07-02
Phantom, with its operatic and lush melodies, intensive story and grandiose staging, remains one of the best and most beloved musicals of all time.
The musical is based on the Gaston Leroux's novel of the same title. It is set in the second part of the 19th century Paris and its famous opera house. The young soprano, Christine, is discovered as a talented young opera singer in the opera house. She is noticed by an old childhood friend, Raoul, and they fall in love. However, we find out that a third person, the mysterious Phantom, hiding behind a mask, is a musical genius who had been giving Christine singing lessons and who has developed a mad passion for his young pupil. He hides in the catacombs of the opera house, lurking on the outside world. He is determined to keep Christine for himself and the story evolves from here.
Apart from this interesting plot, the audiences were swept away by Lloyd Webber's tremendous score, which probably remains his best work. It combines the beautiful love songs and sweeping operetta-like arias, with numerous orchestral leads and crescendos. You can't help but being charmed by this beautiful and haunting score. The large numbers, especially, the last one, will probably move you deeply. The most popular numbers are "The phantom of the opera", a vibrating duet between Christine and the Phantom; "All I ask of you", a lovely love duet between Christine and Raul; Phantom's mesmerizing voice will hold you till the end in "The music of the night", Christine in "Wishing you are somehow here again" will evoke sadness, and many more.
One of the main reasons for the early success of this show and this recording was its original London cast. All of the three principals: Sarah Brightman as Christine, Michael Crawford as The Phantom and Steve Barton as Raoul gave the performances of their lives. Michael Crawford's take on the role of The Phantom became stuff legends are made of, due to his amazing vocalisation and the powerful, almost hypnotic attraction in his voice and performance, exactly how the Phantom is supposed to sound.
The lyrics by Richard Stilgoe and Christopher Hampton are the weakest link here, but they manage to convey the basic story.
After the show's success in London and on Broadway, the Canadian production was mounted and it premiered in Toronto's Pantages Theatre in September 1989. This CD captures the highlights of that production. All the important musical numbers are here, however, the problem is the cast, that is, some of them. Colm Wilkinson is a great singer, his interpretation of Jean Valjean being the best example. Unfortunately, he doesn't have what it takes to play the Phantom. His interpretation lacks the depth of Michael Crawford and he struggles to stretch his voice, especially on the high notes. Overall, he sings too deep for the role, sounding as if he is still in Les Miserables. Still, he is much better than the mediocre performance Gerard Butler gave in the 2004 movie version. Rebecca Caine is a fine Christine, her soprano has no problem of getting into the character. Byron Nease, who plays Raoul, also fails to deliver, sounding too old and squeaky. The unwritten rule of the musical theatre, that the miscasting can affect the best of materials, is regrettably evident here. There is also a minor problem with the orchestrations, since some parts have a faster tempo than in the original. The aficionados will notice small lyrical changes in comparison with the original cast recording.
The CD comes with a synopsis (a rear treat in the Andrew Lloyd Webber's cast recordings), the lyrics and production photos.
This recording works best as an addition to the existing Phantom collection. For the first time listeners, I highly recommend the 2-disc 1986 London Cast Recording. Not only does it feature almost the entire musical, but also the cast is much, much better, as well as the orchestrations, which have a more classical touch.
I liked Colm Wilkinson better in Les Miz.......2006-05-12
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La Masquerade Infernale
Arcturus Manufacturer: Candlelight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009Z4JO Release Date: 2003-08-12 |
Tracks:
- Master of Disguise
- Ad Astra
- Chaos Path
- Masquerade Infernale
- Alone
- Throne of Tragedy
- Painting My Horror
- Of Nails and Sinners
Album Description
Reissue of this long out of print and very astonishing album (originally released in 1997). Dark, evocative and symphonic, this album created a new level not just for metal but music altogether. This is essential! Candlelight.Customer Reviews:
Oh those things I saw in dreadful masquerade..........2006-11-06
As the album is dedicated to: "The Perilous Quest of the Faustian Spirit" the themes of infernal deception and damnation take center stage and permeate everything about the music. The approach taken is rather novel, they make everything from the vocals to the samples as evil as possible without using any of metal's usual bag of tricks. The vocals are clean, although delivered in doomed operatic odd tones and at times sound truly like a chorus of the goats of Hell. Perhaps the only BM trait Arcturus retain is the thin guitar low in the mix, making the bass drive the rhythm while the guitar paints the landscape. This technique is used to maximum effect since the keyboards make up the most of mix anyway, you really appreciate the great riffs and climactic solos more when they're a secondary device. Sverd's keyboard work is really something special, using looping to maximum effect you'll hear so many symphonic elements going on I promise you'll lose count of how many layers he must be using, and this coming from a man who usually cringes when he hears keyboards in metal. The final coffin nail is the legendary Hellhammer, for the most part issuing restraint and focusing on precision, yet still pounding out ferocious double bass and grinding blast beats in sparse amounts.
All these elements come together in dark, cinematic, and ultimately beautiful compositions. La Masquerade Infernale is rightfully regarded as their best work, a recording that defies genre and convention to this day. Playfully menacing and casually evil, Arcturus take you to Hell and make you never want to leave.
An acclaimed masterpiece.......2005-05-04
REALLY HARD TO PUT IN ANY .......2004-12-29
IF YOU ARE A "METAL"FAN LOOKING FOR SOMETHING DIFFERENT,AND ARE OPEN MINDED AND CAN LOOK PAST THE LACK OF BLAST BEATS,COOKIE-MONSTER VOCALS AND TOTAL DOWN-TUNED [...] GUITAR,THIS JUST MAY BE ONE OF YOUR NEW "FAVORITE CD'S OF ALL TIME".
truly beyond metal.......2004-08-14
Progressive Black.......2004-01-21
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Nielsen: Aladdin Suite; Pan and Syrinx; Saga Deam; Maskarade Overture; Helios Overture
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A17GDS Release Date: 2005-08-16 |
Tracks:
- The Festival March
- Aladdin's Dream And Dance Of The Morning Mist
- Hindu Dance
- Chinese Dance
- The Marketplace In Isaphan
- Dance Of The Prisoners
- Negro Dance
- Cupid And The Poet (Amor Og Digteren), Op. 54
- Saga - Dream ( Saga-Drom) Op. 39
- Helios Overture, Op. 39
- Overture
- Prelude To Act II
- Pan And Syrinx (Pan Og Syrinx), Op. 49
Customer Reviews:
A lovely potpourri of Nielsen outside the symphonies.......2006-02-07
The two pieces that deserve to be promoted to the level of Sibelius's best tone poems are the Saga-Dream, which is both static and ecstatis, and the tone poem Pan and Syrinx, which despsite a title that would baffle most modern listeners unfamiliar with the crannies of Greek mythology, is as spicily varied as Nielsen's mature symphonies. I expected more from Cupid and the Poet, but it came off as bits and pieces from the anarchic Fifth Symphony. The two best-known works, the Helios and Maskarade Overtures, have been much better performed by Esa-Pekka Salonen and his Sweidsh orchestra on Sony. South Jutland isn't ready for the world stage, but it's given Nielsen lovers everywhere a valuable colleciton.
Excellent Recordings.......2005-12-28
The overture to the opera Maskarade has enjoyed much more success than the opera itself. The sprightly music is very ear-catching and literally bursts on the audience like the Marriage of Figaro. Pan et Syrinx was composed following the Fourth Symphony and reflects the advances in orchestration the Nielsen reached in the symphony. The extended percussion section makes use of the xylophone, tambourine and glockenspiel.
The music is beautifully recorded and played by the South Jutland Symphony Orchestra and makes a fine introduction to Carl Nielsen's music or a nice addition to ones collection.
2 Great Pieces and a Few Good Ones.......2005-12-06
"Fantasy Voyage to the Faroes" is a beautiful seascape piece that you will want to play again and again. Both of these great tone poems are well preformed.
The other pieces on this CD are good, but they are mostly for lovers of Nielsen's music.
Fleshing Out the Library of Carl Nielsen's Works on a Shoestring.......2005-10-26
Nielsen's opera 'Maskarade' receives performances in Denmark and now some smaller opera companies and universities are giving it presence, and if the entire opera follows the pleasures of the Overture, we should hope for greater exposure. The 'Helios Overture' is more of a tone poem then overture in its structure: it makes sonically visual the play of the sun on the sea both at sunrise and sunset. 'Pan and Syrinx' while short suggests some of the wonderful percussion writing found in 'The Inextinguishable' symphony without the overtones of war. 'Saga Dream' is simply Nielsen at his best and for those who know the symphonies, this will conjure the majesty of the 'Sinfonia Espansiva' and the 5th, while for those unfamiliar with the symphonies will gain a quick course on why they are so well loved.
This very affordable album is a must for those who love Carl Nielsen and also a very fine introduction to those for whom this will be an introduction to an important 20th Century master. Highly recommended. Grady Harp, October 05
Superb Shorter Orchestral Pieces by Nielsen.......2005-09-02
All are given really quite good performances. Clearly this orchestra and its Swedish chief conductor have this music in their bones. My own favorite of these is the evocative 'Helios Overture' that Nielsen wrote after he and his wife took a trip to Greece; it portrays the sun rising and setting over the Aegean Sea, and unlike some tone-poems, it actually conjures up in sound those phenomena. I'm particularly fond of the contrapuntal section that always makes me think, 'Aha, a fugue of sunbeams.'
The jolly 'Maskarade' Overture is another favorite of mine, but perhaps best of all is the contemplative 'Saga-Dream' ('Saga-drom'), Op. 39, that has some of Nielsen's most beautiful melodies, including some really quite Brucknerian writing for the horns. 'Pan and Syrinx', Op. 49, is thought by some to be Nielsen's finest short tone poem but it doesn't quite measure up, in my books, to that assessment. Still, it contains reminders of Nielsen's unique approach to orchestral timbre, and it includes one of Nielsen's characteristic raucous outbursts from the percussion section (similar to that in his Clarinet Concerto).
Most intriguing of all, though, is the 'Aladdin Suite.' Written in 1919 as incidental music for a play by Adam Oehlenschläger, it has all the gestures that later came, via movie music, to be associated with music from the mysterious Middle East, including the most amazing section, called 'The Marketplace at Ispahan,' that out-Iveses Charles Ives in its overlay of four distinct musics in different keys and meters; it quite effectively calls to mind the multifarious activities of a busy marketplace. It really must be heard to be appreciated. Willén and his orchestra manage to keep all four planes of sound quite distinct and yet they meld into a glorious whole.
Considering that this is a budget issue, and that is contains masterful performances of some of Nielsen's finest music, this CD is a must-buy.
TT=67:56
Scott Morrison
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Joe Ely/Honky Tonk Masquerade
Joe Ely Manufacturer: Bgo - Beat Goes on ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004U682 Release Date: 2000-09-11 |
Tracks:
- I Had My Hopes up High
- Mardi Gras Waltz
- She Never Spoke Spanish to Me
- Gambler's Bride
- Suckin' a Big Bottle of Gin
- Tennessee's Not the State I'm In
- If You Were a Bluebird
- Treat Me Like a Saturday Night
- All My Love
- Johnny's Blues
- Cornbread Moon
- Because of the Wind
- Boxcars
- Jericho (Your Walls Must Come Tumbling Down)
- Tonight I Think I'm Gonna Go Downtown
- Honky Tonk Masquerade
- I'll Be Your Fool
- Fingernails
- West Texas Waltz
- Honky Tonkin'
Album Description
UK reissue combines the country outlaw's first two albums, ' Joe Ely' (1977) and 'Honky Tonk Masquerade' (1978), together on one CD. 2000 release. Standard jewel case.Album Details
Digitally Remastered 2-On-1. One of the Clash's Favorite Rocker's First Two Brilliant Albums from his Progressive Country Days. Includes 'I Had My Hopes Up High', 'Fingernails' & 'West Texas Waltz'. Features Butch Hancock.Customer Reviews:
The original vinyl is an ancient memory..........2006-03-04
Looking back on it now, living in Lubbock when Joey and the boys first took flight was a distinctly treasured time. Whether at the old Cotton Club on Highway 84, or the long defunct (and always funky) Fat Dawg's on 4th Street, his band never failed to bring the house down. Just like Stevie Ray Vaughn at Stubb's B-B-Q on east Broadway, as good as Joey's early recorded music is, it only hints at the foot-stomping jaw-dropping good-timing sessions his crew could lay down in a small club atmosphere.
As mentioned elsewhere, Jesse "Guitar" Taylor and Lloyd Maines each made their presence well-felt while Joey belted out the vocals. Lloyd's pedal steel wailed when called upon. Before hearing Lloyd, I used to think the only electrified guitar worth listening to hung from a shoulder. And the accordian-squeezing land surveyor P. Bone always added just enough funkiness to the mix so that you didn't completely lose your head. Guest appearances by other local talent, including my ex-boss, Tommie Anderson (may he rest in peace), always added a little bit of variety to make each show unique. You always knew where you were eventually gonna' get to with Joey, you just never quite knew exactly how.
It's too bad they won't let you listen to the samples here. This studio disc captures what it can of that early Ely music, and it's still a favorite. The two-fer is a great deal. Buy it, listen to it a couple times with a beer or two in tow, and just try not to smile. Go ahead and sing along...it won't hurt ya'.
If Buddy could hear the music now.......2006-02-26
Honky Tonkin'.......2005-07-14
Honky Tonk Masquerade was picked by Rolling Stone as one of the best albums of the 1970s. This disc contains some of the best work Joe Ely has done.
Terrific Texas Music and Essential.......2003-07-28
"Honky Tonk Masquerade" is even better, though. It's songs are full of rich imagery and a sound that mixes honky tonk, Tex-Mex and rock and roll into a satisfying brew all its own. I never get tired of listening to these albums. And with both on one disc, it makes it even sweeter. You can't go wrong getting this disc!
Joe Ely's Country-Rock Masterpieces.......2001-02-07
On both albums the band included lead guitarist Jesse Taylor and steel guitar player Lloyd Maines. Accordian player Ponty Bone was brought on board for the second album (tracks 11-20). While these two albums may not have quite the same energy level as 1981's Live Shots, these two albums come awfully close.
In addition to being a powerful singer, Ely is an excellent songwriter. He wrote ten of the tracks here, including the rocking "Cornbread Moon," the plaintive "Honky Tonk Masquerade" and the Jerry Lee Lewis-inspired "Fingernails." Except for the Hank Williams classic "Honky Tonkin'," the other nine tracks were written by his former Flatlanders bandmates and fellow Texans Butch Hancock and Jimmie Dale Gilmore. Hancock wrote the gorgeous "She Never Spoke Spanish To Me" and the hilarious "West Texas Waltz," among others. [Note: On 1995's Letter To Loredo, Ely recorded Hancock's follow-up song "She Finally Spoke Spanish To Me."] Gilmore contributes "Treat Me Like a Saturday Night" and "Tonight I Think I'm Gonna Go Downtown."
While Ely's record sales never matched his critical acclaim, these are essential purchases. Almost twenty-five years later, Ely still is making quality music--his latest is last year's Live At Antone's--but this is the place to start. ESSENTIAL
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