Live-Montreux '77 [Live]

1. There Is No Greater Love

2. You Look Good to Me

3. People

4. Reunion Blues

5. Teach Me Tonight

6. Sweet Georgia Brown

7. Soft Winds

Live-Montreux '77,Oscar Peterson & The Bassists,Ojc,Bop,Jazz,Swing

Jazz

Music

jazz

Tracks:

Violin Concerto In D, Op. 35: I. Allegro moderato
Violin Concerto In D, Op. 35: II. Canzonetta (Andante)
Violin Concerto In D, Op. 35: III. Finale (Allegro vivacissimo)
VIOLIN CONCERTO IN D, OP. 77: I. Allegro non troppo
VIOLIN CONCERTO IN D, OP. 77: II. Adagio
VIOLIN CONCERTO IN D, OP. 77: III. Allegro giocoso, ma non troppo vivace

Customer Reviews:

desert island disk choice. get it no, fast!.......2007-05-07

If you have this recording, you do not need another one of these pieces. This one has satisfied me for what must be at least 2 decades. You'll never need another recording.

It has no equal.......2006-03-21

The availability of this CD phenomenon with a $3.98 price should be shouted from the rooftops. Milstein outperforms everyone on both concertos; the Brahms is sublime, and the recording quality is excellent throughout. Push the purchase now key without further delay. It doesn't get any better than this, ever!

Possibly the biggest steal in all of recorded music !.......2005-10-22

As one who grew up adoring the Jascha Heifetz/Fritz Reiner recordings of these two great concerti, and certain they had set a standard of musical excellence impossible of being equalled, much less bettered, imagine my surprise upon hearing this fabulous disc.

HEIFETZ & REINER HAVE BEEN DETHRONED!

Having beaten back great artists in recent years such as Vengerov and Shaham, it hardly seemed possible that there were two old recordings by Nathan Milstein (which must have skipped my notice) which had long ago taken the prize....

...Music lovers, forget the Rosette and attendant babble given by the Penguin Guide to the Milstein Brahms Concerto (with Steinberg conducting, in mono). That publication after dismissively mentioning the Jochum conducted performance of the 1980s adds insult to injury by ignoring completely this Fistoulari conducted version! (Even if it is currently unavailable in the UK, surely it should be remembered - it was even recorded there!)

Of course any performance by a genius such as Milstein will have wonderful moments now and then, but this recording, with Fistoulari conducting, in stereo, is the best of them all - it has real magic and passion, and is the performance to get.

The Tchaikovsky with Steinberg is probably more of a draw, but the "Finale" is as good as it gets, and the rest is merely magnificent. What a fiddler!

Finally, that this disc is being sold to the public at a price this low should make all music lovers weep in gratitude, certain that "Yes, Virginia - there is a Santa Claus...."

Milstein is spectacular here!.......2005-06-08

As many reviews have been written about this disc, I'll try to keep it short and mention the things that I like about this CD most.

There are tons of recordings of these pieces, most of which are incredible and worth hearing. The thing that strikes me most about Milstein's playing is how polished it is. His tone and phrasing is perfectly thought out and executed on every single passage, even those which are highly virtuosic. His sound is gorgeous and supple, again even in the most difficult passages. I also enjoy his style, particularly on the Tchaikovsky. His use of rubato and other such expressive tools is entirely appropriate and never overdone.

When I listen to this disc, it is very clear that Milstein absolutely mastered every aspect of his instrument. His versions of these "old favorites" are absolutely wonderful.

sounds as good as any $15 recording.......2005-01-18

I got this CD because it was recommended in the Penguin Book (the Penguin Guide to Compact Discs), and at $4, as someone said, I couldn't afford not to get it. It's brilliant - the Brahms is better than the Mutter/Karajan/BPO recording, and the Tchaikovsky is better than the only other recording I'd heard at the time (Mehta/Zukerman/Israel Philharmonic). The orchestra is very good, and Milstein plays the double stops (these pieces are harder than practically every other violin concerto other than Paganini's) effortlessly. The CD is very romantic and easy on the ears - a good example of the Romantic era. And there's two recordings for $4 - how can you not get it :).

Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99

Average customer rating:

Fantastic oldy but goody...
Authoritative Performances...
Incredible excitement from a cello
Slava! Electrifying stuff!
Stunning Shostakovich

Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Dmitry Shostakovich: String Quartet Nos. 2,3,7,8 & 12
Shostakovich: Symphonies no 5 and 9 / Haitink
Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,
Bach: Cello Suites Nos. 1-6

ASIN: B000007QCK
Release Date: 1998-06-16

Tracks:

Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: I. Nocturne, Adagio
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: II. Scherzo, Allegro non troppo
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: III. Passacaglia, Andante
Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: IV. Burlesca, Allegro con brio
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: I. Allegretto
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: II. Moderato
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: III. Cadenza
Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: IV. Allegro con molto

Amazon.com

Sony has brought together Shostakovitch's greatest concertos in first recordings made soon after their American premieres by the artists most closely identified with them. Neither performance has been bettered, though some, such as Vengerov's Teldec Violin Concerto, come close. The Violin Concerto is in solid, detailed mono; the Cello Concerto in fine stereo. Oistrakh goes to the heart of the violin work, playing with extraordinary tonal magnificence and emotional power. He's matched by Mitropoulos, whose identification with the score is apparent. Rostropovitch is as good in the Cello Concerto, getting excellent support from Ormandy's Philadelphians. Both performances share the white heat of fresh discovery and have stood the test of time to become classic recordings. --Dan Davis

Amazon.com

Eugene Ormandy was Shostakovich's great interpreter (along with Bernstein) in the West, and he was entrusted with many U.S. premiers of the great Russian composer's symphonies and concertos. This recording of the First Cello Concerto was made while both the composer and his cellist friend were on tour in the United States, so it has the imprimatur of Shostakovich himself. The Violin Concerto similarly was recorded just days after its U.S. premiere in New York with the Oistrakh, for whom it was written. This is as distinguished a pair of performances as you're likely to hear, and although the Violin Concerto is mono, the sound never gets in the way of your enjoyment. An event. --David Hurwitz

Customer Reviews:

Fantastic oldy but goody..........2007-07-12

I rediscovered the Shost cello concerto. Turns out I had bought a copy on LP back in the 50's. I had forgotten it, but recognised the cover picture on the insert. I haven't played it in many years.

After hearing of Slava's death, I decided to add him to my collection, especially any DSCH pieces. I was pleasantly surprised to re-aquaint myself with an old friend. The sound of these older recordings are fantastic, stereo or not. If you want to collect authentic Shostakovich, you must collect this CD.

Authoritative Performances..........2007-02-02

I have owned both LPs and worn them out with repeated listenings. I feel these performances are breathtaking in their energy and emotion. I only wish there was such a paring on CD of the 2nd Violin and 2nd Cello Concertos with these soloists.

Incredible excitement from a cello.......2006-10-24

I'm a great fan of piano concerti, not string concerti, definitely not cello concerti. But this one makes me go weak in the knees. I first heard it performed by Rostropovich 30 years ago. It made my heart pound. It still does. This performance is the best I've heard. The sound quality is excellent, the orchestra is excellent, and Rostropovich is at the height of his powers. The concerto is modern, but not in the ugly atonal way of much modern orchestral music. It has a driving pulse, simple but powerful melodic lines that linger in the memory, a passionate, almost erotic, exoticism. A friend of mine who didn't like it referred to it as "cosmic debris." I can sort of understand his metaphor, but this trails a glorious plume on re-entry.

The violin concerto was for me just something extra on the disc. But after a careful listening, I'm impressed. Oistrakh was a top-notch violinist, and he was in exteme good form for this performance. The sound quality is good, but not as good as in the cello concerto. The orchestra is dazzling. I won't be skipping over this performance to get to the cello concerto - they make a fine pair in this recording. This disc is a must-have for any lover of 20th century concert music.

Slava! Electrifying stuff! .......2006-03-14

These are absolutely gorgeous recordings of both pieces. Indeed, these are the first ever recordings of both pieces, both recorded just months after their world premieres in the USSR, in 1956 and 1959. Sony have done an excellent job with the remastering, and the sound is crisp and clean.

As for the playing - Oistrakh and Rostropovich in their prime, with Shostakovich present and advising during both recordings - what more needs to be said. Shostakovich dedicated the First Cello Concerto to Rostropovich, his pupil and friend, and he almost seems to breathe the music. Oistrakh is magnificent in the Violin Conecrto, especially in the fast and furious finale. The New York Philharmonic under Mitropoulos and the Phildaelphia Orchestra under Ormandy are pretty damn good as well, and both pieces are fiendishly difficult in places.

Sorry this is praise is a little over the top, but it is entirely deserved!

Stunning Shostakovich.......2005-05-17

Rostropovich in the Cello Concerto is superb and, without question, this is the greatest STUDIO account of the Violin Concerto. But please note: Oistrakh and Mitropoulos gave the American premiere of the Violin Concerto in a LIVE radio broadcast performance on New Year's Day 1956, and the studio recording on this Sony CD was made the following day. That LIVE premiere performance can be heard (excellent sound!) in a 10-disc box set from the New York Philharmonic called "The Historic Broadcasts 1923 to 1987." It's an expensive set ($225), but it contains some other extraordinary items, such as Stravinsky conducting Tchaikovsky's 2nd Symphony, Artur Rubinstein's finest account of the Chopin Piano Concerto #1 with Bruno Walter, Kirsten Flagstad and Walter in an incredible Immolation Scene from Wagner's Gotterdammerung, Stokowski's only recording of Mendelssohn's "Scotch" Symphony, and a great performance by Heifetz with Toscanini of the Brahms Violin Concerto. While I'm not a great fan of Heifetz, this was his finest account of the Brahms.

But the REAL highlight of that NY Phil. set: the SUPERLATIVE performance by Oistrakh and Mitropoulos in the Shostakovich Violin Concerto. While this Columbia studio recording is indeed wonderful, it doesn't quite touch the inspired intensity of Oistakh's "live" premiere. Of course, not all "live" performances are better than their studio counterparts (e.g., I much prefer Sviatoslav Richter's studio Liszt concertos on Philips to his "live" concert recording on BBC Legends). But Oistrakh and Mitropoulos in the premiere tightened the screws and threw off sparks "live" that even this superb studio performance doesn't quite match.

This Sony Columbia Masterworks CD is worth its price just to have the outstanding account of the Cello Concerto with Rostropovich. But if you want to hear Oistrakh's interpretation of the Violin Concerto at its absolute zenith, you should try to hear the NY Phil. set too.

Highly recommended.

Average customer rating:

my favourite
A superb debut, but get the remaster.
Not for everyone, but post-punk fans and the open-minded will LOVE this influential album
Fantastic debut
Yes! it IS punk!

Talking Heads: 77
Talking Heads
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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More Songs About Buildings and Food
Fear of Music
Remain in Light
Speaking in Tongues
Little Creatures

ASIN: B000002KNU
Release Date: 1990-10-25

Tracks:

Uh-Oh, Love Comes to Town
New Feeling
Tentative Decisions
Happy Day
Who Is It?
No Compassion
The Book I Read
Don't Worry About The Government
First Week/Last Week...Care Free
Psycho Killer
Pulled Up

Amazon.com essential recording

Next to CBGBs peers like the Ramones and the Voidoids, Talking Heads barely sounded like a punk band. After the startlingly non-conformist "Love Building on Fire," 77 made for a surprisingly tuneful collection of songs: nervy vignettes of urban unease, arranged for a tight little new wave quartet. The most overtly disturbed song, "Psycho Killer," now sounds a touch heavy-handed; more unassuming tracks like "New Feeling," "Happy Day," and "Don't Worry About the Government"--preppie pop with brains--have aged better. The first of four consecutive masterpieces for Sire, 77 is the work of a truly great American band. --Barney Hoskyns

Customer Reviews:

my favourite.......2007-05-13

funky and very singalong. first week last week carefree is my favourite, this has some good saxaphone, dont think they used this instrument often enough on their albums.great pick me up!

A superb debut, but get the remaster........2006-02-21

One of those debut albums that is clearly the beginning of a legacy, "Talking Heads '77" finds the band raw yet somehow fully formed. At its best, it is absolutely brilliant, somewhat schizophrenic new wave pop, at its worst, quite frankly, it's not much different.

Having met in art school in Rhode Island, David Byrne (guitar and vocals), Tina Weymouth (bass) and Chris Frantz (drums) relocated to New York to pursue their destiny as a band, eventually adding Jerry Harrison to the mix (keyboards and guitar) from Jonathan Richman's Modern Lovers (highly recommended for anyone who enjoys this album). The band performed Byrne's songs-- a fractured, paranoid, intelligent and yet goofy sort of off-kilter pop-- the key to his music is that you can't readily identify when it was recorded, it has that magic timeless nature to it such that if you played this album for someone who had never heard it, they'd have no reason to assume it was recorded nearly thirty years ago. With Byrne's strained, frantic vocals and an unnervingly able and inventive rhythm section, the pieces all get superb readings.

Again, at its best it's brilliant schizophrenic pop-- from the deep groove of paranoid "Psycho Killer" to the mildly funky, building and paranoid "No Compassion" (the clearest pointer to what the future holds) to goofy-yet-serious chirping opener "Uh-Oh, Love Comes to Town" or the seemingly endless imagery of "Don't Worry About the Government". The less intriguing tracks are pleasant enough ("New Feeling"), but often fairly unmemorable ("First Week/Last Week... Carefree") when compared to the rest of the record. They'd probably stand out on anyone else's album, but the better material on here raises the bar.

A reissue just came out in dualdisc format, nicely remastering the sound to match the timeless quality of the music and adding several bonus tracks to both sides, this is a fantastic upgrade and well worth the extra couple bucks to get it.

Truthfully, the Talking Heads would go on to bigger and better things in the company of Brian Eno on their next three records, all pretty much flawless, but this one is essential. Four stars without the remastering job, five with the cleaned up sound and the bonus tracks. Recommended.

Not for everyone, but post-punk fans and the open-minded will LOVE this influential album.......2006-01-03

"Talking Heads: 77" is an incredibly original album; it essentially made post-punk a credible "sub"genre. It doesn't sound too dated (it did come out in 1977 after all) and although it could probably use a remastering, you won't mind too much. I'll admit that basically the only Talking Heads song I knew before I heard this album was "Once In A Lifetime" (off "Remain In Light"), and although that's a pretty good album and a great song, "Talking Heads: 77" is WAY better (and I'll also admit that at first I didn't really like this album - it definitely grows on you over time). It is definitely straight up post-punk (think of Gang Of Four's "Entertainment!") that features completely nonsensical (but interesting and sometimes funny) lyrics as well as David Byrne's quirky-yet-lovable singing style. This album DID have two hits - "Uh-Oh, Love Comes To Town" and "Psycho Killer" - and although they DO help make the album more appealing to non-genre fans I still don't think the majority of people will like it. Despite this it's also arguably their most accessible album. Not all of the songs are as instantly catchy and appealing as these two, but the rest are still very very good. With all this in mind I would've given it 5 stars, but it's historical influence makes it that much more worth it. Post-punk fans and open-minded listeners will definitely love it, though. A classic album that's highly recommended!

Highlights include:
the entire album!

Fantastic debut.......2004-06-02

This is not Talking Heads' best album - fans tend to rate any one of their four subsequent studio releases - but it's definitely worth having. Quirky, poppy and slightly amateurish, it has a sound all of its own. The emphasis is squarely on David Byrne's songs, to which the band are at this stage subordinated, and the songs are pretty much uniformly great. The best known is of course Psycho Killer, a jarring and twisted number written from the point of view of a (surprise) psycho killer, but there is better fare on offer here. Don't Worry About The Government, Uh-Oh, Love Comes To Town, Happy Day and Book I Read are all cheerfully deranged masterpieces; Byrne's ability to write a song in character is utilised to the full, as is his ability to explore themes that other lyricists just wouldn't think of: who else could write a line like 'some civil servants are just like my loved ones'? However, the album's crowning glory is Pulled Up, an ecstatically cheerful pop song which, in its middle eight, showcases the band's ability to 'be funky' with a sparse guitar riff, wonderful bassline and soaring tune.
But it's not perfect by any means - when Byrne runs out of decent tunes the songs fall flat on their faces because the band don't quite have the chemistry going on that they did over the next few albums. Songs like Who Is It are lightweight and throwaway, and although they're not particularly bad, I certainly wouldn't have bought the album if they were all like that. Maybe this lack of chemistry was simply because the band were entering the studio to record an album for the first time and their nerves got the better of them - certainly they had a great reputation as a live band at around the same time - but they do bring the album's star rating down a notch. But if you've bought and liked any of their albums, you should enjoy this.

Yes! it IS punk!.......2004-02-04

Some guy a few reviews ago said that "hardcore / punk fans won't find what they're looking for" here, and I disagree. I got into punk rock the backwards way (90s, then accesible 70s, then 80s, then 70s) and have only recently gotten more interested in the original New York / CBGB scene. I was "brought up" on the punk of Bad Religion, Crass, Dead Kennedys, Ramones, Sex Pistols etc. and have still found this great album and a great PUNK album. Richard Hell & the Voidoids mix punk and poetic sensibilities better than Talking Heads, but I get the feeling that was never the Heads aim. Their seminal album starts out great with "New Feeling" "Tentative Decisions" and (one of my favourites) "Love Comes to Town." Then it loses me there in the middle (ya gotta understand, I can't take long songs) but then redeems itself at the end with the long but spectacular "Psycho Killer" and "Pulled Up." Not compared to what we've come to know as punk, but compared to the rest of the album, the last two have a harder guitar sound. The rest may not have a particularly 'vicious' punk sound, but the substance is pure neurotic, on-the-edge punk.

Classical Music for People Who Hate Classical Music

Average customer rating:

CD set is misnamed
Do not Buy
Classical Music for People Who Hate Classical Music
Seek better versions
It Is What It Is

Classical Music for People Who Hate Classical Music

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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Best of the Millennium: Top 40 Classical Hits
25 Classical Favorites
25 Romantic Classics
The Most Relaxing Classical Album in the World...Ever!
The Most Relaxing Classical Music in the Universe

ASIN: B000003QWH
Release Date: 1994-06-09

Tracks:

Canon In D
'Brandenburg' Concerto No. 3: Allegro
The Four Seasons - The Winter: Largo And Allegro
Fanfare ('Masterpiece Theatre' Theme)
Camerata Romana: Air For The 'G' String
'Eine kleine Nachtmusik': Allegro
Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
Introduction To Symphony No. 5
'William Tell' Overture: Finale
'Aida': Triumphal March
On The Beautiful, Blue Danube Waltz
'The Nutcracker': Waltz Of The Flowers
'1812' Overture: Finale

Tracks:

Sabre Dance
'Light Cavalry' Overture: Finale
Carmen: The Toreadors
' Midsummer Night's Dream': Wedding March
Radetzky March
Symphony No. 9, 'Choral': Finale
'Prince Igor': Polovstian Dance No. 17
Jesu, Joy Of Man's Desiring
Peer Gynt: Solveig's Song
Sleepers, Wake
Water Music: Hornpipe
Symphony No. 9, 'From The New World': Largo
Emperor Waltz
'Emperor' Quartet: St. Anthony's Chorale
'The Tales Of Hoffman': Barcarolle
L'Arlesienne: Farandole
'The Nutcracker': Dance Of The Mirlitons
'The Nutcracker': Dance Of The Sugar-Plum Fairy
'Rhapsody In Blue': Highlight
'Orpheus In The Underworld': Can-Can

Tracks:

Introduction To 'Also sprach Zarathustra'
Symphony No. 4, 'Italian': Saltarello: Presto
Piano Concerto No. 20: Romance
'The Valkyrie': Ride Of The Valkyries
'The Four Seasons' - The Spring: Allegro
Toccata and Fugue
Trumpet Voluntary
'Royal Fireworks Music': la rejouissance: Allegro
'Moonlight' Sonata: Adagio Sostenuto
London Festival Orchestra: Overture To 'The Barber Of Seville'
Piano Concerto No. 2: Adagio Sostenuto

Tracks:

Carmina Burana: Introduction To 'Carmina Burana'
Peer Gynt: Dawn From 'Peer Gynt'
Lohengrin: Prelude To 'Lohengrin'
'Lieutenant Kije': Troika From 'Lieutenant Kije'
Adiago For Strings
'Carmen': Habanera From 'Carmen'
'Double' Concerto: Allegro From 'Double' Concerto
The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
(Rondo) Alla Turca
Xerxes: Largo From 'Xerxes'
Symphony No. 5: Allegro vivace From Symphony No. 5
'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
Clair De Lune
Bolero

Customer Reviews:

CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.

Average customer rating:

Buy This!
Here we go again trying words
Unique Music
Haydn at his most enjoyable and approachable
wonderful recordings but be warned...

Haydn: String Quartets Op. 76, Nos. 1-3

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6
Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6
Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"
Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6

ASIN: B0000013OP
Release Date: 1992-09-04

Tracks:

String quartet in G major, op.76 no.1: Allegro con spirito
String quartet in G major, op.76 no.1: Adagio sostenuto
String quartet in G major, op.76 no.1: Menuetto: Presto
String quartet in G major, op.76 no.1: Finale: Allegro ma non troppo
String quartet in D minor, op.76 no.2: Allegro
String quartet in D minor, op.76 no.2: Andante o piu tosto allegretto
String quartet in D minor, op.76 no.2: Allegro ma non troppo
String quartet in D minor, op.76 no.2: Vivace assai
String quartet in C major, op.76 no.3: : Allegro
String quartet in C major, op.76 no.3: Poco adagio, cantabile
String quartet in C major, op.76 no.3: Menuetto: Allegro
String quartet in C major, op.76 no.3: Finale: Presto

Customer Reviews:

Buy This!.......2007-05-20

Whether you are a Haydn connosieur, or even a newbie curious in regard to this work (perhaps the greatest achievement in String Quartet history), this recording is outstanding. Although I might put the historically performed rendition of these works by the Quatuor Mosaique on a higher level of preference, it's simply my own personal taste (I often prefer performances of these works on period instruments...you might not). You can't go wrong with this cd. All the music is brought out in striking fashion by the Kodaly Q.

Don't even consider this one too much: GET it.

Here we go again trying words.......2006-06-04

Well, it is not often in my music collection of several hundred "classical" CD's that I find music that still moves me to tears. The quartets are so interesting for me on all levels and how could you find them better played? Many of Haydn's quartets are worth purchase but opus 76 has a special place in this genre. Every composer has a special area where he (not many she's unfortunately) has mastered. One thinks of Mozart and the operas or Beethoven and the symphonies. Well here is where Haydn has never been surpassed.

Unique Music.......2006-03-08

I don't really have add anything about this CD. The performances are excellent as is the recorded sound. I would like to say that new classical music lovers who have yet to advance to chamber music, should really enjoy this great music. The two named quartets are especially good with the finale of the 3rd quartet being one of my favorite movements in all of music.

Haydn at his most enjoyable and approachable.......2005-10-28

Do the recordings on this CD rank at the greatest of Haydn's work? IMHO, no (I reserve that for certain of his symphonies and masses); however, is everything you eat chock full of all of the nutrients you need with only the minimum amount of calories? The artists approach the music with style and delicacy. If you are or live with an aficionado of this musical era, I encourage you to add this CD to your/his/her collection.

wonderful recordings but be warned..........2005-09-22

if you are reading some of the other reviews saying that this music is as good as anything Mozart ever composed, beware. These quartets are excellent - and are worth owning if for no reason other than Haydn being an instrumental figure in the birth of the quartet as we know it. Haydn is credited with being a pioneer in developing independent voicing of all 4 instruments, and these mature late quartets show off his mastery of the form. However, these quartets are NOT Mozart. Haydn was an excellent composer, and while exceedingly original and inventive in his techniques and phrasings, his music does not resonate with the sheer genius of Mozart's late quartets (from K. 387 on). So if you are looking for something Mozartean here, you will not find it. If you are looking to discover more excellent music in the Classical style from the father of the Classical style, then you should definitely pick these discs up. Not only are the performances and recordings excellent, but at this price you cannot go wrong.

Brahms, Tchaikovsky: Violin Concertos [Hybrid SACD]

Average customer rating:

the definitive Tchaikovsky version
Legendary performances in sound that shows what's going on
Heifetz deserves this new technology

Brahms, Tchaikovsky: Violin Concertos [Hybrid SACD]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Beethoven: Violin Concerto; Mendelssohn: Violin Concerto [Hybrid SACD]
Mussorgsky: Pictures at an Exhibition, A Night on Bald Mountain, and Other Russian Showpieces [Hybrid SACD]
Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD]
Richard Strauss: Also sprach Zarathustra; Ein Heldenleben [Hybrid SACD]
The Chopin Ballades & Scherzos [Hybrid SACD]

ASIN: B0009U55RE
Release Date: 2005-07-26

Customer Reviews:

the definitive Tchaikovsky version.......2007-02-19

To me this simply is the Tchaikovsky version to have, particularly in the now improved sound quality. Probably the same could not be said about the Brahms, but the Tchaikovsky alone is well worth the cost of the SACD.

Legendary performances in sound that shows what's going on.......2006-05-01

While I believe the Brahms violin concerton is the "Emporer" of violin concertos -- principally for its well-developed architecture -- I never cared much for Heifitz's version of the concerto. Although his early stereo recording with the Chicago Symphony and Reiner was played up to his standard, I always thought their collaboration produced an impatient recording, as if they couldn't get it finished quickly enough.

What a difference SACD makes! Now, when I listen to this work, I have a much different reaction. Hearing Heifitz located on the stage just a few steps from where Reiner is leading his band, this now sounds to me more impassioned than ever before, as if the chemistry between the two highly driven performers and the virtuoso orchestra resulted in a fast reading that was driven by a burning passion and not impatience.

So what happened; does the SACD recording show a different reality or did I just get older and appreciate the greatness of these performers more in my maturity?

I think both things happened. I know I appreciate Heifitz a lot more in SACD than I ever did in stereo and the sound on this SACD -- especially when I listen with headphones -- brings dimension to the recording that never existed before. It also shows the level of detail Reiner required from his orchestra and its ability to meet his technical demands.

I enjoyed the Tchaikovksy concerto that is mated with the Brahms here but less so. The chemistry doesn't seem to be the same between the partners, who were both high profile literalits in mid 20th century. Their collective insistence on literalism probably took some of the Slavic character away from the Tchaikovsky concerto, making it another top European concerto from the late Romantic period instead of an individual opus.

I listened to Heifitz's SACD recording of the Sibelius concerto after hearing the Tchaikovksy. There, Heifitz delivered a more characterful and intense performance that projected the icy Scandanavian nature of the composer. This is the element I think the Tchaikovsky concerto lacks -- the overwhelming passion of the emotionally charged and conflicted Russian composer.

Still, this is a great CD replicated in up to the minute super audio sound that usesof all three forward speakers without surround sound. RCA tells us in its technical packaging that the third speaker is a come and go proposition in SACD reissues because that's the way they were recorded. I noticed the middle channel in use every time I got next to the speaker in this recording.

This should appeal to music historians, fans of the two concertos, musicologists and audiophiles that want to know what three-channel recordings sounded like in the early days of stereo. Even this slight misgiving I have about the Tchaikovsky, this CD powerfully appeals to me.

Heifetz deserves this new technology.......2006-01-30

The violini is the most difficult instrument to record, and when digital sound came in during the Eighties, music lovers were dismayed by the edgy, glassy harshness of violin recordings, both solo and orchestral. Compared to the warmer, more natural sound of the best LPs, the advent of CDs was a huge step backward. Upgrades into 20-bit and 24-bit technology improved matters somewhat, but only now, with SACD, are we back to violin recordings that don't make you wince.

This classic pairing of Brahms and Tchaikovsky concertos with Heifetz and Reiner was always in good sound, despite the early recording dates, 1955 and 1957 respectively (the Tchaikovsky being the far superior one sonically). I bought this hybrid SACD to play in normal two-channel CD format, and it is impeccable. There is still a hint of wiriness in Heifetz's tone in the Brahms, but the Tchaikovsky sounds completely natural. Heifetz is far from my favorite violinist, but he deserves the best sound possible, and for the time being at least, he has it.

Average customer rating:

So I'm just learning violin...
Joshua Bell...

The Essential Joshua Bell

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Voice of the Violin
Romance of the Violin
Tchaikovsky: Violin Concerto [Hybrid SACD]
Joshua Bell - Gershwin Fantasy
Violin Favourites & Virtuoso Showpieces

ASIN: B000A8AXUY
Release Date: 2005-09-13

Tracks:

Allegro Molto Appassionato
II. Sicilienne
II. Adagio
IV. Allegro Quasi Presto
III. Allegro Giocoso, Ma Non Troppo Vivace
Caprice Viennois
Toy-Soldiers March
Waves At Play - Samuel Sanders
II. Andante Assai
Spanish Dance - Samuel Sanders
Nigun (Improvisation)
Zigeunerweisen, Op.20

Customer Reviews:

So I'm just learning violin..........2006-09-21

and I can not play like Joshua Bell. For this, he better consider himself damn lucky as the world could not handle two of us Joshua Bells.

This was my first exposure to this phenom. Sorry, I had never heard of him until I got my first issue of STRINGS magazine and he was on the cover. My wife liked the cover and wanted to know if I got better would I not only sound like him but would I also look like him? I guess we'll never know how that will actually turn out. Safe to say, I'll end up not looking like him as I can never be quite as good as him. Again, damn lucky for Josh as I don't think the world could handle two of us.

This disc is an absolute gem not only for the Joshua Bell and violin fan, but the arrangements and the sound quality is superb. What this disc made me realize is that there are truly only a few out there that have complete and total control of their craft. It also made me decide that I would like to perhaps pick up a few more Joshua Bell recordings. For my wife, I guess I'll just duplicate them and give the copies to her in a blank cd case. I can tell her it's me playing. That ought to heat things up!

Joshua Bell..........2005-12-05

This CD is a wonderful CD to see how Joshua Bell interprets some of the standard repertory of violinists of this century. The only thing I was dissapointed in slightly was that it included music from other CD's already produced by Bell, but otherwise, a wonderful gift for someone who has never heard Bell before.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

L.A.M.F.: The Lost '77 Mixes
Average customer rating:

Glad They Were Found ! It's Not Enough !

L.A.M.F.--It's Not Enough!

i shoulda been rich...

Johnny Thunders&The Heartbreakers - 'L.A.M.F.:The Lost '77 Mixes' (Freud-Jungle)

Second Review

L.A.M.F.: The Lost '77 Mixes
Johnny Thunders & the Heartbreakers
Manufacturer: Freud-Jungle Full
ProductGroup: Music
Binding: Audio CD

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New York Dolls

Hard Night's Day

All Dolled Up

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Johnny Thunders: In Cold Blood

ASIN: B00007MFGI
Release Date: 2003-03-03

Tracks:

Born to Lose
Baby Talk
All by Myself
I Wanna Be Loved
It's Not Enough
Chinese Rocks
Get off the Phone
Pirate Love
One Track Mind
I Love You
Going Steady
Let Go
Can't Keep My Eyes on You
Do You Love Me

Album Description

2002 reissue of classic 1977 album includes a bonus video, 'Chinese Rocks', & a bonus disc, 'Alternative L.A.M.F.', featuring 16 previously unreleased alternate mixes, demos & rehearsals including, 'Born Too Loose', 'Chinese Rocks', 'Let Go', 'Goin' Steady' (Instr.), 'Baby Talk' (Instr.), 'Pirate Love' (Instr.), 'Born To Lose' (Instr.), 'Chinese Rocks' (Instr.), 'Do You Love Me', 'Can't Keep My Eyes On You', 'Get Off The Phone', 'All By Myself', 'It's Not Enough', 'One Track Mind', 'Too Much Junkie Business', & 'London Boys'. Packaging includes a 24-page booklet with complete lyrics, song comments by Walter Lure, & slipcase. Jungle Records.

Album Details

Includes a 24 Page Booklet and a Bonus CD.

Customer Reviews:

Glad They Were Found ! It's Not Enough !.......2007-03-15

I LOVE THIS CD !!!! Such a GREAT addition to my collection, especially with such lack of this sound these days!
Unfortunately...I did not appreciate their music "back in the day."
I had many opportunites to see them,living in NYC in the late 70's - late 80's. Soooo glad they found these lost mixes! I repent!
A MUST OWN for anyone that appreciates raw, classic, gritty rock + roll.
This collection should be held in the highest regard,along with the other classics like The Stones, Yardbirds, The Seeds, The Kinks, + The Ramones.
Johnny Thunder's guitar solo + vocals on It's Not Enough...WOW!!! Reminds me of The Stones, Child of the Moon, but BETTER! He really "goes out" + gives his all. GREAT piece of Rock + Roll with JT's emotions on his sleeve! It's bone chilling!
Chinese Rocks, Born to Lose, + Do You Love Me are rare treats for those who love the "old sound rock + roll."
These classics can NEVER be duplicated, + are so impotant for anyone who appreciates only the finest !
J.T. + Heartbreakers will never again be lost to me!
I hope many people discover this CD.
Written In Loving Memory of Johnny Thunders + band.

L.A.M.F.--It's Not Enough!.......2007-03-01

Up from the red-leather remains of the New York Dolls rose the Heartbreakers, founded by ex-Dolls guitarist Johnny Thunders (né Genzale) and handsome-devil drummer Jerry Nolan in 1975. Leaving their former band members in Florida with some guy named McLaren so they could score smack back in the Big Apple, Johnny and Jerry tapped proto-punk poster-boy Richard Hell for their new ensemble. CBGBs and Max's Kansas City were their battlefields and they were an integral part of this febrile, fertile spawning ground. You know the litany of names: the Ramones, Television, Blondie, Talking Heads, etc. etc. Though Hell froze up and departed, the Heartbreakers, eventually released only one album, the sonically-challenged "L.A.M.F." in 1977. This recent mix, from re-discovered tapes, sounds wonderful, less muddy, and all sleaze.

What makes the Heartbreakers great is simplicity. They reduced twenty years of rock and pop and rhythm and blues into 3 minute rave-ups that always leave the listener wanting more. Johnny's guitar-slinging rings true, always teetering on the edge of collapse: it's chaotic and exhilarating. Blistering leads, solos that sound like a strangling cat, chugging rhythms like the subway trains roaring beneath the city streets.

Songs like "Get Off the Phone," "Going Steady," "Baby Talk," and "Let Go" are trashy rock'n'roll rave-ups, with all the requisite elements: catchy choruses, sleazy good-time lyrics (the ones that make sense, anyway; Johnny weren't no English perfessor), driving drums, and immediate gratification. A song like "One Track Mind" is a beautiful thing, all irresistible chorus and air-guitar glory. "It's Not Enough": is a reflective ballad-sorta thing, with Johnny lamenting how "You can give me this/You can give me that" but it's not enough. Man it's good! "Pirate Love" exists only for the dual-guitar solo that rivals anything the Dolls ever laid down.

Then there are the classics, the signature tunes that no Johnny Thunders performance was complete without: "Born to Lose," (or, alternately "Born Too Loose") which opens the album: with some out-of-tune guitar whines, and the lyrics reveals again just what a poet of the streets Johnny was: "Nothin' to do/Oh nothin' to say/Only one thing that I want/It's the only way/I said hit it!/Baby I was born to lose."

"Chinese Rocks" is perhaps Thunders' most famous song even though it was written by fellow junkster Dee Dee Ramone. Anyone unsure as to what the song refers can be sure, it ain't nothing like Pop Rocks.

"The plaster's fallin off the walls
My girlfriend's cryin in the shower stall
It's hot as a bitch
I shoulda been rich
But I'm just diggin a Chinese ditch
I'm livin on Chinese rocks
All my best things are in hock
I'm livin on Chinese rocks
Everything is in the pawn shop"

These songs depict the downside of downtown and how the jungle could eat you alive. Johnny's status as a stylish, decadent loser who strutted those mean streets is legendary. As Wayne Kramer (MC5) said of Johnny: "He could snatch defeat from the jaws of victory."

The Heartbreakers weren't really a punk band, even though they rounded out the legendary Anarchy tour of the UK in late '76 with a couple bands you mighta heard of, the Sex Pistols and the Clash. Rumor has it--actually, it's more than rumor, it's fact--that the Heartbreakers introduced heroin to the much younger and more naive UK punks, and Nancy Spungen went looking for Jerry Nolan and followed them there. You know what happened after that.

The band was never able to secure a record deal with an American label due to their, uh, extracurricular activities, so eventually they broke up. Johnny would put out a decidedly mixed solo album a year later ("So Alone") and continue to travel the world as a performer. Shows were plagued by his drug use, his attitude, his poor guitar-playing. I never got to see him perform, and odds are that if I had, I'd've seen a shambles of a set. Although a friend saw him in the mid-80s and remembers the acoustic set Johnny did as particularly entertaining. In April of 1991 Johnny Thunders was hauled out of a grimy New Orleans hotel, his lifeless body doubled over from the effects of countless drugs. It's not enough, is it, Johnny? No, I guess it never is.

Well, all that don't matter. What does matter is that if you care about real rock'n'roll you need this album. It rocks like nothing else I know, but fits kinda between the Stones and the Replacements (whose "Johnny's Gonna Die" is an ode to Thunders), G'n'R, Hanoi Rocks, very early Crue and other hard rock of the '80s. Practically every hard-rock/glam/metal guitarist that tosses a mane of out-of-control hair with a sneer and screech copped it from Johnny (who of course copped it from Keith Richards, let's be honest here). Johnny deserves to be remembered for his single-minded rock tunes, his dedication to the rock'n'roll lifestyle, and also for one of the coolest rock "nom de guerres" ever--I mean, "Johnny Thunders" how cool is that?! Thanks Johnny Rock on RIP!

i shoulda been rich..........2007-02-06

This album was the eye opener for me in '77. These guys rocked it, and lived it, like nobody else's business. Walter's guitar style complimented Johnny's like they were twin brothers. And, it's fun to figure out who played what on which track, although Johnny (the musical genius) is almost always evident. What the world really needs is more bass and drums like Jerry and Billy played it. Simple, powerful, succinct. I was lucky enough to see The Heartbreakers live. They changed my life for the better.

Johnny Thunders&The Heartbreakers - 'L.A.M.F.:The Lost '77 Mixes' (Freud-Jungle).......2006-11-05

This is maybe the third Johnny Thunders CD I've ever heard.Certainly can see WHY there have been so numerous titles of his put out.The late New York Dolls guitarist can certainly give the fans what they want.Total of fourteen good old school All American tracks here to wet appetite with.Most impressive cuts are "Baby Talk","It's Not Enough",the very NY Dolls-ish "Pirate Love",the rocking "Let Go" and the Berry Gordy cover "Do You Love Me".Line-up:Johnny Thunders-guitar&vocals,Billy Rath-bass,Walter Lure-guitar&vocals and fellow Dolls alumni Jerry Nolan-drums.Do check it out.

Second Review.......2006-05-16

After giving this album a second run, I change my opinion. This is a pretty good album, and the newer mix brings it all together. And while I still believe that "So Alone" and the Dolls first album are superior, I've come to appreciate this album on its own terms. Better than most other punk. High level of musicianship on Johnny's part (no pun intended.)

Rendezvous of Angels - Concert Collection [20 CD Set]

Average customer rating:

Heavenly
What a value!

Rendezvous of Angels - Concert Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DV5E
Release Date: 2003-12-09

Tracks:

Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists

Tracks:

Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum

Tracks:

Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum

Tracks:

Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings

Tracks:

Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger

Tracks:

Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle

Tracks:

Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi

Tracks:

Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra

Tracks:

Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum

Tracks:

Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Moderato - Budapest Strings,
Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos

Tracks:

Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
Concierto de Aranjuez: Adagio - Monika Rost
Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
Sonata Op.22: Allegro - Budapest Strings,
Sonata Op.22: Adagio - Budapest Strings,
Sonata Op.22: Menuetto - Budapest Strings,
Sonata Op.22: Rondo. Allegretto - Budapest Strings,
Spanish Dance No. 2 - Budapest Strings
Castilla No. 7 - Budapest Strings,
Hommage Debussy - Budapest Strings,
Spanish Dance - Budapest Strings,

Album Description

This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.

Customer Reviews:

Heavenly.......2007-06-06

A collection of masters that insist that you relax as you listen. An exquisit addition to any music cd collection.

What a value!.......2005-07-26

A wonderful collection of music spanning from the Baroque to the Modern and so Affordable. Each CD is in a full size jewel-case with beautiful cover art - paintings of Renaissance-era angels in muted, slightly reflective, metal-tone inks - all within a box that ties them all together. There are no liner notes in the booklet, just track listings, but the music speaks for itself. It's not completely apparent from the track listing who the composers are, so here's the breakdown: Disc 1 - Vivaldi's "Four Seasons"; Disc 2 - Vivaldi flute concertos; Disc 3 and 4 - Bach Brandonburg concertos; Disc 5 - Bach violin concertos; Disc 6 - Handel concerto grossi; Disc 7 - Handel organ concertos; Disc 8 - Flute concertos by Quantz, Heinchen, Buffardin, Adolph-Hasse; Disc 9 - Mozartt violin concertos; Disc 10 - Mozart horn concertos; Disc 11 - Mozart piano concertos; Disc 12 - Haydn cello concertos; Disc 13 - Haydn violin concertos; Disc 14 - Tchaikovsky violin concerto and piano concerto; Disc 15 - Paganini and Chausson violin concertos; Disc 16 - Bruch and Mendelssohn violin concertos; Disc 17 - Brahms concertos; Disc 18 - Dvorak and Hindesmith cello concertos; Disc 19 - Russian composers Prokofiev, Galzanov and Shoshakovich violin concertos; Disc 20 - Spanish guitar concertos of Rodrigo, Sor, Granados, Albeniz and de Falla.

Jazz Music:

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