| 1. Downwind |
| 2. My Funny Valentine |
| 3. Namely You |
| 4. What Am I Here For? |
| 5. I Can't Get Started |
| 6. Will You Still Be Mine? |
On the Road,Art Farmer,Ojc,Bop,Cool,Hard Bop,Jazz,Pop
Average customer rating:
|
Car Wheels on a Gravel Road
Lucinda Williams Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
Accessories:
ASIN: B000007Q8J Release Date: 1998-06-30 |
Tracks:
- Right In Time
- Car Wheels On A Gravel Road
- 2 Kool 2 Be 4-Gotten
- Drunken Angel
- Concrete And Barbed Wire
- Lake Charles
- Can't Let Go
- I Lost It
- Metal Firecracker
- Greenville
- Still I Long For Your Kiss
- Joy
- Jackson
Amazon.com's Best of 1998
Six years in the making, Car Wheels somehow lives up to its lofty expectations because of Williams's direct songwriting and her wonderfully unaffected vocals. With assistance from cohorts such as Steve Earle, Williams uses the acoustic accents of Dobros, mandolins, slide guitars, and accordions to add color to her grooves, whispers, and rumbles. Her lyrics are undisguised as she presents to us the travelogue of her memory. We can't wait for 2004! --Marc GreilsamerAmazon.com essential recording
Lucinda Williams makes this whole music thing seem so simple: Write in plain language about the people and places that crowd your memory; add subtle flavors of a mandolin here, a Dobro there, perhaps an accordion or slide guitar; above all, sing as honestly and naturally as you can. Of course, it took her six years to achieve this simplicity, an amazing achievement considering the number of knobs that were turned. Her exquisite voice moans and groans and slips and slides--she delivers a polished tone in a coarse manner. On the superb "Concrete and Barbed Wire," soft acoustic guitars are punctuated by electric slide, accordion, mandolin, and Steve Earle's harmony. Williams's deeply personal stories are matched with bluesy rumbles, raunchy grooves, and plaintive whispers. The entire Deep South is reduced to a sleepy small town filled with ex-lovers, dive bars, and endless gravel roads. --Marc GreilsamerCustomer Reviews:
Lustful.......2007-06-09
Lucinda Williams is my ELVIS!.......2007-04-12
Only once or twice if you're lucky in a lifetime if you come across an artist with this level of creativity and talent.
"Too Cool to be Forgotten" - Hey Hey....this song will be remade by future generations of Rockers.
"On the way to Jackson" - A fantastic song that sounds like it's been around since pioneer days and yet it had just been CREATED by Lucinda!
"Lake Charles" - Oh my! What a DELICIOUS SONG!
I can't say ENOUGH how FANTASTIC this whole album is and I don't like writing long-winded reviews...but to give it justice - I would have to create a review as big as anyone's viewing area. Every song on this album is INCREDIBLE!
Every song...something that future generations will re-do. Way ahead of it's time in creativity and originality.
P.S. I've read a lot of people comparing Lucinda Williams with Patty Griffin. Hands down. No contest. Lucinda RULES though I also love Patty Griffin incredibly well.
Grreat Transaction - Fast.......2007-02-14
A solid 5 stars.......2007-01-20
Excellent CD from Lucinda Williams.......2007-01-09
Average customer rating:
|
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BNI90O Release Date: 2005-12-13 |
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
- Lord of the Rings: The Fellowship of the Ring/The Shire
- Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
- Lord of the Rings: The Fellowship of the Ring/Very Old Friends
- Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
- Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
- Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
- Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
- Lord of the Rings: The Fellowship of the Ring/Three Is Company
- Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
- Lord of the Rings: The Fellowship of the Ring/Saruman the White
- Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
- Lord of the Rings: The Fellowship of the Ring/Strider
- Lord of the Rings: The Fellowship of the Ring/The Nazgul ...
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Weathertop
- Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
- Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
- Lord of the Rings: The Fellowship of the Ring/Orthanc
- Lord of the Rings: The Fellowship of the Ring/Rivendell
- Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
- Lord of the Rings: The Fellowship of the Ring/The Council of ...
- Lord of the Rings: The Fellowship of the Ring/The Great Eye
- Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
- Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
- Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
- Lord of the Rings: The Fellowship of the Ring/Moria
- Lord of the Rings: The Fellowship of the Ring/Gollum
- Lord of the Rings: The Fellowship of the Ring/Balin's Tomb
Tracks:
- Khazad-Dum
- Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
- The Mirror of Galadriel
- The Fighting Uruk-hai
- Parth Galen
- The Departure of Boromir
- The Road Goes Ever On (part 1)
- May It Be (composed and performed by Enya)
- The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
- Lord of the Rings: The Fellowship of the Ring/Khazad-D
- Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
- Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
- Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
- Lord of the Rings: The Fellowship of the Ring/Parth Galen
- Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
- Lord of the Rings: The Fellowship of the Ring/May It Be
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
Amazon.com
As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth VincentelliAlbum Description
An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.Customer Reviews:
Beautiful.......2007-06-15
Awesome.......2007-06-12
Excellent Music tracks from Movie.......2007-05-03
Complete?.......2007-04-07
Great Collection, Poor Packaging.......2007-04-03
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.
Music-5
Packaging-3
*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
Average customer rating:
|
On the Road to Nashville
Erasure Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LC51X8 Release Date: 2007-02-20 |
Tracks:
- BOY
- BLUE SAVANNAH
- OH L'AMOUR
- ALIEN
- BREATHE
- VICTIM OF LOVE
- HOW MANY TIMES
- SPIRALLING
- SOMETIMES
- TENDEREST MOMENTS
- SHIP OF FOOLS
- LOVE TO HATE YOU
- AGAINST MY VIEW
- PIANO SONG
- ROCK ME GENTLY
- STOP!
- CHAINS OF LOVE
- A LITTLE RESPECT
Album Description
ON THE ROAD TO NASHVILLE is a CD+DVD recorded live from Erasure's `Union Street Acoustic Tour' on May 6 2006 in Nashville, Tennesse at the Ryman Auditorium (once home of the infamous Grand Ole Opry with a stage that once hosted a teenage Elvis Presley). Features never before seen audio & video of reworked hits and live favourites such as "Oh L'Amour", "Love To Hate You", "Stop!", "Victim of Love" and "Sometimes". DVD features the visuals of this concert as well as the short film "The Road to Union Street" directed by Rich Schlankser & Michael Slavens.Album Description
Limited edition two disc (DVD + CD) set. Recorded on their Union Street tour, the DVD features 22 live performances and a short documentary while the CD contains the audio for the first 18 of the DVD's songs. For 2006's Acoustic Tour, Andy Bell and Vince Clarke reworked a selection of the defining songs that embody their two decades together and were joined onstage, for the first time ever, by a full band. Led by guitarist Steve Walsh, Andy Bell's vocals and Vince Clarke's guitar, mandolin and melodica were joined by an array of musicians and instruments that included the pedal steel, autoharp and banjo. Filmed live on Erasure's 'Union Street' Acoustic Tour in May 2006 in Nashville, Tennessee at the Ryman Auditorium (once home of the infamous Grand Ole Opry with a stage that once hosted a teenage Elvis Presley), the DVD features never before seen versions of hits and live favorites such as 'Oh L'Amour', 'Love To Hate You', 'Stop!', 'Blue Savannah', 'Victim of Love' and 'Sometimes' as well as a short film, 'The Road to Union Street'. Mute. 2007.Customer Reviews:
Excellent.......2007-05-30
We bought the studio version as well as the import concert from this same show but this CD is the best of the three versions I like both the prior versions but the studio album lacks the energy of a live show and the import live cd from an earlier concert has a weaker vocal performance from Andy. His voice is much stronger on this cd plus this cd has "Breathe" from the Nightbird cd which is not on either prior release.
Erasure+country?!.......2007-05-18
excellent erasure!.......2007-05-13
It's OK........2007-04-25
Better Than What I Expected!.......2007-04-12
Average customer rating:
|
Car Wheels on a Gravel Road
Lucinda Williams Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IMUY42 Release Date: 2006-10-24 |
Tracks:
- Right In Time
- Car Wheels On A Gravel Road
- 2 Kool 2 Be 4-Gotten
- Drunken Angel
- Concrete And Barbed Wire
- Lake Charles
- Can't Let Go
- I Lost It
- Metal Firecracker
- Greenville
- Still I Long For Your Kiss
- Joy
- Jackson
- Down The Big Road Blues
- Out Of Touch
- Still I Long For Your Kiss
Tracks:
- Pineola
- Something About What Happens When We Talk
- Car Wheels On A Gravel Road
- Metal Firecracker
- Right In Time
- Drunken Angel
- Greenville
- Still I Long For Your Kiss
- 2 Kool 2 Be 4-Gotten
- Can't Let Go
- Hot Blood
- Changed The Locks
- Joy
Amazon.com
This 1998 Grammy-winning release--Lucinda Williams's popular breakthrough--certainly merits the double-disc "deluxe edition" treatment. And it's hard to find significant fault with anything here: the remastered version of the original album, the second-disc live performance from that year featuring guitarists Kenny Vaughn and Bo Ramsey, and the smattering of outtakes (highlighted by a slower, sadder version of "Out of Touch" than the one Williams ended up releasing). Yet the set misses a glorious opportunity to document one of the more laborious (and notorious) recording projects, one that saw Williams switch cities, studios, and producers three times before she was satisfied with the results. And while the results confirm her judgment, fans would likely find it fascinating to hear a lot more takes from the original Austin sessions (featuring accordion master Flaco Jimenez and keyboardist Ian McLagan) or outtakes from the Nashville sessions with producer Steve Earle, before Williams overhauled the project in Los Angeles with Springsteen keyboardist Roy Bittan. Such a set could have put a revelatory spotlight on the creative process that resulted in an album widely regarded as Williams's masterpiece; instead, this release is more like souvenir snapshots. --Don McLeeseCustomer Reviews:
Deluxe in every way.......2007-06-28
Great Concert in South Philly.......2007-03-15
The next act was nothing short of revelatory. The guitars dueled to incredible intensity, the songs were simply brilliant, and I was completely enamored by the singer in jeans and cowboy hat. My friend was a little put out by my rapt attention, but I just couldn't help it. Lucinda Williams was performing the most magical show I had seen in more than a decade.
I went from zero to all of her stuff within a couple of days and caught a few more shows up through Essence. During that stretch, I know of no stronger composer and performer; and her rendition of Masters of War was enough to make you want to take to the streets.
Anyway, great album, great show, great artist in her prime. You'd be hard pressed to do better.
A great album gets a polish.......2007-01-30
Three added-value tracks follow "Jackson," the album closer. "Out of Touch" ended up on her "Essence" CD, and I think that version is the better one, but this early attempt is still interesting to hear. "Down the Big Road Blues" is a tremendous tune that did not make the final cut, probably because it's more of a pure blues number, unlike the material that did make it. And who can resist any version of "Still I Long For Your Kiss"? This music is sexy as hell!
"Car Wheels" is one of my favorite albums, and ranks alongside "World Without Tears" as my favorite Lucinda record. She's a phenomenal songwriter, able to craft deeply personal lyrics that have universal value, and has a voice to rival Bono's in its uniqueness. (Just as you'd recognize Bono's voice almost instantly, so Lucinda's is easily recognized.) She sparkles on the second disc of this release, recorded live in Philadelphia back in 1998. Lucinda and her band burn through a great set that includes "Joy," "Hot Blood," "Changed the Locks" and "2 Kool 2 B Forgotten."
I'm not a big fan of reissues, but this is no retread, this is the ultimate version of a fantastic album.
Nice extras, horrible sound.......2007-01-28
I listened to the new version of "Car Wheels" (one of my two favorite Lucinda albums) through headphones for the first time last night and couldn't get beyond the second track. By now, this is a familiar story - anemic bass, too high volume levels that distort at normal listening levels, and shrill, harsh sound. It also sounds hollow and "phasey", which to me suggests low-bit-rate mp3s. There's no clipping, but every track is mastered at the maximum peak level (something which shouldn't happen given the variety exhibited in these songs).
If you've still got the original CD, hold on to it because that sounds wonderful, with warmth, texture, visceral bass. It rocks.
What happened to this disc answers one question. When it comes to reissues of older albums, I've often wished that the remasters could be compared to the original tapes, or even to an LP. Maybe the warmth and texture in the original CDs were actually the byproduct of analog distortion and deteriorating tapes. But when Cream's "Disraeli Gears" and Lucinda's "Car Wheels" have undergone almost exactly the same changes, that tells me the people doing the remastering are just willfully altering it to their own peculiar tastes. (I should have been forewarned by how badly the Universal "deluxe edition" of The Who's great debut album turned out. Lost Highway has denied having anything to do with this reissue, so I assume Universal is again to blame.)
Reviewing the "sound" of this reissue on a car stereo or portable player is missing the point. Does anyone even know what a well-recorded and reproduced piece of music sounds like anymore?
Yes, clearly worth trading up.......2007-01-06
Average customer rating:
|
Best of the Red Army Choir
Red Army Choir Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RMJ Release Date: 2002-06-25 |
Tracks:
- Kalinka
- Partisan's Song
- Souliko
- Korobelniki
- On The Road (A Soldier's Song)
- My Country
- The Red Army Is The Strongest
- Moscow Nights
- Along Peterskaia Street
- Smuglianka
- Troika Gallop
- Ah Nastassia
- Echelon's Song
- My Army
- Civil War Songs
- Bella Ciao
Tracks:
- National Anthem Of The USSR
- Oh Fields, My Fields
- The Cliff
- The Cossacks
- In The Central Steppes
- Gandzia
- Cossack's Song
- The Roads
- Song Of The Volga Boatman
- Dark Eyes
- Let's Go
- The Birch Tree
- The Road Song
- The Samovars
- Varchavianka
- Slavery And Suffering
Customer Reviews:
Soviet Army Band & Chorus aren't taking any prisoners!.......2007-05-12
Good music........2007-03-09
Magnificent!.......2007-02-27
I'm so glad I stumbled onto this.
Spirited, committed, manly singing. Soul-shaking stuff! The ensemble is incisive; soloists are marvelous. The folk melodies are enchanting. The songs--and the singers--are bound up in the cultural fabric of the Cossacks, Tchaikovsky, Prokofiev, Tolstoy, Dostoevsky...on and on.., Chekhov, Trotsky, Nabakov... This music conveys the great romantic, dignified, boistrous soul of the Russian People. (Loosely speaking. Some members of the chorus were presumably of other nationalities once part of the Soviet Union. And some of the songs are not Russian).
I don't speak Russian, but listening to this makes me wish I did. What a beautiful-sounding language it is.
I loved it!.......2007-02-22
The ultimate collection.......2004-06-15
Average customer rating:
|
The Road Goes on Forever
The Highwaymen Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AXWGV8 Release Date: 2005-11-08 |
Tracks:
- The Devil's Right Hand
- Live Forever
- Everyone Gets Crazy
- It Is What It Is
- I Do Believe
- The End Of Understanding
- True Love Travels A Gravel Road
- Death And Hell
- Waiting For A Long Time
- Here Comes That Rainbow Again
- The Road Goes On Forever
- If He Came Back Again
- Live Forever - Johnny Cash acoustic demo (bonus track-previously unreleased)
- I Ain't Song - Waylon Jennings acoustic demo (bonus track-previously unreleased)
- Pick Up The Tempo - Willie Nelson acoustic demo (bonus track-previously unreleased)
- Closer To The Bone - Kris Kristofferson acoustic demo (bonus track-previously unreleased)
- Back In The Saddle Again - acoustic demo (bonus track-previously unreleased)
Tracks:
- Documentary: Live Forever- In Studio with the Highwaymen (DVD- previously unreleased)
- Music Video: "It Is What It Is" (DVD)
Amazon.com
Don Was, the producer who transformed Bonnie Raitt from cult hero to pop star, tried to jump-start the stalled careers of Willie Nelson and Waylon Jennings by producing their recent albums, Across the Borderline and Waymore's Blues (Part II), respectively. This resulted in two artistic triumphs but no hits. That didn't deter Nelson and Jennings from hiring Was to produce their album with Johnny Cash and Kris Kristofferson as the Highwaymen. The Road Goes on Forever is easily the best of the three Highwaymen albums, even if changing radio tastes will probably doom it to the poorest sales of the three. The two earlier releases, 1985's Highwaymen and 1990's Highwaymen 2, were thrown together as if the sheer star power of the four singers could carry the project. Both albums had their exciting moments when everything clicked but both also had a lot of filler. By contrast, Was approached the new recording as if every song and every arrangement had to be good enough to be a single. He picked one obscure but terrific composition from each of the four singers and supplemented them with equally strong material from four of Texas's best songwriters--Steve Earle, Billy Joe Shaver, Robert Earl Keen Jr., and Stephen Bruton. Nelson's harmonica ace Mickey Raphael and Kristofferson's singing buddy Billy Swan are joined by top L.A. session pros like keyboardist Benmont Tench and drummer Kenny Aronoff to create a sound that has the twangy picking of old-fashioned country and the fat bottom of modern pop. The result is an album with everything: first-rate material, grade-A playing, and inimitable singing. The thread that ties Nelson, Jennings, Cash, and Kristofferson together is the crustiness of their voices (a honey-voiced singer like George Jones or Don Gibson would seem out of place in this crowd); when they sing Shaver's "(I'm Going To) Live Forever," they sound as if they're more than halfway there. The Highwaymen are so naturally hard-bitten and world-weary that they can slip a little sentiment into a song without spoiling it. They use this to great advantage on the album's two great outlaw songs, Earle's "The Devil's Right Hand" and Keen's title tune; the gruff tales of violence lead up to a sobering admission of the price paid for such a life. That same gruffness allows the Highwaymen to sing two religious meditations, Jennings's "I Do Believe" and Cash's "Death and Hell," without once sounding sanctimonious. --Geoffrey Himes This 10th anniversary limited edition includes a DVD containing the music video for "It Is What It Is" and a documentary, Live Forever: In the Studio with the Highwaymen.Customer Reviews:
great bonus dvd,.......2006-03-19
A FANTASTIC CD!!! A GREAT BLEND OF 4 TREMENDOUS MUSICAL TALENTS!!!.......2005-11-17
Average customer rating:
|
Itzhak Perlman - A la carte / Lawrence Foster
Jules Massenet , Sergey Rachmaninov , Pablo de Sarasate , Alexander Glazunov , Fritz Kreisler , Pyotr Il'yich Tchaikovsky , Henryk Wieniawski , Lawrence Foster , Itzhak Perlman , and The Abbey Road Ensemble Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RVH Release Date: 1996-03-12 |
Tracks:
- Meditation (Thais)
- Mazurka-Obereque: Mazurka - Obereque
- Vocalise, Op.34, No.14
- Zigeunerweisen, Op.20
- Fantasy On Russian Themes
- Meditation, Op.32
- Scherzo, Op. 42 No. 2
- Legende, Op.17
- The Old Refrain
- Introduction & Tarantelle, Op. 43
- Schon Rosmarin
Customer Reviews:
An Outstanding Collection.......2002-02-12
A lot of violinists, myself included, feel that Perlman has had a rather inconsistent recording career, and A La Carte should be impressive and refreshing for his critics. The exceptional sound quality of this recording makes it a very involving experience and great addition to any audiophile's collection. I never tire of this album, and it is a mainstay and a favorite in my collection. I recommend it 100%.
Gorgeous playing, beautiful pieces........1998-10-29
Average customer rating:
|
Poor Little Critter on the Road
The Knitters Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YLAS Release Date: 2000-10-17 |
Tracks:
- Poor Little Critter on the Road
- Someone Like You
- Walkin' Cane
- Silver Wings
- Poor Old Heartsick Me
- New World
- Cryin' But My Tears Are Far Away
- Love Shack
- Call of the Wreckin' Ball
- Trail of Time
- Baby Out of Jail
- Rock Island Line
Customer Reviews:
Now THAT'S what I call Country!!!.......2006-07-27
There are probably music purists who could pigeonhole my tastes into one aspect of country music (bluegrass or hillbilly, say), but I contend that my tastes are simply for Country Music.
With all of that said, it seems a shame to say that one of my all-time favorite country albums comes from a conglomeration of members from bands often categorized and punk and rockabilly. X and The Blasters are also bands I am quite fond of, so when I found out that members of both joined together to do some old country-blues tunes and even revise a little X, I was all over that record like white on rice.
This is fun music. Too much country nowadays just isn't fun, or if it pretends to be fun, it does so with a sour pretention of acting like everyone should act this way, but The Knitters nailed an album here that has such a come-along, sing-along feel, that I feel shame that the CMAs haven't nailed a copy of this album to the procemium of every awards show as a reminder of where the REAL heart of country music lay.
This is a great collection of songs. Songs about heartache or jail sung in a way that sounds genuine, not pretend. Like true country music, or the blues, songs of despair sit next to songs of love and joy. These are the emotions of life, told through charming and direct performances. Some of my favorites here are the title track (roadkill as a metaphor for life), Walkin' Cane, and if you aren't slapping your knee during Call of the Wreckin' Ball, you just don't have a pulse.
An added note: whenever I play The Kniters' version of "Rock Island Line," my 8 year-old can't help but just dance around the kitchen table. That's my hillbilly boy!
At last! An X album I DON'T like!.......2006-02-07
Signed,
epsteinsmutha
knitters equal awesome.......2005-10-27
bunch of countrified punksters.......2005-10-17
Just one of those albums..........2005-08-13
Just saw the Knitters on Jay Leno last night and they blew my mind, again, John Doe and Exene's killer vocals on top of Dave Alvin's guitar is a classic American roots sound. (I've given up Rock/Abilly/Bluegrass/Country/Blues/Ragtime/Folk distinctions because so many artists have blurred the boundaries. I think "American roots" is the best description of this genre.)
There's a softness to the sound that implies the praries, a twang that implies the south and a desert sensibility that makes you want to install it as the theme tracks to your Airstream as you drive out of Las Vegas into the desert, leaving behind the bright lights, your love, and any hope of water.
Average customer rating:
|
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
|
The Road We're On
Sonny Landreth Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007JGWD Release Date: 2003-01-28 |
Tracks:
- True Blue
- Hell at Home
- All About You
- A World Away
- Gone Pecan
- Natural World
- The Promise Land
- Falling for You
- Ol' Lady Luck
- Gemini Blues
- The Road We're On
- Juke Box Mama
Amazon.com
Sonny Landreth's 10-year career as a leader has always seemed tenuous, because he's a one-dimensional singer and only an adequate songwriter. But these 12 numbers run deeper than his previous recordings. Like much of his catalog, they straddle the worlds of blues, Cajun and zydeco, and New Orleans party music, but the blues dominates. And that gives the conflagrant Mississippi-born and Louisiana-raised slide guitarist plenty of fuel. So he burns liberally at every turn, from the acoustic resonator guitar that opens and closes the disc to the percolating funk of "Hell at Home" and the Allmans-like, riff-driven intensity of "Fallin' for You." "A World Away" is this album's tour de force, with Landreth summoning soul from the seldom-used soft side of his voice and slow, moaning guitar lines, whose steel-on-steel cries echo the resigned heartbreak of the lyrics. The CD's sterling production puts Landreth's guitar front and center, which reaffirms the former John Hiatt and Clifton Chenier sideman's instrumental mastery. --Ted DrozdowskiCustomer Reviews:
Six Stars? Maybe Eight?.......2006-11-07
Blistering Slide.......2006-10-25
The Road we're on...come and discover great guitar!.......2006-07-31
There have been a bevy of blues guitarists come and go in the past 20 years, and despite the staying power of several, it took this listener an accidental stumble through Amazon.com music categories to discover his music. Landreth plays great groove that is soothing and soulful while at the same time adding a darker, deeper feel to his songs that I have not experienced since Jimmy Page's (guitarist for Led Zeppelin, in CASE you didn't know) "Outrider" album.
On "The Road we're on", Landreth plays a no nonsense style of blues that has a modern feel but still an atmospheric presence of some southern swamp who's landscape is only deterred by a gas station and an old dance hall with a broke down pickup out front. I like his style because he's able to embrace an old blues feel but still have some technical prowess thrown in that reminds me of some of the rock guitarists like Eric Johnson. What's fun about this kind of CD to me is that you can play it anywhere..A road trip, the back porch on a summer night Barbequing with friends, or just around the house on any given day. No matter what mood your in, I think Landreth's style of blues will find a place with you no matter what.
I won't cover every track on the album but just touch base with some of the tracks and my opinions of them.
Track one starts off the album with "True Blue" and is a slow, groovy track that evokes a midnight rambler of a tune that has some low sounding bass to it while also of course, having a great lead guitar hitting the high notes. This type of electric guitar approach is technical, but also evoking a "jam" feel, like a bunch of old pals in the back of the club tearing it up on a Saturday night. Landreth's vocals are great, as they are clear and crisp, and though don't come on as raspy or "throaty" as some blues legends of the past, are more of a modern day touch to help balance that old swamp sound.
Track three is "all about you" and kicks off with a rollicking beat that is signature of many songs in the blue's genre. The drums are pretty heavy on this one and Landreth's voice shines on as he tells a simple but satisfying story that rolls along with the guitars.
Track five takes off pretty fast and almost sounds like a "country rocker" out of the gate. "Gone Pecan" is one of my favorite songs by Sonny as its catchy chorus has some fast and fun lyrics that pause before he says, "me and mine, are gone pecan". A second later we're treated to the jam taking off again at full speed and cannot help but smile at the rhythm and overall power of this particular track.
Track six is "Natural World" and is a great written song about the people on earth and the state that the earth is going through. Its not one of those "tree hugger" songs so much as stating that the Natural world changes over time, and its trying to send a message to man, who of course has earplugs in. I'll forgive them if they have headphones on and are just listening to Sonny, but by and by, the song does make a lot of sense. Sound wise this thing is pretty hard rock guitar wise, and we are getting a lot of Edge and Snarl in this. That's okay, because this is the kind of music that does, in my opinion, stand the test of time. Play on Sonny, Move on Mother Earth, continue...
Track ten sounds more like a Jug Band blues ditty starting out before catching a steady beat to ready itself for the rest of the song. Sonny has been knocked a lot by critics for his voice as well as his songwriting, but now I think I know why: Its not because he's a bad songwriter, its because he's that GOOD of a guitar player in his arrangements and execution that we almost get to caught up in the sound of the song and not enough with the themes and songwriting that are woven within. "Gemini Blues" is a great blues-rock track that is another gem on this album.
12 Tracks in all, "The Road We're On" was released in 2003 and though it does not have the diversity and power of his 2005 release "Grant Street Live", its still a great studio album in its own right. Sonny to me showcases much better "blues rock" to me than many that are out there, and I think its because of his ability to play a variety of "blues" mixed in with some Rock and Roll. Soulful sounds also abound with his slide guitar that grooves and grinds till the snakes go back into the water of the swamp. From Robert Johnson to Eric Johnson, and Skynyrd to Seger, if you like some good old-fashioned guitar with some new fashioned sound thrown into the mix, please check out this CD as well as "Grant Street Live" by Sonny Landreth. Great music that will fill any void, but not foil any mood.
AS(s) KICKIN'.......2006-05-31
A style of his own.......2006-01-25
Jazz Music: