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1. So in Love
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2. Song Is You - Cannonball Adderley
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3. Somewhere
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4. Now I Have Everything
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5. Morning of the Carnival - Cannonball Adderley
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6. I Concentrate on You
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7. Stella by Starlight
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8. Autumn Leaves
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9. This Can't Be Love
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10. End of a Love Affair
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So in Love,Cannonball Adderley,EMI Special Markets,Hard Bop,Jazz,Leader,Pop,Soul-Jazz
Jazz
Music
jazz
music
Average customer rating:
- the most relaxing classical music in the university
- Relaxing Classical Music
- Stress-freedom
- Greatly enjoy!
- the most relaxing classical music in the universe
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The Most Relaxing Classical Music in the Universe
Tomaso Giovanni Albinoni , Johann Sebastian Bach , Ralph Vaughan Williams , George Frideric Handel , Gustav Holst , Samuel Barber , Edvard Grieg , Jean Sibelius , Antonin Dvorak , Franz Liszt , Charles Gounod , Fryderyk Chopin , Alexander Borodin , Maurice Ravel , Antonio Vivaldi , Satie, Erik , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Relaxing Classical Album In the World Ever, Volume II
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- More Of The Most Relaxing Classical Music In The Universe
- Mozart for Relaxation
ASIN: B00008RH16
Release Date: 2003-04-08 |
Tracks:
- Canon - Pachelbel
- Eine Kleine Nachtmusik-Andante - Mozart
- Fur Elise - Beethoven
- String Quartet #1 - Tchaikovsky
- Clair De Lune - Debussy
- Idyl for Strings - Adagio - Janacek
- Adagio in G Mnor - Albinoni
- The Girl with the Flaxen Hair - Debussy
- Air on a G String - Bach
- Greensleeves - Vaughn Williams
- Largo from Xerxes - Handel
- Prelude in C - Bach
- The Planets - Venus - Holst
- Goldberg Variations - Aria - Bach
- Adagio for Strings - Barber
Tracks:
- Prelude to the Afternoon of a Faun - Debussy
- Fur Elise - Beethoven
- Holberg Suite - Sarabande - Grieg
- Valse Triste - Sibelius
- Concerto in F Minor - Largo - Bach
- Serenade for String - Moderato - Dvorak
- Liebestraume - Liszt
- Ave Maria - Bach/Bounod
- Etude in E Major - Chopin
- String Quartet No 2 - Nocturne - Borodin
- Arabesque - Debussy
- Pavane for Dead Princess - Ravel
- The Four Seasons - Largo - Vivaldi
- Gymno0pedie 1 - Satie
- Moonlight Sonata - Adagio - Beethoven
- Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"
Customer Reviews:
the most relaxing classical music in the university.......2007-05-12
All my favorites. I can start the CD player, which is wired to speakers in every room of my house, and just let it play, along with "The Most Relaxing Classical Music in the World" and "The Most Relaxing Classical Guitar in the World." I enjoy an awareness of familiar and beautiful strains of my favorites all day long and never get tired of it.
My brother visited me recently and noticed it right away. That will be another order for this fabulour music.
Relaxing Classical Music.......2007-01-08
I was not really a classical music fan but I am now. I purchased this cd for my 14 year old grand-daughter, not knowing we would both enjoy the music so much. She has always enjoyed classical music along with all of the other teen music, rap, rock, country, etc.
Also, it really helped being able to listen to parts of the music before purchasing.
Stress-freedom.......2006-03-14
Perfect music to end the work day. After listening to this I can face the evening. If the morning is hard, a little at lunch time gets me through the afternoon.
Greatly enjoy!.......2006-02-23
I first developed a taste for this music a number of years ago when my daughter started playing in the orchestra. The reason I made this purchase however, was because I have a great deal of difficulty with anxiety and I was looking for ways to find help. I love these CDs. It helps so much to sit and close my eyes and enjoy the music. The CDs are full of beautiful music.
the most relaxing classical music in the universe.......2005-09-21
it's the best next to the first one...
Average customer rating:
- something to have
- Excellent Music
- buy now
- Lovely
- Aesthetically Pleasing
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The Most Relaxing Piano Album in the World...Ever!
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Album In the World Ever, Volume II
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- The World's Favorite Piano Music
ASIN: B000059Q4Q
Release Date: 2001-03-27 |
Tracks:
- II: Andante - Stephen Hough
- I: Adagio Sostenuto - Dame Moura Lympany
- Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
- Nocturne No. 2 In E Flat - John Ogdon
- Clair De Lune - Dame Moura Lympany
- II: Adagio - Cecile Ousset
- Tango - Dame Moura Lympany
- Liebestraum No. 3 In A Flat - John Ogdon
- Waltz No. 9 In A Flat - Dmitri Alexeev
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- Traumerei - Dame Moura Lympany
- La Maja Y El Ruisenor - Magda Tagliaferro
- Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
- Gymnopedie No. 1 - Aldo Ciccolini
- Fur Elise - Dame Moura Lympany
- Etude In E 'Tristesse' - John Ogdon
- Fruhlingslied - Daniel Adni
- II: Andante - Dmitri Alexeev
Tracks:
- II: Adagio Cantabile - Walter Gieseking
- II: Romanze - Annie Fischer
- Aria - Maria Tipo
- II: Romance (Larghetto) - Garrick Ohlsson
- Granada - Gonzalo Soriano
- Waltz No. 15 In A Flat - Maura Lympany
- II: Largo - Andrei Gavrilov
- An Den Fruhling - Daniel Adni
- Nocturne No. 10 In A Flat - Daniel Adni
- II: Adagio Un Poco Mosso - Walter Gieseking
- La Fille Aux Cheveux De Lin - Dame Moura Lympany
- Cancons I Dansas No. 1 - Gonzalo Soriano
- II: Adagio Sostenuto (Opening) - Cecile Ousset
- Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
- Gnossienne No. 1 - Aldo Ciccolini
- Berceuse - Jean-Philippe Collard
- Minuet In G - Dame Moura Lympany
- Berceuse In D Flat - Peter Donohoe
Customer Reviews:
something to have.......2007-03-14
These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.
Excellent Music.......2007-02-19
This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!
buy now.......2006-09-01
Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.
Lovely.......2006-02-22
This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.
Aesthetically Pleasing.......2005-09-14
I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
Average customer rating:
- Axe Rufus Wainwright, and it would be 5 stars
- Yes, it's one of the best albums I own
- Brokeback Mountain
- A matter of taste...
- Perfect, just like the movie...
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Brokeback Mountain
Gustavo Santaolalla , and Various Artists
Manufacturer: Verve Forecast
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000BEZQ18
Release Date: 2005-11-01 |
Tracks:
- Opening - Gustavo Santaolalla
- He Was A Friend Of Mine - Willie Nelson
- Brokeback Mountain 1 - Gustavo Santaolalla
- A Love That Will Never Grow Old - Emmylou Harris
- King Of The Road - Rufus Wainwright
- Snow - Gustavo Santaolalla
- The Devil's Right Hand - Steve Earle
- No One's Gonna Love You Like Me - Mary McBride
- Brokeback Mountain 2 - Gustavo Santaolalla
- I Don't Want To Say Goodbye - Teddy Thompson
- I Will Never Let You Go - Jackie Greene
- Riding Horses - Gustavo Santaolalla
- An Angel Went Up In Flames - The Gas Band
- Its So Easy - Linda Ronstadt
- Brokeback Mountain 3 - Gustavo Santaolalla
- The Maker Makes - Rufus Wainwright
- The Wings - Gustavo Santaolalla
Amazon.com
Argentina-born, California-based Gustavo Santaolalla helped shape the rock en Español movement by producing Mexican bands Molotov and Café Tacuba , and Colombian singer Juanes. In the late 1990s he made a switch to soundtracks, working on well-received albums for Amores Perros and The Motorcycle Diaries. His instrumental contributions to Ang Lee's tale of two cowboys in love are acoustic guitar-based and, let's face it, a bit on the sonic-wallpaper side.
The vocal tracks, on the other hand, are uniformly lovely, even if the selection of interpreters falls on the predictable side. Linda Ronstadt, Steve Earle, Willie Nelson, and Mary McBride on the soundtrack to a contemporary Western? What a shock! Still, they're all wonderful and Santaolalla wrote at least a couple of classic-sounding country ballads ("A Love That Will Never Grow Old," sung by Emmylou Harris, and "No One's Gonna Love You Like Me," sung by Mary McBride). And don't miss Teddy Thompson and Rufus Wainwright's sweet cover of Roger Miller's 1964 "King of the Road." --Elisabeth Vincentelli
Customer Reviews:
Axe Rufus Wainwright, and it would be 5 stars.......2007-06-13
This album is a mixture of the instrumental theme, which is incredibly beautiful and haunting, and some very solid country songs. I was surprised by how good the other songs were (you still have to like country music, though). There are only two songs that I don't like at all, and those are the two by Rufus Wainwright - one a cover of "King of the Road" (originally by Roger Miller). They are great demonstrations of him at his most nasal and whiny. It sounds like he is a French guy holding his nose and singing too slow. It's too bad, because they are good songs otherwise. I guess if you like him, you're golden; but I can't stand these versions. Fortunately, the rest of the disc is really good.
Yes, it's one of the best albums I own.......2007-06-03
I listened to it over and over and over last year. Such quality all 'round.
Brokeback Mountain.......2007-05-13
The product is what I expected. It arrived on time and in the condition advertised.
A matter of taste..........2007-05-08
I didn't really pay a lot of attention to the music in the film, except for in the most intense of scenes. Perhaps this is why I was so, completely, disappointed with this soundtrack. I felt that if it did even half of what the film did for me it would be a worthy buy. My friends, this soundtrack is shat. It's mostly country and folk, which I am plainly not into. If you like these things then check this out - if not, turn away.
Perfect, just like the movie..........2007-04-21
It is so wonderful, relaxing..if you`re thinking in buying...Just do it!
Average customer rating:
- Ring introduction critique
- FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
- Welcome back to a classic analysis
- Essential for Understanding Wagner's Ring Cycle
- Very Functional
|
An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Chamber Music
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Similar Items:
- Wagner's Ring: Turning the Sky Round
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- Ring of the Nibelung
ASIN: B00000424H
Release Date: 2005-09-13 |
Tracks:
- Of All Great Musical Compositions... (Examples 1-4)
- The Fundamental Symbol... (Examples 5-11)
- Returning Now To The Nature Motive... (Examples 6, 12-16)
- A Number Of Further Motives... (Examples 5, 17-21)
- A Second, Much Smaller Family... (Examples 22-25)
- So Much For Nature. (Examples 26-38)
- The Cause Of The Deterioration... (Examples 39-44)
- The Other Transformation... (Examples 45-48)
- Several Other Motives... (Examples 49-52)
- Two Further Motives... (Examples 41, 53-61)
- The Basic Motive Associated With The Spear... (Examples 62-68)
- Along Another, More Complex Line... (Examples 69-72)
- In Act Two Of Walkure... (Examples 69, 73-75)
- Returning Now To Act Two Of Walkure... (Examples 76-79)
- Love Is Another Of The Central Symbols... (Examples 80-83)
- Later In The Same Scene... (Examples 84-87)
- Freia's Motive Has Two Independent Segments... (Examples 88-91)
- The Label 'Flight'... (Example 92)
- When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
- A Little Later In The Interlude... (Examples 99-103)
Tracks:
- The Other New Motive... (Examples 104-109)
- There Are Several Independent Love-Motives... (Examples 110-114)
- The Characters In Whose Lives... (Examples 115-120)
- One Further Motive Belongs... (Example 121)
- The Sword Motive Recurs... (Examples 122-130)
- Ironically, This Phrase... (Examples 131-135)
- Closely Associated With Gutrune's Motive... (Examples 136-140)
- Here We Come To The End... (Examples 141-146)
- Complemtary To This Symbol... (Examples 147-149)
- One Last Central Symbol... (Examples 150-157)
- One Further Motive Connected... (Examples 158-161)
- There Are One Or Two Motives... (Examples 162-168)
- These Motives Of Alberich And Mime... (Examples 169-171)
- Quite A Number Of The Subsidiary Motives... (Examples 172-176)
- Besides This Family Of Motives... (Examples 177-180)
- Our Final Example... (Examples 10, 181, 182)
- In The Final Scene Of Gotterdammerung... (Examples 181-183)
- Even More Masterly... (Examples 184-188)
- Now If We Return... (Examples 189-191)
- This Masterly Way... (Examples 192, 193)
Amazon.com
When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix
Customer Reviews:
Ring introduction critique.......2006-11-04
This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16
This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.
On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.
This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
Welcome back to a classic analysis.......2006-05-28
Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.
If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.
Essential for Understanding Wagner's Ring Cycle.......2006-05-15
I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.
Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.
Very Functional.......2006-03-19
This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
Average customer rating:
- Waste of money
- Great Music Compilation
- If you like classical music don't buy this CD.
- A must for anyone wanting the staples of classical music
- A great compilation
|
Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD
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- The Most Relaxing Classical Music in the Universe
ASIN: B00004GOZA
Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde
Customer Reviews:
Waste of money.......2006-01-12
Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.
Ken
Great Music Compilation.......2005-08-15
This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.
If you like classical music don't buy this CD........2005-03-11
Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.
A must for anyone wanting the staples of classical music.......2005-02-23
In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.
Average customer rating:
|
The Most Soothing Lullabies In The Universe
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0001NBNE8
Release Date: 2004-04-06 |
Tracks:
- CHOPIN: Piano Concerto No. 1, Larghetto
- DEBUSSY: Clair de Lune
- MANFREDINI: Concerto grosso in C, I. Largo (Pastorale)
- MOZART: Eine Kleine Nachtmusik, Andante
- BEETHOVEN: Moonlight Sonata, Adagio
- BACH: Goldberg
- SIBELIUS: Swan of Tuonela
- LISZT: Liebestraume
- SCHUMANN: Dreaming
- MASSENET: Meditation from "Thais"
- VAUGHAN WILLIAMS: Greensleeves
Tracks:
- HANDEL-WEINER: Sicilienne
- A. CORELLI: Concerto grosso in G, Pastorale
- VERDI: "When the evening becomes peaceful"
- CHOPIN: Three Preludes
- MOZART: Clarinet Concerto in A, II. Adagio
- BRAHMS: Piano Sonata No. 3, II. Andante espressivo
- TCHAIKOVSKY: Swan Lake (excerpt)
- MENDELSSOHN: Three Songs Without Words
- MAHLER: Symphony No. 3, IV. Sehr Langsam
Average customer rating:
- Yankee Doodle Dandy Review
- Yankee Doodle Dandy
- Amazing! Wonderful! Just buy it - you won't be sorry!
- What a find!!
- A Soundtrack Every American Should Own
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Yankee Doodle Dandy
Various Artists
Manufacturer: Rhino / Wea
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ASIN: B000066RM7
Release Date: 2002-06-18 |
Tracks:
- Main Title: Warner Bros. Signature/Yankee Doodle/Yankee Doodle Boy/Mary's A Grand Old Name/Off The Record - Warner Bros. Orchestra
- Early Years Sequence: Columbia The Gem Of The Ocean/The Dancing Master/While Strolling Through The Park One Day/At A Georgia Camp Meeting - Walter Huston
- I Was Born In Virginia - Walter Huston
- The Warmest Baby In The Bunch - Sally Sweetland
- Harrigan - Sally Sweetland
- Yankee Doodle Boy - James Cagney
- Little Johnny Jones Sequence: The Yankee Doodle Boy/Good Luck Johnny/Little Johnny Jones Special/Finale Special/All Aboard For Old Broadway/Rocket/Give My Regards To Broadway - James Cagney
- Medley: Oh, You Wonderful Girl/Blue Skies, Gray Skies/The Belle Of The Barber's Ball - Walter Huston
- Mary's A Grand Old Name - Sally Sweetland
- Forty-Five Minutes From Broadway - James Cagney
- Fay Templeton Medley: Mary's A Grand Old Name/Forty-Five Minutes From Broadway/So Long, Mary - Irene Manning
- You're A Grand Old Flag - Walter Huston
- Over There - Frances Langford
- Medley: In A Kingdom Of Our Own/Love Nest/Nellie Kelly, I Love You/The Man Who Owns Broadway/Molly Malone/Billie - Frances Langford
- Off The Record - James Cagney
- Finale And End Cast: Over There/Yankee Doodle Boy - James Cagney
- You Remind Me Of My Mother (Outtake) - James Cagney
- Medley: Oh, You Wonderful Girl/Blue Skies, Gray Skies/The Belle Of The Barber's Ball (Piano Only Version) - Walter Huston
- Give My Regards To Broadway (Rehearsal) - James Cagney
- You're A Grand Old Flag (Rehearsal) - James Cagney
Amazon.com
When one thinks of musicals from Hollywood's golden age, the initials MGM come almost instantly to mind. Indeed when veteran song-and-dance man George M. Cohan was negotiating a film based on his colorful life story, his first choice was Metro--until a falling out with studio chief Louis B. Mayer. But L.B.'s loss eventually became Warner Brothers'--and film history's--gain when the Burbank studio's Cohan musical became a massive, patriotic hit in the opening months of World War II. As chronicled in this vibrantly restored, first-ever complete soundtrack for the film, it was a compelling twist of fate. James Cagney turns in one of the screen's most ostensibly unlikely--and ultimately indelible--musical performances (netting him his only Best Actor Oscar
®), teaming with studio music director Roy Heindorf to update Cohan's once-quaint turn-of the-century patriotic ditties ("You're a Grand Old Flag," "Over There," "Yankee Doodle Boy") and infectious vaudevillian chestnuts ("Give My Regards to Broadway," "Harrigan") with bracing dollops of the studio's '40s orchestral sass--and, just months after Pearl Harbor, some crucial historical parallels. Also included are four bonus tracks that remarkably survived the film's preproduction, including an outtake of "You Remind Me of My Mother" and voice-and-piano-only rehearsal versions of "Give My Regards to Broadway" and "You're a Grand Old Flag" that further underscore Cagney's deceptively effortless ability to sell a song despite his limited musical gifts. It's a long overdue showcase for a true American film musical gem. --Jerry McCulley
Customer Reviews:
Yankee Doodle Dandy Review.......2006-11-03
It's an old movie with an old soundtrack, but I loved the movie, I love the music, and I'm very happy with my purchase.
Yankee Doodle Dandy.......2006-06-30
Excellent in black and white and color. James Cagney also got a medal from a President. (President Reagan!} If you like entertainment...this is it!
Amazing! Wonderful! Just buy it - you won't be sorry!.......2005-03-05
I am so very glad I bought this CD. I own the DVD of "Yankee Doodle Dandy" and watch it all the time, so I almost didn't buy this, wondering if I really needed yet another CD.
Well, thank God I didn't pay any attention to that dumb idea!
If you love "Yankee Doodle Dandy" and Cagney, you just have to buy this soundtrack. It's like being able to take the movie with you anywhere ... it's not just the songs - as others have said - but also includes bits of Cagney's voice-overs, even the tap-dancing from the end of "Little Johnny Jones." And since the audio system in my car is better than my TV's, it all seemed even bigger, richer and better. (George M. would love that!)
Wonderful, wonderful stuff!
What a find!!.......2003-06-15
I haven't been able to see this movie on TV since Turner bought it (don't get TCM), but if you've seen the movie several tims, as I have, listening to this CD is very nearly as good as watching it all the way through. (I'm so delighted with it that I'm even willing to forgive TCM for putting a paper ad inside with the disc.)
Monumental effort must have gone into this soundtrack, given the age of the original recordings. The tracks here are crisp, clear, and bright, with no evidence of how long ago they were first put down. The editors were also generous in their inclusion of dialogue that ties some of the tracks together (for example, we hear the man tell Johny Jones to watch for the skyrocket, then we hear the skyrocket as it leads into "Give My Regards to Broadway"). There are a couple of places where the endings are slightly abrupt but this is because, in the movie, the music fades into extended dialogue.
The only bit of dialogue I expected to hear in a song, but didn't, is in "Over There" near the very end of the film, when Cagney/Cohan has fallen in step with the soldiers going off to WWII, as they're singing "Over There", when the soldier nearest him says something like, "What's wrong, old timer, don't know the words?" and Cagney says, "Seems to me I do" and starts singing along. That's minor and pales next to how wonderful the rest of this soundtrack is.
One of the biggest treats on this CD is that we get to hear some of Cagney's tapping, notably in "Give My Regards to Broadway", "You're a Grand Old Flag", and - one of my favorite moments in movie history - when he dances down the White House stairs to "Yankee Doodle" near the end).
The outtake is not a humorous one, simply a track they decided not to use. It and the rehearsal tracks are all just the performers voices with piano accompaniment. I especially enjoyed hearing Cagney rehearsing "You're a Grand Old Flag".
If you like Cagney, if you like Cohan's music, if you like movies "the way they used to make them", or if you're not ashamed to get a little choked up with patriotism once in a while, you will not be disappointed in this CD!
A Soundtrack Every American Should Own.......2002-09-23
Finally! If you own that Hollywood Soundstage abomination of the "Yankee Doodle Dandy" soundtrack you can finally pitch it. Here is the real article. Rhino (Turner Classic Movies Music) lovingly restored the music from the beloved "Yankee Doodle Dandy" motion picture starring James Cagney. This soundtrack sounds astonishing considering it's 60 years old. It's very obvious some loving care was taken in it's production for which we all should be greatful. The liner notes also are great with informative text and wonderful photos from the movie. The marvelous George M. Cohan songs gives one goosebumps and bring tears to the eyes. We all need this type of patriotic pep rally, especially in these tough times. As I've said, this soundtrack belongs in every American's home just as much as that "Grand Old Flag"! I believe there are plans to release the movie on DVD, hopefully soon.
Average customer rating:
- The best and maybe the last CD of this great musical.
- Beautiful remastering of historic original cast recording
- the peerless original cast
- Who Put The Shake In Shakespeare?
- TIMELESS BROADWAY SHOW
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Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison
Manufacturer: Sony
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ASIN: B000007OHT
Release Date: 1998-06-02 |
Tracks:
- Act I: Overture
- Act I: Another Op'nin', Another Show
- Act I: Why Can't You Behave?
- Act I: Wunderbar
- Act I: So In Love
- Act I: We Open In Venice
- Act I: Tom, Dick Or Harry
- Act I: I've Come To Wive It Wealthily In Padua
- Act I: I Hate Men
- Act I: Were Thine That Special Face
- Act II: Too Darn Hot
- Act II: Where Is The Life That Late I Led?
- Act II: Always True To You (In My Fashion)
- Act II: Bianca
- Act II: So In Love (Reprise)
- Act II: Brush Up Your Shakespeare
- Act II: I Am Ashamed That Women Are So Simple
- Act II: Finale: Kiss Me, Kate
- Kiss Me, Kate Overture
Amazon.com
Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli
Customer Reviews:
The best and maybe the last CD of this great musical........2006-02-20
Now is the perfect time to buy the CD of this.
Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.
The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.
(See also the original broadway CD of Out of This World.)
Beautiful remastering of historic original cast recording.......2004-05-24
Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.
The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.
The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.
The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.
KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.
the peerless original cast.......2004-03-04
KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".
Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.
KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.
A must-own.
Who Put The Shake In Shakespeare?.......2001-04-11
Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!
The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!
The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.
Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!
The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!
There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.
Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!
TIMELESS BROADWAY SHOW.......2001-01-11
COLE PORTER'S most famous musical play hasn't lost none of it's power over the years;it's one of those few shows in which all the elements clicks:cast,songs,libretto, to make a great entertainment product.Without getting to cynical,KISS ME KATE has enough good songs to fill 3 BROADWAY shows of today ,and i am not kidding,it's a fact.While the revival is also of interest,it's always a delight to hear the original with PATRICIA MORRISSON and ALFRED DRAKE, both terrific in their parts.I can assure you that you'll play this record more than twice.It's not only WUNDERBAR ,it's WONDERFUL!You can't actually single out one number because they are all good.All right, if we have to choose one, it's SO IN LOVE.
Average customer rating:
- Delightful
- A Master Class in Singing
- Bryn is swell, but the bombast is annoying
- Surprisingly Fine Crossover from Fleming and Terfel
- BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!
|
Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley
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ASIN: B000088E7D
Release Date: 2003-02-11 |
Tracks:
- "Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
- "Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
- "I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
- "All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
- "I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
- "Stars" (from Les Misirables by Boublil & Schvnberg)
- "All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
- "Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
- "Pretty Women" (from Sweeney Todd by Stephen Sondheim)
- "Aimer" (from Romio et Juliette by Presgurvic)
- "All the Wasted Time" (from Parade by J. Brown)
- "Seventy-Six Trombones" (from The Music Man by Willson)
- "How Could I Ever Know" (from The Secret Garden by Simon and Norman)
- "So In Love" (from Kiss Me Kate by Cole Porter)
- "Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)
Amazon.com
In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler
Customer Reviews:
Delightful .......2006-07-24
I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)
A Master Class in Singing.......2006-06-20
This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!
Bryn is swell, but the bombast is annoying.......2006-05-03
Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.
It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.
I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.
The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.
Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18
Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.
BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11
So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is wha