Japanese limited edition Verve label jazz reissue featuring 24 bit remastering & the original artwork reproduced as a miniature gatefold LP sleeve. 2000 release.
Cat (Limited Edition),Jimmy Smith,Verve
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The Very Best of Cat Stevens
Cat Stevens Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004S51Y Release Date: 2000-03-28 |
Tracks:
- Matthew & Son
- The First Cut is the Deepest
- Lady D'Arbanville
- I've Got a Thing About Seeing My Grandson Grow Old (previously unreleased)
- Wild World
- Where Do the Children Play?
- Hard Headed Woman
- Father and Son
- The Wind
- Morning Has Broken
- Moonshadow
- Peace Train
- Sitting
- Can't Keep It In
- Foreigner Suite (excpert)
- Oh Very young
- Another Saturday Night
- Majik of Majiks
- (Remember the Days of the) Old Schoolyard
- Just Another Night
Amazon.com essential recording
Kicking off A&M's ambitious Cat Stevens reissue program is this 20-song introduction. The set surveys all of Stevens's stages, from the orchestrated late-1960s sides through his early-'70s peak to his more eclectic late-1970s experiments. Following the progression makes for an interesting endeavor as Stevens learns to harness his ambitious ideas with arrangements that don't obscure his rhapsodic messages. Few artists of his generation were more gifted when it came to plucking timeless melodies out of thin air, and his sumptuous voice was always able to movingly convey his bittersweet lyrics. As a career overview (including one previously unreleased cut) this set achieves its goal, hitting all of the chart successes along the way and basically defining his role as a sensitive '70s singer-songwriter, but some fans may opt for the classic early-'70s studio records, which find Stevens at his most consistently touching. --Marc GreilsamerCustomer Reviews:
Why can't we just enjoy the music for what it is? Just music........2007-07-05
Best of Cat Stevens.......2007-06-08
Iranian hostages, I finally relented. This is good stuff!
The Very Best of Cat Stevens.......2007-05-14
THE VERY BEST.......2007-05-12
IT,S BY FARE THE VERY BEST OF THE CAT.
THANK'S AGAIN
Take the bad with the good.......2007-05-07
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Tea for the Tillerman
Cat Stevens Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T9VY Release Date: 2000-05-23 |
Tracks:
- Where Do The Children Play?
- Hard Headed Woman
- Wild World
- Sad Lisa
- Miles From Nowhere
- But I Might Die Tonight
- Longer Boats
- Into White
- On The Road To Find Out
- Father And Son
- Tea For The Tillerman
Amazon.com essential recording
Cat Stevens tends to be lumped in with the early-'70s singer-songwriter school led by James Taylor and Carole King, but he actually fits in rather neatly with such wistful English contemporaries as Nick Drake, Syd Barrett, and Donovan. Tea for the Tillerman's "Wild World," "Into White," and "Longer Boats" indicate that he may have been a more gifted tunesmith than the lot of them. As with the best of the Brit folk-rockers, Stevens mixed melancholy with whimsy. Yes, he was prone to airy platitudes, but when he harnessed his eccentricities, as he did throughout this 1970 masterwork, you had something truly distinctive. A natural cult artist, à la Tim Buckley and Leonard Cohen, Stevens connected with record-buyers to the tune of 25 million units sold before he changed his name to Yusuf Islam, established an Islamic school, and raised a ruckus by supporting Ayatollah Khomeini's death decree against author Salman Rushdie. This remastered 2000 version of the 1970 recording, which was overseen by the artist, is a vast improvement over the earlier CD reissue. --Steve StolderCustomer Reviews:
Tea For Cat.......2007-07-04
Mona Bone Jakon, Tea For The Tillerman, and Teaser and the Firecat are all perfect LP's, just get them all. You can't go wrong with Cat Stevens!
Where Do the Children Play is my favorite Cat song
Wild World is probably his most listenable song
Miles From Nowhere, Longer Boats, and On The Road to Findout are some of his best as well
I think this is one of the coolest albums to be a fan of, everyone should give it a chance
Cat Stevens at his best.......2007-07-03
cold tea, needs sugar.......2007-05-14
A Fav!.......2007-04-01
I just saw HAROLD AND MAUDE again this week (ie: the movie) and remembered how much I had loved TEA FOR THE TILLERMAN.
I had owned this as a vinyl album many yrs ago, and had played it all the time.So of course after seeing the movie, I just had to re-order this album in CD format.
No disappointments here. It's as good as ever.
I ordered this album as a Re-mastered CD version and it sounded GREAT! Worth the extra few dollars!
Revenge of the Persians!.......2007-03-21
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Teaser and the Firecat
Cat Stevens Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T9W4 Release Date: 2000-05-23 |
Tracks:
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
Amazon.com essential recording
The third album Cat Stevens put out in a 15-month burst that began in the summer of 1970 with Mona Bone Jakon, Teaser and the Firecat is where the enigmatic folk-pop idol crested commercially, if not artistically. Its immediate predecessor, Tea for the Tillerman, possesses an air of mystery and unforced whimsy that proved impossible for Stevens to replicate. That said, the singer-songwriter had it in him to pull together a captivating collection that boasted two of the biggest hits of his meteoric, if self-inhibited, career--"Peace Train" and the sublime hymn "Morning Has Broken." "The Wind," "If I Laugh," and "Moonshadow" are every bit as tuneful and appealing as the hits, while "Rubylove," "How Can I Tell You," and "Bitterblue" would be standouts on Stevens's less accomplished later albums. In fact, only the bellicose social statements "Changes IV" and "Tuesday's Dead" ring hollow. --Steven StolderCustomer Reviews:
The Cat.......2007-05-14
Sincerely John M. Casias
thanks Yusuf/Cat Stevens for coming back for us!.......2007-01-13
Wonderful Music, Wonderful Memories.......2007-01-05
His Best Album.......2006-11-16
Here is a song by song breakdown:
1) The Wind - 9/10
It is short, simple and beautiful. It is inspiring and uplifting to hear
2) RubyLove - 8/10
This is a very catchy love song.
3) If I Laugh - 8.5/10
A very sad song, but we can all identify with tthe pain of losing someone you love. Beautiful guitar work on this
4) Changes IV - 8.5/10
This song is very upbeat and has a very positive message of hope. It is very strong lyrically and musically.
5)How Can I Tell You - 8/10
It is a bit repetitive and I feel a bit long, but still a pleasant love song
6) Tuesday's Dead - 8/10
This song is strong, upbeat and a bit off the wall, but it is still quite good.
7) Morning Has Broken - 9/10
Cat Stevens reworks an old hymn and turns it into a beautiful version. He didn't write the words, but the music he did is breathtaking.
8) Bitterblue - 6.5/10
I really don't care for this song. It comes off sounding harsh & not very enjoyable to listen to.
9) Moonshadow - 10/10
This is a classic song. It is perfection
10) Peace Train - 10/10
After Father & Son, I rate this as Cat's 2nd best song. It is up there with Lennon's Imagine. The production is top notch and so is the arrangement of it. Perfect
Get this album. I rarely like 90% of an album. This is a masterpiece.
Cat Stevens-Teaser and the Firecat.......2006-07-09
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Two Shoes
The Cat Empire Manufacturer: Velour Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LPS4F2 Release Date: 2007-02-06 |
Tracks:
- Sly
- In My Pocket
- Lullaby
- The Car Song
- Two Shoes
- The Chariot
- Sol Y Sombra
- Party Started
- Protons, Neutrons, Electrons
- Saltwater
- The Night That Never End
Amazon.com
For six guys from Melbourne, Australia, to travel half the world to record their second record indicates titanic success for their first. And that's what led the jazzed-up, funked-out popsters Cat Empire to a studio in Havana, Cuba, to follow up that million-selling debut. Here, the band takes its Latin leanings a step farther, creating room for what is billed as the Empire Horns--trombone, trumpet, and sax--in its driving, thriving beat. Lead vocalist Felix Riebl's witty intellect and dripping Aussie twang are the Cat's most distinguishing merits (see the Bob Marley love-fest of a title track and the first line of the offbeat "Sly": "If frizzy hair was a metaphor for festival time/Then this woman is a goddess of that festival shrine"). Yet compatriot Harry James Angus demands equal billing here, with contributions like the ska rave "Saltwater," the punkish memoir "The Car Song," and "Protons, Neutrons, Electrons"--an uproarious showtune of a song complete with delightful piano break and "zip-a-dee-doo" chorus. Still, co-stars aside, this is a complementary sextet that's seemingly comfortable with nearly any style of music--and willing to circle the globe to prove it. --Scott HolterAlbum Description
The Cat Empire's Two Shoes -- their second consecutive double platinum LP in their native Australia -- brings Australia's most dynamic musical export to the the US. Live music fans (and anyone at Bonnaroo this year) may already have had the opportunity to catch one of the band's legendary shows -- but until now recorded material was as hard to find as Vegemite. Looking for inspiration beyond the beaches of Melbourne, TCE journeyed to Havana, Cuba to record Two Shoes with producer/engineer Jerry Boys (R.E.M., Rolling Stones) in the studio where the Ry Cooder's Buena Vista Social Club LP was recorded. The result was a record that captures all the energy of a live band at its peak, but also sacrifices nothing in the way of songcraft. Compared to everything from Cake to Madness to Sublime, The Cat Empire's genre-bending is a trademark of the music scene in Melbourne. The band was founded in 1999 by vocalist/percussionist Felix Riebl and bassist Ryan Monro and quickly built up a massive following down under with its incendiary live shows, leading within two years to two double platinum releases on Virgin/EMI. Fueled by the internet word-of-mouth, the band has already sold out venues from Irving Plaza to the Troubadour. The band will headline an 11 date US tour in support of this LP at 500 -1000 cap venues.Customer Reviews:
fun brass sounds.......2007-06-27
Refreshing and fun.......2007-06-04
Protons, Neutrons, and electrifying sounds!.......2007-06-04
I bought the Two Shoes album right here on Amazon a couple of months ago in search of some new and exciting sounds. Actually it was in the recommendations pile. After one sample of it I knew it was something I had to have. These guys are just so damn good and nobody knows about them. How can this be? A huge hit in their native Australia, they appeared on The David Letterman Show some time ago and have since toured in the U.S. I would love to hear these guys in concert, but until then I'll just listen to Two Shoes for the 35th time.
Where do I begin? The album explodes with the first track "Sly" as sung by co-lead singer Felix Rheble. A good beginning, but its followed up by "In My Pocket" which is better. Rheble shares lead vocal duties with the flamboyant voice of Harry James Angus, who can do no wrong when it comes to music. I can't definitely say which songs are better than others because this whole thing is a hit, but along with track 2, my other favorites are "The Car Song", "Two Shoes", and "Protons, Neutrons and Electrons" which is sure to bring a smile to your face. "The Car Song" stands out in particular as probably the most fun track I've ever heard. You just have to hear it. Listen to it at the beach, or turn it up loud on your stereo and let the good times roll.
What makes this album so unique is the Australian accents paired with pure Havana Flare and back up brass. These guys obviously belong in the big time, and yet they still retain that blind eagerness and confidence of a high school garage band. If you've ever heard anything like it please tell me because I can't get enough of it. As for their next album I have no idea but I'm sure it will be excellent like this. Keep me posted. In the mean time, party in Havana style!
Love the originality.......2007-05-28
Their style is original, you can actually dance to it. It's a little jazzy, and a little big band era, some comedy, and much more.
They have one other CD and I will be getting that one.
An amazing mix of many influences.......2007-05-15
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Cat Stevens - Greatest Hits
Cat Stevens Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YNGK Release Date: 2000-09-26 |
Tracks:
- Wild World
- Oh Very Young
- Can't Keep It In
- Hard Headed Woman
- Moonshadow
- Two Fine People
- Peace Train
- Ready
- Father & Son
- Sitting
- Morning Has Broken
- Another Saturday Night
Amazon.com
Before Cat Stevens changed his name to Yusef Islam, he had a slew of hits built around his soft, yet sometimes coarse, vocals. Stevens utilized a variety of instrumentation and rhythms in his predominantly acoustic arrangements, and songs like "Peace Train," and "Another Saturday Night" had a multi-cultural feel to them. Greatest Hits provides a decent overview of his more popular work, including the poignant "Oh Very Young" and "Father & Son." Unfortunately, the delightful yet brief "Tea for the Tillerman" is not present. The lovely "Morning Has Broken" has elements of Stevens's growing concern with religion, philosophy, and the relationship between the cerebral and the spiritual. In the early 1980s, Stevens, now Yusef, "retired" from the music profession because of his new beliefs. --Steve GdulaCustomer Reviews:
Cat lovers.......2007-06-08
Genuinely his greatest hits...........2007-05-18
THE VERY BEST OF CAT STEVENS !!!.......2007-05-13
ALL THE GREATEST HITS !!!
great compilation.......2007-03-03
The power of Cat .......2007-02-19
The CD opens with a very popular song which will forever be associated with Cat Stevens entitled "Wild World." The lyrics show just how much Cat mourns the loss of his woman and the guitar changes chords at all the right moments in order to enhance the melancholy feel of this ballad. The overall effect strikes you with its beauty and beckons you instantly to listen to the rest of the CD.
"Can't Keep It In" allows Cat the opportunity to explore the topic of feeling a love for someone who can't quite relax in order to experience her true love for him. The musical arrangement stays strong with the band and a chorus in the background. Excellent!
"Hard Headed Woman" possesses great strength as well; Cat sings of his desire to find his one true love. His voice is passionate and the arrangement for the guitar moves me deeply.
Other beautiful songs on this CD include Cat's declaration of true love for his woman in "Two Fine People;" "Peace Train" with a rock feel that also sounds vaguely like a country ballad and "Father & Son" which deals with the predictable but honest disagreements between a father and son about how best to live life.
The CD ends with two memorable ballads. "Morning Has Broken" features lyrics by Eleanor Farjeon and Cat's musical arrangement leaves nothing to be desired. The piano and the guitar sound wonderful; and the choir in the background bolsters the song even further. "Another Saturday Night," written by Sam Cooke, closes the album on a playful note even if Cat feels frustrated that he cannot find a woman to have fun with now that he "just got paid."
The liner notes include the lyrics and some of the album credits are there, too. The CD artwork shines and reflects a great deal of forethought.
Cat Stevens is still one of the few artists who could turn out songs that appealed to very broad audiences. His melodies strike you instantly as being infectiously catchy and very admirable. If you like this CD I recommend other CDs by Cat Stevens including Tea For The Tillerman and Footsteps in the Dark: Greatest Hits, Vol. 2. Fans of classic rock and pop will also enjoy this CD.
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The Greatest
Cat Power Manufacturer: Matador Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HKCUI8 Release Date: 2006-09-12 |
Tracks:
- The Greatest
- Living Proof
- Lived In Bars
- Could We
- Empty Shell
- Willie
- Where Is My Love
- The Moon
- Islands
- After It All
- Hate
- Love & Communication
Amazon.com
If you are an artist at a crossroads/ "maturing point" in your career, it's a great idea to seek out the original musicians who played on music you adore and that inspire you greatly-it's the opposite of what Rick Rubin does with the old folks. The results, however, are often lackluster; it can just be too hard to forge a connection in a short period of time with studio dudes twenty to thirty years older than you. Chan Marshall, who took just three years between albums this time, returned to Memphis to record with many of the architects of Southern soul music at Ardent Studios on The Greatest. And from the first and titular tune, a mournful and gorgeous ballad with swelling strings, backing singer and shimmery guitar accompaniment that tells the tale of a boy who wants to become a great boxer, it's clear that the results of this experiment are uniformly awesome. The sultry-voiced artiste sounds fully at home within these songs, these lovely analog Southern sounds that bridge black and white musics. It's not like she's on a trip of trying to be Aretha or anything; besides, the arrangements on all the songs are different. The loping, fiddle-accented "Empty Shell" sounds like the Unholy Modal Rounders backing Bobbie Gentry. All the songs are pretty, slow and melancholy; there's nothing like "He War" on here. We are not in the habit of quoting press releases, but it's hard to beat this line from the Matador one-sheet: "If Alex Chilton were today a beautiful young woman, he'd sound like this." Amen, or something. -Mike McGonigalAlbum Description
This is not a greatest hits album, despite the title. It contains all-original songs written by Chan Marshal (professionally known as Cat Power), and features the great Memphis session musicians Teenie Hodges on guitar, Leroy Hodges on bass (Al Green, Hi Rhythm Section), drummer Steve Potts, and more. The combination of Marshall's superbly evocative and flexible voice plus some of the greatest Southern soul players, has produced a masterpiece. These songs explore themes of Southern loss, longing, and marginality. The limited first digipak pressing and regular single vinyl contain a bonus track. After the first pressing sells out, the regular jewelcase version will not contain a bonus track.Customer Reviews:
Best yet.......2007-06-15
The Greatest.......2007-06-08
So what would Cat Power think upon hearing that she'd receive a hefty recording budget and play with Al Green's hit-makers at the same studio as Dave Matthews and R.E.M.? If you said, "She would run screaming into the night," you're wrong. Abandoning the oblique, quietly angsty indie rock of You Are Free, Cat Power cuts her teeth on Southern soul for her seventh LP, The Greatest. She recorded the album in Memphis at the world-famous Ardent Studios with veteran soul musicians Mabon Hodges, Leroy Hodges and Steve Potts, for a detour into a singer-songwriter's take on Memphis blues-lite.
This is indeed an impressive setup, but The Greatest still falls a bit short. Yes, Potts and the Hodges brothers are supposed to ballast Marshall, not upstage her, but they're not given nearly enough to do--a twang here, a lazy drum fill there, and all performed with a disappointing lack of élan. Fault the studio, too, for rendering the album's second half somewhat limp and same-sounding, and for some of the album's biggest blunders: in roughly half the songs, for example, Marshall's voice appears as a ghosted backing vocal, like a gospel singer from beyond the grave. It's sillier than it sounds.
Cat Power hardly lets these flaws derail the entire album, however, since the strength of her records has always been in the arrangements, vocals and lyrics--not the studio techniques or the backing band. Marshall's voice has never sounded better than it does here; coarsened by whiskey and time, her vocals take on a torchy, sultry tone that fits the music like a glove.
The album's first half also features some of Cat Power's loveliest songs to date. If the gently swinging ditty "Could We" is perfect for playing over the barroom juke as young couples sway on the dance floor, "Lived in Bars" is the moonlit slow-dance after the barroom has closed down for the night. The title track is the album's crown jewel, beginning as an archetypal Cat Power piano arrangement and adding guitars, strings, and a slowly loping drumbeat like ripples in a pond. Far from being a song of fist-pumping glory, "The Greatest" is actually a saddening white flag; Marshall begins, "Once I wanted to be the greatest / No wind or waterfall could stop me." Anyone who knows Cat Power can easily conjecture what becomes of our narrator from here.
Yet what's missing from The Greatest are those gripping moments found on You Are Free and earlier, more overtly tense albums like Myra Lee. There's more drama in a song like "Names" (from You Are Free) than in anything The Greatest has to offer, and it's not because Marshall holds back lyrically; she doesn't, if bald-faced confessions like "I hate myself and I want to die" are any indication. It's because she allowed the Memphis soul theme drive the work to its final destination, and somewhere along the way it became more important to sound pretty than to create something meaningful. The Greatest is Cat Power's most listenable record thus far, but for an artist this willfully difficult, is that really a success?
Cat Power- The Greatest.......2007-05-20
overall worth it.......2007-05-19
decisions decisions..........2007-03-25
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Morph the Cat
Donald Fagen Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E5N62U Release Date: 2006-03-14 |
Tracks:
- Morph the Cat
- H Gang
- What I Do
- Brite Nitegown
- The Great Pagoda of Funn
- Security Joan
- The Night Belongs To Mona
- Mary Shut the Garden Door
- Morph the Cat (Reprise)
Amazon.com
For all the delight their fans take in parsing their wry and obstinately obscure lyrics, Steely Dan wouldn't command the kind of following they have if they weren't such consummate craftsmen in shaping melodies, layering keyboard and guitar effects and applying sophisticated doses of jazz, funk and soul. On his own albums, of which Morph the Cat is only the third--and the first since 1993's Kamakiriad--the group's sardonic co-mastermind Donald Fagen avails himself to more socially observant and personally revealing themes. But here, too, it's the music's dark shimmer and bumptious grooves that get under your skin, carrying his serious intentions with them. The grandly allusive "Morph," named after what Fagen describes as a "vast, ghostly cat-thing" that hovers in the Manhattan sky (not unlike Woody Allen's catty mother in "New York Stories"), reflects with no loss of irony or oblique meaning on the angst and sense of loss felt in the post-9/11 world. There are visions of death--including his own--and political oppression. There's a comic romantic encounter with a female airport security guard and a reverent faceoff with the ghost of Ray Charles, whose essence is nailed: "Well, you bring some church but you leave no doubt/As to what kind of love you love to shout about." Even when Fagen's hipster sensibility flirts with preciousness, the music is so richly, radiantly alive, the collective power of the songs can't be denied. --Lloyd SachsAlbum Description
The first solo album in 13 years from Donald Fagen, Morph The Cat is another contemporary classic from half of the Rock and Roll Hall of Fame duo Steely Dan. With Fagan's adventurous musical depth, uniquely layered lyrics and entertaining subject matter (from a conversation with the ghost of Ray Charles to a romantic liaison with an airport security guard named Joan), Morph the Cat is the newest chapter chronicling the most sophisticated music in rock.Customer Reviews:
Steely Dan fan disappointed again.......2007-07-12
So how come the only Fagen solo project I even like is THE NIGHTFLY?
I think the answer is simple: hooks. Steely Dan's got `em but Fagen usually skips them.
The one decent tune here, "Security Joan", is a come-on to a woman who makes her living vetting possible airport troublemakers.
I can't live by music alone, Don...you gotta find a way to pair it with catchier words next time out.
Fagen fan.......2007-05-21
Third of Trilogy for Donald Fagan--Grand Slam Homer!!.......2007-03-24
Morph the Cat. A Fagen masterpiece with a big M........2007-03-12
brings all the musical elements into a whole "melodic extragavanza". It sounds so cool, with the right "urban nightlife touches"that makes you want to dance all night long to the beat. Track 3 What i do, is a relaxable, "summerbreeze" touchy song . It glimmers and has the right feel trough out. Track 4. Brite Nitegown bring`s you back to the funky feel with enough "nightfeever"to touch you`re soul in the right direction. Track 5
The Great pagoda of fun is "open wide" and "painted" with the right musical colour on every beat.
Track 6 Security John is more simple, but nevertheless quite effektive. The mood is more" rock&roll" in a way. Track 7 The night belongs to Mona, is a "moody sleeper song" that develop`s quality slow with style and
soul. Track 8 Mary shut the garden door, is the "weak spot" on the cd, but weak in Fagen"quality" is way above much of other "try to be "arty",but ends up as a "slack farty muiscal spoof"type of music. Track 9 Morph the cat(Reprise)is the title track once again. Nuff said. Allready. A masterpiece with a big M. Morph the Cat is a "must" on your`e
hifi, because this is hi-fidelty music.
The true " Donald" continues the cycle. .......2007-03-05
" Morph the Cat". What does that mean? Is it an imaginary blanket of protection hovering over New York, reassuring everyone after the jolt of 9/11? Does it mean that "protection" can morph into strange alter egos, created by zealots? The rest of the CD would bear this explanation out.
After the title track, Fagen briefly turns his attention to one of his offbeat character studies in " H Gang". Great beat, sounds like Steely Dan. " What I Do" is a fantastic imagined conversation between Fagen and legendary Ray Charles, presumably held at the beginning of young Don's adulthood. " Brite Nightgown", probably the best song ever about cheating death , is amazing, save a marathon closing.
" Mona" is another wandering spirit fabled to be depressed, to say the least. " Mary Shut the Garden Door" is a stab at the administration. They snuck in.... lock yourself away.
This is a living legend performer who never runs out of fresh material. Shame on this year's Grammy panel for so little recognition!
Average customer rating:
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The Greatest
Cat Power Manufacturer: Matador Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000C0X3ZC Release Date: 2007-03-20 |
Tracks:
- The Greatest
- Living Proof
- Lived In Bars
- Could We
- Empty Shell
- Willie
- Where Is My Love
- The Moon
- Islands
- After It All
- Hate
- Love And Communication
Amazon.com
If you are an artist at a crossroads/ "maturing point" in your career, it's a great idea to seek out the original musicians who played on music you adore and that inspire you greatly-it's the opposite of what Rick Rubin does with the old folks. The results, however, are often lackluster; it can just be too hard to forge a connection in a short period of time with studio dudes twenty to thirty years older than you. Chan Marshall, who took just three years between albums this time, returned to Memphis to record with many of the architects of Southern soul music at Ardent Studios on The Greatest. And from the first and titular tune, a mournful and gorgeous ballad with swelling strings, backing singer and shimmery guitar accompaniment that tells the tale of a boy who wants to become a great boxer, it's clear that the results of this experiment are uniformly awesome. The sultry-voiced artiste sounds fully at home within these songs, these lovely analog Southern sounds that bridge black and white musics. It's not like she's on a trip of trying to be Aretha or anything; besides, the arrangements on all the songs are different. The loping, fiddle-accented "Empty Shell" sounds like the Unholy Modal Rounders backing Bobbie Gentry. All the songs are pretty, slow and melancholy; there's nothing like "He War" on here. We are not in the habit of quoting press releases, but it's hard to beat this line from the Matador one-sheet: "If Alex Chilton were today a beautiful young woman, he'd sound like this." Amen, or something. -Mike McGonigalAlbum Description
This is not a greatest hits album, despite the title. It contains all-original songs written by Chan Marshal (professionally known as Cat Power), and features the great Memphis session musicians Teenie Hodges on guitar, Leroy Hodges on bass (Al Green, Hi Rhythm Section), drummer Steve Potts, and more. The combination of Marshall's superbly evocative and flexible voice plus some of the greatest Southern soul players, has produced a masterpiece. These songs explore themes of Southern loss, longing, and marginality. The limited first digipak pressing and regular single vinyl contain a bonus track. After the first pressing sells out, the regular jewelcase version will not contain a bonus track.Customer Reviews:
Best yet.......2007-06-15
The Greatest.......2007-06-08
So what would Cat Power think upon hearing that she'd receive a hefty recording budget and play with Al Green's hit-makers at the same studio as Dave Matthews and R.E.M.? If you said, "She would run screaming into the night," you're wrong. Abandoning the oblique, quietly angsty indie rock of You Are Free, Cat Power cuts her teeth on Southern soul for her seventh LP, The Greatest. She recorded the album in Memphis at the world-famous Ardent Studios with veteran soul musicians Mabon Hodges, Leroy Hodges and Steve Potts, for a detour into a singer-songwriter's take on Memphis blues-lite.
This is indeed an impressive setup, but The Greatest still falls a bit short. Yes, Potts and the Hodges brothers are supposed to ballast Marshall, not upstage her, but they're not given nearly enough to do--a twang here, a lazy drum fill there, and all performed with a disappointing lack of élan. Fault the studio, too, for rendering the album's second half somewhat limp and same-sounding, and for some of the album's biggest blunders: in roughly half the songs, for example, Marshall's voice appears as a ghosted backing vocal, like a gospel singer from beyond the grave. It's sillier than it sounds.
Cat Power hardly lets these flaws derail the entire album, however, since the strength of her records has always been in the arrangements, vocals and lyrics--not the studio techniques or the backing band. Marshall's voice has never sounded better than it does here; coarsened by whiskey and time, her vocals take on a torchy, sultry tone that fits the music like a glove.
The album's first half also features some of Cat Power's loveliest songs to date. If the gently swinging ditty "Could We" is perfect for playing over the barroom juke as young couples sway on the dance floor, "Lived in Bars" is the moonlit slow-dance after the barroom has closed down for the night. The title track is the album's crown jewel, beginning as an archetypal Cat Power piano arrangement and adding guitars, strings, and a slowly loping drumbeat like ripples in a pond. Far from being a song of fist-pumping glory, "The Greatest" is actually a saddening white flag; Marshall begins, "Once I wanted to be the greatest / No wind or waterfall could stop me." Anyone who knows Cat Power can easily conjecture what becomes of our narrator from here.
Yet what's missing from The Greatest are those gripping moments found on You Are Free and earlier, more overtly tense albums like Myra Lee. There's more drama in a song like "Names" (from You Are Free) than in anything The Greatest has to offer, and it's not because Marshall holds back lyrically; she doesn't, if bald-faced confessions like "I hate myself and I want to die" are any indication. It's because she allowed the Memphis soul theme drive the work to its final destination, and somewhere along the way it became more important to sound pretty than to create something meaningful. The Greatest is Cat Power's most listenable record thus far, but for an artist this willfully difficult, is that really a success?
Cat Power- The Greatest.......2007-05-20
overall worth it.......2007-05-19
decisions decisions..........2007-03-25
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Catch Bull at Four
Cat Stevens Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004VW0S Release Date: 2000-07-25 |
Tracks:
- Sitting
- The Boy with a Moon & Star on His Head
- Angelsea
- Silent Sunlight
- Can't Keep It In
- 18th Avenue
- Freezing Steel
- O Caritas
- Sweet Scarlet
- Ruins
Amazon.com
Celebrated and adored for his sanguine lyrics and irresistible hooks, Cat Stevens was one of the rare singer-songwriters capable of composing genuinely optimistic songs that didn't leave a sappy residue in listeners' ears. However, even a cursory listen to 1972's Catch Bull at Four proves that the Cat had seen darkness, too, and that those darker elements had become more pronounced than they'd been in the past. His vocal style shifts from the cool croon that made Tea for the Tillerman and Teaser and the Firecat top sellers to a harsher, almost growling delivery. The album's standouts--the wistful reverie "Sitting" and the delightfully infectious "Can't Keep It In"--are resolute in lyric and melody. Rambling, mystical odes such as "The Boy with a Moon & Star on His Head," "Angelsea," and "Sweet Scarlet" offer quaintly romantic imagery and lavishly undulating melodies. But it's the mercurial dynamics and driving melody of "18th Avenue (Kansas City Nightmare)" and the bitter conviction of "Ruins" that give the album a backbone and a sense of balance. --Sally WeinbachCustomer Reviews:
cat's got the cream with this album .......2005-11-28
from the opening track "sittin" you know you're in for something special then comes
"the boy with the moon and stars on his head"
a beautiful song i can see myself in a poppy field watching the sunset whenever i play this song..hell i think i'm gonna do that
angelsea beautiful tear jerking
silent sunlight another class song from the cat
18th avenue [kansas city nightmare] my second favorite track on this album
freezing steel good just not great still the steven's
o'caritas another one of my favorites
sweet scarlet my favorite a beauty
ruins no way this is great
catch bull at four 10/5 steven's and his many highs
god bless you cat stevens
Excellent service and product!.......2005-10-25
Cat's Early Seventies' Transition.......2005-01-28
Undoubtedly one of the Cat's classic albums.......2004-10-23
It is unfortunate that many reviewers of `Catch bull at four' have tended to regard it as a poorer quality album than its two predecessors `Tea for the tillerman' and `Teaser and the Firecat'. I feel that this does the album a great injustice; no artist should be expected to remain unchanging in style, and if he had simply stayed with a winning formula after the success of `Teaser' Cat Stevens could rightly have been criticized. However, Stevens demonstrated integrity and vision throughout the early years of the 1970s, with each of his first five Island Records albums showing a clear progression and artistic development, even if on occasions (perhaps most notably `Foreigner') this was not always commercially successful.
After achieving a very focused and concise style on `Teaser', Cat Stevens understandably wanted to experiment with more unusual song structures and ambitious arrangements, and the result is a somewhat more stylistically diverse album than its predecessors. As a result it is, if anything, a stronger, more musically satisfying album, and includes new elements such as electric guitar, synthesizer, female backing vocalists and the accomplished keyboard work of Jean Roussel. At the same time, the album retains much of what made Cat's earlier work appealing, and also includes the welcome re-appearance of the bouzouki to add its distinctive sound to `O Caritas'.
The mood of the album is at times somber, reflecting Stevens' continuing spiritual pilgrimage at this time, and his deep feelings perhaps show through most in the opening track `Sitting' and the bleak closing song `Ruins'. Though there are a couple of weaker tracks (such as `Boy...' which has a pleasant arrangements but a rather tedious, over-long lyric, and `Angelsea' which is perhaps too dominated by synthesizer sounds), these can be appreciated as valid musical experiments, and are more than compensated for by other very appealing up-tempo tracks (such as `Sitting', `Can't keep it in' and `O Caritas'). The album contains several lovely ballads, such as `Sweet scarlet' and the madrigal-like `Silent sunlight', whilst the more complex song structure of `18th avenue', with its orchestral interlude and changing rhythms, hints at the direction Cat would take with his next album `Foreigner'. The whole package is enhanced by the crystal clear remastering, and restoration of the stylish original album artwork. Altogether, `Catch bull at four' can be regarded as a very satisfying album which, along with `Tillerman' and `Teaser' ranks among Cat Stevens' best work.
Like all of Cat Stevens' albums - about 2/3 superb .......2004-09-25
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The Andrew Lloyd Webber Collection
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I0XW Release Date: 1999-06-01 |
Tracks:
- The Phantom Of The Opera: The Phantom Of The Opera
- Song & Dance: Unexpected Song
- Aspects Of Love: Chanson D'enfance
- The Phantom Of The Opera: All I Ask Of You
- Evita: Don't Cry For Me Argentina
- Evita: Another Suitcase In Another Hall
- Aspects Of Love: Love Changes Everything
- Friends For Life
- Cats: Memory
- Cats: Gus: The Theatre Cat
- Aspects Of Love: Anything But Lonely
- Cats: Macavity: The Mystery Cat
- Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
- The Phantom Of The Opera: Wishing You Were Somehow Here Again
- Requiem: Pie Jesu
- The Phantom Of The Opera: The Music Of The Night
Amazon.com essential recording
Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason VerlindeAlbum Details
Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.Customer Reviews:
The Andrew Lloyd Weber Collection.......2007-05-12
Andrew Lloyd Webber .......2007-02-12
The Andrew Lloyd Webber Collection.......2007-01-05
The Best You'll See from Sarah.......2006-09-09
I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!
The Angel of Music.......2006-03-13
Jazz Music: