Rediscovered Live at the Buccaneer [Live]

Rediscovered Live at the Buccaneer [Live]

Track Listings

 
1. Stranger on the Shore
2. Misty
3. Shadow of Your Smile
4. As Time Goes By
5. Departing Lovers
6. Don't Get Around Much Anymore
7. Warm Valley
8. C Jam Blues
9. Happy Go Lucky Local
10. Satin Doll

Editorial Reviews

Product Description
The revelation of this album, besides establishing where to find Jimmy these days, may well be his lesser known virtuosity on the tenor saxophone. --This text refers to the Audio CD edition.

Rediscovered Live at the Buccaneer,Jimmy Hamilton,Who's Who in Jazz,Bop,Jazz,Pop,Swing

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Rediscovered Live at the Buccaneer
Average customer rating: 2 out of 5 stars
  • Not the most encouraging title (better than the alternative)
Rediscovered Live at the Buccaneer
Jimmy Hamilton
Manufacturer: Who's Who in Jazz
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
GeneralGeneral | Live Albums | Jazz | Styles | Music
GeneralGeneral | Blues | Indie Music | Stores | Music
GeneralGeneral | Jazz | Indie Music | Stores | Music
ASIN: B0000000VY
Release Date: 2000-04-04

Tracks:

  1. As Time Goes By
  2. C Jam Blues
  3. Departing Lovers
  4. Don't Get Around Much Anymore
  5. Happy Go Lucky Local
  6. The Shadow of Your Smile (Love Theme From "The Sandpiper")
  7. Misty
  8. Satin Doll
  9. Stranger on the Shore
  10. Warm Valley

Album Description

The revelation of this album, besides establishing where to find Jimmy these days, may well be his lesser known virtuosity on the tenor saxophone.

Customer Reviews:

2 out of 5 stars Not the most encouraging title (better than the alternative).......2007-03-31

I always associate Jimmy Hamilton with the best editions of the Ellington band, a name that, whenever called upon by Duke, could be trusted never to fail. He had that New Orleans sound that I hear in Duke's best reed sections, yet his sound was more forward, more "out front" than some of Duke's other clarinetists and alto players. Moreover, he took better care of himself than other members of the Ellington musical family, savvy enough to know there were better investments of one's time and money than at the bar.

All of which is to say if you have similar positive recollections of the Hamilton clarinet within the colorful Ellington palette, pass this one up. Jimmy still puts out strong-toned melodies but passes up virtually all opportunities to improvise, turning over those chores to a fairly decent piano player and a fleet-fingered, overly amplified bass player, who has worn out his ideas by the second solo.

It may be Jimmy Hamilton, but it's still little more than an ordinary dance set.

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