The Way It Was

1. I Can't Believe That You're in Love With Me

2. I Can't Believe That You're in Love With Me [Alternate Take][*]

3. All the Things You Are

4. All the Things You Are [Alternate Take][*]

5. What's New?

6. Tickle Toe

7. Man I Love

8. Autumn Leaves

9. Way You Look Tonight

The Way It Was,Art Pepper,Fantasy,Bop,Cool,Jazz,West Coast Jazz

Jazz

Music

jazz

music

Average customer rating: Music Man One of This Country's Finest Musicals Beautifully Re-Mastered We need a new remaster, nonetheless Accept no substitutes! Preston and Cook are the best ever

The Music Man (1957 Original Broadway Cast) [Angel Reissue] Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: My Fair Lady (1956 Original Broadway Cast) South Pacific (Original 1949 Broadway Cast) Camelot (1960 Original Broadway Cast) West Side Story (1957 Original Broadway Cast) Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast) ASIN: B000002SNL Release Date: 1992-11-17

Tracks:

1. Act I. Overture/Rock Island - Vern Reed
2. Act I. Iowa Stubborn - Ensamble
3. Act I. Ya Got Trouble - Robert Preston/Ensemble
4. Act I. Piano Lesson - Barbara Cook/Pert Kelton
5. Act I. Goodnight My Someone - Barbara Cook
6. Act I. Seventy-Six Trombones - Robert Preston
7. Act I. Sincere - Buffalo Bills
8. Act I. The Sadder But Wiser Girl For Me - Robert Preston
9. Act I. Pick-A-Little, Talk-A-Little - Asnia Rice, Peggy Mondo, Elain Swann, Helen Raymond, Martha Flynn, Robert Preston
10. Act I. Goodnight Ladies/Marian The Librarian - Robert Preston, Buffalo Bills
11. Act I. My White Knight - Barbara Cook
12. Act I. Wells Fargo Wagon - Eddie Hodges, Ensemble
13. Act II. It's You - Buffalo Bills
14. Act II. Shipoopi - Iggie Wolfington, Ensemble
15. Act II. Lida Rose/Will I Ever Tell You? - Buffalo Bills, Barbara Cook
16. Act II. Gary, Indiana - Eddie Hodges
17. Act II. Till There Was You - Barbara Cook, Robert Preston
18. Act II. Finale - Robert Preston, Barbara Cook, Ensemble

Amazon.com

Although Robert Preston and Barbara Cook put in stellar performances, it's the music that's the star of this hugely successful document of the 1958 Broadway smash. Written entirely by Meredith Willson, it drew from memories of his childhood in a small Midwestern town. Preston plays a traveling salesman/con artist, while Cook is the dull spinster "Marian the Librarian," whose love for Preston's character makes her come alive. "Seventy-Six Trombones" has become a marching band standard, while "Ya Got Trouble" (featuring dizzying fast-talk from Preston) and "'Til There Was You" (with a gorgeous vocal from Cook) remain well known even among those who have never seen the show. The latter was also a favorite of the Beatles, who covered it on their first album. --Dawn Eden

Customer Reviews:

Music Man.......2007-02-09

The original cast recording brings back the memory of the live production I saw which will always be superior, in my opinion, to the movie version. However, the movie was one of the better "reproductions" of this genre.

One of This Country's Finest Musicals Beautifully Re-Mastered.......2006-11-23

THE MUSIC MAN opened on Broadway on December 19, 1957 to rave reviews from the critics, adulations from the captivated audiences, and the beginning of a long run. This wondrous musical is an 'opera' of sorts in that the piece is not a series of songs connected by the usual musical comedy spoken dialogue. Meredith Willson wrote the music and lyrics in such a way that there is not an extraneous note or word that doesn't contribute to the totality of the work.

Despite the multiple reincarnations of this brilliant show both on film and recording, none of them compares to this original cast. Imagine Barbara Cook (lithe, and new) as Marian the Librarian: Cook still reigns as one of our finest voices on the stage and cabaret rooms today. Robert Preston is not only rich in personality he also delivers the immensely complex patter songs with deft authority. And the Buffalo Bills add the multiple barbershop quartet numbers with authentic sound and professionalism.

This musical holds all of the joys and imaginations and longings that we all hold so dear in our memories of how things used to be - and it is so terrific to return to that stage of ecstasy again. This is a must own CD. Grady Harp, November 06

We need a new remaster, nonetheless.......2006-10-22

A very interesting photo on the liner booklet's back cover demonstrates the one real flaw in this otherwise classic recording: it shows Robert Preston at the album sessions singing at two mikes, a fat Neumann with a Capitol flag and a skinny one, probably an AKG. This can only mean Capitol recorded this in simultaneous mono and stereo takes. With all that knob twiddling the balance had to go off, a problem not entirely corrected by the reissue engineer Bob Norberg, whose remasterings of Ol' Blue's Capitol mono output have earned scorn from some Sinatraphiles for their slight fake echo and stereo effects. (He remastered just about every album in the Broadway Angel series; the monos all appear to have the echo and stereo.) I guess we should be happy to have this in any form at all given how the other majors turned it down. Capitol was late and indifferent to the cast album trade, and it only had three hits before making its monumental closing botch of "Follies." However the label approached it it's still a great and exciting score perfectly performed. Who could have imagined a hit musical with a barbershop quartet? And if only all women could sing like Barbara Cook! Who says you can have too much of a good thing?

With the show's fiftieth anniversary coming up (!) now would be a good time for a remaster. (I know, I know, I'm tired of paying repeatedly for the same product too, but this deserves it.) It should include a second disc with the 1959 Capitol documentary LP "And Then I Wrote 'The Music Man'", where Meredith Willson and his wife Rini detail the eight years of trials and rewrites behind the show. Nor would it hurt to have bonuses like Willson's original take on "Till There Was You" (called "Till I Met You," which Fran Warren evidently first sang on "The Big Show") or a few licensed pop balladeers of the day -- and maybe examples like the 70s jingle for the late lamented Oldsmobile ("Oh ho the new Oldsmobile is a -- comin' down the line...."). It must also include Willson's contentious JFK physical fitness tune "Chicken Fat", recorded about the time "The Music Man" was filmed and available only on oddball Web music sites, where Preston yells and grunts himself into an athletic -- passion. (I keep thinking Allan Sherman recorded a full version of his notorious parody "76 Sol Cohens", but I guess he didn't.) The whole thing should end with a live public-radio performance from 1980 or 1981 where Willson led the superb Detroit Concert Band in "76 Trombones" and "The Stars and Stripes Forever" -- an apt and brilliant finish.

No, I have not forgotten the Beatles, but I fear neither have their lawyers.

Accept no substitutes!.......2006-08-22

This the best version of "The Music Man" available, especially if you're looking for the Broadway cast. The performances here are all terrific, the recording and mastering are great, and the liner notes are informative and thorough. "The Music Man" is available in several other versions and forms, including other releases of the same original cast recording, but without the good mastering or liner notes found here. My wife and I, hoping to listen to this great show with our kids, first purchased other versions that were easier to find (e.g., on iTunes) and those were major disappointments. Buy this CD (Broadway Classics from Angel) and accept no substitutes.

Preston and Cook are the best ever.......2006-07-15

Yes, the film is a delight, and Shirley Jones is certainly good as Marian. But the original cast album of this wonderful musical remains the best version ever, mostly thanks to Barbara Cook, whose voice was and remains a miracle of rare device to listen to.

For years I thought I was the only person who was in love with her voice, wearing out vinyl LPs of this musical with replaying. Then, in the early 80s I saw Cook in a one woman show in London, and discovered I was part of a fanatical following! The other reviews here on Amazon confirm the truth: there is only one truly great Marian, Madam Librarian.

Watch the movie, which is a terrific adaptation of the stage show, go to professional and amateur revivals of the musical, but buy this recording of the score for repeated listening. There is nothing better.

Average customer rating: And Then There's BEA! Golden Girl Shines Brightly Alive and Unforgettable A trip down memory lane... A Truly Remarkable Accomplishment

Bea Arthur on Broadway - Just Between Friends Bea Arthur Manufacturer: Drg ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Previn, André | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Comedy | Miscellaneous | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music Similar Items: The Golden Girls: A Lifetime Intimate Portrait Series Maude - The Complete First Season The Golden Girls - The Complete Fourth Season The Golden Girls - The Complete Sixth Season Mame ASIN: B00005YTRL Release Date: 2002-02-12

Tracks:

1. Lamb Recipe
2. Fun To Be Fooled
3. Introduction
4. What Can You Get A Nudist For Her Birthday?
5. Auditions
6. Isn't He Adorable
7. Fiddler on the Roof
8. Let's Face The Music And Dance
9. Bosom Buddies
10. Angela Lansbury
11. Threepenny Opera/ Pirate Jenny
12. It Never Was YOu
13. And Then There's Maude
14. Some People
15. The Soup Ladle
16. Where Do You Start
17. Bernie Schwartz
18. If I Can't Sell It, I'll Keep Sittin' On It!
19. Personal Hygiene
20. Who Cares
21. Fifty Percent
22. The Nun's Story
23. You're Gonna Hear From Me
24. The Chance To Sing
25. The Man in the Moon is a Lady

Amazon.com

More comedy monologue than musical performance, Bea Arthur's one-woman show Bea Arthur on Broadway: Just Between Friends collects memories from the silver-haired star's life on Broadway (Fiddler on the Roof, Mame, The Threepenny Opera) and television (Maude, The Golden Girls).

"I wanted to see if I had the guts to just come and be myself," Arthur says in this performance recorded in front of a live audience in December 2001. Alongside co-creator and pianist Billy Goldenberg, she offers wry and often funny anecdotes about her career and the people she's worked with (Angela Lansbury, Pia Zadora). When she does sing ... well, even decades ago Arthur didn't have a beautiful voice, but she's well-suited to the comedy songs. And her versions of Kurt Weill's "Pirate Jenny" and Goldenberg's own "Fifty Percent"--while they won't make anyone forget Lotte Lenya or Dorothy Loudon--are effective in their own right. Bea Arthur on Broadway is definitely more Bea than Broadway, but it's a career well worth remembering. --David Horiuchi

Customer Reviews:

And Then There's BEA!.......2007-01-20

Thank goodness this is available on CD. I saw the show twice in Manhattan and once in P-town MA. She is an American treasure. What's nice is that you don't need to have had seen the live performance to enjoy this CD. (Though I'd love to have it on DVD.) Just Bea, Billy, a piano and yet so much more!!!!!

Golden Girl Shines Brightly.......2005-10-21

For anyone who has ever laughed as Bea Arthur deftly put people in their place with her lightning quick wit as Dorothy on the "Golden Girls", they will not be disappointed with this CD. Arthur, some 9 years after leaving the small screen, returns triumphantly to her professional roots, the stage, and does not disappoint. Mixing antedotal stories with classic songs, all to the accompianment of Billy Goldenburg, Arthur weaves her life in a brillant 90 minute tapestry so that the listener regrets ever reaching the end. Anyone who has ever seen Arthur perform on stage, or as Maude or Dorothy, they will not regret purchasing this CD. For that rare minority of people who have not have the privilage of seeing Arthur previously should find out what they have been missing of this American icon.

Alive and Unforgettable.......2004-11-21

Bea Arthur. Nearing 80. And yet, her continuing vitality is blatantly obvious in this live recording. I will tell you this--I bought this disc with no expectations whatsoever. I like Golden Girls as much as the next chap, and I was slightly curious about what Bea had become.

The simple truth was that I was stunned. Completely stunned. Again, this sounds as the same, alive, malicious woman who portrayed those "affirmative women" on TV (per her own words). She mocks her own voice, recalling the humiliation of being mistaken for the man of the house through the phone ... and some--who buy this disk with the intent of getting a faultless musical performance--might agree (and according to some reviews her, HAVE agreed) that her voice is perhaps too deep, too cutting, not pure enough. But this is NOT (and I stress it) a musical performance per se, it is not a perfectly rounded voice singing perfect standards.

What this disc is? A drama performance. The songs are intermissed with speech interludes, during which Bea narrates anecdotes from her past experience as an actress--and that's is PRECISELY what is MAGIC. You feel as though she's inviting you to witness the high points of her life, and it's a very nice place. The songs, seem alive as rarely before, because they are performed. She renders them with life, and make the most of her abilities.

I really appreciated some of the smaller things. You get to recognize her trademark, slightly embarassed, `You know' ... She'll make you laugh with good natured reminiscence ("A Mother's Ingenuity"!); some of the songs are delightfully imperfect, (I learned to love the half-sung/half-spoken "What Do You Start" ...), some others are wonderfully dynamic ("What Can You Get a Nudist For Her Birthday?", "Threepenny Opera/Pirate Jenny" ...), but all are very enjoyable ...

Be it "Isn't He Adorable?" or "If I Can't Sell It, I'll Keep Sittin' on It" ... every track on this disc will have you fondly reminisce or curiously discover the career of one helluva woman.

You really can't be disappointed. I promise.

If only we could have a visual as well!

A trip down memory lane..........2003-10-19

Bea Arthur, one of the finest performers of her time.
Bea is most known for her role on the sitcoms Golden Girls and Maude, but she's done so much theater work as well.
She was in the cast of the original U.S production of "Threepenny Opera" starring Lotta Lenya, and in the original cast of "Fiddler On The Roof" and "Mame". But Bea started her theater career in a show called "The Shoestring Revue".
Bea stoled the scene every night when she performed as yente the Matcmaker on "Fiddler On The Roof" and she also got a hole lot of response as Vera Charles on "Mame", starring Angela Lansbury. In this live performence Bea performs a collection of songs chosen by herself, such as, "Let's Face The Music And Dance", "Isn't He Adorable", "Fifty Percent" and her theme song from Mame "The Man In The Moon". Bea is absolutely one of our time finest performers, with her witty sence of knowledge and her indefiable voice she has establised herself as a broadway legend, alongside Judy Garland, Elaine Stritch, Mary Martin. She is one of the last broadway female legends alive. And still going strong, Bea is rounding 80, but you wouldn't notice.
Do yourself a favour and take a trip down down memory lane, it's your chance to hang out with the last female broadway legend around.

A Truly Remarkable Accomplishment.......2003-06-16

As a huge fan of Bea Arthur's, I was very excited when I heard she would return to Broadway to do a one-woman show. Not since winning the Tony Award for Best Actress in a Musical for "Mame" has Bea Arthur been on stage. Well, what a way to follow up! This cd (which was recorded during a live performance) Bea gives fans an intimate look into her show business life. The stories are very funny and touching, and the songs (which Bea picked out herself) are fun, beautiful, and magical. A favorite part of this cd for me, is when Bea talks about her days on TV. She was the star of two very successful and groundbreaking sitcoms, "Maude" and "The Golden Girls" I am a huge fan of "The Golden Girls" and Bea's character Dorothy was always my favorite. This cd is a must for any Bea Arthur fan, but the appeal of this amazing show goes beyond her hardcore fans. Any fan of classic Broadway and cabaret songs will love this cd. This is one of the favorite cds I own, and should be treasured by more people. And finally, as a sidenote, Bea's one-woman show was nominated for a Tony Award in 2001 in the category of Best Special Theatrical Event.

Average customer rating:

Live and in Demand Mannish Boys Manufacturer: Delta Groove Prod ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music General | Live Albums | Blues | Styles | Music Similar Items: That Represent Man One Eye Open: Live at Rosa's Lounge, Chicago All Your Love I Miss Loving: Live at The Wise Fools Pub Chicago [Live] Big Plans Road to Rio ASIN: B000BDH5UE Release Date: 2005-11-15

Tracks:

1. Kid's Jump
2. I'm Ready (Tribute to Lester Butler)
3. She Wants To Sell My Monkey
4. Mannish Boy
5. You're Sweet
6. Howling Wolf
7. Goin' Crazy Over T.U.
8. Mystery Train
9. It's Too Bad
10. Strangest Blues
11. As The Years Go Passing By
12. Walkin' And Walkin'

Album Description

The Mannish Boys are one of the most universally praised new blues bands, both live and on record, since the heyday of the blues genre a half century ago, receiving virtually unanimous rave reviews from both the blues specialty press and general entertainment reviewers. The current edition of The Mannish Boys features a veritable one-band blues festival of talent; most of the members either lead or are integral members of other successful touring and recording bands. They've honed their blues to a brilliant edge through appearances before sold-out crowds and on festival stages in the U.S., Canada, and in Europe. Their new live recording, "Live & In Demand", captures The Mannish Boys at the top of their game at the 2005 Winthrop Blues Festival, rolling out their dynamic, non-stop, old-style 'blues revue' featuring acclaimed veteran bluesmen Finis Tasby, Johnny Dyer, Kid Ramos, Franck Goldwasser, Leon Blue, Randy Chortkoff, Richard Innes and Tom Leavey.

Average customer rating: Irresistible "Some Enchanted Evening" with Kunzel and the Cincinnati Pops Excellent! Great Arrangments

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites) Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music General | Classical | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Lerner & Loewe Songbook for Orchestra Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri Puttin' on the Ritz: The Great Hollywood Musicals The Sound Of Music (1987 Studio Cast) Classics of the Silver Screen ASIN: B000003CXQ Release Date: 1992-01-28

Tracks:

1. Oklahoma!
2. Carousel
3. State Fair
4. South Pacific
5. The King And I
6. Cinderella Waltz
7. Flower Drum Song
8. The Sound Of Music

Customer Reviews:

Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album

Average customer rating:

Kiri on Broadway Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Similar Items: Kiri Sings Berlin Dame Kiri Te Kanawa Kiri Te Kanawa Sings Verdi and Puccini Arias ASIN: B00000421X Release Date: 1993-08-10

Tracks:

1. My Fair Lady: I Could Have Danced All Night
2. My Fair Lady: Wouldn't It Be Loverly?
3. My Fair Lady: Just You Wait
4. My Fair Lady: The Rain In Spain
5. My Fair Lady: Show Me
6. My Fair Lady: Wtihout You
7. One Touch Of Venus: Speak Low
8. Too Many Girls: I Didn't Know What Time It Was
9. Carousel: You'll Never Walk ALone
10. Kiss Me Kate: So In Love
11. West Side Story: I Feel Pretty
12. West Side Story: Tonight
13. West Side Story: One Hand, One Heart
14. The Sound Of Music: Climb Ev'ry Mountain

Average customer rating: Primrose Shines, Frogs Leaps! Can I sell it On Ebay!!!! Very Good Evening Primrose The Real Thing. Addendum

The Frogs / Evening Primrose (2001 Studio Cast) Stephen Sondheim , Nathan Lane , and Brian Stokes Mitchell Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Pop Rock | Pop | Styles | Music General | Soundtracks | Styles | Music Similar Items: Passion (1994 Original Broadway Cast) The Frogs (2004 Broadway Cast) Saturday Night (2000 Off-Broadway Revival Cast) Anyone Can Whistle (1964 Original Broadway Cast) Assassins (1991 Original Off-Broadway Cast) ASIN: B00005OM6W Release Date: 2001-10-16

Tracks:

1. Fanfare
2. Prologos: Invocation and Instructions to the Audience
3. Traveling Music
4. Parados: The Frogs
5. Hymnos: Evoe!
6. Dialogue: "Pluto!"
7. Parabasis: It's Only a Play
8. Dialogue: "That Was Some Banquet!"
9. Evoe for the Dead
10. Invocation to the Muses
11. Fear No More
12. Exodos: The Sound of Poets
13. If You Can Find Me, I'm Here
14. I Remember
15. When?
16. Take Me to the World

Amazon.com's Best of 2001

After unearthing Stephen Sondheim's youthful effort, Saturday Night, a couple of years ago, producers desperate to bank on the name of one of Broadway's last living titans continue chasing after obscure offerings. The Frogs was a 1974 adaptation of a play by Aristophanes and was staged by the Yale Repertory Theater for a week. This recording, the first complete one, boasts the presence of Nathan Lane, Davis Gaines, and Brian Stokes Mitchell. In Broadway star power, that's like having Jim Carrey, Brad Pitt, and Tom Cruise in the same movie. Evening Primrose was a 1966 ABC special, which spawned a couple of songs ("I Remember" and "Take Me to the World") that made it into the cabaret and solo recital repertories. Granted, these two pieces are for Sondheim completists, but they do provide an interesting glimpse into the mind of one of the musical theater's most brilliant auteurs. --Elisabeth Vincentelli

Customer Reviews:

Primrose Shines, Frogs Leaps!.......2005-08-27

This recording is arguably one of Sondheims greatest! The Frogs, which appears here with a brilliant cast (Nathan Lane, Brian Stokes Mitchell among others) is one of Mr. Sondheims oddest pieces of theater. Although it was recently revived on Broadway with a new book by Mr. Lane and that recording is probably better, the entire first half of this recording (which is The Frogs) is brilliant for nostalgias sake and for the amazing expierence of the music itself. Mr. Sondheim has created such music for The Frogs! Very grandiose and stunning!

But it is really the final four tracks on the album (The Evening Primrose) that shines. The Evening Primrose is also an interesting Sondheim show but this one is quite possibly worth the price of the album itself. This recording (the only LEGAL one i know of) of the show is... well... perfect. The music is Sondheim at his best, the singers (Neil Patrick Harris plays the lead) are terrific and it just sounds glorious!

The Frogs might be an interesting and entertaining reason to purchase this album but it will The Evening Primrose that will make you scream with joy!

Can I sell it On Ebay!!!!.......2005-06-01

Contrary to other reviwes posted I will tell you that the Evening Primrose on the Mandy Patinkin Cd "Dress Casual" IS the "Primrose" to own. This one was in my opinion under acted and undersung. While Mandy Patinkin is always over the tip, Ms Peters is one of the best Interpreters of Sondheim's works and the orchestration on this is much darker and deep, like the subject matter of the piece. I found this whole CD lacking, given that just like the "Dress Casual" I bought it only for the "Evening Primrose" selections. Thank the GODS for CD Burners so I can compile my own best of Sondheim CD.

Very Good Evening Primrose.......2004-04-15

I find the Evening Primrose here much better than that on "Dress Casual." Firstly, because the two performers--Neil Patrick Harris and Theresa McCarthy--are both amazing singers. Also, because both of these performers are younger and thus, their voices are more "youthful". For this musical, in particular, "youthfulness" is important; Bernadette Peters and Mandy Patinkin are simply to mature to effectively do these parts. I find Neil Patrick Harris, in particular, absolutely superb, and his version of "Not While I'm Around" (on the NYP Sweeney Todd recording) is far and away the best I have ever heard (except for LuPone's dismal British accent). This Evening Primrose alone is worth the price of the CD.

The Real Thing........2004-02-17

>The Patinkin-Peters version of "Evening Primrose" is in Patinkin's "Dress Casual" CD, the studio recording that became the basis of his Broadway concert. I believe this was the first time all four songs were recorded.

Possibly, but on THIS disc we have the first time all four songs were recorded UNDER SONDHEIM'S SUPERVISION, and that makes all the difference in the world. Mandy Patimkin greatly distorts "If You Can Find Me"'s melody; Bernadette Peters's voice is under the accompaniment on "I Remember", and the arrangements on "Dress Casual" are over-elaborate, gooey, and unrestrained. Neither singer effectively plays his character. No, the "Evening Primrose" you want is right here.

Addendum.......2004-01-31

If you're looking for the Mandy Patinkin "Dress Casual" CD (as an alternative or supplemental "Evening Primrose" recording), note that Amazon has it listed, for some reason, under "classical music".

Average customer rating:

Life Upon the Wicked Stage Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich Manufacturer: Lml Music ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Traditional Vocalists | Compilations | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music Similar Items: Tap Your Troubles Away - The Words and Music of Jerry Herman (Historic All-Star Tribute) Kurt Weill: The Centennial ABC (Adler, Bock, Coleman) Over The Rainbow: The Music Of Harold Arlen (1995 Benefit Concert Cast) Dream: The Lyrics and Music of Johnny Mercer ASIN: B0000658H9 Release Date: 2002-05-07

Tracks:

1. The Song Is You - Jamie Anderson
2. How'd You like To Spoon With Me? - Jane Lanier
3. The Land Where The Good Songs Go - Pamela Myers
4. All The Things You Are - Alan Campbell
5. The Folks Who Live On The Hill - Lee Lessack
6. She Didn't Say Yes - Marissa Jaret Winokur
7. Pick Yourself Up - Street Sounds
8. You Couldn't Be Cuter - Marsha Kramer
9. Shimmy With Me - Lea Thompson
10. They All Look Alike - Bruce Vilanch
11. There It Is Again - David Holladay
12. Remind Me - Ron Rifkin
13. In Love In Vain - Melissa Errico
14. Make Believe - Linda Michele
15. Ol' Man River - Brock Peters
16. You Are Love - Dale Kristien
17. I Won't Dance - Bonnie Franklin

Tracks:

1. The Last Time I Saw Paris - Charles Busch
2. Long Ago (And Far Away) - Pam Dawber
3. They Didn't Believe Me - Pat Marshall
4. Look For The Silver Lining - Rod McKuen
5. A Fine Romance - Jane Carr
6. Sure Thing - Sally Kellerman
7. Don't Ever Leave Me/Why Was I Born - Joely Fisher
8. I'm Old Fashioned - Robert Morse
9. Yesterdays - Joan Ryan
10. Smoke Gets In Your Eyes - Dorian Harewood
11. In The Heart Of The Dark - Dale Kristien
12. Can't Help Lovin' Dat Man - Valarie Pettiford
13. The Way You Look Tonight - Hugh Panaro
14. Life On The Wicked Stage - Carole Cook
15. I've Told Every Little Star - Carole Cook
16. Till The Clouds Roll By - The Company

Average customer rating: Great complete recording Complete but not Perfect Complete Score Recording Complete Score Recording Bali Hai WILL Call You!

South Pacific (1996 Studio Cast) (First Complete Recording) Richard Rodgers , and Oscar Hammerstein II Manufacturer: Jay Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music Similar Items: South Pacific (Royal National Theatre Production - 2001 London Cast) South Pacific (Original 1949 Broadway Cast) South Pacific (Collector's Edition) South Pacific in Concert from Carnegie Hall The King And I: First Complete Recording (1994 London Studio Cast) ASIN: B000005BGW Release Date: 1997-03-11

Tracks:

1. Overture - NSO/John Owen Edwards
2. Dites-Moi - John Matthew Lao/Samantha Raven
3. A Cockeyed Optimist - Paige O'Hara
4. Twin Soliloquies - Paige O'Hara/Justino Diaz
5. Some Enchanted Evening - Justino Diaz
6. Finaletto - Justino Diaz/Paige O'Hara/Andre Mutis/Samantha Raven/John Matthew Lao
7. Bloody Mary - Men
8. There Is Nothin' Like A Dame - Men/Pat Suzuki
9. Mary And Lootellan - Pat Suzuki/Sean McDermott
10. Bali Ha'i - Pat Suzuki
11. Cable Hears Bali Ha'i - Brian Greene/Sean McDermott
12. Company Street - NSO/John Owen Edwards
13. I'm Gonna Wash That Man Right Outa My Hair - Paige O'Hara/Girls
14. Some Enchanted Evening (Reprise) - Paige O'Hara/Justino Diaz
15. A Wonderful Guy - Paige O'Hara/Girls
16. Bali Ha'i - Girls
17. Younger Than Springtime - Sean McDermott/Girls
18. A Wonderful Guy - Justino Diaz/Paige O'Hara
19. This Is How It Feels - Justino Diaz/Paige O'Hara
20. Finale Act One - Paige O'Hara/Justino Diaz/John Matthew Lao/Samantha Raven

Tracks:

1. Entr'Acte - NSO/John Owen Edwards
2. Opening Act Two - NSO/John Owen Edwards
3. Entrane Of Liat - NSO/John Owen Edwards
4. Happy Talk - Pat Suzuki
5. Incidental/Younger Than Springtime (Reprise) - Pat Suzuki/Sean McDermott
6. Honey Bun - Paige O'Hara/Company
7. You've Got To Be Carefully Taught - Sean McDermott/Justino Diaz
8. This Nearly Was Mine - Justino Diaz
9. After Emile's Solo - Justino Diaz/Sean McDermott
10. Communications Established - NSO/John Owen Edwards/Ron Raines/Justino Diaz
11. Communications Discontinued - Paige O'Hara/Girls/Pat Suzuki
12. Operation Alligator - NSO/John Owen Edwards
13. Honey Bun - Company
14. Finale Ultimo - Paige O'Hara/John Matthew Lao/Samantha Raven/Justino Diaz
15. Exit Music - NSO/John Owen Edwards

Amazon.com

The only major Rodgers and Hammerstein show not to have had a major Broadway revival, South Pacific receives its first complete recording, capturing 107 minutes of classic songs as well as reprises and underscored dialogue. Given the thankless task of succeeding Mary Martin of the original Broadway cast is the wonderful Paige O'Hara (Disney's Beauty and the Beast, John McGlinn's Show Boat), full of sass and spunk as Nellie Forbush. Although this Emile De Becque, Justino Diaz, isn't actually a Frenchman (but hey, neither was Ezio Pinza), his accent is only a faint distraction from his rich voice. Filling out the cast are tenor Sean McDermott as Lt. Joe Cable and Pat Suzuki (Flower Drum Song) as Bloody Mary. It's a very good recording, and an easy choice for anyone who wants the complete score. The only drawback is that, unlike other JAY Masterworks Editions, this one doesn't include extra songs, such as "My Girl Back Home," a song cut from the original production but restored for the 1958 film. --David Horiuchi

Customer Reviews:

Great complete recording.......2004-07-19

In reply to M.Clegg's contention with regards to the status of the stars of this great complete recording, I would like to point out that all the main leads, Justino Diaz (New York City Opera Production), Paige O'Hara (Australian production), Sean McDermott (The Pace Production - USA) and Pat Suzuki (Long Beach Light Opera Production) have all played their respective roles on stage in various productions. This is clearly listed in the booklet of the recording. On the contary, I find their interpretation to be vivid and compelling. A great recording.

Complete but not Perfect.......2004-07-16

As with the complete recordings of Guys and Dolls and The Pajama Game, this double CD brings together the full score including uncut dance-breaks and incidental music. The orchastrations are fantastic but, like the others in this series, the cast suffer due to the 'studio' nature of the recording. There is little of the vibrancy and excitment of a Broadway Cast Recording because the cast are only singing the roles and have probably never seen the script at all. This means that many of the performances, while technically good, are characterless.
Paige O'Hara, excellent as the voice of Disney's Belle, plays the part a little too twee - yes, I know Nellie is a hick but she goes too far in that direction. Justino Diaz, as Emile, has a good voice that does not cover the lack of a personality. The rest of the cast are equally too note-perfect.
The people who will find this recording the most useful will be people, like myself, who are performers. When performing in a production of South Pacific this CD was very useful, more for the not-available-anywhere-else material than anything else. The dance music and the incidental stuff is useful to rehearse with.
On the whole, a worthy CD for the completist but if you want a more character-driven recording, search out one from an actual stage performance.

Complete Score Recording.......2000-04-11

We are performing South Pacific at my high school and this CD was really helpful in choreographing the dance numbers because it has the music in between the singing, in other words, the complete score.

Complete Score Recording.......2000-04-11

We are performing South Pacific at my high school and this CD was really helpful in choreographing the dance numbers because it has the music in between the singing, in other words, the complete score.

Bali Hai WILL Call You!.......2000-03-18

Ah...the memories. I remember this musical with fondness because it was the first musical that I had the honor of playing in the pit band for. Out of all of the South Pacific soundtracks, I love this one the most because it includes every song in the score (I checked)!

Average customer rating: How does the revised MERRILY compare with the original? The most comprehensive recording This is the recording of MERRILY to purchase! The Definitive "Merrily" Best interpretation of the show and score

Merrily We Roll Along (1993 Leicester Cast) Manufacturer: Jay Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Company (2006 Broadway Revival Cast) Spring Awakening (2006 Original Broadway Cast) Merrily We Roll Along (1981 Original Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) Curtains (2007 Original Broadway Cast) ASIN: B000005BGV Release Date: 1997-03-11

Tracks:

1. Overture
2. The Hills of Tomorrow Merrily
3. Merrily (1979-75) Old Friends Like It Was
4. Merrily (1974-73) Franklin Shepard, Inc.
5. Old Friends
6. Not A Day Goes By
7. Now You Know
8. It's A Hit!
9. Merrily (1964-62) Good Thing Going
10. Merrily (1961-60); Bobby and Jackie and Jack
11. Not A Day Goes By
12. Opening Doors
13. Our Time
14. The Hills

Customer Reviews:

How does the revised MERRILY compare with the original?.......2005-04-10

The original 1981 production played 6 weeks of previews before opening to crushingly bad reviews. Two weeks later it closed. The day after the final performance the cast assembled at RCA's New York studios to record the cast album. In 1985 a revised production directed by James Lapine opened at the LaJolla playhouse and received encouraging reviews. More revisions lead to other productions and 1992 it was given a production at the Haymarket Theatre in Leicester and that production was given a lavish 2 CD recording by John Yap and issued on TER in England and later on JAY in the U.S. This was followed in May 1994 -just a few weeks after PASSION opened on Broadway - by an off-off-Broadway York Theatre Company revival that received generally better reviews than the original received. It was recorded by Varese-Sarabande. Both the Leicester cast and York casts use the revised version with an altered tune stack.

1. OVERTURE - In 1981 the Overture was a complete piece. In the revised version it cuts off midpoint and segues into the title song.

2. MERRILY WE ROLL ALONG - The original production began with Frank coming back to his former high school to mark 25 years since his graduation. His speech - a caution to the students to be prepared for compromise and frustration was challenged by the students who launched into the title song. As noted above, the revised version begins with the cast singing the song but without any context.

3. THAT FRANK/RICH AND HAPPY - The party scene. In the original Frank's new movie was terrible though none of the guests would tell him to his face. In the revised version the movie is a success. In THAT FRANK the party guests, Mary excepted, sing of Frank's seemingly endless talents. RICH AND HAPPY drew the conclusion that since Frank was rich and successful he must therefore be happy as well. Both songs use the same accompaniment.

4. OLD FRIENDS/LIKE IT WAS - originally in a separate scene in 1975 at a restaurant where Mary hopes to encourage reconciliation between Charley and Frank. In the revised version this number was placed as a lead in to the 3rd scene, tightening the narrative.

5. FRANKLIN SHEPARD, INC. - this song remains virtually unchanged. In the original Frank walked off the stage of the TV talk show at the end of the song ending his and Charley's partnership. In the revised version, borrowing some dialogue from the deleted restaurant scene, Frank makes it very clear that he is furious with Charley and that their friendship is finished.

6. OLD FRIENDS - though the dialogue scene leading into this song was changed for the revised version, the song remains the same.

7. GROWING UP - added to the revised version. The OLD FRIENDS scene continues after everyone leaves Frank alone in his new apartment and he muses on his friendship with Mary and Charley. Later Gussie arrives having left her husband - Frank and Charley's producer - and intent on moving in with Frank.

8. NOT A DAY GOES BY - this song changed hands a lot. Originally - in previews - Frank's soon-to-be ex-wife Beth sang it on the steps outside the courthouse. The actress playing Beth could not sing it so they re-assigned the song to Frank with a modified lyric. In the revised version it was restored to Beth and the original lyric is used.

9. NOW YOU KNOW - some lyric changes but essentially the same song. The original Broadway production incorporated a dance section that recapped the first act score (in forward sequence) using NOW YOU KNOW, OLD FRIENDS, FRANKLIN SHEPARD INC and RICH AND HAPPY. The dance segment was not recorded and was dropped from the revised version.

10. ENTR'ACTE/ACT TWO OPENING - in the revised version Act Two opens with Gussie onstage performing GOOD THING GOING. The original began Act Two with the scene outside the theatre as the friends listened to the audience reaction.

11. IT'S A HIT! - Essentially the same but loses a clever short section about selling out (Charley: Even if (the show) is a smash, doesn't that mean we sell out? Producer: Well, I hope we sell out! Charley: What I mean is sell out. Well you know...")

12. THE BLOB/GOOD THING GOING - THE BLOB was cut in previews and not included on the OCR. It was restored for the revised version. Note the main melody is the same tune used for GROWING UP. GOOD THING GOING is essentially the same.

13. BOBBY AND JACKIE AND JACK - the revised version slightly trims the number.

14. NOT A DAY GOES BY - Originally a trio for Mary, Frank and Beth at the wedding of the latter two. When Beth lost the song in Act One she was cut out of the Act Two version as well. Frank sang it to Beth as his wedding vow while Mary quietly, sadly duetted from the sidelines. The trio version is restored to the revised version.

15. OPENING DOORS

16. OUR TIME

These two remain essentially the same.

17. THE HILLS OF TOMORROW - The revised version ends with OUR TIME. The original version had a short final scene in 1955 as Frank finishes his valedictory speech to the class. They then sing a song he and his friend Charley have written. The classmates smile, there is a flash as their class picture is taken and the curtain slowly falls on these smiling faces. It was a fine ending to the show and I wish this (and the opening graduation scene) would be restored. Otherwise the revised script is in every way superior.

Sound-wise the newer recordings have a crisp, clean sound though the orchestra is roughly half the size of the original. The first cast is pretty hard to beat. If you are doing the show only the revised script is available, so you will want one of the new recordings. Jay's 2 CD set is most complete and includes some of the dialogue. V/S has the wonderful Malcolm Gets as Franklin.

The most comprehensive recording.......2002-09-19

I've never seen the show, which has had a mixed history (initially a flop, recently much more successful), so I can only rate the music, which is just fabulous. The score features everything from sophiticated ballads -- Not A Day Goes By -- to lovely pop tunes such as Our Time. Sondheim's trademark lyrical cleverness is ever present. At one point he has the characters perform a political comedy song in 1960, so Sondheim had to write a piece using sophisticated 1960 political humor. I doubt anyone at the time did it half as well.

Note that this is a double CD, and I think it is the only one available. In many cases this means that the recording has two versions of certain songs if they are sung twice in the show. I thought this a big plus because the songs are sung at different times in the show and given different interpretations. Indeed, because the show it told chronologically backwards, you see how Sondheim gives you what is really a reprise before the song is initially sung. On the other recordings of this show they have only one version and you miss this whole layer of Sondheim.

The cast is great. The orchestra is great. All in all, just great Sondheim.

This is the recording of MERRILY to purchase!.......2002-06-08

MERRILY WE ROLL ALONG was one of Sondheim's biggest flops when it first opened on Broadway in 1981. It suffered from a variety of problems, probably the biggest being that the fascinating concept of the show - relating a story in reverse chronological order - led to a host of difficulties that required more time to solve than the tryout period allowed. Over the next dozen years, Sondheim and book-writer George Furth (along with assistance from a new director, James Lapine), modified the show. The show is drastically improved by the revisions.

While Sondheim and Furth have made a few minor revisions since the Leicester Haymarket production (mostly in shortening a few rhythms in the transitions, changing some introductory dialogue, and axing some dialogue in "It's a Hit!"), the Leicester recording is far superior to the recording of the final version of the show produced by Varese Sarabande.

CHANGES FROM THE ORIGINAL BROADWAY PRODUCTION:
Some neat concepts from the original production have been left by the wayside to improve the overall structure. Gone is the opening scene at the 1980 Lake Forest Academy graduation ceremony and the accompanying "The Hills of Tomorrow." The title song is now presented as a prologue so that the audience can concentrate on the lyrics' message. The music of the 1979 (now 1976) scene has been heavily revised (including a new melody called "That Frank") to integrate more plot into the lyrics. The 1975 scene has been eliminated, although Mary's music survives intact as the first part of an expanded 1973 scene. A great new song, "Growing Up," Frank's rationalizations for changing his goals and values, has been added to the 1968 scene. Beth now sings "Not a Day Goes By" in the 1966 (now 1967) scene instead of Frank. Lyrics have been revised in "Now You Know" to be about encouraging Frank to take a vacation, not to go back to work.

Act II has required less modifications. Gussie opens the act by singing a brassy rendition of the beginning of "Good Thing Going" as her eleven-o'clock number in Frank and Charley's 1964 show. "It's a Hit!" has been shortened a bit, but Beth is now included in the backstage celebration. The 1962 scene includes a song about the New York elite, "The Blob," which had been cut from the original production, plus a reprise of "Growing Up." The scenes from 1960-1957 remain relatively unchanged, although Beth sings lead in the reprise of "Not a Day Goes By." The show now ends with "Our Time," since the 1955 graduation scene has been eliminated.

THE RECORDING:
Of the three recordings I know of this show, this is by far the best. Michael Cantwell (who I truly thought I would hate after hearing him in STARTING HERE, STARTING NOW) is a great Frank, both as a successful Hollywood executive and as an idealistic music student. Maria Friedman is almost perfect as Mary, with gravelly singing as an alcoholic in Act I and a youthful exuberance in the "Our Time" dialogue. Evan Pappas has the dramatic range to play Charley, and his enunciation in the difficult "Franklin Shepard, Inc." is admirable. Louise Gold brings the proper degrees of brassiness and insincerity to Gussie, one of musical theater's greatest "dragon lady" roles. (Jason Alexander in the original 1981 cast recording is the best Joe, and Anne Bobby in the 1994 Varese Sarabande recording is the best Beth.) The actors are young enough to convey the youthful ideals of the second act (and hit the high notes) but old enough to convincingly portray 30- and 40-somethings in the first act. The inclusion of key dialogue helps the listener put the songs into their proper context.

The Definitive "Merrily".......2001-11-20

Having listened extensively to all recordings of "Merrily We Roll Along," I say with confidence that this is by far the best, most complete recording.

The performances are all wonderful. I enjoy Maria Friedman's work on here most of all. I can clearly hear her transformation from a depressed drunkard back to a hopeful youth through the recording. Her expressive voice and striking acting choices always make her a joy to even listen to.

This CD has the best orchestrations I have heard. The underscore to "Franklin Shepherd Inc" has finally been cleaned up to the point where it sounds like an actual song, and the overall feel of the show has a real edge.

The tempos are up and the performers sound like they don't have guns being held to their heads in the recording studio. The performances a lucid and dynamic. The overall feel of the show, for the first time, has a smooth and consistent feel just from listening to the recording.

This may not be my favorite piece of Sondheim, but it is his brassiest score. This quality, lost in the off-broadway recording, is really restored here.

This CD is personal treasure and a must for Sondheim fanatics. However, this recording is by far the most accesible recording of this most difficult show.

Best interpretation of the show and score.......2000-07-21

This recording only helps to prove that Maria Friedman is the no. 1 British interpreter (if not the no. 1 international interpreter of all-time) of the music of Stephen Sondheim. Her comic timing is immpeccible, and she is larger than life in her singing (especially in "Now You Know"). Louise Gold has an Ethel Merman-y quality to her voice, and this is a great new reading of the character of Guessie (she is, after all, a Broadway head-liner), as opposed to the purring sex-kitten of all of the other Guessies out there. And her rage in the dialgoue excerpt on the first disc is clear. This woman is one heavy-duty actress. We see that Guessie isn't really the only one out of the main characters to become bitter and disilliusioned, as many people make the mistake of believing. Jacqueline Dankworth does not just sing the heart-wrenching "Not a Day Goes By," she acts it. And she acts and sings the hell out of it. She has definately inherited her mother's talent (but is decidedly different in her performance style). As you can see, all of the women on this recording are effervescent, and the men rise up to the challenge (particularly the Joe Josephson of Gareth Snook and the Charlie of Evan Pappas). And there is Frank, menacing as always. This CD is the best out there, with a large amount of dialogue, and all of the score. Here is the definitive, no-questions-asked, no-holds-barred version of MERILLY WE ROLL ALONG on CD. Buy it today!

Average customer rating: Top Form Belated release of some classic music

The Way It Was Art Pepper Manufacturer: Ojc ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Similar Items: Intensity Smack Up Gettin' Together The Trip Modern Art: The Complete Art Pepper Aladdin Recordings, Vol. 2 ASIN: B000000YLN Release Date: 1991-07-01

Tracks:

1. I Can't Believe That You're In Love With Me
2. I Can't Believe That You're In Love With Me (Alternate Take)
3. All The Things You Are
4. All The Things You Are (Alternate Take)
5. What's New
6. Tickle Toe
7. The Man I Love
8. Autumn Leaves
9. The Way You Look Tonight

Customer Reviews:

Top Form.......2005-08-10

Art Pepper is in top form in this set of standards which make up this splended record. I now own a number of his records and this one confirms that Art is definitely without a doubt in my mind the finest Altoist I have heard. He had this amazing capacity to be consistent at a very high level of playing in many recordings.

The ballad "What's New" is the exceptional song on this record which demonstrates his mastery over the Alto Sax. Other highlights are "All the Things you Are, The Man I Love, Autumn Leaves and The Way you Look Tonight". The various supporting players on different tracks also do a fine job.

Belated release of some classic music.......2004-08-06

Hard to believe these sides sat in a can till 1972. The main feature is Side A of the original LP: a November 1956 session with Warne Marsh (thus predating Pepper's first Contemporary release, the classic _...Meets the Rhythm Section_, which was recorded in Jan. 1957), with Ronnie Ball on piano, Ben Tucker on bass & Gary Frommer on drums. It's tremendous stuff (augmented on CD issue with a few alternate takes)--they tackle "Tickle Toe", "All the Things You Are", "What's New", & "I Can't Believe That You're in Love With Me" (the last two being particular favourites of Pepper's: there are plenty of recorded versions to compare in his canon). It's a real pity Marsh & Pepper only recorded together on one other occasion (a Vanguard disc with Ted Brown also on board): the partnership here is as heady & fine-drawn as any Marsh/Konitz pairing in the 1950s. The rest of the disc is outtakes from other Contemporary dates, but there's no particular reason why they were left off the original discs (except time restrictions, I guess): certainly the uptempo "The Man I Love" from the _...Meets the Rhythm Section_ session is as fine as any of the originally released tracks, & there are also good things here left over from _Intensity_ & _Gettin' Together_.

I still don't fathom why, in this boxed-set-obsessed market, there's not a proper set of all Pepper's Contemporary sides--surely there's more in the can than has yet seen light? In any case, this disc shows how much fine music got left out the first time round. Liner notes are by Pepper himself "told to Laurie Miller", & thus a dry run of sorts for the oral-history approach of his autobiography _Straight Life_.

Jazz Music:

1. Tour De Force
2. Tour De Force
3. Trio
4. Triple Treat, Vol. 1
5. Two for the Road
6. Up Late
7. Warm Valley
8. Yardbird Suite
9. A Summer Thing
10. Adagio 1 + 2

Jazz Music

jazz music