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1. Hawk Eyes
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2. C'mon In
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3. Through for the Night
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4. I Never Knew
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5. Rosita
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6. Stealin' the Bean
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Hawk Eyes,Coleman Hawkins,Ojc,Classic Jazz,Jazz,Jazz Music,Mainstream Jazz,Pop
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Average customer rating:
- Hawk -- Still Flying High
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Hawk Eyes
Coleman Hawkins
Manufacturer: Ojc
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Night Hawk
- Soul
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ASIN: B000000YGD
Release Date: 1991-07-01 |
Tracks:
- Hawk Eyes
- C'mon In
- Through For The Night
- I Never Knew
- La Rostia
- Stealin' The Bean
Customer Reviews:
Hawk -- Still Flying High.......2003-07-22
Coleman Hawkins virtually invented the jazz tenor saxophone. It was an equally amazing feat that thirty years after he rose to stardom in Fletcher Henderson's big band, he could still make an album as consistently enjoyable as "Hawk Eyes." This Prestige date from April 1959 finds Hawk returning to his roots with and old friend from his big band days, trumpeter Charlie Shavers. The rest of the group on this session -- guitarist Tiny Grimes, pianist Ray Bryant, bassist George Duvivier, and drummer Osie Johnson -- are more identified with the bebop school, but they can handle the swing just find too. The success of this and other Prestige/Riverside albums jump started a second career for Hawk, who showed that even in the late 1950s those "Hawk Eyes" were as sharp as ever.
Average customer rating:
- Rubinsky : a new reference in Villa Lobos
- Lively Piano Music from Brazil
- Charming Villa-Lobos pieces for children.
- More, please!
- Native?
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Villa-Lobos: Piano Music Vol. 1 / Rubinsky
Sonia Rubinsky
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Villa-Lobos, Heitor
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Similar Items:
- Villa-Lobos: Piano Music, Vol. 3
- Villa-Lobos: A Prole do Bebe No. 2, Cirandinhas
- Villa-Lobos: Bachianas Brasileiras No. 4
- Villa-Lobos Piano Music: Guia Prático Nos. 1-9
- Villa-Lobos: Bachianas Brasileiras (Complete)
ASIN: B00000ICMZ
Release Date: 1999-03-23 |
Tracks:
- The Baby's Family: Little White Doll (The Porcelain Doll)
- The Baby's Family: Little Brunette Doll (The Paste Doll)
- The Baby's Family: Little Mestiza Doll (The Clay Doll)
- The Baby's Family: Little Muhatta Doll (Rubber Doll)
- The Baby's Family: Little Black Doll (The Wooden Doll)
- The Baby's Family: The Poor Little Doll (The Rag Doll)
- The Baby's Family: Punch
- The Baby's Family: The Witch (The Cloth Doll)
- Cirandas: Terezinha de Jesus
- Cirandas: The Countess
- Cirandas: Senhora dona sancha
- Cirandas: The Carnation Fought With The Rose
- Cirandas: Poor Blind Woman
- Cirandas: Go Away, Go Away, Hawk
- Cirandas: Shoo, Shoo, Little Bird
- Cirandas: Let's Go To The Mountain, Calunga
- Cirandas: I Went To Itororo
- Cirandas: The Painter Of Canai
- Cirandas: In This Street
- Cirandas: Look At The Little Bird, Domine
- Cirandas: Looking For A Needle
- Cirandas: The Canoe Capsized
- Cirandas: What Beautiful Eyes!
- Cirandas: Chip, Chip, Chip
- Hommage a Chopin: Noturno
- Hommage a Chopin: A la balada
Amazon.com
At last, a replacement for Roberto Szidon's long-deleted recording of Cirandas! This is one of Villa-Lobos's most delightful works, a long piano suite (41:46 in this recording) of folk-flavored pieces that progress from one charming idea to another and never outlast their material. The Baby's Family, the first of two suites, is also charming music, made popular by Artur Rubinstein. The Chopin tribute is one of those crocks of musical dishwater Villa-Lobos stuck his hands into when his mind was on something else, but it's brief and comes at the end of the disc. Brazilian pianist Sonia Rubinsky plays with stylistic insight and gorgeous piano tone, very well captured by Naxos in a recording that sat in the can for almost five years before it was finally issued. --Leslie Gerber
Customer Reviews:
Rubinsky : a new reference in Villa Lobos.......2005-04-18
When Villa Lobos listened for the first time the works of Debussy and Stravinsky ( The Russian Ballets of Diaghlev danced in Rio de Janeiro in 1913 and 1917) he found the way to create something really adequate to involve Brazilian authentic tunes . The first important period of Villa Lobos as a composer involve two series of works: The Prole do Bebê ( No 1 and No 2) and the Choros. Prole do Bebê is full of Pentatonic and whole tone scales, and the Harmony of some of the pieces are deeply influenced by Stravinsky: The Polichinelo is a Brazilian brother of the Russian white/black harmony of Petrushka. For the first time one Brazilian composer was proud of our authentic songs and he placed these lovely melodies in the middle of a very sophisticated piano writing and with new harmonies that fitted wonderfully with his purposes. The Cirandas is also involved with the child's world. I would like to remember that The Cirandas are not important only as a wonderful composition, but I'm sure too that without this work a lot of authentic folkloric melodies would be lost ,as our childs don't play no more singing these melodies. Times of globalization...
The Prole No 1 and the Cirandas are among the most often played and recorded piano works of Heitor Villa Lobos. The references for the Prole do Bebe No 1 are of course Aline van Barentzen , that recorded the Prole 1 and 2 in Paris for EMI in the presence of the composer ( unfortunately the CD version of the album "Villa Lobos par lui meme" doesn't include this important recording, that was present in the LP version), Nelson Freire( unfortunately he recorded only the Prole 1) and Anna Stella Schic . For the Cirandas the references are again Anna Stella Schic ( the only pianist that recorded the complete works for piano by Villa Lobos), Roberto Szidon and Caio Pagano.
I'm profoundly satisfied with this first record of this important project ( It will be a series of 9 Cds, I believe). Sonia Rubinsky plays very well, and I would like to prize her attitude about the fidelity towards the printed score. As the Prole do Bebe No 1 includes some very often played compositions , they are normally played with some liberties and "traditions". As Mahler used to say, "Tradition is Schlamperei". I really prefer to listen these pieces as Sonia Rubinsky plays: as they are written. One can prefer the exceptional musicality of Nelson Freire in the Prole, or the analytical sound of Caio Pagano in the Cirandas. But Sonia is a first rate pianist too. She has a wonderful sonority .With her flawless musicality we can say that this integral began as a new reference in Villa Lobos discography .
Lively Piano Music from Brazil.......2003-05-20
Villa-Lobos, who is of course the great composer of Brazil, has a less secure place in the history of modern music of the West, so it is good that his art is getting a reappraisal, with various record labels committed to issuing cycles of his works-the symphonies and string quartets, for example. Villa-Lobos wrote a great deal of piano music that isn't heard as much as it used to be, so the present CD, the first in a two-volume series (maybe there will be more) from Naxos is welcome indeed.
If Ginastera is the Bartok of the pampas, Villa-Lobos, in his piano music at least, might be seen as early Prokofiev or Stravinsky transported to the Amazon. As with Ginastera, there is much of surface glitter and of grit, but the emotional depths that Ginastera plumbs in his more inward music seems sorely lacking in much of this piano music by Villa-Lobos. Maybe inwardness wasn't on the composer's agenda as he tried to recreate the world of childhood in these pieces. But I wish he had taken his cue from Schumann, whose "Kinderscenen" is great music primarily because it doesn't shy away from the truth that childhood isn't all fun and games, though the troubling dissonances that intrude on the surface serenity of Villa-Lobos' "The Countess" and "What Beautiful Eyes!" hint at this fact.
Anyway, there is certainly a place for brilliance and grit, which Villa-Lobos' music has in abundance, and especially if you don't listen to all these pieces at one sitting, you will appreciate the freshness and liveliness of Villa-Lobos' invention. I think you'll also find Villa-Lobos' brand of musical primitivism, which intelligently combines European modernism and native New World musical elements, intriguing. You'll probably be amused, too, by "Little Black Doll" and "Look at the Pretty Birdy," which start off as perfect Debussy knockoffs but quickly absorb Villa-Lobos' own Latin-tinged idiom. Certainly, it's easy to see why the Petrouchka-influenced "Punch" from "A Prole do Bebe" suite was at one time an encore favorite with pianists such as Villa-Lobos' champion Artur Rubinstein. Then there is the jazzy "In This Street" from "Cirandas," which illustrates Villa-Lobos' unique assimilation of European and Brazilian popular music.
Sonia Rubinsky brings the requisite pianistic chops to this recital. She has great technique and finds no hurdles she can't manage in Villa-Lobos' sometimes grueling keyboard writing. But she also brings delicacy, charm, and wit to her assignment as well, which breathes life and purpose into the quieter pieces like "What Beautiful Eyes!" A first-rate sound recording, too, from Fisher Hall in Santa Rosa, California. This disc is recommended without hesitation.
Charming Villa-Lobos pieces for children........2001-12-18
The move from the large-scale orchestra we may be more familiar with to the piano does not mean that the music of Villa-Lobos loses any of its energy, rhythm, colour or beauty. The two major works here, 'A Prole do Bebe' (the Baby's family) and 'Cirandas' (a Portuguese dance) evoke the world of childhood, and are said to belong to the traditon of Schumann and Tchaikovsky, but the warm colours and rich harmonies are more tropical than those chilly Europeans, with Villa-Lobos brilliantly incorporating and reworking Brazilian folk material. The first wittily depicts the personalities of a child's dolls; the set of dances push their good-natured skittishness into real emotion at times. The 'Homage a Chopin' give a famously restrained and reflective idiom some sunny and dramatic virtuosity. Brazilian pianist Sonia Rubinsky knows these pieces and their influences well, and responds to them with intelligence, empathy and humour.
More, please!.......2001-02-28
I have heard Villa-Lobos' A prole do Bebê in various interpretations, but I cannot remember it ever has impressed me more than in Sonia Rubinsky's recording of it, which is utterly virtuoso (I mean a natural virtuosity without bravado)and at the same time very warm and colorful. As in `A prole do Bebê' the `Cirandas', on the same record, show a surpring succesion of various moods, dreamy or exciting, tender or fiery and passionate. There is a continuous tension between strong rhythm and free flowing melody, and a sonority that is very well preserved in the excellent recording. She does not `hammer' the Cirandas as if they were written by Bartòk - a pitfall that seems not altogether imaginary. This is only the first of a series of discs on which Sonia Rubinsky will play Villa Lobos' complete piano works. I hope it won't take too long before we will be able to hear them all. In a broadcast by The Radio Suisse Romande I heard a marvelous sample of the net yet available second volume, which I am eagerly awaiting, as well as the other volumes.
Native?.......2000-10-25
The playing here is rather weak and one has to wonder if being a native of a particular country can be a benefit or a hindrence? As for fantasy, which is much needed in the music of Villa Lobos, I don't feel there is much> The quality of this recording seems o.k. I heard a performance of this pianists RUDEPOEMA and was equally unimpressed! As for the composer? Villa lobos is Fantastic! Interestingly enogh, the pianist Deborah Halasz has embarked on a interesting complete Villa lobos piano music set thet outshines the other competitors, including the mundane playing of Marc Andre Hamelin
Average customer rating:
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The Songs Remember
ProductGroup: Music
Binding: Audio CD
ASIN: B000F6LES6 |
Product Description
1.the creation.2.in the eyes of love.3.berth of a great warrior.4.victory song.5.the song remembers.6.spirit words.7.sacred heart.8.native serenade.9.big drum calling.10.warrior of time.11.who is left to weep.12.the journey home
Average customer rating:
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Hawk Eyes Dreaming
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
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Jazz
| New Age
| Indie Music
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ASIN: B00006JUIU
Release Date: 1989-11-12 |
Tracks:
- Hawk Eyes Dreaming
- Wood Thrush
- Wood Wings
- Red Hawk Hunting
- Emergence
- Medicine Birds
Album Description
Naturalist Gene Groeschel began his study of songbirds and Native American music in New Mexico. A photographer and parachutist, his initial published work presented a skydiver's view of human flight in free fall. Later focus on birds led to international publication. Hearing Native American music at powwows, Gene began studying the Comanche, Aztecan double and Mayan turtle flutes. The Corrales Adobe Theatre in New Mexico was the site of his 1985 premiere performance of original flute music coupled with his wilderness photography. He then began blending his flute music with his wild songbird recordings. This blending is Hawk Eyes Dreaming, presenting a unique and provocative spiritual combination of earth, man and sky.
Average customer rating:
- A classic recording
- great music - bad singer
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War's Embers: Songs by Browne, Butterworth, Farrar, Finzi, Gurney, Kelly
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD
General
| Finzi, Gerald
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ASIN: B000002ZER
Release Date: 1997-09-09 |
Tracks:
- Requiem da Camera: Only A Man Harrowing Clods
- In Flanders
- Ha'nacker Mill
- Black Stitchel
- By A Brierside
- Blaweary
- The Twa Corbies
- The Fiddler Of Dooney
- Goodnight To The Meadow
- Severn Meadows
- Vagabond Songs, Op. 10: The Wanderer's Song Op. 10 No. 1
- Vagabond Songs, Op. 10: Silent Noon
- Vagabond Songs, Op. 10: The Roadside Fire Op. 10 No. 3
- Hawk And Buckle
- The Ship 'The Elizas'
- Orpheus
- Tears
- Under The Greenwood Tree
- Sleep
- Spring
Tracks:
- Arabia
- The Boat Is Chafing
- Cathleen Ni Houlihan
- Edward, Edward
- The Night Of Trafalgar
- Even Such Is Time
- Thou Didst Delight My Eyes
- Most Holy Night
- Diaphenia
- Brittany Op. 21 No. 1 - Two Pasorals
- Come You, Mary Op. 21 No. 2
- Who Would Shepherd Pipes Op. 21 No. 3
- Shall I Compare Thee?
- You Are My Sky
- Last Hours
- To Violets
- Nine Of The Clock
- Epitaph In Old Mode
- Epitaph On Salathiel Pavy
- Requiescat
- To Gratiana Dancing And Singing
Customer Reviews:
A classic recording.......2005-07-07
War's Embers draws its title from composer-poet Ivor Gurney's second volume of poetry written at the Front. Conceived by Joy Finzi, the widow of composer Gerald Finzi, it features songs by composers who fought in World War I with the exception of Finzi whose teacher Ernest Farrar died two months before the war ended. The 2-CD collection features Farrar, Gurney, George Butterworth, Denis Browne and Frederick Kelly, the latter two being friends of the poet Rupert Brooke. Brooke died on the way to Gallipoli where Browne was killed in June 1915. This important recording brings together a fine collection of songs, including four by Denis Browne whose reputation stands on this handful of songs. (There are others that might some day be recorded). For many years it was assumed that Ivor Gurney, who spent the last 15 years of his life in an asylum, was a shell-shocked victim of the war. This is not true. Gurney suffered from a severe manic-depressive disorder that had first shown symptoms when he was in his teens. He actually flourished during the war, writing four songs that are considered masterpieces (listen to In Flanders, By A Bierside, Severn Meadows and Even such is Time), producing enough poetry for two volumes of poetry and writing hundreds of letters to his friends, primarily to musicologist-critic Marion Scott. George Butterworth, who was killed in the Battle of the Somme, was a good friend of Ralph Vaughan Williams. Finzi is represented by Only A Man Harrowing Clods (a setting of Thomas Hardy) from his Requiem da Camera, which he wrote in memory of Farrar. The performances by Martyn Hill, tenor, Stephen Varcoe, baritone, and Michael George are excellent and heartfelt. Hill was one of the first singers to record Gurney's songs. War's Embers is a must-buy CD for anyone interested in 20th English song.
great music - bad singer.......2002-06-20
What a SHAME!!! This is one of the only recordings that I know of featuring the 4 songs of William Denis Browne... played very well by Stephen Varcoe - but sung terribly by Martin Hill. Much like the collection of Michael Tippett vocal music, Mr. Hill seems to scream his way through most everything he sings.
Someone must like him, he's signed to Hyperion, and they usually choose such wonderful singers... but not this time. Let's just pray that Ian Bostridge or John Mark Ainsley will be asked to sing this wonderful repertoire... and we can use these discs as coasters!
The baritone, Michael George, does a commentable job with the Gurney songs - sometimes a bit swallowed and throaty.
I am not saying do not buy this recording... It's music that we should know and learn. But, this way we arent in the least tempted to simply immitate what we hear. You'll know you could sing it better, trust me.
Average customer rating:
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Songs by Dvorak: Biblical Songs Op. 99; Songs on Folk Tunes / Martinu: Songs on One Page for voice & piano, H. 294 / Janacek: Moravian Folk Poetry in Songs
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000E6NA
Release Date: 1993-09-14 |
Average customer rating:
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Hawk Eyes (Extra Tracks)
Manufacturer: HIP
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
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ASIN: B000BP0PY0 |
Product Description
1/ THE MAN I LOVE 2/ DON'T BLAME ME 3/ WRAP YOUR TROUBLES IN DREAMS 4/ UNTIL THE REAL THING COMES ALONG 5/ RED BEANS 6/ THROUGH THE NIGHT 7/ HAWK EYES 8/ I ONLY HAVE EYES FOR YOU 9/ TALK OF THE TOWN 10 THE MIDNIGHT SUN WILL NEVER SET
Jazz Music:
- Hearing Voices
- Home Free
- Hottest Night of the Year
- Invitation
- Jazz Impromptu, Vol. 2
- Jazz in the Pocket
- Jazzmen Detroit [Import] [Original recording remastered]
- Lionel Hampton with Dexter Gordon
- Live At Chadney's [Live]
- Live at the Riverbop [Live]
Jazz Music
jazz music