| 1. Infinity Promenade - Miles Davis, Miles Davis, The Lighthouse All-Stars, The Lighthouse All-Stars |
| 2. 'Round Midnight - Miles Davis, Miles Davis, The Lighthouse All-Stars, The Lighthouse All-Stars |
| 3. Night in Tunisia - Miles Davis, Miles Davis, The Lighthouse All-Stars, The Lighthouse All-Stars |
| 4. Drum Conversation - Miles Davis, The Lighthouse All-Stars, The Lighthouse All-Stars |
| 5. At Last - Miles Davis, The Lighthouse All-Stars, The Lighthouse All-Stars |
At Last,Miles Davis with the Lighthouse All-Stars,Ojc,Hard Bop,Jazz,Jazz Music,Pop
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At Last!
Etta James Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JNNY Release Date: 1999-07-27 |
Tracks:
- Anything To Say You're Mine
- My Dearest Darling
- Trust In Me
- A Sunday Kind Of Love
- Tough Mary
- I Just Want To Make Love To You
- At Last
- All I Could Do Is Cry
- Stormy Weather
- Girl Of My Dreams (Rendered As 'Boy Of My Dreams)
- My Heart Cries
- Spoonful
- It's A Crying Shame
- If I Can't Have You
Amazon.com essential recording
This is Etta James's first full-length album, recorded for Chess Records' Argo subsidiary in 1960. It taps all aspects of her then-blossoming talent. There's the crooning rock ballad "My Dearest Darling" and the elegantly symphonic "Sunday Kind of Love." Her classic, brokenhearted "All I Could Do Was Cry" follows the sweet title track and the bawdy blues stomper "I Just Want to Make Love to You." And there's a version of Harold Arlen's "Stormy Weather," which Lena Horne made famous. James's fine way with such a wide embrace of material wouldn't again be this well displayed on a single album until she was united with producer Jerry Wexler for 1977's Deep in the Night. --Ted DrozdowskiAmazon.com
The R&B queen's classic collection is augmented this time around by a long-overdue digital remastering, plus a few bonus tracks, presumably for those who found the original album a little on the brief side. In addition to James's well-known hits, including "I Just Want to Make Love to You" and "Stormy Weather," there are four additional songs: "My Heart Cries," "Spoonful," "It's a Crying Shame," and "If I Can't Have You." Although one might cynically suggest that these were added to give Etta fans something to purchase besides The Essential Etta James, it's definitely true that these tracks are worth hearing. --Genevieve WilliamsCustomer Reviews:
Etta James At Last CD.......2007-07-18
Voice of pure silk.......2007-06-26
Etta James/At Last.......2007-06-08
At Last - Used this song at a wedding.......2007-04-04
etta.......2007-03-16
Average customer rating: |
Home At Last
Billy Ray Cyrus Manufacturer: Walt Disney Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QCQGLE Release Date: 2007-07-24 |
Tracks:
- Ready Set Don't Go
- Flying By
- Brown Eyed Girl
- Somewhere Over the Rainbow
- Can't Live Without Your Love
- You've Got a Friend in Me
- My Everything
- Put a Little Love in Your Heart
Album Description
Billy Ray Cyrus, multi-platinum recording artist and star of the Disney Channel's Hannah Montana and ABC's Dancing with the Stars, returns with a heartfelt, family-inspired album.Album Description
Hot off of the heels of his successful run on ABC's Dancing With The Stars and now back by popular demand, multi-Platinum singer/songwriter Billy Ray Cyrus, America's Favorite Dad and star of the hit show Hannah Montana, returns to his musical roots with his debut album on Walt Disney Records, Home At Last. This CD features a collection of heartwarming songs written by Billy Ray Cyrus including Ready, Set, Don't Go (as seen on his hit TV show), original music from Grammy® Award winner and uber hit-maker Dianne Warren, a new song from one of Country music's hottest songwriting teams and the creators of Rascal Flatts' #1 song, What Hurts the Most Tom Hambridge, Joanna Smith and Jeffrey Steele, plus four covers of timeless classics!
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Beethoven for Babies
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009OU6 Release Date: 1998-08-11 |
Tracks:
- Six National Airs With Variations, Op. 105: The Cottage Maid (Welsh)
- Six National Airs With Variations, Op. 105: The Last Rose Of Summer (Irish)
- Six National Airs With Variations, Op. 105: Chiling O'Guirg (Irish)
- Six National Airs With Variations, Op. 105: English Bulls (Irish)
- Ten National Airs With Variations, Op. 107: St. Patrick's Day (Irish)
- Ten National Airs With Variations, Op. 107: O Mary, At The Window Be (Scottish)
- Ten National Airs With Variations, Op. 107: Oh, Thou Are The Lad Of My Heart (Scottish)
- Ten National Airs With Variations, Op. 107: Fur Elise
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 8 In C Minor ('Pathetique') - Adagio cantabile
- Ten National Airs With Variations, Op. 107: String Quartet No. 13 In B-Flat - Alla Danza Tedesca. Allegro assai
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 7 In D - Menuetto (Allegro)
- Ten National Airs With Variations, Op. 107: The Creatures Of Prometheus - Finale. Allegretto
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 18 In E-Flat - Menuetto (Moderato e grazioso)
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 20 In G - Tempo di menuetto
- Ten National Airs With Variations, Op. 107: Symphony No. 8 In F - Allegro scherzando
- Ten National Airs With Variations, Op. 107: Symphony No. 9 In D Minor ('Choral') - Ode To Joy
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 15 In D ('Pastoral') - Rondo (Allegro ma non troppo)
- Ten National Airs With Variations, Op. 107: Symphony No. 6 In F ('Pastoral') - Hymn Of Thanksgiving
Amazon.com
For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew BartlettCustomer Reviews:
Beethoven for Babies.......2007-05-21
Nicest classical CD I have found for my baby (& me).......2005-09-01
Ode To Beethoven.......2005-05-13
Pseudoscientific crap, but some of the music is good here.......2004-05-27
That having been said, if you are stupid enough to believe any of this "Mozart Effect" horse manure --- which continues to have no support in any sort of controlled test environment --- then your babies will probably inherit your limited intellectual capacities & no amount of Beethoven & Mozart will ever be able to help them.
If, on the other hand, you are introducing Junior to classical music, you could do worse --- but you could also do better. Go get Arrau's complete Beethoven sonatas & concerti, get the Berg Quartett's complete Beethoven quartet cycle, and get John Eliot Gardiner's complete Beethoven symphonies --- just for a start. Also, don't stop with Beethoven & Mozart. My 9-month old daughter gets a diverse exposure to a thousand years of music, and very little is off limits. She got acquainted with the Bartok Quartets within her first couple of months, and it doesn't look like we have created an axe murderer or anything like that.
Anyway, if you want to create a classical music lover, do it right and go the distance, rather than doing it piecemeal with CDs like this. Your baby may still be a moron, but at least will be a moron with exquisite taste.
Nicest classical music CD I've found for my baby (& me).......2003-11-23
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At Last...The Duets Album
Kenny G Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064K2RQ Release Date: 2004-11-23 |
Tracks:
- (Everything I Do) I Do It For You- featuring LeAnn Rimes
- Don't Know Why- featuring David Benoit
- I Believe I Can Fly- featuring Yolanda Adams
- At Last- featuring Arturo Sandoval
- Beautiful- featuring Chaka Khan
- Pick Up The Pieces- featuring David Sanborn
- Careless Whisper- featuring Brian McKnight
- Misty- featuring Gladys Knight
- Baby Come To Me- featuring Daryl Hall
- The Way You Move- featuring Earth Wind & Fire
- Sorry Seems To Be The Hardest Word- featuring Richard Marx
- Alfie- featuring Burt Bacharach
- XThe Music That Makes Me Dance- featuring Barbra Streisand
Amazon.com
The genius of At Last...The Duets Album is in its matchups and cross-pollinations. If producer Walter Afanasieff weren't already a much sought after music man--check out his arrangements here if his talents are unfamiliar--he might have built a brilliant career as a modern-day cupid. These are covers with a what-if factor (what if Brian McKnight covers Wham!? What if Richard Marx covered Elton John?) you don't want to miss: LeAnn Rimes wraps Bryan Adams' anthem-y "(Everything I Do) I Do It for You" in rainy-day heartache; Yolanda Adams reaches for the stars in a rendition of R. Kelly's "I Believe I Can Fly" as inspiring as the original; Barbra Streisand waltzes through "The Music That Makes Me Dance" like the years since her heyday haven't mattered; and Earth, Wind & Fire dig the depth out of Raphael Saadiq's "The Way You Move." This, of course, is to say nothing of the sensuality brought to these collaborations by the goldilocked sax man himself. As with all Kenny G projects, the music is smoother than a frappuccino and oddly suited to a soap opera living room set; its swirls, swells, and crescendos seem meant to fall on bejeweled ears in pretty, carefully appointed spaces only. All-instrumental tracks like "Don't Know Why" with David Benoit and "Pick Up the Pieces" with David Sanborn have a fun look-at-me-sharing-the-spotlight quality, but in the end Chaka Khan puts across her point most convincingly: She, not Christina Aguilera, should have sung "Beautiful" to begin with. -Tammy La GorceCustomer Reviews:
Nice change.......2006-12-13
Kenny G- Duets.......2006-11-10
Kenny G is a horrible saxophonist.......2006-08-14
Very nice! My favorite CD of his yet...........2006-06-17
If you appreciate great musicians coming together to produce some really listenable music, (and I do mean, over and over without ear fatigue), then this CD is for you! I only hope he doesn't stop here. I hope he comes out with more duet albums in the future. Maybe some Chicago, Rascal Flatts, Peter Cetera, Tower of Power, and any number of other great voices in the business!
My favorite is the remix of "The Way You Move"...nice grooves in there! If I had one complaint, it would be that the songs didn't actually line up in the order on which they were listed on the CD cover. Other than that, it's at the top of my favorites in my library of 3,000+ CDs!
It is OK ! Next time,team up with Anita Baker and Regina Belle !.......2006-05-28
Try next time,with less hype and more substance.
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When at Last
Russ Barenberg Manufacturer: Compass Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QEILH4 Release Date: 2007-06-26 |
Tracks:
- Little Monk
- Fat Mountain
- When at Last
- The Pleasant Beggar
- The Man in the Hat
- On Milo's Back
- A Dream for Sophie
- Red Bird in the Willow/The Lakes
- Jump Back Barley
- The Drummers of England
- Aux Marches du Palais
Album Description
Featuring special guests, Dennis Crouch, Jerry Douglas, Stuart Duncan, Viktor Krauss and Kenny Malone.
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At Last
Cyndi Lauper Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DG06E Release Date: 2003-11-18 |
Tracks:
- At Last
- Walk On By
- Stay
- La Vie En Rose
- Unchained Melody
- If You Go Away
- Until You Come Back To Me (That's What I'm Gonna Do)
- My Baby Just Cares For Me
- Makin' Whoopee - Duet with Tony Bennett
- Don't Let Me Be Misunderstood
- You've Really Got A Hold On Me
- Hymn To Love
- On The Sunny Side Of The Street
Amazon.com
The girl who just wanted to have fun has matured into a sensitive interpreter of eclectic standards. Taking a cue from Rod Stewart Cyndi Lauper applies her formidable pipes to an eclectic collection of covers that range from a few Edith Piaf tunes ("La Vie En Rose" and "Hymn to Love") to classics from the songbooks of Bacharach/David, Etta James, and Smokey Robinson. Although there are some upbeat tracks such as the remarkably authentic Specials-styled ska of a radically reworked "Sunny Side of the Street," a rather forced but fun duet with Tony Bennett on "Makin' Whoopee," and the cha-cha, Ricky Ricardo-ized version of Maurice Williams & the Zodiacs' "Stay," the album predominantly floats in a sober, pensive mood. Piano and subtle orchestrations add tension to sensitive readings of "Unchained Melody," "Don't Let Me Be Misunderstood," and an eerily somber "Walk on By." The effect is haunting and intimate as Lauper unleashes her inner Tori Amos. Shifting "You've Really Got a Hold on Me" into an aching ballad, the singer shows her remarkable vocal range and interpretive ability. Lauper's voice sparkles throughout, especially without the overproduction that has marred some of her previous efforts. As its title infers, At Last finally shows her true colors. --Hal HorowitzCustomer Reviews:
CD- Cyndi Lauper -At Last.......2007-07-12
Amateur hour, starring Cyndi Lauper.......2007-06-03
She also had no business attempting Unchained Melody, Walk On By and Don't Let Me Be Understood. Her producer deserves as much admonishment for steering Lauper's song selection in the wrong direction.
Lauper should stick to the fast paced pop that allows her to wail with abandon on simple, small-range melodies. For this reason, her delivery of "Stay" is acceptable.
Cyndi a Light Jazz stylist? Yes........2007-05-18
Her vocal on the opener mentioned above will penetrate to your spine, then enlighten your mind, and enliven your soul. She goit to me on True Colors and she's done it again. Her final note is a bit strained and I daresay off-key, but the *feeling* is undeniable.
Walk On By is equally memorable - i've got to place it alongside Dionne Warwicks' and Isaac Hayes' recordings.
"Hymn To Love" has more melodious tones emanating from the heart. The quiet support does the trick.
Until You Come Back To Me..., actually the first track I accessed, is a nice "lounge" sound, but lounges are good - sip that club soda with lime....and dream along to this little chunk-a wunda.
Let's see, "Makin' Whoopie" with Tony B., don't dig it - they shoulda dueted on When Will The Bells Ring For Me?
The closer, On The Sunny side Of The Steet, ahs some cool contrast, but, 12 songs sell the CD. To me. To anyone.
Cyndi's Finest Work.......2007-05-08
CYNDI LAUPER IS RADIANT- AT LAST!.......2007-03-27
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Alive At Last
Train Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002VL0LU Release Date: 2004-11-02 |
Tracks:
- Calling All Angels
- She's On Fire
- Meet Virginia
- Save The Day
- Get To Me
- Landmine
- All American Girl
- When I Look To The Sky
- Latin Interlude - Instrumental 1:48
- I Wish You Would
- Sweet Rain
- Free
- Drops Of Jupiter
- Stay With Me
- Ordinary
- New Sensation
Customer Reviews:
Surpriseingly great.......2007-05-13
LOL!!And I'm an old Rock and Roller that doesn't usually like the new stuff...
just what the doctor ordered.......2007-03-15
Great introduction to Train.......2007-03-12
Trains Alive at Last CD.......2007-01-26
I have other Train CDs that I also enjoy, but this one
has all my fav Train songs on it. "When I look to the sky" moves me in so many ways ! : )
Amazingly Done. Train at their Best........2006-07-05
My favorites...
1. Meet Virginia
2. Save The Day (I love how it starts out)
3. Get To Me
4. Landmine
5. All American Girl (probably my absolute favorite song on the album)
6. When I Look To The Sky (IMO, the best vocal track)
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Prokofiev: Romeo and Juliet
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV310 Release Date: 2005-02-15 |
Tracks:
- No.1 Introduction
- No.2 Romeo
- No.3 The Street Awakens
- No.4 Morning Dance
- No.5 The Quarrel
- No.6 The Fight
- No.7 The Prince Gives His Order
- No.8 Interlude
- No.9 Preparing For The Ball
- No.10 Juliet As A Young Girl
- No.11 Arrival Of The Guests
- No.12 Masks
- No.13 Dance Of The Knights
- No.14 Juliet's Variation
- No.15 Mercutio
- No.16 Madrigal
- No.17 Tybalt Recognises Romeo
- No.18 Departure Of The Guests (Gavotte)
- No.19 Balcony Scene
- No.20 Romeo's Variation
- No.21 Love Dance
- No.22 Folk Dance
- No.23 Romeo And Mercutio
- No.24 Dance Of The Five Couples
- No.25 Dance With The Mandolins
- No.26 The Nurse
Tracks:
- No.27 The Nurse Gives Romeo The Note From Juliet
- No.28 Romeo With Friar Laurence
- No.29 Juliet With Friar Laurence
- No.30 The People Continue To Make Merry
- No.31 Folk Dance
- No.32 Tybalt Meets Mercutio
- No.33 Tybalt And Mercutio Fight
- No.34 Mercutio Dies
- No.35 Romeo Decides To Avenge Mercutio's Death
- No.36 Finale
- No.37 Introduction
- No.38 Romeo And Juliet (Juliet's Bedroom)
- No.39 The Last Farewell
- No.40 The Nurse
- No.41 Juliet Refuses To Marry Paris
- No.42 Juliet Alone
- No.43 Interlude
- No.44 At Friar Laurence's
- No.45 Interlude
- No.46 Juliet's Bedroom
- No.47 Juliet Alone
- No.48 Morning Serenade
- No.49 Dance Of The Girls With The Lillies
- No.50 At Juliet's Bedside
- No.51 Juliet's Funeral
- No.52 Death Of Juliet
Customer Reviews:
Decent interpretation marred by terrible intonation.......2007-04-06
For a budget recording of this that's actually decent, I'd be much more inclined to buy Naxos' release of the National Symphony Orchestra of Ukraine's version under Andrew Mogrelia.
excellent choice for Romeo & Juliet.......2006-04-14
Superior interpretation, same remastering.......2006-04-01
Someone called this Previn recording "lackluster". It could have to do with the recording technique, the sound is slightly dull at times. This is the same remastering as previously released on EMI double forte. However at times I think it sounds fine. It might have to do with my HiFi system or small speakers, I might try another pair. I'd appreciate comments from other reviewers on this.
Average customer rating:
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Quigley Down Under (Expanded Edition)
Basil Poledouris Manufacturer: PROMETHEUS ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LZ9W08 |
Product Description
1. Main Title (03:19) 2. The Fight (04:57) 3. The Redcoats Move On (01:54) 4. The Arrival (01:52) 5. The Test (01:03) 6. Marston's Game (01:00) 7. Quigley Pans Out (00:48) 8. Quigley Gets Beat Up (01:50) 9. The Stabbing (02:02) 10. Desert Trek (02:56) 11. The Aborigines (01:18) 12. Native Montage (02:12) 13. Cora's Story (03:19) 14. Marston's Attack (03:33) 15. Royus Interrupts (01:34) 16. The Cliff (01:08) 17. The Bodies (00:33) 18. The Baby (01:50) 19. You'll Be Back (01:13) 20. Dingo Attack (02:41) 21. The Fire (02:59) 22. Under The Boat (03:00) 23. Quigley & Cora (02:37) 24. The Gift (05:26) 25. The Warning (01:37) 26. The Attack (02:51) 27. The Capture (02:44) 28. After The Gunfight/Freedom (03:35) 29. The Aborigines Return (02:56)30. Matthew Quigley/End Credits (05:24)Customer Reviews:
Great Movie...AMAZING SOUNDTRACK to match!!!.......2007-02-14
I purchased this soundtrack over a week ago and it has not left my cd player in the car...never tiresome, NEVER BORING...I even find myself humming the tunes when there is no music what so ever. I've enjoyed listening to Basil Poledouris productions for many years, such as Lonesome Dove,Hunt for Red October, Free Willy among other noteables!
With Basil Poledouris' death, I believe we have lost a true "One of a kind composer". His powerful themes for many soundtracks will be greatly missed in the world of movies and music. I for one will miss his magic within the movie world!
Purchase the cd, YOU WON'T BE DISSAPOINTED!
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