| 1. Blues |
| 2. Tales (Intro) |
| 3. Tales |
| 4. Eric |
| 5. True Geminis |
| 6. Rush Over |
| 7. Running Through My Dreams (Interlude) |
| 8. Ethiopia |
| 9. Strange Fruit (Intro) |
| 10. Strange Fruit |
| 11. Visions |
| 12. Tales (Reprise) |
| 13. Forevermore (Intro) |
| 14. Forevermore |
| 15. Infatuation |
| 16. Come Together |
Editorial Reviews
Marcus Miller has served as bassist, arranger, and producer for everyone from Luther Vandross to Miles Davis, and on his fourth solo album, Tales, Miller tries to reconnect the fractured fragments of African American music. He uses samples of recorded interviews with his older musical heroes to set up his own instrumental interpretations of that musical history. For example, spoken-word samples from Davis, Charlie Parker, and Billie Holiday lead into "The Blues," a midtempo blues groove that features both live drums and programmed drums, both jazzy horn lines from saxophonist Kenny Garrett and Larry Graham-like funk lines from Miller himself. The result is not jazz but R&B instrumentals with the sort of smarts and drama this genre rarely delivers anymore. Unlike so many fusion albums that settle for show off virtuosity over predictable grooves, Miller's Tales boasts thought-out compositions that bring together disparate elements in unexpected and rewarding ways. The title track, for example, which opens with a brief monologue by rapper Q-Tip, builds its catchy theme from a sample of the Pointer Sisters' "Yes, We Can Can," features Miller's inventive electric bass lines as the lead melody and then turns the song over to Michael Stewart's expert imitation of Davis' muted trumpet phrases. --Geoffrey Himes
Product Description
Secound Solo Album Recorded by Marcus for Francis Dreyfus Music. Excellent as Usual.this Title is for Export Only.
Tales,Marcus Miller,Pra Records,Contemporary Jazz,Crossover Jazz,Fusion,Jazz,Jazz Music,Jazz-Funk,Pop
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Tales from Topographic Oceans
Yes Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007LTIA Release Date: 2003-08-26 |
Tracks:
- The Revealing Science Of God Dance Of The Dawn
- The Remembering High The Memory
- The Ancient Giants Under The Sun
Tracks:
- Ritual Nous Sommes Du Soleil
- Dance Of The Dawn (Studio Run-Through)
- Giants Under The Sun (Studio Run-Through)
Album Description
Full title - Tales From The Topographic Oceans. 2003 remastered, reissue of 1973 album with redesigned booklet (digipak/slipcase), restored LP art, archival photos and new liner notes. Includes 2 bonus tracks 'Dance Of The Dawn' (studio run through) & 'Giants Under The Sun' (studio run through). Elektra.Customer Reviews:
stunning.......2007-06-28
Back to the 'Topographic Oceans'.......2007-06-15
Then a neighbor who was also a fan bought a copy of "Tales From Topographic Oceans" and very graciously loaned it to me...and it became my favorite Yes album at once. It still is. If the Who's "Tommy" was the first rock opera, I would venture to call "Topographic Oceans" the first rock -symphony-. Its four movements roughly follow symphonic form, although a bit slower than a classical symphony; the notable exception is "The Ancient," which is -definitely- a scherzo, especially at the first! One can even detect recurring themes, introduced in "The Revealing Science of God" and later developed in other movements.
As always, Jon Anderson's lyrics are quite surrealistic, but like the poetry of Gerard Manley Hopkins or e. e. cummings, they are easier to understand if they are read as clusters or word pictures. And the music that surrounds and interweaves the lyrics is so unbelievably complex that even now I can listen to this album and hear something new; that's a rarity for any piece of music at any time, and if I were to give one reason for buying this album, that would be it.
Caveat auditor(let the listener beware), however: if you aren't at least somewhat familiar with classical music, you might find this album tough going at first. But if you give it a chance, I think you will find your perseverance rewarded.
Must have item for Yesfans.......2007-05-23
great album.......2007-05-19
Great music performed honestly...and I do think very well........2007-04-25
First, if you never bought into the basic concept and scope of the album, you probably never had the patience to sit through this very demanding (and some say excessive) music long enough to experience its true beauty, and surely nothing I say here will convince you to try it again. Yet I'm still astounded that some self-proclaimed prog heads never realized that this was probably THE MOST progressive album of its time (keep in mind, this was 1973!) - for just how long did you expect this talented quintet to remain content to simply rehash their established (though successful) musical style on new studio releases?
Second, you have to understand that Yes got their positive vibe and harmonies from 60's flower power, hippie, folk-rock (listen to their debut album, a mere four years earlier) - but they electrified it, and played it in an angular fashion using odd time signatures, following the influence of 20th century classical music on their compositional style. That influence manifested itself in the way they wrote longer suites of music (numbered almost as if they were short concertos or symphonies). Think "Starship Trooper", "And You And I", and of course "Close To The Edge". Was it really that much of a stretch for us to see them attempt to expand this form to the max on the very symphonic "Tales"?
This is a magical, beautiful, sophisticated album performed as only the virtuosos of Yes could play. O.K., there are admittedly moments of excess (e.g. parts of "The Ancient"); and the fact that each "song" or movement occupies a full vinyl album side smacks somewhat of artificial structuring. But there is just so much excellent songwriting here too, and I challenge any veteran listener of this album to deny remembering some great lyrics or melodic hooks. (I can probably hum the whole album for you from start to finish, including the great solos!) And one certainly can't refute the mysticism and abstract optimism of the lyrics, which typically include a lot of word-painting and poetry as well. The lyrics are augmented by some of the best three-part vocal harmonies the band has ever done. (Listen to "Ritual".)
Excellent debut for Alan White on drums (which really sound great on this remastered version). Incredible guitar layering and solos by my favorite guitarist. ("Go get 'em, Steven!") Lots of piano and lush synth and mellotron washes from Wakeman add a dreamy coloring to much of the music. Squire's bass may be toned down a bit in the mix, but he's endlessly inventive on this album, and his solos comprise some of the album highlights for me personally.
When all is said and done, it doesn't really matter if you feel as I do about this album - it was undeniably controversial, even within the band! So it's no surprise that this album just won't succeed with some listeners (though I do object to those reviewers who join in on the lynching simply because it feels good to find fault with these seemingly "arrogant and pretentious" innovators of music). Even I am not above admitting that there were some subsequent Yes albums that really missed the mark for me too. (Open Your Eyes indeed!)
This was an ambitious undertaking by Anderson and Howe, and perhaps too spiritual, deep and cerebral for the halfhearted prog fan. (There is no humor to be found here.) But for the ardent fan of thoughtful, serious, meaningful, uplifting and emotional progressive rock played with unparalleled virtuosity, TFTO was a virtual masterpiece in its genre, and the uniquely inspirational magnum opus from a truly progressive band that was in its prime and seeking perfection.
I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 9/10; Performance = 9.5/10; Production = 9.5/10; CD length = 10/10.
Overall score weighted on my proprietary scale = 9.3 ("5 stars")
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Babylon 5: The Lost Tales
Original Score Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ROAKTU Release Date: 2007-07-24 |
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Sibling Revelry: The Best of the Smothers Brothers
The Smothers Brothers Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000063EI Release Date: 1998-03-03 |
Tracks:
- Pretoria
- Tom Dooley
- Chocolate
- Laredo
- Daniel Boone
- The Saga Of John Henry
- Gnus
- Crabs Walk Sideways
- Jenny Brown
- The Military Lovers
- Mediocre Fred
- Mom Always Liked You Best
- You Can Call Me Stupid
- I Talk To The Trees
- Hangman
- Cabbage
- Michael, Row The Boat Ashore
- You Didn't Come In
Amazon.com
Tom and Dick Smothers hit show-biz pay dirt by exploring the lighter side of brotherly competition in their musical comedy act. Combining substantial folk-singing skills with barbed comic repartee, the Smothers Brothers endeared themselves to "hip" crowds and mainstream audiences alike. That feat was a considerable accomplishment in the '60s, when the recordings that comprise this generous sampler were made. The tracks include such memorable numbers as "Pretoria," "Tom Dooley," "The Saga of John Henry," "Cabbage," "I Talk to the Trees," and, of course, "Mom Always Liked You Best." --Scott SchinderCustomer Reviews:
Good Old Fashioned Humor.......2007-04-10
Take it!.......2007-03-05
Not counting their PLAY IT STRAIGHT album, the Smothers have a catalog of almost 100 tracks. Only one-fifth of their recordings are here, and since this "best of" collection was issued in 1998, the chances are probably slim that a Volume Two or box set will appear anytime soon. That's a real shame, too.
Remastering on this RHINO product is excellent. The CD includes a foldout style booklet with an interesting three-page bio.
TOTAL RUNNING TIME -- 76:26
Passes the test of time.......2007-02-22
Sibling Revelry.......2007-01-25
As funny now as then.......2007-01-01
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Ten Summoner's Tales
Sting Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005IL1 Release Date: 1993-03-09 |
Tracks:
- If I Ever Lose My Faith In You
- Love Is Stronger Than Justice (The Munificent Seven)
- Fields Of Gold
- Heavy Cloud No Rain
- She's Too Good For Me
- Seven Days
- Saint Augustine In Hell
- It's Probably Me
- Shape Of My Heart
- Something The Boy Said
- Epilogue (Nothing 'Bout Me)
Amazon.com
The former jazzman-turned-punk is now more middle-of-the-road than a yellow stripe. But Ten Summoner's Tales is by far the most engaging of his solo records. The singles "If I Ever Lose My Faith in You" and "Fields of Gold" prove the man can lighten up long enough to go deep. "She's Too Good For Me" would have been a good Police single if it weren't for the pseudo-classical midsection that takes its joke far too seriously. Still, you wish he would loosen up and enjoy the rock once in a while. --Robert WilonskyAlbum Description
This DTS release of Sting's triple platinum Ten Summoner's Tales superbly remixed into 5.1 Digital Surround to enrich its already passionate and densely refined delivery. Enjoy 'If I Ever Lose My Faith In You' and 'Fields Of Gold' and other hits for this masterpiece as never before. Packaged in a DTS jewel box.Album Details
Europena Version featuring a Bonus Track: Everybody Laughed but YouCustomer Reviews:
Hold on for some great ones.......2007-05-29
It includes the super hit Fields of Gold which is a timeless beautiful song, and the uplifting If I ever loose my faith in you- which is quite fun to listen to. It also includes the slow dramatic shape of my heart.
Shape of my heart's music has since been borrowed by both Monica and Craig David.
The CD has a lot of flow, and versatillity and prooves why even though we can't have the Police anymore, why we're glad Sting is a solo act. He can carry the show on his own as he prooves his with his deep mellow voice, and interesting ground breaking sounds.
my youth's myth.......2007-05-13
MMMM Sting.......2007-01-10
It is always different in style, but I always get the best out of them.
He is truely an ICON.
...a rare perfect album..........2006-10-24
all that needs to be said is...this is one of those rare perfect albums that, every once in a harvest, comes together as one from beginning to end...
my only regret...'fields of gold' should never have been a hit single...don't get me wrong...it's a great song...but, it's just a part of the entire piece, that shouldn't be disected for the masses...
it's intelligent, it's brilliant, it's...well, it's just the way it 'all' is...
Sting - TEN SUMMONER'S TALES (1993).......2006-07-24
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Thirteen Tales of Love and Revenge
The Pierces Manufacturer: Lizard King Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MV8CUC Release Date: 2007-03-20 |
Tracks:
- Secret
- Boring
- Sticks and Stones
- Lights On
- Lies
- Turn on Billie
- Ruin
- Three Wishes
- Power of...
- Kill! Kill! Kill!
- It Was You
- Boy in a Rock and Roll Band
- Go to Heaven
Amazon.com
Allison and Catherine Pierce are from Alabama, they're sisters, they're rather attractive, one of them is supposedly (as of this writing) dating someone from the Strokes, and as kids they were both "accomplished" ballerinas. Together they make some pretty fine, artsy pop with provocative lyrics vaguely in the vein of Regina Spektor. Thirteen Tales is the first album the duo has made with their own say-so; their earlier records were pleasant if innocuous, slicked-up folk. There's a dramatic flair to their country-inflected orchestral New Wave folk-pop. With its doubled-up and contemporary-sounding pop vocal style, the macabre "Secrets" sounds like the soundtrack to a Tim Burton movie with words written by Dame Darcy, as sung by half the members of the Pussycat Dolls. If anything, they're a little too ambitious on their third album. With each track assigned its own stylistic variation (however slight), the album is scattered as a whole. But this is definitely a super entertaining duo, one to watch out for. --Mike McGonigalCustomer Reviews:
Thirteen tales of love and revenge.......2007-07-15
Perfect suggestion by amazon.com.......2007-05-23
Awesome CD.......2007-05-13
Great CD.......2007-05-13
Shockingly good!.......2007-05-09
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Veggie Tales: Silly Songs With Larry
Veggie Tales Manufacturer: Big Idea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068D1X Release Date: 2001-01-09 |
Tracks:
- Water Buffalo Song - Mike Nawrocki, Phil Vischer
- Hairbrush Song - Lisa Nawrocki, Mike Nawrocki, Phil Vischer
- Dance of the Cucumber - Dan Anderson, Lisa Nawrocki, Mike Nawrocki, Phil Vischer
- Love My Lips - Mike Nawrocki, Phil Vischer
- Pirates Who Don't Do Anything - Mike Nawrocki, Phil Vischer
- Song of the Cebisa Nawrocki, Mike Nawrocki, Phil Vischer
- His Cheeseburger - Phil Vischer
- Yodeling Veterinarian of the Alps - Robert Ellis, Robert Ellis, Mike Nawrocki, , Mike Sage, Phil Vischer,
- Endangered Love - Mike Nawrocki, , Jaquelyn Ritz, , Choir
- Larry's High Silk Hat - Mike Nawrocki, Phil Vischer, Choir
- Lost Puppies [*] - Charles Jackson
- Oh Santa! [*] - Mike Nawrocki, Phil Vischer
- Do the Moo Shoo [*] - Mike Nawrocki, Phil Vischer
- Silly Song Remix Melody [*] - Veggie Tales
Customer Reviews:
Very Silly.......2007-05-16
Veggie Tales are the best.......2007-05-16
Not just for little kids!.......2007-03-05
Can't Listen Enough.......2007-02-15
For Christians and Non-Christians, the one to get, except...........2007-02-04
for those concerned about the content, lyrics are provided on various lyric websites.
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Tales of Mystery and Imagination
Alan Parsons Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OFP8O4 Release Date: 2007-05-07 |
Tracks:
- Dream Within a Dream [Instrumental]
- Raven
- Tell-Tale Heart
- Cask of Amontillado
- (The System Of) Doctor Tarr and Professor Fether
- Fall of the House of Usher: Prelude [Instrumental]
- Fall of the House of Usher: Arrival [Instrumental]
- Fall of the House of Usher: Intermezzo [Instrumental]
- Fall of the House of Usher: Pavane [Instrumental]
- Fall of the House of Usher: Fall [Instrumental]
- To One in Paradise
- Raven [Original Demo][*]
- Edgar [Demo of an Unreleased Track] [*]
- Orson Welles Radio Spot [*]
- Interview with Alan Parsons and Eric Woolfson [1976][*]
Tracks:
- Dream Within a Dream [1987 Remix][Instrumental]
- Raven [1987 Remix]
- Tell-Tale Heart [1987 Remix]
- Cask of Amontillado [1987 Remix]
- (The System Of) Dr. Tarr and Professor Fether [1987 Remix]
- Fall of the House of Usher: Prelude [1987 Remix]
- Fall of the House of Usher: Arrival [1987 Remix]
- Fall of the House of Usher: Intermezzo [1987 Remix]
- Fall of the House of Usher: Pavane [1987 Remix]
- Fall of the House of Usher: Fall [1987 Remix]
- To One in Paradise [1987 Remix]
- Eric's Guide Vocal Medley [*]
- Orson Welles Dialogue [*]
- Sea Lions in the Departure Lounge: Sound Effects and Experiments [*]
- GBH Mix: Unreleased Experiments [#][*]
Album Description
2007 digitally remastered two CD Deluxe Edition of the debut album from the Alan Parsons Project. featuring the original 1976 mix of the album, the 1987 remix and eight previously unreleased bonus tracks! Recorded at Abbey Road in 1975 and released in 1976, the idea for the Project came from manager and writer Eric Woolfson, who saw his role as an auteur, bringing together some of the greatest talents in music to bring to life Poe's sinister, gothic tales. Enlisting the white-hot production whiz-kid Alan Parsons, fresh from his work with Wings and Pink Floyd, the duo set about making dreams reality. The album remains a singular, compelling work and can be seen as a bridge between Pink Floyd's Dark Side Of The Moon and Jeff Wayne's War Of The Worlds. Universal.Album Details
2007 Digitally Remastered Double CD Deluxe Edition of the Album Classic that Remastered by Alan Parsons Himself and Partner Eric Woolfson. This Special Package Includes the Remastered Original 1976 Edition, the 1987 Remix (Which Incorporated Dialogue by Orson Welles!) and Eight Previously Unreleased Tracks. Recorded at Abbey Road in 1975 and Released in 1976, the Idea for the Alan Parsons Project Came from Manager and Writer Eric Woolfson, who Saw his Role as an Auteur, Bringing Together Some of the Greatest Talents in Music to Bring to Life to Edgar Allan Poe's Sinister, Gothic Tales. Woolfson Enlisted the White-hot Production Whiz-kid, Fresh from his Work with Wings and Pink Floyd, to Set About Making Dreams Reality. This Spectacular Debut Recording Remains a Singular, Compelling Rock Musical Work that was a Clearly Logical Step for Parsons to Take on his Own after the Accolades of "Dark Side of the Moon".Customer Reviews:
Finally.............2007-07-17
As for me, I prefer the '76 version because it sounds much more haunting, especially "Fall of the House of Usher". I would never argue with what Orson Welles' narration brought to the newer version, it's great. I just feel that the older version was more organic and more intense. This is one of those albums to put on headphones after midnight and listen start to finish. It doesn't even seem like separate songs, it's one whole piece with so many different moods that set up each other.
For example, after the "Prelude" to "Fall of the House of Usher", cracks of thunder, an ominous organ, and then a deceptively pleasant melody for "Arrival", and then Intermezzo, which sounds eerie enough intself before "Pavane". This is such a gentle piece with mainly harpsichord and harp that sets up and gradually segues into the brutal "Fall". This part is so much more frightening on the '76 version, and part of it is due to the way it begins creeping through in the last 30 seconds of "Pavane". I'm sure you'll get a chill from "Fall", especially if you've closed your eyes and imagined the story of the "Fall of the House of Usher" through each part. Finally, after that, "To One in Paradise", which sounds like Poe's biography in four minutes. Or, as Eric Woolfson put it, an epitaph.
With some Alan Parsons fans who are only familiar with the albums from "I Robot" on, you might not know about this one because it was originally issued on another label and took so long to be released on CD (at least, the original version was). Also, it didn't really have any hit singles, even though a couple were released and didn't chart all that high. Don't miss out on this new reissue. In addition to getting both versions, you get some great bonus tracks that feature an informative interview with Parsons and Woolfson, some demos, and the great original Orson Welles voice parts.
Finally, I need to take a minute here. Kudos to a classic rock station in Kansas City, I think it was KYYS. I was there in 2004, and they not only played "System of Doctor Tarr and Professor Fether", but they played the original version!
ABSOLUTELY SUPERB EDITION.......2007-07-02
This set caps the re-release of the first four AP-supervised remastered titles (three more to follow in September '07, and the final three in December).
For this edition, for the first time on CD, we finally get the original 1976 mix of the album that started it all. While I definitely prefer the '87 remix, there are passages in the original I also enjoy, so it's great to finally be able to compare the two, especially in glorious, remastered form.
In the additional material, there are two excellent spoken-word pieces: One, Orson Welles' entire original recitation, sans music/effects, and also a very enjoyable 8+ minute 1976 radio interview with AP and EW.
The booklet is a wonderful, detailed labor of love, with a great essay.
If you're an APP fan, this is an absolute must-own.
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Tales of Mystery and Imagination
Alan Parsons Project Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001FN3 Release Date: 1990-10-25 |
Tracks:
- A Dream Within A Dream (Instrumental)
- The Raven
- The Tell-Tale Heart
- The Cast Of Amontillado
- (The System of) Doctor Tarr And Professor Fether
- I Prelude
- II Arrival
- III Intermezzo
- IV Pavane
- V Fall
- To One In Paradise
Amazon.com essential recording
As unlikely as the idea seems today to use the suspense-filled stories of Edgar Allan Poe as the basis for an album of rock tunes, listeners in the 1970s--who were barraged with such high-flown concepts during the heyday of prog-rock--turned the record into a major hit. The Project actually scored a Top 40 hit with "(The System of) Doctor Tarr and Professor Feather." Thanks to FM radio overplay, however, "The Raven" is probably the album's best-known track today. The 1987 CD version of "ToMaI" differs somewhat from the original vinyl. Parsons dropped in synthesizer parts to modernize the album, and added an opening recitation by Orson Welles. But the integrity of the original is maintained well enough, and the album remains a classic excuse to dim the lights, pour a glass of sherry (amontillado, natch), and break out the headphones. --Daniel DurchholzCustomer Reviews:
... just when I was wondering for the meaning of perfection..........2007-06-29
How to forget The Tell-Tale Heart, even when it doesn't express the tension and horror of the poem and it's situation, is another song that fits perfectly. To One In Heaven and (The System Of) Doctor Tarr and Professor Fether are very popular songs among all their works, appreciated later in time 'cause the album wasn't very popular at the time of the release, but this 2 songs show Parson's inclination to pop and to more comprehensible and soft sounds later expressed in his other works.
The album also starts a long time collaboration and friendship with the singers John Miles and Chris Rainbow. Being a dark, cultural piece it differences a lot from the other of the Project's albums such as Eye In The Sky, but it shoes every little aspect that The Alan Parsons Project showed through their later career.
Casting a dark shadow.......2007-05-16
Some 30 years later and more often sober while listening to CD's, this album holds up well for its first half. The trademarks of APP appear in songs like "The Raven" and the instrumental "Dream Within A Dream." There was even a minor hit single as "The System Of Doctor Tarr and Professor Feather" slipped into the lower reaches of the top 40. The album's final Beatlesque ballad, "To One In Paradise," sounds worthy of Abby Road and is indicative of hits to come - think of "Time."
On the other hand, the 15 minute "The Fall Of The House Of Usher" is a soundtrack in search of a video accompaniment. While a younger and more - ummm... - 'stimulated' imagination might have filled in the picture, it now just sounds like background buzz. While I don't mind the stentorian narration Parsons added from Orson Welles for the 1987 CD release, the additional synthesizers and solo guitars are an irritant. They could have left well-enough alone, but since CD technology was the shiny new thing at the time, I don't blame Parsons for wanting to tweak the new version. After all, I still have my 12 inch vinyl.
As far as its place in the APP discography, I probably prefer "I Robot," "Pyramid" and "Eye in the Sky" ahead of "Tales Of Mystery." But for shear audacity (mixing classics of literature with rock music was considered pretty risky in 1976), the Alan Parsons Project debut still can stimulate.
Para mi, junto con I Robot, son los mejores.......2007-04-06
Este fue el segundo disco que compre de APP, y sin duda alguna, junto con el de I robot, son mis preferidos.
Poe Fan.......2007-03-31
They should have left it alone.......2007-01-09
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The Bluegrass Sessions: Tales From The Acoustic Planet, Vol. 2
Béla Fleck Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JC6D Release Date: 1999-06-22 |
Tracks:
- Blue Mountain Hop
- Buffalo Nickel
- When Joy Kills Sorrow
- Spanish Point
- Polka On The Banjo
- Clarinet Polka
- The Over Grown Waltz
- Ode To Earl
- Home Sweet Home
- Valley Of The Rogue
- Plunkey's Lament
- Maura On A Bicycle, Stout And Molasses, Way Back When
- Dark Circles
- Old Jellico, Puddle Jumper, Dead Man's Hill
- Katmandu
- Do You Have Room?
- Foggy Mountain Special
- Major Honker
Amazon.com's Best of 1999
In a jaw-dropping return to his roots, banjoist Béla Fleck led a stellar lineup (Jerry Douglas, Earl Scruggs, Tony Rice, and Sam Bush, to name a few) through one of his finest albums. With incredible musicianship and a smidgen of Fleck's genre-hopping personality ("Polka On The Banjo"), The Bluegrass Sessions is fun, nostalgic, and inspiring. --Jason VerlindeAmazon.com essential recording
Béla Fleck, the banjo-wizard leader of the fringe-jazz quartet the Flecktones, returns to more-bluegrass-oriented concerns with this 18-song outing, a complement to 1988's Drive and a more-traditional follow-up to 1995's fusion-leaning Tales from the Acoustic Planet. Most of these songs are instrumentals boasting Drive's core group of Sam Bush on mandolin, Stuart Duncan on fiddle, Tony Rice on guitar, Jerry Douglas on Dobro, and bassist Mark Schatz; they're augmented in spots by fine guest players such as Vassar Clements, John Hartford, and the incomparable banjo pioneer Earl Scruggs. Fleck's spidery, tasteful plucking style lends originals like "Major Honker" and "Katmandu" an ever-so-slightly offbeat air, while he gives classics like Scruggs's "Foggy Mountain Special" and "Polka on the Banjo" traditional readings that wouldn't be out of place at the Opry. Flecktones fans will find much to like in Fleck's rootsy playing, and so will bluegrass purists. --Gregory McNameeCustomer Reviews:
This is one of my favorit Bela Fleck records!.......2007-01-10
A Rarity..........2006-07-19
Why? Well, the playing is better technically, if you can believe that. And the energy and drive is stronger here than in Acoustic Planet 1.
You also get treated to a greater number of original compositions on this CD. I've come to appreciate this dimension of Fleck's artistic gifts even more as time has passed. While he does do a lot of variations on derivative music, his original compositions are memorable, too.
Hair Raising.......2006-04-12
Outstanding CD!.......2006-02-25
If you enjoy Americana/Bluegrass/Country, then you'll love this CD!
If I could recommend only one CD to anyone, this would be it........2005-11-20
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Tales of a Librarian: A Tori Amos Collection (Bonus DVD)
Tori Amos Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CC6QG Release Date: 2003-11-18 |
Tracks:
- Precious Things
- Angels
- Silent All These Years
- Cornflake Girl
- Mary
- God
- Winter
- Spark
- Way Down
- Professional Widow
- Mr. Zebra
- Crucify
- Me And A Gun
- Bliss
- Playboy Mommy
- Baker Baker
- Tear In Your Hand
- Sweet Dreams
- Jackie's Strength
- Snow Cherries From France
Album Description
The first compilation of Tori Amos hits from her multi-platinum catalog... Remixed. Re-Mastered. Revealed. She has sold fifteen million records worldwide, done numerous sold-out world tours, and has amassed one of the most loyal followings in contemporary music. Now Tori Amos gives her fans more of the soul-searching lyrics and complex melodies that her devotees have come to live and breathe for. Sixteen of her most popular songs...plus two re-recorded rarities and two brand-new tracks heard here for the very first time. Twenty songs in all -- plus a bonus DVD featuring three newly filmed live songs, and two additional Remixed 5.1 Audio Tracks -- forging the first-ever definitive Tori Amos Collection.Customer Reviews:
A Good Compilation.......2007-05-14
The best piano rock .......2007-05-05
Now I was never a hardcore fan, still this is an item I like having in my collection. Often enough her melodies have modern jazz influences, which I totally love, other times her gospel sounds are revolutionary rather than politically correct, which I admire. There is a certain quality to her music that has kept her going, and taking into consideration how mixed, abused and mutated today's music is, well, it is always encouraging to come across real 'artists' (as in, true art), real musicians.
Next to this I would recommend Sarah McLachlan's 'Surfacing' or 'Fumbling towards ecstasy' (although McLachlan has mainly quitar inputs rather than piano and could be better characterized as 'acoustic rock') or, my ever favourite artist, Elisa, whose music changes from rock to blues to ambient.
Slightly disappointeed not to find 'Siren' in the collection, I love the song.
Good Starting Point For A New Tori Amos Listener.......2006-11-23
For those who have not seen my profile or my other reviews, I am coming from the perspective of a songwriter and of an ordained minister (Fundamentalist). I was not able to follow her lyrics and can tell she has religious and philosophical themes, but am not sure if they are compatible, different, or antagonistic to mine. "Crucify" does seem to speak about dealing with shame, for example; I'm one that believes shame is useful if based on a specific action with a specific resolution, and harmful if not accompanied with reason or resolution. I'm not sure if she is dealing with harmful shame, or condemning shame across the board.
Tori Amos is very creative, and the packaging of this project is exhibit A. She has a listing of the Dewey Decimal System, and then catalogs her songs according to the subject.
Overall, I enjoy her sound. I don't know how to label her music, and I consider that a good thing. Another reviewer said that a greatest hits compilation is not always the best intro for a new listener, but said that this is an exception, and I agree 100%.
Kind of a mixed bag.......2006-10-27
Quintessential Tori.......2006-07-31
I can imagine I would enjoy this album more had it included Pretty Good Year, my favorite Tori song of all time, and I say this truly because I own copies of all her albums. But the songs it does include -Bliss, Tear In Your Hand, God, Precious Things are standouts-are reflective of a long and rich career in music.
Jazz Music: