| 1. Someday, Sweetheart |
| 2. Moonlight in Vermont |
| 3. Wrap Your Troubles in Dreams |
| 4. Blues for Louise |
| 5. Willow Weep for Me |
| 6. Wrap Up |
| 7. I Don't Stand a Ghost of a Chance With You |
| 8. Baubles, Bangles and Beads |
Editorial Reviews
20bit Digitally Remastered Japanese Limited Edition in an LP-STYLE Slipcase.
Soprano Sax,Zoot Sims,Japanese Import,Bop,Cool,Jazz,Pop
Average customer rating:
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Body Language
Boney James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I3ZR Release Date: 1999-02-23 |
Tracks:
- Are You Ready?
- Into The Blue
- Body Language
- I'll Always Love You
- Boneyizm
- Lovefest
- Bedtime Story
- I Get Lonely
- All Night Long
Amazon.com
As learned from the broad-based popularity of his previous albums, people turn to saxophonist Boney James to do one thing: create sultry audio backdrops well suited for mingling, small talk, and romantic notions. James, rotating between tenor, soprano, and alto saxophones, faithfully delivers more of those goods on this, his sixth album. The mood sustained throughout all nine tracks (42-plus minutes runtime) is urbane, low-key, and cue-ball smooth. Chelle Davis provides breathy background vocals on the slow-grooving opening track, "Are You Ready?" and R&B crooners Shai take a more foreground role on the sweetly disarming "I'll Always Love You." Perhaps the album's most attractive cut is the slow urban crawl of "Boneyizm," with subdued interplay between James's tenor sax and Rick Braun's flügelhorn. Nothing shrill, outrageous, new, or significant awaits here, simply an engaging and pleasant listen. --Terry WoodCustomer Reviews:
WONDERFULL.......2007-05-20
BUY IT.
More than backdrop music.......2007-01-20
smooooth jaaaaaazz (and a little bit of R&B, and funk, and soul...).......2006-11-11
Boney Is The Bomb.......2006-08-21
His Masterpiece.......2006-08-19
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Sweet Thing/It's All Good
Boney James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000062W3 Release Date: 1998-03-10 |
Tracks:
- East Bay
- Nothin' But Love
- Words (Unspoken)
- Sweet Thing
- It's All Good
- After The Rain
- Innocence
- I Still Dream
- Ivory Coast
- It's All Good (Bonus Remix)
Amazon.com
Boney James is a master at combining cool R&B grooves and good melodies, then surmounting them with warmly memorable saxophone sounds. On Sweet Thing, the lighter, piping tone of his soprano sax floats smoothly through tunes like "East Bay" and "Ivory Coast," but he gets a distinctly funkier touch from his deeper horns. There's a cool intensity to his alto sax on "Nothin' but Love," while his soulful tenor is his main voice, whether biting gently into the beat on ballads or generating more heat over Latin tempos. James gets some terrific support here from David Torkanowsky on keyboards and Lenny Castro on percussion. Alex Al provides all the backing tracks for "Words (Unspoken)," a lightly pulsing carpet of keyboards and programming, while there are several good vocalists, including Tony Maiden on "Sweet Thing," Al Jarreau on "I Still Dream," and Eric Benet on the funky remix of "It's All Good." --Adam RainsCustomer Reviews:
Great work Boney!.......2007-04-05
Buy it for yourself. Listen to it. You'll find yourself coming back to it.
The CD case........2007-03-13
5 Stars and then some!.......2007-03-12
Smooth Jazz.......2005-07-29
The BEST Boney cd ever! Take this on the desert island!.......2004-09-18
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Pure
Boney James , and Boney James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002HJF34 Release Date: 2004-08-03 |
Tracks:
- Pure
- Better With Time - featuring Bilal
- 2:01 AM
- Stone Groove - featuring Joe Sample
- Appreciate - featuring Debi Nova
- Here She Comes
- Break Of Dawn - featuring Dwele
- It's On
- Thinkin' 'Bout Me
- You Dont Have To Go Home
Amazon.com
The man who made R&B safe for smooth-jazz saxophonists has another possible Soul Train award winner featuring slick vocal excursions by Debi Nova and Dwele. There's also a real groove-a-thon with Bilal titled "Better with Time" that, like the lyrics state, is like an old soul record. Keyboards also stand out among these 10 tracks. Joe Sample delivers one of his patented short piano solos on the aptly titled "Stone Groove," and while Billy Preston's organ and Bobby Lyle's piano are not out front on "You Don't Have to Go Home," the aural picture they frame for the artist is masterful. James, who produced this album, has developed into a very solid contemporary jazz composer, adding spicy horn arrangements throughout that really showcase his growth in that area--particularly on "Here She Comes," which has an Incognito horn-section vibe to it. It all adds up to James's most rewarding album since 1998's Sweet Thing. --Mark RuffinAlbum Description
Smooth Jazz sax superstar Boney James challenges conventions with his ninth album, Pure. The premiere urban instrumentalist's first album since 2001's near-gold and Grammy nominated Ride, and the first he has wholly produced, Pure is the most soulful and freewheeling of an extraordinary career. With three straight #1 Contemporary Jazz/Top 40 R&B albums, and three career gold albums, Boney James is pure gold with Pure.Customer Reviews:
Pure is puuurrre genious.......2007-01-12
A fine, fine album!.......2006-09-25
Urban Jazz comes of age..........2006-07-12
His first totally self-produced album with co-writing credits on all tracks. Boney grows with every new album.
And Debi Nova is simply amazing on her track.
Definitely earns it's 5-star rating from me.
The Best Boney I Have Heard.......2006-03-09
Good Melodies but lacks the Depth.......2005-08-18
Pity !!, but I will stay loyal. Brilliant musician nonetheless
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Shake It Up
Boney James & Rick Braun Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TCP4 Release Date: 2000-05-30 |
Tracks:
- R.S.V.P.
- Grazin' In The Grass
- More Than You Know
- Shake It Up
- Central Ave.
- Love's Like That
- Song For My Father
- Chain Reaction
- The Stars Above
- Grazin' In The Grass (Can You Dig It? Vocal)
Amazon.com
From Bob James and David Sanborn's Grammy-winning Double Vision to George Benson and Earl Klugh's Collaboration, Warner Bros. Records has released some of the greatest duo projects in smooth jazz. With Rick Braun and Boney James's Shake It Up, the label's tandem projects have hit a new plateau, pairing Braun's jazzy trumpet sensibilities with James's ultra-funk saxophone dynamics. The album title reflects the way the two bounce off and drive each other to artistic heights beyond either's typical solo work. The two horns dance over a shuffle beat and simmering blues keyboard textures on the opening track, "RSVP," first soaring in perfect unison, then breaking for back-and-forth conversation between James's lower smoky tone and Braun's higher-pitched crackling. Their musical chatter builds slowly, culminating in a powerful end chorus. Similarly celebratory are two versions (one vocal) of the jubilant horn hit "Grazin' in the Grass," which features the two swaying as one over jumpy retro guitar and keyboard parts, then blasting off into percussive improvisations. The disc's gentler moments are equally remarkable, notably the silky "More Than You Know" (in which Braun introduces a tender thought and waits for James to complete it) and a smoky, gently grooving cover of Horace Silver's "Song for My Father." --Jonathan WidranCustomer Reviews:
The Best.......2007-01-11
Thanks..................(0;
I Love Boney but this combo is absolutel great .......2005-02-01
The combo for Boney's Sax folowed up with Rick's Horn is truly wondefull. 1+1 = 2 Man! check it out
Oh Yea.......2004-05-03
One of the Best.......2004-02-20
First off, even though it is "smooth" or "contemporary jazz" and is played at a very high level, this music is surprisingly accessible. Simply great hooks, fattt beats, and a collaborative vibe that is infectious.
Moreover, the cover art and liner notes are tastefully done, as is the clever title.
Very much a genre benchmark.
Boney James + RIck Braun = EXCELLENT.......2004-01-02
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Seduction
Boney James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002MYE Release Date: 1995-10-10 |
Tracks:
- Camouflage
- Got It Goin' On
- Lights Down Low
- Seduction
- Washington Bridge
- Without A Doubt
- Sara Smile
- Second Nature
- Ain't No Sunshine
Customer Reviews:
Boney's Best.......2007-07-07
Success!!.......2007-06-07
good old boney.......2007-05-20
Smooth As Silk.......2004-11-03
Wonderful Wanda.......2003-03-21
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Ride
Boney James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005O6JQ Release Date: 2001-10-23 |
Tracks:
- Heaven (featuring Trina Broussard)
- Grand Central
- RPM
- Something Inside (featuring Dave Hollister)
- So Beautiful
- See What I'm Sayin'?
- All About You
- Ride (featuring Jaheim)
- As You Are
- This Is The Life
Amazon.com
It's no wonder Boney James is a winner of a Soul Train music award, and that his music is heard on urban radio almost as much as he's heard on smooth-jazz radio. From his first album, and on up to Ride, his eighth, James always has had a degree of funky soul and light pop mixed in his sax playing, which is a smooth-jazz staple. But here the lines are drawn more clearly and distinctly. There's no doubt that he's staking a claim in the retro-soul R&B movement with several potential hits, including "Something Inside," with its gospel-drenched Dave Hollister vocal, and "See What I'm Saying," featuring bassist Marcus Miller. With popular singer-rapper Jaheim, James manages to make at least three musical references to the '70s on the title track, including a musical nod to Con Funk Shun. The average smooth-jazz saxophonist wouldn't know Con Funk Shun from Brass Construction, which is one reason why James is not your average smooth-jazz saxophonist. He has chipped away at two different audiences and now has one big one that not only allows him headline status, but gold records. Ride will be his fourth in a row. --Mark RuffinCustomer Reviews:
I wish I could give it a 10!.......2007-01-05
#5 So Beautiful has been my all time ultimate ballad...the crescendos, the soothing, the rhythms....BEAUTIFUL as the title indicates.
Good jazz music with different influences.......2005-07-11
Come along for the ride!.......2004-12-18
A wonderfully crafted cd and more than worth the money.......2004-01-15
Heaven - Similar to the style of his album Sweet Thing, the opening track reinforces the almost R&B-esque sound that Boney James has been weaving more and more into his songs. This song annoyed me at first, but it grew on me--the same way the entire album did :: 6/10
Grand Central - This song is a solid groove track, setting the standard for the upbeat songs on the album. Unlike Sweet Thing, Ride displays a much funkier and fun side to Boney James, straying a bit from the make-out theme in his previous recordings :: 8/10
Rpm - Boney James branches out here with a fast-paced dance beat to back him, and it succeeds wonderfully. It is an aptly named track that will have you just grooving to the cd :: 9/10
Something Inside - James slows us back down here to settle back into his traditional laid-back sound. There is nothing old about it though, as he continues to refine and develop his sound, avoiding the boredom and redundancy a lot of artists slip into :: 7/10
So Beautiful - Continuing with the R&B groove and weaving in a funkier background, this has elements of Shake It Up with Rick Braun, and involves some great saxophone work :: 8/10
See What I'm Sayin' - One of the highlights tracks. This is one of my all time favorites and never gets old. Need to lift the mood or just feel like grooving? Turn up the sound system and love it :: 10/10
All About You - It's hard to follow up the pervious track and Boney tries to bring us back down, but by now the vocals have become a little tiring and he does begin to risk repetitiveness here. The lyrics certainly were not inspired and there is a certain lack of melodic development, but there is absolutely nothing wrong with it as a nice background song. But don't turn the volume down just yet... :: 5/10
Ride - Vocals are dominant again with Jaheim, but this recording is the best vocal song on the disc, snapping out of the boredom that was threatening to set in. A retro sound with beautiful harmonies and fun lyrics, you can't but help but feelin' the groove and wishing she (or he) was there to dance with you :: 8/10
As You Are - Though not the last track, this song brings closure with a beautiful lullaby song as only Boney James can do them, reminiscent of The Stars Above from Shake It Up :: 8/10
This Is The Life - And the final track...and the best Boney James song to date. This is my favorite song, period, at the moment. Like in Sweet Thing's closing track Ivory Coast, James reaches out for a carribbean sound, and comes up with this jewel that'll have you wanting to dance every time it comes on. The steel pans are simply awesome, and a grooving melody and inspired solos...well, I can't describe how awesome this song is. Make sure to have your volume up in the beginning to catch the little laugh and steel pan opening :: 11/10
Bonus Track - A much appreciated and funky offering, especially after the last song...
Smooth Ride!.......2003-10-27
Right off the bat I noticed something different about this CD from past releases. There are 3 vocals that I have to tell you are good, but don't give me a buzz like in his previous albums. "Heaven" with Trina Broussard is listenable. "Something Inside" with Dave Hollister however does not do this CD justice. Maybe he should have left it for another album. The rest of the CD is flawless, vintage Boneyism! I love "Grand Central" and "RPM". With that said, Ride certainly is one you can take.
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Rainbow in Curved Air
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000024QA Release Date: 1990-10-25 |
Tracks:
- A Rainbow In Curved Air
- Poppy Nogood And The Phantom Band
Amazon.com
Riley is one of the granddaddies of Minimalism. His early music, In C and the two works on this disc, brought to light the musical possibilities of rapid-fire notation and shifting sonic textures to a new form of music. Riley has done this primarily through electronic keyboards and computer technology. The composer plays all the instruments on this extraordinary disc: electric organ, electric harpsichord, "rocksichord," dumbec, tambourine, and soprano saxophone. The music is spooky and hypnotic and is an early masterpiece in the genre. It belongs in the collections of anyone interested in late 20th century American music. --Paul CookCustomer Reviews:
Meditative, with a subtle rhythmic element.......2006-08-26
Terry Riley plays quite an assortment of instruments on this album including electric organ, RMI electric harpsichord, rocksichord, dumbec (finger drum), and tambourine. The electric organ however, which is heavily treated at times, dominates the soundscape. There is also heavily electronically altered soprano saxophone in the mix too. Quite honestly, this is some of the strangest and most eerie saxophone playing I have ever heard - very long sustained tones, with only incremental changes.
The music on this album is characterized by a series of what musicologists refer to as "ostinato networks". These networks are comprised of layers of interlocking and repeated melodic patterns that gradually unfold over long periods of time (A Rainbow in Curved Air = 18'39"; Poppy Nogood and the Phantom Band = 21'38") with only very subtle changes over the course of each piece. There is however, a subtle rhythmic element, which is nicely demonstrated on the first piece. Evidently, this is a tendency borrowed from American jazz styles.
In large part however, the music on this album is deeply meditative, and at times borders on the hypnotic. The droning organ does a great job of achieving this and reflects a structural aspect borrowed from eastern music, particularly Indian classical music. One interesting fact that I read during my fact-finding session on minimalism was that the sheer length of each piece and the meditative quality of the music deliberately tried to reproduce the sense of timelessness induced during an acid trip. The second piece is a good example of this and seemed to at least partially suspend time - I got very caught up in the meditative aspects of the music and (for once) was not aware of time.
This is fantastic stuff and I am well on my way to exploring other works by Terry Riley including his masterwork "In C", in addition to other minimalist composers such as Steve Reich, LaMonte Young, and Philip Glass. Very highly recommended to my fellow proggers.
Pete Townshend's Turntable.......2006-08-24
- Vincent G. Marino
Hasn't aged particularly well.......2006-07-26
The second piece (Poppy Nogood) is significantly more interesting than Rainbow imo, although both lack any real emotional depth.
Inventive Music by an Inventive Guy........2005-07-01
transendental and akenaten didn't even order sauusage.......2005-01-18
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Water Down the Ganges
Joshua Prem , and Manish Vyas Manufacturer: White Swan ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JID7 Release Date: 2002-09-03 |
Tracks:
- Water Down the Ganges
- Habibi
- Sawari
- Trust
- Ferryman's Tale
- Moon Song
- Ganga Pooja
- Nisha
Album Description
The River Ganges plays an integral role in India's everyday culture and spirituality. This watery ribbon feeds the land and cleanses the souls of millions on its winding journey from the Himalayas to the sea. Inspired by the legendary river's mythic power, world travelers and long-time collaborators Prem Joshua and Manish Vyas, east-west alchemists of the highest order, invite you to take a trip down your "inner Ganges". Imbued with rich images of the East, Water Down the Ganges flows languidly from lush meditative ambience into rhythmic celebration of the great river of life.Disciples of some of India's most respected master musicians, Joshua and Manish present this masterfully crafted recording, a perfect balance between acoustic clarity and electronic boldness. Just as one never stands in the same river twice, Water Down the Ganges offers a refreshingly new experience with each listen.
Album Description
2002 release from two extraordinary multi-instrumentalists features 8 tracks. White Swan.Customer Reviews:
LOVE THIS CD.......2007-05-16
Great for yoga practice.......2003-06-05
These two have created another great cd to practice yoga to. It has a modern upbeat that meshes great with vinyasa flow, then mellows to beautiful instrmental for seated poses and savasana.
It flows as a yogic journey like the title of the album implies.
I highly recommend this if you have a modern ear and a classical practice.
Om ah hum
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Backbone
Boney James Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002MR6 Release Date: 1994-05-24 |
Tracks:
- Backbone
- Bleecker Street
- Just Between Us
- Trinidad
- Blue
- Love You All My Lifetime
- Happy Home
- One Autumn Night
- The Night I Fell In Love
Customer Reviews:
BONEY BONEY BONEY!!!.......2005-10-25
Backbone.......2005-08-03
The epitome of sensual jazz.......2003-04-21
The epitome of sensual jazz.......2003-04-21
SIMPLY SUPERB ...............2002-04-23
IS ONE OF THE BEST JAZZ ALBUMS OF ALL TIME.
I HAVE EVERY ONE OF HIS ALBUMS, AND THEY ARE ALL GREAT.
BUT THIS ONE IS THE BEST. EVERY TRACK IS PURE LISTENING
PLEASURE, AND SLIPS FROM ONE TRACK TO THE NEXT WITH
EFFORTLESS EASE. THIS IS SOME OF THE SMOOTHEST JAZZ
YOU ARE LIKLEY TO HEAR. BUY A COPY NOW, TRUST ME, YOU'LL
BE GLAD YOU DID !!
Jazz Music: