| 1. Little Lulu |
| 2. A Sleepin' Bee |
| 3. Always |
| 4. Santa Claus Is Coming To |
| 5. I'll See You Again |
| 6. For Heaven's Sake |
| 7. Dancing In The Dark |
| 8. Everything Happens To Me |
| 9. Little Lulu (Alternative |
| 10. Little Lulu (Alternative |
| 11. Always (Alternative Take) |
| 12. I'll See You Again (Alter |
| 13. My Heart Stood Still (Unu |
| 14. Always (Breakdown) |
| 15. I'll See You Again (Break |
| 16. My Heart Stood Still (Fal |
Editorial Reviews
20bit Limited Japanese Release Including Eight Bonus Tracks.
Trio '64,Bill Evans,Universal/Polygram,Ballads,Cool,Jazz,Modal Music,Post-Bop,United States of America
Average customer rating: |
Music of Harold Farberman Vol. 1
Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TQTO Release Date: 2000-06-27 |
Average customer rating:
|
Morton Feldman: The Ecstasy of the Moment
Manufacturer: Etcetera ProductGroup: Music Binding: Audio CD ASIN: B0000000RV Release Date: 2000-08-17 |
Tracks:
- Only (1947)
- Projection 1
- Projection 2
- Projection 3
- Projection 4
- Projection 5
- Intersection 2
- Intersection 3
- Intersection 4
- Piece For Four Pianos
- Two Pianos
- Piano Four Hands
- Piano Piece 1964
Tracks:
- Durations 1
- Durations 2
- Durations 3
- Durations 4
- Durations 5
- Vertical Thoughts 1
- Vertical Thoughts 2
- Vertical Thoughts 3
- Vertical Thoughts 4
- Vertical Thoughts 5
Tracks:
- Voice & Instruments II
- Instruments I
- Voice, Violin And Piano
- Instruments III
- Bass Clarinet And Percussion
Amazon.com essential recording
Every aspect of this 3-CD collection, from its breadth to its precise sound to its expansive booklet to its bargain price, is top-notch. Morton Feldman's compositions, from the starkest to the most intense, have deserved a collection of this nature for decades. To hear the string of five-part pieces (Projection, Durations, and Vertical Thoughts) laid end to end is amazingly instructive. Feldman excels from his earliest at the study of pitch relationships and intricate, luminescent structures. And the Barton Workshop shows this off with a blush of restraint as they pull together Feldman's odd mix of sonorities (flute, trumpet, violin, cello, and piano on Projection 2; violin, tuba, and piano on Durations 3; flute, oboe, trombone, celeste, and percussion on Instruments I) without breaching the seamwork Feldman so carefully wove around his studies. As this set progresses, the study advances from one focused on pitches and timbres to one focused on sonic dynamics beyond categorization. An early John Cage acolyte, Feldman is painted by these pieces more definitively than ever as a more concise, unflinching thinker. The music floats, surely and unwaveringly, but it punctures the air with atonalities that seem drawn from an entirely different musical language. --Andrew BartlettCustomer Reviews:
essential.......2000-07-19
This is very transparent and intimate music. Feldman is one of the important composers of the 20th century and it is worth whatever effort it may take to get to his music
essential.......2000-07-18
This is very transparent and intimate music. Feldman is one of the important composers of the 20th century and it is worth whatever effort it may take to get to his music
An excellent cross-section of Feldman's writing career........1999-01-26
Jazz Music: