| Disc: 1 |
| 1. Early Hours |
| 2. It's Tite Like That |
| 3. Trouble in Mind |
| 4. Sheik of Araby |
| 5. Dead Man Blues |
| 6. Gettsburg March |
| 7. Just a Closer Walk With Thee |
| 8. Over the Waves |
| 9. Summertime |
| 10. Bugle Boy March |
| Disc: 2 |
| 1. Panama |
| 2. Over the Waves |
| 3. Apple Blossom Time |
| 4. Marchin' & Swingin' |
| 5. Kiss My Little Brown Ass |
| 6. Solitude |
| 7. West Indies Blues |
| 8. Someday My Prince Will Come |
| 9. Ti-Pi-Tin |
| 10. Storyville Blues |
Then & Now,Easy Riders Jazz Band,Jazz Crusade,Dixieland,Jazz,New Orleans Jazz,Pop
Average customer rating:
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1776 (1969 Original Broadway Cast)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027WJ Release Date: 1992-05-19 |
Tracks:
- Overture - Orchestra
- Sit Down, John
- Piddle, Twiddle And Resolve/Till Then
- The Lees Of Old Virginia
- But, Mr. Adams
- Yours, Yours, Yours
- He Plays The Violin
- Cool, Cool, Considerate Men
- Momma Look Sharp
- The Egg
- Molasses To Rum
- Is Anybody There
- Finale
Amazon.com
Evidence that one can make a musical about anything, Exhibit A: 1776. As one might expect, the whole concept of making a musical about the creation and signing of the Declaration of Independence was greeted in the late 1960s with, well, ridicule. The show debuted on Broadway in 1969, and three years later, when its run finally ended, it was its producers who had the last laugh. In addition, it toured for an additional two years and beat out Hair (in 1969 yet!) for a Tony Award. This recording, with the original Broadway cast, includes many of the same actors who went on to star in the film, the version with which most audiences today are probably familiar. One notable exception is Rex Everhart, who replaced Howard da Silva at some performances and on this recording. But there's still William Daniels as John Adams, though in some cases his performance is more subdued than it was on film. Musically, 1776 is an odd creation, considering when it came into being. As one might expect, there's a lot of fife and drum going on, especially in the opening number and during "The Lees of Old Virginia." For those less than familiar with the plot, it hinges on the idealism of Adams, who's trying his best to back up the American Revolution with some legislative action, and spends much of his time arguing with either the Continental Congress or God, as in "Piddle, Twiddle, and Resolve": "A second flood, a simple famine / Plagues of locusts everywhere / Or a cataclysmic earthquake / I'd accept with some despair / But no, you sent us Congress / Good God, sir, was that fair?" (One could argue that he gets further with God.) While not entirely historically accurate, and containing some rather peculiar numbers (Franklin, Jefferson, and Adams sitting around debating what their new country's national bird is going to be ranks among the oddest), there's no questioning 1776's staying power. --Genevieve WilliamsCustomer Reviews:
Sound Quality not perfect on CD.......2007-07-18
Before Sondheim's COMPANY and after MAN OF LA MANCHA..........2007-04-30
And as to the reviewer who was shocked that it would win out over HAIR? Listen to "Mamma Look Sharp" or "Molasses to Rum to Slaves" to hear exactly the play's political and often-unflattering ideological landscape. This was definitely a Vietnam-era play whose content was as disturbingly pertinent, then, as it is, now. And, despite all of this, the score and play never become leaden or preachy. On the contrary, each performance is a gem, and each character is witty and unique. Who knew that history could be a passionate and fun adventure?
Overrated Tony Award Winner.......2006-06-16
Brilliant, Definitive and Remarkably Accurate!.......2005-12-18
William Daniels IS John Adams to many people, and even though the story of the birth of the United States probably wasn't this lyrical and lively, Composer Sherman Edwards was historically accurate in the facts of the tale.
In addition to learning about the signing of the Declaration of Independence, this is also love story... in fact two love stories, with John Adams and his wife Abigail, separated by circumstance and interacting only in his mind, and Thomas Jefferson and his wife, Martha, here, played by the big throated (and now legendary) Betty Buckley.
There is also a sense of fraternity, with the members of the Continental Congress grappling with the concept of breaking away from a tyranical ruler. And even though you know the outcome, the story is still filled with tension and excitement in the mechanics of it. Just how DID this country get formed?
The disc's liner notes explain the show's libretto and give you some rare behind-the-scenes info about the creation of the musical, the challenges it faced before becoming the standard that it now is, and a bit about the amazing Mr. Edwards, which is a story worthy of being told as well.
It's an Independence Day must!
Saw this on Broadway .......2005-11-12
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TV Land Presents: Favorite TV Theme Songs
Cyndi Grecco , and Jones, Jack Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXIL Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.Customer Reviews:
good memories for me and fun "new" songs for my children.......2007-06-27
memories.......2007-02-22
TV Theme Songs.......2007-01-13
TV themes.......2006-07-05
Deja Vu.......2006-02-17
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Then Play On
Fleetwood Mac Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KOO Release Date: 1990-10-25 |
Tracks:
- Coming Your Way
- Closing My Eyes
- Show-Biz Blues
- My Dream
- Underway
- Oh Well
- Although The Sun Is Shining
- Rattlesnake Shake
- Searching For Madge
- Fighting For Madge
- When You Say
- LIke Crying
- Before The Beginning
Amazon.com essential recording
Before they set sail for California and a new life as consummate pop songsmiths, Fleetwood Mac were pedigreed British blues rockers with roots in Britain's seminal John Mayall's Blues Breakers and their hearts orbiting Chicago and the Mississippi Delta. One of the few surviving albums from that ill-fated, earlier Mac, Then Play On captures them at a potent turning point: the original two-guitar quartet, with founder Peter Green's sinuous leads complemented by Jeremy Spencer's shimmering slide guitar, had been augmented by third guitarist Danny Kirwan, a Green protégé. Buttressed by Mick Fleetwood's muscular yet restrained drumming and John McVie's steady-as-a-heartbeat bass lines, this edition of the band reveled in moody, compelling guitar showpieces that savor texture and line over sheer speed or volume. Accordingly, the lyrics don't benefit from close study, but the guitars surely do--and when the quintet launches into the best-remembered track here, the classic "Oh, Well" (which reunites the separate electric and acoustic sections originally released as two sides of a single), it's understandable that Green, in his day, was mentioned comfortably in the same breath with Eric Clapton and Jimmy Page. --Sam SutherlandCustomer Reviews:
"Ah, Glorius...Glorious...Gloriious!".......2007-06-13
The original UK version is the best - 5 stars.......2007-05-08
On the original UK version 'Underway' lead into 'One Sunny Day'. This track has been shortened and it souns awful. 'One Sunny Day' was Kirwans best contribution to this album and it isn't here!. There was no need to have 'O'h Well' on this album becuase it was on the 'Fleetwood Mac's Greatest Hits' album (the red one) where it belonged. The least they could have done was to remove the overlap, it sounds bad. Then there's Madge. What can I say? I would like to search for the person who butchered this album and fight him or her. It would make me feel much better. Then, there's the sound quality... The original album (I have two vinyl copies - with different album covers) is one of my favourite ablums of all time and it grieves me to give it four stars.
For Peter Green fans, check out the brilliant "End Of The Game".
Re-listening to an old "friend" again........2007-03-08
Green and Kirwin got them show biz blues and where's Jeremy?.......2007-02-19
1. Coming Your Way - Danny Kirwin is coming into his own on this record.
2. Closing My Eyes - Great dual guitar harmonys after the last verse and haunting track overall with kettle drum by Mick.
3. Show-Biz Blues - Not my Favorite,acoustic steel blues rave up
4. My Dream - Instrumental by Danny
5. Underway - Another instrumental this time it's Peter's
6. Oh Well - Peter Green's big moment, the classical part is too longgggg.
7. Although The Sun Is Shining - Kirwin's haunting voice is center stage here
8. Rattlesnake Shake - Another forgettable joke number about Mick
9. Searching For Madge - Jam 1
10. Fighting For Madge - Jam 2
11. When You Say - Kirwin is a loss for words
12. LIke Crying - Kirwins song about a girl who likes girls
13. Before The Beginning - Peter's swan song, scary song and one of his all time best
Classic Blues Rock Album.......2007-01-11
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Now And Then: Music From The Motion Picture
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002BCR Release Date: 1995-10-17 |
Tracks:
- Sugar, Sugar - The Archies
- Knock Three Times - Tony Orlando & Dawn
- I Want You Back - Jackson 5
- Signed, Sealed, Deliverd I'm Yours - Stevie Wonder
- Band Of Gold - Freda Payne
- Daydream Believer - The Monkees
- No Matter What - Badfinger
- Hitchin' A Ride - Vanity Fare
- All Right Now - Free
- I'm Gonna Make You Love Me - Diana Ross & The Supremes
- I'll Be There - Jackson 5
- Now And Then - Susanna Hoffs
Customer Reviews:
Lovely tunes..........2007-04-21
Fun all the way!.......2005-06-21
I`m listening to it now!.......2005-05-27
Thank`s for your time,
Vicki
This music has a place in my heart.......2005-02-27
buy it! buy it!..........2004-11-19
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And Then There Were Three
Genesis Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002J2D Release Date: 1994-11-29 |
Tracks:
- Down And Out
- Undertow
- Ballad of Big
- Snowbound
- Burning Rope
- Deep In The Motherlode
- Many Too Many
- Scenes From The Night's Dream
- Say It's Alright Joe
- The Lady Lies
- Follow You Follow Me
Amazon.com
When the departures of original frontman Peter Gabriel and guitarist Steve Hackett left Genesis a studio trio of Phil Collins, Tony Banks, and Mike Rutherford, few could have expected the band to climb to greater levels of commercial success. But that's exactly what happened, and Genesis' left-field rebirth as a unlikely pop act began with this album, which introduced the newly slimmed-down lineup. But that's not the whole story. While the haunting love song "Follow You, Follow Me" introduced the band to the singles charts, elsewhere the group's penchant for accessibly complex composition and evocative lyrical dramas is in force on tracks like "Deep in the Motherlode," "Burning Rope," "Down and Out," and "Ballad of Big." --Scott SchinderCustomer Reviews:
A turning point for the Group.......2007-07-14
The guys rose to the challenge and put together a gem with this one and never looked back-to bad it is often overshadowed by Duke.
Mr Phil Collins.......2007-05-26
they were three and they sounded great.......2007-05-15
A Very Good Album.......2007-04-19
Tony and Mike each wrote about half of the album, Phil only helping on a couple of the songs. Both Tony and Mike wrote some very good songs and some just okay songs. For me, the highlights of this album are "Undertow", the instrumental section of "Burning Rope", "Deep in the Motherlode", "The Lady Lies", and finally "Follow You, Follow Me", that last song being the band's first big pop hit. It is a beautiful song-the best love song they ever wrote.
Though this album wasn't as good as it's amazing predescessor Wind & Wuthering, nor as good as its successor Duke, it is still a very good album and it is a worthy addittion to any collection of good music, an essential for Genesis fans.
Genesis - I Still Enjoy This One.......2007-04-09
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Then and Now: The Hits Collection
Tracy Lawrence Manufacturer: Mercury Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AXWGQ8 Release Date: 2005-10-18 |
Tracks:
- Used To The Pain
- Paint Me A Birmingham
- If I Don't Make It Back
- If The World Had A Front Porch
- Sticks And Stones
- Is That A Tear
- Time Marches On
- I See It Now
- How A Cowgirl Says Goodbye
- Alibis
- Today's Lonely Fool
- Can't Break It To My Heart
- Lessons Learned
- Texas Tornado
- Stars Over Texas
- My Second Home
- If The Good Die Young
Amazon.com
Country's honey-voiced hopeless romantic gleans his career with this satisfying collection featuring rerecordings of 14 hits, his original version of "Paint me a Birmingham," and two new numbers. He's made fresh gold with "Used to the Pain," which sounds like a classic Tracy Lawrence ballad, full of regret over a heartbroken past, yet dappled with hope for the future. There's also "If I Don't Make It Back," a sentimental male-bonding story of a departing soldier's words to his buddies with a tearjerker ending. The older tunes, like "Birmingham" and "Today's Lonely Fool," stand time's test, as does the undiminished emotional palette of Lawrence's voice. Although most of these numbers are sad or starry-eyed honky-tonk, the set ends with the rowdy "If the Good Die Young," a rocker with the kickin' line "I'm gonna live forever if the good die young." But with more #1 hits than Glen Campbell, Ernest Tubb, and a host of other legends, Lawrence has already attained his own brand of longevity. --Ted DrozdowskiAlbum Description
There are 17 songs in this hits collection. I re-recorded 14 of my past hits, included the original version of "Paint Me A Birmingham," and recorded two brand new songs. In making this record, I got the chance to study myself as a vocalist and as a person. I listened to what I did with "Sticks And Stones" all the way through what I did with "Paint Me A Birmingham." It was pretty educational to go back through 14 years of my life and pick myself apart. I learned a lot about myself.We were intent on recapturing the magic for this CD. I wanted the cuts to be as close sonically to the original recordings as we could make them. We matched tempos, snare sounds and guitar licks--everything. I even sang along with the originals to try to get my phrasing as close as possible. We did all that we could, short of stepping back in time, to get as close to reliving the moments those records were recorded.
We worked with a lot of the same players that played on my original recordings. We talked about the studios we played in. We cut up and reminisced about all of the good times on the road during those years. We talked about the path my music had traveled with different producers. I could hear my growth and I could hear the strain in my voice during the times when there was pain in my life. It brought it all back to life for me. In a lot of ways I found the whole process healthy and therapeutic.
Customer Reviews:
Excellent Collection.......2007-07-15
best cd ive bought.......2007-04-18
Wow.......2007-04-04
This CD is the Best!!!.......2007-03-11
Great CD, A re-recording notice woulda been nice though........2006-06-05
Average customer rating:
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
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1776: The New Broadway Cast Recording (1997)
Manufacturer: Tvt ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000GU0 Release Date: 1997-12-16 |
Tracks:
- ACT I: Sit Down, John - Brent Spiner/Michael X. Martin/Richard Poe/Tom Aldredge/John Herrera/Tom Riis Farrell...
- ACT I: Piddle, Twidle and Resolve - Brent Spiner/Orch/Mark Mitchell
- ACT I: Till Then - Brent Spiner & Linda Emond/Orch/Mark Mitchell
- ACT I: The Lees of Old Virginia - Merwin Foard/Pat Hingle & Brent Spiner/Orch/Mark Mitchell
- ACT I: But Mr. Adams - Brent Spiner/Pat Hingle/Paul Micheal Valley/John Herrara & Daniel Marcus/Orch/Mark Mitchell
- ACT I: Yours, Yours, Yours - Brent Spiner & Linda Emond/Orch/Mark Mitchell
- ACT I: He Plays The Violin - Lauren Ward/Pat Hingle & Brent Spiner/Orch/Mark Mitchell
- ACT I: Cool, Cool, Considerate Man - Michael Cumptsy/Orch/Mark Mitchell
- ACT I: Momma Look Sharp - Erik J. McCormack/Macintyre Dixon & Joseph Cassidy/Orch/Mark Mitchell
- ACT II: The Egg - Pat Hingle/Brent Spiner & Paul Michael Valley/Orch/Mark Mitchell
- ACT II: Molasses to Rum - Gregg Edelman/Orch/Mark Mitchell
- ACT II: Compliments - Linda Emond/Orch/Mark Mitchell
- ACT II: Is Anybody There? - Brent Spiner/Orch/Mark Mitchell
Customer Reviews:
From someone who despises American musical theater.......2007-06-04
In the Brent Spiner Fangirl Legal Contract, it specifies that said fangirl must purchase any and all vocal recordings containing said Brent Spiner (and that she will not, in any way or at any time, mention how much he sounds like Judy Garland on steroids). Which is why I purchased this CD.
He... ripped... into... this... part. That's the only way I can put it. I was floored from start to finish.
The work, as a whole, is something of a consuming thing. Be prepared to sit in silence for a few minutes after you're done with this one, because after hearing the whole thing, silence will be the only followup that does it justice.
A Mans Show.......2006-07-24
Who knew Mr. Data had it in him?.......2006-07-05
The argument can be made that this musical was "of its time" meaning the 1960's, but I think the songs still hold up as they entertain as well as educate us. Much of the lyrics and dialogue are authentic.
Highly recommended.
I Love It!.......2006-02-27
SURPRISINGLY TERRIFIC.......2006-02-23
Average customer rating:
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Now & Then
The Carpenters Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000G3WU Release Date: 1998-12-08 |
Tracks:
- Sing
- This Masquerade
- Heather
- Jambalaya (On The Bayou)
- I Can't Make Music
- Yesterday Once More
- Fun, Fun, Fun
- The End Of The World
- Da Doo Ron Ron (When He Walked Me Home)
- Deadman's Curve
- Johnny Angel
- The Night Has A Thousand Eyes
- Our Day Will Come
- One Fine Day
- Yesterday Once More (Reprise)
Customer Reviews:
An early stage of fresh album.......2007-07-02
Unfortunately there is not sound quality of recording despite best.
However, Carpenters must be DUO superior in U.S.A.
Bought this for one song. They played it........2007-05-13
Still Blossoming But With A Hiccup Or Two...........2007-01-25
I note a number of five star reviews, and I considered doing that myself. The reason I didn't can be summed up in two words: opening song. The opening song of a recording sets the stage - at least on a well-done album - for all that is to follow. The Carpenters opt for another Leon Russell tune to open the album but, unfortunately, "This Masquerade" - while a good song and done in fabulous Carpenter fashion - is just not the kind of tune to open an album. It segues into a number three hit, "Sing," from the TV show "Sesame Street" - the source of countless number one songs like "It's Not Easy Being Green."
We then get the first taste of Carpenter greatness with an abbreviated version of "Yesterday Once More" - and by abbreviated, I mean only the first verse and the closing chorus. Following the successful pattern of "A Song for You," we get another Richard Carpenter instrumental, "Heather."
The upbeat "Jambalaya" is another remake, this of a 1952 Hank Williams classic. But the Carpenters make it their own with a great performance capped by the traditional Carpenter overdub sound. "I Can't Make Music," a melancholy melody by Randy Edelman closes out the first side. Karen's vocal carries it well.
The second side is an ode to the oldies. Starting with Richard's new composition, "Yesterday Once More," the Carpenters go on a twenty minute tear of rock 'n' roll classics. They start with "Fun, Fun, Fun" by the Beach Boys and are interrupted by a 'hip' DJ (Tony Peluso, author of the "Goodbye To Love" guitar riff). It segues into "The End of the World," the Skeeter Davis Classic. Following are "Da Doo Ron Ron" (Crystals), "Dead Man's Curve" (Jan and Dean), "Johnny Angel" (Shelley Fabares), "The Night Has A Thousand Eyes" (Bobby Vee), "Our Day Will Come" (Ruby and the Romantics" and close out with a rapid fire acceptable version of "One Fine Day" (Chiffons). Interspersed are the DJ interacting with his audience including a 'Guess The Golden Goodies Group Contest.' The caller, Mark Rudolph, gets it wrong and the DJ mocks him.
The second side is, in its own way, a classic. Rather than a note-for-note remake of these songs, the Carpenters put their stamp on some of the classics and all of the versions are more than acceptable. Indeed, they make the album a must hear classic for all Carpenter fans.
The cover art is also, in my view, the best of all the Carpenter albums. You probably can't see it on the screen, but Richard is in the driver's seat and Karen in the passenger side.
Two smash hits and an entire side of Carpenter versions of classics? What are you waiting for? Get it today.
Short, but sweet.......2006-06-12
On the first half, there is the hit 'Sing', which may not be the greatest song, but it was a hit for a reason; it's very listenable. Then there is their sultry, jazzy version of 'This Masquerade', which is lovely, and predicts the direction their music will take by the end of the decade. The aforementioned instrumental, 'Heather', might be taken for filler, but it's actually very good. The upbeat 'Jambalaya (On The Bayou)', which was a hit in the U. K. and the Netherlands, is another fun, feel-good song, in true Carpenters fashion, themed around a celebration in the Deep South. 'I Can't Make Music' is a very good song about disappointment and lonliness. Then, there is the mostalgic mega-hit 'Yesterday Once More', which is beautiful, and bookends a medley of classics from the early 60s, including the Beach Boys' 'Fun, Fun, Fun', the Crystals' 'Da Doo Ron Ron', and the Chiffons' 'One Fine Day'. I think it works well, and it's great to hear those songs in the Carpenters' sound. For those who have suggested the existance and length of the medley imply that they were short on things to record, I'm pretty sure the medley was intended from the beginning. My only regret about it is that it is just that, a medley. It would be great to her them do the songs in their entirity, and maybe a few others ('Be My Baby', 'Up On The Roof', for example).
All in all, this is a good album for anyone interested in Carpenters. Good songs, great singing by Karen (Particularly on 'This Masquerade', 'I Can't Make Music', and 'Yesterday Once More'), and lovely backup arranged by Richard. However, be warned that the tone is pretty light and upbeat throughout the album, and if you're into slow, serious ballads, I'd check out Horizon or A Song For You, instead.
Great Remake of Classics.......2006-03-29
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Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZDU Release Date: 1995-04-10 |
Tracks:
- Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
- Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
- Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
- The Choir Of The King's Consort: Hear My Prayer, O Lord
- Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
- Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
- Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
- Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
- Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
- Complete Anthems And Services Vol.3: Hosanna To The Highest
- Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
- Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
- Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
- Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
- Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
- Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
- Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
- Complete Anthems And Services Vol. 11: An Evening Hymn
- Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
- Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia
Amazon.com essential recording
The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew WestphalCustomer Reviews:
Mad about Baroque.......2007-02-12
The beauty of the songs brings tears to my eyes.......2002-08-21
Brilliant.......2001-10-31
These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.
Be Welcome then, great Sirs (and Mesdames)........2001-10-20
This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.
A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.
it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.
Brilliant Purcell Disc .......2000-11-30
An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.
Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.
by stardustraven
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