| 1. Sing a Rainbow/The Colors of My Life |
| 2. Love Is Just Around the Corner |
| 3. Gus Kahn Medley: Nobody's Sweetheart/The One I Love/It Had to Be You |
| 4. Trolley Song |
| 5. Mam'selle |
| 6. I Remember |
| 7. Fellin' Groovy |
| 8. I Left My Heart in San Francisco/I'll Be Seeing You |
| 9. They Can't Take That Away from Me |
| 10. Listen Here |
| 11. Didn't We/The Way We Were |
| 12. Yip Harburg a Melody: Old Devil Moon/Look to the Rainbow/We're off To |
| 13. Surrey With the Fringe on Top/You Took Advantage of Me |
| 14. Nearness of You/When I Fall in Love |
New Rememberings,Lynne & Mike,Jazzheads,Jazz,Pop
Average customer rating:
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New Rememberings
Lynne & Mike Manufacturer: Jazzheads ProductGroup: Music Binding: Audio CD ASIN: B000008ULT Release Date: 1998-01-27 |
Tracks:
- Sing a Rainbow/The Colors of My Life
- Love Is Just Around the Corner
- Gus Kahn Medley: Nobody's Sweetheart/The One I Love/It Had to Be You
- Trolley Song
- Mam'selle
- I Remember
- Fellin' Groovy
- I Left My Heart in San Francisco/I'll Be Seeing You
- They Can't Take That Away from Me
- Listen Here
- Didn't We/The Way We Were
- Yip Harburg a Melody: Old Devil Moon/Look to the Rainbow/We're off To
- Surrey With the Fringe on Top/You Took Advantage of Me
- Nearness of You/When I Fall in Love
Customer Reviews:
For romance, musicianship, and creativity, this CD is tops........2005-01-13
A special feature of this album is their creative combination of two different, but complimentary, songs in five tracks, with Lynne singing one song, while Mike sings a completely different one. Somehow Lynne manages to connect the harmonies and tempos of both songs in her accompaniments. "Sing a Rainbow" and "The Color of My Life" are combined, as are "Didn't We" and "The Way We Were," "The Nearness of You" and "When I Fall in Love," "The Surrey with the Fringe on Top and "You Took Advantage of Me," and (my favorite) "I Left My Heart in San Francisco" and "I'll Be Seeing You," one of the most romantic songs in the album. In some cases, the listener hears one song starting the track and a different one ending the track and is oblivious to where the shift between songs takes place.
Two medleys, one consisting of ten Gus Kahn songs and one of Yip Harburg songs, are also major features. The harmonies, lyrical interpretations, instrumental musicianship, and communication with the audience and each other are among the highlights of the album. Concert artists of the highest order, Lynne and Mike should gain even more fans with this album. Mary Whipple
Jazz Music: