| 1. Seraphic Light |
| 2. Sun Star |
| 3. Stellar Regions |
| 4. Iris |
| 5. Offering |
| 6. Configuration |
| 7. Jimmy's Mode |
| 8. Tranesonic |
| 9. Stellar Regions [Alternate Take] |
| 10. Sun Star [Alternate Take] |
| 11. Tranesonic [Alternate Take] |
Editorial Reviews
Amazon.com
This set is drawn from a February 15, 1967, recording session--one of John Coltrane's last days in the studio. The tapes had been in Alice Coltrane's care since the recording, and she gave titles to the pieces, overseeing their release on CD in 1995. All are previously unreleased with the exception of "Offering" which appeared on Expression. As on that release, there's evidence here that Coltrane's relentless musical search was drawing him ever further out. The performances are shorter, focused, with a magisterial lyricism seamlessly integrated with exclamatory shrieks and cries. There is an aching, though rough-hewn, beauty to Coltrane's playing on these tracks. With the exception of "Tranesonic" where he is on alto, he plays tenor sax throughout. His command of the instrument from the very bottom of the low register to the stratospheric heights of the altissimo is staggering--note in particular his "duet" with himself on "Sun Star" where he questions and answers with himself on the extreme ranges of the horn. There's a depth and wisdom to these recordings that only further extends the Coltrane legacy. --Michael Monhart
This marvellous CD, was apparently titled by Coltrane's wife Alice, after his death. The general direction is outer space - Stellar Regions, Tranesonic, Sun Star. There is also Jimmy's Mode, a rather Bopish name, and Offering, Iris, and Configuration - earthy but spiritual.
This diversity is not reflected in the music. This is one of the most coherent albums I have ever heard. It seems Coltrane was absolutely sure of what he wanted to do at that moment in his ending life. Coltrane's sound is sharper than ever, and the urgency of it is as deep as it ever was. Going back to a quartet after a period of larger ensembles, Coltrane plays some of the more magical Tenor of his magical career.
Despite the spacy titles, this music is for me deep Earth, deeply Human, and deeply Enriching. Every human being should listen to it.
This set is drawn from a February 15, 1967, recording session--one of John Coltrane's last days in the studio. The tapes had been in Alice Coltrane's care since the recording, and she gave titles to the pieces, overseeing their release on CD in 1995. All are previously unreleased with the exception of "Offering" which appeared on Expression. As on that release, there's evidence here that Coltrane's relentless musical search was drawing him ever further out. The performances are shorter, focused, with a magisterial lyricism seamlessly integrated with exclamatory shrieks and cries. There is an aching, though rough-hewn, beauty to Coltrane's playing on these tracks. With the exception of "Tranesonic" where he is on alto, he plays tenor sax throughout. His command of the instrument from the very bottom of the low register to the stratospheric heights of the altissimo is staggering--note in particular his "duet" with himself on "Sun Star" where he questions and answers with himself on the extreme ranges of the horn. There's a depth and wisdom to these recordings that only further extends the Coltrane legacy. --Michael Monhart
Stellar Regions,John Coltrane,Grp Records,Avant-Garde Jazz,Jazz,Pop
Average customer rating:
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Stellar Regions
John Coltrane Manufacturer: Grp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003N7W Release Date: 1995-10-10 |
Tracks:
- Seraphic Light
- Sun Star
- Stellar Regions
- Iris
- Offering
- Configuration
- Jimmy's Mode
- Tranesonic
- Stellar Regions (alternate)
- Sun Star (alternate)
- Tranesonic (alternate)
Amazon.com
This set is drawn from a February 15, 1967, recording session--one of John Coltrane's last days in the studio. The tapes had been in Alice Coltrane's care since the recording, and she gave titles to the pieces, overseeing their release on CD in 1995. All are previously unreleased with the exception of "Offering" which appeared on Expression. As on that release, there's evidence here that Coltrane's relentless musical search was drawing him ever further out. The performances are shorter, focused, with a magisterial lyricism seamlessly integrated with exclamatory shrieks and cries. There is an aching, though rough-hewn, beauty to Coltrane's playing on these tracks. With the exception of "Tranesonic" where he is on alto, he plays tenor sax throughout. His command of the instrument from the very bottom of the low register to the stratospheric heights of the altissimo is staggering--note in particular his "duet" with himself on "Sun Star" where he questions and answers with himself on the extreme ranges of the horn. There's a depth and wisdom to these recordings that only further extends the Coltrane legacy. --Michael MonhartCustomer Reviews:
another mindblower........2007-04-12
Interesting stuff.......2006-01-07
A different quartet but the same result.......2005-11-19
STELLAR REGIONS: worthwhile.......2005-09-22
One of Coltrane's Deepest !.......2005-04-07
This marvellous CD, was apparently titled by Coltrane's wife Alice, after his death. The general direction is outer space - Stellar Regions, Tranesonic, Sun Star. There is also Jimmy's Mode, a rather Bopish name, and Offering, Iris, and Configuration - earthy but spiritual.
This diversity is not reflected in the music. This is one of the most coherent albums I have ever heard. It seems Coltrane was absolutely sure of what he wanted to do at that moment in his ending life. Coltrane's sound is sharper than ever, and the urgency of it is as deep as it ever was. Going back to a quartet after a period of larger ensembles, Coltrane plays some of the more magical Tenor of his magical career.
Despite the spacy titles, this music is for me deep Earth, deeply Human, and deeply Enriching. Every human being should listen to it.
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