Treasure

About the Artist
I am a 45 yr. old construction worker whose mother was a music teacher for 50 yrs. I began playing piano and organ in my youth but have had only one lesson when my mother taught me the chords. Started playing seriously in 1994 and began to write jazz instrumental music in 1998. Released my first cd in August, 2001. I am an unsigned independent musician with a wife and three children

Product Description
A mixture of soothing, relaxing contemporary jazz including some energetic instrumental and sountrack music

Treasure,Honsi Adams,Honsi Adams,turn it up and enjoy this mixture of smooth jazz, pop instrumental, and film score music.

Jazz

Music

jazz

music

Average customer rating: Disappointing Great! A Piece Of Heaven On Earth A Pure Joy.......... Celtic Treasure - Hayley Westenra

Celtic Treasure Manufacturer: Decca ProductGroup: Music Binding: Audio CD Monk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Folk | Styles | Music Australia & New Zealand | International | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Pop | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Odyssey Celtic Woman - A New Journey: Live at Slane Castle, Ireland Hayley Westenra - Live From New Zealand Lisa A New Journey ASIN: B000MTDRJA Release Date: 2007-03-13

Tracks:

1. Let Me Lie
2. Scarborough Fair
3. Shenandoah
4. Summer Fly
5. Whispering Hope
6. Danny Boy
7. Summer Rain
8. The Last Rose of Summer
9. One Fine Day
10. Sonny
11. The Water Is Wide
12. Melancholy Interlude
13. Abide With Me

Amazon.com

Having sung before royalty and performed with the Irish super-group Celtic Woman, Italian tenor Andrea Bocelli, and Welsh baritone Bryn Terfel, the very young and remarkably beautiful singer is back with a tribute to her Celtic ancestry. As with her previous Platinum-selling releases (she is already a huge star in her native New Zealand, Japan, Australia, and the UK), the orchestrations are lush, with sighing phalanxes of strings and woodwinds. But in keeping with the avowed theme, there are also soft touches of soulful, wavering tin whistles and vaguely fiddle-like violin vamps. The program is more varied than the album's title might lead one to expect, encompassing everything from "The Last Rose Of Summer" and "Danny Boy" to "Shenandoah," "Scarborough Fair," "Abide With Me," and even a couple of more pop-oriented songs penned by Westenra herself. However, brief sideways winks toward Nashville or the Great White Way do not adulterate the album's overall mood of ethereal, remote bliss. The one misstep is an English-language cover of "Un Bel Di" ("One Fine Day") from Puccini's Madama Butterfly: an aria unsuited to the artist's fragile, bell-like soprano and placid temperament. This aside, established classical crossover/theatrical divas like Sarah Brightman would be wise to begin looking to their laurels. --Christina Roden

Album Description

Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places on her remarkable musical journey. Recorded in Dublin, Ireland, Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places in her remarkable musical journey. For the first time the album also includes several original tracks written by Hayley herself. Celtic Treasure is a celebration of Hayley's family roots, and her grandparent's journey across the World on the first boat that left Ireland for New Zealand in the 1880s - taking with them a rich musical heritage. Her grandmother - a singer, and her grandfather, who played the accordion, were to be important influences on Hayley's musical development. Hayley grew up hearing her grandmother singing Italian opera arias in English. Hayley has continued this tradition by recording the well-known aria One Fine Day... ('Un bel di) from Puccini's Madama Butterfly. Hayley's grandmother also sang Irish folk tunes, and Hayley includes one of them - Danny Boy on the album as a tribute to her. Another Irish folk tune Sonny, is the first recording in which Hayley accompanies herself on the piano. In the same vein as Hayley's signature song Pokarekare Ana from her debut album Pure, Hayley's deep sense of pride as a New Zealander, and the simple beauty of her voice come together in E Para Ra - a Maori lovesong reflecting her own love of her homeland. Hayley's first recordings of her own songs bring together all these musical influences. They include her compositions Let Me Lie and Summer Rain and her lyrics to a haunting lute song by the Elizabethan English composer John Dowland, called simply Melancholy Interlude.

Customer Reviews:

Disappointing.......2007-07-13

We first encountered Westenra as a member of the Celtic Woman group. She was great -- as were all the girls. Based on that, I selected this CD after reading the reviews on Amazon. This one seemed to get the best overall reviews.

This CD is pretty uninspired and Westenra's voice sounds just average on several of the tracks. There are a few impressive spots but generally I thought the CD was less than expected.

Great!.......2007-07-13

Hayley does a great job with this cd. Its relaxing and interesting, instead of boring like some opera kind of vocalists can be. I recommend her cd, Pure, as well. She will definitely impress and soothe you!

A Piece Of Heaven On Earth.......2007-07-13

If you could hear the angels singing this is exactly what they would sound like. Please do yourself a favor and get the dvd too. They are both beyond amazing.

A Pure Joy.................2007-06-20

This album of Celtic standards is truly one of the most beautiful I've heard in a long time. For a girl of 19 to have this kind of vocal maturity is amazing... she gets better with each new recording.

Hayley has a clear, and pure voice that makes these familiar songs sound brand new. Though the whole album is a treat, the two hymns are inspiring. Others have done this repitoire, and done it well; none has done it better.

Hayley has a new recording of "West Side Story" due out soon; I can't wait. In the meantime, do not fail to grab this one.

Celtic Treasure - Hayley Westenra.......2007-06-20

Love the beautiful voice that I have come to expect from the Celtic Women lasses and the eclectic choice of songs really accentuates her range and flexibility to sing classic and contemporary. She shines with every choice. I await her next CD.

Average customer rating: Worth the wait.... Worthy of the title Bike-Ride-Soundtrack! Nice album from the new age masters! Meeting Expectations

Treasure David Helpling , and Jon Jenkins Manufacturer: Spotted Peccary ProductGroup: Music Binding: Audio CD General | New Age | Styles | Music Meditation | New Age | Styles | Music Similar Items: Sleeping on the Edge of the World Elevations Beyond City Light Anno Domini Myths and Legends ASIN: B000QGDZ6Y Release Date: 2007-06-12

Tracks:

1. Grand Collision
2. Treasure
3. The Knowing
4. Beyond Words
5. Into the Deep
6. Not a Soul Not a Sound
7. The Frozen Channel
8. Now More Than Ever
9. This Day Forward
10. The First Goodbye

Album Description

"Full of exceptionally deep and cinematic moments, layers of smeared guitar textures, sneaky ear candy, and epic rhythmic percussion." -- AmbientVisions.com

A powerhouse collaboration from two of Spotted Peccary's most popular and best-selling artists--well respected musicians who are often mentioned in the same breath as Brian Eno, Patrick O'Hearn, and Tangerine Dream. Jon Jenkins' last release, Beyond City Light, was an Amazon.com Best of 2005 Top 10 selection. Previous solo releases by both artists have charted at #1 on NAV/NAR Top 100 charts, and been designated as a Billboard Critic's Choice.

Customer Reviews:

Worth the wait...........2007-07-20

"All Things End" was the first song I had heard from David's works. That song has been like a mental refuge for me. It just totally relaxes and calms me. I was excited to find out that he finally had a new album out.
I think it is very good. The first 2 tracks are just plain good. Next, I like tracks 8, 9, and 10. I like how track 10 starts out very dark and mysterious. The rest are good, but nothing really ground breaking.
My only beefs about the album is that track 1 ends too abruptly. It starts taking off after the "bridge?" then just stops. Is track 2 a continuation? Also, some of it sounds a little too much like Patrick O'Hearn with the familiar keyboard patch that he uses alot. I would liked to have heard something more innovative for the lead instrument. I think they should have had David Darling with his haunting cello join them too.
I fully recommend this album. This has been in my changer since I bought it on 6/13. I listen to it at some point every day.

Worthy of the title.......2007-06-22

Two stellar talents come together to build off and enhance one another's strengths resulting in an album worthy of the title. From the bold and powerful to the serene and ethereal, I've been listening to this daily for weeks.

Bike-Ride-Soundtrack!.......2007-06-13

Treasure has come along at just the right time to start my summer off right! When I ride my recumbent bike on the rural forested rail trails of central Ohio, I like to have peaceful relaxing music emanating from my cargo trailer. This is made possible and skip free by the use of my iPod boom box style player. (I never wear headphones while riding the bike. Not only is it unsafe, it covers up the lovely sounds of the birds, waterfalls and rustling leaves.) When quietly pedaling along side the streams snaking through the beautiful hills and valleys filled with lush tall trees, hearing this music is a perfect compliment to the visual experience of my isolated bicycle touring. It makes me feel as if I'm in my own movie with my own personal soundtrack accompanying my journey.

It's impossible to say what track is my favorite as they ALL are so good. If you like Helpling's "Sleeping on the Edge of the World," and Jenkins's "Beyond City Light" (another favorite bike-ride-soundtrack for me), then it's a no brainer that you'll absolutely LOVE "Treasure." You can't go wrong with this one. Even listeners new to this kind of genre should be able to appreciate this wonderful CD.

Nice album from the new age masters!.......2007-06-13

David Helpling and Jon Jenkins' new album 'Treasure' is just that... a new age treasure! Unlike many new age albums that tend to drone on and on for 60-70 minutes, David and Jon really develop some great musical styles throughout some of the individual tracks. There is certainly a lot of energy in these tracks, which should come as no surprise to anyone familiar with their work. David has been involved with film scoring for quite a few years and both David and Jon have written some fantastic new age albums. Anyone who enjoys instrumental music with a lot of rhythm and percussion will enjoy 'Treasure'. Definitely recommend !!

Meeting Expectations.......2007-06-13

I recently received my copy of Treasure and have been listening to it ever since. My favorite track at the moment is: Not a Soul, Not a Sound. The seemless and sweeping pads are absolutely mind blowing! If you know anything at all about creating this kind of music, you know how much talent and work is involved in creating such luscious ambience. I didn't honestly believe that they could beat "Flow", or "Sleeping on the Edge of the World", but they managed to do it. This cd has gone way beyond and above my expectations.

My thoughts are constantly lost in the spacious depth that Treasure paints in the minds eye. My hat is off to you gentlemen. This cd is as of now one of my all time favorite pieces of music. Congratualtions on a job very well done!

Sincerely,

Sonny James

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating:

National Treasure Various Artists Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Soundtracks | Styles | Music Soundtracks | Imports | Stores | Music Similar Items: Pirates Of The Caribbean: At World's End The Rocketeer: Music From The Original Motion Picture Soundtrack Pirates Of The Caribbean: Dead Man's Chest Stargate: Atlantis [TV Soundtrack] Ratatouille ASIN: B000MTEZOQ Release Date: 2007-03-12

Tracks:

1. National Treasure Suite
2. Ben
3. Finding Charlotte
4. Library Of Congress
5. Preparation Montage
6. Arrival At National Archives
7. Chase
8. Declaration Of Independence
9. Foot Chase
10. Spectacle Discovery
11. Interrogation
12. Treasure

Average customer rating: The perfect rainy day album Mysterious Skin soundtrack Not as good as their early work Sublimalicious This band is icy as north pole!

Treasure Cocteau Twins Manufacturer: 4ad / Ada ProductGroup: Music Binding: Audio CD General | British Alternative | Alternative Rock | Styles | Music General | Alternative Rock | Styles | Music Dream Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Four-Calendar Cafe The Pink Opaque Loveless Isn't Anything Souvlaki ASIN: B00006L5PQ Release Date: 2003-06-03

Tracks:

1. Ivo
2. Lorelei
3. Beatrix
4. Persephone
5. Pandora For Cindy
6. Amelia
7. Aloysius
8. Cicely
9. Otterley
10. Donimo

Album Description

2003 remastered version of their 1984 album. 4AD.

Album Details

The Album that Consolidated the Band's Reputation and Defined their Sound with the Unique Layered Vovals of Liz Fraser. Kept off the Top Spot by the Smiths' Hatful of Hollow, the Album Remained in the Indie Charts for an Incredible 81 Weeks. There were also Seven Cocteau Twins Songs in John Peel's 1985 Festive 50.

Customer Reviews:

The perfect rainy day album.......2007-06-03

I am a relatively new fan of Cocteau Twins. It wasn't until a few years ago when the band started to remaster and re-release its albums did I get around to checking out their music. "Treasure" was the first Cocteau Twins album I bought. I was immediately hooked on the album's intoxicating ethereal melodies and fragile female vocals of Elizabeth Fraser. There definitely is a post punk edge through out the album that is reminiscent of Siouxsie & The Banshees like on "Persephone". The jagged guitar riffs and Elizabeth's wailing sounded an awfully a lot like Siouxsie & The Banshees and I mean that as a compliment. One of my personal favorite songs is the wistful sounds of "Pandora for Cindy". The song is so light and airy. If clouds could emit a sound or make music, I think this is how they would sound like. My very favorite track on the album has to be "Donimo" based on the gorgeous melodies. Elizbeth Fraser has one of the most original vocals I have ever heard. I like that she uses her vocals as an actual instrument. It really shows through on this album especially on the tracks that are more about vocalizations than lyrics. There is not one single track on "Treasure" I did not like. Every song is great. I feel like I am being transported to another dimension when I listen to this gem of an album. "Treasure" is truly a treasure worth owning.

Mysterious Skin soundtrack.......2006-12-14

For those of you who don't know this, the guitarist for Cocteau Twins collaborated with Harold Budd on the soundtrack to Mysterious Skin, which you can preview on Amazon. You might like it, I'm getting it, I think.

Not as good as their early work.......2006-10-31

I got into the Cocteaus through 'Garlands' and 'Lullabies', which are truly great albums reminiscent of early post-punk bands, but having so much more haunting power. I picked up their later work, and god! It's awful. It's like New Age music in New Wave packaging. It loses so much of the raw, jittery beauty that 'Garlands' had. It's a completely different band, and not one I want anything to do with. If you're into calm armchair music, I guess you'll like this, but for people looking for something exciting, skip this.

Sublimalicious.......2006-08-08

This is the first Cocteau Twins CD I bought.It started my journey into the sublime,and into true music enlightenment..What can I say but....experience it yourself!!!!

This band is icy as north pole!.......2006-05-29

Don't believe anybody who think Cocteau Twins is Enya-wannabe or something. This is 1984 and the band is true originals. There is very small Siouxie & The Banshees flavour in some of their songs, but meanwhile this is post-punk era and music is very hypnotic. Somtimes this style called dream-pop. The sound cool and icy and absolute amazing. When I hear Liz F. I feel like snowflake in the center of snow-blast. When I hear song called Lorelei tears goes down from my eyes I just don't know why. Listening to this album is good for you karma!

Average customer rating: A Fantastic Score For A Great Movie A review based on the samples. (No, I don't have the CD...yet.) I LOOOOOVE THIS MOVIE!!!! Great songs Always Know Where You Are

Treasure Planet Various Artists Manufacturer: Disney ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Similar Items: Atlantis: The Lost Empire Treasure Planet Willow (Soundtrack) Titan A.E.: Music From The Motion Picture (2000 Film) Unbreakable ASIN: B00006XPT4 Release Date: 2002-11-19

Tracks:

1. I'm Still Here (Jim's Theme) - John Rzeznik
2. Always Know Where You Are - BBMak
3. 12 Years Later
4. To the Spaceport
5. Rooftop
6. Billy Bones
7. The Map
8. Silver
9. The Launch
10. Silver Comforts Jim
11. Jim Chases Morph
12. Ben
13. Silver Bargains
14. The Back Door
15. The Portal
16. Jim Saves The Crew
17. Silver Leaves

Amazon.com

Not exactly the most seamless adaptation ever attempted, this animated version of Robert Louis Stevenson's classic swashbuckler (now set in outer space, even if the "ships" appear inexplicably unchanged since the 18th century) at least benefited from Disney's always high production standards. Those factors also insure that James Newton Howard's orchestral score is serviceably effervescent and retro enough for the film's storytelling gambit--if still a long way from the heights of Korngold's triumphant, genre-defining music for The Sea Hawk and other Errol Flynn swashbucklers; call it Captain Blood-lite. The studio's marketing-driven desire to have it both ways has also awkwardly sandwiched in a couple otherwise pleasant John Rzeznik-penned modern rock tracks, "I'm Still Here," performed by the Goo Goo Dolls singer himself, and BBMak's slightly funkier take of "Always Know Where You Are." --Jerry McCulley

Customer Reviews:

A Fantastic Score For A Great Movie.......2007-06-16

Definitely one of the--if not the--most underrated Disney movies ever. Of course, such an original concept got swept up in the intent to maximize the market-ability of the movie. Admittedly though, "Treasure Island" in space is hard to pull off, but this movie does, in part to the great score behind it. To balance a traditional 'swashbuckling' genre score with sci-fi twists can be no easy task, but its managed greatly in this soundtrack. A definite must for anyone who liked the movie and a great suggestion for anyone else.

A review based on the samples. (No, I don't have the CD...yet.).......2007-06-04

I shall be rating this with stars, 5 stars being awesome and one star being lame.

1. I'm Still Here (John Rzeznik): 5 stars. I love this song!

2. Always Know Where You Are (BBMak): Um, ok, why did they put this song on the soundtrack again? 2 stars.

3. 12 Years Later: Kind of a quiet song, one I would listen to while writing. 4 stars.

4. To the Spaceport: Awesome! Kind of sounds like one of the songs from the movie "Dinosaur". (No surprise there, because James Newton Howard did the scores for both movies.) 4 stars

5. Rooftop: Wow. This song is beautiful, and it is most definately a song that I would listen to at night to lull me to sleep. 5 stars.

6. Billy Bones: Way to switch me from "lull me to sleep." to "creeping out!" 4 stars.

7. The Map: Yay for the Chronicles of Narnia people who put the first part of this song on their movie trailer! This song is DA BOMB! 5 stars.

8. Silver: Rock on all you Newfies out there! (A Newfie being slang for a Newfoundlander, or somebody that was born on Newfoundland.) This song goes out to you and smacks of the seas and the east coast. It totally fits Silver who must be either Newfie or part Newfie. (I'm sure he is, but don't bet on it.) 5 stars.

9. The Launch: Hmm. I'm not so keen on this song, but it's probably just me. 3 stars.

10.James Newton Howard really shines in one of his best musical pieces. Wow, I think this song sums up Silver and Jim's father/son pretty well. 5 stars.

11. Jim chases Morph: Meh on this song too. I love Morph though. He practically steals the movie. 3 stars.

12. Ben: Um, yeah. I don't really like this song too much. 2 stars.

13. Silver Bargains: And we are BACK TO AWESOMENESS! I love this song. It's rather bittersweet. 4 stars.

14. The Back Door: Ooh, this song has suspense weaved into it. Me likey! 4 stars.

15. The Portal: This song reminds me of in the movies when the main character tampers with something too deadly for them (like magic), and it ends up morphing them or attacking them. Sort of a "I messed up with something beyond my control, and now I'm paying for it." kind of tune. 4 stars.

16. Jim Saves the Crew: W00t! Mega freaky action music! And more of the same "Playing with fire" feelings that we got from The Portal. 5 stars.

17. Silver Leaves: Nice, soft, heart-touching music to finish up an excellent CD and movie. 4 stars.

I LOOOOOVE THIS MOVIE!!!!.......2007-03-15

I love this movie, first of all. some of my friends didn't like it, but oh well they have their opinions. this movie rocks!!!! i love the soundtrack. Especially "I'm still here." Now my little brother loves this movie, that makes 2. :-) i want this cd!!!

Great songs.......2006-08-04

I loved the movie even though no one else seamed to like this movie like I did. Well after a few years... (ok a little more then a few) I broke down and tryed to find the cd to one of my favorite movies. And now its on its was here and im very happy. For the reviews I read that have not seen the movie I highly recomend seeing it. I think having a none love story film was a good idea. This deals more with becoming an adult and taking resposibility then getting the girl. I like this film and I like the music. Buy it you wont regrat it!

Always Know Where You Are.......2006-07-11

All right, I'm not really under 13 (I'm 18), but it's so much easier doing this than signing up and yada yada. Anyway, I loved this movie so much. I was hooked on "I'm Still Here" for like a year. But, now I love "Always Know Where You Are". But, what irritated me so much was that I wanted to version that is on at the end of the movie that's sung by John Rzeznik, not BBMak. I just think they make the song way too pop-ish, where are John Rzeznik has the grunge sound of the Goo Goo Dolls. So, I looked around LimeWire for what felt like forever trying to find the right version. But, I finally did find it. So, my only disappointment was that it's the BBMak version and not John Rzeznik. I think his voice is simply beautiful and there's no reason why they couldn't put that version AND BBMak's on the soundtrack.

But, oh well. I guess that's what happens when this movie is considered Disney's worst movie ever. But I think they're wrong! This movie was wonderful for children, teens, and adults like. Sure, it didn't have the traditional love story like most other Disney movies, but I like how it veered away from that. Anyway, I'm getting off topic. I love the music to this movie and I was suprised to find it was James Horner that composed it. I just thought, "Isn't that the guy who did Titanic?" So, I was glad that he made his music sound different and not as intense as Titanic's was. In my opinion, Titanic's music was a bit violent, but hey. It wasn't a kid movie like Treasure Planet it. But, there you have it. A great movie and a great soundtrack!

Average customer rating: Breathtaking operatica "o" First few songs are good, the rest are??? This is the pits. . . the absolute pits Adding To My List Of Vices: A Continuation

O: Operatica, Vol. 1 Manufacturer: E-Magine Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Computer | Electronic | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Rock | Styles | Music Classical | Indie Music | Stores | Music Electronica | Dance & DJ | Indie Music | Stores | Music Dance & DJ | Imports | Stores | Music Classical | Imports | Stores | Music Similar Items: Operatica: Shine Myth of Red Trance Opera: The Complete Masterworks - Classic Meets Pop Etterna The Fifth Element: Original Motion Picture Soundtrack ASIN: B00004Z42O Release Date: 2000-10-03

Tracks:

1. Ave Maria
2. Vocalise
3. Melancholy Rose
4. L'Heure Exquise
5. O Del Mio Dolce Ardor
6. Charmed By A Rose
7. In The City
8. Get Off My Land
9. Dite Oime
10. Bachianas Brasileiras No.5
11. Maria's Dream (Instrumental)
12. Bonus Track

Customer Reviews:

Breathtaking.......2006-12-17

I bought this CD before it was even well-known, though I wonder how many people even know about it right now. This is truly a gem of a find. The fusion of electronica and opera is amazing and the vocals are haunting and beautiful. I have had several friends listen to this CD and all of them fall in love with it, just like I did when I first heard it. I have since bought Operatica: Shine and the more recent Operatica: Christmas Classics and I can truly say I am just as pleased with both follow-up albums. I listen to a variety of music and have a large collection, and this is one of my favourite CDs! Bravo to the creators, composers, vocalist(s) and artists that brought this compilation together.

operatica "o".......2005-09-19

I have this album and think it is unusually beautiful, innovative, a woman with a lovely voice.

Why is she not mentioned or given the credit she deserves, it would appear she is some kind of a secret!

Maureen O'Flynn is only mentioned in the booklet of credits in the jewel case itself, why?
Enter her name in the search in CDNOW and it comes up blank! Why?

First few songs are good, the rest are???.......2004-02-13

First few songs are good, but the rest of the album is no good!

This is the pits. . . the absolute pits.......2003-08-23

Maureen O'Flynn is a perfectly good singer, but whoever thought this "marriage" of opera and pop was a good idea is the same guy that thinks John Tesh is a great composer. People have simply stopped listening seriously to music, and it is a real shame. This recording is for the scrap heap. The accompaniment is cheesier than a big wedge of provolone. There isn't a single live musician in the studio with this young lady. The people who think this is good music are the same ones that aren't bothered by the prospect of a canned sound track in a Broadway show or the "pop stylings" of Charlotte Church. Go out and find some REAL MUSIC, people! It's there if you look. As the great American composer Charles Ives wrote: "Open your ears!"

Adding To My List Of Vices: A Continuation.......2003-05-05

When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.

With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.

For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.

Average customer rating: Mantovani Strass Waltzes Excellent Classic Another Gold Record for Mantovani! Beautiful Strings Everywhere!!

Strauss Waltzes Manufacturer: Decca ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Josef Strauss | Strauss, Josef | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Waltzes | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Waltzes | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Favorite Waltzes Strauss: The Best of Vienna Johann Strauss: Waltzes 25 Classical Dance Favorites Mantovani's Golden Hits ASIN: B0000041ZQ Release Date: 1992-07-21

Tracks:

1. Blue Danube
2. Voices Of Spring
3. Roses From The South
4. Emperior Waltz: Emperor Waltz
5. A Thousand And One Nights
6. 'The Gipsy Baron': Treasure Waltz
7. Village Swallows
8. Wine, Women And Song
9. Accelerations Waltz
10. Tales From The Vienna Woods
11. Morning Papers
12. 'Die Fledermaus': Du Und Du

Customer Reviews:

Mantovani.......2007-06-20

How can you go wrong with a mantovani cd

Strass Waltzes.......2007-01-15

The jewel case was cracked. Could not replace because it was a Christmas gift. Very disappointed that the packaging was bad.

Excellent Classic.......2005-09-08

The sound quality is out of this world!! you just want to get on the floor and dance!!

Another Gold Record for Mantovani!.......2003-02-02

This remarkable CD was first released on LP in 1953 and re-released in stereo sound in 1958. It was one of Maestro Mantovani's classic gold records, an enormous favorite then and now. These are the original London/Decca recordings so you will hear the brilliance of the authentic Mantovani sound. To some, it may be hard to imagine today, but this album of Strauss waltzes meticulously orchestrated by the late Mantovani stayed on Billboard's charts for about 60 weeks, reaching as high as #7. For those who cannot get enough of Mantovani LPs on CD, scoop this one up fast and enjoy Vienna through the creative lush sounds created by the world's greatest light orchestra leader.

Beautiful Strings Everywhere!!.......2000-12-12

This CD has strings galore. You'll never hear strings sound so beautiful as on this particular recording of Strauss waltzes. Mantovani and his orchestra have achieved something quite special and lovely. The waltzes have an added lightness to them. Instead of heavy sluggish playing by the strings, you hear a bouncy sheer beauty in the string section---truly the gem of this CD. These pieces were recorded in the late 50's but sound magnificent. The sound that London/Decca was able to create back then was astounding. Highlights (personal favorites) on this disc are of course the Blue Danube, Emporer Waltz, and Du und Du. On top of the great sound, playing, and conducting, you'll get this CD at a bargain basement price.

Average customer rating: takes me to nirvana Sounds of Light was better Inaccurate, but a good listen Very good if you like Indian mantras

Travelling the Sacred Sound Current: Divine Chants & Sacred Tones for Healing & Meditation Deborah Van Dyke Manufacturer: Sound Current ProductGroup: Music Binding: Audio CD General | New Age | Styles | Music Meditation | New Age | Styles | Music Healing | New Age | Styles | Music General | New Age | Indie Music | Stores | Music Similar Items: Travelling the Sacred Sound Current: Keys for Conscious Evolution SOUNDS OF LIGHT: The Pure Tones of Crystal Singing Bowls Seven Metals Singing Bowls of Tibet Chords of the Cosmos: Harmonies of the Zodiac with Crystal Bowls for Chakra Balancing, Meditation & The Healing Arts Chakra Healing Chants ASIN: B00005NVWC Release Date: 2001-08-08

Tracks:

1. Awakening
2. Gayatri Mantra
3. Kadosh
4. Om Nama Shivaya
5. Yod He Vav He
6. Om Mani Padme Hum
7. Journey
8. Sound Current
9. Ceremony of the Seven Rays

Amazon.com's Best of 2001

Following her remarkably beautiful and top-selling crystal-bowl meditation CDs, heralded by critics, customers, and even Dr. Wayne Dyer, sound healer and teacher Deborah Van Dyke presents Travelling the Sacred Sound Current, audio companion to her instructive and finely wrought book of the same name. Van Dyke's musical offering, used in conjunction with the book or as a standalone tool, moves beyond relaxation and entertainment value into the realm of spiritual and therapeutic practice and purpose. Based on sound scientific principle--Dr. Andrew Weil's Sound Body, Sound Mind is highly recommended to this end--Van Dyke uses frequencies and tones to promote maximal benefit to body, mind, and spirit. These nine pieces bring together ancient mantras and chants, crystal bowl tones, drums, and didgeridoo, as well as nature sounds and Peruvian whistles, to create the thread-work of a profoundly interactive listening experience. Travelling the Sacred Sound Current resonates with deep beauty, peace, and truth. Neither far afield in woo-woo content nor loftily academic, Van Dyke's work is a welcome invitation, likely to appeal to both the intensive meditation student and the casual or novice seeker. --Paige La Grone

Album Description

Newest release from CRYSTAL VOICES creator & sound healer DEBORAH VAN DYKE - this is the Companion CD to her new definitive Book on sound healing: "Travelling the Sacred Sound Current: Keys for Conscious Evolution" (available through Amazon.com books). Recorded live in her healing sanctuary, the essence of sacred ceremony is captured in this authentically beautiful CD. It offers an exquisite treasure of timeless healing mantras & chants, crystal bowl tones, drums, gongs, didjeridoo, nature sounds, and Peruvian whistling vessels, which provide a deep vibrational sound journey for inner attunement and healing. Includes a powerful shamanic drum experience as well as a twenty minute crystal bowl meditation. Sit back , relax, and be prepared to embark on an inner voyage of transformation with this sacred ceremonial music and Deborah's compelling and soulful vocals. You will be soothed and transported to a place of deep inner peace. This CD is truly a sound vision quest for awakening, purification, and opening gateways of consciousness. Music created with a sacred healing intention - an frequency-shifting, soul-enriching experience.

PLANETLIGHTWORKER Magazine, Oct/03, Editor's review: "Sometimes in life when I'm faced with the experience of otherworldly beauty I am simply awestruck, - to the point of being left speechless. This is one of those moments.

Deborah Van Dyke has created one of the most glorious New Age recordings I can remember. Crafted through the use of some very natural textures, its poetic rhythms are sensual and astonishingly pure. There is a complexity to the CD that is as unique as each human life. In just the first few breaths of listening I could feel the sweetest altering of my physical body taking place. A shift in posture, an expansion of my senses, and a fluttering of excitement in my heart's heart. The naturalness, the eloquent harmony and echo, all come together to offer such a tremendous gift to creation. For centering, grounding, gifting, doing healing work with others, Travelling the Sacred Sound Current intuitively knows the listener's need and exceeds that requirement with a universal gift of transformation".

*****UPDATE: Deborah's NEWEST CD RELEASE now available on Amazon.com: 'CHORDS OF THE COSMOS: Harmonies of the Zodiac with Crystal Bowls for Chakra Balancing, Meditation & the Healing Arts'.

Customer Reviews:

takes me to nirvana.......2007-01-29

Great for yoga and/or meditation. The only thing I'd change is the talking on the last track--I find it's distracting. Otherwise, I'd rate it five stars. My classes love it.

Sounds of Light was better.......2006-12-26

There's too much caterwauling in this one. Not for meditation, maybe as a quiet background for ambience, I dunno. It didn't quite inspire any transcendental experiences for me.

Inaccurate, but a good listen.......2005-11-08

I like this album, it is soothing and meditative. The music is compelling and the vocals are pleasant. Unfortunately, I can't give it a higher rating, because some of the Sanskrit words are incorrectly pronounced. I'm not trying to be picky, but you'd think that Deborah who's written a book on healing music would know how to pronounce the lyrics of her songs. With that in mind, the album is quite good.
namaste :)

Very good if you like Indian mantras.......2005-08-12

The album is very enjoyable to listen to. If you like a meditative type of music. Several songs are chants (or mantras) that have been put to music. I liked this one very much.

.......2005-01-31

I learned to pronounce Divine names I read in spiritual books,
but never heard chanted before, from this CD.
As a woman, following the voice of a women guide
was easier for me to echo, then male chants.
It is the perfect CD to play and chant along while ringing
my own crystal bowls and sets a relaxing, prayerful mood
before going to sleep, for me.

Average customer rating: Waltz CD review

Classical Evolution: Waltzes J. Strauss Jr Manufacturer: Delta ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music $5.99 and Under | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $5.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Classical Evolution: Famous Piano Works II Classical Evolution: Spanish Guitar Music Classical Evolution: Famous Piano Works I Classical Evolutions: Famous Overtures Classical Evolution: Rite of Spring ASIN: B000065AO6 Release Date: 2002-05-07

Tracks:

1. Roses From The South Op.388
2. The United Millions Op.443
3. Where The Lemon Trees Blossom Op.364
4. Artist's Life Op.316
5. Treasure Waltz (From The Gypsy Baron) Op.418

Tracks:

1. Emperor Waltz Op.437
2. Tritsch, Tratsch Polka Op.214
3. Wine, Woman And Song Op.333
4. Eljen A Magyar Op.332
5. Morning Papers Op.279
6. Persian March Op.289
7. On The Beautiful Blue Danube Op.314

Customer Reviews:

Waltz CD review.......2007-05-06

The CD was delivered on time and was exactly as advertised ... good.

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1. Tribute to Charlie Parker With Strings
2. Twisted
3. Very Truly Yours [Import]
4. Voice Trek Christmas Live
5. Warm & Tender
6. Water Sign
7. 12!
8. 1940-1941, Vol. 2
9. 1942-1945
10. 1945-1946

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