Appassionato

1. Relaxin' at Camarillo

2. Grooveyard

3. Body and Soul

4. Nica's Dream

5. Tenderly

6. When It's Sleepy Time Down South

7. Red Door

8. Gee Baby, Ain't I Good to You

9. Lil' Darlin'

10. That's Earl, Brother

11. Stuffy

12. You're Driving Me Crazy

Editorial Reviews

From Grove Press Guide to Blues on CD
Joe Pass epitomizes impassioned guitar artistry, and he most always refashions jazz standards into personal expressions of blues poetry. His melodic sense is sound, his understanding of harmony thorough, and the uninterrupted momentum of his rhythmic patterns is the crux of swinging. Pass is a prolific recording artist, and his recent quartet session is representative of his ability to communicate through electric or acoustic means, from the roseate blues of 'Gee, Baby Ain't I Good to You" to the unremitting ardor of "You're Driving Me Crazy." -- © Frank John Hadley 1993

Appassionato,Joe Pass,Pablo,Bop,Jazz,Jazz Music,Pop

Jazz

Music

jazz

Tracks:

Going To School featuring John Williams
IV. Allegretto poco mosso from Sonata in A Major for Violin and Piano
II. Andante con moto e poco rubato from Three Preludes
II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
Doce de coco
II. Largo from Concerto No. 1 in G minor for Cello and Orchestra, Op. 49
Cinema Paradiso: Nostalgia from Giuseppe Tornatore Suite
The Swan from Carnival of the Animals (Chamber Version)
Yanzi (Swallow Song)
II. Andante from Concerto for Violin, Cello and Orchestra in A minor,
Soledad
No. 4 Mikin Pekko from Five Finnish Folk Songs
First Impressions featuring Edgar Meyer; Mark O'Connor
Song Without Words, Op. 109
Gabriel's Oboe from The Mission featuring Ennio Morricone

Amazon.com

Any new compilation CD starring Yo-Yo Ma is certain to please. This master of the cello takes the listener through so many types of music that the ear and mind never tire. The present selection is billed as a sort of "musical autobiography," and, indeed, it gives us a tour of Ma's musical life. The Silk Road Project is represented by Zhao's "Swallow Song," with its eerie, fascinating soundscape (specially re-recorded for this CD). We also accompany Ma on his excursions into the world of the baroque cello with Vivaldi or of the Finnish folk song (by Mamiya, a first recording). There are Gershwin's languid Second Prelude, with its intimations of the song "Summertime," and an all-new recording of a nine-minute heart-breaker by Astor Piazzolla ("Soledad"). Ma also gives us more familiar Brahms, Franck, and Saint-Saens. The compilation's mellow 65 minutes offer relaxing, beautiful music, all exquisitely played. Ma is joined by the best: Emanuel Ax, Kathryn Stott, John Williams (who plays piano on his own "Going to School" from Memoirs of a Geisha), Isaac Stern, and Claudio Abbado. This is a veritable Who's Who of superb musicians. --Robert Levine

Customer Reviews:

Pure Listening Pleasure.......2007-05-18

There is no pretension in this collection - just the pure, simple pleasure in Ma's performance and in our enjoyment.

Appassionato.......2007-05-18

With a little help of some of his friends Yo Yo Ma offered us another of his masterpieces. No other title could define better the tracks selection, pleasant and inspired.

Deep, Serious and diverse.......2007-04-26

Yo Yo Ma is simply fantastic, and has arrived as such a height of recognition that any production he is invovled in will be top of the line, as this is.

This is a darker collection than I expected. And like a serious, reserved friend, it can take a little longer to appreciate than the bubbly outgoing ones. I now find I like it very much, but it is serious "conversation."

There is great variety here as well, and I gave it to a friend's teenager who is considering whether she wants to learn the cello. Her response was much the same as mine. Initially not so sure, but over time, has really come to like it, too. This collection has great depth.

Yo-Yo Ma's Appassionato.......2007-04-13

For those who share Yo-Yo Ma's passion for music, and especially his passion for diversity in music, and for connecting with the spirit of global humanity, this recording has a prominant place in your library.

A soulful compilation.......2007-04-13

I love this album for the diversity of music and the great programming. I especially love the collaboration with Isaac Stern, no longer with us in body, but always in music. Thanks YoYo.

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Average customer rating:

Ultimate music for every time of day and every mood
Would give 5 stars if sound quality where better
Great collection for a great price
20 Fabulous Discs

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Box Sets at 30% Off | Blowout Music | Stores | Music

Classical | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
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Classical Evolution: Spanish Guitar Music

ASIN: B00012QLSW
Release Date: 2003-12-09

Tracks:

Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Overture Coriolan Op.62 - Dresdner Philharmonic
Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

Rustle of Spring Op.32, No.6 - Jennd
Novelette in F Major Op.21, No.1 - Jennd
Songs Without Words: E Major Op.19, No.1 - Jennd
Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
Songs Without Words: G Major Op.62, No.1 - Jennd
Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
Intermezzo in a Major, Op.76, No.6 - Jennd
Intermezzo in a Minor Op.76, No.7 - Jennd
Intermezzo in a Major Op.118, No.2 - Jennd
Intermezzo in E Flat Minor Op.118, No.6 - Jennd
Lyric Pieces: Arietta Op.12, No.1 - Jennd
Lyric Pieces: Folkevise Op.12, No.5 - Jennd
Lyric Pieces: Butterfly Op.43, No.1 - Jennd
Lyric Pieces: To Spring Op.43, No.6 - Jennd
Lyric Pieces: Notturno Op.54, No.4 - Jennd
Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
Melody in F Op.3, No.1 - Jennd
Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
Impromptu in B Flat Major D.935, No.3: Pito - Jennd
6 Moments Musicaux D.780: No. 1 in C Major - Jennd
6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
4 Impromptus D.899: No. 1 in C Minor - Jennd
4 Impromptus D.899: No. 2 in E Flat Major - Jennd
4 Impromptus D.899: No. 3 in G Flat Major - Jennd
4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

Sonata in a Major D.959: Allegro - Michael Endres
Sonata in a Major D.959: Andantino - Michael Endres
Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
Fantasy on Weber's FreischVilmos Fischer

Tracks:

Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Gnomus. Sempre Vivo
Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
Pictures at an Exhibition: Promenade. Tranquillo
Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

Prde Op.3, No.2 - Margarete Babinsky
Mdie Op.3, No.3 - Margarete Babinsky
Polichinelle Op.3, No.4 - Margarete Babinsky
Moment Musical Op.16, No.3 - Margarete Babinsky
Moment Musical Op.16, No.5 - Margarete Babinsky
Variations on a Theme by Corelli Op.42 - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Prde Op.23, No.5 - Margarete Babinsky

Tracks:

Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.

Beethoven: Complete Piano Sonatas / Daniel Barenboim

Average customer rating:

Barenboim's Beethvoen
One of the very best ever
dead in the water
Sublime expression nourished by a colossal vision!
Performed with great enthusiasm

Beethoven: Complete Piano Sonatas / Daniel Barenboim

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Mozart:The Complete Piano Sonatas and Variations
Beethoven - The Complete String Quartets / Alban Berg Quartet
Beethoven: The Complete Symphonies and Piano Concertos
Brahms: Works for Solo Piano
Chopin: The Piano Works

ASIN: B00000C2KP
Release Date: 1998-10-20

Tracks:

Sonata No.1 In F Minor, Op.2 No.1: Allegro
Sonata No.1 In F Minor, Op.2 No.1: Adagio
Sonata No.1 In F Minor, Op.2 No.1: Menuetto: Allegretto
Sonata No.1 In F Minor, Op.2 No.1: Prestissimo
Sonata No.2 In A Major, Op.2 No.2: Allegro vivace
Sonata No.2 In A Major, Op.2 No.2: Largo appassionato
Sonata No.2 In A Major, Op.2 No.2: Scherzo: Allegretto
Sonata No.2 In A Major, Op.2 No.2: Rondo: Grazioso
Sonata No.3 In C Major, Op.2 No.3: Allegro con brio
Sonata No.3 In C Major, Op.2 No.3: Adagio
Sonata No.3 In C Major, Op.2 No.3: Scherzo: Allegro
Sonata No.3 In C Major, Op.2 No.3: Allegro assai

Tracks:

Sonata No.5 In C Minor, Op.10 No.1: Allegro molto e con brio
Sonata No.5 In C Minor, Op.10 No.1: Adagio molto
Sonata No.5 In C Minor, Op.10 No.1: Finale: Prestissimo
Sonata No.6 In F Major, Op.10 No.2: Allegro
Sonata No.6 In F Major, Op.10 No.2: Allegretto
Sonata No.6 In F Major, Op.10 No.2: Presto
Sonata No.7 In D Major, Op.10 No.3: Presto
Sonata No.7 In D Major, Op.10 No.3: Largo e mesto
Sonata No.7 In D Major, Op.10 No.3: Menuetto: Allegro
Sonata No.7 In D Major, Op.10 No.3: Rondo: Allegro
Sonata No.22 In F Major, Op.54: In tempo di Menuetto
Sonata No.22 In F Major, Op.54: Allegretto - Piu allegro

Tracks:

Sonata No.4 In E Flat Major, Op7: Allegro molto e con brio
Sonata No.4 In E Flat Major, Op7: Largo con gran espressione
Sonata No.4 In E Flat Major, Op7: Allegro
Sonata No.4 In E Flat Major, Op7: Rondo: Poco allegretto e grazioso
Sonata No.9 In E Major, Op.14 No.1: Allegro
Sonata No.9 In E Major, Op.14 No.1: Allegretto
Sonata No.9 In E Major, Op.14 No.1: Rondo: Allegro comodo
Sonata No.10 In G Major, Op.14 No.2: Allegro
Sonata No.10 In G Major, Op.14 No.2: Andante
Sonata No.10 In G Major, Op.14 No.2: Scherzo: Allegro assai

Tracks:

Sonata No.11 In B Flat Major, Op.22: Allegro con brio
Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
Sonata No.11 In B Flat Major, Op.22: Menuetto
Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
Sonata No.12 In A Flat Major, Op.26: Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace

Tracks:

SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto

Tracks:

Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
Sonata No.15 In D Major, Op.28 'Pastoral': Andante
Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
Sonata No.19 In G Minor, Op.49 No.1: Andante
Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto

Tracks:

Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco

Tracks:

Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
Sonata No.25 in G major, Op.79: Presto alla tedesca
Sonata No.25 in G major, Op.79: Andante
Sonata No.25 in G major, Op.79: Vivace
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
Sonata No.28 In A Major, Op.101: Vivace alla Marcia
Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)

Tracks:

Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
Sonata No.30 In E Major, Op.109: Prestissimo
Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
Sonata No.31 In A Flat Major, Op.110: Allegro molto
Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni

Customer Reviews:

Barenboim's Beethvoen.......2007-06-27

I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.

One of the very best ever.......2007-02-15

This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!

dead in the water.......2007-01-12

Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".

Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)

Sublime expression nourished by a colossal vision!.......2006-03-23

Thanks to this immense and untiring activity in the field of the orchestral direction, his vision as pianist has enriched himself quite a lot: Barenboim performs these well known Sonatas with a splendid architectural construction; according Schnabel `s tradition.

And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.

In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.

If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.

Performed with great enthusiasm.......2004-05-16

This is classic early Barenboim (he was just 24 when he started recording this set in 1966). He is very enthusiastic and expressive (if you don't like him, he "takes liberties" and "shows off"). The slow movements are veerrry slow, and the fast ones really rip. Pianissimo is extremely soft, and fortissimo rattles the windows! [My wife insists that I wear headphones for late-night listening.]

Tracks:

Allegro Molto Appassionato
II. Sicilienne
II. Adagio
IV. Allegro Quasi Presto
III. Allegro Giocoso, Ma Non Troppo Vivace
Caprice Viennois
Toy-Soldiers March
Waves At Play - Samuel Sanders
II. Andante Assai
Spanish Dance - Samuel Sanders
Nigun (Improvisation)
Zigeunerweisen, Op.20

Customer Reviews:

So I'm just learning violin..........2006-09-21

and I can not play like Joshua Bell. For this, he better consider himself damn lucky as the world could not handle two of us Joshua Bells.

This was my first exposure to this phenom. Sorry, I had never heard of him until I got my first issue of STRINGS magazine and he was on the cover. My wife liked the cover and wanted to know if I got better would I not only sound like him but would I also look like him? I guess we'll never know how that will actually turn out. Safe to say, I'll end up not looking like him as I can never be quite as good as him. Again, damn lucky for Josh as I don't think the world could handle two of us.

This disc is an absolute gem not only for the Joshua Bell and violin fan, but the arrangements and the sound quality is superb. What this disc made me realize is that there are truly only a few out there that have complete and total control of their craft. It also made me decide that I would like to perhaps pick up a few more Joshua Bell recordings. For my wife, I guess I'll just duplicate them and give the copies to her in a blank cd case. I can tell her it's me playing. That ought to heat things up!

Joshua Bell..........2005-12-05

This CD is a wonderful CD to see how Joshua Bell interprets some of the standard repertory of violinists of this century. The only thing I was dissapointed in slightly was that it included music from other CD's already produced by Bell, but otherwise, a wonderful gift for someone who has never heard Bell before.

Average customer rating:

great series

The Story Of Brahms

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Children's Music | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Story of Tchaikovsky
Story Of Chopin In Words And Music
The Story Of Handel
The Story of Beethoven
The Story of Bach

ASIN: B000001KDB
Release Date: 1995-04-16

Tracks:

Symphony No. 3 In F Major, Op. 90: Allegro con brio
Piano Concerto No. 2 In B-Flat Major, Op. 83: Allegro appassionato
Quintet in E-flat Major, Op. 83: Rondo
Symphony No. 2 In D Major, Op. 73: Adagio non troppo
Serenade, Op. 106: No. 1
Violin Concerto in D Major. Op. 77: Allegro giocoso, ma non troppo vivace
Symphony No. 2 In D Major, Op. 73: Allegro con spirito
Capriccio in B Minor, Op. 76: No. 2
Hungarian Dance No. 6 in D-flat Major
Symphony No. 1 In C Minor, Op. 68: Andante sostenuto
Piano Concerto No. 1 In D Minor, Op. 15: Maestoso
Lullaby, Op. 49: No. 4
Hungarian Dance No. 1 in G Minor
Variations On A Theme By Paganini, Op. 35: Book II
Rinaldo, Op. 50
Waltz in A-flat Major, Op. 39: No. 15
Love Song Waltzes, Op. 52: No. 1
Hungarian Dance No. 5 in F-sharp Major
Variations on a Theme by Haydn: Op. 56a
Symphony No. 1 In C Minor, Op. 68: Excerpts
Symphony No. 2 In D Major, Op. 73: Allegro non troppo
Violin Concerto In D Major, Op. 77: Op. 77
Academic Festival Overture: Op. 80
Piano Concerto No. 2 in B-flat Major: Allegro non troppo
Symphony No. 3 In F Major, Op. 90: Allegro
Clarinet Quintet In B Minor, Op. 115: Allegro
Tragic Overture: Op. 81
Academic Festival Overture: Op. 80
9 Hungarian Dances: No. 1 in G Minor
9 Hungarian Dances: No. 2 in F Major
9 Hungarian Dances: No. 10 in E Major
9 Hungarian Dances: No. 5 in F-sharp Major
9 Hungarian Dances: No. 6 in D-flat Major
9 Hungarian Dances: No. 7 in A Major
9 Hungarian Dances: No. 17 in F-sharp Minor
9 Hungarian Dances: No. 19 in B Minor
9 Hungarian Dances: No. 21 in E Minor

Customer Reviews:

great series.......2007-01-10

This CD along with the others in the series is very good. So far we have collected about ten different ones. They are thorough and interesting. I homeschool and it has been a great additon to our teaching materials and tools. The narrarated history format interspersed with the composer's music is key to keeping the interest of the children. A must-have for introducing classical music with historical background to your kids and at a great price on Amazon!

Schumann: Piano Concerto / Sviatoslav Richter

Average customer rating:

Robert Schumann piano Sviatoslav Richter
Richter plays Schumann
& I thought Tchaikovsky's Piano Concerto #1 was my favorite!
schumann's chamber concerto
Best of the best

Schumann: Piano Concerto / Sviatoslav Richter

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Rachmaninov, Tchaikovsky: Piano Concertos / Richter
Liszt: The Two Piano Concertos; The Piano Sonata
The Sofia Recital 1958
Brahms: Concerto No.2/Beethoven: Sonata No.23
Schumann: The 4 Symphonies

ASIN: B000001GQS
Release Date: 1996-04-09

Tracks:

Konzert Fur Klavier Und Orchestera - Op. 54: 1. Allegro Affettuoso
Konzert Fur Klavier Und Orchestera - Op. 54: 2. Intermezzo Andantino - Attacca
Konzert Fur Klavier Und Orchestera - Op. 54: 3. Allegro Vivace
Introduction Und Allegro Appassionato G - Dur Op. 92
Novellette F - Dur Op. 21 No. 1
Toccata C - Dur Op. 7
Waldszenen Op. 82: Entry
Waldszenen Op. 82: Hunters On The Lookout
Waldszenen Op. 82: Lonely Flowers
Waldszenen Op. 82: Place Of Evil Fame
Waldszenen Op. 82: Friendly Landscape
Waldszenen Op. 82: Shelter
Waldszenen Op. 82: Bird As Prophet
Waldszenen Op. 82: Hunting Song
Waldszenen Op. 82: Farewell

Amazon.com essential recording

If you want to judge a pianist's versatility, listen to his or her recording of the Schumann Piano Concerto. It requires virtually everything a pianist should have to offer: poetry, virtuosity, expansive expression alternating with poised restraint. What a glorious test piece this is. Richter, who was famous for his Schumann playing, passes every test here. His meltingly beautiful delivery of Schumann's melodies touches the heart, and his execution of the most difficult passages is so smooth and effortless that it never calls a bit of attention to itself. In this piece and the Introduction and Allegro, the excellent orchestra also covers itself with glory. The solo pieces are no less wonderful. The way Richter plays the difficult Toccata is almost scary in its combination of power and velocity. The Forest Scenes is a slightly older recording (1956) than the others (1958), but it still sounds lovely. Catch Richter's whirlwind playing of "Traumes-Wirren" and you'll understand right away why other pianists had such respect for his technique. Listen to his "Prophet Bird" and he'll touch your heart. --Leslie Gerber

Customer Reviews:

Robert Schumann piano Sviatoslav Richter.......2007-03-08

Dexterity of Richter is world class . As a classical pianist I was disappointed with the frequency response of the recording. Although probably digitized still a lot of the frequencies were missing. If I had to choose again I would select a relatively recent performance .

Richter plays Schumann.......2005-12-05

All of us who admire the supreme interpretative status of Sviatoslav Richter know about his variable temperament. That personal feature permeated every piece he played in his fruitful career. The Piano Concerto has been played for so many pianists in the most different approach. It is a piece of irresistible romantic ethos, who can deny it? .

This version remained indeed, as one the most prominent in the market for years; but there were many more: Lipatti, Michelangeli, Rubinstein, Cortot ,Van Cliburn, Yves Nat among many others, we should wait until the most elegant, expressive, eloquent and committed performance ever recorded : Ivan Moravec with the Czech Philharmonic conducted by Vaclav Neumann (a very hard to find CD).

That fact established more than just a line; a true frontier, a reference pattern, very hard to surpass until this date. Richter 's performance is something inexpressive, he could make a major and best performance. But despite of it, remains among the ten best available and trustable versions.

The rest of the CD is absolutely perfect .I don't know about any other version of Introduction and Allegro capable to match with it. His Novelette is very expressive and sensitive with the only exception of the monumental version of Wilhelm Kempff and one register of Emil Gilels.

The Toccata is simply memorable; there are , however two very remarkable version: Martha Argerich and Vladimir Horowitz. The Waldzsenen Op. 82 is a a very genuine jewel.

Go for this, keeping in mind there are better options respect the piano Concerto.

& I thought Tchaikovsky's Piano Concerto #1 was my favorite!.......2004-11-04

That is...until I heard the first few notes of this Schumann concerto. I was literally in tears the first 50 times I listened to the 1st movement of this concerto. Personally I'm not a big fan of Schumann's work, but this is the absolute best piano concerto, and it is a "must buy" for any piano lover. This recording also substantiated my love for Richter's playing.

schumann's chamber concerto.......2003-07-17

as the other reviews have said, this is a remarkable performance. the ensemble playing is crisp without being rigid, and the players are recorded with the clarity of a chamber orchestra: all the instrumental soloists are distinguished and the balance with the soloist is perfect. richter creates a subtle range of moods within the overall perspective of each movement -- hard to do in a concerto role, as the orchestra must contribute to the effect -- though his dynamic contrasts are not as extreme as typical. the cumulative effect is apollonian, magisterial, and timeless. the solo pieces are marvelous technical and interpretive displays as well.

Best of the best.......2002-09-20

This recording of Schumann's concerto is simply the best: the orchestra is very good (despite reviews to the contrary), the soloist-orchestra interplay is superb, and Richter's playing is divine.

If you listen to this recording repeatedly, and then compare it with other good or very good recordings (Lipatti, Serkin, Moravec, Staier), you'll notice the differences: you will be aware how these latter pianists search for the correct interpretation of certain passages, and often they succeed. You'll be also aware, however, that Richter does not interpret. He simply plays it the way Schumann must have intended the work, i.e. the way it has to be played. It's not a matter of technique - in this respect, many(but not too many) pianists are as good as Richter. It's just like Schumann's spirit has penetrated Richter's nervous system and guides his fingers.

When you're not listening to the concerto for a long time, and then try to "play" it in your head, you will reckognize that it "sounds" like the Richter-Rowicki recording. And you will notice flaws in all other recordings.

Tracks:

I. Allegro Maestoso
II. Andante Espressivo-Andante Molto
III. Scherzo: Allegro Energico
IV. Intermezzo (Ruckblick): Andante Molto
V. Finale: Allegro Moderato Ma Rubato
Theme And Variations In D Minor

Tracks:

I. Agitato In B Minor
II. Molto Passionato, Ma Non Troppo Allegro In E Flat Major
I. Andante Moderato In E Flat Major
II. Andante Non Troppo E Con Molto Espressione In B Flat Minor
III. Andante Con Moto In C Sharp Minor
I. Intermezzo: Allegro Non Assai, Ma Molto Appassionato In A Minor
II. Intermezzo: Andante Teneramente In A Major
III. Ballade: Allegro Energico In G Minor
IV. Intermezzo: Allegretto Un Poco Agitato In F Minor
V. Romanze: Andante In F Major
Intermezzo: Andante, Largo E Mesto In E Flat Minor
I. Intermezzo: Adagio In B Minor
II. Intermezzo: Andantino Un Poco Agitato In E Minor
III. Intermezzo: Grazioso E Giocoso In C Major
IV. Rhapsody: Allegro Risoluto In E Flat Major

Tracks:

I. Maestoso
II. Adagio
III. Rondo: Allegro Non Troppo

Customer Reviews:

New Compilation By Brahms' Best Interpreter.......2006-01-22

Wow, I have the honor of breaking in the review line on this 3-CD set! Here we have Radu Lupu's entire recorded output of Brahms' piano music, all from 1971-81. CD 1 (like CD 2) was previously released as a single CD, so be sure you're not duplicating your collection. CD 3 is a previously out-of-print recording of Concerto Nr. 1 with the London PO conducted by Edo de Waart. I'll address this first. I had never heard Lupu's concerto, and, as an unremitting Lupu fan, I had high hopes. He plays the socks off the thing as I envisioned. However, de Waart and the London PO aren't quite up to Lupu's standards, and a tug-of-war at times threatens the proceeedings. It seems Lupu wants to push ahead in tutti passages, then wants to luxuriate in solo moments--perfectly Brahmsian, I think, if de Waart would only allow him. Also the strings just play with sloppy intonation and execution. One wishes for Jochum's Berlin Phil. to come to Lupu's aid here! Having said that, I will likely keep this right up there with my Gilels version, if only to hear again and again Mr. Lupu's poetry and passion.
As for the other 2 discs (CD1: Sonata Nr.3, Theme and Var. in d minor; CD2: 2 Rhapsodies Op.79, 3 Intermezzos Op.117, 6 Piano Pieces Op.118, 4 Piano Pieces Op.119), I rate his playing to be the best I've heard of these works. If you think he's got the more wistful, roaming Brahms down, you may be surprised to hear his Op. 5 Sonata, where his architecture rivals Richter. I think Lupu just GETS Brahms, more so than anyone else. I feel the same way about Brendel and Schubert.
This 3-CD set makes a wonderful intro to Brahms piano music; if you only wish to own one, this would be a terrific choice!
* * * * 1/2 stars (because of the concerto)

Average customer rating:

Great music
sonorous
Fine interpretation of little heard music
BEAUTIFUL
Very satisfying.

Bruch: The Complete Symphonies

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Bruch: The Complete Violin Concertos
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Glinka: Orchestral Works

ASIN: B000007OTH
Release Date: 1998-06-09

Tracks:

1. Allegro Maestoso
2. Scherzo. Presto
3. Quasi Fantasia. Grave
4. Finale. Allegro Guerriero
1. Allegro Appassionato, Ma Un Poco Maestoso
2. Adagio Ma Non Troppo
3. Allegro Molto Tranquillo
Romanze In A Minor, Op. 42/A-Moll/En La Mineur

Tracks:

1. Andante Sostenuto - Allegro Molto Vivace - Adagio
2. Adagio. Adagio Ma Non Troppo
3. Scherzo. Vivace
4. Finale. Allegro Ma Non Troppo
Adagio Appassionato, Op. 57
In Memoriam, Op. 65: Adagio For Violin And Orchestra/Fur Violine Und Orchester/Pour Violon Et Orchestre
1. Allegro Appassionato
2. Adagio, Ma Non Troppo Lento

Customer Reviews:

Great music.......2007-07-20

I can't add much to the eloquent comments already posted, but Bruch's symphonies are sweet, relaxing, and surprisingly approachable. I would only wish he had written more.

sonorous.......2007-05-06

Max Bruch did not exhaust the possibilities for romantic, passionate violin performance in concerto. He merely came close.

That astonishing achievement earns this underrated late-Romantic composer a place in every listener's library, to say nothing of the Hall of Honor inhabited by 'classical' composers. Kurt Masur's baton leading the Gewandhausorchester Leipzig and the inspired violin of Salvatore Accardo in this 1998 Philips 'Duo' release of recordings made in 1978, 1979, 1984, and 1988 make this a CD well worth owning.

The title is anomalous, since the two discs contain not only Bruch's three symphonies, but also his Romanze in A Minor, Op. 42; Adagio appasionato, Op. 57; In Memoriam, Op. 65; and Konzertstück in F sharp minor, Op. 84. Yet nobody's complaining, for it is largely via these pieces that Bruch's mastery with strings shines so brilliantly.

The symphonies are another matter. Those not familiar with Bruch might well use the Brahms symphonies as a reference point, from which one can then move on to mark the significant differences between the two composers.

Bruch's symphonies are sonorous and profoundly moving, a kind of German varietal linked horizontally at some deep level to the tonal palate of an English composer like Vaughan Williams.

This is very fine music. Bruch's symphonies are not Brahms, either in shape or in quality. Yet they are 'Brahmsian', if one may coin an adjective to indicate a master's less gifted but honorable disciple.

It is while listening through the pieces for violin and orchestra that a reviewer wonders how he could have stumbled erect thus far through life without having known this splendid beauty. An album with *only* Bruch's symphonies would be a workhorse piece of the library with little threat of keeping one up late into the morning, listening. An album of Bruch's symphonies *and* these that feature Accardo's violin in front of an exceptionally well-led Gewandhausorchester Leipzig is another matter. Threatening, indeed.

Fine interpretation of little heard music.......2006-08-22

Max Bruch's symphonies are not well known, but will be of interest to those who love his music. They are workmanlike, beautiful essays, without quite reaching heights of greatness (although with Kurt Masur's superb conducting, one is inclined to have second thoughts at times). When the symphonies in this collection give way to works for violin and orchestra, it is easy to understand why Max Bruch is best remembered for this form. This album includes the heart-rending "In Memoriam" for violin and orchestra - one of Bruch's very finest achievements, even though it remains obscure.

BEAUTIFUL.......2005-09-27

It's only a slight reticence in the recorded tone that prevents me from giving the full 5 stars to this 2-disc set. In every other way it has a great deal going for it. Bruch is sadly and most unjustly neglected except for the first violin concerto, the Scottish Fantasia and Kol Nidrei in my own experience. His music is outstandingly beautiful and individual, not in my own opinion showing any undue influence from Mendelssohn much less from Schumann. To my ears these masters are no doubt part of the general romantic background that the next generation absorbed, but Bruch has a thoroughly personal style and sound of his own. If your German or French is up to it read the liner note in one of these languages rather than the English one, which is a very inferior effort from another hand. If you're stuck with English, forget Mr Fifield's gratuitous and unenlightening fixation with Mendelssohn and Schumann. Bruch's range of expression is not particularly wide, but his melodic line is stronger than Mendelssohn's, the construction of his works is more fluent than Schumann's, not to say a lot better orchestrated, and he does not sound in the least like either of them.

Bruch's three symphonies are not far behind his concertos in attractiveness, the third being perhaps the best. However one should `rate' him in some pantheon of 19th century composers, it seems to me only fair to say that they are more even in quality than those of his nearer contemporaries Tchaikovsky and Dvorak. The performances strike me as being in general excellent, with speeds well judged and the rich late-romantic idiom put over with understanding and affection. The Leipzig orchestra is not one to let us down in any way, and the solo spots must have been most gratifying to the section principals, particularly, I'd guess, to the clarinettist. The recordings of all the works comprising this set were done over the period 1977-88, except perhaps that of the A minor Romanze which for some reason we are not told. The recorded quality is not bad by any means, but I couldn't shake off the sense that the orchestral effect needs more `presence' and general lustre to it. Bruch's sound, not just in his orchestral compositions but in some chamber works that I also know and own in recordings, is highly and outstandingly beautiful and mellifluous, rich without being over-ripe. I would have liked it more `in my face', so to speak, and I found that this sense coloured my reaction to the pieces with solo violin. On another day I might have thought the solo instrument too close, but here I was glad of the impact of Accardo's intense and strong-toned playing, full of soul and heart, by way of contrast. These four shortish numbers are Bruch at his very best, and it was high time I got to know them and to have the opportunity to recommend them to anyone with ears to hear.

This is a lovely pair of discs, minor reservations notwithstanding. How music of this quality has managed to stay as unfamiliar as it seems to have done is not something I can offer a good explanation for. If you don't wish it to stay unfamiliar to you, the remedy is here to hand.

Very satisfying........2005-01-01

This interesting compilation features Bruch's three symphonies and several works for solo violin and orchestra, all played exceedingly well, especially considering the dates of the original recordings (back when the Iron Curtain was nearly rusted through). The Leipzig Gewandhausorchester has a richness of sound and an expressive quality that affirms its legendary reputation and Bruch's music is its perfect match.

Bruch's symphonies were written after Wagner and Liszt had established themselves at the forefront of European music. Taking Mendelssohn as his model (Mendelssohn had died years before), Bruch's music is, by comparison to his contemporary vanguard, conservative and seemingly reactionary. Yet this does not at all mean that his music is inexpressive or lacking in interest. Quite the contrary, this is the most beautiful Romantic symphonic writing between the deaths of Mendelssohn and Schumann and during the rise of Bruch's friend Brahms. Each of these symphonies exerts its own character, although all contain warm, lush scoring, perfect craftsmanship, and an admirable overall unity. Bruch once stated that 'Melody is the soul of music' and surprisingly this is the one area in which these symphonies perhaps fail. There exist wonderful melodic passages to be sure, but these are at the price of certain lengthy stretches of busy motivic writing that while thematically related to the principal subjects, do not distinguish themselves. Yet would that all composers had this fault if their orchestration and their melodic material were as successful as that of Max Bruch! And which composer can claim that every moment in his works is worthy of our deepest attention? Would this even be desirable? This is music that relishes the sheer sound of the orchestra; these symphonies are of the warm, autumnal quality found in Beethoven's 6th and Schumann's 3rd and are perfect to accompany a long, solitary walk in nature or an evening with a loved one.

The above having been stated, the violin/orchestra works herein are, not surprisingly, full of wonderful melodic writing and can be considered extensions of his violin concerti and Scottish Fantasy. Most successful and profoundly sad is "In Memoriam" in c-sharp minor, a long, elegiac, and powerful utterance that deserves a much-needed revival. Also very beautiful is the Romanze, which was intended to be the first movement of another violin concerto, but was abandoned. Here Bruch is at his finest, outpouring long, opulent melody above beautifully supportive orchestration. Accardo plays this music well with a fine sound and appropriate passion. Although his attention to detail is perhaps not of the best violinists today, he is still to be admired for his obvious dedication to this music and I prefer a passionate, generous performance to one that is merely precise any day. Bravo.

This is an excellent set of discs and I recommend it highly. The Bruch symphonies are once again gaining a toehold in the symphonic repertoire and if you are perhaps wondering what these pieces contain, hesitate no further.

Average customer rating:

First-class recordings of musical gems for viola and piano

English Music for Viola
Paul Coletti , and Leslie Howard
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:

A Portrait of the Viola
Music for Viola & Piano
The Elegant Viola: Yizhak Schotten, Viola
The Art of the Viola
Six Cello Suites performed on viola

ASIN: B00005QJG1
Release Date: 2001-11-13

Customer Reviews:

First-class recordings of musical gems for viola and piano.......2007-02-01

This CD was initially recorded in 1993 and was reissued in 2001. That is fortunate for those of us who missed it the first time around, for Paul Coletti has produced one of the finest recorded examples of viola playing to be found. Coupled with the sensitive and thoughtful piano playing of Leslie Howard, this makes for benchmark renditions of these musical gems. Hyperion's sound is gorgeous and perfectly balanced throughout. The listener is drawn into the music making, with all its expressive and tonal nuances.

The Rebecca Clarke Sonata, for many years out of print, is stunning for its technical and emotional range, especially given the fact that it was written in 1919 and by a woman violist. The classical music world is thankfully quite different today, but there was a time when female composers or performers could be counted on one hand. When the sonata begins with the rhythmic motive "Re-bec-ca Clarke" marked 'Allegro impetuoso', one can imagine her playing her own piece and simultaneously announcing her arrival as a violist and a composer. Coletti manages to make the movement (as well as the entire piece) sound powerful yet, dare I say, feminine, without macho bravura. The 2nd movement, Scherzo, taken at breakneck speed, is a stunning display of technical proficiency and easily qualifies as the equal of any recorded violin performance. The 3rd movement incorporates modal and `olde English' musical references, drawing to a triumphant close. The return of the sonata's initial theme is now a confident self-affirmation, admirably played by the two performers.

Frank Bridge's two pieces are given seamless execution, hiding the fact that they are extraordinarily difficult. Listening to the end of Allegro Appassionato, you are not aware of shifts and bow-changes, only the musical line. The Percy Grainger pieces cannot be considered great music, but are played faultlessly by Coletti, which is the mark of a true artist. The Vaughn-Williams Romance is simply beautiful, as are the remaining pieces on this outstanding CD. All are played with a beautiful sound, flawless intonation, and impeccable musicianship.

Not to be missed by violists, lovers of English music, or of the finest string playing.

Average customer rating:

Good...
Interpretations that look forward to the 20th Century ... not back to the 19th
perhaps consider these thoughts before purchasing
Substandard
Dead cheap ... but , unfortunately , a waste of money

Complete Piano Works of Scriabin
Michael Ponti , and Scriabin
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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The Complete Preludes and Etudes for Pianoforte Solo

ASIN: B00007J4SI
Release Date: 2002-12-10

Tracks:

Etude
Prelude
Impromptu A La Mazur
F Sharp Minor
A Major
Canon In D Minor
Fugue
Albumleaf In A Flat Major
Albumleaf In F Sharp Major
Nocturne In A Flat Major
Fantasy For 2 Pianos
Egoroff Variations
Allegro Appassionato Op. 4
Vivace
Allegretto
Vivo
Lento
Andante Cantabile
Allegro
Allegro Assai
Allegro Agitato
Andantino
Andante
Allegro Assai
Andante
Lento
Presto
Lento
Misterioso
Allegretto
Allegro Agitato
Affettuoso
Appassionato
Andante
Lento
Vivo
Presto
Waltz In G# Minor Op. Posth.
Waltz In D Flat Major Op. Posth.
Waltz In F Minor Op. 1

Tracks:

Allegro
Capriccio
Tempestoso
Piacevole
Brioso
Con Grazia
Presto Tenebroso
Lento (Tempo Rubato)
Alla Ballata
Allegro
Andante Cantabile
Patetico
Patetico (Alternative Version)
Presto
No. 2 In F# Minor
Prestissimo
Andante
Affanato
Esaltato
Agitato
Allegro
F Major
B Minor
Tempo Giusto
Allegretto Non Tanto
Allegretto
Moderato
Doloroso
Scherzando
Con Passione
Con Moto
No. 9 In G# Minor
Sotto Voce

Tracks:

Prelude In C# Minor
Nocturne In D Flat Major
No. 1 In G# Minor
No. 2 In F# Minor
No. 1 In F# Minor
No. 2 In A Major
No. 1 In F# Major
No. 2 In B Flat Minor
Maestoso
Allegro
Andante
Allegro
Allegro
Presto
No. 1 In B Major
No. 2 In F# Minor
Andante
Vivo
Allegro Assai
Andantino
Andante
Andante
Allegro
Andante Cantabile
Lento
Allegretto
Allegretto
Presto
Andante
Lento
Presto
Andante Doloroso
Allegro Assai
Allegro De Concert Op. 18

Tracks:

Polonaise Op. 21
Andante
Andante
Allegretto
Andantino
Allegro
Allegretto
Lento
Vivo
Agitato
Allegretto
Moderato
Allegretto
Mesto
Patetico In G Minor
Andante In B Major
Fantasie In B Minor Op. 28
Andante
Con Stravaganza
Presto
Lento
No. 1 In E Major
Vagamente
No. 3 In C Major
Ardito Bellicoso
No. 1 In D Flat Major
No. 2 In B Flat Major
No. 3 In C Major
Mesto
Maestoso Fiero
Andante
Irato Impetuoso
Allegro
Elevato
Languido
No. 4 In A Flat Major
Impetuoso Fiero
Poetico Con Delizio
Capricciosamente Affannato
Festivamente

Tracks:

No. 1 In F# Major
No. 2 In D Major
Poeme Tragique Op. 34
Poeme Satanique Op. 36
Poeme Op. 41
No. 1 In C Major
No. 2 In C Major
Feuillet D'Album
Poeme Fantastique
Prelude
Scherzo Op. 46
Etude
Prelude
Reverie
Waltz In A Flat Major, Op. 38
Quasi Waltz In F Major, Op. 47
Allegro In D Flat Major
Piacevole In F# Major
Fragilite
Prelude
Poeme Aile
Danse Languide
Poeme
Enigme
Poeme Languide
Prelude
Ironies
Nuances
Etude
Desir
Caresse Dansee
Albumleaf Op. 58
Poeme
Prelude
Poeme-Nocturne Op. 61
Masque
Etrangete
Allegretto
Allegretto
Andante
Presto

Customer Reviews:

Good..........2007-07-13

Michael Ponti is definitely a virtuoso, and it's pretty amazing that he played through the whole Scriabin catalog. I felt that his tempos were a little all over the place. His Etudes were kind of abrupt and rushed. Overall I think his interpretations were pretty consistent, and overall he did a great job. He's just not Horowitz or Richter.

Interpretations that look forward to the 20th Century ... not back to the 19th.......2007-07-02

The wide divergence of review comments about this CD set reflects the difference of opinion and preference for how Scriabin's music should be played. As a member of the Scriabin Society of America, I've personally seen and heard many different interpretations of many of the etutes, preludes and other pieces in this large set ... I've also heard many strong opinions voiced both pro and con these various performances.

In the end, it all comes down to whether you like your Scriabin lean and taut, or prefer him broad and expansive. I come down on the "lean" side, which is why I enjoy these performances. Michael Ponti misses some notes here and there, but when your Scriabin is almost going off the edge, that's what happens. Scriabin should never sound "pretty" in the manner of Chopin, which is where so many pianists get it wrong. Yes, he owed much to Chopin, Balakirev and other pianist-composers, but that was merely the jumping off place for Scriabin as he plunged headlong into the 20th Century. Yes, there are moments of sheer exquisiteness to savor, but ultimately Scriabin's is music that stretches the bounds of tonality and rattles the structural cage, trying to break free.

When you listen to this set, you'll discover that not all of Scriabin's compositions are top-drawer (no big surprise when you consider the massive number of works he composed over many years). And it's also true that when one single pianist is tackling it all, not every interpretation is going to be equally inspired. But once you've heard Ponti's special way with these pieces -- bright piano and all -- you'll never again be satisfied with a merely "correct" or "poised" reading. That's selling Scriabin WAY too short ... but it's what 80% of the other pianists do. (Oh yeah, but they might get all the notes correct.)

Be sure to purchase this set along with the companion 2-CD set of the complete sonatas that also includes a few late, late works. Ponti's performances of the sonatas are even more effective, IMHO.

perhaps consider these thoughts before purchasing.......2007-05-12

I've listened to this recording for 6 months now, and I have a few thoughts to share. It might help to consider this recording is NOT the complete piano music of Scriabin. Actually it is not even close to the complete recording. What is missing takes up another 2 CDs. Second, the playing is adequate, somewhat expected given the technical demands. I'll explain. Scriabin's work is full of colorful dynamics; it is also poignant, covering a broad range of emotion. Taken together, each and every song demands from the pianist in a way that can overwhelm, and, in this case, I think it did. For me, the emotional messages of pain, fear, desire, and so on were missing, and these emotional messages are at the heart of Scriabin's work. Finally, I prefer a piano sound that is not so bright. At times, when the song reached its climax, I cringed a bit at what I experienced as a unpleasant piercing sound. In the end, I still encourage you to explore this recording for yourself if you are so inclined. I think listening to many recordings by different artists helps us all refine our taste in music. A recording, in my opinion, is never a complete waste of money.

Substandard.......2007-04-16

There are two performances that stand out in this set: The Op. 71 poems. The sound quality throughout is marginal (very thin old analog that makes Horowitz's muffled Third Sonata sound great), and one reviewer even said he/she thinks the piano was out of tune, which wouldn't surprise me.

Ponti's Scriabin is sloppy and umusical in general. Only the Op. 71 poems make this set worth getting. Start with Robert Taub's sonatas, Horowitz Plays Scriabin (on RCA and Sony), and Glemser Vol. 1.

Dead cheap ... but , unfortunately , a waste of money.......2005-06-14

Recorded in the mid '70s , this 'CD' has as much hiss as piano on it . What piano there is , is slightly distorted and far too bright .
This is the complete catalogue , but , honestly , you'd be better off with midi files .
I can't believe a record company actually released this **ap .
Reminds me of those old 'classics' the tobacco companies used to sponsor in the seventies .
Except , most of the collection sounds like it was recorded on an early Phillips cassette recorder .
Cigarettes are better value than this product .

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