Raucous neo-bop instrumental frenzy from a band that could introduce some fresh ideas and sounds to a new generation. The name to tout is Pearl Jam's Stone Gossard, who puts his imprimatur on these hyperactive, sax-driven jams in his role as co-producer. "Shag," "Naked Truth" (featuring singer Shawn Smith from the Seattle band Brad), and "Double Pot Roast Backpack" are standouts. --Jeff Bateman
Guest,Critters Buggin,Loose Groove Records,Pop,Rock
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House Party
Dan Zanes Manufacturer: Festival Five Rec. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CC85J Release Date: 2003-10-07 |
Tracks:
- House Party Time
- Wabash Cannonball - with Bob Weir
- Queremos Bailar
- Hop Up Ladies
- Washington At Valley Forge
- Jamaica Farewell - with Angelique Kidjo
- Tankoh-Bushi
- Down In The Valley
- Waltzing Matilda - with Deborah Harry
- West Indian Counting Song
- Sunny Old Sun
- Tennessee Wig Walk
- Shining Star
- How Do You Do? - with David Jones
- Daniel In The Den
- Surrounded By Friendship
- Old Joe Clark
- Hey Little Red Bird
- We Shall Not Be Moved
- A Place For Us - with Phillip Glass
Amazon.com
For parents, listening to Dan Zanes provides not only instant Raffi relief, but also the warm sense of belonging to the right crowd. On each disc he trots out a posse of cool friends like Sheryl Crow, Suzanne Vega, and Lou Reed and he delivers his openhearted lyrics with the rare roots-rocker's gift for stirring grace into grit. It would seem that the release of his fourth record, House Party would be ripe for a backlash--how long can the hokey conceit of a bunch of aging groovsters banging out kids' tunes in a Brooklyn basement hang onto its charm? Looks like we'll have to wait and see, because House Party rages on with the same winning, welcome-to-our-homespun-revolution vibe as its predecessors. Deborah Harry takes a twirl on "Waltzing Matilda," Bob Weir fires up the "Wabash Cannonball," and Angelique Kidjo bids "Jamaica Farewell," but the Zanes originals are this record's proving grounds, and they pin the tail on the donkey with bulls-eye precision. Contributions from returning regulars Barbara Brousal and Rankin' Don--the best couple of favors a party could hope for--send Zanes' campaign to become the guy who turned lampshade-wearing into a kindergarten fashion craze soaring. --Tammy La GorceCustomer Reviews:
Dan's first album...Wiggle the Wiggles out of your CD Player.......2007-06-12
So do yourself a favor, swap out Wiggles or Barney for Dan and his Friends, and enjoy kids music once again.
Thank goodness for Dan Zanes!!!!!!.......2007-05-21
When I was a single college gal, I remember listening to very hip, fun music. Then came pregnancy and babies. Then Baby Einstein music (which is good, but sounds like someone's ballerina jewelry box after awhile), Barney, Sesame Street and nursery rhyme CDs that took over my music collection. Ack!!! What happened to me? I decided it was time to search for something new for me and the kids to listen to.
After finding this CD and loving it, I just assumed that my one-year-old and four-year-old would not like DZ because it sounded too different from what they were used to. Boy, was I wrong! My older one thinks she is listening to "cool music" -- which she is! We especially like the "Wabash Cannonball" but every song on here is a hit with my kids. The guy is truly talented, and it's just great stuff. And it's fun to hear the celeb singers on a kid's album. Finally, we all have "cool music" to listen to!
My daughters favorite!.......2007-05-14
Dan is her new best friend.......2007-05-13
Kids love it.......2007-03-09
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Essential Mozart: 32 Of His Greatest Masterpieces
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A8JZ Release Date: 2001-03-13 |
Tracks:
- Eine kleine Nachtmusik, K525: Allegro - Academy Of St Martin-In-The-Fields
- Piano Concerto No.21 In C Major, K467: Andante - Radu Lupu
- Le nozze di Figaro: Voi che sapete - Cecilia Bartoli
- Clarinet Quintet In A Major, K581: Largetto - Peter Schmidl
- Ave verum Corpus, K618 - James Vivian
- Vesperae solennes de confessore in C major: Laudate Dominum - Emma Kirkby
- Concerto For Flute And Harp In C Major: Andantino - Lisa Beznosiuk
- Le nozze di Figaro: Overture - London Philharmonic Orchestra
- Cosi fan tutte: Trio: Soava sia il vento - Renee Fleming
- Symphony No.39 in E-flat Major, K495: Andante con moto - Chicago Symphony
- Horn Concerto: Rondo - Barry Tuckwell
- Don Giovanni: Serenade Deh, vieni alla finestra - Bryn Terfel
- Contredanse In C Major, K609 No.1 'Non piu andrai' - Vienna Mozart Ensemble
- German Dance, K605 No.3 'Sleigh Ride' - Vienna Mozart Ensemble
- Piano Concerto No.23 In A Major, K488: Adagio - Vladimir Ashkenazy
- A Musical Joke, K522: Presto - Vienna Mozart Ensemble
Tracks:
- Symphony No.40 In G Minor, K550: Molto allegro - Vienna Philharmonic
- Piano Sonata No.16 In C Major: Allegro - Andras Schiff
- The Magic Flute: Queen Of The Night: Der Holle Rache - Sumi Jo
- Clarinet Concerto In A Major, K622: Adagio - Franklin Cohen
- Don Giovanni: La ci darem la mano - Cecilia Bartoli
- Serenade in Bb Major, K361: Adagio - London Wind Soloists
- Der Vogelfanger bin ich ja - Hermann Prey
- Le nozze di Figaro: Dove sono - Kiri Te Kanawa
- Violin Concerto No.3 in G Major, K216: Adagio - Joshua Bell
- Requiem, K626: Lacrimosa - Vienna Philharmonic
- Litaniae de venerabili altaris sacramento: Dulcissimum convivium - Margaret Marshall
- Piano Sonata No.11 In A Major, K331: Rondo alla turca - Andras Schiff
- Don Giovanni: Champagne aria: Fin ch'chan dal vino - Bryn Terfel
- Divertimento No.17 in D Major, K334: Minuet & trio - Vienna Mozart Ensemble
- Exsultate, jubilat, K165: Alleluja - Leontyne Price
- Symphony No.41 In C Major, K551 'Jupiter': Finale: Molto allegro - Vienna Philharmonic
Customer Reviews:
Gorgeous music, bad quality cd........2007-04-13
stutters halfway through, and seizes up my system. I don't have time to return items to Amazon. On the positive side, most of the time Amazon provides quality products and service. I gave 3 stars because I love the music.
Great music, low quality reproduction.......2007-01-30
A nice introduction.......2006-02-22
Mozart is the reference point for good classical music........2005-10-20
"We exposed these animals [rats] in utero and then sixty days after birth to different types of auditory stimulation and then we ran them in a spatial maze. And sure enough, the animals that were exposed to the Mozart completed the maze faster and with fewer errors. And now what we're doing is we're removing their brains so we can slice them and see neuro-anatomically precisely what has changed as a function of this exposure. So it may be that this intense exposure to the music is a type of enrichment that has similar effects on the spatial areas of the hippocampus of the brain." --Dr. Frances Rauscher
Dr. Frances Rausher sums up what I feel happening when I expose myself to this incredible composer (Mozart).
I have yet to grow tired of any of the tracks yet, but I will invest in more of his work soon.
Mozart's music.......2005-10-17
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Beauty and the Beast - Special Edition Soundtrack
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TQ5A Release Date: 2001-12-18 |
Tracks:
- Prologue - Paige O'Hara
- Belle - Paige O'Hara
- Belle (Reprise) - Richard White
- Gaston - Richard White
- Gaston (Reprise) - Richard White
- Be Our Guest
- Something There - Paige O'Hara
- Human Again - Angela Lansbury
- The Mob Song - Richard White
- Beauty And The Beast
- To The Fair
- West Wing
- The Beast Lets Belle Go
- Battle On The Tower
- Transformation
- Be Our Guest (Demo)
- Beauty And The Beast (Work Tape And Demo)
- Beauty And The Beast - Celine Dion
- Death Of The Beast (Original Early Version)
Amazon.com essential recording
After the success of their score for The Little Mermaid, the songwriting team of Howard Ashman and Alan Menken returned to Disney for their second fairy-tale adaptation. Sadly, it was the duo's last completed score before Ashman's untimely death at age 41. This soundtrack contains more-conventional show music than The Little Mermaid, owing in large part to Broadway stalwart Angela Lansbury and to Jerry Orbach's Yves Montand impersonation. Most of the songs here were included in the subsequent Broadway adaptation and its cast album, but this disc is superior in its studio polish and cast, which is better suited to the score. --John SanchezCustomer Reviews:
a true masterpiece in every sense of the word.......2007-05-10
alan menken's hauntingly beautiful score is a true masterpiece. the musical scores for the west wing and the beast lets belle go are moving and powerful. the emotional level that every piece reaches is amazing and menken absolutely deserved this oscar for best score. this is not only his best score, but quite possibly one of the greatest musical scores in history.
SCORE 5 out of 5
the songs are all quite powerfull and fun with a definate broadway, its no wonder that it was so seamlessly turned into a broadway musical.
BELLE - this is the strongest opening to ever appear in a disney film. the broadway feel makes it a great way to kick off the film it is both fun and quirky but definately contains a more serous undertone. this was originally suppossed to be shortened down, but luckilly it was left intact. paige o'hara as belle is nothing short of amazing.
5 out of 5
BELLE (REPRISE) - this is short but is very strong due again to o'hara's vocals. her vocals paired with ashman's stirring lyrics of longing make this short but definately a winner.
5 out of 5
GASTON - this is a fun song that is both witty and darkly clever. ashman's lyrics and richard white's performance as gaston carry this song. it may be the weakest of the piece, but it's still fun and catchy and shouldn't be missed
3 out of 5
GASTON (REPRISE) - this is really just an extention of the song listed above, but this one is much more twistidly clever and is actually stronger that the first song.
3 out of 5
BE OUR GUEST - this is one of the most famous songs from the soundtrack and its obveous why after just one listen. jerry orbach and angela landsburry both give great performances that along with menken's french-influenced score and ashman's fun clever lyrics make this song sound fun and fresh. its a great song that really does epitimize the fun of the piece and of ashman's lyrics.
5 out of 5
SOMETHING THERE - this is a short little song but it is the first hint at belle and the beast as lovers. o'hara and robby benson both give great but short performances. orbach, lansbury and david ogden stiers also give fun performances as the objects. this is beautiful and romanticly sweet little song.
5 out of 5
HUMAN AGAIN - this wasn't included in the original theatrical film (why i dont know) this is a great song that is fun and brilliant. ashman yet again outdoes himself with great lyrics and again the household objects give dynamic performances. im so glad that this is back for the special edition since its a real gem that shouldn't be missed.
5 out of 5
BEAUTY AND THE BEAST - this is the most famous song from the movie and it won the oscar for best original song. just one listen shows why. lansbury gives a beautifully moving performance as mrs potts singing this. this is of course the song that shows the beast and belle as lovers and it does so perfectly. this song never dumbs things down it goes for the full romantic punch. well done
5 out of 5
THE MOB SONG - this is possibly the cleverest piece. the use of shakespearean lyrics make this a twisted and dark piece that effectively shows human nature that still rings true today. this is an overlooked but strong song that again is lifted by white's performance as the now sinister gaston.
5 out of 5
the best part of all these songs is how none of them dumb down the romance or more "adult" themes for the kiddies. this film allows itself to be fully romantic and that's why it has been so praised and lived on in such a flattering light. the near-perfect music not only aided this, but were a crucial part of this maturity.
SONGS OVERALL 5 out of 5
as i said earlier, this is one the greatest film scores of all times. it may not be as recognizable or memorable as say star wars or gone with the wind, but the emotional punch that it makes elevates it far past these other two scores. menken truly outdid himself and ashman's lyrics work perfectly. the performances from all the performers are dynamic, fun, powerful, and intense. everythign works perfectly here and truly makes for an experience that is truly magical.
Great Disney CD: For Children of all ages.......2007-02-19
I especially enjoyed " BE our Guest". This is an all around excellent Disney CD with lots of vocals,and intrigue. The singers are very talented, and well re-hearsed. I love this CD. It's worth the money. Go and buy it!!!
got this as a present for someone else.......2007-01-04
The Story Captured Through Song........2006-09-29
"Be Our Guest"--this song revived the huge dance numbers that were once commonplace in movie musicals.
"Something There"--BEAUTY AND THE BEAST is a love story and though that love is often brought to mind by the title song, it is this number that truly captures the essence of what happens between Belle and Beast.
"The Mob Song"--out of all the songs on the album, this is the one with the most masculine appeal. It's a song about burning down castles and killing an unfamiliar creature that poses no threat. There's nothing like a dash of good old violence to get the blood flowing.
This is a great soundtrack for any Disney fan, any patron of musicals, and people who love the film.
My children listen to this CD over and over.......2006-08-25
Average customer rating:
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The Wurst of P.D.Q. Bach
Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000EDR Release Date: 1993-12-03 |
Tracks:
- Allegro/Tema Con Variazione/Menuetto Con Panna E Zucchero
- Aria/Recitative/Ground/Recitative/Aria
- New Horizons In Music Appreciation Beethoven's Fifth Symphony
- Larghissimo-Allegro Boffo/Menuetto Con Brio Ma Senza Trio/Adagio Saccharino/Yehudi Menuetto/Presto Hey Nonny Nonnio
- What's My Melodic Line?
- Madrigal, 'My Bonnie Lass She Smelleth'
Tracks:
- IV Andante-Allegro
- I. Introduction/II. Overture/III. Recitative And Aria, 'Now Is the Season'/IV. Trio, I'm Sure I'd Be'/V. Opera Whiz/VI. Synopsis Of Plot/VII. Finale Of Opera
- Fugue In C Minor (Fuga Vulgaris) For Calliope Four Hands
- Oratorio, 'The Seasonings', S. 1/2 Tsp.
Customer Reviews:
This is a MUST for anyone who enjoys classical music ... .......2006-06-07
Peter Schickele (with whom I am occasionally confused - we apparently look alike!) - has got to be one of my all-time favorite composers. When I was in graduate school, I took considerable abuse from my fellow music lovers for actually having MORE albums by P.D.Q Bach than by J. S. Bach (though I think it was barely a one-point margin, really...)
But the "New Horizons in Music Appreciation" approach to Beethoven's 5th symphony is not only a musical analysis of the piece as it is being played, but a slam on the constant "blah-blah-blah" that one hears during ANY sports event.
"My Bonnie Lass She Smelleth" has got to be my all-time favorite spoof of the overly pompous "art song" oratorio. I've encouraged one of my colleagues (who directs the college chorale where I teach) to include it in a program, to no avail. One of these days, I'll put my money where my mouth is - and buy sheet music for the entire chorale.
This is one of only two albums that I have in (a) vinyl, (b) tape, and (c) CD format. That should be some indication of how very, very special I believe this to be. [The other, for those who are interested, is Joan Baez' "Diamonds and Rust."]
This has been around for years, and there's a good reason. Schickele is not only funny when he wants to be, but a supremely accomplished composer and musician, with dozens and dozens of serious musical scores to his credit as well.
PDQ Bach -- The Spike Jones of Classical Music.......2006-03-16
Recaptured (Twisted) Youth.......2003-03-31
I store it in the CD changer in my car........2002-10-06
tune I have always thought of as sappy sweet, played on violins,
with a background of horns, (I don't know what piece, but it
makes me thing of something noble and civilized) making it a
definitive statement of a benevolent sense of life.
PDQ Bach's other works are delighfully absurd, as are Peter
Schickele's commentaries. (Well I have a new set of friends now)
New Horizons in Music Appreciation Indeed..........2002-08-08
One of the things about P.D.Q. Bach is that the more I learned about classical music the funnier I found it. Yes, I have enough memories of my mother insisting on playing the Texaco Opera quiz throughout the house on a Saturday afternoon to appreciate why "What's my Melodic Line?" and its exploration of the mysteries of the Baroque is funny, but it was not until I saw "Amadeus" and listened to "The Marriage of Figaro" that I understood why the recitatias in the Cantata "Iphigenia in Brooklyn" were hysterical (I was tempted to share this story of Iphigenia with my Classical Mythology class, but given their tentativeness to explore Euripides I did not think it wise to have them get neck deep in Schickele). Then again, the Madrigal "My Bonnie Lass She Smelleth" really needs no explanation, so there is something for everybody here, no matter what you level of understanding of classical music.
In discussing the works of P.D.Q. Bach with others it becomes clear that you can no more put together an idea collection of his "best" work than you can for lesser composers like Mozart or Beethoven. But you are certainly going to find a few old favorites and maybe one or two pieces that you have hitherto managed to avoid.
Now, if we can only get a University of Southern North Dakota at Hoople t-shirt...
Average customer rating:
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Beauty And The Beast: Original Motion Picture Soundtrack
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001M13 Release Date: 1991-11-01 |
Tracks:
- Prologue
- Belle
- Belle (Reprise)
- Gaston
- Gaston (Reprise)
- Be Our Guest
- Something There
- The Mob Song
- Beauty And The Beast
- To The Fair
- West Wing
- The Beast Lets Belle Go
- Battle On The Tower
- Transformation
- Beauty And The Beast (Duet)
Amazon.com essential recording
After the success of their score for The Little Mermaid, the songwriting team of Howard Ashman and Alan Menken returned to Disney for their second fairy-tale adaptation. Sadly, it was the duo's last completed score before Ashman's untimely death at age 41. This soundtrack contains more-conventional show music than The Little Mermaid, owing in large part to Broadway stalwart Angela Lansbury and to Jerry Orbach's Yves Montand impersonation. Most of the songs here were included in the subsequent Broadway adaptation and its cast album, but this disc is superior in its studio polish and cast, which is better suited to the score. --John SanchezCustomer Reviews:
a true masterpiece in every sense of the word.......2007-05-10
alan menken's hauntingly beautiful score is a true masterpiece. the musical scores for the west wing and the beast lets belle go are moving and powerful. the emotional level that every piece reaches is amazing and menken absolutely deserved this oscar for best score. this is not only his best score, but quite possibly one of the greatest musical scores in history.
SCORE 5 out of 5
the songs are all quite powerfull and fun with a definate broadway, its no wonder that it was so seamlessly turned into a broadway musical.
BELLE - this is the strongest opening to ever appear in a disney film. the broadway feel makes it a great way to kick off the film it is both fun and quirky but definately contains a more serous undertone. this was originally suppossed to be shortened down, but luckilly it was left intact. paige o'hara as belle is nothing short of amazing.
5 out of 5
BELLE (REPRISE) - this is short but is very strong due again to o'hara's vocals. her vocals paired with ashman's stirring lyrics of longing make this short but definately a winner.
5 out of 5
GASTON - this is a fun song that is both witty and darkly clever. ashman's lyrics and richard white's performance as gaston carry this song. it may be the weakest of the piece, but it's still fun and catchy and shouldn't be missed
3 out of 5
GASTON (REPRISE) - this is really just an extention of the song listed above, but this one is much more twistidly clever and is actually stronger that the first song.
3 out of 5
BE OUR GUEST - this is one of the most famous songs from the soundtrack and its obveous why after just one listen. jerry orbach and angela landsburry both give great performances that along with menken's french-influenced score and ashman's fun clever lyrics make this song sound fun and fresh. its a great song that really does epitimize the fun of the piece and of ashman's lyrics.
5 out of 5
SOMETHING THERE - this is a short little song but it is the first hint at belle and the beast as lovers. o'hara and robby benson both give great but short performances. orbach, lansbury and david ogden stiers also give fun performances as the objects. this is beautiful and romanticly sweet little song.
5 out of 5
HUMAN AGAIN - this wasn't included in the original theatrical film (why i dont know) this is a great song that is fun and brilliant. ashman yet again outdoes himself with great lyrics and again the household objects give dynamic performances. im so glad that this is back for the special edition since its a real gem that shouldn't be missed.
5 out of 5
BEAUTY AND THE BEAST - this is the most famous song from the movie and it won the oscar for best original song. just one listen shows why. lansbury gives a beautifully moving performance as mrs potts singing this. this is of course the song that shows the beast and belle as lovers and it does so perfectly. this song never dumbs things down it goes for the full romantic punch. well done
5 out of 5
THE MOB SONG - this is possibly the cleverest piece. the use of shakespearean lyrics make this a twisted and dark piece that effectively shows human nature that still rings true today. this is an overlooked but strong song that again is lifted by white's performance as the now sinister gaston.
5 out of 5
the best part of all these songs is how none of them dumb down the romance or more "adult" themes for the kiddies. this film allows itself to be fully romantic and that's why it has been so praised and lived on in such a flattering light. the near-perfect music not only aided this, but were a crucial part of this maturity.
SONGS OVERALL 5 out of 5
as i said earlier, this is one the greatest film scores of all times. it may not be as recognizable or memorable as say star wars or gone with the wind, but the emotional punch that it makes elevates it far past these other two scores. menken truly outdid himself and ashman's lyrics work perfectly. the performances from all the performers are dynamic, fun, powerful, and intense. everythign works perfectly here and truly makes for an experience that is truly magical.
Great Disney CD: For Children of all ages.......2007-02-19
I especially enjoyed " BE our Guest". This is an all around excellent Disney CD with lots of vocals,and intrigue. The singers are very talented, and well re-hearsed. I love this CD. It's worth the money. Go and buy it!!!
got this as a present for someone else.......2007-01-04
The Story Captured Through Song........2006-09-29
"Be Our Guest"--this song revived the huge dance numbers that were once commonplace in movie musicals.
"Something There"--BEAUTY AND THE BEAST is a love story and though that love is often brought to mind by the title song, it is this number that truly captures the essence of what happens between Belle and Beast.
"The Mob Song"--out of all the songs on the album, this is the one with the most masculine appeal. It's a song about burning down castles and killing an unfamiliar creature that poses no threat. There's nothing like a dash of good old violence to get the blood flowing.
This is a great soundtrack for any Disney fan, any patron of musicals, and people who love the film.
My children listen to this CD over and over.......2006-08-25
Average customer rating:
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Guest Host
Stew Manufacturer: Telegraph Media ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6Q1 Release Date: 2000-09-12 |
Tracks:
- Cavity
- She's Really Daddy Feelgood
- Essence
- Re-hab
- Into me
- Ordinary Love
- Man In A Dress
- The Stepford Lives
- Bijou
- Sister/Mother
- Cmon Everybody
Album Description
Stew's unique and compelling view of the world as seen through the strange prism of Los Angeles create soundscapes from the heavy groove and sexual intrigue of tracks like 'She's Really Daddy Feelgood' and 'Into Me' to moving, almost elegaic anthems inspired by urban landscapes like 'Cavity' and 'C'mon Everybody' to beautifully skewed songs like 'Ordinary Love' and 'Sister/Mother', this album, from The Telegraph Company, is a stellar body of work.Customer Reviews:
Great songwriting.......2005-01-20
The best album I bought all year!.......2001-10-03
It was one of those Cds I just took a chance on... I liked the cover, the blurbs,the songs titles, etc. and just went ahead and bought it. I wound up with a cd that instantly entered my all-time top 20 list. The first track "Cavity" gives you a good idea what this album is all about-- killer melody, intelligent lyrics, passionate singing, interesting arrangements. Some songs may be difficult to decipher---they tend to be loaded with insider-references to everything from the music biz to the Bible--- but even if you aren't into unraveling all the lyrics, you'll still be able to enjoy the tunes. Stew sounds like a hybrid of Van Morrison and Harry Nilsson with Elvis Costello-esque lyrics and a penchant for Brain Wilson-like arrangements. Now, how can that be bad? Ultimately though, Stew is a true original, and thoughtful listeners should really enjoy his odd ruminations on love, innuendo-laced turns-of-phrase, LA-music-scene-name-dropping (playing checkers/with a roadie from Save Ferris) and sometimes heartbreakingly honest delivery.
What if one musical mastermind listened to and digested every blip of music that emerged from America in the last half century and made an album that succesfully blended everything from Fleetwood Mac to Motown to The Beach Boys? Well, "Guest Host" would be a pretty good guess. It's the rare record that is obviously referential and reverent, but never come across as derivative or "clever". Many bands have tried and failed to make this type of album. Stew has suceeded wildly. A landmark album.
A revelation!.......2000-11-07
Stew -- slow and steady.......2000-11-06
Make A Permanent Space In Your CD changer.......2000-10-22
Average customer rating:
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The (Complete) Session recorded in London w/ great guest artists
Jerry Lee Lewis Manufacturer: Hip-O Select ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BQS6TK Release Date: 2006-08-01 |
Product Description
Jerry Lee Lewis first trip to the United Kingdom ended in less than spectacular fashion, as the tabloids got hold of the age (and ancestry) of his young bride. In 1973, though, he returned triumphantly. His all-star backing band includes Eric Clapton, Rory Gallagher, Peter Frampton, Albert Lee, Alvin Lee, The Whos Kenney Jones, Procol Harums Matthew Fisher, and Gary Wright, among others. Virtually all of the previously releases of these sessions were truncated in some fashion, usually to satisfy the demands of the medium (only eighty minutes on a CD, so either tracks had to go, or the number of discs had to increase). As a consequence, six songsSatisfaction, Dungaree Doll, I Cant Give You Anything But Love, Be Bop A Lula, Goldmine In The Sky, and Singing The Blues make their CD debut on the Select release. And how does Jerry Lee sound in the company of these talented artists backing him up? Better than he had since the Fifties. Not only did he take on such early rock hits as Frankie Fords Sea Cruise, Johnny Rivers Memphis and Chuck Berrys Johnny B. Goode, but he also turned in creditable versions of Gordon Lightfoots Early Morning Rain and Creedences Bad Moon Rising. Hes totally on his game throughout, surprisingly laid back as he pumps the piano with virtuosic intensity, letting his fingers do the talking. The man from Ferriday, Louisiana, is rocking big time on this finally-restored-to-its-original-glory album.Customer Reviews:
Jaw Dropping.......2007-06-12
A great historical recording.......2007-05-28
Jerry Lee's terrifying answer to the "1968 Elvis Comeback Special".......2007-05-08
No Comparison!.......2005-10-31
Average customer rating:
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Greatest Hits Of The National Lampoon
Manufacturer: Uproar ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002CHIOW Release Date: 2004-06-01 |
Tracks:
- Deteriorata - Norman Rose
- Save The Whales - Tony Hendra
- Colorado - Chevy Chase
- I'm A Woman - Gilda Radner
- Well-Intentioned Blues - Christopher Guest
- Mission: Impeachable - Chevy Chase
- Kung Fu Christmas - Christopher Guest
- Mister Roberts - Brian Doyle-Murray
- Gymnasty - Brian Doyle-Murray
- Pizza Man - Alice Playten
- The Immigrants - John Belushi
- Those Fabulous Sixties - Christopher Guest
- Magical Mystery Tour - Tony Hendra
Customer Reviews:
Magical Misery Tour.......2005-05-17
Embrace the Misery!.......2005-01-09
Some incredibly funny stuff, some not so much..........2004-09-28
So, why should you buy this disc? Well, here's why you shouldn't: "Save The Whales" is good for one listen only, and frankly, should have been done much better; "I'm A Woman" is a testiment to the fact that Gilda Radner was both overrated and, at times, incredibly annoying (although, in all fairness to her, the material itself was dated and silly probably 18 months after it was first recorded and would have been if anyone else had done it); "Pizza Man", a "tribute" to vocal stylings of 1950's rock/doo-wop that comes across as one of those "Is this supposed to be funny or just stupid?" moments; and "Those Fabulous Sixties" which is a head scratcher in terms of why in the hell this one was included. So, you ask, what is left? What is left indeed. The remaining tracks teeter between incredibly funny to sheer, total brilliance. "Deteriorata" is an amazing, and amusing, parody of the incredibly insipid "Desidorata", one of the top selling singles of the early 70's. "Colorado" demonstrates that not only was Chevy Chase once funny, he was also undeniably multi-talented; "Well-Intentioned Blues", a hysterical blues parody by Christopher Guest, and, arguably, the best thing on this CD; "Mission:Impeachable", another Chase gem that both amusingly and chillingly distillates the entire Watergate scandal in about two minutes; "Kung Fu Christmas", another funny song, "Mister Roberts", a howlingly funny (and loving) take on Mr. Rogers, with both Guest and Bill Murray displaying their collective genius in what is the funniest bit on the disc; "Gymnasty", a short, shockingly funny bit that will bring back memories of anyone who remembers the 1976 Olympics; "The Immigrants", a funny take on documentaries and, finally, "Magical Misery Tour", with lyrics that I believe must have been lifted directly from interviews that John Lennon gave in the 70's (there is no way that anyone at the Lampoon could have written anything both this brilliant and twisted!) So, there you have it. Most of the CD is terrific and you will listen to it over and over again. And thanks to the digital age for being able to move quickly past the dumb stuff. Buy it today!
Average customer rating:
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On the Wild Side
John La Barbera Big Band Manufacturer: Jazz Compass ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001BS4S8 Release Date: 2004-03-16 |
Tracks:
- Mayreh
- So What
- Tiger Of San Pedro
- Message From Art
- Walk On The Wild Side Suite
- Cachaca Gotcha
- Eleanor Rigby
- Cloth Of Silver - Threads Of Blue
- Highland Crossing
Customer Reviews:
Inspired musicianship!.......2004-11-22
Jazz Music: