This Is New [Import]

Product Description
Japanese Version featuring a Limited LP Style Slipcase for Initial Pressing.

This Is New,Eddie Daniels,Columbia,Hard Bop,Jazz

Jazz

Music

jazz

music

Average customer rating: Jack is a sexy guy with great talent. This IS It! Ingram Jack Ingram makes a hit with "This Is It" Ingram's in the Right Direction Towards "It"

This Is It Jack Ingram Manufacturer: Big Machine Records ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music New Traditionalist | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Pop Rock | Pop | Styles | Music Country Rock | Rock | Styles | Music Similar Items: Let It Go Pure BS 5th Gear Greatest Hits Crazy Ex-Girlfriend ASIN: B000NA26Q8 Release Date: 2007-03-27

Tracks:

1. Measure Of A Man
2. Hold On
3. Lips Of An Angel
4. Wherever You Are
5. Love You
6. Easy As 1, 2, 3 (Part II)
7. Ava Adele
8. Make A Wish (Coming Home Again)
9. Great Divide
10. Don't Want To Hurt
11. Maybe She'll Get Lonely
12. All I Can Do

Amazon.com

Like Keith Urban, Texan Jack Ingram flaunts a studied blond scruffiness that initially telegraphs he might rely more on sex appeal than music. But also like the Australian guitarzan, Ingram knows how to deliver the goods. His average-guy voice positions him more on the rocking side of country, and proves a perfect vehicle for the kickoff song, Radney Foster and Gordie Sampson's rootsy "Measure of a Man," which dovetails a rebel Steve Earle stance with a declaration of the changing power of love. The formulaic pop of "Wherever You Are," Ingram's #1 single--reprised like the bubblegummy "Love You" from an earlier album--is standard-issue Nashville, as is "featuring" Sheryl Crow on "Hold On," but then burying her vocals in the mix. But Ingram makes up for such transgressions with his deliciously lubricated cover of Hinder's "Lips of an Angel" and with his own finely-drawn songs of family (the folkish "Ava Adele") and the Lone Star landscape that produced him ("Great Divide"). The question is whether Ingram wants to be a star or an artist. His label, Big Machine, is trying to let him be both. But that can only last so long. --Alanna Nash

Album Description

The late Waylon Jennings once called Jack Ingram "an incredible talent." Now fans everywhere have learned what Jennings knew, as Ingram has transformed from a regional superstar around his native Texas into a full-fledged national phenomenon.

Nothing describes the incandescent moment when Jack Ingram's "incredible talent" becomes incredible success quite as well as the title of his new studio album, This Is It.

Customer Reviews:

Jack is a sexy guy with great talent........2007-07-02

Jack Ingram's first studio album in a few years is excellent. "This is It" is a solid collection of Ingram's signature "red-dirt" country songs; herein Jack Ingram displays his virtuoso guitar skill and his never-failing vocal abilities.

1) Measure of a Man - This song is about Jack coming to terms with his father leaving the family. The music video features a Kristofferson look-a-like. My favorite moment is 2:25 minutes into the song: he sings the chorus over an acoustic guitar.

2) Hold On - This song is inspirational and features Sheryl Crowe's vocals. I'll let the song speak for itself: "Hold on to dancin' in the rain."

3) Lips of an Angel - When Jack Ingram covered the Hinder hit, he was much derided for doing so. However, I prefer his vocals over the gravelly Hinder singing. The added country instrumentation takes a hardcore rock song into better dimensions. When he was on CMT Top 20 he said his kids like Gwent Stefani, and they particularly like him to sing "Hollaback Girl" rather than his own songs - he can make any song great.

4) Wherever You Are - Jack Ingram's 2005 Country #1 is a road-song about a man on a quest to find his girl. The video (included on this disc) was on CMT's Sexiest Videos list for obvious reasons and the Top20 Countdown. Great vocals.

5) Love You - This is a fun, playful song that replaces f**k with love. Jack Ingram gives the listener a 2:45 minute great time. The video is also on the disc, and features a Paris Hilton look-a-like destroying what she thinks is Jack's truck while he and his band preform. This should have been a #1.

6) Easy as 1, 2, 3 (Part II) - This is my favorite song from the album because it's so upbeat and hopeful. It evokes a slight bluegrass feel. This will make you "feel better" as that's what the song is about.

7) Ava Adele - This ballad about Jack's daughter reflects the proud fatherhood he recently discussed on CMT Top 20 with Lance Smith (as a side-note he said Ava always covers his mouth when he tries singing it to her). The partial spoken/sung lyrics evoke Johnny Cash's style.

8) Make a Wish (Coming Home Again) - I enjoy Jack Ingram's guitar playing on this song, because as he sings about electric lights, his strumming evokes lightning imagery. Another good road song, with a catchy hook that will be in your head. The song's message is very positive.

9) Great Divide - Jack sings about West Texas and how he will always enjoy the unchanging ways of the people. Another great road song.

10) Don't Want To Hurt - I love the thumping bass-line in this song; it reminds me of Little Big Town. The message is very relatable.

11) Maybe She'll Get Lonely - Jack Ingram croons about the need for a woman and wants her to want him.

12) All I Can Do - This is a great way to end the CD. The use of trumpets evokes a post-Katrina "Big Easy" feel.

The CD booklet is actually a poster with Jack on it. He's currently on tour with Brad Paisely, Taylor Swift and Kellie Pickler and I hear they like to play practical jokes.

This IS It!.......2007-06-27

A great collection of songs. Easy to listen to and sing along with--great mix of melodies and lyrics.

Ingram .......2007-05-15

I love this album and would buy it for my husbands truck as well for him to listen too.

Jack Ingram makes a hit with "This Is It".......2007-05-07

Jack Ingram is an incredible artist. I first discovered Jack while watching CMT and have loved him since. He is the most fresh, distinct, and enjoyable artist in country music. His perfect blend of radio-hits and West Texas/honky-tonk sound is what makes this album, and Jack, great.

After many years struggling in the music scene he has finally got the commercial and critical acclaim he deserves. He recently had a No. 1 hit (on the Country Singles Chart) with "Wherever You Are," and "This Is It" debuted at No. 4 (on the Country Albums Chart). This CD is an excellent musical experience from start to finish. I believe it is the best in Country Music so far this year. Fans of Country and Rock will enjoy this CD for the well-crafted music, lyrics, vocals, and also the neat fold-out poster. Of interest is Jack's ability to transfer his incredible live sound onto CD format.

"Measure of a Man" which is his next single is a great road song. Great to listen to while driving. It is a song about the relationship between a father and a son. His lyrics are effective in crafting the story; he claims it is "Biloxi Part II," a continuation of an earlier song he wrote.

"Wherever You Are" is his No. 1 single. It is radio friendly and a good Country ballad. Definitely worth the price of the CD alone.

"Love You" is a great honky-tonk song that substitutes love, for a four letter word, in the phrase 'f--k you'. It is humorous and enjoyable. While not the best on the album it is top quality nonetheless.

"Easy as 1,2,3 (Part II)" is the best on the album. It is simply purely enjoyable to listen to. If it was a single I believe it would have charting ability.

"Make a Wish" is a great song and has a strong playback ability. It is the best example of Jack's vocal talent. I was mesmerized by the range, beauty, and power of his voice on this track.

UPDATE: After two moths of owning this album it still is appealing. I love this record. Undeniably Jakc Ingram is the best thing in country music to appear in nearly a decade. Other newcomers (Josh Turner, Carrie Underwood, Taylor Swift, etc...) are great but Jack Ingram is exceptional. I highly recommend this CD!

*****/***** for superior vocals, lyrics, and music. Another great release from Toby Keith's imprint label: Big Machine Records (a division of the better known Show Dog Nashville). Recommended for Country and Rock fans. Simply, the best of 2007 (as of the middle of the year). Enjoy Jack and his much needed fresh talent.

Recommended:

Jack's other great CDs: Electric, Hey You, Livin' or Dyin', Lonesome Questions, and Jack Ingram.

Toby Keith's latest CD: Big Dog Daddy.

Ingram's in the Right Direction Towards "It".......2007-04-03

Prime Cuts: Easy as One, Two, Three (Part II), Ava Adele, Whenever You Are

After years of loitering along the fringes of country music, Ingram has finally broke in with his number 1 smash "Whenever You Are." To up the ante on the barometer of hip, Ingram has ushered the advent of this CD with the unlikely cover of rock act Hinder's "Lips of an Angel." Thus far, success has been effulgent as "Lips" is lighting its way up the upper echelon of the Billboard country charts. Produced by Jeremy Stover, Doug Lancio and Ingram, this disc steers along the path paved by "Wherever You Are" which means that most of these 12 cuts have been recorded with an eye for becoming darlings of radio. However, before purists who have followed Ingram's career bark at Ingram's viable shrewdness, not everything have been sacrificed at the altar of commercialism. Truth be told, "This is It" does indeed have a more polished savvy sheen to it, but this is not to say there is a dearth of the raw emotional investiture Ingram always brings to his songs. Further, Ingram's commercial success has no way been caliginous towards his twinkle for Townes Van Zandt, Steve Earle and Robert Earl Keen's type of Americana that rock with a venturesome abandon and drenched the soul like vintage liquor.

Destined to be a hit is the Radney Foster-Gorde Sampson opener, a stately rock number with a Bon Jovi-anthemic beat. "Measure of a Man" chronicles a coming of age story starting with a boy leaving home at 15. Without being told that "Lips of an Angel" was first recorded by rock act Hinder, it might easily sound like an Ingram original. A brooding bluesy ballad calling to mind Gary Allan's "Life Ain't Always Beautiful," "Lips of an Angel" describes with vivid details the feelings of a man on the verge of cheating on his girl. If such moral graft has left a bitter aftertaste, "Hold On" which features Sheryl Crowe on backing vocals has a more censurable disposition about the tenacity of love over circumstances. While the driving-guitars and barrier-smashing drums on Todd Snider's "Easy as One, Two, Three" is sonically infectious.

However, the album's highlights are in the contemplative moments. To prove that the triumph of a song resides not in its lyrical density but the sincerity of the words, "Ava Adele" is the bona fide example. With the simplest of words, this gentle guitar-driven lullaby is Ingram's love song to his daughter. Giving it depth and grit, Ingram's gravelly vocals brings out a magical quality to this heart-wrenching ballad. "Ava Adele" could easily be Ingram's magnum opus. While the mid-tempo "Maybe She'll Get Lonely" finds Ingram in Tim-McGraw territory as he holds to the sliver of hope that his departed paramour may return to him if she gets lonely. And as an added bonus, two of Ingram's previous hits the propulsive "Wherever You Are" and the more rockish "Love You" give this collection added heft.

Indeed Ingram has taken a step in the right direction by making his music appeal to a large spectrum of people vis-à-vis country radio without completely selling out. However, as a whole, Ingram has yet to reach the lofty heights he's capable of attaining. There are still pockets on this disc that still borders on the filler side (e.g., "All I Can Do" and "Make a Wish"). So, let us hope that Ingram is not serious about this album title: for this CD is definitely hopeful, but there is still some distance from reaching "it."

Average customer rating: Ring introduction critique FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE Welcome back to a classic analysis Essential for Understanding Wagner's Ring Cycle Very Functional

An Introduction to Der Ring des Nibelungen Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baritones | Voices | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Wagner's Ring: Turning the Sky Round Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti Decoding Wagner: An Invitation to His World of Music Drama (includes 2 CDs) Wagner - Der Ring des Nibelungen / Levine, Metropolitan Opera (Complete Ring Cycle) Ring of the Nibelung ASIN: B00000424H Release Date: 2005-09-13

Tracks:

1. Of All Great Musical Compositions... (Examples 1-4)
2. The Fundamental Symbol... (Examples 5-11)
3. Returning Now To The Nature Motive... (Examples 6, 12-16)
4. A Number Of Further Motives... (Examples 5, 17-21)
5. A Second, Much Smaller Family... (Examples 22-25)
6. So Much For Nature. (Examples 26-38)
7. The Cause Of The Deterioration... (Examples 39-44)
8. The Other Transformation... (Examples 45-48)
9. Several Other Motives... (Examples 49-52)
10. Two Further Motives... (Examples 41, 53-61)
11. The Basic Motive Associated With The Spear... (Examples 62-68)
12. Along Another, More Complex Line... (Examples 69-72)
13. In Act Two Of Walkure... (Examples 69, 73-75)
14. Returning Now To Act Two Of Walkure... (Examples 76-79)
15. Love Is Another Of The Central Symbols... (Examples 80-83)
16. Later In The Same Scene... (Examples 84-87)
17. Freia's Motive Has Two Independent Segments... (Examples 88-91)
18. The Label 'Flight'... (Example 92)
19. When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
20. A Little Later In The Interlude... (Examples 99-103)

Tracks:

1. The Other New Motive... (Examples 104-109)
2. There Are Several Independent Love-Motives... (Examples 110-114)
3. The Characters In Whose Lives... (Examples 115-120)
4. One Further Motive Belongs... (Example 121)
5. The Sword Motive Recurs... (Examples 122-130)
6. Ironically, This Phrase... (Examples 131-135)
7. Closely Associated With Gutrune's Motive... (Examples 136-140)
8. Here We Come To The End... (Examples 141-146)
9. Complemtary To This Symbol... (Examples 147-149)
10. One Last Central Symbol... (Examples 150-157)
11. One Further Motive Connected... (Examples 158-161)
12. There Are One Or Two Motives... (Examples 162-168)
13. These Motives Of Alberich And Mime... (Examples 169-171)
14. Quite A Number Of The Subsidiary Motives... (Examples 172-176)
15. Besides This Family Of Motives... (Examples 177-180)
16. Our Final Example... (Examples 10, 181, 182)
17. In The Final Scene Of Gotterdammerung... (Examples 181-183)
18. Even More Masterly... (Examples 184-188)
19. Now If We Return... (Examples 189-191)
20. This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.

Average customer rating: Salute to America A good choice but... Ho-Hum "Boston Pops".. Alway's do the Job! Full-Spirited

Salute to America Manufacturer: Mca Special Products ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Williams, John [guitar] | ( W ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music CDs Under $7 | Pop General | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Pop General | Pop | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Very Best Of The Boston Pops I Love a Parade John Williams Stars & Stripes Forever and the Greatest Marches Swing Swing Swing Sousa's Greatest Hits ASIN: B0000047JW Release Date: 1995-04-16

Tracks:

1. Candide (Overture)
2. New York, New York (America Medley)
3. Lonely Town (America Medley)
4. America (Ameriaca Medley)
5. Battle Hymn of the Republic
6. American Salute
7. America the Beautiful
8. This Land is Your Land
9. 76 Trombones
10. St. Louis Blues March
11. Strike Up the Band
12. When the Saints go Marchin' In

Customer Reviews:

Salute to America.......2006-07-27

Very similar in quality and music to I Love A Parade and a very upbeat reminder of why we are a patriotic nation. The arrangements and quality of the songs are great.

A good choice but..........2005-06-29

It is not the best CD that I have bought but it is an honest one. The orchestration is good, the choice of tunes is excellent and the tunes are well played. As you know, it is always difficult to say : I like it or I hate it because hearing a CD is a question of personal point of view. In my case, I may not say that I like it or I hate it, I prefer some other orchestration but it us a good CD.

Ho-Hum.......2005-06-08

I wanted some rousing marching music. This album is half asleep. The sound quality is poor. Apparently Mr. Williams writes better music than he conducts.

"Boston Pops".. Alway's do the Job!.......2001-10-03

John Williams/Boston Pops.. Salute to America.

And they do! They salute America! This is a wonderful C.D
Battle Hymn of the Republic, is great..

New York, New York,will bring tears to your eyes!
12 renditions in all..

All these are performed wonderfully, and well worth the money!

I would recommend this to anyone who loves patriotic music, it will stir the heart and soul of Americans....

Full-Spirited.......2000-09-02

I'm a classical music/opera person for the most part. But I find this CD entralling. Even the organization of the CD is ideal-almost like a symphony--with the rousing Candide Overture and the musical medleys at the beginning, the patriotic songs as the B section, and the Dixieland and other music from American musicals to finish up. And I particularly like the orchestration of the medleys. A wonderful CD.

Average customer rating: Staggering beauty Metamorphosis in front of your ears! NOT FOR HEAD NEWBIES BUT HAS A LOT TO OFFER FOR THE VETERAN For Heads-head only Their best live set

The Name of This Band is Talking Heads Talking Heads Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music American Punk | Hardcore & Punk | Alternative Rock | Styles | Music New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music Post-Punk | New Wave & Post-Punk | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Alternative | Live Albums | Alternative Rock | Styles | Music General | Live Albums | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Alternative Rock | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Similar Items: Stop Making Sense: Special New Edition (1984 Film) Remain in Light Fear of Music Talking Heads Brick Speaking in Tongues ASIN: B0002IQML6 Release Date: 2004-08-17

Tracks:

1. New Feeling
2. A Clean Break
3. Dont Worry About The Government
4. Pulled Up
5. Psycho Killer
6. Who Is It?
7. The Book I Read
8. The Big Country
9. Im Not In Love
10. The Girls Want To Be With The Girls
11. Electricity
12. Found A Job
13. Mind
14. Artists Only
15. Stay Hungry
16. Air
17. Building On Fire
18. Memories (Can't Wait)
19. Heaven
20. Psycho Killer
21. Warning Sign
22. Stay Hungry
23. Cities
24. I Zimbra
25. Drugs (Electricity)
26. Once In A Lifetime
27. Animals
28. House In MOtion
29. Born Under The Punches (The Heat Goes On)
30. Crosseyed and Painless
31. Life During Wartime
32. Take Me To The River
33. The Great Curve

Album Description

Formed in NYC in the mid-'70s by David Byrne, Chris Franz, Tina Weymouth, and ex-Modern Lover Jerry Harrison, Talking Heads soared out of their humble CBGB's beginnings to become Rock and Roll Hall of Famers and one of the most adventurous and influential bands ever. The onstage energy that propelled their rise to fame was documented in the 1982 double-LP set THE NAME OF THIS BAND IS TALKING HEADS, now available on CD for the first time. Following them through several early evolutions from '77-'81, this live gem - a 1982 Top 40 Billboard Album- is a riveting portrait of a stellar band on the rise. For its CD debut it's been expanded with over 30 minutes of rare and mostly previously unreleased bonus material.

Customer Reviews:

Staggering beauty.......2007-06-28

My wife and I have all of the Talking Heads releases (now on CD, but previously on every available format, depending on the era). This CD, like all of the Talking Heads material, shines with a brilliant originality that staggers (yes, it's OK to use this word twice in a review of a Talking Heads release) the mind.

If this is your first experience with the Talking Heads, the next purchase is the DVD "Stop Making Sense". You may never remove it from your DVD player.

If you ever have the chance to see David Byrne perform live, don't miss it. It's a life-altering experience.

Metamorphosis in front of your ears!.......2007-03-16

An amazingly unique live album in that it takes the listener over about a five-year span of the band's live performances, revealing an almost unprecedented maturation in songwriting and musicianship -- and all before they hit their stride with "Speaking in Tongues" and the live album (one performance) "Stop Making Sense"!! It's just so sad and a shame that the band ending up growing so much that they broke away from each other. David Byrne is certainly talented, but Talking Heads was his peak.

NOT FOR HEAD NEWBIES BUT HAS A LOT TO OFFER FOR THE VETERAN.......2007-02-17

out of the two CD'S the second one stands out in my opinion as having the best tunes the versions are quite a bit different than the studio versions which makes them interessting to the veteran HEADS fan who already has all the studio albums ,there are some nice guitar riffs that accelerates the pace of some songs,all in all a wortwhile addition to an already stuffed collection but definetely NOT a first HEADS album

For Heads-head only.......2006-09-15

I bought this CD set because all I had by TH was The Best Of and I wanted a little more by them, but I'm by no means a Talking Heads-head. For a person like me, this album isn't very good. The one song worth downloading is "A Clean Break (Let's Work)," which is extremely catchy. Two other songs that were not on The Best Of--"Pulled Up" and "The Big Country"--are great, but better in their original album versions. There are also some cool feedback moments, like the guitar freak-out that concludes the version of "Psycho Killer" on the first disc. If you're a member of the TH cult (and there's no shame in that), I'm sure you'll like it; as for the people like me, I don't recommend it. I'll be selling my copy, and I rarely do that, even though I go out pretty far on a limb with some of my music purchases.

Their best live set.......2006-08-16

When this was released on double LP twenty years ago, it offered an incredible overview of the Talkinh Heads live. Indeed it covers the early years up to the Remain in Light-era big band. Musically it is much more interesting that the Stop Making Sense soundtrack. The sound recording is maybe not as nice and Byrne's singing is not as polished. The playing is however much more strong. However the set represented is overall much stronger and it is also quite evident that the Remain In Light band was the best line-up simply. Songs such as The Great Curve are simly great and these versions are actually the definitive ones in my opinion. Rhino has again done a superb job by adding may songs to this beautiful CD.

Average customer rating: So this is hello

So This Is Goodbye Junior Boys Manufacturer: Domino ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Canada | North America | International | Styles | Music Alternative Dance | Alternative Styles | Alternative Rock | Styles | Music Electronic Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music Electronica | Dance & DJ | Indie Music | Stores | Music Similar Items: From Here We Go Sublime Silent Shout Sound of Silver Mirrored Fourteen Autumns & Fifteen Winters ASIN: B000PSJCRO Release Date: 2007-06-05

Tracks:

1. Double Shadow
2. The Equalizer
3. First Time
4. Count Souvenirs
5. In the Morning
6. So This Is Goodbye
7. Like a Child
8. Caught In a Wave
9. When No One Cares
10. FM

Tracks:

1. Like a Child
2. In the Morning
3. FM
4. The Equalizer
5. In the Morning
6. Double Shadow
7. FM
8. The Equalizer
9. Under the Sun
10. FM
11. When No One Cares

Album Description

The deluxe edition of their highly acclaimed sophomore album contains a bonus disc of distinction: the only physical release of their 4-song iTunes studio session from last fall's tour plus a dizzying array of talents from the world of electronic music who bring their own personal touch to the music of Junior Boys: Carl Craig, Hot Chip, Tensnake, Arp Aubert, Kode 9, Morgan Geist, Alex Smoke, and Marsen Jules. Limited to 5,000 copies.

Customer Reviews:

So this is hello.......2007-06-05

The Junior Boys have made a solid second album in "So This is Goodbye"... which hopefully isn't a bad omen. Because it would be a shame to quit when this electro-indie band is still making good music -- smooth dance beats and satiny vocals, with a heavy dose of chillout and downtempo.

It opens with a string of hiccupy blips, and soon a breathless voice murmurs, "You're two faced.../all sideways.../you're dry-eyed.../and night fly..." A funky rhythm kicks in, keeping the spare beats from sounding too dull, but it's still only an introduction.

The good stuff is with "The Equalizer," a solid beat that regularly softens those cold beats with stretches of shimmering downtempo. Then they change the same formula for "First Time," which is a pretty trip-hop sound that gets sprinkled with sharp computerized beats. Not catchy, just so you know.

That mix of sharp beats and downtempo continues as the album trips on. The melodies are fragile, the beats are robust -- they glide through the vaguely ominous "In the Morning," cascade through the bittersweet sound of "So This is Goodbye," and jerk through the robotic "Caught in a Wave." The ending song, "FM," is a surprisingly soft finale, with a very soft melody and those computer beats.

This particular version has a bonus disc, which includes their Itunes EP: four sparkling renditions of various, including the shimmery "FM," funky "Under the Sun," and haunting piano folk of "When No One Cares." They sound a bit different from the original songs, but it's so polished you wouldn't know that this was a live session.

And it's loaded down with some lovely remixes: "FM" gets a shimmy techno reworking, and a fuzzy airy one. Hot Chip reworks "In the Morning" into a delicate spin of soft beats, "Double Shadow" gets a skittering, slightly ominous mix, and "Equaliser" gets a weird yowly skittery one with lots of jagged beats. And there are more!

Perhaps "So This is Goodbye" has only one real flaw: the songs tend to blur together over the listening period, since the beat/chillout ratio is the same for most of them. So it might take a few listens before this one really pops in your head.

But that ratio is very good -- the chillout electronica lulls you, and the cold robot beats snap you out of the trance. And while the first song strives to be catchy, the later ones abandon that in favor of experimental sound and chilly soundscapes, flavoured with the occasional burst of static.

Jeremy Greenspan's voice is the opposite of full-bodied. He sounds drained, worn-out, as if he's wandering around in his own wintry music. This impression certainly isn't hurt by lyrics like, "stay awhile/we don't have long/we could talk for hours/till my strength is gone/though I get so tired/I still get wired/my pulse is still... I'm like a child."

A delicious mishmash of hard electronica and soft downtempo, this chilly little album is a solid second album for the Junior Boys. Not to mention a bad way to reminisce about winter.

Average customer rating: Mad about Baroque The beauty of the songs brings tears to my eyes Brilliant Be Welcome then, great Sirs (and Mesdames). Brilliant Purcell Disc

Essential Purcell Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Bonney, Barbara | Divas | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Purcell, Henry | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bonney, Barbara | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort Purcell: The Fairy Queen Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx Purcell: Full Anthems & Organ Music ASIN: B000002ZDU Release Date: 1995-04-10

Tracks:

1. Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
2. Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
3. Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
4. The Choir Of The King's Consort: Hear My Prayer, O Lord
5. Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
6. Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
7. Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
8. Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
9. Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
10. Complete Anthems And Services Vol.3: Hosanna To The Highest
11. Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
12. Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
13. Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
14. Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
15. Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
16. Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
17. Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
18. Complete Anthems And Services Vol. 11: An Evening Hymn
19. Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
20. Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Innocence Mission is an appropriate name Sickenly too sweet absolutely love this album I Love You, Innocence Mission. works beautifully

Now the Day Is Over The Innocence Mission Manufacturer: Badman Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music General | Children's Music | Styles | Music Lullabies | Children's Music | Styles | Music Similar Items: Befriended Glow We Walked in Song Birds of My Neighborhood Christ Is My Hope ASIN: B0002ZMJ4I Release Date: 2004-11-09

Tracks:

1. Stay Awake
2. Over The Rainbow
3. What A Wonderful World
4. Moon River
5. Somewhere A Star Shines For Everyone
6. Prelude In A
7. Once Upon A Summertime
8. My Love Goes With You
9. Edelweiss
10. Sonata No.8
11. Bye-Lo
12. It Is Well With My Soul
13. Now The Day Is Over

Amazon.com

The Innocence Mission have, over the course of a decade, created a half dozen albums which celebrate small pleasures, fragile details and the wistful edges of life. As the title suggests, Now the Day Is Over offers a set of lullabies. The dozen covers and one original were not all written as bedtime reveries, but it's a testament to the graceful nuances Don and Karen Peris that such a familiar song as "What A Wonderful World" can bring out the twinkling stars of nighttime with heartfelt purity. Free of embellishments, either internal or studio created, Karen's vocals are at once magical and direct. The trio has done much more than to simply streamline or slow down these selections, they've found the core of each number and built around it only that which is necessary. -- David Greenberger

Customer Reviews:

Innocence Mission is an appropriate name.......2007-06-02

Not the worst cd I have and certainly not offensive. However, lacks depth, character, and content. Could be good for the kids. Bought it because I fell in love with a track I heard on Radio Paradise. Overall I could have spent the money in other ways.

Sickenly too sweet.......2007-05-12

I am new to the Innocence Mission. We have a one year old baby, so a friend gave us this CD as a gift. For me, Karen Peris's voice has the "nails across the blackboard" effect on me. She has no range and her voice is cloying. I am not expecting rock 'n roll or anything like that, but I just cannot find anything attractive in her voice. She absolutely "Somewhere Over the Rainbow," a classic and a song that I want to associate with my relatively unspoiled childhood. Oh well, different strokes for different folks.

absolutely love this album.......2007-01-12

I play this album as part of my daughter's bedtime routine. I absolutely LOVE it. Has such a beautiful calmness to it. And as I sit their rocking with my daughter before I put her in her crib, it often brings both smiles to my face and tears to my eyes.

I Love You, Innocence Mission........2007-01-04

In the winter of '89-'90, I picked up The Innocence Mission's eponymous debut on cassette one evening in a mall in Muncie. During my solitary rural Indiana backroads return to Taylor Univ., I was introduced to the delightfully solid intangibility of these troubadours of Heart, Soul, and Mind. I wanted Don and Karen Peris to mother and father me, or to marry Karen, or to be a brother or sister of one, to experience in my life the meaningful connections that in song resonated on and strong without dwindling into the inevitable nihilism that so much of art does nowadays. (Soon realized they were Catholic Universalists or something like that.)Fan for life.

And so, I kept up with their oeuvre. Enjoying the experimental phases of beauty along with the return to simple folk beauty. "Bright as Yellow", on "Glow", piqued the world's interest on the "Empire Records" soundtrack. They toured at least a little with Lilith Fair one year. I found later they've done a blatantly spiritual album "Christ Is My Hope", and that Don (genius of guitar understatement/suggestion) has a couple of his own albums out. I still need to get those 3.

Anyway, the idea of a lullaby album from The Innocence Mission is so perfectly obvious that I never expected it. I mean, she sang songs to her "Someday Coming Child" (on "Umbrella") years before she birthed!

It is as perfect as it could be. Minimal in performance, maximal in effect. (With 3 little boys, I'm a connoisseur of artfully-lulling lullaby albums. Get the Disney Lullaby Album too--no, really--Greg Diakun and Fred Mollin create real art right under DisneyCorp's nose.)

Finally, Karen can sing me to sleep--and my family too.

works beautifully.......2006-10-18

I am a mother of twins and this CD was given to us as a gift. My babies fell asleep to this time after time and it was pleasant listening for both mom and dad. I plan on giving this as a gift to all my new parent friends.

Average customer rating: Solid Compliation Best stuff on his first two albums The Album I'd Take to a Desert Island This is easy, easy music to love This Is....great songwriting

The Best of Marshall Crenshaw: This Is Easy Marshall Crenshaw Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Power Pop | Rock | Styles | Music CDs $7 - $10 | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music CDs $7 - $10 | New Wave | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | New Wave | Alternative Rock | Today's Deals in Music | Formats | Music CDs $7 - $10 | Pop General | Pop | Today's Deals in Music | Formats | Music CDs $7 - $10 | Pop Rock | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Pop Rock | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Oldies | Pop | Today's Deals in Music | Formats | Music Rhino Records | Amazon.com Label Stores | Stores | Music 4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Marshall Crenshaw Basher: The Best of Nick Lowe From Small Things: The Best of Dave Edmunds Seconds of Pleasure Under the Covers, Vol. 1 ASIN: B00004UEIW Release Date: 2000-08-15

Tracks:

1. Something's Gonna Happen
2. Someday, Someway
3. There She Goes Again
4. Cynical Girl
5. Mary Anne
6. You're My Favorite Waste Of Time
7. Monday Morning Rock
8. Whenever You're On My MInd
9. Our Town
10. For Her Love
11. I'm Sorry (But So Is Brenda Lee)
12. Little Wild One (No.5)
13. Blues Is King
14. Like A Vague Memory
15. Calling Out For Love (At Crying Time)
16. This Is Easy
17. Somebody's Crying
18. You Should've Been There
19. Someplace Where Love Can't Find Me
20. Better Back Off
21. What Do You Dream Of?
22. Starless Summer Sky

Amazon.com

Marshall Crenshaw never again scored the commercial success he saw with his acclaimed 1982 self-titled debut, but he kept the knack for writing melodically rich, evocative, touching songs. Culled from releases over a 15-year period (from the explosive '81 single "Something's Gonna Happen" to the fine Miracle of Science), This Is Easy leans heavily toward the pensive side of Crenshaw's oeuvre. Whether nicking an old B.B. King album title ("Blues Is King") for a generalized lament or facing specific questions raised by the everyday ("You Should've Been There," "Better Back Off"), Crenshaw always offers a riff, a hooky chorus, and a thoughtful outlook to ensure each of these songs their long lives. With many of their source albums out of print, This Is Easy fills a real void. --Rickey Wright

Customer Reviews:

Solid Compliation.......2006-08-19

Marshall Crenshaw does make it seem easy, doesn't he? His songwriting and lyrical abilities complement each other fine and the result is work that always seems fresh and original...no matter how many times I listen. I tnink the fact that he is able to deliver a pop-rock sound with substance and a signature sound is what separates him from his peers. This compilation exhibits this and further adds fuel to the Crenshaw reputation that still is prominate in musically educated circles.

Best stuff on his first two albums.......2004-12-28

This disc reveals clearly that Crenshaw shot his creative wad on his first two albums, "Marshall Crenshaw" and "Field Day." After that he maintained his pleasant and distinctive sound, but the songs were mostly echoes. The songs from those early discs deserve 4 and 5 stars, but the rest get 1 or 2 stars.

The Album I'd Take to a Desert Island.......2004-06-20

There are very few albums that I would label as "must haves." "This is Easy" is one of them.

The word "underappreciated" is tossed around all the time in regards to Crenshaw. I don't think this word fairly applies. I think that the people who've heard his music appreciate it a great deal. "Underheard" is probably a better choice of adjective.

As it says in the liner notes for "This is Easy," it is almost a crime that Crenshaw's work didn't get played on the radio, or MTV or - well - much of anywhere. His songs are catchy, his lyrics earnest without seeming dopey and his musicianship first class. Perhaps his sound was just too "old fashioned" for the New Wave '80s and Grunge '90s, but I propose that his work has stood the test of time much better than many of the bands with whom he competed for airplay.

Hats off to you, Marshall.

This is easy, easy music to love.......2004-02-15

THIS IS EASY is a way above average greatest hits collection, for the simple reason that Marshall Crenshaw has been one of the finest writer/performers of the past twenty years. Beginning with his stunning debut album MARSHALL CRENSHAW, in 1982, he has produced a string of first rate albums filled with superb songs, the vast majority written by Crenshaw, with an occasionally gem by someone else, like the incredible "I'm Sorry (And So Is Brenda Lee)," written by Ben Vaughan.

The bulk of the great songs come from Crenshaw's first three extraordinary albums (all well worth owning) the eponymous first album (1982), FIELD DAY (1983), and DOWNTOWN (1985). Over half the album derives from these three albums. These contain what is arguably the best pop rock produced by any American performer in the early 1980s. I've played the album for friends who were only slightly familiar with Crenshaw, and while they recognized and liked the songs, I have wondered why they weren't far more widely known than they are.

I have become increasingly convinced that record companies play no useful role in a society where methods of music distribution have changed so dramatically. If one could eliminate the record companies, eliminate monopolies like Clear Channel (the first of these is inevitable, the second unfortunately not), perhaps talent rather than hype and promotion and the monopolization of the airwaves would determine whether or not performers would rise to the top. There are literally hundreds of bands and musicians who have been forced down our throats because the record companies have built them up and then overexposed them. Meanwhile, first-rate talents like Marshall Crenshaw don't receive the hype, and don't get the exposure that they deserve. The record companies and the monopolies don't deserve to control the airwaves if for no other reason than the fact that they have done such a miserable job of promoting talent.

In a better world, where talent determined whether or not someone's music was widely heard, Marshall Crenshaw would have been huge. This isn't a hard conclusion at which to arrive. In fact, it is easy.

This Is....great songwriting.......2004-02-02

Like so many "smart songwriters" in the world of rocking pop music (think John Hiatt, Clive Gregson, Dwight Twilley, Tim and Neil Finn, etc), Marshall Crenshaw never seemed to get the total respect due him. Sure, he's had some breaks. Not everyone gets their songs covered by Bette Midler or gets featured in a few big budget Hollywood movies. Or for that matter, even gets to crack the top 40 at all, as Crenshaw did with "Someday Someway." It's just that musically, Crenshaw released a perfect debut to critical raves and pop success, then saw it slowly recede as he released solid albums year after year. While I am fortunate to have most of the original CDs, most of them are out of print. Most aren't even listed on Amazon as available used!

So then as usual, it's Rhino to the rescue. Gathering 22 songs from the albums up to "Miracle of Science" must have been a daunting task. After all, how could you choose what to include and omit? While I do agree that some of his later day albums get the short shrift (especially "Life's Too Short"), there is hardly a song here that I can't listen to over and over again. Like the modern day Buddy Holly he is, Crenshaw blends both a certain innocence and naivete with world weary charm, perhaps best exemplified by "This Is Easy" and "Cynical Girl."

Go ahead, just try and listen to the CD and NOT go around with at least one of the hooks bubbling around in your head for the next 36 hours. From the rockabilly shake of that first single, "Something's Gonna Happen," to the closing beauty of "Starless Summer Sky," this is pop with bits so catchy you'll think something is stuck to your shoe. Even his cover selections (Hiatt's "Somewhere Love Can't Find Me," Ben Vaughn's "I'm Sorry (But So Is Brenda Lee)") show the kind of affection for sophisticated pop music that would glut the radio if there were any justice in the world.

I really can't think of anything bad to say about this CD, other than the fact that I want "This is Easy, Too" to eventually show up. "Fantastic Planet Of Love," "Hold It," "Rocking Around in NYC," "Steel Strings," "Crying, Waiting, Hoping" (from "La Bamba"), "She Hates to Go Home," "Valerie," "Some Hearts," etc. etc...........how about it Rhino?

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