Long, Long Journey

1. Long, Long Journey

2. Evil Gal Blues

3. Salty Papa Blues

4. Blow Top Blues

5. So Tired

6. Solitude

7. I May Be Wonderful

8. Man Wanted

9. Among My Souvenirs

10. Blues to End All Blues

11. Osculate Me, Daddy

12. Mean to Me

13. Ai't No Hurry Baby

14. My Sleepy Head

15. Richest Guy in the Graveyard

16. I Sold My Heart Ot the Junkman

17. Overwork Blues

18. This Is a Fine Time

19. Misery Is a Thing Called Moe

20. WHT Ev'ry Woman Knows

Long, Long Journey,Etta Jones,Past Perfect,Jazz,Jazz Vocals,Pop

Jazz

Music

jazz

music

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: Nice Live Junkies Outstanding Concert Footage Does anyone out there know how to film a concert? An outstanding CD/DVD combo showcases the Junkies live For Junkies Of The Junkies

Long Journey Home Cowboy Junkies Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music Canada | North America | International | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Similar Items: At the End of Paths Taken Early 21st Century Blues West Lay It Down Open Road ASIN: B000IFRQ86 Release Date: 2006-10-24

Tracks:

1. 32:20
2. `Cause Cheap Is How I Feel
3. Pale Sun
4. He Will Call You Baby
5. A Horse in the Country
6. The Slide
7. I Don't Get It
8. Good Friday
9. Helpless
10. Misguided Angel
11. Sweet Jane

Tracks:

1. Sweet Jane
2. 'Cause Cheap Is How I Feel
3. 200 More Miles
4. Why This One
5. Pale Sun
6. He Will Call You Baby
7. Sun Comes Up It's Tuesday Morning
8. 32:20
9. Black Eyed Man
10. 1000 Year Prayer
11. A Horse in the Country
12. Notes Falling Slow
13. The Slide
14. I Don't Get It
15. Good Friday
16. Helpless
17. Isn't It a Pity
18. Misguided Angel

Amazon.com

For 20 years the Cowboy Junkies have created bluesy hypnotic spells while eschewing the expected forms of the genre. Taking their cues from the pre-Chicago, pre-electric blues of the Mississippi Delta, they've drawn from the resonance of solitary, acoustic performers in spreading the sound over an ensemble while not cluttering the sound in the least. This set's title includes a word they've used before: "home" (Miles from Home, 1998). It embodies a sensibility that is reflected in the band's success at maintaining a stance consistent with how they've presented themselves over the course of their career. Michael Timmins's songs have always been perfectly suited to the voice of his sister Margo. At their most spare, as on "Misguided Angel," his guitar and her singing manage to imply vast expanses and layered intricacies. Recorded at the end of their 2004 tour, this CD and DVD release is a testament to a band who can play songs from the earliest years of their catalog and never be on automatic pilot. A rare and wonderful thing indeed: the Cowboy Junkies have found out how to not get lost in their own legacy. --David Greenberger

Album Description

Recorded and filmed at the Liverpool Philharmonic Hall in England at the end of their 2004 tour, Long Journey Home is one of the strongest performances the Cowboy Junkies have ever put on tape. The album and DVD feature stunning renditions of Junkies classics such as "Sweet Jane" and "Misguided Angel" along with recent favorites like "Notes Falling Slow" and "He Will Call You Baby," plus several inspired cover songs, including a sublime version of Neil Young's "Helpless." Long Journey Home is a testament to why the Cowboy Junkies have remained one of the most original and important bands of the past 20 years. DVD audio options include Stereo and 5.1 Surround Sound.

Customer Reviews:

Nice Live Junkies.......2007-01-12

Previously released as a DVD only, it is nice to have a CD to go along with the DVD. It is well worth the price of admission in particularly for a somewhat more aggressive "Sweet Jane" highlighting Mike Timmins stellar guitar work, as well as an extended "32-20 Blues". Other standouts are "Pale Sun" and "He Will Call You Baby". The concert footage is excellent due to great performances of both old and newer selections. The DVD has 7 additional songs. My only gripe is that this combo CD and DVD should have been the only release. Having two releases is kind of a rip off of the longtime fans of this great Canadian group. Hence only 4 stars rather than 5.

Outstanding Concert Footage.......2007-01-10

I have been a Junkies fan since the mid 80's. I love all of their stuff. I have every album and each one is as good as the other, however, this one blew me away. Both the DVD and the CD are great. I enjoyed especially the version of "Sweet Jane" and "Good Friday". They also have a great live cover of "Helpless". I highly recommend this to any Cowboy Junkies fan.

Does anyone out there know how to film a concert?.......2006-12-24

The cd is great and the dvd could have been great had it been filmed correctly. Who's bright idea was it to light Margo's face from above using a cold blue light that made her look like a wrinkled corps? And why can't anyone film a concert where a camera shot lasts more than five seconds. The editing keeps jumping from one shot to another every 3 seconds. Cowboy Junkie songs are rich and sumptuous. The constant change in camera shot detracts from the experience. A great band like this deserves better. Their fans deserve better. Hope we get a better dvd next time. That's a lot of betters.

An outstanding CD/DVD combo showcases the Junkies live.......2006-12-10

CD: 4 stars; DVD: 4.5 stars

The Cowboy Junkies celebrate their 20 years existence as a band with the release of another live album, less than 2 years following the live "Open Road" album. This particular album was taped at a show in Liverpool, England, in October, 2004 during the "One Soul Now" tour.

The DVD (18 tracks, plus 3 interviews; 180 min.) brings the 2 hour show in its entirety and is as top notch as I can ever remember the Cowboy Junkies. Starting of with a 10 min. cover of Lou Reed's "Sweet Jane", a song that the CJ have made their own over the years, the 2 hours flow by like a dream. Michael Timmins' guitar work shines throughout, and Margo Timmins' singing has gotten stronger and more confident in the last 10 years. Other great tracks include the 14 min. epic "32-20 Blues" (the Robert Johnson tune), with mesmerizing solos throughout, "The Slide", a beautiful cover of Neil Young's "Helpless", and the closer "Misguided Angel", with just Michael and Margo by themselves. Of the extras, only the half hour interview with Michael and Margo is really worth watching. Let's give a big thumbs up, though, to the band for maximizing the content capacity of this DVD (3 hours long!).

The CD (11 tracks, 70 min.) is a more curious affair. For whatever reason, not only was a selection made from the songs brought that night, but strangely the running order was completely mixed up. So the CD starts midway in the concert, with the afore-mentioned "32-20", and the evening's opener ("Sweet Jane") is now the closer! Once you've seen the DVD, you expect the CD to run like the actual show, but it doesn't. That said, the Cowboy Junkies really are at their peak on this set.

In all, this CD/DVD combo is a wonderful gift for Cowboy Junkies fans all over, and available at a very fan-friendly price here on Amazon. Highly recommended! If you like Cowboy Junkies, check out Over the Rhine, which is similiar in style (OtR just issued a new all-original Christmas album called "Snow Angels").

For Junkies Of The Junkies.......2006-10-30

Similar to and different from the Cowboy Junkies 2004 release of "Open Road" which documented the band's song book auditorialty and visually during their 2000-2001 tours, "Long Journey Home" continues the CD/DVD combo treatment that will please dedicated fans more than the casual listener.

The Junkies 2004 tour wrapped up in the musically historic city of Liverpool, a specific nod to why the band chose to record on this date. The DVD concert program is professionally shot with multi cameras that provide intimate views of each member on thier instruments. The band performs a solid setlist which spans most of their albums (some of which get smart re-working) and a few then-current covers. However, the winning factor is that the Junkies were in top notch attention with eachother and planned to visually capture this concert on thier terms (as opposed to the made-for-television performances on "Open Road") that results in a genuinely focused Cowboy Junkies concert. Fortunately, the extras are not all waste. If one can get anything from the in-depth interviews - it reinforces that each band member is still excited and energized about continuing to make music in the future - "even when their 65 and playing the Holiday Inn circuit" as the band's production manager states.

The CD program contains tracks culled from that same performance in Liverpool, only the concert is edited and the setlist is re-arranged. To me, an opportunity was missed to capture the true nature of the Junkies entire 2004 tour onto CD (much like the live "Waltz Across America" release). Because the Junkies record each of their concert dates, "Long Journey Home" should have been a collection of songs from that tour's cities as opposed to a briefed re-hash of what is already hear on the DVD. For that reason alone, the 5 star rating has been dropped to a 4.


While the entire performance is strong, my personal highlights are mainly their new material from "One Soul Now" and thier interpretive choice of cover songs:

Robert Johnson's "32-20 Blues" (a 14+ minute hypnotic jam interwoven with multiple free-form solos while anchored by a liquidy simple-groove bassline).

George Harrisons "Isn't It A Pity" (which appeared live b/f the band's 2005 "21st Century Blues" album).

Neil Young's "Helpless" (captured live after being placed on the Junkies "Neath Your Covers" ep which sistered their "One Soul Now" album).

Average customer rating: Great western soundtrack a very memorable cd a very memorable cd a very memorable cd Truly Incredible

All the Pretty Horses (2001 Film) Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Country | Styles | Music New Traditionalist | Contemporary Country | Country | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: All the Pretty Horses The Straight Story: Music from the Motion Picture Soundtrack Street Talk Think a Second Time Gladiator: Music from the Motion Picture ASIN: B000056KYJ Release Date: 2001-01-16

Tracks:

1. Cowboy's Dream
2. Canyon Sonata
3. All the Pretty Horses
4. Purty Dad Gum Good
5. After the Rain
6. Mild Cello Blues
7. Malarki Opus in D Major
8. John Grady's Angel
9. Edge of the World
10. Get My Boots
11. Strawberry Tango, Pt. 1-2
12. King of Horses
13. Far Away (Alejandra's Phone Call)
14. Porque
15. Love Montage
16. Ain't That a Drag
17. My Last Days on Earth/What's It Like to Be Dead?
18. Long Journey Home
19. Candles and Lies
20. Rainy Room
21. Far Away
22. Far Away (Reprise)
23. Cowboy's Dream/All the Pretty Horses [Medley]

Amazon.com

Novelist Cormac McCarthy's literary vision of the wild west is given wide-screen treatment by maverick director Billy Bob Thornton and a cast that includes Matt Damon, Penelope Cruz, and Bruce Dern. Professional country music journeyman Marty Stuart has performed with father-in-law Johnny Cash, Earl Scruggs, and Doc Watson, in addition to a successful solo career. In his soundtrack scoring debut, he provides short, meditative instrumental pieces that are subtly explosive--rife as they are with strains of old-school country and bluegrass. Cinematic strings and orchestral percussion add a welcome menacing edge, augmenting the rustic approach without crossing over into a compromised "countrypolitan" sound. If anything, it might be nice to hear these themes extended. As it stands, the 23 listed tracks are covered in a little under 50 minutes, with many of the cuts barely lasting more than a minute or two. They stand as a new genre of cinematic country minimalism. --Rob O'Connor

Customer Reviews:

Great western soundtrack.......2004-02-28

This is a must buy for fans of western soundtracks.It mixes beautifully symphonic music with Guitar music and spices it up all together with a south of the border flavor. Haunting music that will make you want to never take it out of your cd changer. It also
Features two vocal pieces, the first a spanish song sung by the very talented Raul Malo of the country group the mavericks, the second song is a beautiful ballad sung by Marty Stuart. Though I never owned any cd's of Marty Stuart he earns my respect with composing this film score.(cowboy hats off to you Mr.Stuart)

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

Truly Incredible.......2003-03-12

This album is a masterpiece. Within the first strums of the guitar, you feel as though you are among the southwestern hills. It has immediately become one of my favorites of all-time. The songs are filled with beautiful imagery, enchanting tunes, and haunting melodies. The shortness of the songs in unnoticable, as each song blends into the next, and the album itself serves as one epic journey. It is not meant to be listened to a song at a time, but as a whole. As I said, it is truly incredible. I would recommend it to absolutely anyone.

Average customer rating:

Stages of a Long Journey Eberhard Webber Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Similar Items: Universal Syncopations 2 Prezens Being There A Long Story Time and Time Again ASIN: B000OLG5BI Release Date: 2007-07-24

Average customer rating: One last touch of Paris (but oversold by the critics) wonderful perforance of excellent songs Classic Rorem Songs! Come To Pop, Baby! Worthy indeed - a gem

Susan Graham - Songs of Ned Rorem Susan Graham , Martin Martineau , and Ensemble Oriol Manufacturer: Erato ProductGroup: Music Binding: Audio CD Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Divas | Opera & Vocal | Styles | Music | Bartoli, Cecilia | Battle, Kathleen | Bonney, Barbara | Caballe, Montserrat | Callas, Maria | Crespin, Regine | Eaglen, Jane | Ferrier, Kathleen | Flagstad, Kirsten | Fleming, Renée | Freni, Mirella | Gheorghiu, Angela | Horne, Marilyn | Janowitz, Gundula | Jones, Gwyneth | Kasarova, Vesselina | Kirkby, Emma | Larmore, Jennifer | Ludwig, Christa | McDonald, Audra | Milanov, Zinka | Modl, Martha | Nilsson, Birgit | Norman, Jessye | Otter, Anne Sophie von | Podles, Ewa | Ponselle, Rosa | Price, Leontyne | Sayao, Bidu | Scotto, Renata | Soderstrom, Elisabeth | Sutherland, Joan | Te Kanawa, Kiri | Troyanos, Tatiana | Upshaw, Dawn | Vishnevskaya, Galina | Von Stade, Frederica Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music | Rachmaninov, Sergei | Ramirez, Ariel | Ravel, Maurice | Rodgers, Richard | Rossini, Gioacchino | Saint-Saens, Camille | Satie, Erik | Scarlatti, Alessandro | Schubert, Franz | Schumann, Robert | Shostakovich, Dmitri | Sibelius, Jean | Spontini, Gasparo | Strauss Jr., Johann | Strauss, Richard | Stravinsky, Igor | Tchaikovsky, Peter Ilyich | Thomas, Ambroise | Toselli, Enrico C to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music | Caballe, Montserrat | Callas, Maria | Caruso, Enrico | Cassinelli, Ricardo | Christie, William | Church, Charlotte | Corelli, Franco | Crespin, Regine | Della Casa, Lisa | Di Stefano, Giuseppe | Eaglen, Jane | Ferrier, Kathleen | Fischer-Dieskau, Dietrich | Flagstad, Kirsten | Fleming, Renee | Ford, Bruce | Freni, Mirella | Gahmlich, Wilfried | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gigli, Beniamino | Gruberova, Edita Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music ( G ) | Featured Performers, A-Z | Classical | Styles | Music | Gahmlich, Wilfried | Galbraith, Paul | Galway, James | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gieseking, Walter | Gigli, Beniamino | Gilels, Emil | Glennie, Evelyn | Goode, Richard | Goodman, Benny | Gould, Glenn | Grainger, Percy Aldridge | Graves, Denyce | Grimaud, Hélène | Gruberova, Edita | Grumiaux, Arthur | Guarneri String Quartet General | Classical | Styles | Music Similar Items: Ned Rorem: Selected Songs The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn) Susan Graham ~ Berlioz - Les nuits d'été Poèmes de l'Amour ASIN: B00004R9BK Release Date: 2000-04-04

Tracks:

1. Sonnet [Bynner]
2. Clouds [Goodman]
3. Early In The Morning [Hillyer]
4. The Serpent [Roethke]
5. Now Sleeps The Crimson Petal [Tennyson]
6. Opus 101 [Bynner]
7. I Strolled Across An Open Field [Roethke]
8. To A Young Girl [Yeats]
9. Jeanie With The Light Brown Hair [after Foster]
10. Ode [de Ronsard]
11. For Poulenc [O'Hara]
12. Littlle elegy [Wylie]
13. Alleluia
14. Look Down, Fair Moon [Whitman]
15. O You Whom I Often And Silently Come [Whitman]
16. I Will Always Love You [O'Hara]
17. The Tulip Tree [Goodman]
18. The Wintry Mind [Bynner]
19. I Am Rose [Stein]
20. The Lordly Hudson [Goodman]
21. O Do Not Love Too Long [Goodman]
22. Far - Far - Away [Tennyson]
23. For Susan [Goodman]
24. A Journey [Glaze]
25. Sometimes With One I Love [Goodman]
26. Love [Lodge]
27. Orchids [Roethke]
28. Stopping By The Woods On A Snowy Evening [Frost]
29. Do I Love You More Than A Day [Larson]
30. Ferry Me Across The Water [Rossetti]
31. The Sowers [Bynner]
32. That Shadow, My Likeness [Whitman]

Amazon.com

Contemporary composer Ned Rorem is typically likened to an American Schubert (living in Paris) for the fecundity, emotional range, and quality of his songs (though this represents only one facet of a prolific career). And Rorem's masterful 1998 cycle Evidence of Things Not Seen would seem to justify that reputation, as does this marvelous anthology from the Rorem songbook of the past half-century. The composer is fond of dividing musicians into the "German" and the "French," clearly identifying himself with the latter for the elusive sparkle and subtle play of shadows that characterize his art. What other kind of sensibility could "through-compose" Gertrude Stein's "I Am Rose" in a deftly perfect 27 seconds? Fortunately, American lyric mezzo Susan Graham intuitively understands this expressive aspect, as does pianist-partner Malcolm Martineau. Graham is constantly attentive to the marriage of music and text in the 32 songs here and phrases their little worlds into being with grace and wit. She can shade to a sweet vanishing point or allow her voice to blossom, orchidlike, into a dazzling profusion of colors. Few of these songs, which draw on the poetry of Walt Whitman, Theodore Roethke, Frank O'Hara, and many others, last more than two minutes. But their resonance lingers, whether in the haunting "Opus 101"--with its lean but potent string trio scoring--or the enigmatic "That Shadow, My Likeness" from Whitman. --Thomas May

Customer Reviews:

One last touch of Paris (but oversold by the critics).......2005-10-11

Ned Rorem is the last survivor, since the death of Virgil Thompson, of the long reach that Paris exerted over a generation of American expatriate composers, many of whom drifted overseas between the wars to study with the legendary Nadia Boulanger. Rorem's songs sometimes have American folk roots, but mostly he writes chansons, and like their French counterparts, his are crystalline, spare, sophisticated, and precisely defined emotionally.

If he were more tlaneted he might have wirtten masterpieces, but mostly this sounds like Samuel Barber on skim milk. Rorem often sets minor, if not trivial poetry. His lyrical gift is modest. But there's no doubt that he has been neglected, largely because of his stubbornly tonal conservatism, and now that tonality is repsectable again, he is being accorded last-minute honors. I'm glad for him, and his best work, which consists of his multi-volume memoirs, has added much to American culture. But even when skillfully sung by an artist of the caliber of Susan Graham, a hour's worth of Rorem's tiny jewel-like chansons is about twice too much at one sitting.

wonderful perforance of excellent songs.......2005-01-20

I'm a neophyte to Ned Rorem's work. To be honest I purchased this CD because I really enjoy listening to Susan Graham. Although I really love hearing Ms. Graham's opera performances, I find it refreshing to hear her singing something in English. I also appreciate how she's taken time to perform something other than opera. Susan Graham's performance of Ned Rorem's songs has me seeking out other performances of his work.

Classic Rorem Songs!.......2004-05-18

Susan Graham has a remarkable mezzo voice and sings Rorem as though she really is a sounding board for the composer. Kudos to her and this CD comes highly recommended to newbies to Rorem songs and those many die-hard fans!

Come To Pop, Baby!.......2004-03-12

Recently, I heard Susan Graham on Garrison Keillor's "Prarie Home Companion" show. Wow! I didn't know who she was, but she had so much humour, verve and style while singing some show tunes, and that incredible voice. I rushed to amazon but all the English language songs I could find seemed to be on this album of Ned Rorem music. Well, whatever the weight lieder songs carry for the Germans, it seems that art songs in English mean songs you can't snap your fingers to, can't slap out a beat to and would never, ever, sing with your friends. I know, I know, I'm a Philistine, but please, Ms. Graham, give us an album of American popular classics, show tunes and the like. When I listened to you on Mr. Keillor's show, if I had been a bell, I'd have been ringing too! You are simply great. Don't let the classical music fans have all the fun. Throw a little our way too. Pretty please.

Worthy indeed - a gem.......2002-08-27

I cannot disagree with "A Music Fan"'s panning of this CD. Having first purchased the Hearing CD which he/she references, I reached the conclusion that Rorem's music was too knotty and "20th century" for repeated listenings and enjoyment. This CD with Susan Graham completely reversed my opinion. The songs are indeed chosen to be accessible, but they are much more than that. They are, simply stated, lovely. This is a disc I will play again and again, and has caused me to investigate many other Rorem CDs. I just came on line to buy it as a gift for a friend. Rorem deserves his due, and this disc gives it to him.

Average customer rating: Cult songwriter crosses country with weird

Long Journey Michael Hurley Manufacturer: Rounder Select ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Old-Time Country | Traditional Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music Outlaw & Progressive Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Revival | Folk | Styles | Music Pop Rock | Pop | Styles | Music Country Rock | Rock | Styles | Music Rounder Records | Specialty Stores | Music Country Folk | Country | Indie Music | Stores | Music General | Folk | Indie Music | Stores | Music Similar Items: Snockgrass Have Moicy! Down in Dublin Good Taste Is Timeless The Moray Eels Eat the Holy Modal Rounders ASIN: B000005YVT Release Date: 1998-03-10

Tracks:

1. Long Journey
2. Portland Water
3. So You Say
4. Reconciled To The Blues
5. You Got To Find Me
6. The 8-Ball Cafe
7. Polynesia
8. Monkey On The Interstate
9. Whiskey Willey
10. Panama Hat
11. Why Should I Have To Worry?
12. The Vt.-Ore. Floor
13. Hog Of The Forsaken
14. In The Garden
15. Watchin' The Show

Amazon.com

Singer/songwriter Michael Hurley walks a thin line between camp and absurdity. On this 1976 Rounder album, he aims his satirical sights on the weird collisions of nature and popular culture ("Monkey on the Interstate") and on more-timeless themes of memory, nostalgia, and the blues. As a singer, Hurley will make no one forget Bill Monroe, but he's affecting, in his own John Prine-esque manner. The musicians who gather round his surreal narratives, including Holy Modal Rounders Peter Stampfel, Dave Reisch, and Robert Nickson, are as witty and colorful in their electro-bluegrass playing as Hurley is in his lyrics. --Roy Kasten

Customer Reviews:

Cult songwriter crosses country with weird.......1998-07-21

Is it folk? Is it country? Is it old-timey? Is it blues? Well, it's not blues.... It's sui generis Michael Hurley. Chicken-skin music from the king of Relaxed Strange. Nobody sees the world quite like Hurley does, and this is one of the great Hurley albums. Buy it: it will change your life.

Related headspace: The Holy Modal Rounders; Jeffery Frederick and the Clamtones.

Average customer rating: ah-HA ... Quite a pleasure, really. A Pleasant Surprise That's It --- I'm Voting for Beeblebrox! So long, that's all Zarquad! What A Hoopy Soundtrack!

The Hitchhiker's Guide to the Galaxy Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Hitchhiker's Guide to the Galaxy (Widescreen Edition) The Hitchhiker's Guide to the Galaxy Charlie & The Chocolate Factory Harry Potter & the Goblet of Fire The Hitchhiker's Guide to the Galaxy ASIN: B0007Z9RDY Release Date: 2005-04-26

Tracks:

1. The Dolphins
2. So Long & Thanks For All The Fish
3. Arthur Wakes Up
4. Shoo-Rah! Shoo-Rah! - Betty Wright
5. Here I Am (Come And Take Me) - Al Green
6. Destruction Of Earth
7. Journey Of The Sorcerer
8. The Hitchhikers's Guide To The Galaxy: Original Soundtrack
9. Inside The Vogon Ship
10. Vogon Poetry
11. Space
12. Vogon Command Centre
13. Trillian & Arthur Reunited
14. Pan Galactic Gargle Blaster
15. Ten In Space
16. Deep Thought
17. Infinite Improbability Drive
18. Viltvodle Street Music
19. Huma's Hymn
20. Capture Of Trillian
21. Vogcity
22. Love
23. The Whale
24. Planet Factory Floor
25. Earth Mark II
26. Magic Moments - Perry Como
27. Shootout
28. Finale
29. Blast Off
30. So Long & Thanks For All The Fish (Reprise)
31. Careless Talk
32. Vote Beeblebrox
33. Reasons To Be Miserable (His Name Is Marvin)

Album Description

The popular "Hitchhiker" books by the late Douglas Adams inspired the engagingly quirky score by Joby Talbot. In addition to the score, the CD features: "Shoo-Rah Shoo-Rah" by Betty Wright; "Here I Am (Come and Take Me)" by Al Green; "Magic Moments " from Perry Como; "So Long and Thanks for All the Fish" by Neil Hannon; "Careless Talk" and "Vote Beeblebrox" by Neil Hannon, Douglas Payne and Andy Dunlop; and "Reasons to be Miserable (His Name is Marvin)" by Stephen Fry.

Joby Talbot began writing and performing in the early '90s, working with artists such as Tom Jones, Paul McCartney, and producer Nigel Godrich. In 2000, his score to the primetime British comedy "The League of Gentlemen" won the Royal Television Society Award for Best Title Music. The British Film Institute commissioned Talbot to compose a new score for Alfred Hitchcock's silent classic "The Lodger." As a classical composer, he has worked with all the major U.K. orchestras and has been commissioned by the prestigious BBC Proms Festival.

Customer Reviews:

ah-HA ... Quite a pleasure, really. .......2006-03-05

.
If you enjoyed the movie [and we will assume that you did since you're here] you will love this soundtrack! It's got Everything!

Much of the work is orchestral. Some of it is techno. There are a couple of pop tune, and Perry Como [it works, trust me].

The Opening Theme "So Long and Thanks for All the Fish" is a gloriously funny show tune. It was funny on screen, but here you can pick out the lyrics. It's even more fun when you can sing along.

It's got the theme from the original radio play "Journey of the Sorcerer", banjo and all. [so did the movie].
Pan Galactic Gargle Blaster is mellow enough to blow your mind.
"Huma's Hymn" about the Coming of the Great White Handkerchief is nothing more then Holy.
The "Planet Factory Floor" is ...Well, it's just plain Huge!

And Stephen Fry rapping. Stephen Fry, Man!! Reginald Jeeves of "Jeeves and Wooster" fame! If you are familiar with Stephen Fry, then the absurdity of him rapping makes this even more fun to listen to. He does the last track called "Reasons to Be Miserable (His Name is Marvin)", and he pulls it off so well!

It's enough to make you want this album!

A Pleasant Surprise.......2005-11-12

The Hitchhiker's Guide movie,for all its stupendous obserdity, had a surprisingly good score that one doesn't usually find in a comedy.

The silly tracks are in there too, and they're just as entertaining as the more traditional stuff. I love the music that is emitted from the Guide; its digital tones sound like a cell phone (except way less annoying and way cooler). Pan Galactic Gargle Blaster is really awesome; it's like chilled Guide techno.

The slower tracks are equally nice. Tea in Space, Love, The Whale, and Space are all so simple and very pretty.

Then there are a few scores that are really big and just plain awesome. So Long and Thanks for All the Fish (and the intro about dophins) is so hysterical...I love how it's all put together. The Journey of the Sorcerer is fantastic. The only thing that's different about this version from the film is the addition of drums, but it's not a bad change at all. Planet Factory Floor is filled with such wonder and hugeness that's perfect for Magrathea. It's followed by the equally awesome Earth Mark II.

The only thing I didn't like about this CD was the addition of
Reasons to Be Miserable (His Name is Marvin). It was just....annoying and incredibly bad. But it's at the end of the CD, so I just don't listen to it. Not a big problem.

If you've seen the movie and enjoyed the music, this CD is definitely worth it. Who knew a comedy could have such epic music in it?

That's It --- I'm Voting for Beeblebrox!.......2005-11-03

By now, you've probably seen the "Hitchhiker's Guide to the Galaxy" movie in a theater, or at least on DVD (if not both.) Now check out the movie's amazing soundtrack.

The two major standouts of this album in my opinion are "Journey of the Sorcerer" and "Vote Beeblebrox." Anyone who's more than a casual fan of "Hitchhiker's" will immediately recognize "Journey of the Sorcerer" as the classic "Hitchhiker's" theme by the Eagles played on both the radio and television versions and now the movie as well. This version is enhanced and sounds great. It was a treat hearing it at the theater and it's awesome on this CD as well. "Vote Beeblebrox" --- I about died laughing when I heard this one. This is a sort of campaign song for Zaphod Beeblebrox that unfortunately never made it into the movie. "Don't believe the rumors / don't believe the vicious lies" it says, talking about how Zaphod isn't stupid. It continues in this vain with a hilarious spoken part from Zaphod saying that he "y'know, just wants to say all the things that presidents say, y'know." Has to be heard to be believed.

Following close behind these are definitely both versions of the wondrous "So Long and Thanks for All the Fish." Personally, I prefer the second version, a sort of upbeat lounge number, but both are great. "So long and thanks for all the fish / So sad that it should come to this / We tried to warn you all, but oh dear."

This album also includes a couple of what I guess could called Golden Oldies --- "Shoo-Rah! Shoo-Rah!" and "Here I Am (Come and Take Me)." Of these two, I thought "Shoo-Rah! Shoo-Rah!" was definitely better and more fun.

The bulk of the CD is the instrumental tracks from the film. Composed by Joby Talbot, these tend to suit the scenes they come from well. Enjoy some memories from the movie, or just enjoy listening to the music.

Finally, one last thing to mention --- "Reasons to be Miserable (His Name is Marvin)." Performed by Stephen Fry, this is a redo of a song by "Marvin himself." Wanna know what it's like to be Marvin? "In everything he has to do, he finds the world condemning / If he had his time again, he'd rather be a lemming." Yep, that Marvin's sure depressed (and depressing), but the song is fairly fun to listen to.

So long, that's all.......2005-10-01

When I saw the film and heard that catching tune "So Long & Thanks For All the Fish" I immediately decided to have this soundtrack, no doubt. So I rushed to buy the recording and, well brother you've bet, I fell in love with the whole disk. Get this, now, today! You won't be disappointed! You're gonna love the title song!

Zarquad! What A Hoopy Soundtrack!.......2005-06-02

Joby Talbot's score for the film version of the Hitchhiker's Guide To The Galaxy is phenomenal. I mean, wow! Really incredibly phenomenal! I mean, you may think Danny Elfman's score to Spider-Man 2 was phenomenal, but that's just peanuts to this score! Okay, I may be exaggerrating a bit, but that should not distract from the fact that this is a great score for a wonderful film. Not only does the music work well with the film, but I would suggest it as a companion to other versions of the Hitchhiker's Guide To The Galaxy you may come across. Try listening to it while reading one of the books, for instance. Or playing the text adventure from Infocom.

Some notable points:
The introduction about Dolphins, read by Stephen Fry, who of course played the voice of the Book in the film. And of course, the brassy, Broadway-style show-stopping musical number "So Long, And Thanks For All The Fish" which serves as a wonderfully ridiculous setpiece for the opening credits. The melody appears several times throughout the score, usually whenever Arthur or Trillian are thinking of Earth. It is also reprised as a slow, jazzy, lounge singery song during the first part of the closing credits.

The cue from when the Vogons destroy the earth, which is appropriately tense and dramatic, and climaxes with a panicked-sounding string section playing imposibly high, abrubt notes, and ends abruptly as the earth is destroyed.

To fans of the original radio and TV series, I say to you Don't Panic, because Bernie Leadon's "Journey of the Sorcerer" (Which, for those of you that don't know, served as the theme to both the TV and radio series) is on the soundtrack with a faithful and reverent arrangement, complete with banjo. It is one of my favorite tracks on the album, and I listen to it along with the following track, which shares its name with the film's title, and the title of one of the most wholly remarkable books in the universe: The Hitchhiker's Guide To The Galaxy.

Another great track is the music for the whale that is suddenly called into existance over the planet of Magrathea. It is filled with unwarranted optimism, and pathos, and gives the scene the necessary emotional edge, which I think is something Douglas Adams himself would have enjoyed immensely, since he created the whale in response to cop shows where innocent bystanders are meaninglessly killed as a result of conflicts or car chases that they had nothing to do with, and the audience doesn't care about them since they were only on the screen for two seconds. So Douglas wanted to create a character who would only exist as a character for a very short time, but make him extremely sympathetic so the audience would feel actual emotion when he is killed. And it works, and has worked in every version of the Hitchhiker's Guide I've been exposed to.

Another great track is "Huma's Hymn", which sounds so authentically like a church song that you could swear you'd be able to find it in your church's song book. (But you won't, so don't go looking for it.) As I understand it, most of the chorus singing the song consists not of professional singers, but of fans and other random people who happened to be walking by the church where the song was recorded, to give it that extra level of authenticity that other filmmakers probably wouldn't care about.

Overall, this is a very evocative and wonderfully fantastic score. Mr. Talbot displays much originality, but at points seems to channel other great composers of SciFi movie music. I hear traces of John Williams' scores for the Star Wars films and Superman the Movie, Jerry Goldsmith's Star Trek: The Motion Picture, James Horner's Star Treks II and III, and even Nobuo Uematsu's Final Fantasy soundtracks. Just listen to track 8 and you'll see what I mean.

Just so you know, there are three tracks that are not part of the score of the film. I suppose you could call them "Pop" tracks, but they're not tracks that have been popular in the past 10 years, at least. Only one of them: Perry Como's "Magic Moments" was in the film, at least that I could tell. It was used as source music twice, once in the pub near the beginning, and once near the end. That's all I can say about that without spoiling the movie for anyone who hasn't seen it. (And if you don't recognise the name of the song, it's been used in several movies, so you've probably heard it before.) The other two songs are Betty Wright's "Shoo-Rah! Shoo-Rah!" and Al Green's "Here I Am (Come And Take Me)". While the inclusion of these songs on an otherwise orchestral soundtrack may seem odd, they definitely fit the film. Even if "Shoo-Rah! Shoo-Rah!" and "Here I Am (Come And Take Me)" don't appear in the film, you can imagine that they'd be the next songs to be cued on the jukebox in the pub near the beginning of the film, and so they help establish the mood for the scene. Some fans may be surprised or disappointed in the non-inclusion of Louis Armstrong's "What A Wonderful World", but if you see the film, you will see that the scene during which that song played in the radio and TV series is not in the film. But no biggie, if they make a sequel (and there's no reason they shouldn't) perhaps that scene will make it in.

Overall, I'd say that this is a soundtrack that no fan of the Hitchhiker's franchise should be without. So buy it now, before the earth is demolished to make a hyperspace bypass!

Average customer rating: Lightning. God Bless Charles Sawtelle Hot Rize at the Top of Their Game Great live album! Fond musical memories of a fantastic entertaining band

So Long of a Journey: Live at the Boulder Theater Hot Rize Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD General | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music Bluegrass | Live Albums | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Country | Indie Music | Stores | Music Bluegrass | Country | Indie Music | Stores | Music Similar Items: Take It Home Hot Rize Red Knuckles & Hot Rize: Live Untold Stories Traditional Ties ASIN: B000060OXG Release Date: 2002-03-05

Tracks:

1. Blue Night
2. Keep Your Lamp Trimmed And Burning
3. Empty Pocket Blues
4. Introductions
5. Radio Boogie
6. Just Like You
7. Climbing Up A Mountain
8. Walkin' The Dog
9. Frank's Blues
10. A Voice On The Wind
11. Shadows In My Room
12. Nellie Kane
13. The Butcher's Dog
14. Working On A Building
15. Walk The Way The Wind Blows
16. Foggy Mt. Breakdown
17. High On A Mountain
18. Colleen Malone
19. Life's Too Short
20. Won't You Come And Sing For Me

Amazon.com

Through the 1980s, Hot Rize's virtuosic brand of bluegrass combined eclectic progressivism with bedrock traditionalism, earning a following that extended well beyond the young quartet's home base of Boulder, Colorado. Though vocalist-mandolinist Tim O'Brien subsequently moved further beyond bluegrass convention as a solo artist, focusing more on his original material, the band's reunion concerts in the '90s remained popular affairs. This recording of a 1996 homecoming performance at the Boulder Theater finds the foursome in spirited form, with a generous selection of 20 cuts. From the spiritual call-and-response of "Keep Your Lamp Trimmed and Burning" and "Working on a Building" to Pete Wernick's banjo breakdown on "Empty Pocket Blues" to the Irish romp through "Colleen Malone," a signature tune for the group, the interplay has the feel of friends who plainly enjoy each other's musical company. The belated release also serves as a memorial to guitarist Charles Sawtelle, whose thoughtful, bluesy progressions give the music a unique dimension, and who died of leukemia in 1999. --Don McLeese

Customer Reviews:

Lightning........2007-01-11

Product was perfect and arrived three days after the order was placed. Enough said.

God Bless Charles Sawtelle.......2004-07-20

After their amicable breakup in 1990, Hot Rize staged various reuinion concerts over the next several years, including this marvelous 1996 effort secretly caught for prosperity by bassist Nick Forster. Hot Rize appealed to almost every facet of the bluegrass world by, as mandolinist/fiddler/lead singer Tim O'Brien put it, "Making the old sound new." Most of the group's non-original material (O'Brien is a prolific song writer, with Forster and banjoist Pete Wernick also key contributers) came from the classic bluegrass artists/old timey song book (represented here by Bill Monroe's "Blue Night", The Delmore's "Life's Too Short", and Hazel Dicken's "Won't You Come and Sing For Me"), but the band's trademark instrumental synchopation gave their music a fresh, modern sound. O'Brien and Wernick are wonderful players, but the true intrumental "voice" of the band was the late, great guitarist Charles Sawtelle (a/k/a "The Bluegrass Mystery"), whose unmatched tone and clever phrasing pervades and haunts this session.

Hot Rize was one of the hardest working and most popular bluegrass bands of the '80's - and the most remarkable aspect of this concert is how tight and fresh they sound despite their layoff. One senses the compatibility and friendship of the boys in the band throughout. This one is definitely worth a listen - it'll stay on your player for a long time.

Hot Rize at the Top of Their Game.......2002-06-03

While the always innovative Hot Rize continued to perform reunion shows throughout the Nineties, their last studio album was 1992's Take It Home. That's what makes this 1996 live recording of a couple of Boulder Theater shows such a treat. Hot Rize is performing before an enthusiastic home crowd and the band is hitting on all cylinders.

Although Red Knuckles doesn't make an appearance, the band performs songs from all five of their studio albums on this hour-long CD. What a joyful tribute to one of my favorite bluegrass bands. As bassist Nick Forster says in his liner notes, "This is what we sounded like on a good night." If you're new to Hot Rize, this is a great place to start. If you own their other albums, you'll want this one too. HIGHLY RECOMMENDED

Great live album!.......2002-05-15

A nice posthumous concert album from one of the big bluegrass supergroups of the 1980s. This album features Hot Rize at their best, professionally plowing their way through a powerful repertoire of original tunes and well-chosen oldies. This set was recorded during a 1996 reunion gig, and band gets a little looser and a little more playful than on some of their studio albums, as all concerned, including the late guitarist Charles Sawtelle, play the good stuff, all sweet and fine. Recommended!

Fond musical memories of a fantastic entertaining band.......2002-04-14

Just listening to this new release of some great "old" material from Sugar Hill brings back many fond memories of a fantastic band that knew how to both pick and entertain. It is a Hot Rize album called "So Long of a Journey: Live at the Boulder Theater" and was recorded on March 6-7, 1996. Nick Forster hadn't told the other band members that he had asked some friends to record these shows. So the result is some totally uninhibited hot picking and singing from this band of almost brothers. Then, Charles Sawtelle and Nick started talking about how to mix the tapes. The tapes were lost for a number of years. Now, we are rewarded with some live Hot Rize during their 1996 reunion tour. If you weren't aware, Hot Rize won IBMA's "Entertainer of the Year" Award in 1990, and guitarist Charles Sawtelle died of cancer in 1999. This live album has 20 bluegrass cuts, making it an excellent value for its price. The band's alter-egos (Red Knuckles and the Trailblazers) don't make an appearance on it. "So Long of a Journey" gets my two thumbs up. The scuttlebutt is also that Hot Rize will be doing some reunion shows soon, although it is not clear yet who will be replacing Charles on guitar.
--by Joe Ross, moderator/reviewer for "Nwbluegrass"

Average customer rating: An important band, in pretty fine form Long Journey Home-The Kentucky Colonels The disc that made me have to learn to play bluegrass

Long Journey Home The Kentucky Colonels Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD General | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music Bluegrass | Live Albums | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Bluegrass | Country | Indie Music | Stores | Music General | Folk | Indie Music | Stores | Music Similar Items: Livin' In The Past: Legendary Live Recordings 33 Acoustic Guitar Instrumentals Appalachian Swing! Tuff and Stringy Sessions 1966-68 Kentucky Colonels ASIN: B000000EGO Release Date: 1991-11-27

Tracks:

1. Roll On Buddy
2. Bill Cheatham
3. There Ain't Nobody Gonna Miss Me When I'm Gone
4. Shuckin' The Corn
5. A Beautiful Life
6. Get Down On Your Knees And Pray
7. Over In The Glory Land
8. Sally Ann
9. Brakeman's Blues
10. Soldiers Joy
11. Listen To The Mockingbird
12. Farewell Blues
13. Lonesome Road Blues
14. Beaumont Rag
15. Footprints In The Snow
16. Long Journey Home
17. In The Pines
18. Chicken Reel
19. Old Hickory
20. Auld Lang Syne
21. Nola
22. Flat Fork
23. Shady Grove

Amazon.com

When you say the words "Kentucky Colonels," guitar freaks hear "Clarence White." White's reputation as a virtuoso flat-picker is well deserved; he blended the classic bluegrass rhythm-guitar sound with Doc Watson's revolutionary fiddle-derived technique and elements of jazz to marvelous effect. But the Colonels were a versatile group filled with talented pickers and singers like Clarence's brother Roland on mandolin, banjo picker Billy Ray Lathum, and bassist Roger Bush. This set, recorded at the 1964 Newport Folk Festival, showcases this versatility: there are traditional, straightahead bluegrass and exquisite four-part gospel harmonies (featuring spot-on rhythm work from Clarence White); four cuts supporting banjo maestro Bill Keith; and two brother-harmony duets with Clarence and Roland. The album's centerpiece, however, is the six amazing guitar exhibitions with White and Watson that will certainly satiate the aforementioned guitar freaks. Another live collection, Livin' in the Past, focuses a bit more intently on White's guitar work, but this record puts the Kentucky Colonels as a unit in perspective. --Marc Greilsamer

Customer Reviews:

An important band, in pretty fine form.......2002-12-05

The much-vaunted Colonels, playing live at the 1964 Newport Folk Festival. Plenty of great old tunes and much earnest re-creation of the classic "high lonesome" sound. To be honest, I've often found their reputation outweighs their recorded legacy... Although I understand the band's importance to their generation of pre-hippie pickers, I can never help but notice the rough spots in their picking (particularly in Clarence White's guitar work) and, at times, the callowness in their vocals. Still, they were a lively and enthusiastic band, and this disc captures them at their best. Roland White's mandolin work is mighty purty, especially when he gets in a groove with Bill Keith's amazing banjo pickin'. Plus, Doc Watson shows up to play along and encourage the lads, midway through their show, and that's always a treat. Definitely worth checking out.

Long Journey Home-The Kentucky Colonels.......2001-02-01

I only recently obtained this album, but am a long-time fan of Clarence White. This album has some priceless cuts with Clarence and Doc Watson playing together, as well as Bill Keith joining in on several songs. I was a little disappointed that the mixing was not the best- you can tell on some of the songs that Clarence's guitar was not miked adequately. In addition (speaking as a Clarence White fan), many of the songs don't feature guitar breaks, although the six songs with Doc Watson do much to allay your appetite for hot guitar.

The disc that made me have to learn to play bluegrass.......2000-07-03

I was stuck in a rut musically. It was 1995 and I was only listening to the Grateful Dead. Anyway, I bought this disc on a whim. Within three months I was playing mandolin and wondering how I got by never having heard the notes on this album. The fact is, you get Bill Keith, Doc Watson, Clarence White, Roland White, the rest of the Kentucky Colonels. You get great liner notes. You get great instrumentals and great gospel harmonies. You'll freak. Buy this disc.

Average customer rating: Excellent traditional bluegrass

Long Journey Dry Branch Fire Squad Manufacturer: Rounder Select ProductGroup: Music Binding: Audio CD General | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Country Gospel | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Rounder Records | Specialty Stores | Music General | Country | Indie Music | Stores | Music Bluegrass | Country | Indie Music | Stores | Music Similar Items: Tried & True Memories That Bless & Burn Just for the Record Live! at Last Hand Hewn ASIN: B0000002KJ Release Date: 1992-02-14

Tracks:

1. Long Journey
2. Orphan Chid
3. Rain And Snow
4. I'd Rather Be The Girl You Left Behind
5. Oak Grove Church
6. I've Always Been A Rambler
7. Jesus On The Mainline
8. Saalo's Song
9. Old Katy Hill
10. A House Divided
11. Don't Ever Look Back
12. We Believe In Happy Endings

Customer Reviews:

Excellent traditional bluegrass.......2002-04-07

If you haven't heard of this wonderful bluegrass band & you like traditional bluegrass, then BE SURE to check out Dry Branch FireSquad -- either find them on tour (they seem to be on the road all the time!) or listen to some of the tracks above. All their music is great, but this CD is one of my all-time favorites -- I've introduced non-bluegrass fans to it & converted them with this album alone. From the heartfelt "Long Journey" to the peppy "Jesus on the Mainline," you'll find a broad range of old-timey Kentucky Bluegrass & Gospel music. I think their version of "Rain and Snow" is hands down the best I've ever heard and when I listen to songs like "Don't Ever Look Back," I can swear I hear my great-grandmother singing to me still. This is a wonderful studio recording for DryBranch, but they are also memorable for their live performances. IF YOU EVER HAVE THE CHANCE, GO SEE THEM LIVE. You'll never forget it. For a sense of their live experience, check out the CD "Live at Last" -- but until they come to your area, try this album. From the haunting vocals, to the zippy mandolin & banjo, this band has an honest-to-goodness old-timey sound that will have you humming (or singing) along in no time. If you're a long-time bluegrass fan, you'll appreciate these variations on old favorites (with a few of their own songs thrown in for good measure). If you're new to the bluegrass phenomenon and you liked the music in O Brother, then you'll like this band, too. Listen to some of the song samples & you'll see what I mean! Click on "Old Katy Hill" for an instrumental or "Rain & Snow" for that mournful mountain sound, or "I'd Rather Be the Girl You Left Behind" for a combination of harmony & fun. Enjoy!

Jazz Music:

1. Lookout for Hope
2. Machito and His Afro-Cubans
3. Magic Windows [Import]
4. Magic Windows [Import]
5. Major Step
6. Make It So
7. Memories of You [Import]
8. Missing Chapters, Vol. 3: All's Well Mademoiselle
9. Monster [Import]
10. Night Sessions

Jazz Music

jazz music