Interlude

1. Interlude

2. I Know Who Loves You

3. Blue and Sentimental

4. I Ain't Gonna Ask No More

5. Pagliacci

6. Solitude

7. So in Love

8. You Stepped Out of a Dream

Interlude,Toshiko Akiyoshi,Concord Records,Bop,Hard Bop,Jazz,Jazz Music,Pop,Progressive Big Band

Jazz

Music

jazz

Tracks:

Syrinx
Maid With The Flaxen Hair
Clair de lune
Petit Suite - En Bateau
Reverie
La plue que lente (Valse)
Prelude To The Afternoon Of A Faun
String Quartet In G minor: Andantino doucement expressif
Sonata For Flute, Viola And Harp: Interlude
Arabesque No. 1
Valse romantique
Images For Orchestra: Perfumes Of The Night

Customer Reviews:

Life Is But A Dream..........2006-08-30

This CD is just pure magic. I know that is such a cliche' thing to say, but it really is. Of course, it really won't appeal to those people who are into EXTREME LIVING...whatever the hell that means, because to me, extreme living is living close to the soul, close to the spirit, close to the Invisible Source that makes and creates all things in and out of Itself.

Debussy was a composer who lived very close to this Invisible Stream. His music reflects a gentleness and yet a strength that flows throughout each composistion. The arrangements are dreamy and mystical and allows one to go into their "inner chamber" and pray in secret to the One who knows their heart as well as their soul.

As much as I love this CD, I tend not to listen to it in the car. I once listened to it while making a routine drive to Santa Monica. The CD stopped and I had somehow missed all of my exits and ended up in Ventura...talk about being in dreamland!

It's a great CD to put in your walkman and go to an outdoor cafe' where you can sip a cafe latte and write poems to an unknown lover whose face you cannot remember, but whose gentle breath is the scent of lavendar...oh, I wax poetic...so sorry...

If you are into quiet and stillness, get this CD...it's truly a breath of fresh air in this noisy, crowded, extreme world we have to be in but not necessarily of...

Peace & Blessings

Beautiful, dreamy.......2006-07-17

This music evokes both emotions and images of life waking up in spring, even being in a magical forest where anything can happen, or floating on clouds. You can just enjoy the music and let your imagination soar or the music can take you into that trance-like state where you can access creative ideas and creative solutions to any problems - and maybe they just dissolve of their own accord.

Fabulous collection !.......2005-09-13

If you like Debussy - whom I have heard called one of the progenitors of ambient music - you will love having his most inspiring and beautiful works together on one cd. These works are tranquil and serene, and yet they don't fade into the background - no matter what you are doing - because they are true art. When this cd is playing you can't help but listen and sigh. My cats love this cd, too.

An excellent introduction to Debussy and French music.......2005-06-30

Compilation CD's like this are an excellent first CD to purchase when first exploring a new composer or style of music ("Expressionism" in Debussy's case). And this Philip's "Set your Life to Music" collection is usually a sure and safe way to do that given their well thought-out selections, themes and quality recordings. This CD here contains many of the most popular, lyrical and enchanting works of the 19th-century French composer, Claude Debussy. The range of selections are diverse and satisfying: from his major solo piano works through his top chamber music (for 2-5 instruments) to the full-blown orchestral selections of great imagery and dreaminess that can transport one into another world of great serenity. (But, there are enough sudden changes in loudness and rhythm to upset any notions of perfect bliss and keep the daydreamer from falling asleep - hence the title, "for Daydreams" and not "for Bedtime" like in other offerings in this Philips' series) Regardless, this CD is an excellent introduction to Claude Debussy as well as being overall relaxing music to enrich one's life.

One interesting music history tidbit on Debussy that might interest the new listener: Even though Debussy did not like the label, his music was labeled "Expressionism" for the similarities to what the French artists like Monet were doing at the same time. In Debussy's case, his intent was to create "emotional impressions" with music that evoked specific moods and images in the mind - not unlike what the "impressionistic painters" were trying to do on canvas using pure color and form to evoke the fleeting, emotional moment of a landscape scene. "Prelude of the Afternoon of the Fawn" is a good example of this dreamy, lingering, emotive style of music.

Dream and Classical music are magic.......2005-02-16

This CD is one of the best among its classical collections. (bach for breakfast is my one of them) It puts me to any place I dream of whenever I listen to this cd. It usually brings me into outer space, or sometimes go to the sky or under the sea. You can also just sit back and relax while listening to the music. In addition, once I get mad or not calm enough, I just put this cd on and it cures my anger.
Classical music is magic.

An Introduction to Der Ring des Nibelungen

Average customer rating:

Ring introduction critique
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
Welcome back to a classic analysis
Essential for Understanding Wagner's Ring Cycle
Very Functional

An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Wagner's Ring: Turning the Sky Round
Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti
Decoding Wagner: An Invitation to His World of Music Drama (includes 2 CDs)
Wagner - Der Ring des Nibelungen / Levine, Metropolitan Opera (Complete Ring Cycle)
Ring of the Nibelung

ASIN: B00000424H
Release Date: 2005-09-13

Tracks:

Of All Great Musical Compositions... (Examples 1-4)
The Fundamental Symbol... (Examples 5-11)
Returning Now To The Nature Motive... (Examples 6, 12-16)
A Number Of Further Motives... (Examples 5, 17-21)
A Second, Much Smaller Family... (Examples 22-25)
So Much For Nature. (Examples 26-38)
The Cause Of The Deterioration... (Examples 39-44)
The Other Transformation... (Examples 45-48)
Several Other Motives... (Examples 49-52)
Two Further Motives... (Examples 41, 53-61)
The Basic Motive Associated With The Spear... (Examples 62-68)
Along Another, More Complex Line... (Examples 69-72)
In Act Two Of Walkure... (Examples 69, 73-75)
Returning Now To Act Two Of Walkure... (Examples 76-79)
Love Is Another Of The Central Symbols... (Examples 80-83)
Later In The Same Scene... (Examples 84-87)
Freia's Motive Has Two Independent Segments... (Examples 88-91)
The Label 'Flight'... (Example 92)
When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
A Little Later In The Interlude... (Examples 99-103)

Tracks:

The Other New Motive... (Examples 104-109)
There Are Several Independent Love-Motives... (Examples 110-114)
The Characters In Whose Lives... (Examples 115-120)
One Further Motive Belongs... (Example 121)
The Sword Motive Recurs... (Examples 122-130)
Ironically, This Phrase... (Examples 131-135)
Closely Associated With Gutrune's Motive... (Examples 136-140)
Here We Come To The End... (Examples 141-146)
Complemtary To This Symbol... (Examples 147-149)
One Last Central Symbol... (Examples 150-157)
One Further Motive Connected... (Examples 158-161)
There Are One Or Two Motives... (Examples 162-168)
These Motives Of Alberich And Mime... (Examples 169-171)
Quite A Number Of The Subsidiary Motives... (Examples 172-176)
Besides This Family Of Motives... (Examples 177-180)
Our Final Example... (Examples 10, 181, 182)
In The Final Scene Of Gotterdammerung... (Examples 181-183)
Even More Masterly... (Examples 184-188)
Now If We Return... (Examples 189-191)
This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.

Average customer rating:

Another gem from Schwartz
so happy to have found this
Massage Music that my clients LOVE
Soul Satisfying
Powerful interpretations of classics for modern ears.

Aria 3: Metamorphosis
Aria , and Paul Schwartz
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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Aria, Vol. 2: New Horizon
Aria
State of Grace II: Turning to Peace
State of Grace
Earthbound

ASIN: B0002PUH7Y
Release Date: 2004-09-21

Tracks:

OMBRA MAI FU
FURIOSO
SOGNO
METAMORPHOSIS 2: DANAE
BALLO
INTERLUDE:L'ORCHESTRE ENGLOUTIE
AMAMI
LASCIA
FAREWELL
METAMORPHOSIS 3:CYANE
ASCENSION
METAMORPHOSIS 1: ARACHNE
FURIOSO: instrumental mix
OMBRA: chilled mix

Amazon.com

Souping up the classics with whatever contemporary music pulse is current at the moment has a long history. Some artists, like Emerson, Lake and Palmer, aspired to classical grandiosity. Others, like Michael Murphy and his discofied "A Fifth of Beethoven," turn classical melodies into pop hooks. Paul Schwartz falls somewhere in the middle with his Aria project, of which this is the third. Electronica grooves and effects angle their way through songs "based" on operatic works by Handel, Verdi, Puccini, and Monteverdi. Schwartz begins with a bar set high by some of these melodies, beautifully sung by soprano Rebecca Luker. Whether singing solo or in multi-tracked choirs, her voice opens heavens' gates, but she has to slog through some pedestrian arrangements to get there. Schwartz understands the difference between an orchestra and a synthesizer and with only a few exceptions--like the cheesy opening to "Ombra Ma Fu"--deploys each in appropriate measures. "Ascension," based on a Monteverdi aria is particularly striking with its underlying electronic ostinatos cycling through the breathtaking refrain. But too often, Schwartz's strings are saccharine and his rhythms clichéd in a music that uses high art only to reach for the facile. Like most classical-pop crossovers, time usually renders a verdict of kitsch in the first degree. --John Diliberto

Customer Reviews:

Another gem from Schwartz.......2007-02-21

Much like Aria 1 & 2 this is another gem, presenting a unique interpretation of classic arias. It is an awesome compilation. I look forward to Aria 4 (is there one in the works?)!!

so happy to have found this.......2006-12-31

This CD is one of Paul Schwartz's best; it's definitely the best out of all 3 Arias. I really hopes he continues making State of Grace and Aria CDs because they are amazing.

Massage Music that my clients LOVE.......2006-08-05

I now have all 3 CDs in the "Aria" famiy, and this one, like its predecessors is truely GREAT massage music! My clients love the entire Aria family of CDs. I've been a big fan of Rebecca Luker for quite sometime now and she SHINES like the truely elegant vocal star that she is on this album. A buy that is DEFINATELY well worth it!

Soul Satisfying.......2006-04-29

I love this CD. It's especially wonderful when it's rainy outside and I'm curled up by the fire inside. My son who is 16, blind and autistic loves it and plays it over and over. I think he taps into the immediate relaxation and beautiful blend of classical with technology.

I'm with all the others. Who cares if this somehow "interprets" the classic correctly or not? It is pleasing to the ears and that's all that matters.
Minneapolis, MN

Powerful interpretations of classics for modern ears........2006-03-18

As in Aria 1 and Aria 2, the incredible lyric soprano voice of Rebecca Luker delivers excellent music, song after song. She gives us an interpretation of Handel's Serse; a selection from Puccini's La Rondine; another selection from Verdi's La Traviata; an aria from Handel's Rinaldo; another nice selection from Puccini's Madame Butterfly; and a final selection from Monteverdi's L'Incoronazione.

The CD also has 6 instrumental works, arranged by Paul Schwartz. There is a very nice interpretation of Handel's tragic Sarabande, with vocals by the Joyful Company of Singers and words from Psalm 7. This piece reminds me of the tragic majesty of Carmina Burana.

Paul Schwartz consistently delivers powerful reinterpretations of classical music for modern ears.

Twilight of the Gods: The Essential Wagner Collection

Average customer rating:

Wonderful collection and price!
Awesome collection!
Helicopters? Marines?
A great addition to my music collection
Quintessential Wagner

Twilight of the Gods: The Essential Wagner Collection

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Wagner: Overture & Preludes
The Best Of Wagner
Wagner: The "Ring" Without Words
Wagner without Words
25 Thunderous Classics

ASIN: B000009ON7
Release Date: 1998-08-11

Tracks:

The Valkyries: Ride Of The Valkyries
Twilight Of The Gods: Siegfried's Funeral March
Lohengrin: Prelude to Act III
The Flying Dutchman: Overture
The Flying Dutchman: Sailors' Chorus
The Rheingold: Journey Down To Nibelheim
The Mastersingers Of Nuremberg: Overture
Tannhauser: Overture
Tannhauser: Entry Of The Guests
Tannhauser: Tannhauser's Pilgrimage
Siegfried: Act III Orchestral Interlude
Twilight Of The Gods: Siegfried's Rhine Journey
Twilight Of The Gods: Finale
The Rheingold: Entry Of The Gods Into Valhalla

Tracks:

Lohengrin: Prelude To Act I
Lohengrin: Bridal Chorus
Parsifal: Prelude to Act I
Parsifal: Good Friday Music
Parsifal: Transformation Scene
Tannhauser: Venusberg Music
Tannhauser: Pilgrims Chorus
The Mastersingers Of Nuremburg: Prelude To Act III
The Rheingold: Vision Of Valhalla (Scene II Introduction)
Siegfried Idyll
Siegfried: Brunnhildes Awakening
Tristan And Isolde: Prelude To Act III
Tristan And Isolde: Death Of Isolde

Amazon.com

If you like your Wagner served up in bleeding chunks or if you're simply in a hurry to hear the tunes, then this compilation is for you. The performances, drawn from the Polygram (mainly Deutsche Grammophon) back catalog, are for the most part authoritative. They feature the likes of Herbert von Karajan, with the Berlin Philharmonic, and Karl Böhm, with the Bayreuth Festival Orchestra (and chorus), in extracts from recordings of complete operas, and conductors Giuseppe Sinopoli, Otto Gerdes, and Antal Doráti in some of the more familiar overtures and preludes. Singing, without which it is impossible to get the full flavor of Wagner's work, is skirted whenever possible: this is an unapologetic tribute to Wagner the orchestral genius. At times the salesmanship is a little overblown--the glitzy packaging includes a cover shot of the helicopters from Apocalypse Now--and the sound, some of it from very good originals, seems to have been juiced with a little added digital reverb, resulting in an overall glassiness. The gaps between tracks are minimized, disco style, so there's no dead air, and the whole thing has an Entertainment Tonight feel to it. Were he around, Wagner would have screamed bloody murder, then happily taken his cut of the action. For today's on-the-go listener, this may well be the most practical way to enjoy Wagner's music, but we won't be happy until it motivates at least one newcomer to seek out a recording of a complete opera. Anyone who does that will find out what "apocalypse" really means. --Ted Libbey

Customer Reviews:

Wonderful collection and price!.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

Awesome collection!.......2007-01-10

This is a great collection of some of Wagner's most memorable songs for those of you who do not want to buy the whole opera's for some of his works.

Helicopters? Marines?.......2006-12-05

Do those infotainment marketing mavens ever get it right? Talk about Hollywood disconnect! Not only are the helicopters irrelevant, but to quote from the gushy drivel on the jacket, "The gripping power of Richard Wagner's music was demonstrated with spectacular effect in...Apocalpse Now, when the "Ride of the Valkyries' became synonymous with the chilling journey of Marine 'Huey' helicopters into battle..."

Marine? Marine? Them Hueys in the movie was ARMY Air Cav, slick! "First of the ninth--air mobile." If you're going to dally down that primrose path, at least get it right.

Better yet, drop the choppers. Most people who listen to Wagner probably realize that quality of an artistic work has a mystically inverse relationship to the number of helicopters contained in it.

As for the music, it is good, but the operatic equivalent of sound bites, which may be just right for people who are new to Wagner or just can't take very much of him. Hmm...perfect for a helicopter ride, perhaps?

A great addition to my music collection.......2006-07-20

This CD takes the place of all my other Wagner music. VERY well done. Somehow I didn't realize that there were two cds in the package--what a pleasant surprise! Of the two cds, I like the first one best, but they are both good. I listen to this cd daily on my way to work. Stirring! I am so glad that I purchased this. Some purists might have a problem with the fact that some of the selections are not there in their entirety. I have no problem with that though. I recommend this to anyone who loves Wagner.

Quintessential Wagner.......2006-05-15

Okay, so I like Wagner. I LOVE "Ride Of The Valkyries". Do I want to go out and buy every single stinkin thing Wagner did? No. If you are a die-hard Wagner fan you probably will not think much of this collection.

But if you like Wagner and appreciate "Ride Of The Valkyries", and maybe require it in just a little more substance than what is included in "Apocolypse Now Redux", then this is what you want. The extra tracks are bonuses and are quite good. Meets my needs, presentation great, performance excellent. I recommend it for anyone that needs a Wagner fix.

Gurdjieff, Tsabropoulos: Chants, Hymns and Dances

Average customer rating:

Must have!
an artistic triumph
Interpretations of Gurdjieff's Music
Inspired Subjectivity Encounters An Objective Music
Stunning

Gurdjieff, Tsabropoulos: Chants, Hymns and Dances

Manufacturer: ECM
ProductGroup: Music
Binding: Audio CD

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Sacred Hymns
The Triangle
Weeping Meadow
Ojos Negros
Seekers of the Truth: The Complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann, Volume One

ASIN: B0002ONC72
Release Date: 2004-09-28

Tracks:

Chant from a Holy Book
Bayaty
Prayer
Duduki
Interlude I
Trois Morceaux aprHymnes Byzantins I
Trois Morceaux aprHymnes Byzantins II
Trois Morceaux aprHymnes Byzantins III
Dance
Chant
Interlude II
Assyrian Woman Mourners
Armenian Song
(No. 11)
Womans Prayer
Chant from a Holy Book, var. 1

Amazon.com

Philosopher, seeker after the truth, reconciler of science and religion, teacher, guru to artists, writers and musicians, Gurdjieff was an enigmatic figure; even his birthdate is uncertain: 1866 or 1877. He taught movements "to alter or heighten consciousness" at his Institute for the Harmonious Development of Man, located outside Paris---a highly improvisatory process for which he composed equally improvisatory music. Technically untrained, he depended on skilled assistants to realize and write down his ideas, and found one in a devoted disciple: Ukranian pianist/composer Thomas de Hartmann, who selflessly suspended his own career and, after Gurdjieff's death in 1948, privately published and recorded some of their collaborations. As a composer, Gurdjieff, born at the border of Armenia and Turkey, was influenced by the region's ethnic and cultural diversity, by his childhood memories of the religious and philosophical songs improvised by his father, a Greek troubadour, by the hymns of the Greek Orthodox Church, and by his extensive travels through Europe and Asia. For this recording, the performers themselves arranged his compositions for cello and piano, adding five pieces by pianist Tsabropoulos, including three based on Byzantine hymns. Both players have been involved with Armenian, Ukranian and Greek Orthodox music; both are expert improvisers. Their strong feeling and affinity for the material allows them to approach it with both reverence and freedom; the playing is primarily subdued and inward. The piano texture ranges from delicate tinkling to full-blooded chords and arpeggios; the cello, playing mostly in the low and middle register, often in unison with the piano, sounds dark, warm and beautiful. The music, except for one lively dance, is slow, solemn, and mournful, in the minor mode. Melodies featuring oriental intervals are elaborated but not developed; based on single-note drones, harmonies are static or move in stepwise progressions but do not modulate. This lack of contrast and variety creates an otherworldly, disembodied atmosphere, despite several buildups of motion, dynamics, and intensity. --Edith Eisler

Customer Reviews:

Must have!.......2006-01-12

This amazingly beautiful album to me is the soundtrack of Anatolia, of an era gone by when Turks, Greeks, Armenians and other ethnic groups shared their lives peacefully and harmoniously. Its sadness inevitably reminds me of millions who unnecessarily died on this soil in many wars fought in early twentieth century, of people forced to leave the only land the knew for unknown destinations and destinies, of the unimaginable hardships endured by its people. And more personally it takes me fom New York and puts me right next to my father's grave in a forgotten Anatolian village, 6000 miles away.

an artistic triumph.......2005-12-28

Peaceful, meditative, sad, introspective, deceptively simple. Classical. Coming from a deep sense of inner peace, like all things from the Work, but NOT New Agey.

Mystical.

Mr Gurdjieff sang or hummed his songs and Thomas deHartmann "wrote them down and added harmony". Hard to tell where Mr. G stops and deHartmann starts, but we will never know. Mr G speaks of Objective Music and the vast majority pieces of subjective music. This is the former.

I must confess that many other peformances and arrangements of the music of Gurdjieff/de Hartmann, the way it was "supposed to be played", left me cold. Most of the other renditions I heard were played by those Drunk with Orthodoxy, amaturish or just plain lacking in musical ability.

This version is a revelation!

I think G would approve of this.

I like this, I think that the arrangements for cello and piano instead of just piano, as written, is an artistic triumph. The cello played by Anja Lechner expresses the peace and meditative sadness inherent in the music, even if that wasn't the way it's usually played. Composers are often not the best intepreters of their music.

That having been said there are three part to this music, pieces by G/deH, Tsabropoulos and then more G/deH and when the pianist sticks his own works in the middle of Mr G's the quality of composition falls somewhat. His compositions are or similar mood and type to G/deH, but really don't have the same achieve the same heights of depth and soul. (Mr G would say they are not Objective Music, I guess.) Perfomances of all pieces are uniformly good.

I would hope this group will arrange more of Mr G's music in this format in the future.

Recommended.

Interpretations of Gurdjieff's Music.......2005-12-14

You may want to pass this one up if you enjoy Gurdjieff's music as he intended it to be. To me these seem like rambling, flimsy interpretations of strong, articulate works (if you have heard any of the Kremski recordings, you know).

The arrangements do not seem to have captured the spirit of Gurdjieff's music very well. If someone did with Beethoven what has been done with Gurdjieff's music here, I don't think it would be taken seriously.

If you are interested in a new "twist" on Gurdjieff's music, then you may enjoy this. If you enjoy Gurdjieff's music closer to the way which he composed it, then you will want to look for a different recording.

Inspired Subjectivity Encounters An Objective Music.......2005-03-19

Georges Ivanovitch Gurdjieff's music was first given a broad public exposure with Keith Jarrett's recording "Sacred Hymns" in 1980. The public was perhaps already partly prepared for this music in 1979, due to the release of director Peter Brook's beautiful film on the life of G.I. Gurdjieff, "Meetings with Remarkable Men". The closing sequences of "Meetings with Remarkable Men" show the middle-aged Gurdjieff being taught about deep ontological truths through live performances of both music and dance.

In the 1920's, at his Institute for the Harmonious Development of Man, Gurdjieff continued this work by collaborating with Thomas de Hartmann on creating an "objective music". A music that "would work upon all listeners equally, focusing their mental life and bringing them to a new relationship with the living universe". It is probably Keith Jarrett, who has worked closely with the Gurdjieff Societies of both London and New York, that has produced the most "authentic" or "objective" reading of Gurdjieff's music in recent years.

On this ECM New Series disc of 2004, "Chants, Hymns and Dances", Anja Lechner and Vassilis Tsabropoulos decided to take a more liberal, "subjective", approach. Their interest in these compositions is perhaps more "musical than philosophical". Their suitability for this task should be apparent. Lechner's most recent work has involved interpreting the music of both Armenian Composer Tigran Mansurian and the Ukrainian Valentin Silvestrov. While Tsabropoulos, for his part, has worked with ancient Byzantine music and the music of the Greek Orthodox Church.

According to the informative liner notes by Steve Lake, "This music exists for the individual to make of it what he or she will, according to capacity". Lechner and Tsabropoulos both have deep experience with composed music and also with the process of free improvisation. Indeed, these two performers brilliantly interpret Gurdjieff's music with gentle assurance and a bright spontaneity. The five original compositions on this disc by Tsabropoulos even suggest an affinity with the Gurdjieff sensibility that borders on predestination.

"Chants, Hymns and Dances" is worthy of repeated encounter and remains serenely vital with each new audition. This is an ambiguous music that defies easy spiritual classification.

Stunning.......2005-03-02

This is one of the most moving records I have ever heard. It is a must have for any classical music lover or anyone who appreciates deeply emotional music. So simple, so powerful. Wow.

Average customer rating:

Decent interpretation marred by terrible intonation
excellent choice for Romeo & Juliet
Superior interpretation, same remastering

Prokofiev: Romeo and Juliet

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra
Tchaikovsky: The Sleeping Beauty
Prokofiev: Romeo and Juliet
Prokofiev: Cinderella
Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra

ASIN: B0002XV310
Release Date: 2005-02-15

Tracks:

No.1 Introduction
No.2 Romeo
No.3 The Street Awakens
No.4 Morning Dance
No.5 The Quarrel
No.6 The Fight
No.7 The Prince Gives His Order
No.8 Interlude
No.9 Preparing For The Ball
No.10 Juliet As A Young Girl
No.11 Arrival Of The Guests
No.12 Masks
No.13 Dance Of The Knights
No.14 Juliet's Variation
No.15 Mercutio
No.16 Madrigal
No.17 Tybalt Recognises Romeo
No.18 Departure Of The Guests (Gavotte)
No.19 Balcony Scene
No.20 Romeo's Variation
No.21 Love Dance
No.22 Folk Dance
No.23 Romeo And Mercutio
No.24 Dance Of The Five Couples
No.25 Dance With The Mandolins
No.26 The Nurse

Tracks:

No.27 The Nurse Gives Romeo The Note From Juliet
No.28 Romeo With Friar Laurence
No.29 Juliet With Friar Laurence
No.30 The People Continue To Make Merry
No.31 Folk Dance
No.32 Tybalt Meets Mercutio
No.33 Tybalt And Mercutio Fight
No.34 Mercutio Dies
No.35 Romeo Decides To Avenge Mercutio's Death
No.36 Finale
No.37 Introduction
No.38 Romeo And Juliet (Juliet's Bedroom)
No.39 The Last Farewell
No.40 The Nurse
No.41 Juliet Refuses To Marry Paris
No.42 Juliet Alone
No.43 Interlude
No.44 At Friar Laurence's
No.45 Interlude
No.46 Juliet's Bedroom
No.47 Juliet Alone
No.48 Morning Serenade
No.49 Dance Of The Girls With The Lillies
No.50 At Juliet's Bedside
No.51 Juliet's Funeral
No.52 Death Of Juliet

Customer Reviews:

Decent interpretation marred by terrible intonation.......2007-04-06

I had great difficulty restraining myself from turning this off when listening to it for the first time, because London does such a terrible job of being anywhere near in tune for much of it. Combined with many missed notes in the brass, messy passagework in the strings, and woodwind playing that seems intent on doing anything BUT creating any sort of phrase, it's doubtful this is worth even the small price Amazon has it listed for.

For a budget recording of this that's actually decent, I'd be much more inclined to buy Naxos' release of the National Symphony Orchestra of Ukraine's version under Andrew Mogrelia.

excellent choice for Romeo & Juliet.......2006-04-14

I am writing mainly in response to Sarman (Sweden). I own the fforte edition and have played this many years on several systems. On Onkyo DR-UN7 dvd receiver driving Epos 22's, the sound is excellent, as it was using Panasonic dvd player, NAD amplifier, and Epos 11's. Previn is one of best interpreters of Prokofiev--after all, he is a Russian born in Berlin. I don't know who could call either the playing or the re-mastering "dull". The natural alternative is Gergiev, re-issued on Philips great 50 recordings at medium price. That is also quite good. I would avoid the others.

Superior interpretation, same remastering.......2006-04-01

This interpretation is dramatic and organic, for example the "Death of Tybalt" is real spooky, whereas in "the people continue to make merry" the orchestra sounds like a local band in a parade, and so on. It sounds Prokofiev ingenious to me. This is clearly my favourite out of R&J recordings. The Ancerl/CPO heartbreaking recording of some 10 scenes might be the most delicious of them all, but again it does not diminish the Previn recording.

Someone called this Previn recording "lackluster". It could have to do with the recording technique, the sound is slightly dull at times. This is the same remastering as previously released on EMI double forte. However at times I think it sounds fine. It might have to do with my HiFi system or small speakers, I might try another pair. I'd appreciate comments from other reviewers on this.

Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite

Average customer rating:

Astounding "Canyon"; "Rodeo" Rivals NYP
Superb recordings of American classics.
Copland and Gould - LSC-2195
Gould conducts Copland and Grofe
Superlative performance of Copeland

Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
The Wild West: The Essential Western Film Music Collection
Copland: Appalachian Spring; Gould: Fall River Legend
Gershwin: Rhapsody In Blue/An American In Paris
Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man

ASIN: B000003FGZ
Release Date: 1993-05-11

Tracks:

Billy The Kid: Suite: Introduction: The Open Prarie
Billy The Kid: Suite: Street In A Frontier Town
Billy The Kid: Suite: Mexican Dance And Finale
Billy The Kid: Suite: Prairie Night: Card Game
Billy The Kid: Suite: Gun Battle
Billy The Kid: Suite: Celebration: After Billy's Capture
Billy The Kid: Suite: Billy's Death
Billy The Kid: Suite: The Open Prairie (reprise)
Rodeo: Suite: Buckaroo Holiday
Rodeo: Suite: Corral Nocturne
Rodeo: Suite: Honky Tonk Interlude
Rodeo: Suite: Saturday Night Waltz
Rodeo: Suite: Hoe-Down
Grand Canyon Suite: Sunrise
Grand Canyon Suite: Painted Desert
Grand Canyon Suite: On The Trail
Grand Canyon Suite: Sunset
Grand Canyon Suite: Cloudburst

Customer Reviews:

Astounding "Canyon"; "Rodeo" Rivals NYP.......2007-01-05

Close your eyes and be transported to the Canyon. In this remastering of a 1960 recording, Morton Gould shows his chops as a superlative conductor and interpreter of this Grofe classic. The work itself is wonderful, but Gould and his orchestra provide nuances that absolutely delight. Of the five movements of "Grand Canyon Suite", the final, "Cloudburst", ceases becoming music and is elevated to pure sensory experience. It is no longer notes on a page finely executed; it IS the sky, the wind, the sheets of rain (a sheer, shimmering slide of sound), the thunder, and it is perfect. The four prior movements are nearly as excellent, with the second, "Painted Desert", casting an eerie shadow over the listener's mind with spellbinding brush strokes. This is a performance delivered with painstaking care.

Gould's treatment of Copland's works, recorded three years earlier, were of great personal interest, as one of my earliest exposures to "serious" music was the great Bernstein recording of "Rodeo", and "Buckaroo Holiday" in particular. Surprisingly, Gould and company give the NYPO a run for its money. They are just as energized, brash and even raw (hear the horns, and it's fitting) as New York; ditto the "Gun Battle" episode of "Billy". Gould threw himself into Copland's scores and whipped his musicians into a frenzy when called for, and the results place Gould's readings of these two pieces of Americana right behind Bernstein.

This CD - beautifully remastered - is a bargain.

Superb recordings of American classics........2004-04-27

I thoroughly agree with all other reviewers (though I wish some would spell Copland's name right!) Morton Gould conducts with great verve and sensitivity. "Rodeo" is terrific and it also includes the seldom heard "Honky-Tonk Interlude" which is a delight in itself.
The Grand Canyon Suite is a highlight with its marvellous orchestration and melodic richness. Although the score is influenced by a number of composers such as Dukas, Ravel, Respighi and even Richard Strauss, it nevertheless feels entirely
original. "On the trail" is beautifully rhythmical,one can really feel the trotting
of the donkeys, and the sound effects are pure joy. Note the
ee-ah-ing of the donkeys, so superbly part of the music. (somewhat reminescent of Mendelssohn's Midsummer Night's Dream overture.) The Cloudburst is a sonic triumph.
This recording comes from 1957, but digitally remastered. Sound is demonstration quality. Still probably the best available, highly recommended.

Copland and Gould - LSC-2195.......2004-02-12

I've heard Copland conducting these two works on recordings and I've heard the famous NYPO/Bernstein's 1960 recording of these two works on Columbia Records, yet Gould and his Orchestra fills in the blank spaces that was left out in previous and recent recordings.

He takes his troup to NYC to Manhatten Center, in Oct of 1957, and have the legendary RCA producer, John Pfeiffer and Lewis Layton, produce and engineer this recording session to be encaptured on 3-track tape (where the "Billy the Kid" was released on RCA "New Orthophonic tape recording" - the BCS-130), then to eventual vinyl (LM/LSC-2195). Gould, being somewhat of an arrangement conductor in the 50's, manage to pull the stops out in how these two Copland pieces are to be presented-to where the listener can feel that they themselves are back in the Wild, Wild West of the 1880's. He doesn't rush through these two pieces like some other conductors do. Gould takes his time trying to tell the story within the music. He uses emphasis, emotion, tempo and dynamics where it should be per each chapter in a story. Excellent listening for all!

This BMG "Living Stereo" release of the LSC-2195 Copland/Gould is a faithful reproduction as it can be of the original vinyl release.

Gould conducts Copland and Grofe.......2003-11-21

It may surprise some to discover that American composer/conductor Morton Gould conducted such fine performances of other American composers' music. These RCA Victor "Living Stereo" recordings are vivid, excellent proof that Gould was a really fine conductor and not just of his own music.

The performances of the suites from Copland's ballets "Billy the Kid" and "Rodeo" are among the best ever recorded. They benefit not only from Gould's wonderful sensitivity and appreciation but from excellent playing by the "pickup" orchestra and the still remarkable "Living Stereo" recording process, in which RCA used only three microphones and advanced mastering techniques.

Ferde Grofe's "Grand Canyon Suite" was a "labor of love" as the skilled composer/arranger spent considerable time carefully depicting his impressions of one of the greatest natural wonders of the world. Grofe had been a very successful arranger for Paul Whiteman and is still remembered for the very first orchestration of George Gershwin's "An American in Paris," premiered by Gershwin at the piano with Whiteman conducting in New York's Aeolian Hall in February 1924.

Grofe composed a number of original orchestral works in later years and the "Grand Canyon Suite" is probably his best. It contains memorable melodies and is skillfully orchestrated throughout. It so impressed Arturo Toscanini that he recorded it in 1945 for RCA Victor, under the supervision of the composer. Grofe himself conducted a recording of the suite for Everest Records in 1960. Gould's recording is excellent. The final movement, depicting a spectacular thunderstorm, is absolutely awesome. I think this recording may surpass an earlier favorite, also recorded for RCA Victor, by Arthur Fiedler and the Boston "Pops" Orchestra.

This is all very fun and very exciting American music.

Superlative performance of Copeland.......1999-12-26

Billy the Kid & Rodeo were both etched in my soul when as a young boy I listened along with my mother. This performance by Morton Gould remains for me above any other that I have heard and I have heard many given my love for them. This is a re-issue of an original 3 microphone/3 track TRUE stero recording made by RCA in their 'Living Stero' series and originally recorded in 1957. A must have for Copeland listeners. It is a bonus that it also contains 'Grand Canyon Suite.'

Average customer rating:

Classic Wynton
amazing
Heard this with NEW appreication.........
Wynton's the best
Classic Wynton--brilliant, clear trumpet renditions

Classic Wynton

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Wynton Marsalis - Baroque Music for Trumpet
Carnaval
Trumpet Concertos
Greatest Hits: Trumpet
Standard Time, Vol.3: The Resolution Of Romance

ASIN: B00000DI10
Release Date: 1998-11-10

Tracks:

In Gabriel's Garden: The King's March - English CO; Leppard, R.
Concerto For Two Trumpets In C Major: Allegro - English CO; Newman, A.
The Indian Queen: Entrada From The Indian Queen - St. Luke's Orch; Nelson, J.
In Gabriel's Garden: The Prince Of Denmark's March - English CO; Newman, A.
In Gabriel's Garden: Trumpet Voluntary - English CO; Leppard, R.
Baroque Duet: Let The Bright Seraphim - Wynton Marsalis
Suites De Symphonies: Rondeau - English CO; Leppard, R.
Brandenburg Concerto No. 2: III. Allegro Assai (Excerpt) - Eastman Wind Ensemble; Hunsberger, D.
In Gabriel's Garden: Prelude From Te Deum - Eastman Wind Ensemble; Hunsberger, D.
Concerto For Trumpet And Orchestra In D Major: II. Allegro Moderato - Philharmonia Orch; Salonen, E.
Baroque Music For Trumpets: I. Adagio - Eastman Wind Ensemble; Hunsberger, D.
Concerto For Trumpet And Orchestra In E-Flat Major: III. Finale. Allegro - Wynton Marsalis
Concerto For Trumpet And Orchestra In E Major: III. Rondo. Allegro Molto - Wynton Marsalis
Carnaval: 'Tis The Last Rose Of Summer - Wynton Marsalis
Carnaval: Variations On 'Le Carnaval De Venise' - Wynton Marsalis
On The Twentieth Century: Rondo For Lifey (For Trumpet And Piano) - Wynton Marsalis
Prayer Of St. Gregory For Trumpet And Organ - Anthony Newman
Concerto For Trumpet And Orchestra: I. Allegro - Wynton Marsalis
Carnaval: Moto Perpetuo - Wynton Marsalis
Tsar Saltan: Flight Of The Bumblebee - Wynton Marsalis

Amazon.com

Wynton Marsalis may not have an easily recognizable or even particularly handsome tone, but this erstwhile jazz trumpeter is an amazing virtuoso with a fine sense of classical style. If you've never owned/heard any of his classical CDs, and you love (mostly baroque) trumpet music, this compilation--a sort of "greatest hits"--is for you. From such cruddy, sensationalistic works as Carnival of Venice to the glories of Haydn's E-Flat Concerto, this is grand entertainment. Marsalis is joined by Kathleen Battle in an exciting version of Handel's "Let the bright seraphim," and the treat there is doubled. A fine piece by Hovhaness for trumpet and organ, never before released, is another surprise. Come listen to the endless, seemingly casual roulades that come out of this guy's trumpet--they'll wake you right up. --Robert Levine

Customer Reviews:

Classic Wynton.......2007-07-11

Classic! What else is there to say? As an introduction to the other, many classic recordings of this superbly talented trumpeter, it is as good a guide as possible.

amazing.......2006-10-31

Classic Wynton is the most glorious display of musicianship I have ever heard. No other trumpet player even comes close to Wynton. Don't listen to anything the editorial review says though, it must have been written by a complete ignoramus. Wynton Marsalis not having a clear or recognizable tone? Please...That's like saying Kobe Bryant isn't a good shooter. I can't believe that garbage is on a credible site such as Amazon.

Heard this with NEW appreication................2006-09-07

This is such a wonderful mix. I especially love the Haydn concerto finale in E flat. I was listening to this cd when my grandson (almost 3) heard the glorious music of the trumpet for the first time. He loved seeing the photos of Mr. Marsalis (which I embellished, albeit true, saying how difficult it is to play the trumpet - hence the need for a handerchief to wipe his brow in one of the photos). This awakened his awareness of trumpet music where he now loves to listen to one of his Baby Einstein cd's in the car. Specifically, he told his mother "louder" when the trumpet piece was played - repetetively.

Wynton's the best.......2006-03-17

I'm not a professional musician and don't have a trained ear but Wynton Marsalis has provided me with a very delightful hour of extremely good music.

Classic Wynton--brilliant, clear trumpet renditions.......2006-02-25

For anyone who loves trumpet music as I do, this album is a must. Wynton Marsalis has mastered twenty all-time favorite pieces with such brilliance, that no other trumpeteer comes near by comparison. Opening with J. Clarke's, The King's March, Wynton proceeds to favor listeners with such baroque favorites as Purcell's Entrada from "The Indian Queen," J. Clark's The Prince of Denmark's March and J. Stanley's Trumpet Voluntary. Fantastic selections from Bach, Mozart, and Haydn follow, with the album also including such delightful listening as The Last Rose of Summer, Carnival of Venisee, and Flight of the Bumblebee. You won't be disappointed with this purchase!

Ceremonial Music for Trumpet & Symphonic Organ

Average customer rating:

Soul Stirring, Deeply Moving Music
Good Wedding Music
Ceremonoal marches for trumpet and symphonic organ
A ceremony in sound
inspiring

Ceremonial Music for Trumpet & Symphonic Organ

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

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General | Sacred & Religious | Classical | Styles | Music

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Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music

Music for Organ, Brass & Percussion
Baroque Music for Brass and Organ
An Organ Blaster Sampler
Organ Spectacular
Great Toccatas

ASIN: B000003CZG
Release Date: 1993-04-27

Tracks:

Te Deum
March & Gigue
Trumpet Tune In D Major
Rondeau
Sicilienne
La Rejouissance
Fantasia On Greensleeves
Ave Maria
Jesu, Joy Of Man's Desiring
Sheep May Safely Graze
If Love's A Sweet Passion
Ave Maria
Trumpet Tune In D Major
Rigadon & Passapied
Toccata
The Prayer Of St Gregory
Wedding March

Customer Reviews:

Soul Stirring, Deeply Moving Music.......2007-07-20

I come to this review with great heart-felt enthusiasm to nudge you a little to purchase this Stirring Album to feed your inner soul that is hungering for deeply moving music for trumpet and organ.

I purchased this album years ago, now, but do, in truth, come back to it very often for the soul stirring that only the trumpet can give you. While I (and probably many) normally do not think about the trumpet (or brass at all, for that matter) very much, it is, truly, lovely, filling sound that stirs one like no other type of instrument(s).

Soundwise, there is NO DOUBT that this fabulous disc is DEMONSTRATION-Quality...put it on your system and turn it up, and you will certainly agree with me on this point. And the acoustic is simply stunning...you'll see!

While this entire album is just superb, I want to be sure to point two things out to you.

The first is the Mouret "1st Suite in D" excerpt, more commonly known to most as the "theme" from Masterpiece Theater. Here, with this acoustic, simply stunning!

The second is the Deeply Moving Alan Hohvaness piece "The Prayer of St. Gregory". I defy one to find a more deeply reflective, moving, piece of music--anywhere. Simply touching, clear to the depths of your soul. Trust me.

A short story for those who may appreciate it. When I lived in Washington DC, I regularly went to the Sunday afternoon organ concerts at the National Cathedral. Of course, for those who know, you sit surrounded by the pipes (if you choose). In late summer of 2005 I was at one of these concerts, and to my delight, "Prayer of St. Gregory" was on the program. This has long been a very much-loved piece to me. Well, the trumpet soloist was located way up to the entrance, between the last pews. As the trumpet made its entrance in the piece, the sun hit the right position to strike the rose window, and it splayed its multi-colored bits all over the inside of the cathedral, increasing temporarily with the rising of the trumpet. I was moved to trembling with this, and after the concert, I spoke to a couple who had sat near me, and they said the same thing, in fact the lady said she had started to cry. When these things happen like this, does it not reaffirm our belief that there is, indeed, some higher being, who presents such great stirring beauty to us?

Do get yourself a copy of this stunning album, you will never regret it, I swear to you. ~operabruin

Good Wedding Music.......2007-01-02

I was looking for ideas for music for my wedding last year and found this cd to be really helpful. If your looking for ideas and inspiration for marches and other tunes associated with wedding ceremonies look no further.

Ceremonoal marches for trumpet and symphonic organ.......2006-11-05

It is an excellent recording especially the 12 marches by Telemann.

A ceremony in sound.......2005-10-18

This is a beautifully performed CD of ceremonial music of the Christian tradition. While organist Michael Murray talks about the diversity of kinds of ceremonial music in the liner notes essay, the musical selection here is drawn from the Western Christian tradition with few exceptions.

Sometimes the music did not start out as ceremonial in nature - Murray points out that the 'Incidental Music for A Midsummer Night's Dream' is now considered traditional wedding-march music, whereas at one time it considered completely inappropriate.

Music is drawn from the past four hundred years - works of well-known composers such as Purcell, Handel, Schubert, Mendelssohn and Bach are collected here, together with lesser-known composers such as Paradis, Mouret, Charpentier, Clarke and Martini, famous and respected in their day, but less known as personalities now (although their music will undoubtedly sound very familiar to the listener with any exposure to Western music). The CD also includes a few pieces from modern composers such as the French Charles Gounod, the British Ralph Vaughan Williams, and the American Alan Hovhaness.

Organist Michael Murray and trumpeter Rolf Smedvig make a dynamic duo in this celebratory music. Murray plays the symphonic organ from the First United Methodist Church of Cleveland (I've been in that church for a concert, and it is grand indeed). Smedvig is a Grammy nominee for his work with the Scottish Chamber Orchestra, serving on the faculty of Boston University and Tanglewood. Murray has had a worldwide career of recitals, being a frequent guest of orchestras, and often sought to inaugurate grand organs upon their installation.

This is a grand disc, a ceremony in sound, and a wonderful piece to have in one's collection.

inspiring.......2000-06-21

This disc contains a nice selection of music appropriate for weddings and other liturgical occasions. Smedvig and Murray achieve a fine balance with a rich, full sound that is clear and warm, never harsh. Smedvig's trumpet playing demonstrates a wide range of timbres and styles: bright and energetic in the Mouret "Rondeau," glorious and majestic in Clarke's "Trumpet Voluntary," expressive and lyrical in the Bach-Gounod "Ave Maria," subdued and reverent in Hovhaness's "Prayer to St. Gregory." (He also has astounding breath control and trills that are to die for.) The only less-than-successful cut, I think, is the Mendelssohn "Wedding March," played at a plodding tempo, with the trumpet in such a low range that its brightness is muffled. Overall the disc is awe-inspiring and uplifting; I learn something every time I listen to it!

Hovhaness: Mysterious Mountain/And God Created Great Whales

Average customer rating:

Alan Hovhaness and some very big friends
M.M. version mediocre; St. Gregory performance Excellent.
Entering the Realm of Alan Hovhaness
A Stimulating Hovhaness Sampler
Hovhaness Is An American Original

Hovhaness: Mysterious Mountain/And God Created Great Whales

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

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Alan Hovhaness: Symphony No. 22 ("City of Light"); Cello Concerto
Hovhaness: Celestial Gate and Other Orchestral Works
Hovhaness: Symphonies Nos. 4, 20 & 53; The Prayer of St. Gregory
Alan Hovhaness: Symphony No. 60; Guitar Concerto; Khrimian Hairig
Hovhaness: Symphony Nos. 22 "City of Light Symphony" & 50 "Mount St. Helens Symphony"

ASIN: B0000006ZD
Release Date: 1994-04-12

Tracks:

Mysterious Mountain-Symphony No.2: I. Andante con moto
Mysterious Mountain-Symphony No.2: II. Double Fugue
Mysterious Mountain-Symphony No.2: III. Andante espressivo
Prayer of St. Gregory
Prelude & Quadruple Fugue
And God Created Great Whales
Alleluia & Fugue
Celestial Fantasy

Customer Reviews:

Alan Hovhaness and some very big friends.......2007-02-04

This is a brilliant work combining the compositional artistry of Alan Hovhaness with the music from the orchestra of the sea, the great whales themselves. To be listened to over and over again as there are always some new nuances that won't have been heard on previous visits.

M.M. version mediocre; St. Gregory performance Excellent........2006-07-21

Of the two pieces I care most about on this recording, my ears received them very differently.

On a positive note, the performance of St. Gregory's Prayer is transcendentally beautiful... liquid joy... outstanding.

I'm less enthusiastic about the Seattle Symphony's reproduction of the Mysterious Mountain here. Perhaps I am biased in favor of Fritz Reiner's Chicago interpretation, having heard that many times first. Regardless, I think a lot of listeners would have to agree with me that this Seattle production truly rushes through the suite, barely sampling the incredible potential of the composition. They simply move through it much too fast. So much of the power of Mysterious Mountain is intimately linked to its cadence, and to rush a piece like this is to drain it of most of its glory. The rendition excels technically, but the spirit comes out flat.

St. Gregory's Prayer is worth the purchase of this disc, but for a better Mountain, get the Chicago recording.

As for Great Whales, there's something good in hearing a symphony with the Pacific Ocean at its doorstep waxing Cetacean. Unfortunately this poetic justice does not suffice to make this piece worth frequent listening. It does succeed as a curiosity and a nice jog of the ear if you've fallen into a rut.

Entering the Realm of Alan Hovhaness.......2006-06-16

Like other reviewers here, I flipped on the radio one night & caught the tail-end of "Mysterious Mountain" and was thunderstruck by the beauty pouring out of my speakers. I strained to catch the name of the composition and the composer: Alan Hovhaness...Mysterious Mountain. That night was a revelation to me and the beginning of my explorations into the musical realm of Mr. Hovhaness. Several CD's later, I still return to this one. All of the selections here are wonderful with the possible exception of the composition, "And God Created The Great Whales"... I have never been able to latch onto that one, but that is just me. Otherwise, this CD is absolutely superb; the music is richly textured and satisfying. Highly recommended.

A Stimulating Hovhaness Sampler.......2006-05-04

Boy, it's amazing how different sets of ears hear things differently! I was just musing on the purity of sound that the Seattle strings are able to produce on this disc, nimble and without the heaviness that some more famous string bodies under certain conductors (say, Philadelphia under Ormandy or Sawallisch) would proffer. And I was further thinking that Delos' clean, clear recording was a big help, especially in the "Prayer to Saint Anthony," where the lonely sound of solo trumpet is etched against the accompanying strings. Then I read the comments by others on this page and am amazed to read that some think the sound on this disc "tinny...muddy." Obviously, I don't agree.

As to the performances, Schwarz seems to me a master Hovhaness interpreter, as other performances from Seattle and elsewhere have proved. I, too, recall the classic recording of "Mysterious Mountain" with Reiner, and I think Schwarz yields nothing to Reiner in terms of depth of feeling or any other musical criteria. Schwarz's is a lovely performance, with all the required mystery and majesty of this seminal piece intact.

In other hands than Hovhaness's, "God Created Great Whales" could have emerged as a one-trick pony of a piece. I happen to think that Rautavaara's "Cantus Arcticus," mentioned by at least one other reviewer, comes far closer to this downfall. I find that Rautavaara's music is no more or less interesting than, nor does it shed special light on, the recorded bird sounds in his piece. As you can guess, I'm not a great admirer of the Finnish composer. But Hovhaness manages to mirror the sounds of the whales, in both the strings and brass (hard feat!) in such a way that we come to appreciate the remarkable communicativeness of these great beasts of the sea. At least I do. Plus, the technique that Hovhaness employs--a rare foray into aleatory music--is in the service of the work's program: the emergence of the earth from primordial chaos.

Of the other pieces on this disc, I find "Prelude and Quadruple Fugue" the most memorable. A dry, pedantic name perhaps, but not a dry piece: the fugue manages to be both very traditional and very modern, which is true of Hovhaness's best music. As I say, Schwarz, Seattle, and Delos all do Hovhaness full justice on this CD.

Hovhaness Is An American Original.......2006-03-27

Alan Hovhaness is probably one of the most underrated, unappreciated composers this country has ever produced. How unappreciated? I've been a passionate lover of classical music for fifteen years, took a few courses in my undergrad years on music theory and the history of music in the West, have been a season ticket holder in more than one city's philharmonic/orchestras, and it was not until about five years ago that I heard of Hovhaness--and even then it was only because I so happen to listen to his Symphony No. 2 (`Mysterious Mountain') on a local public radio station during classical music hour.

The first time I heard `Mysterious Mountain,' I almost mistook it for Dvorak or Smetana. Hovhaness might have lived in the 20th century, but his compositional approach and philosophy was very much in the mold of the 19th century romantics. It is grandiose in style, haunting and yet beautifully majestic in sound, and it never ceases to amaze me every time I listen to it.

The remaining pieces of music, particularly the Prayer of St. Gregory and Alleluia and Fugue, betray Hovhaness's earlier work as a composer of music (and organist) for the Armenian Church. It surprises me still that more of his music is not played, although he is best known for Mysterious Mountain (a symphony that was composed and premiered in 1955). This CD itself is an excellent addition to any classical music collection and a must for anyone wanting to discover more about American composers.

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