| 1. Wade in the Water [Alternate Take][*] |
| 2. Wade in the Water |
| 3. Panic Room Blues |
| 4. Nobody Knows the Trouble I've Seen |
| 5. Meditation |
| 6. Holla |
| 7. So Tired |
| 8. Deep River |
| 9. Jubilation |
The Big Soul Band,Johnny Griffin Orchestra,Ojc,Hard Bop,Jazz,Pop,Progressive Big Band
Average customer rating:
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Concord Records SACD Sampler 1 (Multichannel Hybrid SACD)
Various Artists Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000BWVCO Release Date: 2003-09-09 |
Tracks:
- Beija-Flor - The Jim Hall Quartet
- Come With Me - Tania Maria
- Straighten Up And Fly Right - Rosemary Clooney
- Watermelon Man - Poncho Sanchez With Special Guest Mongo Santamaria
- Listen Here - The Gene Harris Quartet
- My Handy Man Ain't Handy No More - Carmen McRae
- Airegin - Tito Puente
- Blood Count - The Stan Getz Quartet
- Love Walked In - Mel Torme, Rob McConnell and the Boss Brass
- Serengeti - Cal Tjader
- In Walked Bud - Art Blakey And The Jazz Messengers
- O Nosso Amor - The Charlie Byrd Trio With Special Guest Ken Peplowski
- Spring Will Be A Little Late This Year - Michael Feinstein With The Israel Philharmonic Orchestra
Customer Reviews:
Good Music.......2007-06-08
I enjoy even when I listen with red book player. The CD layer also very good when compare to SACD layer.
One of my favorite album.
very good sound.......2007-01-03
voices in the room .......2006-03-14
Excelent.......2006-01-02
sound quality on SACD is first rate.
Good jazz SACD sampler.......2005-06-06
Sound is good and well separated on the analogue 6 channel output designed for playing such a disc. But the music taste of the disc producer is strictly a jazz taste which doesn't meet that of a lot of music listeners. Beija-Flor, Come with me and Watermelon man are fantastic.
As a conclusion, it's a reliable SACD sampler but not comparable to DVDA which has almost the same sound fidelity, and include further videos, lyrics, photos and interviews.
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Save My Soul
Big Bad Voodoo Daddy Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009YRSB Release Date: 2003-07-08 |
Tracks:
- Zig Zaggity Woop Woop Pt. 1
- You Know You Wrong
- Always Gonna Get Ya
- "Don't You" Feel My Leg
- Oh Yeah
- Simple Songs
- Next Week Sometime
- Save My Soul
- I Like It
- Zig Zaggity Woop Woop Pt. 2
Amazon.com
Big Bad Voodoo Daddy did more than any other band to fuel the sing revival of the '90s, due largely to the group's appearance in the 1996 film Swingers. Since then, the craze has waned, although you couldn't tell it by BBVD. If anything, the combo has approaches their fifth album with more gusto and verve than ever, infusing their old-school jive and greasy horns with a New Orleans sensibility and panache and, in the process, creating their strongest album yet. Although their songs sound like they were lifted right out of the Zoot-suited '40s, the band writes all their own material, taking swing into a raw and modern direction. Big Bad Voodoo Daddy by rights will still be here when the next wave of swing arrives. --Jaan UhelszkiCustomer Reviews:
Great type of Jazz........2006-08-17
A 5 star treat indeed that is mmm delish.......2006-07-26
Fun, soulful, carefree...like the spirit of New Orleans.......2006-07-04
I saw them perform recently at the House of Blues in New Orleans. It was an incredible show. Just prior to singing the title track of this CD, Save My Soul, lead singer Scotty Morris told the crowd that he had written the song 14 years ago. He felt he owed a debt of gratitude to the musical tradition of New Orleans. But now, post-Katrina, the song carries more meaning for him and for all who love N'Awlins.
Save My Soul is a fun, soulful, and carefree CD. Buy it. Enjoy it. Share it with those you love.
Highly recommended!
This is the Best!.......2005-01-20
Hear Oh Yeah in the PC Game Casino Empire!.......2004-10-14
Average customer rating:
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The Dude
Quincy Jones Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GC2 Release Date: 1990-10-25 |
Tracks:
- Ai No Corrida
- The Dude
- Just Once
- Betcha' Wouldn't Hurt Me
- Somethin' Special
- Razzamatazz
- One Hundred Ways
- Velas
- Turn On The Action
Customer Reviews:
More from the Master.......2007-07-14
Quincy's Best Album Ever.......2007-06-20
The God Father of Record Production.......2006-07-08
--A. David Burleigh (aka: "Big Dave") an 'AmeriCanadian' Record Producre/ Artist/ Singer-Songwritre.
A Real Guilty Pleasure!.......2006-07-06
Every song here is a classic, and two of the tracks "Just Once" and "One Hundred Ways" are among the best-loved pop hits of the early 80's. "Ai No Corrida" and the title track are my favorites, though. They are hip, and there is plenty of instrumental meat behind the catchy vocals. If you like Steely Dan, Toto, early Michael Jackson albums, I think you will find a lot to enjoy here. Thanks for reading my review.
A Classic Indeed!.......2006-06-13
By the time Q released this one, he'd produced "Off The Wall" for Michael Jackson, "Masterjam" for Rufus & Chaka Khan, "Light Up The Night" for The Brothers Johnson, "Give Me The Night" for George Benson and I believe he produced Patti Austin's classic "Every Home Should Have One" round about the same time. He'd been busy and it showed. He had more or less honed his skills to perfection. To me, this album would've marked the musical if not commercial peak of his career but then of course, the following year he topped it all with "Thriller".
This is his best 'solo' output though, smooth as silk and as cool as cucumber. Not a note out of place and everything as clear as crystal, with horns crisp and tight. Patti Austin provides the lead vocals for four out of the nine tracks here: "Betcha' Wouldn't Hurt Me", "Somethin' Special", "Razzamatazz" and "Turn On The Action". Q's new find James Ingram provides lead vocals for three: "The Dude", the classic "Just Once" and "One Hundred Ways". "Velas" is a magnificent jazz piece by the harmonica player, "Toots" Thielemans and the opener, "Ai No Corrida" is lead by Charles May and someone introduced to us as "Dune". I wonder if anyone ever heard from HIM again?
The ex-Heatwave frontman Rod Temperton wrote three out of the nine and co-wrote one. Stevie Wonder contributed one he co-wrote with Stephanie Andrews and I heard the rest were either brought to Q's attention or he searched through a batch of songs (as producers do), until he had found the exact ones he wanted.
All the greats feature here: Stevie Wonder himself, Herbie Hancock, Ernie Watts, Michael Jackson, Steve Lukather, David "Hawk" Wolinski (he of Rufus and Chaka Khan fame), the legendary percussionist Paulinho DaCosta and Louis Johnson.
Great music never grows old and this is one they'll be playing well into the next century. Quincy Jones at his best!
Average customer rating:
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The Complete Johnny Mercer Songbook
Various Artists Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DLUK Release Date: 1998-11-03 |
Tracks:
- Blues In The Night (My Mama Done Tol' Me) - Louis Armstrong
- I Thought About You - Billie Holiday
- Come Rain Or Come Shine - Anita O'day
- Hit The Road To Dreamland - Mel Torme
- Dearly Beloved - Margaret Whiting
- Goody Goody - Buddy Rich
- Skylark - Ella Fitzgerald
- Laura - Billy Eckstine
- Day In-Day Out - Sarak Vaughan
- Early Autumn - Woody Herman
- I Remember You - Dinah Washington
- Any Place I Hang My Hat Is Home - Helen Merril/Gil Evans
- Too Marvelous For Words - Joe Williams
- Autumn Leaves - Dee Dee Bridgewater
- One For My Baby (And One More For The Road) - Billie Holiday
- Jeepers Creepers - Bing Crosby/Buddy Bregman's Orchestra
Tracks:
- Something's Gotta Give - Ella Fitzgerald
- That Old Black Magic - Shirley Horn
- P.S. I Love You - Billie Holiday
- Ac-Cent-Tchu-Ate The Positive - Buddy Rich
- I'm Old Fashioned - Margaret Whiting
- Midnight Sun - Ella Fitzgerald
- Dream - Dinah Washington
- On The Atchison, Topeka, And The Santa Fe - Jack Teagarden
- Trav'lin' Light - Billie Holiday
- Moon River - Sarah Vaughan
- Once Upon A Summertime - Astrud Gilberto
- Too Marvelous For Words - Oscar Peterson
- When The World Was Young - Anita O'Day/Three Sounds
- A Kiss From You - Billy Eckstine, Benny Carter
- Hit The Road To Dreamland - Cleo Laine
- Out Of This World - Helen Merrill
Tracks:
- I Remember You - Charlie Parker
- Out Of This World - Gerry Mulligan/Concert Jazz Band
- Too Marvelous For Words - Lester Young
- Come Rain Or Come Shine - Bill Evans
- Mandy Is Two - Stan Getz
- Jeepers Creepers - Benny Carter
- Satin Doll - Johnny Hodges
- That Old Black Magic - Erroll Garner
- Tangerine - Coleman Hawkins/Ben Webster
- Charade - Quincy Jones
- Laura - Don Byas
- I'm Old Fashioned - Oscar Peterson
- Skylark - Paul Motian
- Day In-Day Out - Terry Gibbs Big Band
- When The World Was Young - Stan Getz
- Days Of Wine And Roses - Joe Henderson/Wynton Kelly Trio
Customer Reviews:
Listen and dream.......2006-11-10
If you have the music, he has the words .......2006-06-06
This collection does not include them all but contains enough to show why he is considered one of the greatest lyricists popular American song ever produced.
One oddity with Mercer is that many of his greatest hits came from melodies, music which had been pre- produced and which he was asked to write the words for. So for instance the beautiful haunting 'Autumn Leaves' was given lyrics after it had come to America from France.
Mercer is also the only lyric writer to have been honored by an 'Ella Fitzergald Songbook' collection.
Average customer rating:
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Sounds...And Stuff Like That!!
Quincy Jones Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GC4 Release Date: 1990-10-25 |
Tracks:
- Stuff Like That
- I'm Gonna Miss You In The Morning
- Love, I Never Had It So Good
- Tell Me A Bedtime Story
- Love Me By Name
- Superwoman (Where Were You When I Needed You)
- Takin' It To The Streets
Customer Reviews:
Has it's stand out moments.......2007-05-16
Q Marks The Spot.......2006-06-12
But most of all, I'm just bored beyond endurance with the majority of music coming out these days and have decided to spend my money going into the archives and revamping my record collection.
I am completely unabashed about my adoration for Quincy Jones. To me he is literally the best producer, conductor and arranger of my generation and I very much doubt I'll see anything to equal him in my lifetime. From the various magazine interviews and TV appearances of him I've seen, he seems like a pretty cool dude too.
This is the album that introduced to Q. I was 15 going on 16 and up until that point, the pinnacle of my musical pleasures had been provided by disco queens and old-school reggae dons. I mention no names. And then one day, my mother sent me out for some milk and I stopped by the house of this older guy I was friends with at the time. He told me he'd just bought a new album and asked me if I wanted to hear something special. I said sure, he put the record on and time just seemd to stand still. I stood there, transfixed, eyes wide open and mouth agape. And this was just to the first strains of the first song on the album, the title track, "Stuff Like That."
I literally didn't move a muscle until my friend had played the entire first side of the album and the first two songs of the second side. I was entranced. I had never heard anything like it. The clarity of the music (My friend had a pretty decent sound system. Sure it was 1978 but still), the lush orchestration that while complex was never overbearing, the solos...
And then there were the voices... boy, what that man can do with voices.
I came to, and left to run my errand. I got a sound clip around the ear for being late with the milk. Happy days. I vowed I was going to get a copy of the album for myself and vowed I was going to get a stereo system like my friend's. It was a year before I succeeded with the former and another nine before I managed the latter but there can be no doubt: It was Quincy Jones who set me on the path to the appreciation of quality music. That same year, Q produced The Brothers Johnson's "Blam!" and the soundtrack to "The Wiz", which is how he got to meet Michael Jackson. The following year he produced Jackson's "Off The Wall". The rest, as the say, is history.
It was on this album that Q introduced us to Bruce Swedien (even his name sounds efficient somehow) and his "Acousonic Recording Process". There's a detailed explanation of how the process works on the album/CD inner sleeve and whatever it is they do, it seems to work. Few producers have been able to match the quality of the sound produced by the collaboration of Jones and Swedien. It's my bet that few ever will.
The album is a veritable array of stars, both established and emerging (at the time):
"Stuff Like That", a funky tune featuring Valerie Simpson and the legendary Chaka Khan on vocals. Sax solo by George Young.
"I'm Gonna Miss You In The Morning", a ballad featuring Patti Austin and the late Luther Vandross on vocals (and this was some years before he went on to become the megastar that he did). Lyricon solo by Tom Scott.
"Love, I Never Had It So Good", a stomping choral piece with Patti Austin and Charles May on lead vocals. Electric sax solo by Michael Brecker, Fender Bass solo by Anthony Jackson.
"Tell Me A Bedtime Story", probably the first ever jazz tune that made me sit up and pay attention. Herbie Hancock lays down electric piano improvisations and Harry Lookofsky records his violin over the track, copying Hancock note for note. He doesn't do it just once though. He does it several times, over and over, and the end result sounds like an entire string section. But it was just one man! Flute solo by Hubert Laws.
"Love Me By Name", intense ballad sung by Patti Austin. Keyboards by Herbie Hancock, Guitar by the late Eric Gale.
"Superwoman (Where Were You When I Needed You)", another, more mid-tempo ballad sung by Patti Austin. Flute solos by Hubert Laws, Electric piano solo by Herbie Hancock, Lyricon solo by Tom Scott.
"Takin' It To The Streets", brings the album to a close with a gospel-influenced stomper. Luther Vandross and Gwen Guthrie, both of who have since passed away, sadly, provide vocals. Tenor sax solo by Michael Brecker.
There are no extras on the CD, no gimmicky remixes or video clips and that suits me just fine. There are just seven pieces of good quality music. Best money I've spent all month.
Average Q, Above Average for Everybody Else.......2005-10-17
An all-time favourite.......2005-09-12
Quincy, I Never Had it So Damn Good!.......2005-01-26
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Body Heat
Quincy Jones Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GAO Release Date: 1990-10-25 |
Tracks:
- Body Heat
- Soul Saga (Song Of The Buffalo Soldier)
- Everything Must Change
- Boogie Joe, The Grinder
- Reprise: Everything Must Change
- One Track Mind
- Just A Man
- Along Came Betty
- If I Ever Lose This Heaven
Customer Reviews:
Not his usual stuff.......2007-04-18
Released in 1974, this album did not age a single day; on the contrary, in today's fast life, if you are not in a Jazzy mood nor in the R&B or soul mood, this album would perfectly fit on your CD player, because it is not really Jazz, Soul or R&B, yet it has all these sounds well mixed and tuned into each other.
Last and not least, if you enjoy this album, make sure to check the followings:
The Brothers Johnson; Look out for # 1 (produced and arranged a year later by Mr. Jones with the same feel as `Body heat")
War: the world is a ghetto
Roy Ayers: Mystic Voyage
Enjoy
Superb.......2006-02-21
Quincy At A Potent Juncture.......2005-07-20
Beautiful vocals & fine arrangements..........2003-07-22
This c.d has the best ever version of this song.(I realise that George Benson later covered the song as did Randy Crawford.) The other track that blew me away was the stunning version of "If I Ever Lose This Heaven"...Minnie Riperton was at her best on this track. (her untimely death still leaves a huge void in the music world ). The arrangements ,again,are wonderful especially on the Benny Golson song "Along came Betty"
All in all this c.d . has everything on it, from low down 'n' dirty funk( as on "Boogie Joe, The Grinder") to cool soulful jazz and even when I play it today I find it still hasn't lost any of its excitement or feeling from 1974!
It is , however, a very short recording but as they say, good things do come in small packages!
Fan Forever!.......2002-05-24
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Walking in Space
Quincy Jones Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004STN3 Release Date: 2000-04-18 |
Tracks:
- Dead End
- Walking In Space
- Killer Joe
- Love And Peace
- I Never Told You
- Oh, Happy Day
Amazon.com
Everybody knows that Quincy Jones is the world's greatest pop producer, but if you're under 30, you might not know about his jazz work with Lionel Hampton, Dizzy Gillespie, and Frank Sinatra. This brilliant 1969 disc combines the precision music making you'd find on a movie soundtrack with the lively blowing of a soul-jazz jam session. Of course, when Q calls, people come to play, and this date is chock full of stars. On the title track, vocalist Valerie Simpson (of Ashford & Simpson) graces Ray Brown's deep-bottomed bass lines with an airy alto, topped by Hubert Laws's fluent flute work and Rahsaan Roland Kirk's multisax solo. Jones's spirited take on the gospel standard "Oh, Happy Day" retains the Sunday soul vibe of Ray Charles, and "Dead End" rolls with an urbanized juke-joint vibe. Jones's arrangement of Benny Golson's "Killer Joe" is a classic, with trumpeter Freddie Hubbard's bravura solo lent nuance by Jones's magic touch. --Eugene Holley Jr.Customer Reviews:
Walking In Space.......2006-07-06
A reference album of modern big band in the 60s.......2006-02-18
Where to begin? Let me try with my dear track, Johnny Mandel's theme from 'That Cold Day in The Park', here under the title 'I Never Told You', here with such beautiful lines by Toots Thielemens.
There's also Benny Golson's 'Killer Joe', really a killer with Freddie Hubbard on trumpet and Hubert Laws on flute.
Such definitive arrangements, a treasure forever.
Outstanding CD from the 60s.......2006-01-22
A Great Recording! Joy Joy! Buy Now!!!.......2006-01-19
Jones masterly ear for harmonic hues and the relentlessly spirited swinging performances of the band kick this record into my "classic" pantheon of jazz records. It's that good, People.
Killer Joe's definative recording finds its perfect tempo, the chorus building on mahogany rich chord voicings. The title track is a heady 14 minute jazz-trip (a 1970 thing, man) with playful, melodic, hard-swinging solos (after a few listens you'll be humming along with them) from flute master Hubert Laws and sax giant Rahsaan Roland Kirk.
The rhythm section bounces gleefully all over this record and the vividly crystal analog recording captures the exquisite horn textures and crackling rim shots with thrilling results. Somewhere in the space between granite-solid mainstream jazz and inventive late 60's pop this stands as a really good rekerd.
This record is over 13 years of age. Thank You.
Essential.......2005-02-08
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Big Band Bossa Nova
Quincy Jones Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DLUR Release Date: 1998-11-03 |
Tracks:
- Soul Bossa Nova
- Boogie Stop Shuffle (Issued As 'Boogie Bossa Nova')
- Desafinado
- Mahna de Carnaval (Morning Of The Carnival)
- Se E Tarde Me Pardoa (Forgive Me If I'm Late)
- On The Street Where You Live
- Samba De Una Nota So (One Note Samba)
- Lalo Bossa Nova
- Serenata
- Chega De Saudade (No More Blues)
- A Taste Of Honey
Amazon.com
Even when he was a full-time jazz cat, Quincy Jones always had an ear for the pop aesthetic. This 1962 record does contain a good bit of, how you say, queijo in its unsubtle arrangements, but it is for the most part an accessible, entertaining, and bubbly affair. And with musicians of the caliber of Rahsaan Roland Kirk, Paul Gonsalves, Clark Terry, Jim Hall (who can't help but be tasteful), and Phil Woods all contributing ideas, a baseline quality is assured. Most significantly, Jones goes beyond the expected Jobim and Bonfa cuts to fit Lerner & Loewe and even Mingus into bossa nova's bright clothes. --Marc GreilsamerCustomer Reviews:
Is there more than just the Austin Powers Theme?.......2007-06-08
Big Band Bossa Nova by Quincy Jones.......2007-02-03
Sorry to say, this is a TERRIBLE album -- he was just trying to capitalize on a "thing" at the time..... disappointing. Period.
Most BossaNova is best when done by small groups -- BUT, if you insist on a big/larger bands, get Stan Getz's Big Band Bossa Nova CD. That's a terrific album. This flat-out STINKS (and I like most of Q's other work).
As a qualifier of sorts, I've been to Rio, am a former broadcaster and DO know music.
just like the title says.......2006-06-04
This is awkward Samba played by a great Big Band.......2006-02-18
Unfortunately percussion has completeley spoiled all tracks.
This is not Bossa Nova,not even Samba.
Sorry for a great project with great arrangements.
Happy Happy Happy!.......2005-04-07
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A Night Out With Verve
Various Artists Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004ZEJJ Release Date: 2000-10-24 |
Tracks:
- Come Dance With Me - Oscar Peterson
- There Is No Greater Love - Dizzy Gillespie
- As Long As I Live - Kenny Burrell
- I Wished On The Moon - Coleman Hawkins
- A Smooth One - Junior Mance
- On The Sunny Side Of The Street - Johnny Hodges
- Whisper Not - Anita O'day
- Li'l Darlin' - Joe Pass
- Love You Madly - Monty Alexander
- What's New - George Benson
- Broadway - Tal Farlow
- You Are Too Beautiful - Sonny Rollins
- Portrait Of Jennie - Wynton Kelly
- Fall Out - Paul Desmond
- La Vie En Rose - Michel Legrand
- I Still Love Him So - Roy Eldridge
Tracks:
- If I Had You - Kenny Burrell
- Once I Loved (Amor Em Paz) - Joe Henderson
- Isn't It A Pity - Sarah Vaughan
- My Foolish Heart - Bill Evans
- I Remember Clifford - Art Blakey
- It's Nice To Be With You - Jim Hall
- It Might As Well Be Spring - Astrud Gilberto
- Isn't It Romantic - Benny Carter
- When A Woman Loves A Man - Ella Fitzgerald
- This Can't Be Love - George Shearing
- You Go To My Head - Chet Baker
- Autumn In New York - Tal Farlow
- But Beautiful - Bill Evans
- Agua De Beber - Antonio Carlos Jobim
- Manhattan - Sonny Rollins
Tracks:
- (Ad Lib) Fast Dances - Fred Astaire
- Party Blues - Ella Fitzgerald
- Sister Sadie - James Clay
- The Organ Grinder's Swing - Jimmy Smith
- Perdido - Duke Ellington
- Back Beat Boogie - Harry James
- At Last - Marlena Shaw
- Little Girl Blue - Louis Armstrong
- So Danca Samba - Luiz Bonfa
- Shall We Dance - Cassandra Wilson
- Rose Room - Buddy DeFranco
- King Porter Stomp - Benny Goodman
- Taking A Chance On Love - Nicholas Payton
- Corner Pocket - Count Basie
- (Ad Lib) Medium Dance - Fred Astaire
Tracks:
- I've Got A Crush On You - Sarah Vaughan
- It Had To Be You - Billie Holiday
- You're A Weaver Of Dreams - John Coltrane
- This Love Of Mine - Al Hibbler
- Misty - Don Byas
- Invitation - Dinah Washington
- The Nearness Of You - Abbey Lincoln
- Time After Time - Stephane Grappelli
- Imagination - Billy Eckstine
- That's All - Lester Young
- I Should Care - Mel Torme
- 'Round Midnight - Miles Davis
- Someone To Watch Over Me - Roland Kirk
- It's Easy To Remember - Johnny Hartman
- Reaching For The Moon - Ella Fitzgerald
- You Don't Know Me - Shirley Horn
- Where Are You - Ben Webster
- There's No You - Louis Armstrong
- Memories Of You - Clifford Brown
Amazon.com
This bargain-priced four-CD set presents itself as easy, event-based listening, with the CDs individually titled "Wining," "Dining," "Dancing," and "Romancing." A glimpse at the track list and personnel, however, immediately reveals that, much more than "easy listening," it's an extraordinary collection of jazz performances culled from the Verve archives and including material from the label's classic and recent periods, as well as from subsidiary labels.The selection has been made with remarkable thoughtfulness, pulling out tracks that may surprise even veteran listeners. John Coltrane plays "You're a Weaver of Dreams" with the Miles Davis rhythm section in a 1959 session. There's also Miles's 1958 rendition of "Round Midnight" with arranger Michel LeGrand. And there's a live Paris recording of "Whisper Not" by Art Blakey's Jazz Messengers with Lee Morgan. When Al Hibbler sings "This Love of Mine," he's backed by the perfectly Ellingtonian horns of Johnny Hodges and Ben Webster.
"Dancing" picks up the tempo and swings with vigor, but the other volumes are almost textbooks on the art of ballad playing, with many of the greatest saxophonists, trumpeters, and vocalists represented, and a healthy sampling of pianists and guitarists as well. Sure, it functions as mood music, but there's none of the usual artificiality or manipulative effects. It's jazz, often of the highest order and filled with a spirit of timeless romance. --Stuart Broomer
Customer Reviews:
Wondrous.......2006-07-25
The Best!!!!.......2005-08-14
E. Perry
If you're going out tonight, you'll need this..........2005-06-10
A great set at a great price.......2003-01-03
A Night Out with Verve Box Set.......2002-08-28
Jazz Music:
- The New Edge
- Time After Time
- Tony Fruscella [Limited Edition] [Original recording remastered] [Import]
- Two Big Mice
- Ups and Downs
- What Do You Want Me to Do?
- Zoot Case
- A Night at Kimball's East [Live]
- A Night with Poncho Sanchez Live: Bailar [Live]
- Alone at Last [Limited Edition] [Original recording remastered] [Import]