Virtuoso No. 2

1. Giant Steps

2. Five Hundred Miles High

3. Grooveyard

4. Misty

5. Joy Spring

6. Blues for O.P.

7. On Green Dolphin Street

8. Windows

9. Blues for Basie

10. Feelings

11. If

12. Limehouse Blues

Virtuoso No. 2,Joe Pass,Pablo,Bop,Jazz,Jazz Music,Mainstream Jazz,Pop,Swing

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Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: beautiful ,beautiful Great Recording

Violin Favourites & Virtuoso Showpieces Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Bloch | Bloch, Ernest | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music General | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Bell, Joshua | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Romance of the Violin Voice of the Violin The Essential Joshua Bell Tchaikovsky, Wienawski, Brahms, Schumann: Violin Concertos Tchaikovsky: Violin Concerto [Hybrid SACD] ASIN: B0007WQHVW Release Date: 2005-04-12

Tracks:

1. Variations on an original theme, Op.15
2. Romance, Op.78, No.2
3. Mazurka, Op.81, No.1
4. Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
5. Cantabile, Op.17
6. Scherzo-Tarantelle, Op.16
7. Nigun (Improvisation)
8. Perpetuum mobile
9. The Prophet Bird
10. Spanish Dance No.1
11. Waves at play (Wellenspiel)
12. Carmen Fantasy, Op.25 - Arr. Waxman

Tracks:

1. Praeludium and Allegro
2. Schosmarin
3. Tambourin chinois
4. Caprice viennois op.2
5. La Preuse (in the style of Louis Couperin)
6. Liebesfreud
7. Liebesleid
8. La Gitana
9. Berceuse Romantique (Caprice)
10. Polichinelle (Snade)
11. Rondino on a Theme by Beethoven
12. Tempo di menuetto (in the style of Pugnani)
13. Toy Soldiers' March
14. Allegretto (in the style of Boccherini)
15. Marche miniature viennoise
16. Aucassin and Nicolette (canzonetta medievale)
17. Menuet (in the style of Porpora)
18. Sicilienne and Rigaudon (in the style of Francois Francoeur)
19. Syncopation

Customer Reviews:

beautiful ,beautiful.......2007-05-27

I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.

Great Recording.......2007-01-04

The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.

Average customer rating: Excellent recording Highly Recommended! Amazing A gentleman musical agreement! Extreme virtuosity

Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Parkening, Christopher | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Gospel | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Christopher Parkening plays Bach Simple Gifts: Christopher Parkening In the Spanish Style / Christopher Parkening The Christopher Parkening Guitar Method - Volume 2: Guitar Technique Christopher Parkening - A Tribute to Segovia ASIN: B000002RTR Release Date: 1993-09-14

Tracks:

1. Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
2. Estudio brillante
3. Etude No. 1 In E Minor
4. Recuerdos de la Alhambra
5. Leyenda
6. Romance
7. Rumores de la Caleta
8. Capricho Arabe
9. Cantata 147: Jesu, Joy Of Man's Desiring
10. Well-Tempered Clavier: Prelude No. 1
11. Well-Tempered Clavier: Prelude No. 6
12. Cantata 140: Sleepers Awake
13. Prelude, Fugue, And Allegro: Allegro
14. Cantata 208: Sheep May Safely Graze
15. Les Barricades mysterieuses
16. Preambulo & Allegro vivo: Preambulo And Allegro vivo
17. Passacaglia
18. The Girl With The Flaxen Hair
19. Gymnopedie No. 1
20. Empress Of The Pagodas
21. Afro-Cuban Lullaby

Tracks:

1. Fourth Lute Suite: Praludium
2. Fairest Lord Jesus
3. Praise Ye The Lord, K. 339
4. Simple Gifts
5. Hymn Of Christian Joy
6. Cantata 29: We Thank Thee, Lord
7. Cantata 156: Arioso
8. Cantata 99: What God Hath Done
9. Canon
10. Dolly Suite: Berceuse
11. La Vida breve: Spanish Dance No. 1
12. Terezinha De Jesus
13. Prelude (In The Baroque Style)
14. Goyescas: Intermezzo
15. Prelude & Fugue No. 4 In E: Fugue
16. Evening Dance
17. Variations On A Theme Of Mozart
18. Canarlos
19. La Maja de Goya
20. El Noi de la Mare
21. Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.

Average customer rating: Awesome French horn soloist Beautiful Passages From Hermann Baumann Clevenger-ok, Baumann-awesome Once again, I'm impressed! Good music, not-so-good quality

Virtuoso Horn Manufacturer: Teldec ProductGroup: Music Binding: Audio CD All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Michael Haydn | Haydn, Michael | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Similar Items: Mozart: Horn Concertos Nos. 1-4 The Magic of the French Horn American Horn Quartet Horn Concertos London Horn Sound ASIN: B000000SMY Release Date: 1994-07-05

Tracks:

1. Concerto For Horn And Orchestra No. 3 (1) In D Major, H VIId/3: Allegro
2. Concerto For Horn And Orchestra No. 3 (1) In D Major, H VIId/3: Adagio
3. Concerto For Horn And Orchestra No. 3 (1) In D Major, H VIId/3: Allegro
4. Concerto For Horn And Orchestra In E Major: Allegro
5. Concerto For Horn And Orchestra In E Major: Romance
6. Concerto For Horn And Orchestra In E Major: Rondeau: Allegro
7. Concerto For Horn And Orchestra In D Minor: Allegro Molto
8. Concerto For Horn And Orchestra In D Minor: Romanze
9. Concerto For Horn And Orchestra In D Minor: Rondo
10. Concerto For Horn And Orchestra No. 2 In E Flat Major, K. 417: Allegro Maestoso
11. Concerto For Horn And Orchestra No. 2 In E Flat Major, K. 417: Andante
12. Concerto For Horn And Orchestra No. 2 In E Flat Major, K. 417: Rondo
13. Concertino For Horn And Orchestra In D Major: Allegro Non Troppo

Customer Reviews:

Awesome French horn soloist.......2006-07-08

Anyone who knows anything about French horn soloists knows of the greats...Dennis Brain, Berry Tuckwell, Hans Pizka, and of course, Hermann Baumann. If you are a fan of the French horn, this is a must.

Beautiful Passages From Hermann Baumann.......2004-09-20

This is a beautiful CD largely featuring Hermann Baumann performing pieces by Hayden, Danzi, Rosetti, and Mozart. I admire the musicianship here, mostly from Baumann, but also noteworthy is the performance by Dale Clevenger on Haydn's Concertino for Horn and Orchestra in D major, the final track on the CD, and the only one digitally recorded. Although I think Baumann is probably the technically more proficient musician, Clevenger certainly acquits himself well, and the total lack of background noise on that track makes it an absolute pleasure to listen to. Another listener complained of excessive background noise and static, but fortunately I did not seem to have that problem on either of the systems I played it on.

I am particularly fond of the Mozart pieces presented here, although I prefer the recordings by Dennis Brain for technique. These are my favorite recordings of the Hayden and Rosetti pieces to date. This CD is an excellent value, and any serious listener will be sure to thrill to it.

Clevenger-ok, Baumann-awesome.......2003-02-25

Hermann Baumann is one of the greatest horn players ever and he shows why he has been given that honor on this cd. I don't think that there is recording of the Haydn concerto that even comes close to this masterful performance, even better than Tuckwell's. The cadenzas are absolutely awesome. I haven't listened to the Rosetti before but Baumann sounds excellent in this concerto as well. Clevenger plays ok on the Haydn but his articulation is a little sloppy. I'm a saxophone player but I can recognize true musicianship when I hear it and Baumann certainly is a brilliant musician. Highly recommended.

Once again, I'm impressed!.......2002-07-30

Hermann Baumann never ceases to amaze me, and this album is no exception. Flawless execution coupled with the highest sense of musicality make for quite an impressive display, especially with horn literature of this difficulty. Baumann rises like a colossus with this album- and if it hasn't already been said, the cadenzas are worth the price of the cd by themselves! For as long as I have been listening to horn music, I have never heard the beauty, clarity, and sweetness of tone in the clarino register as I heard with this album. The Haydn Concertino in D with Dale Clevenger was nicely executed, however my preference for this piece is in the Tuckwell recording for tempo and stylistic reasons. Cliche though it may be, this is a must have.

Good music, not-so-good quality.......2001-11-05

The music of this CD is stunningly well-done, with Hermann Baumann once again making recordings unchallenged in musical quality, making the most complicated horn parts seem effortless, the cadenzas in particular. However, the actual quality of the CD is somewhat "staticky". There's noticeable background static if played on the right (wrong?) speakers that other CDs don't produce. This CD would be perfect if the recording quality was better.

Average customer rating: Liona Boyd Liona is the Queen of Classical Guitar Technique????? GIMME A BREAK!! Un-F***ing believable Liona? Please...

The Spanish Album Manufacturer: Moston Records ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lecuona | Lecuona, Ernesto | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music Similar Items: Passport to Serenity Highlights The Romantic Guitar of Liona Boyd Classically Yours Baroque Favorites ASIN: B00000IKTM Release Date: 1999-04-06

Tracks:

1. Moorish Dance
2. Malaguena
3. Gran Jota De Concierto
4. Capricho Arabe
5. The Miller's Dance (Live Recording)
6. Asturias
7. Zambra Granadina
8. Rumores De La Caleta
9. Granada
10. Madrilena
11. Campanas Del Alba
12. Mallorca (Live Recording)
13. Granada (Live Recording)

Customer Reviews:

Liona Boyd.......2007-03-26

It's interesting, I think, to note how Miss Boyd's style and technique seem to polarise the current reviews for her album "The Spanish Album". I certainly wasn't aware that Miss Boyd is regarded as "a light weight" in the classical guitar world.

I can only say that as a humble amateur classical guitarist, I remain an avid admirer of her interpretation of several of the standard classics on this album.

Her virtuosity in Gran Jota has already been referred to: may I also single out the sweet expressiveness of her playing in Capricio Arabe (which I suggest cannot be matched by any other modern recording)as well as the fascinating discords in Asturias.

Liona is the Queen of Classical Guitar Technique?????.......2006-01-20

Yes, and I'm Clark Kent, reporter for a small town daily. Liona Boyd achieved her fame through non musical means. As a musician she leaves a great deal to be desired. Her technique is modest. Her interpretive skills are nonexistent. Proclaiming her "queen of classical guitar technique" is only revealing of one's ignorance. I only wish there was a zero star rating.

If you wish to hear the real McCoy I recommend Martha Masters.

GIMME A BREAK!!.......2005-03-01

"music fan" from rochester--the coward can't even sign his name after he trashes Ms. Boyd's phenomenol talent--where's YOUR latest masterpiece?? "don't waste yer ears"--puh-LEEEZ!! AND "VINCES"--my, aren't we SNOOTY! GIMME A BREAK YOU TWO!! LIONA BOYD KICKS NYLON ASS! BUY THIS CD!

Un-F***ing believable.......2004-09-19

I had never heard of this chick until I started Flamenco lessons. All I can say is WOW!!!

Liona? Please..........2001-06-10

Boyd is, in fact, considered a lightweight in the world of classical guitar. Sure, she's sold recordings, but not anything worth listening to. If you're looking for excellent female classical guitarrists, look for Antigoni Goni and Sharon Isbin. Don't waste your ears on Boyd.

Average customer rating: hot solo guitar Great solo Jazz guitar Surreal Guitar Abilities! Miss You Joe! :0)

Virtuoso No. 2 Joe Pass Manufacturer: Pablo ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Similar Items: Virtuoso (20 Bit Mastering) Virtuoso No. 3 Virtuoso No. 4 Unforgettable Joe Pass: Virtuoso Standards, Songbook Collection Authentic Guitar-Tab Edition (Virtuoso Series) ASIN: B000000XJ9 Release Date: 1990-10-25

Tracks:

1. Giant Steps
2. Five Hundred Miles High
3. Grooveyard
4. Misty
5. Joy Spring
6. Blues For O.P.
7. On Green Dolphin Street
8. Windows
9. Blues For Basie
10. Feelings
11. If
12. Limehouse Blues

Customer Reviews:

hot solo guitar.......2007-01-10

i really appreciate this album. joe pass grooves, and i have probably listened to this version of giant steps half a million times. very much recomended for guitarists: not sure if you'd enjoy this if you don't play guitar, but hey, give it a shot: they're great arrangements of great tunes.

Great solo Jazz guitar.......2004-10-12

"Virtuoso #2" is much mellower than "Virtuoso #1." This is the classic Pass style which combines chord/melody arrangements with single note passages. The momentum is occasionally broken with rubato single note cadenzas, but this occurs less frequently than in "Virtuoso #1." If you want to hear pure chord/melody jazz guitar pick up, "Soliloquy" by George Van Eps.

Surreal Guitar Abilities! Miss You Joe! :0).......2000-12-18

This has to be one the most incredible CDs that I've heard irrespective of genre! Joe, I believe, will be remembered as the best all around jazz guitarist to the extent he was able to play his guitar much like one plays a piano.

On this totally JOE CD, he starts the show with John C's tune, "Giant Steps." These are some odd chordal changes, but Pass played them with ease and much fluidity. He incorporated popular tunes like, "Feelings" which is typically a lounge lizard tune, but Joe turned it into a masterpiece!

Another tune that showcases his posthumously surreal skills and aptitudes on this CD is "On Green Dolphin Street." He must have been in some type of transient state when he blew out this track as the solo(s)--cleverly broken up--were (are) remarkably fast and NOT circuitous in nature. Each run is fresh and this is old news to anyone who has listened to Pass' music for any period of time!

If you are a jazz guitarist and you do not have this CD, this is a MUST GET CD for your collection. If you are a jazz fan and passive listener, this CD will absolutely amaze you. Any jazz musician can listen and learn from this particular solo CD which I feel is the best of all of his "Virtuoso" releases!

This is a collector's item so add it to your collection! You will not be disappointed! We miss ya Joe! Respectfully, Brian G. Jett

Average customer rating:

Wieniawski: Virtuoso Music for Violin Manufacturer: MD&G Records ProductGroup: Music Binding: Audio CD All Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Wieniawski: Violin Concertos Nos. 1 & 2 Wieniawski: Violin Showpieces Vieuxtemps: Violin Concertos Nos. 2 and 3 Vieuxtemps: Violin Concertos Nos. 1 and 4 Vieuxtemps: Violin Concertos Nos. 5, 6 & 7 ASIN: B00000IJGS Release Date: 1999-04-13

Tracks:

1. Fantaisie Brillante Op.20
2. Chanson Polonaise Op.12, 2
3. Polonaise Brillante Op.21
4. Dudziarz (Joueur De Cornemuse)
5. Legende Op.17
6. Obertas Op.19, 1
7. Scherzo-Tarantelle Op. 16
8. Gigue Op. 23
9. Romance Sans Paroles Op.9
10. Kujawiak
11. Polonaise Concertante Op.4
12. Sielanka Op.12, 1

Average customer rating: Simply fantastic

Virtuoso Violin Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Itzhak Perlman - Bits and Pieces / Samuel Sanders Aaron Rosand Plays Sarasate Virtuoso Vengerov Bravo! Virtuoso and Romantic Encores for Violin Mozart: Violin Concertos Nos. 4 & 5; Rondo concertante; Rondo; Adagio ASIN: B00005NPK5 Release Date: 2003-01-07

Tracks:

1. Carmen Fantasy, Op.25 - Itzhak Perlman
2. I: El Pano Moruno
3. II: Nana
4. III: Cancion
5. IV: Polo
6. V: Asturiana
7. VI: Jota
8. Spanish Dance
9. Danza Da La Gitana
10. Habanera, Op.21 No.2
11. Playera, Op.23
12. Spanish Dance, Op.26 No.8
13. Malaguena, Op.21 No.1
14. Caprice Basque, Op.24
15. Romanza Andaluza, Op.22
16. Zapateado, Op.23
17. Malaguena, Op.165 No.3
18. Ziguenerweisen, Op.20 - Itzhak Perlman

Customer Reviews:

Simply fantastic.......2007-05-07

I am a 29 years-old violin musician. To be concise, you will never obtain so, so much for such a little price. Some of the works were originally written for Spanish guitar, and others exclusively for violin, as those from Sarasate, and the violin performance of all of them together is simply fantastic.

Average customer rating: Fantastic ! he didn't read the music very carefully... A charming CD of small violin pieces. Excellent grouping of small violin pieces

Virtuoso Vengerov Manufacturer: Teldec ProductGroup: Music Binding: Audio CD All Works by Bloch | Bloch, Ernest | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Messiaen | Messiaen, Olivier | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Vengerov, Maxim | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Maxim Vengerov - The Road I Travel Vengerov Vengerov and Virtuosi Bruch/Mendelssohn: Violin Concertos Brahms: Violin Concerto; Sonata No. 3 ASIN: B000000SHY Release Date: 1994-02-08

Tracks:

1. Polonaise, No. 1, Op. 4
2. l Palpiti, Op. 13
3. Legende, Op. 17
4. Schon Rosmarin
5. 'Baal shem': Nigun - No. 2
6. 'Souvenir d'un lieu cher', Op. 42: Scherzo - No. 2
7. 'Souvenir d'un lieu cher', Op. 42: Melodie - No. 3
8. Tambourin chinois
9. Theme et variations
10. Caprice viennois, Op. 2
11. Caprice basque, Op. 24
12. La ronde des lutins, Op. 25

Customer Reviews:

Fantastic !.......2003-03-31

Vengerov has no limit to his technique.beautiful tone,excellent intonation,smart interpretation,and thrilling virtuosity, hardly describe this cd.Itamar Golan also does a very good job as an accompanist,and one cannot make any objections to his level of music making.A Brilliant recording made by an unforgetable artist!

he didn't read the music very carefully..........2002-09-23

A lot of this CD is very impressive- Vengerov clearly has his technique under control, and the Paganini is very well-executed, making it sound easy.

I feel that he's pretty far off the mark with the Messiaen, though. He must not have spent very much time learning this piece, since both the Theme (of the "Theme et variations) and the final section of the piece are played at exactly twice the printed tempo! This completely changes the character of the piece to something that's very different from the meditative quality that the correct tempo markings imply. There are also a few wrong notes- small details, but it does make a difference, considering the emphasis Messiaen placed on harmony. There's a very good Naxos recording of this piece (with the Amici ensemble, Scott St. John, violin) that's worth hearing.

A charming CD of small violin pieces........2000-07-20

Although Vengerov has had his up's and down's, this CD is truely a triumph for him. Vengerov's playing is in top form and he really does each piece justice. The best thing about this CD is the pieces Vengerov picked to record. This is the perfect CD of charming violin miniatures. I haven't yet found a better CD of these sorts of pieces. I especially like the Caprice Basque by Sarasate and the variations by Paganini. But all the songs are very captivating. If you're looking for a good CD of "itsy bitsies", as Heifetz called them, this is it. It's a great gift for someone who isn't really into classical music or for someone who is too.

Excellent grouping of small violin pieces.......1999-07-15

The pieces on this cd are all of the most delightful quality. Vengerov plays them all with beautiful execution and interpretation. One of my favorite cd's. I've yet to find another violin cd that groups together such wonderful little pieces in such a good way!

Average customer rating: A fine introduction, with some quibbles

Virtuoso Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Hummel | Hummel, Johann Nepomuk | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tartini | Tartini, Giuseppe | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Trumpet | Brass | Instruments | Classical | Styles | Music ( S ) | Featured Performers, A-Z | Classical | Styles | Music | Salerno-Sonnenberg, Nadja | Salzburg Chamber Orchestra | San Francisco Symphony Orchestra | Sawallisch, Wolfgang | Say, Fazil | Sayao, Bidu | Schiff, András | Schipa, Tito | Schnabel, Artur | Schola Cantorum Basiliensis | Scholl, Andreas | Schwarzkopf, Elisabeth | Scottish National Orchestra | Segovia, Andrés | Sempi, Skip | Serkin, Rudolf | Shaham, Gil | Shostakovich, Dmitri | Sills, Beverly | Smetana String Quartet | Smith, Hopkinson | Solomon | Solti, Sir Georg | St. Louis Symphony Orchestra | Stade, Frederica von | Staier, Andreas | Starker, János | Stern, Isaac | Stoltzman, Richard | Stravinsky, Igor | Studer, Cheryl | Sutherland, Dame Joan | Suzuki, Masaaki General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Trumpet Concertos of Haydn, Hummel, Torelli, and Bellini Virtuoso Trumpet Caprice - Alison Balsom Bach: Works for Trumpet The Legendary Trumpet Virtuosity of Rafael Mendez ASIN: B00004C4MM Release Date: 2000-01-25

Tracks:

1. Allegro Assai
2. Allegro
3. Finale: Allegro
4. Sicilienne
5. Gigue
6. Badinerie
7. Rondo
8. Allegro
9. Polovtsian Dances
10. Danse Bacchanale
11. Rondo Alla Turka
12. Allegro Grazioso
13. Dance Of The Comedians
14. Grave
15. Sibley Sanctus Lydian
16. Romanza
17. Ritual Fire Dance

Customer Reviews:

A fine introduction, with some quibbles.......2000-10-26

"Virtuoso" is a compilation CD, a shot at a "best of" classical trumpet player Rolf Smedvig. Seven of the tracks on this CD are drawn from three CDs Rolf Smedvig recorded for Telarc as a trumpet soloist (two with orchestras, one with pipe organ). The other ten tracks were taken from six of the many CDs Smedvig recorded as lead trumpeter with Empire Brass, Rolf's evolving brass quintet supplemented, at times, with other instruments. If you already have several Smedvig or Empire Brass CDs, compare the track listings for this CD with those you own before deciding to buy "Virtuoso". Sadly, there are no new previously unreleased bonus tracks included for long-time fans. Also, this full-price compilation CD clocks in under an hour; Telarc could have easily chosen an additional quarter-hour of material at little additional corporate expense.

I was very familiar with all the Empire Brass tracks included on this CD, but not with the solo tracks which aptly demonstrate the lovely lyrical warmth in Smedvig's playing. It's always been there when he plays with Empire Brass, but it's more striking in his soloist performances. He draws on personal romantic sensibilities in his interpretations without ever making those works that are baroque or classical sound like romantic period pieces, a tough row to hoe. Particularly haunting for me was the unfamiliar Maria-Theresa von Paradis' "Sicilienne".

The Empire Brass selections, however, puzzled me. The lightning-fast last minute of the Borodin, off-and-on brief sections of the Saint-Saens, and all of the Mozart track lack the effortless rhythmic fluidity that is found in virtuosi playing and can be heard in many orchestral or piano performances of these works. This small flaw these tracks share is particularly highlighted by their consecutive sequence on this CD. Three selections from "Firedance", while fairly good, are arguably not Rolf's or EB's best performances on that CD or others. And "Sibley Sanctus Lydian", from "Passage", which features an uncredited melodic line better known as the trumpet solo Respighi employed for his Roman pines near the catacombs, is well-played but a relatively easy solo for trumpeters. My Empire Brass choices to make the case for Rolf Smedvig as virtuoso would have been very different.

Still, this CD is recommended, particularly for the seven Smedvig soloist cuts (1-4, 6-7 and 12), and for three very strong Smedvig/Empire Brass tracks (5, 8 and 13) that are included here. For any one who's not familiar with Rolf Smedvig, "Virtuoso" is a fine introduction that will whet the appetite for more.

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