| 1. Invitation |
| 2. Ecaroh |
| 3. Free for All |
| 4. Along Came Betty |
| 5. Silver Serenade |
| 6. Ugetsu |
Invitation,Siegfried Kossler,Epm Musique,Jazz,Pop
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American Angels
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ADB4Q Release Date: 2004-02-10 |
Tracks:
- Holy Manna
- Abbeville
- Wondrous Love
- Sweet Hour Of Prayer
- Jewett
- Dunlap's Creek
- New Britain
- The Morning Trumpet
- Resignation
- Poland
- Wayfaring Stranger
- Sweet By And By
- Blooming Vale
- Idumea (I)/Idumea (II)
- Sweet Prospect
- Shall We Gather At The River
- Amanda
- Invitation
- Parting Hand
- Angel Band
Amazon.com
This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert LevineCustomer Reviews:
spiritual americana.......2007-01-06
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!
Rich Heritage.......2006-10-11
Superb .......2006-08-07
Can't walk away from it!.......2006-08-07
These four ladies produce a unique and remarkable sound. I can't recommend it enough.
Mana from Heaven.......2006-05-08
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An Invitation to Worship
Byron Cage Manufacturer: Gospocentric ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ANVPBK Release Date: 2005-11-29 |
Tracks:
- I Will Bless The Lord
- I Will Bless The Lord (Reprise)
- We Love You
- Majesty
- Praise The Name Of Jesus
- In Case You've Forgotten
- Breathe
- Rain On Me
- He Reigns
- Broken But I'm Healed
- Holy Holy Holy
- Lift Him Up
- Special Place
- Praise Him
- Worship The King
- Invitation
- Interlude: Closing Prayer
Customer Reviews:
This is an amazing worship CD..........2007-03-18
Absolutely Incredible!.......2007-03-10
Unbelievable Invitation!.......2007-02-07
Uplifting.......2007-01-14
Needs more work.......2007-01-05
He has some good worship songs and some lively songs of praise, but I think I've been too spoiled to really grab hold of this one.
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The Greatest Game Ever Played
Brian Tyler Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ASDGHQ Release Date: 2005-09-27 |
Tracks:
- Main Title Overture
- Immigrant's Theme
- Determination
- The Amateur
- Broken Dreams
- A Call To Arms
- The Greatest Game Ever Played
- Dog Leg
- Angel
- Invitation
- Broken Dreams Reprise
- Ouimet Trails By One
- Ride The High Country
- Indecision
- Heads Turn
- The Game Is Afoot
- An Unlikely Outcome
- A Chance Encounter
- And Then There Were Three
- Ride The High Country Reprise
- True Valor
- A Quiet Dignity
- Duel
- Showdown
- Sunset
- Angel - Dawn Upshaw
- The Band Played On - Amick Byram
- Hello Hello Who's Your Lady Friend? - Joe Jackson
- End Title Overture
Customer Reviews:
Fantastic!.......2007-01-09
At first it sounds much like James Horner's 'Legends of the Fall,' but it is by no means a repeat of it. It is a beautifull soundtrack on it's own, with many different themes that keep it exciting. The music has the same early 1900's feel as the movie while stil maintaining a variety of music styles; from soaring strings to intense violin pieces to period vocals like "And the Band Played On." Like the movie, it has a very inspirational feel, and I would definately recommend it to anyone, whether fans of the movie or soundtrack lovers.
Loved the movie, love the score.......2006-03-17
As I have listened to this soundtrack again and again, I've been captivated by this music. The beauty and power of Brian Tyler's composition is most impressive. As an intent listener, I've been deeply moved by the expansive musical landscape that is covered in this soundtrack. The central motif, a majestic and magnanimous melody which forms the essence of the main title, is woven into tracks throughout the disc, tying everything together as part of a musical (and theatrical) storyline. Indeed, it seems like an incomplete experience if I don't listen to the entire soundtrack, start to finish, in sequential order. If you take the time to do that, you'll find it's a very rewarding listen.
4.5 Stars for The Greatest Game Ever Played.......2006-03-11
The album picks up with the main title track, and what a great track it is. Some people will say it is Horner reminiscent, and while many themes on this CD do remind me of James Horner's best work, I actually think the closer resemblance is John Debney. I'm serious - this score is in many ways similar to The Passion of the Christ. It has pounding drums and wonderful percussion and isn't afraid to go all out with the string and brass section. It's a thrilling, heroic, melodramatic and operatic score that I've enjoyed listening to repeatedly. A highly recommended score for anyone who enjoys breathtaking and moving and powerful and heroic sometimes lighthearted and always thrilling music.
cheers
KZ
One of Brian Tyler's best.......2005-10-01
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Invitation
Joe Sample Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002MIJ Release Date: 1993-03-23 |
Tracks:
- Black Is The Color
- A House Is Not A Home
- Come Rain Or Come Shine
- Invitation
- Summertime
- Nica's Dream
- Stormy Weather
- Django
- My One And Only Love
- Mood Indigo
Customer Reviews:
Magnificent.......2005-11-26
Joe does standards and the result is absolutely beautiful!.......2004-08-30
piano playing that is catchy, charismatic, and sometimes
remarkably impressionistic with his gift to musically illustrate
the places and memories that have most affected his life.
In this album, we are delighted to hear him appreciate standards,
his acoustic piano woven with some of the most beautiful
orchestration I have ever heard. This is the album to make
you feel good, relaxed, the one for the Sunday afternoon, or
the cozy late night in front of the fire with favorite people.
All of the selections are wonderful, the album is first rate
from beginning to end. I have just rediscovered it again,
and am totally mesmerized by it!! Outstanding!!
An Invitation To Listen To Joe Sample At His Very Best.......2003-11-21
and an insight into the great gifts of those who have come and gone,
and those who continue to give. The bond is eternal,
the gift is everlasting, and it is godliness." ~ Joe Sample
This wonderful CD has a special spot in my smooth jazz collection, along with "Carmel." All the melodies are great and truly remarkable that only a great jazz pianist such as Joe Sample can interpret with such an extraordinary artistry and elegance. This is unparalleled piano playing at its utmost best!
My personal favorites include "My One And Only Love," the title track "Invitation," "Stormy Weather," "Come Rain Or Come Shine" and "Summertime." My special mention goes to the second track "A House Is Not A Home." His interpretation of this Burt Bacharach/Hal David classic (with meaningful lyrics) is so poignant that it moved me to tears just listening to it! They say that there is a song for every experience in life.
This is one CD that will make you want to listen again and again. It's a must-have for all smooth jazz lovers. FYI: Joe Sample was nominated for Keyboardist of the Year 2003, and Male Artist of the Year 2003 in the 2003 National Smooth Jazz Awards. Congratulations, Mr. Sample!
Great Standard Tunes.......2002-05-28
For one thing, the songs are Joe's interpretation of some of the greatest standard tunes. The title track is my favorite ("Invitation") with "My One And Only Love" a very close second.
Joe has a way of putting you and "another world" by the way of his piano. Take me away, Joe!!
Recommended Therapy.............2002-05-25
I listen with deep appreciation to Joe Sample's piano artistry, but I also have to give kudos to the orchestral arrangements and conducting by Dale Oehler......and probably the recording and mixing engineers for providing such great great sound.
Build yourself a drink, put this on your sound system, kick back and listen......you'll feel your petty worries and concerns drifting away.
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The Very Best of Janet Baker
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UUOW Release Date: 2002-04-09 |
Tracks:
- Christmas Oratorio: Bereite Dich, Zion
- Messiah: He Was Despised
- Elijah: O Rest In The Lord
- Alto Rhapsody
- Ich Bin Der Welt Abhanden Gekommen
- L'Invitation Au Voyage
- Pie Jesu (From The Requieum Op.9)
- Sea Pictures Op.37: I. Sea Slumber-Song
- Sea Pictures Op.37: II. In Haven
- Sea Pictures Op.37: III. Sabbath Morning At Sea
- Sea Pictures Op.37: IV. Where Corals Lie
- Sea Pictures Op.37: V. The Swimmer
- The Angel's Farewell - Ambrosian Singers
Tracks:
- Linden Lea
- A Boy Was Born, Op.3: Corpus Christi Carol
- Pretty Ring Time
- Prison
- Soir
- Clair De Lune
- Ave Maria (Ellens Gesang III)
- Gretchen Am Spinnrade
- Wiegenlied (Schlafe, Schlafe)
- Die Forelle
- Auf Dem Wasser Zu Singen
- An Die Musik
- An Sylvia
- Nacht Und Traume
- Heidenroslein
- Du Bist Die Ruh'
- Auf Flugeln Des Gesanges
- Liederkreis, Op.39: Mondnacht
- Frauenliebe Und -Leben Op.42: Du Ring An Meinem Finger
- Geistliches Wiegenlied
- Befreit
- Morgen!
Amazon.com
While it is impossible to really squeeze The Very Best of Janet Baker onto just two CDs, this two and a half hour anthology is a fine portrait of the British mezzo-soprano. Central to CD 1 is Elgar's Sea Pictures, a definitive account with the London Symphony Orchestra conducted by Sir John Barbirolli. While other British music is represented by Vaughan Williams's "Linden Lea," Britten's "Corpus Christie Carol," and Warlock's "Pretty Ring Time," CD 2 balances the program with 10 Schubert songs accompanied at the piano by either Gerald Moore or Geoffrey Parsons, which range from "Ave Maria" to Shakespeare. The set lends equal weight to orchestral and more intimate song, as well as to works in English--a very moving reading of Handel's "He was despised" from Messiah--and European landmarks, including Mendelssohn's On Wings of Song and Brahms's Alto Rhapsody, the latter with a superlative London Philharmonic Orchestra under Sir Adrian Boult. In an age of technically dazzling but sometimes bland singers, this release is a reminder of emotionally intense musicianship that retains vocal clarity and commitment to the composer's intentions over superstar ego. The word great is often used all too easily, but it could not be more appropriate for this outstanding collection of a great singer. --Gary S. DalkinCustomer Reviews:
The Very Best of Janet Baker is simply the very best!.......2005-02-09
Grace Incarnate.......2002-09-02
Each track on this cd is a perfect union of poetry, melody and technicality. Dame Janet Baker fully immerses herself into each piece, and delivers highly commited, intelligent & emotional performances.
A Rare & Glorious Singer.......2002-06-10
She does not sing to show off. She sings to enlighten, to illuminate, to reveal, to enter into. Her voice carries us off, near to Heaven.
Dame Janet has been neglected of late. This recording shows us why, in these perilous times, we need her more than ever.
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The Very Best of Victoria de los Angeles
Victoria De Los Angeles Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000083GOE Release Date: 2003-04-22 |
Tracks:
- O Mio Babbino Caro
- Un Bel Di Vedremo
- Si. Mi Chiamano Mimi - Jussi Bjorling
- Senza Mamma
- Voi Lo Sapete, O Mamma
- Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
- Ebben? Ne Andro Lontana
- Nacqui All'Affano...Non Piu Mesta
- Una Voce Poco Fa
- E Strano!... Ah, Fors' E Lui...Sempre Libera
- Porgi, Amor
- Dich, Teure Halle
- Einsam In Truben Tagen
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
- Les Grands Seigneurs...Ah! Je Ris
- Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle
Tracks:
- Auf Flugein Des Gesanges
- Ich Liebe Dich
- Wiegenlied
- Les Filles De Cadiz
- Cuba Dentro De Un Piano
- Chevre
- Punto De Habanera
- Cancion De Cuna Para Dormir A Un Negrito
- Canto Negro
- De Espana Vengo
- Cancion Del Amor Dolido
- Cancion Del Fuego Fatuo
- La Pastoura Als Camps
- Bailero
- Chut, Chut
- Uno Jionto Postouro
- Oh! Had I Jubal's Lyre
- An Die Musik
- Dein Blaues Auge
- Vergebliches Standchen - Gerald Moore
- L'Invitation Au Voyage
- La Flute Enchantee
- Chanson Espagnole
- Chanson Francaise
- Chanson Italienne
- Clavelitos!
- Malaguena - Gerald Moore
- Granadina - Gerald Moore
- Adios, Granada
- Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha
Customer Reviews:
Very nice introduction to the work of a great soprano.......2007-07-13
Some cuts exemplify her art:
"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.
"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.
From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."
Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.
From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.
Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.
And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.
So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!
The very best performance by Victoria de los Angeles.......2006-09-13
In Memoriam: A Tribute To The Late Victoria.......2005-02-01
Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.
Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.
Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.
the genius of de los angeles.......2004-02-14
A n angelic voice.......2004-02-06
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Invitation to the Dance
40 Below Summer Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NOZA Release Date: 2001-10-16 |
Tracks:
- We The People
- Rope
- Still Life
- Whither Away
- Step Into The Sideshow
- Falling Down
- Smile Electric
- Rejection
- Power Tool
- Drown
- Minus One
- Jonesin'
Customer Reviews:
Invitation to the Dance.......2007-05-30
The style isn't terribly far from their contemporaries, but they master it nonetheless. The lead singer, Max's vocals are far better than anyone I've heard in a genre even close to this. His style seems more derivative of R&B with beautifully balanced high's and lows. There's a lot of Deftonesesque scream-rapping, but it's done far better than most bands who try to pull it off. Another reviewer used the phrase `rabid-dog' to describe Max's singing on some spots, which I couldn't say better: other similar artists try to do that whole going-crazy thing but it sounds fake. This guy sounds like a nutcase.
There are a few trite songs and a few absolutely terrible ones. `Step into the Sideshow' really has terrible lyrics, reminiscent of nineties white-rappers (maybe that was the point? Some sort of ode?) even though it's catchy. That's why this album is such an enigma: then you turn right around and have `Falling Down' which I've actually included in my top 100 favorite songs of all time.
`Smile Electric' might be a good little rowdy song for any other band, but when you listen to the album straight through with raised expectations after hearing `Rope' and `Falling Down' it falls incredibly short.
You eventually get to Minus One, which not only sounds dull and uninteresting, but has terribly written lyrics about killing some lost love or something. In places, the album has this great sort of freaky psychosexual vibe going, and in other places, where it attempts to be very dark and shocking, it just comes off campy and cringe-inducing. It had a very unbalanced vibe that could have used a more discerning producer.
But then on the other hand, you have a couple gems: `Power Tool' is not only up their with `Falling Down' but I felt, is right up there with that of the Red Hot Chili Peppers or Living Color. The music is jazzy, fluid and sexy. The lyrics are actually brilliant and honest. `Jonesin' concludes the record with excellent style and ease but again, the lyrics are too much like `Minus One' and cover the same subject matter--pure camp.
Over all, the album gets three stars alone for `Falling Down' and `Power Tool.' The very fact that `Minus One' is even on the same record as these, is automatic grounds for a one-point deduction. It's too bad the band split up, because I felt that with a little bit of improvement and maturity, these guys had a lot of potential to blossom into a great band. I thought they were one of the most exciting things in the genre and had the potential to affect not just the GENRE but MUSIC. Oh well.
Raw energy, driving rhythms, and original vocal style.......2007-04-13
Here's your invitation...will you accept?.......2007-01-27
The opening track `We the People' is an infectious anthem, the perfect way to open an album...immediately causing the listener to crave the attention of a mosh-pitt. Personally `Rope' remains my favorite track, the entire experience is perfect. Max comes off like a rabid animal towards the ends of `Still Life' and the softer partly acoustic `Wither Away'. It's brilliant. `Step into the Sideshow' has an infectious chorus but the rap influence is annoying. Stick to singing and screaming please.
And scream they do through most of `Falling Down', just about every other word is screamed at ear splitting levels. Actually the best part about this song is the fact that in the end they switch things up completely, softening the riffs and singing soft and slow and then really blowing it out...shows a great side to this band. Max falls back into the rabid dog vocals on `Smile Electric', a song that resorts to the rap influence again but redeems itself in pure intensity. `Rejection' should have, can't help it, been rejected from the final track listing. It's just not that great, kind of boring if that's believable. I just really don't like it.
They redeem themselves though with `Power Tool'...just love this song. `Drown' is actually a beautifully melodic track, one that I listen to regularly. `Minus One' yet again delves into rap, but this is probably their best go at it. It's so heavy and aggressive that the rap sounds well suited. I love the fading they do with the riffs, it adds character. The closing track `Jonesin' is just what you'd expect from a band like this, sick, creepy and somewhat sadistic while being somewhat docile compared to the remainder of the album. It works but not as well as it could have. Thanks to the ending it's deemed a worthy closer.
So in closing this is a great debut, while it's not brilliant. There are a few killer tracks, some are much better than others, but they show promise so they're a band to watch out for...maybe they'll perfect what they started.
Good, but lacking........2007-01-12
awsome!!!!!.......2006-01-06
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Invitation to the Dance
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD ASIN: B0000013JR Release Date: 1992-06-30 |
Tracks:
- Invitation To The Dance
- No. 7 - Allegro Marcato
- Variation A - Allegro
- Gallop
- Waltz
- Alla Loure
- Andante
- No.12 - Andantino Non Troppo
- Allegro Non Troppo
- Intermezzo
- (Transition)
- Andante
- Allegretto
- Adagio
- Allegretto
- Moderato Maestoso
- Moderato Con Moto
- Allegretto
- Allegro Vivo
- Moderato
- Terana. Andante
- Rektah. Allegro Vivo
- Persian. Allegretto - Andante
- Coda. Allegretto Marcato
- La Gioconda - Dance Of The Hours
Customer Reviews:
Ballet music for the Optimistic Spirit.......2004-09-07
The recording was made in the empty Concert Hall of the Slovakian Radio in Bratislava, and there is a certain amount of echo which is not really appropriate. Also I found that when playing the CD on inferior equipment such as a CD-ROM player, there was a lot of background noise and the sound came over quite weak. On good hifi equipment these problems disappear; don't ask me why.
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Philip Glass : The Fog of War
Manufacturer: Orange Mountain Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000EWQ0S Release Date: 2003-12-02 |
Tracks:
- 100,000 People
- Target Destruction
- Revolution in the Pentagon
- Low Evil
- Blind Moles
- Behind the Moon
- November 1, 1967
- IBM Punch Cards
- The War to End All Wars
- Statistical Control
- A New Weapon
- Damned If I Dont
- The Family
- Chengtu
- Dominoes
- 67 Cities
- Rolling Thunder
- Invitation
- Success
- Data
- Across the World
- 5 Weeks
- Norman Morrison
- Snowing
- Gulf of Tonkin
- Return From Vietnam
- Private and Public
- Unilateralism
- Why Are We Here?
- Evil Grade
- Body Count
- The Light That Failed
- No Second Chance
- The Fog of War
Album Description
Errol Morris' adroitly assembled documentary film "The Fog of War" examines the career of Robert S. McNamara-- United States Secretary of Defense during the Kennedy and Johnson Administrations and whose tenure includes the Vietnam War and the Cuban Missile Crises. Combining excerpts from 26 hours of interviews with McNamara, archival footage, filmed recreations, as well as newly declassified White House recordings Morris' filmmaking illuminates a national past that ominously parallels the contemporary political present. Morris reveals what previous biographies failed to investigatethe relationship between McNamara and the infamous United States General Curtis LeMay and their involvement in the firebombing of Tokyoalong with 67 other Japanese citiesin 1945. Errol Morris states "The easy thing to say would be McNamara is a bad guy, he did all these bad things...the story is more complex and far more interesting than I imagined. The disturbing thing is that this was a man with real ethical dimension who did something terrible."As with music previously contributed to Morris' films, Philip Glass' score to "The Fog of War" effortlessly supports and enhances the film. The music, at times lyrical and at other times intense, deepens the horrifying images of war, highlighting the ambiguities of McNamara's characterand the consequences of his actions. Glass' music reinforces Morris' effort to understand the difficult ethical questions about governing and power raised by "The Fog of War".
Album Description
The acclaimed composer's score to the 2003 documentary by Errol Morris, their third collaboration. The film is subtitled ''11 Songs From The Life of Robert S. McNamara. Orange Mountain Music.Customer Reviews:
Excellent.......2006-08-09
The film was great, but the score made it outstanding. .......2004-08-05
Glass does something wonderful with this score; he gives war, uncertainty, doubt and fear a musical element, an audible personality that captures each bomb, burnt building and ominous threat in complete perfection, leaving your ears and your mind in a state of disbelief and amazement, thinking to yourself, "Wow, that music fits this segment like a glove."
The Thin Blue Line score made me an instant Glass fan but this score made me borderline Glass fanatic.
In my opinion, he surpasses Carter Burwell in the category of most unflinching film composer.......by a long shot.
A Great Soundtrack for a Great Film.......2004-05-24
ANOTHER GREAT GLASS SCORE!.......2004-03-31
This score has more variety than Glass's score for another Morris film, "The Thin Blue Line". By the way, will "The Thin Blue Line" ever get released on DVD?
The pieces are all short ones, which makes it an easier listen for Glass newbies I would imagine, but I would have preferred a few longer pieces- all the short pieces make it sound like "Glass fragments"- on some pieces once Glass gets going he has to come to a stop.
Still, I wholeheartedly recommend this wonderful CD!
Glass' dramatic score is Fog's 'secret sauce'.......2004-03-22
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The Songs of Henri Duparc
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZLE Release Date: 1993-06-21 |
Tracks:
- L'Invitation au voyage
- Serenade florentine
- Testament
- Phidyle
- Extase
- La vague et la cloche
- Chanson triste
- Le Galop
- Romance de Mignon
- Serenade
- La Fuite
- Lamento
- Elegie
- Le manoir de Rosemonde
- Au pays ou se fait la guerre
- Soupir
- La vie anterieure
Customer Reviews:
ORDER AND BEAUTY.......2006-08-30
This poetry is set to a music of exquisite refinement and poise. There is clear influence from Wagner in one or two ways, particularly in some of the more vigorous accompaniments and probably also in the almost total avoidance of word-repetition, but the very French sense of atmosphere is as strong as it is in Debussy, and the vocal lines combine a Wagnerian flexibility with a delicate lyricism that recalls Berlioz. Duparc was also an outright perfectionist, and perfectionism is catching. It infects even such a slattern as I am myself when I listen to these fine-spun little masterpieces, and it seems to me that nothing less than total perfection in their performance can do them full justice.
What I find in this recital is total perfection from Thomas Allen, but only excellence from Sarah Walker and Roger Vignoles. They all show thorough understanding of this music, and they convey their understanding with both power when required and discretion, which is always required. I could probably ask for nothing more by way of insight into the soul of the works. Where I find something slightly lacking is at a more mundane level. Apart from a couple of slightly uneasy high notes, Sarah Walker's technical command is assured, and I feel more than a little ungallant in saying crudely that her voice is not quite what is needed for Duparc - it is just slightly ordinary, and her French is not as good as Allen's either. As the recital progressed I longed more and more for Veronique Gens, whose memorable Berlioz Nuits d'Ete came back forcefully into my mind. As for the accompaniment, it calls for the highest praise in its mastery of the idiom and style (which are more varied than you might expect). Vignoles catches the special and elusive atmosphere of this special and elusive composer with genuine and deep insight, and there is real and impressive power in the later sequences of the last song of all. However the shortcomings - slight but in this context very telling - are once again at a more humdrum level. The touch needs to be the last word in the `order, beauty, comfort, peace and pleasure' that Baudelaire himself yearns for in `L'Invitation au Voyage'. In particular the frequent tremolando sequences call for superhuman evenness, and when I ask myself `Who do I want to be doing this?' the answer that comes to me is as much a fantasy as anything in the poems - I want Michelangeli.
For some reason credits are given in the liner to the translators of only three of the poems. I can think of no reason for this discrimination, and all the translations are in my own opinion excellent. I spotted no misprints in either English or French, unless Baudelaire's `ciels', which Lahor and I thought was `cieux', is one of those and not his divine afflatus as I am assuming. The liner-note itself is businesslike and informative, and the recorded quality gives me no grounds for criticism. This is a fine production, and whether or not I have laboured my reservations unduly I recommend it cordially. Perfection was what I had wanted. It is not quite what I have got, but I have got a great deal nonetheless, and it may be a long time before I am given as much again.
Breathtaking.......2002-08-23
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