The Big Soul Band

The Big Soul Band

Track Listings

 
1. Wade in the Water [Alternate Take][*]
2. Wade in the Water
3. Panic Room Blues
4. Nobody Knows the Trouble I've Seen
5. Meditation
6. Holla
7. So Tired
8. Deep River
9. Jubilation

The Big Soul Band,Johnny Griffin Orchestra,Ojc,Hard Bop,Jazz,Pop,Progressive Big Band

Jazz

Music

jazz

music
Concord Records SACD Sampler 1 (Multichannel Hybrid SACD)
Average customer rating: 4.5 out of 5 stars
  • Good Music
  • very good sound
  • voices in the room
  • Excelent
  • Good jazz SACD sampler
Concord Records SACD Sampler 1 (Multichannel Hybrid SACD)
Various Artists
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000BWVCO
Release Date: 2003-09-09

Tracks:

  1. Beija-Flor - The Jim Hall Quartet
  2. Come With Me - Tania Maria
  3. Straighten Up And Fly Right - Rosemary Clooney
  4. Watermelon Man - Poncho Sanchez With Special Guest Mongo Santamaria
  5. Listen Here - The Gene Harris Quartet
  6. My Handy Man Ain't Handy No More - Carmen McRae
  7. Airegin - Tito Puente
  8. Blood Count - The Stan Getz Quartet
  9. Love Walked In - Mel Torme, Rob McConnell and the Boss Brass
  10. Serengeti - Cal Tjader
  11. In Walked Bud - Art Blakey And The Jazz Messengers
  12. O Nosso Amor - The Charlie Byrd Trio With Special Guest Ken Peplowski
  13. Spring Will Be A Little Late This Year - Michael Feinstein With The Israel Philharmonic Orchestra

Customer Reviews:

5 out of 5 stars Good Music.......2007-06-08

I rate 5 star for the music, 5 star for sound quality and 4 star for surround mix. I'm not disappoint when listen to this album, each track on this album is very well selected.

I enjoy even when I listen with red book player. The CD layer also very good when compare to SACD layer.

One of my favorite album.

5 out of 5 stars very good sound.......2007-01-03

I am very pleasure when I heard this SACD, all the sound is clear and the multichannel works like a different instruments places around my room.

4 out of 5 stars voices in the room .......2006-03-14

Nice jazz sampler should appeal to most tastes in mainstream jazz since it's not too funky or free-style. What's the real kicker here is the SACD quality. Certainly not what I would call a great test cd but still good for amazing friends with the detailed sonics and tight bass lines and realistic voices in the room effects.

5 out of 5 stars Excelent.......2006-01-02

very good compilation.
sound quality on SACD is first rate.

4 out of 5 stars Good jazz SACD sampler.......2005-06-06

I'm not a jazz fan, but purchased this SACD for testing the performance of my new SACD & DVDA player. I own a lot of DVD audio discs, but this one is my first SACD.
Sound is good and well separated on the analogue 6 channel output designed for playing such a disc. But the music taste of the disc producer is strictly a jazz taste which doesn't meet that of a lot of music listeners. Beija-Flor, Come with me and Watermelon man are fantastic.
As a conclusion, it's a reliable SACD sampler but not comparable to DVDA which has almost the same sound fidelity, and include further videos, lyrics, photos and interviews.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Save My Soul
Average customer rating: 4.5 out of 5 stars
  • Great type of Jazz.
  • A 5 star treat indeed that is mmm delish
  • Fun, soulful, carefree...like the spirit of New Orleans
  • This is the Best!
  • Hear Oh Yeah in the PC Game Casino Empire!
Save My Soul
Big Bad Voodoo Daddy
Manufacturer: Vanguard Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Jazz | Styles | Music
New Orleans JazzNew Orleans Jazz | Jazz | Styles | Music
Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
Contemporary Big BandContemporary Big Band | Swing Jazz | Jazz | Styles | Music
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Pop RockPop Rock | Pop | Styles | Music
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ASIN: B00009YRSB
Release Date: 2003-07-08

Tracks:

  1. Zig Zaggity Woop Woop Pt. 1
  2. You Know You Wrong
  3. Always Gonna Get Ya
  4. "Don't You" Feel My Leg
  5. Oh Yeah
  6. Simple Songs
  7. Next Week Sometime
  8. Save My Soul
  9. I Like It
  10. Zig Zaggity Woop Woop Pt. 2

Amazon.com

Big Bad Voodoo Daddy did more than any other band to fuel the sing revival of the '90s, due largely to the group's appearance in the 1996 film Swingers. Since then, the craze has waned, although you couldn't tell it by BBVD. If anything, the combo has approaches their fifth album with more gusto and verve than ever, infusing their old-school jive and greasy horns with a New Orleans sensibility and panache and, in the process, creating their strongest album yet. Although their songs sound like they were lifted right out of the Zoot-suited '40s, the band writes all their own material, taking swing into a raw and modern direction. Big Bad Voodoo Daddy by rights will still be here when the next wave of swing arrives. --Jaan Uhelszki

Customer Reviews:

4 out of 5 stars Great type of Jazz........2006-08-17

Growing up in the 50s is what I listen to, but after seeing a live show of Big Bad Voodoo Daddy, I bought a CD at the show. After listening to the CD, I bought two more CDs at Amazon.com. The music has a real beat to it, and you can't help but move some with the music. It really rocks. Great stuff.

5 out of 5 stars A 5 star treat indeed that is mmm delish.......2006-07-26

This cd is delightful from beginning to end, full of suprises, swing, New Orleans jazzy jump blues ,and smokey infectious vocals that are smouldering hot. Red hot horn riffs that remind one of Bourbon street. Hot tempos and exotic swinging rhythms. Let this cd voodoo your voodoo.

5 out of 5 stars Fun, soulful, carefree...like the spirit of New Orleans.......2006-07-04

I can't compliment this band enough. The contagiuos beat and happy rhythms of Big Bad Voodoo Daddy are contagious... Their music makes you want to dance!

I saw them perform recently at the House of Blues in New Orleans. It was an incredible show. Just prior to singing the title track of this CD, Save My Soul, lead singer Scotty Morris told the crowd that he had written the song 14 years ago. He felt he owed a debt of gratitude to the musical tradition of New Orleans. But now, post-Katrina, the song carries more meaning for him and for all who love N'Awlins.

Save My Soul is a fun, soulful, and carefree CD. Buy it. Enjoy it. Share it with those you love.

Highly recommended!

5 out of 5 stars This is the Best!.......2005-01-20

I own three of BBVD's CDs and this one is the best. You just have to move those feet! I just love these guys.

5 out of 5 stars Hear Oh Yeah in the PC Game Casino Empire!.......2004-10-14

I found this out accidentally! The PC game, Sierra's Casino Empire, which was released in 2000, uses an early version of the song, "Oh Yeah" as background music. I thought it was just a really cool song in a PC game (and, er, the demo, at that!) when I heard it again during the October 11, 2004 episode of the NBC TV show, LAS VEGAS. It made me more curious about the song, so I looked up the lyrics, and found that the song was actually by this truly cool band. Get the CD, buy the PC game!
The Dude
Average customer rating: 5 out of 5 stars
  • More from the Master
  • Quincy's Best Album Ever
  • The God Father of Record Production
  • A Real Guilty Pleasure!
  • A Classic Indeed!
The Dude
Quincy Jones
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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  1. Sounds...And Stuff Like That!!
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ASIN: B000002GC2
Release Date: 1990-10-25

Tracks:

  1. Ai No Corrida
  2. The Dude
  3. Just Once
  4. Betcha' Wouldn't Hurt Me
  5. Somethin' Special
  6. Razzamatazz
  7. One Hundred Ways
  8. Velas
  9. Turn On The Action

Customer Reviews:

5 out of 5 stars More from the Master.......2007-07-14

This is another album I have been after for some time. I originally heard it when my daughter acquired it, and was blown away! Q's music really strikes a chord with me, ably abetted by the stellar vocals of James Ingraham & Patti Austin.

5 out of 5 stars Quincy's Best Album Ever.......2007-06-20

Loved it in the 80's, loved it in the 90's, STILL LOVIN' IT TODAY!!!! One of my all time favourites!!!!! This album soars...... always lifts my spirits and gives me fresh vision.

5 out of 5 stars The God Father of Record Production.......2006-07-08

It was the new era of music forging full steam ahead, and with the 70's behind us Mr. Q (Quincy Jones), 'The God Father of Record Production' is impressive once again... All of these tracks display why "melody is KING my friend!

--A. David Burleigh (aka: "Big Dave") an 'AmeriCanadian' Record Producre/ Artist/ Singer-Songwritre.

5 out of 5 stars A Real Guilty Pleasure!.......2006-07-06

I've owned this on LP for many years, and at different points I've pulled this record out for a good listen. Last night, I was going through my records and decided to give it a go. This music is great! So many of the world's finest musicians here, including Herbie Hancock, Steve Lukather, Ian Underwood, and Stevie Wonder. This music I would even say has a strong jazz and funk element to it, and certainly many of the arrangements are more complex than much of the music played either in 1981 or today.

Every song here is a classic, and two of the tracks "Just Once" and "One Hundred Ways" are among the best-loved pop hits of the early 80's. "Ai No Corrida" and the title track are my favorites, though. They are hip, and there is plenty of instrumental meat behind the catchy vocals. If you like Steely Dan, Toto, early Michael Jackson albums, I think you will find a lot to enjoy here. Thanks for reading my review.

5 out of 5 stars A Classic Indeed!.......2006-06-13

I bought this CD at the same time and for pretty much the same reason as I did Quincy Jones' prior album "Sounds..." (see my review) and I'm equally pleased with the purchase.

By the time Q released this one, he'd produced "Off The Wall" for Michael Jackson, "Masterjam" for Rufus & Chaka Khan, "Light Up The Night" for The Brothers Johnson, "Give Me The Night" for George Benson and I believe he produced Patti Austin's classic "Every Home Should Have One" round about the same time. He'd been busy and it showed. He had more or less honed his skills to perfection. To me, this album would've marked the musical if not commercial peak of his career but then of course, the following year he topped it all with "Thriller".

This is his best 'solo' output though, smooth as silk and as cool as cucumber. Not a note out of place and everything as clear as crystal, with horns crisp and tight. Patti Austin provides the lead vocals for four out of the nine tracks here: "Betcha' Wouldn't Hurt Me", "Somethin' Special", "Razzamatazz" and "Turn On The Action". Q's new find James Ingram provides lead vocals for three: "The Dude", the classic "Just Once" and "One Hundred Ways". "Velas" is a magnificent jazz piece by the harmonica player, "Toots" Thielemans and the opener, "Ai No Corrida" is lead by Charles May and someone introduced to us as "Dune". I wonder if anyone ever heard from HIM again?

The ex-Heatwave frontman Rod Temperton wrote three out of the nine and co-wrote one. Stevie Wonder contributed one he co-wrote with Stephanie Andrews and I heard the rest were either brought to Q's attention or he searched through a batch of songs (as producers do), until he had found the exact ones he wanted.

All the greats feature here: Stevie Wonder himself, Herbie Hancock, Ernie Watts, Michael Jackson, Steve Lukather, David "Hawk" Wolinski (he of Rufus and Chaka Khan fame), the legendary percussionist Paulinho DaCosta and Louis Johnson.

Great music never grows old and this is one they'll be playing well into the next century. Quincy Jones at his best!
The Complete Johnny Mercer Songbook
Average customer rating: 5 out of 5 stars
  • Listen and dream
  • If you have the music, he has the words
The Complete Johnny Mercer Songbook
Various Artists
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DLUK
Release Date: 1998-11-03

Tracks:

  1. Blues In The Night (My Mama Done Tol' Me) - Louis Armstrong
  2. I Thought About You - Billie Holiday
  3. Come Rain Or Come Shine - Anita O'day
  4. Hit The Road To Dreamland - Mel Torme
  5. Dearly Beloved - Margaret Whiting
  6. Goody Goody - Buddy Rich
  7. Skylark - Ella Fitzgerald
  8. Laura - Billy Eckstine
  9. Day In-Day Out - Sarak Vaughan
  10. Early Autumn - Woody Herman
  11. I Remember You - Dinah Washington
  12. Any Place I Hang My Hat Is Home - Helen Merril/Gil Evans
  13. Too Marvelous For Words - Joe Williams
  14. Autumn Leaves - Dee Dee Bridgewater
  15. One For My Baby (And One More For The Road) - Billie Holiday
  16. Jeepers Creepers - Bing Crosby/Buddy Bregman's Orchestra

Tracks:

  1. Something's Gotta Give - Ella Fitzgerald
  2. That Old Black Magic - Shirley Horn
  3. P.S. I Love You - Billie Holiday
  4. Ac-Cent-Tchu-Ate The Positive - Buddy Rich
  5. I'm Old Fashioned - Margaret Whiting
  6. Midnight Sun - Ella Fitzgerald
  7. Dream - Dinah Washington
  8. On The Atchison, Topeka, And The Santa Fe - Jack Teagarden
  9. Trav'lin' Light - Billie Holiday
  10. Moon River - Sarah Vaughan
  11. Once Upon A Summertime - Astrud Gilberto
  12. Too Marvelous For Words - Oscar Peterson
  13. When The World Was Young - Anita O'Day/Three Sounds
  14. A Kiss From You - Billy Eckstine, Benny Carter
  15. Hit The Road To Dreamland - Cleo Laine
  16. Out Of This World - Helen Merrill

Tracks:

  1. I Remember You - Charlie Parker
  2. Out Of This World - Gerry Mulligan/Concert Jazz Band
  3. Too Marvelous For Words - Lester Young
  4. Come Rain Or Come Shine - Bill Evans
  5. Mandy Is Two - Stan Getz
  6. Jeepers Creepers - Benny Carter
  7. Satin Doll - Johnny Hodges
  8. That Old Black Magic - Erroll Garner
  9. Tangerine - Coleman Hawkins/Ben Webster
  10. Charade - Quincy Jones
  11. Laura - Don Byas
  12. I'm Old Fashioned - Oscar Peterson
  13. Skylark - Paul Motian
  14. Day In-Day Out - Terry Gibbs Big Band
  15. When The World Was Young - Stan Getz
  16. Days Of Wine And Roses - Joe Henderson/Wynton Kelly Trio

Customer Reviews:

5 out of 5 stars Listen and dream.......2006-11-10

An excellent album. The best of Mercer performed by the best musicians and singers. The instrumental album is magnific, with names like Charlie Parker, Gerry Mulligan, Quincy Jones, Oscar Peterson, Stan Getz performing songs that sensibilize our reflections. An invitation for a dream.

5 out of 5 stars If you have the music, he has the words .......2006-06-06

Among Johnny Mercer's greatest songs are: "P.S. I Love You" (1934, Gordon Jenkins), "Goody Goody" (1936, Matt Melneck), "I'm An Old Cowhand" (1936, words and music), "Bob White (Whatcha Gonna Swing Tonight?)" (1937, Bernie Hanighen), "Too Marvelous For Words" (1937, Richard Whiting), "Jeepers Creepers" (1938, Harry Warren), "Hooray For Hollywood" (1938, Richard Whiting), "Day In--Day Out" (1939, Rube Bloom), "I Thought About You" (1939, Jimmy Van Heusen), "Fools Rush In" (1940, Rube Bloom), "Blues In The Night" (1941, Harold Arlen), "Skylark" (1941, Hoagy Carmichael), "I Remember You" (1942, Victor Schertzinger), "I'm Old Fashioned" (1942, Jerome Kern), "That Old Black Magic"(1942, Harold Arlen), "Hit The Road To Dreamland" (1942, Harold Arlen), "My Shining Hour" (1943, Harold Arlen), "One For My Baby" (1943, Harold Arlen), "Ac-Cent-Tchu-Ate The Positive" (1944, Harold Arlen), "Let's Take The Long Way Home"(1944, Harold Arlen), "G.I. Jive" (1944, words and music), "Laura" (1945, David Raskin), "Out Of This World" (1945, Harold Arlen), "Early Autumn" (1949, Woody Herman and Ralph Burns), "Autumn Leaves" (1950, English version of a French song, music by Joseph Kozma), "Here's To My Lady" (1951, Rube Bloom), "Something's Gotta Give" (1955, words and music), "Satin Doll" (1958, Duke Ellington), "Charade" (1963, Henry Mancini), "Summer Wind" (1965, Henry Mayer), and "How Do You Say Aug Wiedersehn?" (1967, Tony Scibetta).
This collection does not include them all but contains enough to show why he is considered one of the greatest lyricists popular American song ever produced.
One oddity with Mercer is that many of his greatest hits came from melodies, music which had been pre- produced and which he was asked to write the words for. So for instance the beautiful haunting 'Autumn Leaves' was given lyrics after it had come to America from France.
Mercer is also the only lyric writer to have been honored by an 'Ella Fitzergald Songbook' collection.
Sounds...And Stuff Like That!!
Average customer rating: 4.5 out of 5 stars
  • Has it's stand out moments
  • Q Marks The Spot
  • Average Q, Above Average for Everybody Else
  • An all-time favourite
  • Quincy, I Never Had it So Damn Good!
Sounds...And Stuff Like That!!
Quincy Jones
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Dude
  2. Body Heat
  3. Ultimate Collection
  4. Walking in Space
  5. Light Up the Night

ASIN: B000002GC4
Release Date: 1990-10-25

Tracks:

  1. Stuff Like That
  2. I'm Gonna Miss You In The Morning
  3. Love, I Never Had It So Good
  4. Tell Me A Bedtime Story
  5. Love Me By Name
  6. Superwoman (Where Were You When I Needed You)
  7. Takin' It To The Streets

Customer Reviews:

3 out of 5 stars Has it's stand out moments.......2007-05-16

As I'm always on the look out for good music, and after reading my Boys Olukayode excellent review of this CD, I thought I'd take the plunge and order it. This CD passed me by on its initial release, as i was only ten, and was more into football than music, anyway I digress. The first track: 'Stuff Like That' I had heard on Quincy's Jook Joint CD, and If I'm honest I prefer that particular as it seems more lively than the offering, but it may be because i heard that version first. 'I'm gonna miss you in the morning', and 'Love, I never had it so good', leave me feeling a bit cold, but that maybe because, being mid-tempo songs, they don't do much for me, as the more up-tempo joints. The first standout for me is the 'Tell me a bedtime Story' song which is a lovely flute driven ( i think) instrumental, with a sung chorus, that raises and falls, and stays in the memory long after it has finished playing. The other is the last song on the CD 'Takin' It To The Streets' featuring among others a youthful Luther Vandross, which is a Gospel inspired anthem with very thoughtful deep lyrics. 'Love me by name' and 'Superwomen' are OK, but don't really stand out to my mind. This CD has introduced me to Quincy Jones, and the next on the list is "The Dude".

5 out of 5 stars Q Marks The Spot.......2006-06-12

After owning this on vinyl for almost 30 years, I finally got it on CD. The record still played well but it was beginning to show its age. Then there's the fact that they no longer make cars with tape players, apparently, and I need something to play in the new car I'm getting next month.

But most of all, I'm just bored beyond endurance with the majority of music coming out these days and have decided to spend my money going into the archives and revamping my record collection.

I am completely unabashed about my adoration for Quincy Jones. To me he is literally the best producer, conductor and arranger of my generation and I very much doubt I'll see anything to equal him in my lifetime. From the various magazine interviews and TV appearances of him I've seen, he seems like a pretty cool dude too.

This is the album that introduced to Q. I was 15 going on 16 and up until that point, the pinnacle of my musical pleasures had been provided by disco queens and old-school reggae dons. I mention no names. And then one day, my mother sent me out for some milk and I stopped by the house of this older guy I was friends with at the time. He told me he'd just bought a new album and asked me if I wanted to hear something special. I said sure, he put the record on and time just seemd to stand still. I stood there, transfixed, eyes wide open and mouth agape. And this was just to the first strains of the first song on the album, the title track, "Stuff Like That."

I literally didn't move a muscle until my friend had played the entire first side of the album and the first two songs of the second side. I was entranced. I had never heard anything like it. The clarity of the music (My friend had a pretty decent sound system. Sure it was 1978 but still), the lush orchestration that while complex was never overbearing, the solos...

And then there were the voices... boy, what that man can do with voices.

I came to, and left to run my errand. I got a sound clip around the ear for being late with the milk. Happy days. I vowed I was going to get a copy of the album for myself and vowed I was going to get a stereo system like my friend's. It was a year before I succeeded with the former and another nine before I managed the latter but there can be no doubt: It was Quincy Jones who set me on the path to the appreciation of quality music. That same year, Q produced The Brothers Johnson's "Blam!" and the soundtrack to "The Wiz", which is how he got to meet Michael Jackson. The following year he produced Jackson's "Off The Wall". The rest, as the say, is history.

It was on this album that Q introduced us to Bruce Swedien (even his name sounds efficient somehow) and his "Acousonic Recording Process". There's a detailed explanation of how the process works on the album/CD inner sleeve and whatever it is they do, it seems to work. Few producers have been able to match the quality of the sound produced by the collaboration of Jones and Swedien. It's my bet that few ever will.

The album is a veritable array of stars, both established and emerging (at the time):

"Stuff Like That", a funky tune featuring Valerie Simpson and the legendary Chaka Khan on vocals. Sax solo by George Young.

"I'm Gonna Miss You In The Morning", a ballad featuring Patti Austin and the late Luther Vandross on vocals (and this was some years before he went on to become the megastar that he did). Lyricon solo by Tom Scott.

"Love, I Never Had It So Good", a stomping choral piece with Patti Austin and Charles May on lead vocals. Electric sax solo by Michael Brecker, Fender Bass solo by Anthony Jackson.

"Tell Me A Bedtime Story", probably the first ever jazz tune that made me sit up and pay attention. Herbie Hancock lays down electric piano improvisations and Harry Lookofsky records his violin over the track, copying Hancock note for note. He doesn't do it just once though. He does it several times, over and over, and the end result sounds like an entire string section. But it was just one man! Flute solo by Hubert Laws.

"Love Me By Name", intense ballad sung by Patti Austin. Keyboards by Herbie Hancock, Guitar by the late Eric Gale.

"Superwoman (Where Were You When I Needed You)", another, more mid-tempo ballad sung by Patti Austin. Flute solos by Hubert Laws, Electric piano solo by Herbie Hancock, Lyricon solo by Tom Scott.

"Takin' It To The Streets", brings the album to a close with a gospel-influenced stomper. Luther Vandross and Gwen Guthrie, both of who have since passed away, sadly, provide vocals. Tenor sax solo by Michael Brecker.

There are no extras on the CD, no gimmicky remixes or video clips and that suits me just fine. There are just seven pieces of good quality music. Best money I've spent all month.

5 out of 5 stars Average Q, Above Average for Everybody Else.......2005-10-17

" Sounds And Stuff Like That" is Q at his best. He seems to always get the best talent around to record for him. It dosen't matter if they're singing or writting songs for him. Case/point, "Tell Me a Bedtime Story" was written by Herbie Hancock.It no telling how Herbie would have done it if left to him. Now lets keep in mind that Herbie is a musical genius himself. But throw Q in the mix, and you have a song that is remembered for all time. Q can take an arrangement and make it better. The title track is another example of this. Being around Duke Ellington and Dizzy Gillespie helped him develope the Big Band sound that you can hear dominate every song on this effort. there is so much good about this effort that I can't list them all. "Love me By Name" sung by Patty Austin, "Sounds And Stuff Like That" sung by Valerie Simpson with the dominating vocals of Chaka Khan. This album is a prime example of Q taking great talent and making it better. Average Quincy.

3 out of 5 stars An all-time favourite.......2005-09-12

This has always been one of my favourite albums, and I'm so happy that I've finally got it on CD. Every home should have one! :-)

5 out of 5 stars Quincy, I Never Had it So Damn Good!.......2005-01-26

Just listen to the piece, ''Love, I Never Had It So Good'' and tell me that this doesn't move you. This is the most creative piece of work I have ever listened to. I had an employee of a vinyl record store play this album and even he was moved by that song. Luther Vandross sounds so young on ''Sounds...." he really does sounds a bit different than on his later recordings. Vandross comes across as fresh and more soulful back then than he ever did in his 80's recordings. ''Love Me By Name" is just wonderful and I dig the black choir that comes in to accompany Patti Austin. I have heard other Jones' production but this one takes the cake. It is the best one I have heard. ''Tell Me a Bedtime Story''moves the hell out of me. I am not jiving yall. Please buy this record!! You can't go wrong with Chaka Khan, Ashford and Simpson, Luther Vandross, Herbie Hancock, Patti Austin, and Gwen Gutherie coming together to make a really prolific album.
Body Heat
Average customer rating: 5 out of 5 stars
  • Not his usual stuff
  • Superb
  • Quincy At A Potent Juncture
  • Beautiful vocals & fine arrangements...
  • Fan Forever!
Body Heat
Quincy Jones
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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  1. Sounds...And Stuff Like That!!
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ASIN: B000002GAO
Release Date: 1990-10-25

Tracks:

  1. Body Heat
  2. Soul Saga (Song Of The Buffalo Soldier)
  3. Everything Must Change
  4. Boogie Joe, The Grinder
  5. Reprise: Everything Must Change
  6. One Track Mind
  7. Just A Man
  8. Along Came Betty
  9. If I Ever Lose This Heaven

Customer Reviews:

5 out of 5 stars Not his usual stuff.......2007-04-18

Back in the 70's, this was definitely a giant step for QJ, moving from his Jazz sound to the heart of commercial Soul; and who knows or feel music better than QJ? The result is a soul album yet based from all the Jazz sound QJ feels.
Released in 1974, this album did not age a single day; on the contrary, in today's fast life, if you are not in a Jazzy mood nor in the R&B or soul mood, this album would perfectly fit on your CD player, because it is not really Jazz, Soul or R&B, yet it has all these sounds well mixed and tuned into each other.
Last and not least, if you enjoy this album, make sure to check the followings:
The Brothers Johnson; Look out for # 1 (produced and arranged a year later by Mr. Jones with the same feel as `Body heat")
War: the world is a ghetto
Roy Ayers: Mystic Voyage
Enjoy

5 out of 5 stars Superb.......2006-02-21

Quincy Jones translates to "genius" in my opinion. A perfect example of how Jones is a revolutionary in the music industry. From seductive jazz-pop in "Body Heat" to moody conscience songs in "Everything Must Change" to funky jazz in "One Track Mind" (my favorite), this album ranks among Quincy's best, and that's a tough goal to achieve.

5 out of 5 stars Quincy At A Potent Juncture.......2005-07-20

It has taken me a very long time to fully appreciate how wonderful this album is!In the early 1970's Quincy Jones was beginning to retool his sound to accomadate more rhythmic elements replacing his swinging big band sound.And on 'Body Heat' he completed his conversion.Plain and simple.No particular song stands out but it's certainly the marking of a new and funkier era in Q's sound!

5 out of 5 stars Beautiful vocals & fine arrangements..........2003-07-22

This whole album always sounded like a conceptual soundtrack or score for a stage production. I always visualised Arthur Murray or Martha Graham arranging a dance project to go with this album. The arrangements are superb on every track...the lyrics of the songs are beautifully phrased. I first heard this album back in 1976 and was impressed by the tremendously emotional vocals of Bernard Ighner on the track "Everything Must Change' (very much like Billy Eckstines baritone voice). The vocals on this song give way to a hauntingly clandestine mute trumpet solo, a la Miles Davis. The result is an ultimately 'cool' laidback idyllic journey which carries you away from all your troubles! The song "Just a Man" is very similar in it's effect. This song is strongly gospel inflected with some stunning harmonies.
This c.d has the best ever version of this song.(I realise that George Benson later covered the song as did Randy Crawford.) The other track that blew me away was the stunning version of "If I Ever Lose This Heaven"...Minnie Riperton was at her best on this track. (her untimely death still leaves a huge void in the music world ). The arrangements ,again,are wonderful especially on the Benny Golson song "Along came Betty"
All in all this c.d . has everything on it, from low down 'n' dirty funk( as on "Boogie Joe, The Grinder") to cool soulful jazz and even when I play it today I find it still hasn't lost any of its excitement or feeling from 1974!
It is , however, a very short recording but as they say, good things do come in small packages!

5 out of 5 stars Fan Forever!.......2002-05-24

I had this 'album' years ago during college. I have always been a 'Q' fan, and always will be. This particular selection is Q at his best. The selections show his range of talent and breadth of expressions, from quiet and melodic(Everyting Must Change), to thumping and erotic(Body Heat). I highly recommend this for people that may be new to Quincy and want to know why Quincy Jones is so revered in the music world.
Walking in Space
Average customer rating: 5 out of 5 stars
  • Walking In Space
  • A reference album of modern big band in the 60s
  • Outstanding CD from the 60s
  • A Great Recording! Joy Joy! Buy Now!!!
  • Essential
Walking in Space
Quincy Jones
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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GeneralGeneral | Soul | R&B | Styles | Music
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  3. Sounds...And Stuff Like That!!
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  5. Big Band Bossa Nova

ASIN: B00004STN3
Release Date: 2000-04-18

Tracks:

  1. Dead End
  2. Walking In Space
  3. Killer Joe
  4. Love And Peace
  5. I Never Told You
  6. Oh, Happy Day

Amazon.com

Everybody knows that Quincy Jones is the world's greatest pop producer, but if you're under 30, you might not know about his jazz work with Lionel Hampton, Dizzy Gillespie, and Frank Sinatra. This brilliant 1969 disc combines the precision music making you'd find on a movie soundtrack with the lively blowing of a soul-jazz jam session. Of course, when Q calls, people come to play, and this date is chock full of stars. On the title track, vocalist Valerie Simpson (of Ashford & Simpson) graces Ray Brown's deep-bottomed bass lines with an airy alto, topped by Hubert Laws's fluent flute work and Rahsaan Roland Kirk's multisax solo. Jones's spirited take on the gospel standard "Oh, Happy Day" retains the Sunday soul vibe of Ray Charles, and "Dead End" rolls with an urbanized juke-joint vibe. Jones's arrangement of Benny Golson's "Killer Joe" is a classic, with trumpeter Freddie Hubbard's bravura solo lent nuance by Jones's magic touch. --Eugene Holley Jr.

Customer Reviews:

5 out of 5 stars Walking In Space.......2006-07-06

This was my first exposure to jazz in the 70's. Sounds much better on CD.

5 out of 5 stars A reference album of modern big band in the 60s.......2006-02-18


Where to begin? Let me try with my dear track, Johnny Mandel's theme from 'That Cold Day in The Park', here under the title 'I Never Told You', here with such beautiful lines by Toots Thielemens.

There's also Benny Golson's 'Killer Joe', really a killer with Freddie Hubbard on trumpet and Hubert Laws on flute.

Such definitive arrangements, a treasure forever.

5 out of 5 stars Outstanding CD from the 60s.......2006-01-22

Seems that the older I get, the more likely I am to buy music I listened to in the 60s and 70s. Q's Walking in Space was one of the first jazz records I listened to, on 8-track tape. It was then, and always has been one of my very favorite jazz recordings. Highly recommended!

5 out of 5 stars A Great Recording! Joy Joy! Buy Now!!!.......2006-01-19

The best of the early 70's deluge of renditions of the music from HAIR, gorgeous arranging underpins this showcase for so much fine playing. While the music from Hair was a trendy keg to tap for artists who had their best work behind them by the early 70's, Jones the arranger's honest and uncluttered treatment of the idiosyncratic, unformulaic songs covered here makes this a supremely delicious recording.
Jones masterly ear for harmonic hues and the relentlessly spirited swinging performances of the band kick this record into my "classic" pantheon of jazz records. It's that good, People.

Killer Joe's definative recording finds its perfect tempo, the chorus building on mahogany rich chord voicings. The title track is a heady 14 minute jazz-trip (a 1970 thing, man) with playful, melodic, hard-swinging solos (after a few listens you'll be humming along with them) from flute master Hubert Laws and sax giant Rahsaan Roland Kirk.
The rhythm section bounces gleefully all over this record and the vividly crystal analog recording captures the exquisite horn textures and crackling rim shots with thrilling results. Somewhere in the space between granite-solid mainstream jazz and inventive late 60's pop this stands as a really good rekerd.
This record is over 13 years of age. Thank You.

5 out of 5 stars Essential.......2005-02-08

This is worth the price. A great classic from the man himself. Mr. Quincy Jones aka "The Dude", "The Q", you name it. He's such a pionner to me when he put out albums that means something to the world. I would luv 4 him to come back and do another one sometime in the near future. The last album I heard from him was "Basie and Beyond" which was put out in 2000. But long story short, if u're involved in the centuries of jazz today: Gil Evans and Miles Davis, John Coltrane, Charlie Parker, Dizzy Gillespie, Duke Ellington, GRP All-Star Big Band, Al Hirt, Sonny Rollins, Lee Morgan, Count Basie, Oliver Nelson, Jimmy Smith, Wes Montgomery, Grover Washington, The Crusaders, Freddie Hubbard, among others. You gotta have this CD. 'Cuz it features the cut "Killer Joe" which I like. All of it is good. Just can't wait until I pick it up. Highly recommended.
Big Band Bossa Nova
Average customer rating: 3.5 out of 5 stars
  • Is there more than just the Austin Powers Theme?
  • Big Band Bossa Nova by Quincy Jones
  • just like the title says
  • This is awkward Samba played by a great Big Band
  • Happy Happy Happy!
Big Band Bossa Nova
Quincy Jones
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
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Similar Items:
  1. Walking in Space
  2. Cannonball's Bossa Nova
  3. The Quintessence
  4. Wave
  5. Jazz Samba

ASIN: B00000DLUR
Release Date: 1998-11-03

Tracks:

  1. Soul Bossa Nova
  2. Boogie Stop Shuffle (Issued As 'Boogie Bossa Nova')
  3. Desafinado
  4. Mahna de Carnaval (Morning Of The Carnival)
  5. Se E Tarde Me Pardoa (Forgive Me If I'm Late)
  6. On The Street Where You Live
  7. Samba De Una Nota So (One Note Samba)
  8. Lalo Bossa Nova
  9. Serenata
  10. Chega De Saudade (No More Blues)
  11. A Taste Of Honey

Amazon.com

Even when he was a full-time jazz cat, Quincy Jones always had an ear for the pop aesthetic. This 1962 record does contain a good bit of, how you say, queijo in its unsubtle arrangements, but it is for the most part an accessible, entertaining, and bubbly affair. And with musicians of the caliber of Rahsaan Roland Kirk, Paul Gonsalves, Clark Terry, Jim Hall (who can't help but be tasteful), and Phil Woods all contributing ideas, a baseline quality is assured. Most significantly, Jones goes beyond the expected Jobim and Bonfa cuts to fit Lerner & Loewe and even Mingus into bossa nova's bright clothes. --Marc Greilsamer

Customer Reviews:

3 out of 5 stars Is there more than just the Austin Powers Theme?.......2007-06-08

Well, yes and no. All the melodies are good swinger fare, but none of the others have the magic of the super-famous first track. Play it at your next dinner party; everyone will love "Soul Bossa Nova", then settle into conversation while the rest of the album fills the background.

1 out of 5 stars Big Band Bossa Nova by Quincy Jones.......2007-02-03

Very, very disappointing. One star, and only because of the arrangement of Serenata -- otherwise, 1/2. Go with Quarteto em Cy or Joao Donato, any of Tom Jobim's CDs are preferable -- maybe Gal Costa sings Jobim.

Sorry to say, this is a TERRIBLE album -- he was just trying to capitalize on a "thing" at the time..... disappointing. Period.

Most BossaNova is best when done by small groups -- BUT, if you insist on a big/larger bands, get Stan Getz's Big Band Bossa Nova CD. That's a terrific album. This flat-out STINKS (and I like most of Q's other work).

As a qualifier of sorts, I've been to Rio, am a former broadcaster and DO know music.

4 out of 5 stars just like the title says.......2006-06-04

this is Big Band Bossa Nova, when the Bossa Nova was a big craze, back in the early 60's, arranged and produced by the MASTER, Quincy Jones. Still sounds good today.........

2 out of 5 stars This is awkward Samba played by a great Big Band.......2006-02-18


Unfortunately percussion has completeley spoiled all tracks.
This is not Bossa Nova,not even Samba.

Sorry for a great project with great arrangements.

5 out of 5 stars Happy Happy Happy!.......2005-04-07

I absolutely LOVE this CD! It always puts me in the happiest of moods. Funny thing is, I had no idea that it was originally from the early 60's! It sounds fantastic!
A Night Out With Verve
Average customer rating: 5 out of 5 stars
  • Wondrous
  • The Best!!!!
  • If you're going out tonight, you'll need this...
  • A great set at a great price
  • A Night Out with Verve Box Set
A Night Out With Verve
Various Artists
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Jazz Romance - A Night In With Verve
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  3. Verve Story 1944-1994
  4. Pure Jazz Encore
  5. Pure Jazz

ASIN: B00004ZEJJ
Release Date: 2000-10-24

Tracks:

  1. Come Dance With Me - Oscar Peterson
  2. There Is No Greater Love - Dizzy Gillespie
  3. As Long As I Live - Kenny Burrell
  4. I Wished On The Moon - Coleman Hawkins
  5. A Smooth One - Junior Mance
  6. On The Sunny Side Of The Street - Johnny Hodges
  7. Whisper Not - Anita O'day
  8. Li'l Darlin' - Joe Pass
  9. Love You Madly - Monty Alexander
  10. What's New - George Benson
  11. Broadway - Tal Farlow
  12. You Are Too Beautiful - Sonny Rollins
  13. Portrait Of Jennie - Wynton Kelly
  14. Fall Out - Paul Desmond
  15. La Vie En Rose - Michel Legrand
  16. I Still Love Him So - Roy Eldridge

Tracks:

  1. If I Had You - Kenny Burrell
  2. Once I Loved (Amor Em Paz) - Joe Henderson
  3. Isn't It A Pity - Sarah Vaughan
  4. My Foolish Heart - Bill Evans
  5. I Remember Clifford - Art Blakey
  6. It's Nice To Be With You - Jim Hall
  7. It Might As Well Be Spring - Astrud Gilberto
  8. Isn't It Romantic - Benny Carter
  9. When A Woman Loves A Man - Ella Fitzgerald
  10. This Can't Be Love - George Shearing
  11. You Go To My Head - Chet Baker
  12. Autumn In New York - Tal Farlow
  13. But Beautiful - Bill Evans
  14. Agua De Beber - Antonio Carlos Jobim
  15. Manhattan - Sonny Rollins

Tracks:

  1. (Ad Lib) Fast Dances - Fred Astaire
  2. Party Blues - Ella Fitzgerald
  3. Sister Sadie - James Clay
  4. The Organ Grinder's Swing - Jimmy Smith
  5. Perdido - Duke Ellington
  6. Back Beat Boogie - Harry James
  7. At Last - Marlena Shaw
  8. Little Girl Blue - Louis Armstrong
  9. So Danca Samba - Luiz Bonfa
  10. Shall We Dance - Cassandra Wilson
  11. Rose Room - Buddy DeFranco
  12. King Porter Stomp - Benny Goodman
  13. Taking A Chance On Love - Nicholas Payton
  14. Corner Pocket - Count Basie
  15. (Ad Lib) Medium Dance - Fred Astaire

Tracks:

  1. I've Got A Crush On You - Sarah Vaughan
  2. It Had To Be You - Billie Holiday
  3. You're A Weaver Of Dreams - John Coltrane
  4. This Love Of Mine - Al Hibbler
  5. Misty - Don Byas
  6. Invitation - Dinah Washington
  7. The Nearness Of You - Abbey Lincoln
  8. Time After Time - Stephane Grappelli
  9. Imagination - Billy Eckstine
  10. That's All - Lester Young
  11. I Should Care - Mel Torme
  12. 'Round Midnight - Miles Davis
  13. Someone To Watch Over Me - Roland Kirk
  14. It's Easy To Remember - Johnny Hartman
  15. Reaching For The Moon - Ella Fitzgerald
  16. You Don't Know Me - Shirley Horn
  17. Where Are You - Ben Webster
  18. There's No You - Louis Armstrong
  19. Memories Of You - Clifford Brown

Amazon.com

This bargain-priced four-CD set presents itself as easy, event-based listening, with the CDs individually titled "Wining," "Dining," "Dancing," and "Romancing." A glimpse at the track list and personnel, however, immediately reveals that, much more than "easy listening," it's an extraordinary collection of jazz performances culled from the Verve archives and including material from the label's classic and recent periods, as well as from subsidiary labels.

The selection has been made with remarkable thoughtfulness, pulling out tracks that may surprise even veteran listeners. John Coltrane plays "You're a Weaver of Dreams" with the Miles Davis rhythm section in a 1959 session. There's also Miles's 1958 rendition of "Round Midnight" with arranger Michel LeGrand. And there's a live Paris recording of "Whisper Not" by Art Blakey's Jazz Messengers with Lee Morgan. When Al Hibbler sings "This Love of Mine," he's backed by the perfectly Ellingtonian horns of Johnny Hodges and Ben Webster.

"Dancing" picks up the tempo and swings with vigor, but the other volumes are almost textbooks on the art of ballad playing, with many of the greatest saxophonists, trumpeters, and vocalists represented, and a healthy sampling of pianists and guitarists as well. Sure, it functions as mood music, but there's none of the usual artificiality or manipulative effects. It's jazz, often of the highest order and filled with a spirit of timeless romance. --Stuart Broomer

Customer Reviews:

5 out of 5 stars Wondrous.......2006-07-25

Glorious, fabulous, fantastic! There are names here that no sane person could ever tire of. A delightful collection from an incomparable era. Enjoy.

5 out of 5 stars The Best!!!!.......2005-08-14

I'm a die-hard Ella Fitzgerald fan, and when I heard her along with Louis Armstrong and such other greats as Sarah Vaughan, Duke Ellington, George Shearing, Chet Baker, Dizzy, and others, I absolutely had to buy it. Have given it as gifts on many occasions, and everyone loves it....even the youngsters ( between 25 and 40)!. Great buy, and great gift for any occasion.

E. Perry

4 out of 5 stars If you're going out tonight, you'll need this..........2005-06-10

Absolutely love the collection from Verve's archives. Features some of the best and the most beloved performers of great Jazz era. Wining, Dining, Dancing and my favorite Romancing. Seems like there is a limitless list of absolute fantastic ballads and wonderful dance numbers. Beautiful music, will recommend to everyone I see.

5 out of 5 stars A great set at a great price.......2003-01-03

I bought this box (paid a little more!) and it's totally worth it. Each disc sets a different mood with a mixture of standards and obscure tracks. Verve is one of the legendary jazz labels with many varied artists. The sound quality throughout is perfect. You can't lose.

5 out of 5 stars A Night Out with Verve Box Set.......2002-08-28

Excellent box set. Would highly recommend to anyone. If you want to hear some great jazz classics performed by some of the best, definitely give it a whirl. Two thumbs up and five stars in my book.

Jazz Music:

  1. The New Edge
  2. Time After Time
  3. Tony Fruscella [Limited Edition] [Original recording remastered] [Import]
  4. Two Big Mice
  5. Ups and Downs
  6. What Do You Want Me to Do?
  7. Zoot Case
  8. A Night at Kimball's East [Live]
  9. A Night with Poncho Sanchez Live: Bailar [Live]
  10. Alone at Last [Limited Edition] [Original recording remastered] [Import]

Jazz Music

jazz music