In Style

In Style

Track Listings

 
1. Western Style
2. I'll Walk Alone
3. Just You, Just Me
4. Good Life
5. Is You Is or Is You Ain't My Baby?
6. Killing Me Softly With His Song
7. Eastern Style
8. Yesterdays

In Style,Sonny Stitt,Muse,Bop

Jazz

Music

jazz

music
Itzhak Perlman's Greatest Hits, Vol. 2
Average customer rating: 5 out of 5 stars
  • Marvellous!
  • The best violinist ever!
Itzhak Perlman's Greatest Hits, Vol. 2

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Itzhak Perlman's Greatest Hits
  2. Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more
  3. Cinema Serenade
  4. Cinema Serenade II: The Golden Age
  5. Itzhak Perlman - A la carte / Lawrence Foster

ASIN: B00004XST2
Release Date: 2000-09-12

Tracks:

  1. Chanson Sans Paroles
  2. Polonaise De Concert No.1, Op.4
  3. It's Peaceful Here, Op.21 No.7
  4. Chanson Russe
  5. Liebesleid
  6. Slavonic Dance In E Minor, Op.46, No.2
  7. Tempo Di Minuetto (In The Style Of Pugnani)
  8. Romanza Andaluza, Op.22
  9. Melodie
  10. Serenade Espagnole
  11. Serenade (Frasquita)
  12. La Capricieuse, Op.17
  13. Sicilienne
  14. Molly On The Shore
  15. Andantino (In The Style Of Martini)
  16. Marguerite (Daisies), Op.38, No.3
  17. Melodie, Op.42 No.3
  18. Estrellita
  19. Spanish Dance No.5
  20. Berceuse Sfaradite
  21. Caprice In A Minor

Customer Reviews:

5 out of 5 stars Marvellous!.......2005-11-26

I don't play violin, and I can't even read music, but as a classical music amateur I find this CD outstanding. Even an incompetent like myself can easily understand why Perlman is regarded as one of the greates violinists ever. This is a marvellous collection of pieces. The rendition of "Chanson Russe" by itself is, in my opinion, worth more than the price of the CD. If you listen to the audio samples on Amazon's pages and you like violin you will surely understand why I like this CD so much. I am grateful to People like Perlman, who make this world a better place to live in.

5 out of 5 stars The best violinist ever!.......2001-01-26

All I can say to this CD is it's the best I've ever heard. In this CD, Itzhak Perlman truly demonstrates his best performances of the past years. I have always been a great admirer of Perlman, but since I own this CD, it's all I've listened to for the past three months. I myself play the violin and Perlman has become an inspiration to me, almost a musical idol. For any of those violinists out there, especially young musicians, who don't feel any excitement about playing the violin, listen to this CD and I promise you, you will strive to being able to play like this man does. He is truly the best musician I've ever known.
Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Average customer rating: 5 out of 5 stars
  • Gabriela Montero CDs
  • Non-professional Review
  • Absolutely Magnificent!
  • Improvisations Unbelievable!
  • A beautiful breath of fresh air!
Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009VK0LO
Release Date: 2005-09-13

Tracks:

  1. Moment Musical In E Mino Op. 12 No. 4
  2. Prelude In G Op.32 No.5
  3. Etude-Tableau In D Op.39 No.9
  4. Prelude in D Flat Op.17 No.3
  5. Prelude In E Flat Minor Op.16 No.4
  6. Prelude In G Op.13 No.3
  7. Etude in C Sharp Minor Op.42 No.5
  8. La Vida Breve: First Spanish Dance - Manuel De Falla
  9. Goyescas: Quejas O La Maya Y El Ruisenor
  10. Danza Del Viejo Boyero
  11. Danza De La Moza Donosa
  12. Danza Del Gaucho Matrero
  13. Nocturne In D Flat Op.27 No.2
  14. Fantaisie-Impromptu In C Sharp Minor Op.66
  15. Mephisto Waltz No.1

Tracks:

  1. On Rachmaniov: Vocalise
  2. On The Theme From Bach 'Goldberg Variations'
  3. On Chopin: Nocturne In D Flat
  4. On Rachmaninov: Piano Concerto No.2
  5. Inspired By Scriabin
  6. On Duermete Mi Nino
  7. In The Style Of Tango
  8. On Granados: 'Quejas O La Maya El Ruisenor'
  9. In The Style Of Bach
  10. On Chopin: Prelude In A
  11. 'Improvisation in Blue (Gabriela Montero)'
  12. 'Song for Natalia and Isabella (Gabriela Montero)'

Customer Reviews:

5 out of 5 stars Gabriela Montero CDs.......2007-06-12

Excellent service -- speedy, just as described, well-packaged. I'd definitely buy from this seller again.

5 out of 5 stars Non-professional Review.......2007-03-27

Okay, I listen almost exclusively to classical music, but I do so simply for the pleasure and nothing more. I cannot tell you about Gabriela Montero's technique, and, when she improvises, I have no ability to judge the music's intrinsic value, authenticity, or whatever. I can only tell you this: while I own many dozens of albums, running the full spectrum of the classical genre, I value none of them above Montero's Bach and Beyond and her Piano Recital. Pure listening joy!

5 out of 5 stars Absolutely Magnificent!.......2007-03-09

I first saw Gabriela Montero on 60 Minutes a few months ago and was taken by her playing ability as well as her ability to improvise on the classics. Ms. Montero's fingers fly over the keyboard, playing Rachmaninoff more dramatically and key-perfect than I've heard in a long time. I decided to purchase this CD and have not been disappointed.

5 out of 5 stars Improvisations Unbelievable!.......2007-01-26

Gabriela Montero is a tremendous talent, both in standard classical repertoire, and improvisation. I have know her since she was a young girl, and she was by far the best pianist around, even then. She is an undersung pianist of our age, and should rise to the top very soon!

5 out of 5 stars A beautiful breath of fresh air!.......2007-01-20

What a sheer delight hearing her play. I've never heard anyone quite like her. A phenomenally gifted player, and it's a rare treat to hear someone who defies pigeonholing. I had heard her on the radio, and knew I was onto something when her improvisation on a very simple theme gave me the chills. I love both CD's in this collection.

It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:

1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??

2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.

3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.

4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?

5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....

The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
Violin Favourites & Virtuoso Showpieces
Average customer rating: 5 out of 5 stars
  • beautiful ,beautiful
  • Great Recording
Violin Favourites & Virtuoso Showpieces

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007WQHVW
Release Date: 2005-04-12

Tracks:

  1. Variations on an original theme, Op.15
  2. Romance, Op.78, No.2
  3. Mazurka, Op.81, No.1
  4. Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
  5. Cantabile, Op.17
  6. Scherzo-Tarantelle, Op.16
  7. Nigun (Improvisation)
  8. Perpetuum mobile
  9. The Prophet Bird
  10. Spanish Dance No.1
  11. Waves at play (Wellenspiel)
  12. Carmen Fantasy, Op.25 - Arr. Waxman

Tracks:

  1. Praeludium and Allegro
  2. Schosmarin
  3. Tambourin chinois
  4. Caprice viennois op.2
  5. La Preuse (in the style of Louis Couperin)
  6. Liebesfreud
  7. Liebesleid
  8. La Gitana
  9. Berceuse Romantique (Caprice)
  10. Polichinelle (Snade)
  11. Rondino on a Theme by Beethoven
  12. Tempo di menuetto (in the style of Pugnani)
  13. Toy Soldiers' March
  14. Allegretto (in the style of Boccherini)
  15. Marche miniature viennoise
  16. Aucassin and Nicolette (canzonetta medievale)
  17. Menuet (in the style of Porpora)
  18. Sicilienne and Rigaudon (in the style of Francois Francoeur)
  19. Syncopation

Customer Reviews:

5 out of 5 stars beautiful ,beautiful.......2007-05-27

I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.

5 out of 5 stars Great Recording.......2007-01-04

The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.
Hair in My Eyes Like a Highland Steer
Average customer rating: 5 out of 5 stars
  • A Breath of Fresh Air
  • Excellent Tunes
  • Perfect
  • Pure Alberta Country !
Hair in My Eyes Like a Highland Steer
Corb Lund
Manufacturer: Stony Plain Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Country | Styles | Music
GeneralGeneral | Traditional Country | Country | Styles | Music
Traditional FolkTraditional Folk | Folk | Styles | Music
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  1. Five Dollar Bill
  2. Horseshoes & Hand Grenades
  3. Happy Songs From Rattlesnake Gulch
  4. Snake Farm
  5. Unforgiving Mistress

ASIN: B000ARKVIE
Release Date: 2006-09-19

Tracks:

  1. Hair In My Eyes Like A Highland Steer
  2. The Truck Got Stuck
  3. Always Keep An Edge On Your Knife
  4. The Rodeo's Over
  5. Hurtin' Albertan
  6. Big Butch Bass Bull Fiddle
  7. All I Wanna Do Is Play Cards
  8. The Truth Comes Out
  9. Counterfeiters' Blues
  10. Good Copenhagen
  11. Trouble In The Country
  12. Little Foothills Heaven
  13. The Truck Got Stuck Talkin' Blues

Product Description

1. Hair In My Eyes Like
A Highland Steer
2. The Truck Got Stuck
3. Always Keep An Edge
On Your Knife
4. The Rodeo's Over
(featuring Ian Tyson)
5. Hurtin' Albertan
6. Big Butch Bass Bull Fiddle
7. All I Wanna Do Is Play Cards
8. The Truth Comes Out
9. Counterfeiters Blues
10. Good Copenhagen
11. Trouble In The Country
12. Little Foothills Heaven
13. The Truck Got Stuck Talkn' Blues
(featuring Ramblin' Jack Elliott)


Format: CD

Amazon.com

Corb Lund and his crackerjack band, the Hurtin' Albertans, lassoed a pen full of awards in the recent Canadian Country Music Awards (and the Western Canadian Music Awards), and for anyone just coming to Lund's brand of ranchin' and ropin' tunes, this album (ironically recorded in Nashville) serves as a fine introduction. The baby-faced Canuck blends a prairie upbringing with 10 years as an indie rocker in his last group, the Smalls, and throws in a smattering of acoustic blues, folk, rockabilly, ragtime, and country-rock to balance his traditional cowpoke leanings. While his subject matter generally hangs around the chutes and the plains, or follows the white line down the highway, Lund is so lyrically and rhythmically inventive that special guests Ian Tyson, Ramblin' Jack Elliott, and Riders in the Sky's Ranger Doug and Too Slim probably begged to ride herd. Put your boots up, pull out a can of chew, and get acquainted with the brightest new star under the western moon. --Alanna Nash

Customer Reviews:

5 out of 5 stars A Breath of Fresh Air.......2007-05-21

I first got hooked on Corb Lund after purchasing his last release ( Five Dollar Bill) and have been anticipating more.
Well, "Hair in my Eyes Like a Highland Steer", does not dissapoint to say the least.
Lund and the Hurtin' Albertans mix the introspective ( The Truth Comes Out, The Rodeo's Over) with the witty ( The Truck Got Stuck, Hurtin' Albertan) to produce a great album full of hooks you will be humming all day.
As a Texan and a rancher, I find it reassuring our "neighbors to the North" share many of our experiences and outlooks. "The Truck Got Stuck" in particular caught my ear, as I have had similar experiences in muddy pastures ( minus the canola seed.)
While these are mainly "cowboy" songs, I think anyone with a love of the West and rural life will find them enjoyable.

5 out of 5 stars Excellent Tunes.......2007-01-15

If you are all about real country music then,you would love this CD!!!
I was very impressed that it was here before the scheduled date of arrival.
Thank you so much
BUY IT ALL YOU COUNTRY PEOPLE!!!!
Shelia Sale/VA

5 out of 5 stars Perfect.......2006-07-09

I heard Corb Lund described as Canada's answer to Cake, but that's not really true. The Corb Lund band is as rooted in Alberta as Cake is in California, and both have smart lyrics, but (even though I don't much like country music) I have to give the nod to this album. Great musical hooks, wonderful lyrics, songs that get stuck in your head and make you smile for days afterward.

I think I'd compare Corb Lund more to Steve Earle, with a catchier bass/banjo line. BRILLIANT album.

5 out of 5 stars Pure Alberta Country ! .......2005-10-18

I was in Canada this weekend and heard the 'The Truck Got Stuck" and I was hooked. I bought the CD and laughed and smiled from the beginning until the end. Buy this CD and ENJOY!
The Dusty Foot Philosopher
Average customer rating: 5 out of 5 stars
  • Addictive and thought-provoking
  • Phenominal
  • Refreshing, innovative, dynamic
  • Masterfull
  • Overwhelmingly Beautiful and Poetic!
The Dusty Foot Philosopher
K'naan
Manufacturer: Bmg
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rap & Hip-Hop | Styles | Music
Experimental RapExperimental Rap | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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ASIN: B000A1IKCO
Release Date: 2005-06-23

Tracks:

  1. Wash It Down
  2. Soobax
  3. What's Hardcore?
  4. My Old Home
  5. Moment
  6. I Was Stabbed by Satan
  7. My God
  8. Smile
  9. If Rap Gets Jealous
  10. Dusty Foot Philosopher
  11. Strugglin'
  12. In the Beginning
  13. Hoobaale
  14. African Way
  15. Voices in My Head
  16. Boxing My Shadow
  17. For Mohamoud (Soviet)
  18. Until the Lion Learns to Speak

Album Description

K'naan, former refugee, now based in Toronto makes music that is a mixture of hip hop, African beats and world music intertwined - combining African drums, chants, handclaps, guitars and organic instrumentation sets this album outside the hip hop herd. K'naan creates music with a message. Leaving Somalia at the age of thirteen on what turned out to be the last commercial flight ever to do so, amidst a crumbling society and the end to this day of any form of central government K'naan carried with him a very strong sense of purpose as well as his amazing lyrical gift, which has made him a beacon for other artists a well as those dedicated to global change. Canada only release! With his unique voice and truly authentic style, K'naan brings an enormous dose of realness and urgency to the hip-hop world in a time when people are desperate for it. From a personal and cultural history rooted in poetry (being the grandson of one of Somalia's most famous poets), K'naan widens the traditional hip-hop perspective. Discovered and produced by Track & Field, same producers that discovered and produced Nelly Furtado, Dusty Foot Philosopher is comprised of 18 total tracks including 'Smile', 'My Old Home', 'In The Beginning', 'Voices In My Head', 'Wash It Down', 'Hoobaale', 'Rap Gets Jealous' and more. BMG. 2005.

Album Details

Negotiating his Way Forcefully Through a Gritty Sandstorm of Spoken-word and African Instrumental Interludes, K'naan Brings Us a Collection of Funky, Original Backgrounds Nearly as Weighty as the Cautionary Words that Float above Them. In his Liner Notes, K'naan Recounts a Nearly Fatal Incident Involving a Live Grenade which He and a Couple of his School Friends Discovered in their Classroom in Mogadishu, Somalia. While Playing with the Mysterious Object, which Initially Looked Like a Potato, the Grenade's Pin Slipped. Throwing it as Fast and as Far as He Could, the Destructive Object Lay to Ruin Much of the Empty Building. Thankfully, No One was Hurt. Then Only Ten Years Old, K'naan (Whose Name Means "The Traveller" in Somalian) Credits that Event as the Watershed Moment which Led Him to Become a Writer.

Customer Reviews:

5 out of 5 stars Addictive and thought-provoking.......2007-07-07

Everyone will have their own opinion, but in my opinion (which is the best! : * ) this is the best CD I've purchased in a long time. If you like Arrested Development, Donnie, Stevie Wonder, India Arie or anybody who's not just singing or rapping for the sake of filling airtime, you'll love it. In The Beginning makes me dance, Hoobaale makes my think and sing at the same time, and What's Hardcore makes me laugh at the stupidity of mainstream hip-hop "gangstas". I love it.

5 out of 5 stars Phenominal.......2006-12-16

I generally listen to reggae and have recently gotten into more Hip-hop and Rap. So, while I may not have the best perspective on this type of music, I will put it simply: this album blew me away. I really can't put my finger on it, but K'naan is fantastic. He is clever, angry, poetic, lyrical, and contemplative all at the same time. Besides the rythims, beats, etc., which are great, K'naan is able to give the listener a picture of whatever he's rhyming about, literally a picture in your mind. And, this is fundementally positive rap, hard to find no doubt, and it also makes you want to stand up a move around. I recommend this album to any fan of music, and I anxiously await K'naan's sophmore attempt.

5 out of 5 stars Refreshing, innovative, dynamic.......2006-11-27

I normally don't go for hip hop and I hardly ever give 5 stars, but quality trumps genre any day, and this is some great stuff. Musically influenced by hip hop beats and his native Somalia, he manages to keep them successfully distinct. When he does merge them, it is with skill and style and wit. Too often merged styles end up sounding muddy, but not here.

The lyrics are poetic. He deals with some very serious subjects, but manages to inject humour and pragmatism without cheapening the message.

Finally, the album works well as a whole, not just a collection of songs, though you'll probably want to add some singles to your playlists.

Enjoy!

5 out of 5 stars Masterfull.......2006-10-19

I had a chance to see K'naan at the Breedlove Tour with Talib Kweli, Mos Def, Pharaoh Monche and Jean Grey and let me tell you he rocked the show. I had the chance to meet him after the show as he was selling his beautiful album at the back of the Fillmore in Denver and what a guy. Humble, kind, very down to earth. His music expresses the hardships of leaving his homeland and the unimaginable pain of living in modern day Somalia. His music expresses the frustration and anger about his homeland but also brings hope about the future, as well as awareness as most people especially in the U.S. have no idea what is going on over there because CNN and other corporate media just cover it as a rogue state. K'naan puts the human element in his music and expresses it beautifully. Great all around CD, original beats, lyrics, and well put together. Keep on fighting K'naan wherever you are.

5 out of 5 stars Overwhelmingly Beautiful and Poetic!.......2006-10-04

I'm an East African who grew up right over the border from Somalia and even then, I've never heard anyone say anything about Somalia other than rehashing CNN's point of view. It was always just a "messed up" place and nothing else. Finally this young brother speaks with such passion about the life and people that LIVE there...despite the turmoil and everything else there is LIFE and LOVE and K'Naan does such a phenomenal job getting that across. Listening to his tracks you can feel the pain, the frusteration, the hope...everything. He also acknowledges that just because he's no longer in a war-torn country doesn't automatically mean that life is great, a thought rarely discussed when it comes to refugees. It's often assumed and believed that we've done them all a great huge favor by removing them from their country...and while it's obviously better not to live under the fear of death, there's also the fact that generally people prefer to live in their home surroundings with the people they love and are familiar with. Migration, even to the lands of milk and honey in the west, is a HUGE sacrifice. Bravo K'Naan! This CD is a major contribution to Africa's history and to the masses whose thoughts and feelings are rarely acknowledged in an affirming an unbiased manner. An ESSENTIAL piece to anyone's library!
Fritz Kreisler Plays Kreisler
Average customer rating: 4 out of 5 stars
  • poor recording
  • Travel to the Old Vienna
  • Only Kreisler Can Play Kreisler *****
  • Perfection
  • disappointing technical quality
Fritz Kreisler Plays Kreisler

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Heifetz Showpieces
  2. Kreisler plays Kreisler
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  5. The Kreisler Album

ASIN: B000003G1K
Release Date: 1997-01-14

Tracks:

  1. Liebesfreud
  2. Liebesleid
  3. Tambourin chinois, Op.3
  4. Caprice viennois, Op.2
  5. Chanson Louis XIII And Pavane
  6. Variations On A Theme Of Corelli
  7. Rondino On A Theme By Beethoven
  8. Schon Rosmarin
  9. The Old Refrain - Wiener Volkslied - Le vieux refrain
  10. Andantino
  11. Berceuse romantique, Op.9
  12. Aubade provencale (In The Style Of Couperin)
  13. Apple Blossoms: Who Can Tell?
  14. Toy Soldiers' March
  15. Aucassin And Nicolette (Medieval Canzonetta)
  16. Shepherd's Madrigal - Altdeutsches Schafermadrigal - Madrigal du berger
  17. Gypsy Caprice - Zigeuner Capriccio
  18. Polichinelle
  19. La precieuse (In The Style Of Couperin)
  20. La gitana
  21. Marche miniature viennoise
  22. The King Steps Out: Stars In My Eyes
  23. Viennese Rhapsodic Fantasietta

Customer Reviews:

1 out of 5 stars poor recording.......2007-04-30

Besides the bacground hiss, I found I had to turn the volume up to max just to hear it. So when you play more than one CD the others will be normal volume but when Kreisler starts you hear nothing and have to turn the volume all the way up to have it at low normal levels. So I recommend passing on this one.

5 out of 5 stars Travel to the Old Vienna.......2006-01-26

Sometimes the author isn`t the best performer of his own works. That`s not the case. I completely agree with the previous reviewer: yes, only Kreisler can play Kreisler.
While listening to this music you so wounderfully feel the spirit of the old Vienna, that most technically perfect record couldn`t compare with this impressions. Treat surface noise of the records made in 1912-1946 as the scent of that distant time (by the way, nearly the age gone) - and you would be completely satisfied, because the playing by Kreisler is so scincere and soulful. So if you like Kreisler - don`t think twice. This is CD for you.

5 out of 5 stars Only Kreisler Can Play Kreisler *****.......2005-05-08

What can I say? Only Kreisler can play Kreisler. Get a discography of Fritz Kreisler and start hunting down everything you can find by this man. You can compare violinists; Heifetz has astounding technique, Milstein's always wonderful, Oistrakh is a favorite of many, Kogan can play anything, etc., etc., etc.. But Kreisler... is a unique personality of the violin. Yehudi Menuhin said of him in his autobiography, there are many great violinists with perhaps greater technique in this area or that; but "Kreisler mystifies me." Bruno Walter, the great conductor, said of Kreisler, "He did not play the violin; he BECAME the violin." and this is true. There is something special about Kreisler that transcends violin playing itself. Something heavenly is communicated by him with his instrument. Transfers from old disks are always of varying quality. Kreisler lived a long time ago and recording techniques were very primitive; but Kreisler even seems to rise above the pops and the clicks. Other artists are drowned out by them but Kreisler soars above them and makes one forget they are there. You're focused on the beauty and the background noise seems to disappear entirely. Other violinists have tried
to play Kreisler and perhaps get the notes right, most notably among them, Zino Francescatti (who plays Kreisler better than any other man except Kreisler), but only Kreisler can play Kreisler.
If you want to hear it best, put up with the background hiss. It's worth it. If you want a modern recording, see if you can find Francescatti's tribute album to Fritz Kreisler. it's OOP, but an LP in mint condition sometimes appears on an online auction service. Why the Francescatti album ever went OOP I do not know. He is the only modern violinist that ever really tapped into the soul of 'Fritz' when he plays Kreisler. If the disk is ever again released, snap it up before it goes OOP again. In the final analysis, modern violinists, at most, will give you a representative selection of only about 16 tracks and usually you get the worn chestnuts over and over again. Enough of Kreislers own recordings are still available that you can still get the whole gamut of his discography if you just look. Do so!

5 out of 5 stars Perfection.......2004-03-08

No crap...really? OF COURSE THIS RECORDING IS A TRANSFER! YOU THINK THEY HAVE DIGITAL RECORDING TECHNOLOGY BACK THEN???? Man, that review from Delaware annoys me.

Go with the first review. This recording is a must. It is one of the great violin recordings. Even my old violin teacher advise me to play some of Kreisler stuff to improve techniques. Kreisler is a legend. Lesson and appreciate the beauties of the violin.

2 out of 5 stars disappointing technical quality.......2000-08-29

I realize that this cd was a transfer, but I have other music that was transferred from old recordings, and they sound much better than this. The disappointing technical quality of the sound on this CD disturbs me. In fact, it sounds worse than the vinyl I already own. Very loud hissing, some popping. The music doesn't actually sound like it's been recorded in a tunnel, but the sound is not as full as I had hoped.

On the other hand, I bought this after comparing Kreisler's performance with Joshua Bell on the samples; and I find I always prefer Kreisler. With no disrespect to Mr. Bell, I find I prefer the composer performing his own music.
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Average customer rating: 5 out of 5 stars
  • Excellent recording
  • Highly Recommended!
  • Amazing
  • A gentleman musical agreement!
  • Extreme virtuosity
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RTR
Release Date: 1993-09-14

Tracks:

  1. Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
  2. Estudio brillante
  3. Etude No. 1 In E Minor
  4. Recuerdos de la Alhambra
  5. Leyenda
  6. Romance
  7. Rumores de la Caleta
  8. Capricho Arabe
  9. Cantata 147: Jesu, Joy Of Man's Desiring
  10. Well-Tempered Clavier: Prelude No. 1
  11. Well-Tempered Clavier: Prelude No. 6
  12. Cantata 140: Sleepers Awake
  13. Prelude, Fugue, And Allegro: Allegro
  14. Cantata 208: Sheep May Safely Graze
  15. Les Barricades mysterieuses
  16. Preambulo & Allegro vivo: Preambulo And Allegro vivo
  17. Passacaglia
  18. The Girl With The Flaxen Hair
  19. Gymnopedie No. 1
  20. Empress Of The Pagodas
  21. Afro-Cuban Lullaby

Tracks:

  1. Fourth Lute Suite: Praludium
  2. Fairest Lord Jesus
  3. Praise Ye The Lord, K. 339
  4. Simple Gifts
  5. Hymn Of Christian Joy
  6. Cantata 29: We Thank Thee, Lord
  7. Cantata 156: Arioso
  8. Cantata 99: What God Hath Done
  9. Canon
  10. Dolly Suite: Berceuse
  11. La Vida breve: Spanish Dance No. 1
  12. Terezinha De Jesus
  13. Prelude (In The Baroque Style)
  14. Goyescas: Intermezzo
  15. Prelude & Fugue No. 4 In E: Fugue
  16. Evening Dance
  17. Variations On A Theme Of Mozart
  18. Canarlos
  19. La Maja de Goya
  20. El Noi de la Mare
  21. Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

5 out of 5 stars Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

5 out of 5 stars Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

5 out of 5 stars Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

5 out of 5 stars A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

5 out of 5 stars Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
In the Spanish Style / Christopher Parkening
Average customer rating: 4 out of 5 stars
  • Never ever to find more graceful play!
  • Grunting and moaning explained
  • Great Introduction to Classical Guitar
  • Excellent collection
  • Parkening in top form
In the Spanish Style / Christopher Parkening

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RNK
Release Date: 1990-10-25

Tracks:

  1. Suite espanola: Leyenda
  2. Capricho arabe (Serenata)
  3. Rumores de la Caleta (Malaguena)
  4. Prelude No. 1
  5. Prelude No. 2
  6. Prelude No. 3
  7. Estudio brillante
  8. Recuerdos de la Alhambra
  9. Fantasia: Fantasia No. 10
  10. Estudio No. 17 In E Minor
  11. Estudio No. 19 In B Flat
  12. Twelve Etudes: Etude No. 1 in E Minor
  13. Twelve Etudes: Etude No. 11 In E Minor
  14. Vals venezolano No. 3
  15. Four Preludes
  16. Catalonian Song
  17. Romance

Customer Reviews:

5 out of 5 stars Never ever to find more graceful play!.......2007-03-09

The incredible representation and sound Parkening created by the guitar is
sublimity itself. Though I have listened to many a world-famous guitarist,
I have never been so fascinated as by his play. I couldn't but make intimate friends of mine a present of Parkening's CDs like "In the Spanish Style", through which I felt I could show them what real music is like. I never ever imagine I could find more graceful play than that of Christopher Parkening at least in the world of the guitar.

5 out of 5 stars Grunting and moaning explained.......2006-01-03

I met Parkening in 1972, a few years after this album was first released. I asked him about the "groans" that could be heard. He explained that at the time he let his thoughts wander and thought about the future, when some Swiss moron named Peter Gilman would complain about the recording. Absentmindedly, he groaned at the thought of it all. He told me if ever I should meet Peter that I was to apologize.

Peter, sorry about that.

5 out of 5 stars Great Introduction to Classical Guitar.......2005-04-07

My parents had this on vinyl when I was kid. I listened to it a lot in high school when I was listening to a lot of musical styles. This and Parkening's Bach CD are probably my two favorite classical guitar discs.

As a rock/blues/pop guitarist, I've been learning some classical over the last few years. And this disc has been my reference. Parkening's playing is confident and enjoyable. Capricho Arabe stands out as does the Sor studies that he covers.

My only complaint is Leyenda, his performance is less than passionate and the recording doesn't sound EQ'd correctly in a few spots. Other artists have better recordings of this song (John Williams comes to mind).

If you are looking for a great classical guitar CD, this is a great place to start.

5 out of 5 stars Excellent collection.......2004-05-06

This is the album that made me want to take up classical guitar. Great selection of songs, played with incredible feeling and tone. Brilliant performances of Capricho Arabe, Recuerdos and the Villa-Lobos and Ponce Preludes. His rendition of Romance is what every student should strive for. The student (Parkening) has most definitely learned all of his master's (Segovia) lessons and went even further. Still fresh after 25 years of regular listening.

5 out of 5 stars Parkening in top form.......2004-02-28

Christopher Parkening's technical prowess is in full effect here, showing he's truly the ultimate successor to the great Andres Segovia.

I don't know about grunting, but if you listen closely, there is some noticeable sighing from Parkening on a few of the tracks, especially the third. Presumably, he was getting weary from all the work his fingers were getting in playing those immensely complex arrangements. But to go as for as to say it ruins the recording is ludicrous. In fact, the sighing adds to the intimacy and accessibility of the recording. I had always felt distant while listening to a Parkening album because he sounded TOO polished. He plays great here, but to hear his voice, even in its slightest audible sound, adds to the album's charm.

If you're a classical guitar enthusiast, this album is essential.
Grieg: Peer Gynt
Average customer rating: 4.5 out of 5 stars
  • The Whole Thing
  • Hauntingly Beautiful
  • Good-enough readings but outstanding sound
  • Passionate
  • Maybe this is THE (one disc-) Peer Gynt album to own ...
Grieg: Peer Gynt

Manufacturer: Virgin Classics
ProductGroup: Music
Binding: Audio CD

Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. Rachmaninov: Piano Concertos Nos. 1 & 2
  2. Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
  3. Bach - Brandenburg Concertos / Il Giardino armonico
  4. Rachmaninov: All-Night Vigil
  5. Pytor Illych Tchaikovsky: The Nutcracker - Complete Ballet

ASIN: B0007Z47JI
Release Date: 2005-06-07

Tracks:

  1. No. 1 At The Wedding (Prelude To Act I)
  2. No. 2 Halling
  3. No. 4 The Abduction Of The Bride
  4. No. 6 Peer Gynt And The Woman In Green
  5. No. 7 Peer Gynt: 'You Can Tell Great Men By The Style Of Their Mounts!'
  6. No. 3 Springar
  7. No. 8 In The Hall Of The Mountain King
  8. No. 9 Dance Of The Mountain King's Daughter
  9. No. 12 The Death Of Ase (Prelude To Act III)
  10. No. 13 Morning Mood (Prelude To Act IV)
  11. No. 15 Arabian Dance
  12. No. 16 Anitra's Dance
  13. No.17 Peer Gynt's Serenade
  14. No. 19 Solveig's Song
  15. No. 20 Peer Gynt At The Statue Of Memnon
  16. No. 21 Peer Gynt's Homecoming. Stormy Evening On The Sea (Prelude To Act V)
  17. No. 22 The Shipwreck
  18. No. 23 Solveig Sings In The Hut
  19. No. 25 Whitsun Hymn: 'O Blessed Morning'
  20. No. 26 Solveig's Cradle Song

Customer Reviews:

5 out of 5 stars The Whole Thing.......2007-05-10

If there's an earlier 'Peer Gynt' recording that's complete (as opposed to just the 'suite') I've never heard of it. This is the entire incidental music to the play, not just the usual 'Dawn', 'The Hall of the Mountain King' 'Solveig's Song', etc.
Jarvi's reading is smooth and incisive and the choral parts are wonderful. I've never heard a scarier version of HOTMK. I never even knew that there was a solo vocal part for Peer himself, but here it is.

My only complaint-and it's a tiny one-is that the selections are not in the order that they would appear in Ibsen's play. But that's picking a very small nit indeed.

5 out of 5 stars Hauntingly Beautiful.......2007-03-11

Conductor Paavo Jarvi does a masterful job of leading the Estonian National Symphony Orchestra. The orchestra plays with great emotion and precision creating an exciting and almost hypnotic effect. Although Beecham's version is very good, his Peer Gynt does not come close to matching the sheer beauty of Jarvi's.
The soloists on this album are outstanding. I consider baritone Peter Mattei to be the most talented baritone of his type today and his rendition of Peer Gynt's Serenade is nothing short of incredible. Soprano Camilla Tilling as Soveig has a lovely ethereal sound to her voice which is used to great effect in her songs. Tilling has the loveliest female voice I have ever heard. Mezzo Charlotte Hellekant has also grown on me as Anitra. Many of these vocal songs are not included on other versions of Peer Gynt, which is a great shame. The choir, something I don't usually enjoy, is very impressive.
I would rate this CD as by far the best version of Peer Gynt and perhaps my favorite CD of all time. The sound quality of the recording should also be mentioned because it is absolutely stunning.

3 out of 5 stars Good-enough readings but outstanding sound.......2007-02-21

I don't find that Paavo Jarvi and his Estonian forces have much to say in the familiar numbers from Peer Gynt. You must turn to Beecham for sheer delight in famous numbers like In The Hall of the Moutain King, Morning, Anitra's Dance, and so on. Where this recording scores is in the unfamiliar numbers; Peter Matteo's excellent rendition of the little-known Peer Gynt's Serenade is one highlight, as is the convincingly crude folk fiddling that begins half a dozen numbers.

Secondly, there's the sound. The engineers have achieved quite exceptinally clear, open sonics that I've never heard the like of in Peer Gynt. Even when Jarvi's conducting is ordinary and his Estonian musician ae playing at far less than virtuosic level, the gorgeous sounds coming out of one's speakers remain alluring. As far as completeness goes, the Ruud 2-CD set from Bis is unchallenged.

4 out of 5 stars Passionate.......2006-08-18

The story line gives the listener a guide to follow the music, but the score leaves out the connections for the listener to only imagine the performance. The music is passionate and descriptive and introduces the listener to the singing voices of parts of the presentation that are left out in the "Suite." I appreciate hearing it over and over.

5 out of 5 stars Maybe this is THE (one disc-) Peer Gynt album to own ..........2006-02-15

... to keep closely beside the gorgeous, incisively intelligent and deeply concentrated performance (also on 1 CD) with Esa-Pekka Salonen conducting the Oslo Philharmonic Orchestra and Barbara Hendricks singing the role of Solveig (Sony Classical).
Together with the recordings by Neeme Jarvi (27 cues; DGG), Marriner (only 12 cues; EMI), Tate (17 cues; EMI), Blomstedt (19 cues; Decca), Dreier (the first truly complete recording of all of the original music (1978); 32 cues, including 'Bridal Procession', 'Solveig's Song' and three 'Norwegian Dances' all of them n o t originally written for the play; Unicorn UKCD + NKFCD) and Ruud (the first complete recording with 29 cues plus all of the dialogue, making a total of 51 cues, coming up on 113 minutes; BIS), these two (1-CD) albums by Paavo Jarvi and Esa-Pekka Salonen are as complete as can get concerning this so called 'incidental' music for the Henrik Ibsen play of Peer Gynt. Nowadays, Peer Gynt is Norway's No. 1 national epic, thereby giving this music extra significance and poignancy. Originally, there are in all some twenty-six numbers of incidental music for the play: almost ninety minutes of music, as can be learned from the booklet-essay. And according to the booklet, twenty of those are on this album; No. 5, 10, 11, 14, 18 and 24 are left out of this recording. 'Solveig's Song' wasn't originally written for the stage play but nonetheless included as such on this CD, so actually 19 original pieces from Peer Gynt, op. 23 are on this album, and not 20. But anyhow, such 'criticism' would amount to nitpicking ;-)
Here I would like to warn the reader that this will be a somewhat one-sided review, as I have only ever heard the Peer Gynt-recordings of Esa-Pekka Salonen, Per Dreier (freshly inspired, very natural performances) and this newest one of Paavo Jarvi. So this review is, for what it is worth, a personal and somewhat subjective approach, leaving out many other alternatives ...

Anyhow, as for the one-CD albums of Peer Gynt, op. 23, the merits of the Salonen/Oslo Philharmonic album (aside from the artistic ones, which are huge, as well as spot on as far as the 'Nordic' atmosphere of the music is concerned) lie in the fact that - up to now - it has been as near 'complete' a rendering of the music for Peer Gynt - as much as fits on one CD - as one might wish, covering the whole dramatic arc of the play from beginning to end (but without any of the spoken dialogue). I believe that this new recording with Paavo Jarvi is even more complete - as could be fitted on one disc - and gives the listener an even better feel of the drama of the play, if only because there is more singing here, namely by Peer Gynt (in the delightful 'Peer Gynt's Serenade'). Also, one hears here seldomly recorded, but wonderfully evocative pieces, such as 'Peer Gynt and the Woman in Green', 'Peer gynt: you can tell great men by the style of their mounts', 'Peer Gynt at the Statue of Memnon' (similar to 'Prelude Act III: Deep in the Coniferous Forest' on the Salonen/Oslo Philharmonic album. Actually it is the same piece, but it was never intended as the prelude to act III) and 'The Shipwreck'. Simply delightful, all this! As are all the soloists - truly, the best one could wish for! - singing in this recording. If I may steal a quote from Tim Ashley, The Guardian, May 13, 2005: "Peter Mattei is the swollen-headed Peer, Camilla Tilling a dignified, unsentimental Solveig and the incomparable Charlotte Hellekant a camp but lethally seductive Anitra." But although Camilla Tilling's Solveig is superb, IMHO she is not as completely involved-sounding or as convincing in the projecting of the troubled mind and heart of (especially the elderly) Solveig as does Barbara Hendricks for Esa-Pekka Salonen.
Even more than Esa-Pekka Salonen's performance with the Oslo Philharmonic Orchestra, this recording offers the listener a more 'true to the letter-performance', as the music is here performed as heard during the play, as witnessed by 'Solveigs vuggevise' ('Solveig's Cradle Song'), where her singing is interlaced with the 'Whitsun Hymn', which, to the ears of this listener, only heigtening the sense of drama and storytelling.
All in all a fantastic album, I believe, and one that brings into focus the drama even more than other recordings of this music. Even though the orchestral playing of the Estonian National Symphony Orchestra is maybe a (slight) nodge below that of the Oslo Philharmonic under Salonen and missing out on the deepest or finer layers of melancholy and dramatic tension (which are indeed touched upon by Salonen, I think), it is warmly sympathetic and more lush (as is the acoustics of the recording venue).
The really adventurous or Peer Gynt-completists (and once taken this step, the all too brief Suites will never be an option again!) should really go for Dreier or Ruud - this last one is said to be simply magnificent (music as well as acting) - but this generous one disc album, with some of the most gorgeous playing and singing, is warmly recommended (at least, in my opinion) to anyone who loves this wonderfully evocative music. Delightful!
Vivaldi: The Four Seasons/Fritz Kreisler: Concerto for Violin
Average customer rating: 5 out of 5 stars
  • THE Best 4 Seasons I've Heard
  • Inspirational Recording
  • A great piece of work
  • Juicy, sumptuous and especially Dramatic
  • Reply to Nutmegger
Vivaldi: The Four Seasons/Fritz Kreisler: Concerto for Violin
Joanna Jenner , Ping-How Liang , Melissa Meell , Adela Pena , and Todd Phillips
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001GME
Release Date: 1995-02-07

Tracks:

  1. The 4 Seasons: Spring - Concerto In E Major, Op.8, No.1, RV 269: 1. Allegro
  2. The 4 Seasons: Spring - Concerto In E Major, Op.8, No.1, RV 269: 2. Largo e pianissimo sempre
  3. The 4 Seasons: Spring - Concerto In E Major, Op.8, No.1, RV 269: 3. Danza pastorale: Allegro
  4. The 4 Seasons: Summer - Concerto In G Minor, Op.8, No.2, RV 315: 1. Allegro non molto
  5. The 4 Seasons: Summer - Concerto In G Minor, Op.8, No.2, RV 315: 2. Adagio - Presto
  6. The 4 Seasons: Summer - Concerto In G Minor, Op.8, No.2, RV 315: 3. Presto
  7. The 4 Seasons: Autumn - Concerto In F Major, Op.8, No.3 Rv 293: 1. Allegro
  8. The 4 Seasons: Autumn - Concerto In F Major, Op.8, No.3 Rv 293: 2. Adagio molto
  9. The 4 Seasons: Autumn - Concerto In F Major, Op.8, No.3 Rv 293: 3. Allegro
  10. The 4 Seasons: Winter - Concerto In F Minor, Op.8, No.4, RV 297: 1. Allegro non molto
  11. The 4 Seasons: Winter - Concerto In F Minor, Op.8, No.4, RV 297: 2. Largo
  12. The 4 Seasons: Winter - Concerto In F Minor, Op.8, No.4, RV 297: 3. Allegro
  13. Concerto For Violin: Allegro moderato e maestoso
  14. Concerto For Violin: Andante doloroso
  15. Concerto For Violin: Allegro assai

Customer Reviews:

5 out of 5 stars THE Best 4 Seasons I've Heard.......2007-07-15

This is beautiful from start to finish. The vitality and color really captures the spirit of Vivaldi/Four Seasons.

Often, I just go "WHOA" at music that speaks to me, which I've done on practically every single track here.

5 out of 5 stars Inspirational Recording.......2007-07-14

Like many others, I have loved the Four Seasons so much over time, that I've played it to death. It had become so farmiliar that it was actually somewhat irritating. Listening to this recording changed all that for me. To use a tired phrase, it was like hearing the piece for the first time. The performance is precise, yet passionate. The orchestration may be considered by some to be a little thin, but that is made up for by the exillerating clarity. Finally, the technical quality of this recording is extraudinary. One more tired phrase, if you'll permit me, it's like sitting front row center at a live performance. Buy it! You'll love it!!

5 out of 5 stars A great piece of work.......2006-05-24

I don't pretend to understand all the nuances of classical music. But as a listener I really enjoy it. That said, this piece by Gil is a fantastic piece. I have heard several other "Four Season" recordings, and since I have listened to this one, there are no equals (to me anyway).

5 out of 5 stars Juicy, sumptuous and especially Dramatic.......2006-04-29

Of the myriad of modern-instrument Vivaldi Seasons recordings available, this Gil Shaham recording is just about as good as it gets. Perhaps it eclipses previous recordings by Nigel Kennedy and the Decca recording with Marriner. Shaham scores points over all his modern-instrument rivals with a true spirit of collaboration with the Orpheus Chamber Orchestra, as if their playing were taking them on a voyage into Vivaldi's picturesque world. Their playing is always fresh-sounding, youthful, alert and spontaneous, and rhythms are well-sprung.

Throughout this performance, we hear how Shaham and Orpheus give their all in bringing out the very best in Vivaldi's score. The spirit that pervades the whole performances beguiles us from the first, positive bars of the Spring concerto, where we can truly feel the embrace of Spring's awakening. Summer is given a suitably dramatic performance, and one can feel the Orpheus players revelling in the ferocity of the summer storm that ravages the land, complete with Shaham's poignant commentaries, especially when portraying the hapless shepherd farmer who loses his corn to the summer storm. Autumn has a suitably rustic atmosphere, with Shaham doing double-duty as tipsy drunkard and fleeing beast during the fiercely vigorous hunting finale. And Winter allows us to feel the true contrasts, with Shaham's technical brilliance in the outer movements contrasting with the sheer lyricism of the slow movement, while the Orpheus playwers ably evoke the cold, bleak atmosphere of the sonnet. The DG recording is clear and beautifully balanced, and the Kreisler concerto makes an unusual and controversial fill-up, together with the bonus CD-Rom of the Winter video. Yet I would have liked there to be the bonus CD of Shaham talking about the music and introducing each concerto, as it would have been more illuminating.

All told, this superb CD should stand as a fresh, artistic success of a modern-instrument Vivaldi Seasons, due to the performers' ability to engage themselves with Vivaldi's soundworld. There is always rhythmic control and you feel that the sense of structure is there. Perhaps this should be the modern-instrument equivalent of Trevor Pinnock's equally celebrated version...

5 out of 5 stars Reply to Nutmegger.......2005-10-14

I've listened to this cd many times, and have enjoyed each time more and more. I also listened while reading the score, and I have to point out that Gil has actually ad libbed a LOT in this recording. To me, it sounds like he was attempting to add a bit of romanticism to an early classical concerto. Some may think that's sacriledge, but I myself think it's a clear indication of the man's ingeniuity and sheer mastery of what you consider 'too much perfection'. I'm sorry, but that seems a bit absurd to me. I've heard people complain about Karajan's interpretations as being too beautiful, but never about someone being too perfect. Honestly, I think your initial reaction was right on. I encourage you to re-examine....hopefully, not while you're doing laundry. :-)

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