"And of the Son" is hypnotic. This CD will put you in the musical holiday spirit.
East Bay Express
Karen Stachels' smooth, lyrical playing creates music that is perfect for a crowded coffee house or jazz club. Highly recommended.
And Of The Son
And Of The Son,Karen Stachel,Purple Room,Christmas,Holiday,Solo flute Christmas album you'll love on a cold winters' night in front of a warm fire with a glass of eggnog.
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Rodrigo y Gabriela (with Bonus DVD)
Rodrigo y Gabriela Manufacturer: ATO Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HKDEE2 Release Date: 2006-10-03 |
Tracks:
- Tamacu
- Diablo Rojo
- Vikingman
- Satori
- Ixtapa
- Stairway To Heaven
- Orion
- Juan Loco
- PPA
Amazon.com
How did two Mexican-born heavy-metal enthusiasts end up at the top of the Irish charts? The story begins back in their homeland, where Rodrigo Sanchez (lead guitar) and Gabriela Quintero (rhythm and guitar-top hand percussion) met as teenagers. Following years of fruitless struggle, they settled in Dublin, working as street entertainers, eventually wandering as far afield as Denmark and Spain. But over time, their virtuoso duo-guitar instrumentals garnered them a following, which in turn led to indoor engagements where they no longer had to freeze their hands off. And no wonder -- their eruptive mixture of Central and South American folkways, with its propulsive rock rhythms, plus grooves reminiscent of The Gipsy Kings' crowd-pleasing Catalan rumbas, is incredibly infectious. Yes, their frisky yet spot-on covers of "Stairway To Heaven" and "Orion" may goad some listeners into purchasing the album, but believe it or not, the original tunes are even more mesmerizing. "Ixapa," in which the pair are joined by noted Hungarian Roma (Gypsy) fiddler Roby Lakatos, has a wicked, pan-European swing, while the impossibly fleet "Juan Loco" should delight all comers -- once they catch their collective breaths! Produced by John Leckie (Radiohead, The Stone Roses, Muse), the USA release includes a DVD containing interviews, live performances and other extras. --Christina RodenAlbum Description
The sleeve photo of a crocodile's eye with a faint image of Rodrigo and Gabriela superimposed, suits the artists' desire for something which didn't shout "Mexican guitarists" or "Couples." "It reminded us of Tamacun, the famous Mexican eccentric who is in Ixtapa where we lived for a while".Tamacun -"Tamacun's message is to teach kids to respect nature." He handles crocodiles, and tourists come to photograph him.
Diablo Rojo - Inspired by a wild rollercoaster called 'Red Devil' at a theme park in Copenhagen, Denmark. Three rides in a row, each.
Viking Man - Another Danish inspired piece. The Viking Man was a homeless guy who encouraged Rod & Gab to tough it out on the streets, busking in minus zero conditions at Christmastime. John Leckie adds radio static.
Satori - Experiencing self doubt shortly after arriving in Ireland, Rodrigo y Gabriela were at a low ebb. No money, poor English and a deep sense of uncertainty. Only an unshakeable faith in perseverance kept them going. Satori describes the Zen - like moment of enlightenment they felt when they came through the storm.
Ixtapa - "Ixtapa is a very beautiful, very Mexican town." Roby Lakatos' wildly soaring violin solo is a perfect counterpoint to the melodic and percussive guitars.
Stairway to Heaven - "Ixtapa was our very own Stairway to Heaven!" Rod & Gab's take was initially inspired by Stanley Jordan's interpretation of the Led Zep warhorse. Growing from snippets in their live show, their unique version is at once both respectful and innovative.
Orion - This epic reworking of the Metallica song is the second time Rodrigo y Gabriela have covered Messrs Hetfield, Ulrich & Co: "A tribute to the style of music we love, it's what kept us playing the guitar through all those Spinal Tap years"
Juan Loco - The first attempt at recording this album in Mexico in Summer 2005 resulted in three weeks of sunbathing, beer drinking and power cuts. Enter Mr John Leckie, legendary producer of Radiohead, The Stone Roses and Muse, to name but a few; to midwife Rod & Gab's musical vision into what you hear today. 'Juan Loco' ('Mad John') is their Mexican nickname for Mr Leckie.
PPA - "The first P of PPA stands for Pinche, a Mexican term meaning f**king asshole. This is for all the people in the music business who think they know what's going on but actually don't have a clue".
Customer Reviews:
Firey and Foot-stomping Spanish guitar music.......2007-07-19
Stairway to Heaven version is beautiful, jazzy and latin.
great music.......2007-07-18
Excellent CD.......2007-07-14
Exceptional.......2007-07-12
good flamenco guitar music.......2007-07-11
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LIL WAYNE DA DROUGHT 3 (MIXTAPE) 2 CD SET
Manufacturer: Song List ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PV12JC |
Product Description
New mixtape from Lil Wayne Da Drought 3. What you have been waiting for one of the biggest mixtape releases for 2007. 2 disc set.Customer Reviews:
Ballin'.......2007-06-13
Very Impressive.......2007-05-24
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Mi Sueño
Ibrahim Ferrer Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVHWLG Release Date: 2007-04-24 |
Tracks:
- Dos Almas
- Si Te Contara
- Melodia del Rio
- Cada Noche un Amor
- Deuda
- Uno
- Convergencia
- Quiereme Mucho
- Perfidia
- Copla Guajira
- Quizas, Quizas
- Alma Libre
Amazon.com
When Grammy-winning Buena Vista Social club lead vocalist Ibrahim Ferrer died in August 2005 at the age of 78, he was within a few weeks of accomplishing a lifelong ambition: to record an album of suave, sexy, elegant Cuban boleros. The first acknowledged tune of the genre, "Tristezas," was composed in Santiago by Pepe Sánchez during the late 1800s. The form was descended from a Spanish waltz-like dance of the same name, which in turn evolved from the French contradanse and, even earlier on, from English rural styles. Strangely, Ferrer had repeatedly been told that his voice was not sufficiently "manly" for these leisurely, achingly romantic ballads. But judging by the present tracks--and despite the inevitable depredations of age, which only give his interpretations an added, rueful vulnerability--this is demonstrably untrue. The singer's reedy tenor, in some cases rescued from high-quality demos with instrumentals recorded posthumously, touches places in a listener's soul that no power-popster with an umpteen-octave range and mud-slides of melisma could remotely approach. Ferrer is joined by BVSC band-mates Rubén González (piano) and Omara Portuondo (vocals) on one tune each and is accompanied by the soulfully rinky-tink piano of Roberto Fonseca, Orlando "Cachaíto" López's sinuous, resonant acoustic bass and Manuel Galbán's sensitive guitar, with Ramses Rodrigues and Emilio del Monte manning trap drums and percussion. Overall, Mi Sueño ("My Dream") has a late-night feeling, as though captured amid an after-hours jam in a smoky, malt-scented Havana nightclub, long after sleeves have been pushed up and chairs piled on the tables. --Christina RodenAlbum Description
Mi Sueno is essential listening. Ferrer brings warmth, ease, humor and poignancy to his vocals, where romance is looked back on fondly and still longed for passionately. Featuring "Uno" and "Perfidia," Mi Sueno is a dream everyone can share.Customer Reviews:
True Cuban Music... .......2007-07-03
The Cuban Nat King Cole.......2007-05-31
Soulful.......2007-04-26
Thank you, thank you, thank you..........2007-04-26
I take issue with the previous reviewer who stated that Ibrahim did not have much of a voice (unless having a "voice" nowadays only means how loud someone can sing, which seems to be the case when watching contestants on American Idol). I'm sure it wasn't meant in a negative way--after all, those are words I would use to describe the inimitable Billie Holiday--but there is nothing lacking in his vocal strength or technique. Even in the last years of his life, he could still carry a note so meltingly beautiful and full of emotion without sounding strained. The most wonderful quality about his singing is the brightness of his tone yet the ability to convey bittersweet sadness at the same time. I don't have to understand Spanish to know what the songs are about.
Roberto Fonseca brings a wonderful modern sound to the album, and while I miss the virtuosic Ruben Gonzalez, I'm glad that this was my introduction to another talented Cuban pianist who I will be looking out for in the future.
Inimitable grace........2007-04-24
It wasn't so much his voice - he really didn't have much of one - but more what he did with it: his timing, and the irrepressible glee with which he delivered his frequently saucy lyrics.
"Mi sueno" means "my dream", and that is literally what this posthumous new album meant for him: he had always wanted to record a collection of boleros - meltingly romantic traditional songs - and that is what he spent his last weeks recording.
Luckily, his death didn't prevent that dream being realised, as he'd left a cache of high-definition demos.
So here we are: sensitively backed by his superb group on piano, bass, guitar, and drums, and at one point poignantly joined by fellow veteran Omara Portuondo, Ibrahim calls to us from beyond the grave with inimitable grace.
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The Very Best of Beverly Sills
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006VYELE Release Date: 2005-04-26 |
Tracks:
- Una Voce Poco Fa - Sherrill Milnes
- Dunque Io Son - Sherrill Milnes
- Contro Un Cor - Sherrill Milnes
- Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
- E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
- Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
- Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
- V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
- Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
- Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
- Via, Caro Sposino - Ambrosian Opera Chorus
- Tornami A Dir Che M'ami - Ambrosian Opera Chorus
- La Morale In Tutto Questo - Ambrosian Opera Chorus
Tracks:
- Vilia - Beverly Sills
- Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
- Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
- Libiamo Ne' Lieti Calici - John Alldis Choir
- Un Di Felice, Eterea - John Alldis Choir
- E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
- Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
- Che Fai? - John Alldis Choir
- Addio Del Passato - John Alldis Choir
- Parigi, O Cara - John Alldis Choir
Amazon.com
Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith EislerAlbum Description
Details TBA. EMI. 2005.Customer Reviews:
Here's what the fuss was all about!.......2007-07-17
Beverly Sills - The Best.......2007-04-01
Beverly Sills' highs are breathtaking!.......2006-09-18
THE 2005 OPERA CD OF THE YEAR.......2006-08-19
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!
EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22
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Buena Vista Social Club
Ry Cooder , Ibrahim Ferrar , Ruben Gonzalez , Compay Segundo , and Omara Portuondo Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J56 Release Date: 1997-09-16 |
Tracks:
- Chan Chan
- De Camino A La Vereda
- El Cuarto De Tula
- Pueblo Nuevo
- Dos Gardenias
- Y Tu Que Has Hecho
- Veinte Anos
- El Carretero
- Candela
- Amor De Loca Juventud
- Orgullecida
- Murmullo
- Buena Vista Social Club
- La Bayamesa
Amazon.com essential recording
Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey WrightCustomer Reviews:
Nice cuban music.......2007-03-15
I should add that I speak Spanish fairly well and therefore understand the lyrics, and am generally an enthusiast of Hispanic culture and music. The story of this worthy project and how this was recorded are interesting and I suspect some reviewers are moved more by sentiment than just on the merits of the music, some of which seems very middle-of-the-road to me, albeit pleasant enough for casual listening.
Cubano Revisited.......2007-02-12
Ry Cooder With All Star Cuban Band.......2007-02-02
Buena Vista Social Club Classic.......2007-01-16
For those of you who have never listened to this style of music, don't just listen to it once as you could compare it to the first 3 olives you have ever eaten.
The first one shocks your taste with a layered complexity that is both sharp and mellow, leaving you with a look on your face that says "what just happened?".
The second takes you back to the memory of your first taste, and enjoying re-living the sensation, you start looking for more.
The third confirms your interests and instils an infatuation with something unique, powerful, and good for the heart and soul, that will be played over and over again.
Absolutely fantastic!.......2007-01-11
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The Great Recordings
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001Y4JG6 Release Date: 2004-05-11 |
Tracks:
- Son Vergin Vezzosa - Paul Plishka
- Eccomi... Oh! Quante Volte
- Mira, O Norma
- Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
- Contro Un Cor Che Accende Amore - Nicolai Gedda
- Che M'apporti? - Ambrosian Opera Chorus
- Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
- Vorrei Spiegarvi, Oh Dio, K.418
- Amor, Op.68 No.5
Tracks:
- Martern Aller Arten
- E Strano! E Strano!
- Ah, Fors'e Lui
- Follie! Follie!
- Sempre Libera
- Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
- Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
- N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
- Robert, Toi Que J'aime
- Tu Ne Chanteras Plus?
- Chere Enfant Que J'appele
- Meine, Lippen, Die Kusen So Heiss
- Wien, Wien, Nur Du Allein
- Always Through The Changing
Customer Reviews:
RIP, BEVERLY SILLS 1929-2007.......2007-07-03
This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.
Brava Sills!.......2007-02-02
Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.
Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.
Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.
Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.
Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.
Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.
In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.
Sills fits my bill.......2006-03-13
The Great American Soprano.......2005-10-01
My Favorite Woman.......2005-08-05
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The Search
Son Volt Manufacturer: Transmit Sound/Legacy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MNOXXA Release Date: 2007-03-06 |
Tracks:
- Slow Hearse
- The Picture
- Action
- Underground Dream
- Circadian Rhythm
- Beacon Soul
- The Search
- Adrenaline And Heresy
- Satellite
- Automatic Society
- Methamphetamine
- L Train
- Highways And Cigarettes
- Phosphate Skin
Amazon.com
Five albums into Son Volt's career--and a pair into the band's rebirth following leader Jay Farrar's several solo ventures--it's time to bury the encumbering "alt-country" moniker that has dogged Farrar since his days in the genre-setting Uncle Tupelo. While the inexhaustible songwriter relied on guitars to drive 2005's rock-heavy Okemah and the Melody of Riot, Son Volt amends its familiar arrangements on The Search, balancing the instrumentation with piano, organ, and dabbles in a horn section. "Feels like drivin' 'round in a slow hearse," Farrar pleads over repetitive piano and East Indian guitar loops in "Slow Hearse." It's a pensive opener that suggests something is askew, but the horns that kick off "The Picture" literally scream it from the Stax vaults. Farrar dives in and out of genres, tingling the ivories to add subtle alterations to both the gorgeous "Underground Dream" and Imagine-like "Adrenaline and Heresy," turning his band into Gang of Four for the 134-second rocker "Satellite" and singing alongside Shannon McNally on the soulful "Highways and Cigarettes." While it may be impossible for this Son Volt to ever reach the pinnacle of their 1995 debut, no one can accuse Jay Farrar of going through the motions. --Scott HolterCustomer Reviews:
Farrar bares his influences........2007-07-10
Appalling.......2007-06-27
It's been ntoed that there's a Farrar camp and a Tweedy camp. I never cared much for Tweedy - but you gotta admit, the guy does try to push the envelope and consistently sets what we capitalists call "stretch targets." Not so Jay, who since the brilliance of Trace seems resolved to produce the same lame album over and over again. That his fans find some deep aesthetic purpose therein speaks less of their delusion than how great a record Trace was: certainly someone who threw this thinderbolt can make lightening strike at least once more time. But it's not to be, and will never. Proof? Quick, hum something from Straightaways or Wide String Tremolo. Or Sebastopol. That's right, you can't, can you? Nor would you want to, if you could. Or nor could you, if you wanted: there's nothing hummable.
Alas, it ain't to be. Jay had one good record in him, that was Trace, and we shall never see its like again. I am starting to believe that his "brilliance" in Tupelo was the result of good old capitalism competitoin with Tweedy, who modest though his talent may be, does make excellent use of it. Jay, unmoored from his old Belleville pal, reveals himself as a lazy, pompus slacker, the sort of boring nut you see journaling in independent coffee houses with a copy of some Said or Chomsky trash under his elbow. The brilliance of Trace, in retrospect, is starting to strike me as dervived less from a spark of the divine within Farrar than the principle that if a monkey sits at a typewriter long enough, he'll produce Shakespeare. By some weird change of evolution and chance, it happened early for Farrar.
Two stars because no mmatter how wretched Jay is, at least he's not Ryan Adams.
Good album, but buy it on ITunes.......2007-06-18
Jay's Gob Iron album, released a few months earlier, is slightly better than The Search.
A Beautiful Progression for Jay Farrar.......2007-05-25
As a lyricist, Farrar was never one to reveal himself recklessly, but I notice a few shifts in his methods here that aid in conveying his expressive side. First, the lyrics are more poetic than usual, which does not necessarily mean that they are opaque. Depending on the song, Farrar's words veer from the oblique to the direct and literal. For example, on "Action," he sings, "Break up the old drug pound story, Tortured soul wears an ego sleeve. Heavy hearts and heavy hitters, Bards disease finds the killing floor." These words might not ever mean anything literal to me, but they conjure up rich imagery, while the melody deepens their impact. Elsewhere, on "Adrenaline and Heresy," Farrar sings "She said I still love you, I don't know if I want to spend the rest of my time with you," which is as direct a statement as can be made about a failing relationship. Farrar sings these words with a striking sense of resignation that resounds long after the song ends. "Highways and Cigarettes" is also full of literal imagery ("Best to clear the mind with a Mexicali radio station. Keep an eye out for the border patrol, checking for drugs and so called aliens." He's still very self-serious, but the wordy phraseology and energized interplay of the new band adds an element of fun that had been lacking on previous Son Volt projects.
These words might not resound on the page, but "The Search" benefits immensely from Farrar's melodic sense, which appears to have grown suddenly, and significantly. He is no longer limited by the ideas on his palette, and all sorts of textures help the listener to retain interest. A horn section spices up the high-energy romp of `The Picture," while tasteful keyboards add flavor throughout. Interestingly, there also seems to be an abundance of backward-looped guitars to add a spooky, otherworldly feel to songs such as "Slow Hearse" and "Phosphate Skin." It may take some patience to realize it for yourself, but "The Search" is a beautifully constructed work and I'm finally able to say with some certainty that Jay Farrar and Son Volt have created a minor masterpiece. A Tom Ryan
Strong diverse outing for Jay & Co........2007-05-01
After listening for myself, I'd have to to call the new direction more of an enhancement than a departure. The traditional elements of a Son Volt record are still here -- great songs and melodies, sorrowful pedal-steel guitar, some inscrutable social commentary lyrics, and a solid dose of Americana.
But this record is somehow more than other SV albums. It has diverse sounds that we haven't heard on SV songs before, like horns and piano, that blend very nicely with their sound. There are rocking tracks, slow burn tracks, and moody introspective tracks. Every song on this record is strong, which is a lot more than I can say for "Okemah". This is an excellent record from start to finish.
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My Son, The Greatest: The Best Of Allan Sherman
Allan Sherman Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000348Q Release Date: 1990-10-25 |
Tracks:
- Hello Muddah, Hello Fadduh!
- Crazy Downtown
- A Waste of Money
- Harvey And Shelia
- Good Advice
- Sarah Jackman
- You Went The Wrong Way, Old King Louie
- One Hippopotami
- Shake Hands With Your Uncle Max
- You're Getting To Be A Rabbit With Me
- Shticks Of One And Half A Dozen Of The Other
- Al 'N Yetta
- The Rebel
- Pop Hates The Beatles
- The Twelve Gifts Of Christmas
- Chim Chim Cheree
- Lotsa Luck
- The Streets Of Miami
- Hail To Thee, Fat Person
Amazon.com
This collection gathers 19 of Sherman's humorous story-songs. The comic uses original lyrics and pre-existing tunes to poke fun at television shows and consumer items, to send-up the kids and generally riff on early and mid-'60s American pop culture. On tracks like "Pop Hates the Beatles" and "Crazy Downtown," his subject is the generation gap. "Al 'n Yetta" portrays a TV-dependent couple while "Lotsa Luck" describes the complicated hassles of dealing with faulty TVs and new-fangled tape recorders. Sherman assumed his audience had a little knowledge of history, too. On "Good Advice" and "You Went the Wrong Way, Old King Louie," he sings about inventors and French history, respectively. It's hard to imagine contemporary comedians working the historical beat. "One Hippopatami" is a delightfully goofy festival of wordplay that requires only a love of language and a tolerance for schmaltz. --Fred CisternaCustomer Reviews:
Hello Mother Hello Father.......2007-05-14
Lenny
Allan Sherman in glorious STEREO!.......2007-02-18
This reviewer owned six of Sherman's WARNER BROTHERS LPs way back then, and over 40 years later can still sing most of his lyrics (just ask me- I dare you!). Allan Sherman had that sort of effect on you - loving to laugh at his silly songs made folks want to commit them to memory. But, the one thing that wasn't available in the early 60's (as any avid fan will tell you), were STEREO mixes. For some reason, WARNER must have pressed ten times as many monaural copies, so we had to make do with those.
This RHINO records "Best of" has corrected that situation in marvelous fashion. Our favorite Allan Sherman tracks have never sounded so "fine" (a loaded word, when describing Allan's music!). Highlights here are the exuberant "Good Advice," the schlamozzel's theme song "Lotsa Luck," and "Schticks Of One And Half A Dozen Of The Other," which has more bad puns packed into it than any recording in history.
Oh no-- stand back! I feel a song coming on---
"On top of old Smokey, all covered with hair;
Of course I'm referrin'.... to Smokey da Bear..." (oy!)
TOTAL RUNNING TIME -- 66:23
Allen Sherman was a Genius!.......2007-02-17
Muddah Faddah Kindly Disregard Dis Lettah!.......2007-01-31
in doing so, I've added a number of childhood favorites to my collection, especially the perennial, "Hello Muddah, Hello Faddah", the chronicle of a youngster fearful of camp who decides camp isn't so bad by the time the letter is done. This was our family anthem as we set out camping each summer, one that is sure to serve the same function for other families. The songs all are based on well-known, often classical melodies, with Mr. Sherman's lyrics. The humor ranges from silly to hilarious. Some, like the Beatles' number, are dated; some, like "Hello Muddah", are timeless.
Love this CD!!!!.......2007-01-25
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Spanish Guitar Music
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YJ4Q Release Date: 2002-01-29 |
Tracks:
- Albeniz: Asturias
- Albeniz: Tango
- Sanz: Canarios
- Rodrigo: Fandango
- Torroba: Nocturno
- Segreras - El Colibri
- Albeniz: Sonata in D
- De Falla: The Corregidor's Dance
- De Falla: Fisherman's Song
- De Falla: The Miller's Dance
- Torroba: Madronos
- La Nit de Nadal
- El Noy de la Mare
- Granados: Ma Maja de Goya
- Abeniz: Cordoba
- Tarrega: Recuerdos de la Alhambra
- Granados: Spanish Dance No. 5
- El Testamen de Amelia
- Villa-Lobos: Prelude No. 4 in E Minor
- Albeniz: Sevilla
- De Falla: Homanaje
- Mudarra: Fantasia
- Turina: Fandanguillo
Customer Reviews:
Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).
John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.
As a marketing ploy, it is very effective.
For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.
However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.
Over 70 minutes playing time.
Recommended.
The guitar is an orchestra in miniature!.......2005-02-05
John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.
From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.
GUITAR MAJESTY.......2004-12-21
Sweet, sweet music, an essential addition to your collection.......2004-12-07
A True Classic.......2004-01-26
Average customer rating:
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Putumayo Presents: Latin Lounge
Various Artists Manufacturer: Putumayo World Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A8AWVO Release Date: 2005-09-06 |
Tracks:
- Reflejo De Luna - Alacran
- Sueno Mama - Roberto Poveda
- Siempre Me Quedara - Bebe
- Dame Tu Querer - Sidestepper
- Mariposa (En Havana) - Si Se
- Caminhos De Cuba - Luiz De Aquino
- Don't Leave Me Now - Amparanoia
- Folia - Wagner Pa
- Carmela - Charanga Cakewalk
- Esta Noche - Federico Aubele
- In Love With You - Deepak Chopra
- Sentimientos - Andres Linetzky
Product Description
Tango, cumbia and son meet electronica in this contemporary collection of chill-out grooves. Alacran Reflejo de Luna Roberto Poveda Sueño Mamá Bebe Siempre Me Quedará Sidestepper Dame Tu Querer Si*Sé Mariposa (en Havana) Luiz de AqCustomer Reviews:
Suprising.......2007-06-15
When I realised that Putumayo made many discs with many different themes without sticking to 1 theme I assumed it would be commercial and weak, but the disc outdoes most buddha bar or hotel costes compilations!
A great Listen, I highly recommend it.
Speak Spanish or Not, This CD is Great.......2007-04-10
Smooth and Sexie.......2007-03-13
Learn Spanish and groove at the same time: Latin Lounge.......2007-01-04
Putumayo.......2006-12-15
Anyone who enjoys this cd may want to try MANU CHAO (proxima estacion ... ESPERANZA) for another trully great Latin American music.
This is definitely one of the easiest CD's to pop in, along with Nuevo Latino .... anytime anywhere ... just makes you enjoy the moment so much more.
Jazz Music: