The Trio

1. Blues Etude

2. Chicago Blues

3. Easy Listening Blues

4. Come Sunday

5. Secret Love

The Trio,Oscar Peterson With Joe Pass and Niels-Henning Orsted Pedersen,Pablo,Bop,Canada,Jazz,Mainstream Jazz,Pop,Swing

Jazz

Music

jazz

music

Average customer rating: Great collection Something Great From The Man Who "Invented" The Electric Guitar Treasure trove of scintillating miniatures Laserlight Comes Through Again MORE of Les!

The Jazz Collector Edition: Les Paul Trio Les Paul Trio Manufacturer: Delta ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Rock | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music CDs Under $7 | Vocal Pop | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Vocal Pop | Pop | Today's Deals in Music | Formats | Music 4-for-3 Jazz | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Best of the Capitol Masters: 90th Birthday Edition 20th Century Masters - The Millennium Collection: The Best of Les Paul Crazy Rhythm Les Paul & Mary Ford - All-Time Greatest Hits Very Best Of Les Paul & Mary Ford ASIN: B000008JBE Release Date: 1991-06-06

Tracks:

1. Lazy River
2. Short Circuit
3. Wasted Tears
4. Melodic Meal
5. Swance River
6. Hand Picked
7. Danger, Men At Work
8. Embraceable You
9. I Can't Believe You're In Love With Me
10. Indeed I Do
11. (Back Home Again In) Indiana
12. Dance Of The Kordies
13. Stardust
14. My Melancholy Baby
15. At Sundown
16. I Found A New Baby
17. Subterfuge
18. For You
19. Stompin' At The Savoy
20. Coquette
21. Honeysuckle Rose

Customer Reviews:

Great collection.......2007-07-12

Puts most modern players to shame. And Les is not forgotten - at 92, still plays every Monday at the Iridium in NYC (great show btw) with many amazing players making surprise visits to pay homage. Also the the recent PBS American Masters piece on Les.

Something Great From The Man Who "Invented" The Electric Guitar.......2007-05-14

Like Jelly Roll Morton a generation before him (who claimed to have "invented" Jazz and whose recodings set the standard for that era) these lovely early tracks from Les Paul deserve to be heard by the younger generation, and we older folk can do with some reminding, too.

What a pity to have all but forgotten him, so. If Les Paul (or Mary Ford) is still alive (I realise they would be a little old if they still were) I wish they could know that I and my wife haven't forgotten them and now that I have this excellent re recording, we never will.

Treasure trove of scintillating miniatures.......2005-11-17

I never appreciated the superb musicianship of Les Paul until picking up this bargain-priced collection of 20 dazzling performances by the "Wizard of Waukesha." Now it finally begins to make sense that one of his early, formative influences was no less than Art Tatum.

Within each of these 2-3 minute masterpieces Les manages to impress as a solo guitar master as well as a tasteful, expressive musician and an ensemble player of the first order. There's no electronic trickery on these recordings from 1947--simply a level of artistry and flawless execution that's all the more striking because of the limited space given each player to say his piece. The tempos include a couple of ballads and medium tempos along with the predominantly up-tempo tunes.

No less impressive than the solos is the inventiveness of the compositions and the glittering tightness of the ensemble playing. Much of the time Les is heard playing blazingly fast melodic lines in harmony with a nameless piano virtuoso who is on the same level as Les if not even more fluent and imaginative. In fact, the single downside of this collection is the absence of dates, musicians' names, and all other potentially useful information about the recordings (some research suggests that the pianist is Paul Smith).

Admittedly, Les frequently resorts to "canned licks" rather than risking extemporaneous improvisation on the chords (the pianist is usually given the more adventurous role). Nevertheless, this is challenging, exhilarating music, full of surprises and played to perfection.

Laserlight Comes Through Again.......2005-08-02

Laserlight seems to have a magical ability to put out excellent collections (They put out some fantastic Nat King Cole Trio collections as well. Check them out too!) for dirt cheap.

This collection concentrates on Les Paul's early carrer and as the title implies, it is his trio of guitar, bass and piano. The recordings were made in the 1940's and are mono, but the sound is crisp and clear.

Definitely a great buy at the price. Larry's review pretty much sums it up.

MORE of Les!.......2003-02-25

Well, for the price of this CD, I could have bought a Burger, Fries, and a Coke but...I'm glad I didn't. This CD rocks, which is ironic considering the price. If you are a guitar player, or a fan of guitar music this disc is sure to be a welcome addition to your collection.
The 21 cuts are circa 1947, which means the recordings are pre-Gibson Les Paul model guitar. Since he's playing a jazz box, his tone is really warm and smooth, compared to the brighter tone of his later solid body work,(1950's - 60's) but his sense of humor and wicked licks are here nonetheless.
In fact, the CD is an excellent, equally mixed collection of slow sultry tunes, medium paced bops, and flat-out, high-speed ripping. The significance is that many of Les' CD's are not specifically aimed at appreciating his mastery of the instrument, but instead are fixated in content either on his association with Mary Ford, or his inventive marvels like multi-tracking and echo. As a result, much of Les' pure technique winds-up being buried and taking a back seat to either Mary's vocals, or his own signal processing.
Even worse, some manufacturers are releasing discs entitled "Guitar Wizard" for example, that are cleverly using the title as a marketing gimmick only, and with no intent to include tracks that showcase Les' incredible fretting agility and monster technique.
Pathetic.
Not the case here though.
Don't get me wrong, I really like the other stuff he has done, but there is just so damn much of it, and hardly any CD's exist to the contrary that prove "Les is More" - without the multi-tracking or signal processing.
I do know that he is known for his "new sound", and it is a wonderful part of music history, but by fixating ONLY on that, record companies have shorted us the pleasure of enjoying Les as the phenomenal guitarist that he truly is, in his purest form. Personally I believe that a collection CD featuring Les' best guitar work is not only badly needed, but actually OWED to him, considering what he has done for the electric guitar specifically, and the music industry in general.
Whether or not you like his music, one fact remains...
This is the man that "discovered electricity" for guitar players, and multi-track recording for the record industry.
Until someone releases something worthy, this CD is an excellent, excellent effort.
My hat's off to it's manufacturer (Laserlight) and am hoping for more...
L.LaBallister

Average customer rating: Totally grand Could they really have gotten better? Great CD! Why haven't I heard of these guys before? This album is definitlet JBT's BEST! Eclectic and energetic

Grand National John Butler Trio Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Australia & New Zealand | International | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Sunrise Over Sea Three Food in the Belly Live at Saint Gallen The John Butler Trio: Live at St. Gallen ASIN: B000N3ST4S Release Date: 2007-03-27

Tracks:

1. Better Than
2. Daniella
3. Funky Tonight
4. Caroline
5. Good Excuse
6. Used To Get High
7. Gov Did Nothing
8. Groovin' Slowly
9. Devil Running
10. Losing You
11. Nowhere Man
12. Fire In The Sky
13. Gonna Take It

Album Description

The pigeonholes that exist have long been a bad fit for John Butler anyway. Roots band, protest band, jam band, groove band . . . these labels may or may not have applied in the past, but the John Butler Trio of 2007 has come too far and seen too much to sit in anybody else's niche. "GRAND NATIONAL" is more about love than injustice, more about ass-shaking than finger-pointing, and more about maintaining the funk than any particular hairstyle. It's an album of sharp focus and wide variety that matches and surpasses monumental expectations.

Customer Reviews:

Totally grand.......2007-06-21

My 1st exposure to this Trio was not by radio but from a live TV performance on the legendary German Rockpalast show. I was totally gobsmacked. The music is very tight and together, and the guitar playing is in a league of its own. There is a great mix on this CD with many moods catered for. BY FAR my most favourite track is the 100mph track "Funky tonight". It starts off with incredible 12 string guitar playing and the rhythm section matches in every way. I looked on the sleeve notes to see what instruments were played, but I didnt see a "Didgeredoo" (Aboriginal blow pipe). I could have sworn it was used. The closest I can compare John Butler to is Ben Harper. A great CD. Check it out, and all his other stuff. This is my 1st listen of him, but by no means my last

Could they really have gotten better? .......2007-06-01

I first heard the John Butler Trio on KGSR Radio in Austin, TX. They played at SXSW Music Conference and the ACL Music Festival after that. They've got a funky Aboriginal sound that's totally their own. I honestly didn't think I'd like anything more than "Sunrise over Sea" but I obviously was wrong.

There aren't any political statements here, just good, solid rocking fun. If you haven't heard them, start with this CD.

Great CD! Why haven't I heard of these guys before?.......2007-05-28

I first heard the John Butler Trio on XM radio's XM Cafe. I like this CD because the songs are upbeat, nearly all of them are good, they do not all sound the same, and the disk passes the criteria of I like listening to it over and over again. My music taste runs from O.A.R., Jack Johnson, Dave Matthews, some Beck, to the first (not the most recent) Maroon 5 disk, etc. so you get an idea... suggest you listen to the sample clips and if you like them, try it - you'll like it!

This album is definitlet JBT's BEST!.......2007-05-18

How can you call "Daniella" an embarrasing track? Are you crazy, that is one of the best tracks on this album! Nonetheless, every track is unique and extremely catchy. This is rad feel-good music that makes you wanna move your feet for sure. Great third outing by John Butler and his always rotating trio. Its great because each album has a different cast of musicians that cater to that specific style. Definitely one of the best albums so far for 2007.

Eclectic and energetic.......2007-05-15

Though I think it's too early to coronate "Grand National" as the best effort by the John Butler Trio, I think one could argue that it is their most consistently musical effort to date. Augmenting John Butler's whiplash playing of his acoustic guitars with a fuller array of instruments layers the band's sound, and his trio mates really step up as well.

Sometimes the marriage of rock `n roll and social and environmental injustices either smacks of self-righteousness or ceases to be graceful and fluid. For the most part, Mr. Butler sidesteps those hindrances yet he does stumble a bit on the awkward, even embarrassing second track Daniella.

But it's pretty easy to put those sorts of moments in the rearview mirror when the JBT hits full throttle on Funky Tonight, the kind of song that energizes the inner whirling dervish in us all.

If I were to sum it up in two words, I would offer eclectic and energetic.

Average customer rating: Trio Of Delight Glad to hear it finally make it from the vault unrealized potential (and other thoughts) Trio of Doom vs Havana Jam 1/2 Legendary meeting, a bit less than legendary performance.

The Trio of Doom Live Trio of Doom Manufacturer: Sony Legacy ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Similar Items: Pilgrimage The Essential John McLaughlin The Essential Jaco Pastorius Live at Montreux Jazz Festival 1976 Moe's Town ASIN: B000QEIM7S Release Date: 2007-06-26

Tracks:

1. Drum Improvisation (Live)
2. Dark Prince (Live)
3. Continuum (Live)
4. Para Oriente (Live)
5. Are You the One, Are You the One? (Live)
6. Dark Prince (Studio)
7. Continuum (Studio)
8. Para Oriente (Alternate Take One/Studio)
9. Para Oriente (Alternate Take Two/Studio)
10. Para Oriente (Studio)

Amazon.com

Recorded at the 1979 Havana Jazz Festival, this short and powerful set, with Miles Davis alumni, drummer Tony Williams and guitarist John McLaughlin, and Weather Report bassist Jaco Pastorius, was one for the ages. The previously unreleased selections, one through five, are explosive, but mis-miked live tracks. Williams' "Drum Improvisation" segues into McLaughlin's fuzz-toned "Dark Prince," which does not swing in a silent way. Pastorious' theme song "Continuum" is scaled down to its essential twilight textures, while the drummer's "Para Oriente" - which later became a stable in V.S.O.P's book, and was recast as "Angel Street" - is rendered here in a funky, pre-grunge mode. The guitarist's "Are You the One, Are You the One?" previews the jam band craze. The rest of the cuts were recorded a week later in a New York studio, But the warts-and-all original sides are unmatched for their primal power. --Eugene Holley, Jr.

Customer Reviews:

Trio Of Delight.......2007-07-18

It would be very difficult to put together a more powerful trio of Fusion giants on one disc. Jaco was and is the greatest electric bass player that ever lived. And Tony Williams was probably one of the most creative drummers to ever pick up a pair of sticks. As far as John McGlaughlin, need I say more than Mahavishnu Orchestra.

Glad to hear it finally make it from the vault.......2007-07-12

Tony Williams is a monster on this album. Jaco is Jaco and McLaughlin is McLaughlin, but to hear Tony play in this setting is amazing. If you're a fan of any of the three - buy it. If you're a drummer, this better be a part of your collection. You'll go crazy trying to figure out how Tony does what he does (how about the hands/feet roll during his drum improv...wow).

unrealized potential (and other thoughts).......2007-07-11

It is amazing that these 3 seminal musicians only got together for 40 minutes of music. John McLaughlin, arguably the most musically wide-ranging guitarist I've ever heard; Jaco Pastorius, maybe the greatest electric bass player ever; and Tony Williams, one of the top 5 scariest drummers in jazz/rock. Unfortunately, this recording isn't the best one for either of these guys; probably more time spent playing together would've done the trick, therefore my review title. Unfortunately, this will never happen, as 2 of them are dead. As far as Sony keeping these recordings in their vault; well, we all know what motivates these companies, and it isn't music, so don't hold your breath for unreleased treasures seeing the light of day (hey, where's that McLaughlin/Hendrix recording that supposedly exists). Speaking of McLaughlin, check out his short gig on the Crossroads Blues Festival 2-dvd set (featuring Clapton and other blues icons), where he plays with Dennis Chambers and Zakir Hussain. The guitar playing is amazing, in case anybody thought he had "lost" anything in the past 30 years. In fact, I was shocked. Getting back to Trio of Doom, I think Jaco really holds this thing together. Comments, everybody?

Trio of Doom vs Havana Jam 1/2.......2007-07-07

John McLaughlin should receive full credit for making this 1979 performance available. It has been well worth the wait, given that on Havana Jam 1/2 only three tracks were included, "The Dark Prince", "Continuum" and "Para Oriente". On this CD there is "Are You The One, Are You The One?" (live) plus the live versions of the three tracks mentioned above on one single CD. The recordings give new insights into the version of "Are You The One, Are You The One?" featured on "Johnny McLaughlin Electric Guitarist" as well as "The Dark Prince" on The One Truth Band's " Electric Dreams".

Legendary meeting, a bit less than legendary performance........2007-07-05

In 1979, a group of jazz musicians gave a series of performances in Havana, one of the seemingly endless gestures of art reaching out through the blocade to Cuba. Legendary among these performances was the "Trio of Doom" performance, a power trio of guitarist John McLaughlin, bassist Jaco Pastorius and drummer Tony Williams, all at the heights of their powers. Their brief performance (about 25 minutes) was intended for partial release, but McLaughlin blocked it, instead pulling the group in the studio for a brief session that was then released, with crowd noise dubbed in, as these performances (a popular technique since at least Duke Ellington's legendary "Live at Newport" performance). This CD gathers together all the material-- the 25 minute live show and about 15 minutes of studio material.

McLaughlin's concerns may have been a bit extraneous-- the live performance has its flaws, to be certain (Jaco wanders off key briefly on "Dark Prince", "Are You the One, Are You the One?" threatens to fall apart), but there's a rare energy and power to the performance that really can't be underestimated, starting with Williams brief drum solo intro that sets the mood for high tension before welcoming his band mates on a racing "Dark Prince". For me, as a Jaco fan, the highlight is "Continuum", performed with grace as Pastorius and Williams stick true to the studio recording and McLaughlin offers a superb commentary that sounds both new and natural.

The studio material, particularly when presented next to the live takes sounds a bit sterile. "Dark Prince" probably best illustrates this-- live, it has an energy and urgency to it, McLaughlin's guitars sound dirty and fierce, Pastorius and Williams explode full of energy. In the studio, McLaughlin's tone, while still overdriven, cleans up and the rhythm section gets a bit too lockstep.

All of the material has been remastered and sounds fantastic-- the live material in particular is notable, clearly the source tapes were in good shape, this could have been recorded yesterday. The set is augmented by brief liner notes by McLaughlin and an essay discussing the performance and subsequent studio session.

This recording is difficult to rate-- the sentimental part of me wants to give it five stars and an endlessly positive, glowing review, but in all honesty, while this is a great recording and one that I'm ecstatic to have, it's not exactly the sort of jaw-dropping performance you'd hope it'd be. Fans of any of the three artists will want this, but don't expect something that'll shake the world.

Average customer rating: Good album if you like live music and John Mayer Better than expected Live Album Eh Loved it!

Try! John Mayer Trio Live in Concert John Mayer Trio , John Mayer , Steve Jordan , and Pino Palladino Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music $8.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $8.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Continuum The Village Sessions Heavier Things Room for Squares Any Given Thursday ASIN: B000BJS4SU Release Date: 2005-11-22

Tracks:

1. Who Did You Think I Was
2. Good Love Is On The Way
3. Wait Until Tomorrow
4. Gravity
5. Vultures
6. Out of My Mind
7. Another Kind of Green
8. I Got A Woman
9. Somethings Missing
10. Daughters
11. Try

Amazon.com

Longtime listeners have seen it coming: it was only a matter of time before John Mayer dropped the pop star pretense and proved he could really bring it. Chalk it up to one too many Dave Matthews comparisons, or the cupcake-sweet residue stuck to his image after the success of "Your Body Is a Wonderland"--but something convinced Mayer it was time to take him game to the next level. With help from studio pros Steve Jordan and Pino Palladino, he succeeds on Try. If the muscled-up covers of Jimi Hendrix's "Wait Until Tomorrow" and Ray Charles' "I Got a Woman" don't scream "no more Mr. Nice Guy" loud enough, the brawn of blues-rock opener "Who Do You Think I Was" does for sure. Mixed in with the Stevie Ray Vaughan and Eric Clapton-esque stuff are a few mellow numbers--"Daughters," most notably, returns from Heavier Things alongside "Something's Missing"--but even those songs seem hopped up on rock-God hormones. This newfound sizzle can't fix everything; that segment of the music-buying public that would accuse the singer of having a voice like "a whispering midget" (to quote a customer review of Mayer's work) won't want to add this disc to their collection. The good news for Mayer, though, is that anybody with an ear for genuine rock'n'roll chops will. --Tammy La Gorce

Customer Reviews:

Good album if you like live music and John Mayer.......2007-07-19

I love live music and I love John Mayer. That is what made this album a good buy for me. If you are looking for Johns classics then this album might not be for you because it features stuff from a trio of his. It does have a great Somethings Missing and some songs that are Newer in this album from the newest album.

All and all if you are looking for some different John Mayer stuff and you already like him this would be a great addition to your collection.

This album has a blusey feel to it much like his latest album has.

Better than expected.......2007-05-30

John Mayer does have a lot of live albums for a guy who just put out his Jr. cd this past fall. But, hey...if you have the chops, and the raw muscial talent than people will listen, even if it's the same tracks. Mostly because he's the king of creative variation. This CD is better than I expected, and more edgy than some of his past albums.
There are old favorites here, but again- he never sings the same song twice, and has a lot of fun with his music! His music is so dam good people buy cd's with the same tracks just to hear them a different way!

Live Album.......2007-05-26

This isn't the first John Mayer cd Ive bought but I think it's the best. Hearing him live is a whole new experience.

Eh.......2007-05-13

Bought this CD primarily for one song and after a month or so it's the one that I primarily listen to :) ( I got a woman)

Maybe I should have gotten it for 99c from I-tunes

Not a bad album, but not GREAT imho.

Loved it!.......2007-05-13

Wow! But I am also a John Mayer fan. I really enjoyed this CD -- great combination of his own modern style and classic rock/blues. I liked every song on the CD.

Average customer rating: Surprisingly good Fair cd How to navigate the perils of a saxophone trio Always Open Ears For Josh - Always Time For Dewey Impressive!

Back East Joshua Redman Trio Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pilgrimage Metheny Mehldau Quartet Kids: Duets Live at Dizzy's Club Coca-Cola Sonny Please Brown Street ASIN: B000N4S95Q Release Date: 2007-04-24

Tracks:

1. The Surrey With The Fridge On Top
2. East Of The Sun (And West Of The Moon)
3. Zarafah
4. Indian Song
5. I'm An Old Cowhand
6. Wagon Wheels
7. Back East
8. Mantra No.5
9. Indonesia
10. India
11. GJ

Amazon.com

Sonny Rollins's 1957 release Way Out West established the pianoless bass-sax-drum configuration. The Berkeley-raised tenor/soprano saxophonist Joshua Redman's geographically reversed tribute was recorded in New York, where his career began. It features three sets of trios, with drummers Brian Blade, Eric Harland, and Ali Jackson and bassists Rueben Rogers, Christian McBride, and Larry Grenadier. Redman's sure-headed, serpentine, and sensual saxlines upgrade the two WOW tracks "I'm an Old Cowhand" and "Wagon Wheels" with Afro-Asian rhythmic motifs. Joe Lovano, Chris Cheek, and the leader's late father Dewey Redman lend their sax sounds to selections by Redman's horn influences: "Indian Song" by Wayne Shorter, John Coltrane's "India," and the Stan Getz-associated ballad "East of the Sun (and West of the Moon)." Redman's compositions--"Mantra #5," the tantric-tempoed "Indonesia," the title track, and "GJ," a touching dedication from Joshua Redman's dad to his grandson--complete the thrilling project from this future saxophone colossus. --Eugene Holley, Jr.

Album Description

Joshua Redman mixes originals with standards in tribute of the great sax players before him, on his new album Back East. But Redman doesn't just pay homage with these tunes, he makes them his own, adding a different sort of "eastern" feel to both the covers and his original compositions. With many special guest performers, including his own father, Redman has created a eloquent gift for the music world.

Customer Reviews:

Surprisingly good.......2007-07-12

Joshua Redman is hit or miss with me. I'm not really a fan of his elastic band stuff, so hearing him return to an acoustic format in a trio setting was a nice change for me. Each trio is unique and showcases each member in a different way - it's amazing how this stripped down format can stay interesting throughout the entire album. Recommended.

Fair cd.......2007-06-25

Off the Mark & what I mean is wrong material. Doesnt show what his talents are. Id get George Benson, Bob James Nathan east, David Beniot, Peter white, Mark antione on your next cd & this would make a awesome Cd.

How to navigate the perils of a saxophone trio.......2007-06-21

A saxophone trio album can be tricky, since the saxophonist has to pretty much carry the entire load. If the sax playing isn't utter genius (think of Ornette Coleman's "At The Golden Circle"), then you can get a CD that seems to go on for too long (think of Branford Marsalis's "Bloomington"). Joshua Redman does a few things to avoid that pitfall. The first thing is call in three guest saxophonists, Chris Cheek, Joe Lovano, and Dewey Redman, to appear on three different songs. The two-sax songs are sprinkled through the CD. Another way to avoid monotony is to have three different rhythm sections. All three sections are top-notch, and you get the sense they're playing to the song and the saxophone, not to out-do the other bassists and drummers. Larry Grenadier and Ali Jackson play on most of the songs. Lastly, the songs are kept relatively short, so it isn't too long before a new melody or tempo is introduced.

Joshua Redman starts off with an old warhorse, "Surrey With The Fringe On Top" and freshens it up a little by chopping up the rhythm. Most of the rest of the songs have an Asian reference in their title, and to a lesser extent in their music. I'm not sure how "I'm An Old Cowhand" and "Wagon Wheels" fit in with the theme, since they're western songs . At any rate, the standards are nicely played, and the new compositions are also good. It's simply a top-notch album, and is highly recommended. This will be one of the better CD's of 2007. The last song doesn't have Joshua on it, but has Dewey Redman playing for his granddaughter. It's interestingly free-jazzy, and perhaps a suitable capstone to Dewey's long and interesting career.

Always Open Ears For Josh - Always Time For Dewey.......2007-06-03

Nowhere is it written that expressing angst is in the sole dominion of the consternated pop/alt./rockers and their ilk. Joshua Redman makes that clear by bailing himself out of San Fran (temporarily), scooping up his little bambino, and coming "Back East" to bury his father. Josh has plenty of strong emotions to work out in front of us, and we should have no problem with that. This is healthy music-making. There's also the palpable sense that Redman was jonesing big-time to play again in a trio setting with Brian Blade, his musical alter-ego. Other drummers are on-board besides Blade, but it's not the first time, as some have suggested, that Brian and Josh have recorded in a trio. See Yaya3 for proof of that (with no bassist, but bass-end courtesy of B3-er Sam Yahel). This isn't even the first time that Josh has recorded with just the bare-bones sax-bass-drums thing going on (see isolated tracks on Joshua Redman, Wish, and Spirit Of The Moment: Live At The Village Vanguard). But an entire album of it? Yes, now we're talking "Back East" style. Before getting all caught up with this distinction, however, just watch those lines get blurred by some of these trios morphing into quartets with the addition of some very special guests.

It's impossible to write this review and not drop the name Sonny Rollins, since a full third of the tracks here are tunes that Newk explored within the very same trio constraints back in the late 50's, and you know that Josh loves his Newk. He doesn't try to sound like Rollins here - he just invokes Sonny's powerful visage. The name and the sound, both invoked and actually present, which "Back East" *is* suffused with is that of Joshua's late father, Dewey Redman. My first exposure to the music of Dewey Redman came in the mid 70's when he was part of Keith Jarrett's incendiary American combo that made recordings for Impulse!, but I have to confess that most of it went way over my head at the time. What really made me pay attention to Dewey was his significant contribution to Pat Metheny's ECM double-album 80/81, right there next to Jack DeJohnette, Charlie Haden (also a vet of that Jarrett unit), Metheny, and the late Michael Brecker. What a free-emotive ear-opening revelation Dewey was on those tunes! Next came my awareness of the outfit known as "Old And New Dreams" with Don Cherry, Ed Blackwell, and Haden again, which really convinced me that it was Miles Davis who was "all messed up inside" and not Ornette Coleman. And in the midst of all this great music came a Dewey Redman album for the ages - 1983's "The Struggle Continues" on ECM. Search hard in used vinyl shops for it - or even harder for a CD copy.

So what does any of this have to do with Joshua Redman's new self-produced title on Nonesuch? The answer is: everything. Josh has some of the biggest ears on this planet - don't go thinking for a minute that any of this stuff from the late 70's and 80's was lost on him, even if he tells you that he had to "come back" for some of it (he grew up apart from his dad with his mother in the Bay Area). Once Josh made the commitment to music over law school, *all* the great tenors who came before him contributed something to his jurisprudence of jazz degree. And with this latest offering, Redman (the younger) continues to show off his very sponge-like abilities even further. If there were just a few more tracks like the Josh original "Indonesia" (which isn't exactly gamelan, but sure ain't no 12-bar blues either) or the Coltrane gem "India" (performed in 4tet with father Dewey), or the Shorter jewel "Indian Song" (4tet with Joe Lovano, tune lifted from Wayne's o.o.p. 1965 album "Etcetera") this review would be attached to a 5-star rating. But 4 stars is still pretty darned good, and "Back East" is worth extra spins just to reflect on the incredible musical legacy left to us by Dewey Redman, who not so incidentally gets the last dance all to himself (in a trio) for the set closer. Salaam, Dewey. Great album, Josh.

Impressive!.......2007-05-24

I own every single Joshua Redman album and I think that Back East is the album I'm most impressed with. Simply put, Redman's improve prowess is off the charts. Redman has always been good, even great, but now I think he is on another planet planet.

Average customer rating: takes more than a listen to......... Dreamlike Adagio

Being There Tord Gustavsen Trio Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | New Age | Styles | Music Similar Items: The Third Quartet Time and Time Again A Long Story Pilgrimage Metheny Mehldau Quartet ASIN: B000NVL4EM Release Date: 2007-06-05

Tracks:

1. At Home
2. Vicar Street
3. Draw Near
4. Blessed Feet
5. Sani
6. Interlude
7. Karmosin
8. Still There
9. Where We Want
10. Cocoon
11. Around You
12. Vesper
13. Wide Open

Amazon.com

Such is the arresting beauty of Tord Gustavsen's sound, it's no surprise that his albums have captured a significant following, surpassing even those of other rarified artists on the ECM label. But the Norwegian pianist doesn't live on beauty alone. His sculpted playing, which draws strongly on his church background with its tidy gospel voicings while also incorporating Spanish and South African accents, has a kind of liquid weight that brings to mind Ethan Iverson of the icon-bashing Bad Plus, as markedly different as they are stylistically. Beyond that, it's the remarkable shift-shaping qualities of Gustavsen's trio that make Being There so compelling. Gustavsen has talked about being influenced artistically by "the psychology of relationships." The psychology of the relationship among him, bassist Harald Johnsen, and drummer Jarle Vespestad is made compelling not only by standard interactive effects, but also by the unique shape-shifting that occurs through continual shifts in how much voice each player has in relation to the others, how much lightness or darkness, how much intensity. A notable advance over the trio's first two albums, on which being deliberate sometimes translated into dull, Being There rarely loses its grip. There are stories being told here, with endings that change with each spin. --Lloyd Sachs

Album Description

One of the great success stories of jazz in the last five years, the Tord Gustavsen Trio follows up their first two hit albums with the eagerly-anticipated Being There. The new release finds the trio continually opening up the music in new and lyrical ways. Along with Gustavsen's infectious music (both ballads and up-tempo) drummer Jarle Vespestad and bassist Harald Johnsen make considerable contributions to the new album. Johnsen lends his compositional skills with the graceful tango "Karmosin," and Vespestad is often as much a front-line voice in the music as Gustavsen himself.

Proving that sensual, spiritual jazz can come from even icy Norway, the Tord Gustavsen Trio stormed onto the jazz scene in 2003 with their debut recording, Changing Places. 2005's The Ground took the band one step further and even topped the pop charts in Norway, an unprecedented achievement. The restraint of Gustavsen's approach and the allure of his simply drawn melodies has spoken to an audience that does not normally concern itself with improvisation.

Customer Reviews:

takes more than a listen to................2007-06-29

I loved Tord first cd . This mix of orientalisim , romantisim , the slow tempo .....everything worked . On this 3rd cd , it took me awhile to get to the music . I first found it much to slow , some of the best tracks are actually hidden in the end of the cd , the last 4 or 5 tracks , couple in the beginning , and then a long and empty passage in between . Tord is a wonderfull artist , with a great sense of drama , but I think he falls a little short on his 3rd cd .

Dreamlike Adagio.......2007-06-12

The one thing Tord Gustavsen's jazz trio has in common with novelist Haruki Murakami is their ability to create dreamlike landscape through their own creativity media. The difference, though, is that in the process of the creation, Murakami will use as many as possible details to blend reality and dreamscape; whereas in the case of Tord Gustavsen Trio, we are only provided with the basic framework for slow and very often restrained melodies, in which nothing is developed into complexity rather than merely the feeling per se.

Nonetheless, this is not to say that their music is lackluster. The trio displayed in their previous albums Changing Places and the Ground, their abilities to compose such beautiful yet not abstract jazz in a discipline which Gustavsen puts, "inspired by a love of spaces". In jazz, sometimes playing a riff in between notes might be easy, but leaving it blank takes up imagination. Tord Gustavsen Trio definitely has this imagination.

Releasing their third album in five years, Being There, as part of a trilogy, the trio has taken their restraint way of utterance to a new territory. When you start listening to the album, the sense of déjà vu will dominate you even if you have never heard of their previous albums. Yet as the music goes on, it will be clear to even long-time listeners that you are not in a familiar place at all. Tunes like Blessed Feet (a Jarrett-like funky tune) and Where We Went (an up-tempo Spanish dance) sing a more assertive but not aggressive kind of lyrics, while the music is still kept as simple and uncanny as it possibly can. The way trio instruments are approached, especially by drummer Jarle Vespestrad, whose plays are being felt rather than heard for most of the time, meshes delicate whispers altogether in modest tempi and continuous rubato. This un-trio-like instrumental integration makes the music feel like dream flows in a constantly changing vista, which finally resolves back to the same place where it started when the album ends with the peaceful tune Wide Open.

All About Jazz reviewer John Kelman put the trio's distinctive character beautifully: "As silence can sometimes speak as loudly as thunder, and insofar as careful elaboration of melody can be just as compelling as more vivid expansion, Gustavsen's trio makes a clear case for the elusive power of restraint." Gustavsen phrases it romantically, that his music is "about loving every note". It is this very tendency of playing what you like, rather than what you ought to play between passages, together with the elaborated yet elegant lyrics of the tunes, that creates this unique aesthetic and the kind of feeling you will not have very often in reality, but in dreams.

Average customer rating: You are there realism 4 ½ stars A Great Snapshot of an Excellent Trio

Live at the Village Vanguard The Bill Charlap Trio Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: Kids: Duets Live at Dizzy's Club Coca-Cola Night & the Music Pilgrimage Live at Birdland You Taught My Heart to Sing ASIN: B000PC6FP2 Release Date: 2007-05-22

Tracks:

1. Rocker
2. Autumn In New York
3. Godchild
4. The Lady Is a Tramp
5. It's Only a Paper Moon
6. My Shining Hour
7. All Across the City
8. While We're Young
9. Last Night When We Were Young

Customer Reviews:

You are there realism.......2007-07-19

Just like you are there with what may be the greatest working piano trio in the world today. Blue Note has really captured it with sound that is completely natural. Charlap and company have such grace and elegant refinement as they convey the heart of this wonderful music. The venue is well suited to their mastery and the sound is so natural and real. Bill Charlap has such a deep saturation and enjoyment of this music it just flows out of him. These musicians don't need to prove anything, but like the professionals they are they just let it flow and get in the groove. And you can tell they're having fun at it and the crowd sure is eating it up. They sure can swing and get your feet tapping along. This trio is so tight that they move along as one. Bill Charlap Trio is my favorite contemporary jazz trio, and I have most of their recorded output. I can't say enough. Get this one, since it really captures them live for the first time. A great starting point that will likely lead you to many more gems on record.

4 ½ stars.......2007-06-04

From Charlap's solo choruses in "Rocker," at once burning hot and supremely cool, to the wistful "Last Night While We Were Young," this is an absorbing and sometimes startlingly good record. Although it doesn't seem right that Charlap tends to get most of the attention - i.e. the focus on Charlap in interviews about the trio's work, his lone cover photo here, and some critics' annoying habit of dubbing the unrelated bassist and drummer "the two Washingtons"- he really is a fine player. His solos are consistently interesting and invigorating; his technique is impressive; and how about the way he uses the piano? Even if one may grow weary of a certain right hand tremolo/trill effect as transitional device, Charlap's quiet but hip comping, use of lower registers, piano-rattling glissandi, and superimposition of left hand and right hand are extremely effective and rather unique. So too are his undulating lines, at once muted and strong, and his enviable ability to create a translucent, ethereal musical space. It is for these reasons that "Autumn in New York" garnered such a reverent response from the Vanguard audience - and "My Shining Hour" such a raucous one.

Speaking of "My Shining Hour," let me not be guilty of the same Charlap-centered commentary I lamented earlier. As the liner notes point out, "the incandescent playing captured here is made possible by trust," a trust which in turn is only possible thanks to the rock-solid foundation provided by Peter Washington on bass and the combustible energy released by Kenny Washington on drums. Although I feel that Peter has not yet been ideally captured on recording, it is quite evident from this album and others that Kenny sets the fire under the band and leads them to "Shining Hour" heights. The very swinging feel of a potentially square tune like "Rocker" and potentially static arrangement of "While We're Young," as well as "Last Night While We Were Young's" magical coda, owe much to Kenny's fire, too.

It should be no surprise, then, that numbers like "Lady is a Tramp" cook when the Charlap Trio plays `em, and ballad arrangements like "All Across the City" are so good they almost hurt. But "While We're Young" also provides indisputable proof that this group can play in 3. So let's hear some more waltzes, and more of that glorious ebb and flow that another pianist named Bill inspired at the same Village Vanguard :) How about more bass and drum solos too?!? (come now, 2 bass solos and 1 drum solo really are not enough for a whole album). Then, consider the possibilities of straight 8, Latin, funk, mixed meter...you know these guys can do it. To me, this would make a visit to see them at the Vanguard or Dizzy's Club Coca-Cola that much more memorable - and their group that much better.

A Great Snapshot of an Excellent Trio.......2007-06-01

After many years of widespread acclaim as one of the best working groups in mainstream jazz, the Bill Charlap Trio has finally issued its first live recording, and the results are most impressive. Individually, the group's members are all virtuoso musicians of the highest caliber, and in any setting they can be counted upon to deliver vivid, engaging performances (see for example Charlap's collaborations with Warren Vaché and Peter Washington's work with the great Tommy Flanagan). However, when they play together their rapport is so strong that each seems to bring out the best in the others, and even on the trio's studio recordings they sometimes attain a level of controlled intensity that is downright mesmerizing, both on uptempo numbers and on slow ballads. Here, they reach that level again and again, and the interplay among them is consistently thrilling; each plays with great energy and creativity, but also with great precision, and they are so perfectly attuned to one another that when they improvise together they do so with a degree of cohesion and unity that is nothing short of astonishing. ("My Shining Hour" provides an especially good example of this.) Their own enjoyment of what they can do is both palpable and infectious, and while they never indulge in the kind of showboating that sometimes mars live recordings, the presence of an attentive and appreciative audience does seem to inspire them. The sounds made by that audience are not the least bit obtrusive, but their applause helps to create a pleasant atmosphere of immediacy, as does the immaculate sound achieved by engineer Joel Moss. The disc is also nicely programmed, though there are fewer rarities than one might expect given Charlap's extensive knowledge of the American songbook and his penchant for reintroducing overlooked but worthy material.

In all, this is a most welcome document of an exceptional group in action. It is also long overdue, so let's hope that volume two will follow in short order!

Average customer rating: Wonderful Great for putting kids to sleep! Very Relaxing A Must Have for all Parents of Little Children !!! Inspire the baby-within

Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Reeds & Winds | Instruments | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: UltraSound - Music for the Unborn Child Bach for Babies Beethoven for Babies Build Your Baby's Brain More Mozart for Mothers-to-Be ASIN: B0000041EV Release Date: 1996-04-09

Tracks:

1. Divertimento In B-Flat (Adagio)
2. Cassation (Final-Musik) In G - Adgio
3. Divertimento In G Minor (Andante)
4. String Quartet No. 12 In B-Flat - Adagio
5. Divertimento In D, KV 131 - Adagio
6. 'Eine Kleine Nachtmusik' - Romance (Andante)
7. Divertimento In D, KV 136 - Andante
8. Serenade In B-Flat 'Gran Partita' - Adagio
9. Prelude No. 3 In F
10. String Quartet No. 1 In B-Flat - Adagio
11. Violin Concerto In D - Andante cantabile
12. Divertimento In B-Flat - Adagio

Customer Reviews:

Wonderful.......2007-06-26

I bought this CD to listen to at work (I am 6 months pregnant). The quality is awesome and the choice of songs is perfect I can listen to it over and over.

Great for putting kids to sleep!.......2007-06-08

I absolutely love this CD! In fact this is our second one because we wore out the first since we played it so much. It is very soothing, and in fact we used it to help both our kids (now 4 and 18 mo) go to sleep since they were babies. I highly recommend it!

Very Relaxing.......2007-04-10

It is very soothing and really helps you relax. I enjoy listening to it in the car during my high stress commute.

A Must Have for all Parents of Little Children !!!.......2006-11-25

I bought this when my first baby was...well, a baby. That was 8 years ago. Now I am on my 4th copy of this cd (Mozart For Mothers to Be) and my 3rd child. Nothing works better. I'm on here to buy my 4th copy becasue I've worn them out over the years and have to keep replaceing them. My 8 and 3 year old still use it, and now the new baby, also. Make it part of your nightly bed time routine and you'll have good little sleepers in no time. I swear by it. It is very soothing, calming and not distracting so it won't drive you bonkers if you can hear it a little from the next room.

A truely great gift for new parents, or if you have a sleepless little one at home. Turn on the cd, turn down the lights and let it sooth them to sleep.

Inspire the baby-within.......2005-12-13

Beyond sheer musical appreciation and enjoyment, Mozart's music in general is ideal for gently stimulating the "creative centers" as well as instilling a sense well-being. While there is much academic disagreement about the extent or reality of the so-called "Mozart Effect," it doesn't take a genius to observe how Mozart's music puts most people (and probably babies-to-be) in a happy mood ready to take on the day's challenges. There is a simplicity - yet elegance and musical brilliance - in his music that is also well-suited for the youngest of children.

The selections on this CD are all excellent and represent a nice range of Mozart's compostions, emphasising those that are ideal for creating a pleasant backdrop for leisure, dining and social occasions ("divertimentos"). The recordings are from the creme of musicians famous for their Mozart. Few works are as elegant and soaring as the Serenade #10 for winds - an astonishingly beautiful tune made famous from the early scenes of the movie, "Amadeus." Mozart supreme gifts of music are even seen in such humble "background music" as these pieces. And such continuity of warm, leisurely tones as these over 70 minutes is ideal for inspiring the baby to-be if that is why you are considering this CD. Better to expose a baby to the gentile, lyrical music of Mozart than to the dissonant, loud and disturbing tones of some classical music written well after Mozart.

As the reviewer below rightfully notes, compilation CD's of various unrelated works like this one is not quite how classical music is best meant to be heard. But in a way it is better for many to start with such collections like this - especially for those who just want the more quiet selections that are unintrusive. In that respect, this collection can be satisfying for most anyone (not just moms or babies). I have a huge classical music collection, but still really enjoy listening to one full CD of similar-temperament music like this one that flows easily and smoothly that doesn't demand my attention but only seeks to delight. And, in the end, that was the simple and primary goal of many of Mozart's compositions - to be purely enjoyed and delighted.

Average customer rating: Les Paul Trio- this is the one!

Crazy Rhythm Les Paul & His Trio Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Nostalgia | Miscellaneous | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: The Best of the Capitol Masters: 90th Birthday Edition The Jazz Collector Edition: Les Paul Trio 20th Century Masters - The Millennium Collection: The Best of Les Paul Les Paul Now! Very Best Of Les Paul & Mary Ford ASIN: B000AA4GXW Release Date: 2005-08-23

Tracks:

1. Whos Sorry Now?
2. You Took Advantage Of Me
3. For You
4. What Is This Thing Called Love?
5. I Never Knew
6. Wont You Tell Me
7. Its Only A Paper Moon
8. Nice Work If You Can Get It
9. I Cant Believe That Youre In Love With Me
10. The Man I Love
11. Crazy Rhythm
12. Deed I Do
13. Lazy River
14. Melodic Meal
15. It Had to Be You
16. My Future Just Passed (featuring Kay Starr and Joe Venuti)
17. Theres A Lull in My Life (featuring Kay Starr and Joe Venuti)
18. What A Difference A Day Made (featuring Kay Starr and Joe Venuti)

Album Description

Les Paul turned 90 this June, and to celebrate this great event, Varese Sarabande is pleased to release a wonderful collection of early recordings by one of the most important names associated with the electric guitar!

Les Paul and Mary Ford was one of the hottest selling duos in the early to mid 50s, charting over 40 hits during that period.

This collection showcases his abilities as a jazz guitarist, with a focus on the more sultry romantic side of Les Paul and His Trio, performing standards written by such notables as Cole Porter, Rodgers and Hart, and George and Ira Gershwin, among others.

Three tracks also feature the great vocalist, Kay Starr, who herself had over two-dozen hits in the 1950s.

All selections were recorded in 1944-45, when Les was at the peak of his considerable guitar prowess. These excellent studio recordings made for transcription companies, were sent to radio stations throughout North America for airplay.

Customer Reviews:

Les Paul Trio- this is the one!.......2006-01-12

If you have only one Les Paul Trio CD in your collection, this is the one to have. These tracks foreshadow all the licks, tricks, harmonic signatures and ideas Les used to develop his "new sound" several years later. Those familiar with his work in the late forties through the early sixties will immediately recognized the genesis of his multi-track "sound." The playing is outstanding and there are a couple of gems with the likes of Joe Venuti and Kay Starr.

Allen Strange

Average customer rating: PLEASE PLEASE PLEASE - Anniversary release???? Trio Good Harmony Gift Only Somewhat Impressed

Trio Dolly Parton , Emmylou Harris , and Linda Ronstadt Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Rock | Styles | Music Country Rock | Rock | Styles | Music General | Adult Contemporary | Pop | Styles | Music Similar Items: Trio II (Two) Duets Honky Tonk Angels The Very Best of Emmylou Harris: Heartaches and Highways Western Wall: The Tucson Sessions ASIN: B000002LAC Release Date: 1990-10-25

Tracks:

1. The Pain Of Loving You
2. Making Plans
3. To Know Him Is To Love Him
4. Hobo's Meditation
5. Wild Flowers
6. Telling Me Lies
7. My Dear Companion
8. Those Memories Of You
9. I've Had Enough
10. Rosewood Casket
11. Farther Along

Amazon.com essential recording

"Appalachia circa 1907" is the way they described it in the postgame interviews. It wasn't, of course, but it was as close as you could come in 1987 and still hope to sell the million copies that this ended up selling. The "Three Tenors" of country music juggle leads, complement each other to often haunting effect, and subjugate their egos to a greater cause. The songs run the gamut from primordial country favorites like "Rosewood Casket" and "Hobo's Meditation," to '50s pop (a rather anomalous "To Know Him Is to Love Him"), and mainstream country. The instrumentation is restrained, the vocals are unfailingly lovely, and the result is a trio that is more than the sum of its parts. --Colin Escott

Customer Reviews:

PLEASE PLEASE PLEASE - Anniversary release????.......2007-05-23

It goes without saying this is a classic recording and is mentioned numorous times in articles and reviews comparing other recordings to it. I haven't heard any rumors but it would be fitting if Rhino planned a 20th Anniversary deluxe release - remastered and expanded to 2 discs. Trio definitely qualifies as an obvious choice for a new remastered release. I can only hope it is being kept a secret given the little advance information given out for most Rhino releases - the upcoming Emmylou rarities box set included.

Trio.......2007-03-12

Wonderful music by three very talented ladies. I play it frequently. Received in excellent conditoin.

Good Harmony.......2007-03-09

This is one of the best country ladies harmony record I have heard in a long time. The solo's are very good and from two ladie's one doesn't hear to much from.
It is to bad the songs in this cd are sad and kinda depressing but the music is great.

Gift.......2007-01-09

This was a gift, but I got a lot of credit for getting. I have heard the CD though I thought it was very nice.

Only Somewhat Impressed.......2006-08-10

I enjoyed the harmony of the singers and a few of the songs, but to really enjoy the CD, you need to be an OLD folk songs enthusiast.
BJF

Jazz Music:

1. Things to Come From Those Now Gone
2. Trio, Vol. 3
3. Watercolors [Import]
4. With the Red Garland Trio
5. Wynton
6. Yale Recordings, Vol. 5
7. Zoot
8. 1949-1950
9. A Touch of Class
10. Afro-Jaws

Jazz Music

jazz music