Steppin' Out

Steppin' Out

Track Listings

 
1. Steppin' Out
2. Melody for Jaco
3. Love Song
4. Spring Can Really Hang You up the Most
5. Conflict of Colour
6. Patrocenio
7. Has Anybody Heard from Mickey P?
8. Big Greaze
9. Dance Farewell [*]

Steppin' Out,David Torkanowsky,Rounder Select,Jazz,Jazz Music,Modern Creative,Neo-Bop,Pop,Post-Bop

Jazz

Music

jazz

music
Steppin' Out/Very Best of Joe Jackson
Average customer rating: 5 out of 5 stars
  • All Joe All the Time
  • Amazing!
  • He's the man
  • Steppin' Out / Very Best of Joe Jackson
  • Fantastic collection
Steppin' Out/Very Best of Joe Jackson
Joe Jackson
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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  1. The Very Best of Elvis Costello
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  4. Night and Day
  5. Look Sharp!

ASIN: B00005J9TZ
Release Date: 2001-05-22

Tracks:

  1. Is She Really Going Out With Him
  2. Sunday Papers
  3. One More Time
  4. Got The Time
  5. Look Sharp!
  6. Fools In Love
  7. On Your Radio
  8. It's Different For Girls
  9. I'm The Man
  10. Friday
  11. Don't Wanna Be Like That
  12. The Harder They Come
  13. Enough Is Enough
  14. Beat Crazy
  15. One To One
  16. Biology
  17. Someone Up There
  18. Jumpin' Jive
  19. Real Men
  20. A Slow Song

Tracks:

  1. Another World
  2. Steppin' Out
  3. Breaking Us In Two
  4. Memphis
  5. You Can't Get What You Want (Till You Know What You Want)
  6. Happy Ending
  7. Be My Number Two
  8. Right And Wrong
  9. Home Town
  10. Precious Time
  11. Down To London
  12. Me And You (Against The World)
  13. Rant And Rave
  14. Nineteen Forever
  15. Obvious Song
  16. Stranger Than Fiction
  17. The Man Who Wrote Danny Boy
  18. Stranger Than You

Amazon.com

The two-CD Steppin' Out trawls the recorded career of an ambitious artist whose work has ranged from reggae-inflected new wave to classical crossover. Cosmopolitan even at his most punky, former Royal Academy of Music student Joe Jackson found his greatest success with Night and Day, a blend of pop and Latin flavors that produced highly memorable tracks such as this retrospective's title song, "Another World," and "Breaking Us in Two." That very sophistication, however, has often proven the downfall of some Jackson discs and ultimately blurred his musical identity beyond the focus that, say, Elvis Costello has maintained through many stylistic shifts. Even powerful early music--such as several cuts from 1980's dub-wise Beat Crazy--is marred by sledgehammer irony, while excerpts from later albums are anything from tastefully bland to downright irritating. --Rickey Wright

Customer Reviews:

5 out of 5 stars All Joe All the Time.......2007-04-12

This is the definitive Joe Jackson cd. It's all his performance songs and hits rolled into a great double cd set. Every time I think to see if I would skip the next song I change my mind, it's like I just ran into an old best friend and I spend the night sit, drink coffee and talk all night.

4 out of 5 stars Amazing!.......2006-11-08

Joe Jackson is really underrated artist. Very mid-english timeless feeling (pubs, clubs, broken hearts, endless struggle for better life, football hooligans and finally - everything around us full of beauty).
The songs touched by a lot of eclecticism and sometimes remind you The Police, Todd Rundgren's Utopia, Billy Joel and Elvis Costello.
Musthave item for all music fans.

5 out of 5 stars He's the man.......2006-08-26

This is a 2 CD retrospective on Joe Jackson 1979-2000 studio works (no live cuts). Rightfully so, it focuses on his more popular early work while just sampling his later more experimental works.
His earlier rock LPs were great cut for cut and the many cuts featured from these LPs bear this out. There's a few rarities included here for the serious fans and the later cuts will give a flavor of those efforts while not getting into great depth. In his varied career, Jackson has had many highlights and this set does as good a job as possible of featuring his best.

5 out of 5 stars Steppin' Out / Very Best of Joe Jackson.......2006-08-24

Great CD, I had never owned any of His work before, I had only heard the radio hits. Very strong songs with good lyric and great groove..

5 out of 5 stars Fantastic collection.......2005-08-29

Joe Jackson can be something of an acquired taste, but apart from his regrettable experiment in big band (Cab Calloway retired 'Jumpin Jive'; no-one else should attempt it), this is a fantastic collection. The 'Stepping Out' stuff aside, I really enjoyed reliving the frenetic energy of the new wave stuff with 'Got the Time', 'I'm the Man', and other songs of that type. This is an extremely solid collection.
Steppin' Out
Average customer rating: 4.5 out of 5 stars
  • Like a Nova
  • Strong Debut
  • Unpretentious swing from an upstart performer...
  • Great CD - Club Version Not what you Expect
  • Just the usual- catchy, classy, sultry
Steppin' Out
Diana Krall
Manufacturer: Justin Time Records
ProductGroup: Music
Binding: Audio CD

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  3. Love Scenes
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  5. The Look of Love

ASIN: B0000071FS
Release Date: 2000-02-22

Tracks:

  1. This Can't Be Love
  2. Straighten Up And Fly Right
  3. Between The Devil And The Deep Blue Sea
  4. I'm Just A Lucky So And So
  5. Body And Soul
  6. 42nd Street
  7. Do Nothin' Till You Hear From Me
  8. Big Foot
  9. Frim Fram Sauce
  10. Jimmie
  11. As Long As I Live
  12. On The Sunny Side Of The Street

Amazon.com

For years singer-pianist Diana Krall has been bringing new lifeblood to jazz via her dual knockout talents. And while her later recordings reveal a consistently maturing artist, this 1992 debut album shows that the Nanaimo, British Columbia, native had the goods right from the get-go. In her mid-20s here, Krall sings with honesty, subtlety, and persuasion while playing the piano with head-shaking authority, both as accompanist--she offers amazing asides in between vocal phrases--and as an absolutely A-one improviser. Indeed, it is remarkable to hear her weave her gifts into a wondrous whole. Working with bass ace John Clayton and the superb drummer Jeff Hamilton, Krall presents one winner after another. "This Can't Be Love" is typical, a selection where it is all but impossible not to tap your foot. After a nicely enunciated vocal--she slides into phrases much like Sarah Vaughan--the pianist cooks in her Oscar Peterson-meets-Gene Harris style, playing hip ideas that fall easily on the ear, underwritten by her rock-solid feel for time. "As Long as I Live" is another example of Krall's ability to sing and swing a standard with a nonstop groove. "Straighten Up and Fly Right" is slower and features a deeply bluesy vocal; "I'm Just a Lucky So and So" is equally sultry. The classic ballad "Body and Soul" finds her singing with intimacy and playing with a caressing touch. A very impressive start for a very impressive artist. --Zan Stewart

Album Description

The esteemd Canadian jazz pianist's 1993 debut album, her sole release before signing to GRP in the U.S. 'Stepping Out' features John Clayton on bass, Jeff Hamilton on drums and Krall both singing & playing the piano. The 11 tracks consist of both originals & covers, including 'This Can't Be L ove', 'Straighten Up And Fly Right', 'Between The Devil An d The Deep Blue Sea' and 'I'm Just A Lucky So And So'. De leted in the U.S.! 1993 release.

Customer Reviews:

5 out of 5 stars Like a Nova.......2007-03-04

Ms Krall is simply the most talented young jazz artist to arrive in this venue in the past 3 decades. This opening entre is a balanced rendition of her brilliant skills as an improvisational pianist and her imaginative vocal stylings, either of which are deserving of the highest praise, and in combination are almost unbelievable. Her more recent CDs and DVDs are more polished, with more sophisticated accompaniment, but this is an up front, powerful presentation of one remarkably talented performer.

5 out of 5 stars Strong Debut.......2006-09-26

This is Diana's first release and I feel it's one of her best!, this is a swinging set of jazz vocals and some fine piano playing instrumentals. While I do enjoy her later cd's, this one has more swing to it then her later ones. If your just discovering Miss Krall make sure you add this cd to your collection!

4 out of 5 stars Unpretentious swing from an upstart performer..........2006-08-01

This offering gives us Diana's first CD, from back around 1992. A mix of instrumentals and vocals, it really does swing. Her voice does not sound much like her 2003-2006 instrument, being a bit rougher around the edges. If you are a fan already, of course you will want it. If you like her more recent stuff, this demonstrates her origins. If you dislike her recent releases, this gives you another facet of a very talented woman. Mainly, this is just fun, and it makes you want to move your lips and your body and sing and dance yourself. (Even if, like me, you can't dance a step or sing a note without screwing it up.)

3 out of 5 stars Great CD - Club Version Not what you Expect.......2005-12-01

In regards to this album, I'm simply going to say that it is great, but I love everything Diana sings. I'm really adding this comment because I am disappointed in the "Club" version that I bought, expecting there was nothing to lose but paying a few extra dollars to buy it that way - I was wrong! The "Club" version turns out to be a "Manufactured for BMG Direct" release and it does not include the bonus track "Sunny Side of the Street" listed here. I may be wrong, but unless it was hidden somewhere in the fine print, Amazon does not reveal either of these discrepancies when placing an order for the club version and I'm not very happy about it.

5 out of 5 stars Just the usual- catchy, classy, sultry .......2005-03-16

This is one of the early albums of Ms. Krall and sets the tone for all that is to come - the choice of tunes, the low-key but striking arrangements, the elegant piano, the mix between longing and bopping. But most of all it is about that fabulous voice that continues to enchant. It is not so clear as, say, Cheryl Bentyne, but its sultriness and throatiness are what we have come to look for and love.

Most of the songs have been heard before (and since) and yet they are worth repeating even from one CD to another. "Straighten Up and Fly Right" is understanded but undeniably affecting. "I'm just a Lucky So and So" seems sculptured just for her in both body and spirit. The other tunes were all gems...a winner.
Steppin' Out with the Grateful Dead: England '72
Average customer rating: 4.5 out of 5 stars
  • Another Great Live Document
  • "Some Folks Look For Answers, Others Look For Fights..."
  • Greatness
  • Good set... but certainly not perfect.
  • Very Good Recording
Steppin' Out with the Grateful Dead: England '72
Grateful Dead
Manufacturer: Grateful Dead / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002T2Q7O
Release Date: 2004-08-31

Tracks:

  1. Cold Rain and Snow
  2. Greatest Story Everr Told
  3. Mr. Charlie
  4. Sugaree
  5. Mexicali Blues
  6. Big Boss Man
  7. Deal
  8. Jack Straw
  9. Big Railroad Blues [Live]
  10. It Hurts Me Too [Live]
  11. China Cat Sunflower
  12. I Know You Rider/Happy Birthday to You
  13. Playing in the Band

Tracks:

  1. Good Lovin'
  2. Ramble on Rose
  3. Black-Throated Wind [Live]
  4. Sitting on Top of the World
  5. Comes a Time
  6. Turn on Your Love Light
  7. Goin' Down the Road Feeling Bad
  8. Not Fade Away
  9. Hey Bo Diddley
  10. Not Fade Away

Tracks:

  1. Rockin' Pneumonia and the Boogie Woogie Flu
  2. Black Peter
  3. Chinatown Shuffle
  4. Truckin' [Live]
  5. Drums [Live]
  6. Other One [Live]
  7. Paso [Live]
  8. Other One [Live]
  9. Wharf Rat [Live]
  10. One More Saturday Night [Live]

Tracks:

  1. Uncle John's Band
  2. Stranger (Two Souls in Communion)
  3. Dark Star [Live]
  4. Sugar Magnolia [Live]
  5. Caution (Do Not Stop on Tracks) [Live]
  6. Brokendown Palace

Customer Reviews:

5 out of 5 stars Another Great Live Document.......2007-04-24

This 4 cd set is superbly recorded and the band is fearless. It is also poignant, as this was the last overseas tour that Pigpen played. Listen to him perform here, and you'd never know.

Oh yes, some great jams too.

5 out of 5 stars "Some Folks Look For Answers, Others Look For Fights...".......2006-03-25

Steppin' Out (along with Hundred Year Hall) is probably the greatest example of how powerful the Dead were in 1972. This set contains, in my opinion, the greatest Dead lineup, minus Mickey Hart.

What is actually great about this set is that fans of the early Live/Dead era stuff or fans of the Post-Pigpen years will get the best of both worlds, here. You get Pigpen's B3 organ, Soulful Voice and astounding harp blowing wrapped up with Keith Godcheaux's stinging grand piano (he used the Helpinstill piano pickup system, that's why the piano always had somewhat of an electric feel to it, which you couldn't get with microphones; piano players and/or Helpinstill enthusiasts, take note).

Steppin' Out contains so many definitive Dead moments that were never released. Disc 1 and 2 contain superb performances of the shorter songs, especially "Greatest Story Ever Told", "Deal", "Black-Throated Wind", and "Playing In The Band". Speaking of "Playing In The Band", I really think that this is the best version that the Dead had ever done of the song. I really don't think that any hour-long jams that this song bookended after 1974 really captured the essence of the song, as well as this version does.

Speaking of hour-long jams, the "Truckin'-Drums-The Other One-El Paso-The Other One-Wharf Rat" jam on Disc 3 is the true defining moment of this set. However, "Dark Star-Sugar Magnolia-Caution (Don't Stop On The Tracks)" on disc 4 is just as deserving of the same title. But the only problem I have with it is that Donna Jean Godcheaux doesn't get up and harmonize on the "Sunshine Daydream" section with Bob Weir. She did that so well when you heard it on "Europe '72" (although I read that Donna's part was later added during studio overbuds for "Europe '72", so that answers my question). After mayhem of "Caution", Disc 4 and the entire experience in general, ends with the best closing song ever imaginable, "Brokedown Palace". It just sums up everything that has been experienced throughout the duration of the set.

Getting down to the musicians, Jerry Garcia and Phil Lesh's lead guitar-bass guitar interplay has never been performed so well, especially in the cerebral modal crosstalk throughout "The Other One" and "Dark Star". Whenever Jerry plays low notes on guitar or Phil plays high notes on bass, they sound so similar, it's almost impossible to tell them apart. Bob Weir's solid rhythm guitar has never sounded so rich and full and hasn't since (during the tune up between "Ramble On Rose" and "Black-Throated Wind", he plays the opening guitar lick from "Weather Report Prelude", which makes you wonder what other things they may have needed these tapes for). Billy Kreutzmann's drumming is just so solid , especially on "Drums" where he rings in "The Other One" in true rhythmic splendor. Along with Kreutzmann, McKernan's random moments of backup percussion (tambourine [audible on "Deal", "Jack Straw", "Wharf Rat", and "Black Throated Wind"] maracas/shakers ["Sugar Magnolia", and "Playing In The Band"], guiro ["Uncle John's Band"]) really does at least make up for parts that were originally played by Mickey Hart in the studio. Still the double drumset crosstalk is sadly absent, and in a way was never the same again after Hart's departure and return, being that both Hart and Kruetzmann changed their drum sounds and styles radically after 1972.

Basically to summarize, any body who even likes the Dead a little bit, should get this set just to here really good live versions of their short songs, but any devoted Dead fanatic who followed the band in it's later years, but couldn't get over to England in time for the recordings of these shows (or you weren't born yet), should get this for the metaphysical/psychological rush of musical mayhem that is the jams, that encapsulate the ends of discs 2, 3, and 4.

The Dead sound very powerful, yet very natural. In later years, they would expand their stage setup with so much percussion equipment and amplifiers that the music seemed to become less original and astounding. This is why, in many respects, this was The Dead at their pinnacle, with Pigpen on his way out and Keith and Donna on their way in. Pretty much the only thing that could've made this better would've been a surprise appearance by Mickey Hart, but unfortunately that was never to be (at least with Pigpen still in the group).

So please, do yourself a favor and buy the album. I promise that a fan of The Dead on any level will love it.

5 out of 5 stars Greatness.......2005-08-10

Judging solely on the basis of DARK STAR, Steppin' Out
is a no-brainer 5 stars. If you program for Dark Star plus
the two OTHER ONE tracks, you have a full hour of brilliant
jamming with a bare minimum of vocals. Now you may wonder,
the Rockin' The Rhein release, ALSO from 1972, ALSO has a
long DARK STAR that is over-the-top fantastic; so the question
becomes: is the 1972 Steppin' Out DARK STAR different enough from the 1972 Rockin' The Rhein DARK STAR to justify purchase?
Hell yes!!! In fact, it's COMPLETELY different! To my ears,
Jerry's guitar tone throughout Steppin' Out has a much sharper tone to it...I'm guessing it's because he was using a Stratocaster
guitar? Anyway, the long DARK STAR tracks on Steppin' Out and
Rockin' The Rhein are very different jams...both GREAT.
Also, if you search around, Steppin' Out has some definitive
vocal tracks as well...Sugaree, Deal, Ramble On Rose, Comes A Time, Brokedown Palace, etc., and after all, I believe it's best to buy Grateful Dead CDs for favored "definitive" tracks you program for, rather than playing the CDs from start to finish. Incidentally, Steppin' Out has some cool pictures in the little book. No "touch of gray" in Jerry's hair here!

4 out of 5 stars Good set... but certainly not perfect. .......2005-03-28

I bought this 4 CD set because I was curious about the early 1972 era of the dead and Europe '72 didn't quite satisfy me. While many people give it loads of praise and it was a fairly good album considering the time it was made (hour-long jams just don't fit onto vinyl), current stereo technology has progressed to the point where a set like this is probably a better buy.

I must say that there is truly something for every kind of Dead fan on here. Fans of "good old rock 'n roll" will find plenty of what they want on here, as will people who like long, spaced-out jams and casual listeners who want to hear popular songs such as "Uncle John's Band" and "Sugar Magnolia." As a general rule, this CD's get more interesting as they increase in number; disc 1 is mostly short rock songs, while disc 4 is a transcendant voyage through one's inner psyche that is up there with Live/Dead and Anthem of the Sun as my favorite disc of Grateful Dead material in my collection.

Probably the most interesting musical ideas on this set are presented by the two keyboardists: Keith and Pigpen. By this time, Keith is fully integrated into the band's sound; sometimes, he can sound so dominant that I wonder why Pigpen isn't back home, nursing his health. Then the band launches into one of Mr. McKerman's songs or the organ kicks in with a funky groove and I realize just how important he is to the group. His finest moments appear on disc 4. "The Stranger" is arguably the finest song he ever sang, featuring some incredible lyrics and a great solo from Jerry. It would have been a great substitution for the somewhat lackluster "You Win Again" and "Ramble on Rose" on Europe '72. The "Caution" on here is probably the strongest jam I've herd from the Dead at this point, perhaps excepting the "Dark Star" on Live/Dead. Every band member gets a chance to shine and contribute to the sinister brew that follows an extremely high-energy "Sunshine Daydream," with screams from Bob Weir and Pigpen to drive up the intensity. At one point, the dying maniac in the cowboy hat sings a line as he plays the same melody on the organ... which is probably the highlight of the entire jam. Just as the song fades out, angry and distorted guitar breaks the silence, prompting two more minutes of additional jamming. THIS is what chaos sounds like. THIS is the sound of war, of panic and confusion, of lost souls heading to their doom and screaming in pain.

Needless to say, the entire set isn't nearly as intense or even as interesting. Quite frankly, some songs ("Sugaree," "Mexicali Blues," "Deal") sound quite boring to these ears. Perhaps that's why I'm giving this four stars; although there are some great recordings on here, a three disc set would serve the same purpose only without the occational track you have to skip. Were I reviewing the downloadable version of this on the iTunes music store, which is about ten dollars cheaper, I might decide to go for the full five stars.... however, this is the physical copy and is thus priced differently (although you do get a nice color booklet with an essay and pictures of the band). I reccomend this for people who already like the Dead and are interested in what REALLY went on in Europe in 1972. As I mentioned earlier, any kind of Dead listener will find something to like about this, although probably not the whole thing.

4 out of 5 stars Very Good Recording.......2005-03-05

This is a great era in the Dead's music as we all know. If your a fan of the Godchaux's then get this now if you dont have it already! I personally like the dead before Keith and (mainly) Donna came on board, but this 4-disc release is generally pretty damn good. Most of their poppy short songs are on discs 1 and 2 (the Playing in the Band is only 10 minutes but we have to remember this is when PITB was still relatively new/young) You will find most (notice I said most) of their jamming on discs 3 and 4. The sound quality on this release is excellent.

I won't go on picking apart each and every song, so go out and buy it and find out for yourself how good this release is. I definately would recommend this over Europe '72 because A. You get twice as much music, B. You get way better songs included on this release, and C. this IS europe (well, england) in the year 1972! You will pretty much find the same quality in this 4-disc set and much more than in Europe '72.

Don't even hesitate, this is definately a worthy collection to be put in your collection.
Steppin' Out: Astaire Sings
Average customer rating: 5 out of 5 stars
  • Fred and Oscar
  • Dancer AND Singer
  • Fresh
  • A Bridge Between the 1930's and 1950's
  • A brilliant collaboration
Steppin' Out: Astaire Sings
Fred Astaire
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000046V0
Release Date: 1994-06-21

Tracks:

  1. Steppin` Out With My Baby
  2. Let`s Call The Whole Thing Off
  3. Top Hat, White Tie, And Tails
  4. They Can`t Take That Away From Me
  5. Dancing In The Dark
  6. `S Wonderful
  7. The Way You Look Tonight
  8. They All Laughed
  9. I Concentrate On You
  10. Night And Day
  11. A Fine Romance
  12. Nice Work If You Can Get It
  13. The Continental
  14. I Won`t Dance
  15. You`re Easy To Dance With
  16. Change Partners
  17. Cheek To Cheek

Amazon.com

In 1952 Fred Astaire joined Oscar Peterson and some of Verve's best sidemen to lay down jazzy, laid-back versions of songs he had made famous in his Broadway and film career. Those 38 tracks, released as The Astaire Story, have been condensed into this collection, Steppin' Out: Fred Astaire Sings. While Astaire was not blessed with great vocal chops, the best American songwriters including George and Ira Gershwin, Irving Berlin, and Cole Porter loved him for his unerring sense of rhythm and sympathetic treatment of lyrics, qualities that are well displayed here. Tony Bennett hit the pop mainstream with his 1994 album of jazzy Astaire standards. Here's the original. --David Horiuchi

Customer Reviews:

5 out of 5 stars Fred and Oscar.......2007-06-27

This disc gives a good sample of the 4 LP set called "The Fred Astaire Story". Fred is in fine fettle with the small group of Jazz at the Philharmonic musicians, and the recording is of such quality that you can really hear his style. Also, Oscar Peterson's accompaniment gives the lie to those who say that he plays too many notes or that he doesn't swing. All is understated, in aid of putting Fred into the best light. Of course, you have a selection of some of the great popular songs associated with Fred's career.

5 out of 5 stars Dancer AND Singer.......2006-11-12

Beyond the nostalgia of an eighty year old, "Steppin' Out: Astaire Sings" teamed with some of the great jazz players reveals a fine, gentle singer whose dancing overshadowed his singing in the original movies.

5 out of 5 stars Fresh.......2006-09-05

For something recorded in 1952, this is some of the freshest music today. These songs from stage and movies are given new life by putting show tunes to the take-your-time, more sensitive, less hackneyed rhythms of jazz. Lacking the necessity to carry a movie, Astaire's phrasing and intonations have a very different quality than the original versions.

A certain subtlety comes through and the lyrics are freed from sentimentality, as Astaire masterfully burnishes a deeper and more heartfelt thoughtfulness. "Steppin' Out With My Baby" and "I Won't Dance" have a simpler, carefree quality, and the accompaniement by greats such as Oscar Peterson on piano and Charlie Shavers, Flip Phillips, Barney Kessel, Ray Brown and Alvin Stoller are first rate. This is a must have for not only Fred Astaire afficionados, but also for anyone who really wants to hear how to take an old hit, change it around and come out with something totally fresh.

Fans will like his interview on the final track, "Cheek to Cheek." As it says in the cover note, Tony Bennett proclaimed Fred Astaire our national treasure. Fred Astaire's versatility and willingness to risk putting these standards to a new rhythm should stand as both proof and inspiration.

5 out of 5 stars A Bridge Between the 1930's and 1950's.......2005-09-09

The Great American Song Book reached its highest point in the 1950's with Verve's Jazz recordings of the classic American music of the 1930's. All the Jazz greats stepped back twenty years and breathed new life into the works of Irving Berlin, Rogers and Hart and Cole Porter.

"Steppin' Out" is brilliant because it serves as a link between the Broadway and Hollywood Music of the 1930's and the new Jazz interpretations of the 1950's. Many of the songs covered in this album were written for and first performed by Fred Astaire.

Verve had a first rate idea in asking Fred Astaire to work with Oscar Peterson. The arrangements show all the brilliance that Peterson was capable of achieving and Astaire stepped up to the musical challange. The jazz pace and phrasing worked perfectly for Astaire. His voice and delivery had only improved with time. In my opinion, his voice in the 1930's had a tinny quality to it. But by the 1950's he had matured and there is deepness to his voice that works well in a jazz setting.

There can be little argument that Fred Astaire was one of the great dancers of the Twentieth Century. Although not as well respected as a vocalist, this album quite clearly shows that Astaire could do it all.

5 out of 5 stars A brilliant collaboration.......2004-11-07

If you like Astaire, Jazz or the American songbook you will love this. The understated virtuoso arrangements let the songs shine and Astaire is the real thing.
Steppin' Out
Average customer rating: 4.5 out of 5 stars
  • Perfectly Fred
  • The Epitome of Cool.
  • This Disc Swings!
  • Not a good showcase for Bennett's great talent
  • Must have
Steppin' Out
Tony Bennett
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000029C2
Release Date: 1993-10-05

Tracks:

  1. Steppin' Out With My Baby
  2. Who Cares?
  3. Top Hat, White Tie And Tails
  4. They Can't Take That Away From Me
  5. Dancing In The Dark
  6. Shine On Your Shoes
  7. He Loves And She Loves
  8. They All Laughed
  9. I Concentrate On You
  10. You're All The World To Me
  11. All Of You
  12. Nice Work If You Can Get It
  13. It Only Happens When I Dance With You
  14. Shall We Dance
  15. You're Easy To Dance With/Change Partners/Cheek To Cheek
  16. I Guess I'll Have To Change My Plan
  17. That's Entertainment
  18. By Myself

Amazon.com

This is the album that transformed Tony Bennett from crooner to hipster, a run that culminated in his 1994 MTV appearance. Steppin' Out is Bennett's tribute to Fred Astaire, who introduced as many American standards as anyone due to his relationships with such songwriters as Berlin, Porter, Kern, and the Gershwins. While Bennett avoids some obvious choices ("Night and Day" and "A Foggy Day" had been covered in his earlier Sinatra tribute), he picks a number of classics from Astaire's 1930s heyday as well as some songs from his MGM years, including the gem of the album, "You're All the World to Me." Bennett is ably assisted, as always, by the Ralph Sharon Trio. Great singer, great songs, great album. --David Horiuchi

Customer Reviews:

5 out of 5 stars Perfectly Fred.......2006-06-26

Unlike some of Tony Bennett's numerous other "tribute" records, there is little about the packaging of STEPPIN' OUT that screams "dedicated to Fred Astaire!" In fact, not having glanced at the self-penned liner notes before playing this CD, it took me `til the medley that is track 15 (and which makes two overt references to the dancing legend) to realize that, hey, this must be a Fred Astaire tribute! As the kids say, d'oh!

But as I say, the packaging doesn't exactly have Tony tipping his (top) hat here. The Sinatra tribute PERFECTLY FRANK had a mature Tony sitting in the audience watching a young Frankie. It screamed "tribute." On the cover here, we have Tony tripping the light fantastic with an exuberant and gravity defying young lady, in her own white tie and tails, who is quite striking but isn't exactly a Ginger Rogers clone. And while the song roster includes the numerous Great American Songbook titles, you'd have to be of an even older generation than I am to instantly recognize them all as having been intimately associated with Astaire. They've been covered numerous times since, and it's hard to say that any one recording artist "owns" them.

Now I've always enjoyed the old Fred Astaire movies, and I rather liked him as a singer. It surprised me nonetheless to learn that the classic songwriters of the day loved having him perform their tunes--because he performed them AS WRITTEN. But maybe it shouldn't be so surprising, when you think about it,s, that an artist who was primarily a dancer would sing the songs straight and exercise his more interpretive instincts via the dance.

So now you've got Tony Bennett, who--conversely--may be the ultimate interpretive singer, tackling the same tunes that Astaire sang so straightforwardly and serviceably for his films. Is there an irony there? Well, at the very least, there's a stylistic gap that is certainly interesting. Tony's patented warm, husky vocals, elegant as they can be in their own way, are certainly a world apart from Astaire's classic smoothness. And isn't that point? Bringing something new to the equation? Putting a new spin on these old classics?

It's hard to pick a favorite track here. Unlike Amazon reviewer David Horiuchi above who champions the track "You're All the World To Me," I'd have a hard time picking a favorite tune here. The album works brilliantly as a whole. But I do have do have to admit that while I like some of the breezier numbers (the title track, "That's Entertainment, "Shine on My Shoes" and several other fun outings), I am particularly drawn to the slightly melancholy deliveries Bennett offers on such tracks as "They Can't Take That Away From Me," "Dancing In the Dark," "I Guess I'll Have to Change My Plan," and the wistful closer "By Myself." This is where Tony brings his own distinctive interpretive skills to this tribute project. And it works brilliantly.


5 out of 5 stars The Epitome of Cool........2006-05-29

This cd is down right cool. While his voice doesn't match what it was in the 50's and 60's... who really wants that? People grow older and their voices change. His voice is in fine shape on this cd however. This cd really swings. He comes across as the epitome of cool. The Fred Astaire songs are fantastic. The Ralph Sharon Trio a wonderful choice to accompany him. Like the best of his cd's which honor others (Perfectly Frank), he doesn't try to copy the singer, he doesn't copy the arrangements, he just comes across as Tony Bennett being Tony Bennett.

5 out of 5 stars This Disc Swings!.......2004-08-23

I have rarely heard performances swing like this. Tony Bennett and the Ralph Sharon Trio click perfectly. I want more like this. You don't have to have the chops of a 20 year old to swing and swingin's the thing as these guys show. I have an embarassingly large and varied CD collection and I count this among my favorites.

2 out of 5 stars Not a good showcase for Bennett's great talent.......2004-05-15

Fred Astaire will never be remembered for the songs he sang. These songs were only great while he was dancing to them! I am a huge Tony Bennet fan and felt so disappointed by this CD. The songs gave him nothing to "wrap his voice around" or put his heart into. I listened to it many times, hoping it would grow on me, but after six months I'm still disappointed. His other tributes (to Sinatra and Billie Holliday)are so much better. Sink your money into those!

5 out of 5 stars Must have.......2003-01-07

Have not read anyother reviews so no influence from others. This is a simply great album. Bennett's backup trio really swings and everyone fits together. Unless one is a dodo where music is concerned, this is music one can listen to without getting tired of the performances. So Tony is getting older. Big deal! We all do, but he is a perfect example of how treating your voice with respect can keep one singing for many years. Bennett treats the songs the way they are supposed to be treated. Try it, you'll like it. The whole album is an upper for one's soul.
Steppin' Out
Average customer rating: 5 out of 5 stars
  • Gettin into Paul!
  • Hasn't missed a beat...
  • The Smooth Sounds Will Take You Away
  • Do not buy this smooth Jazz CD
  • Definitely worth listening to!!!
Steppin' Out
Paul Taylor
Manufacturer: Peak Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Smooth JazzSmooth Jazz | Jazz | Styles | Music
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ASIN: B00008V609
Release Date: 2003-04-22

Tracks:

  1. On The Move
  2. Steppin' Out
  3. Long Way Home
  4. Someone Watching Over You
  5. Night Rider
  6. Cantina
  7. Let's Go Out Tonite
  8. Hacienda
  9. Enchanted Garden
  10. Speakeasy
  11. Runaway

Customer Reviews:

5 out of 5 stars Gettin into Paul!.......2007-03-31

I just discovered Paul on Pandora and I sure am glad. Love his smooth jazz...it's my absolute favorite smooth jazz album now...when I really want to get 'back up' after a hard day I play his album. Love the percussion, his expert sax and the background instrumentation works perfectly. There's not a number on the album I don't like...not a dud on here... all soaring, funky, energizing and soothing at the same time!
I'll be buying more of this guy's work!

5 out of 5 stars Hasn't missed a beat..........2004-07-08

Like most people on here, I have to agree that this is another solid cd from PT again. I have 4 of PT's cd's, but this probably could be his best one. The #3 track, Long way home, is quite frankly one heck of a song. Just play this track on your way back from a hard day's work will make you forget everything that went wrong. There's no question PT's works have placed him in a league of his own...

5 out of 5 stars The Smooth Sounds Will Take You Away.......2004-01-10

Paul Taylor is awesome on the horn. This cd is great to come home and relax to after a hards day work, slip into the cd player while riding on the road, and wonderful sounds to cuddle to. If you like great jazz, you must get this cd.

Tonya Howard
http://www.sisterdivas.org

2 out of 5 stars Do not buy this smooth Jazz CD.......2003-10-06

After "Hypnotic" Paul Taylor's 2001 release, I had to have this CD. It was very disappointment. Seemed almost canned. He really jammed on the other CD. This one seems like a computer programmed module with no talent. He can do much better.

5 out of 5 stars Definitely worth listening to!!!.......2003-07-22

I bought this album about a month ago and could not put it down. I first listened to his Hypnotic album and was completely blown away, so when I bought this I knew it was going to be even better and it was. I love his R&B style jazz and his sultry sax. The backround keyboards and the percussion really make this album stand out all on it's own. Every single song on this album could be a hit that I myself would play on the radio. Trust me buyers. If you buy this album you won't be dissapointed. You can listen to it over and over again and never get sick of it. Don't take my word for it. Find out for yourself
Steppin' Out: Live! In Concert!
Average customer rating: Not rated
    Steppin' Out: Live! In Concert!
    Joan Armatrading
    Manufacturer: Hip-O Select
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000K2UFC6
    Release Date: 2006-11-14

    Tracks:

    1. Mama Mercy
    2. Cool Blue Stole My Heart
    3. How Cruel
    4. Love Song
    5. Love and Affection
    6. Steppin' Out
    7. You Rope You Tie Me
    8. Kissin' and A-Huggin'
    9. Tall in the Sadle

    Album Description

    Even though this UK folk star was in the midst of a string of hit albums in the U.S. at the time, this 1979 live LP was not issued here. Now, it finally is Joan at the peak of her unique powers, singing with soul, backed by members of Little Feat and Wet Willie as she sings 'Love and Affection', 'Mama Mercy', 'Tall in the Saddle', 'Steppin' Out' and more.
    Call Me Madam
    Average customer rating: 3.5 out of 5 stars
    • a fascinating recording
    • A crucial oddity
    • Not essential but useful
    Call Me Madam

    Manufacturer: Flare UK
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
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    Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
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    ASIN: B000056NME
    Release Date: 2001-01-30

    Tracks:

    1. Overture - The Orchestra
    2. Mrs. Sally Adams - Chorus
    3. Hostess With the Mostes' on the Ball - Dinah Shore
    4. Washington Square Dance - Dinah Shore
    5. Welcome to Lichtenburg - Paul Lukas
    6. Can You Use Any Money Today? - Dinah Shore
    7. Marrying for Love - Paul Lukas, Dinah Shore
    8. Ocarina
    9. It's a Lovely Day Today
    10. Best Thing for You - Dinah Shore
    11. Something to Dance About - Dinah Shore, Chorus
    12. Once Upon a Time Today
    13. They Like Ike - Pat Harrington, Jay Velie
    14. You're Just in Love (I Wonder Why) - Dinah Shore

    Customer Reviews:

    4 out of 5 stars a fascinating recording.......2003-10-06

    Irving Berlin's CALL ME MADAM appeared on Broadway in 1950. His previous musical, 1949's MISS LIBERTY, was an unqualified flop. MISS LIBERTY was his follow-up to 1947's mega hit ANNIE GET YOUR GUN, starring Ethel Merman.

    Ethel Merman headlined his original cast of CALL ME MADAM, a bouncy musical which told the story of ebullient Sally Adams, who is dispatched as ambassador to the fictional European province of Lichtenburg. The supporting cast included Paul Lukas, Russell Nype (GOLDILOCKS), and Galina Talva as Princess Maria.

    Due to a contractual snafu however, there are two very different recordings of CALL ME MADAM. Ethel Merman was under contract to the Decca label (which had recorded her ANNIE GET YOUR GUN cast album), but the recording of MADAM was to be produced by cast album heavyweight RCA Victor. Decca wouldn't release Merman from her contract, as it was planning it's own CALL ME MADAM release.

    Popular vocalist Dinah Shore stepped in and played Sally Adams on the RCA Victor album of CALL ME MADAM, which featured the entire original cast. Decca released a "studio cast" album of MADAM headed by Ethel Merman, aided and abetted by popular crooner Dick Haymes (STATE FAIR) and a backup chorus. Of these two albums, the Dinah Shore version is the more delightful. She wisely doesn't try to emulate Miss Merman but sails through the songs in her own charming style. Russell Nype and Galina Talva are wonderfully-winning in their performances and Paul Lukas is superb.

    I strongly suggest that you also purchase the Ethel Merman recording as well as the 1995 Encores! cast starring Tyne Daly. CALL ME MADAM is one of the most delightful of classic Broadway musicals.

    4 out of 5 stars A crucial oddity.......2001-02-22

    I'm not sure whether it's stranger that this album has languished in the vaults for so long or that it was recorded in the first place. But we should be grateful that it's here, as it's an important recording, a fun score, and a fascinating piece of theatre recording history.

    Dinah Shore is by no means an ideal substitute for Ethel Merman (who was under contract to Decca Records and not permitted to appear on the official cast album), make no mistake. But Merman made her own album with her own takes on the big songs, so it's perhaps a good thing that RCA went for a dramatically different take here. Shore sings very attractively here -- she's not a tough broad, but a sweet charmer, but the album still works. The show was, of course, a big hit that had plenty of strengths even though it might be too dated to rework today.

    The Merman album was already released on CD once, and will be issued again within the year, but this is still worthwhile for Shore's performance, for the niceties of the show like the other original players, orchestrations and songs that Merman didn't preserve, and for a lengthy appendix of Shore's versions of classic Irving Berlin songs.

    No one will ever claim that Call Me Madam changed their life. Shows didn't used to need to elicit that reaction to be considered successful.

    2 out of 5 stars Not essential but useful.......2001-02-03

    RCA Victor had backed the 1950 musical CALL ME MADAM hoping to get the cast album rights. The star, however, was Ethel Merman and she was under exclusive contract to Decca who planned their own MADAM album. Decca launched the first attack by releasing a 10" Lp with Merman, Dick Haymes and the Gordon Jenkens orchestra and Chorus called "Songs from CALL ME MADAM." RCA responded by recording the full original cast album but signing Dinah Shore to sing the role of Sally Adams. They also re-orchestrated many of the songs and, in a curious move, had Paul Lukas record narration linking the songs. Strangely, they semed to had given up on this approach mid-way as the narration disappears after the first side of the record. Decca's response was to withdraw their 10" Lp and reissue the album on 12" with 5 additional songs (dropping an orchstral medley by the Jenkins orchestra) and placing them in show sequence. Although RCA's album has a more theatrical feel to it, Decca had Merman and therefore created the better selling album. RCA's disc was deleted rather quickly, although briefly reissued in 1977 and now (finally) available on CD... except this isn't an RCA release (!!!!) Is this even released with RCA's permission? I highly doubt it since RCA eventually plans to reissue the remaininder of their show catalogue on CD. Decca's album was reissued on Cd but that disc is now out-of-print. IF you can get both albums and do some creative programming you can combine trcaks and create your own composite original cast album.
    Steppin' Out
    Average customer rating: Not rated
      Steppin' Out
      The Hoppers
      Manufacturer: Spring Hill
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000069CLT
      Release Date: 2002-07-16

      Tracks:

      1. Step Along
      2. Living Water
      3. I'm Saved
      4. She Cries
      5. Joy In My Heart
      6. I Love America
      7. But For The Blood
      8. Hope
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      11. Once For All
      Steppin' Out Texas Style
      Average customer rating: 4 out of 5 stars
      • 100% no-messing blues
      Steppin' Out Texas Style
      The Smokin' Joe Kubek Band
      Manufacturer: Bullseye Blues
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Blues | Styles | Music
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      ASIN: B00000048T
      Release Date: 1991-09-26

      Tracks:

      1. Comin' Home Today
      2. I Wonder Why
      3. Natural Born Lover
      4. Everybody's Talkin'
      5. Square Bizness
      6. Hands On It
      7. Smokin' Joe's Cafe
      8. That's All I Want
      9. Steppin' Out
      10. Lonely Days

      Customer Reviews:

      4 out of 5 stars 100% no-messing blues.......2000-08-25

      As soon as I bought this album, it immediately became the most tightest, bluesiest, blues album in my (large, guitar based blues oriented) collection. These guys don't mess around, with every track being of standard 12-bar structure. The rhythm section is superb, with Phil Campbell on drums, who shuffles like a dream, and solid as a rock bass playing from Greg Wright.

      Bnois King's vocals surprised me at first - I thought they were pretty 'un-bluesy'. However, after listening through the album they grew on me, and I now consider his voice to be one of the best I've ever heard on a blues album. His rhythm playing though, is what does it for me. Unbelievably tight, and unashamedly repetitive. Repetitiveness though, is what I believe it HAD to be in a 2 guitar situation. Due to the fact that Bnois keeps it simple, and Greg Wright and Phil Campbell just 'sit' on the groove, it leaves space for the monster that is.... Smokin' Joe Kubek.

      Quite how this man can play the guitar the way he does with guage 13 strings, I'll never know. His tone is absolutely monstrous, and his playing shows that he knows you don't have to be a flashy player to gain credit. His playing may sound simple at times, but it's definately deceptive. As a blues player myself, I've tried to learn a couple of his licks, and it ain't that easy!

      Wonderful playing, superbly produced, I could go on....

      I've only given this 4 rather than 5 stars due to the fact that a couple of tracks (namely "I Wonder Why" and "Lonely Days") are a tad too similar to be on the same album. But that's my only negative point.

      This is a perfect introduction to someone who wants the answer to the question "What is modern electric blues?". These guys are IT!!

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