Walk On

Walk On

Track Listings

 
1. Jumping the Blues (Jumpin' Blues)
2. I Almost Lost My Mind
3. Walk On
4. Crazy He Calls Me
5. Queen's Samba
6. My Shining Hour
7. Please Send Me Someone to Love
8. Moanin'

Walk On,Randy Johnston,Muse Records,Bop,Hard Bop,Jazz,Neo-Bop,Soul-Jazz

Jazz

Music

jazz

music
Carousel (1956 Film Soundtrack)
Average customer rating: 4.5 out of 5 stars
  • AWESOME!!
  • MacRae and Jones soar in this tragic R&H musical
  • Great Music
  • Response to David Pabian's review below
  • Gummed up an Original
Carousel (1956 Film Soundtrack)
Shirley Jones , Claramae Turner , Robert Rounseville , Cameron Mitchell , Barbara Ruick , Robert Rounseville , Richard Rodgers , Oscar Hammerstein II , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Oklahoma! (1955 Film Soundtrack)
  2. The King and I (1956 Film Soundtrack)
  3. South Pacific (1958 Film Soundtrack)
  4. Camelot (1960 Original Broadway Cast)
  5. The Music Man (1962 Film Soundtrack)

ASIN: B00005A7XD
Release Date: 2001-03-13

Tracks:

  1. Introduction - Gordon MacRae/William Le Massena
  2. Main Title: The Carousel Waltz - 20th Century-Fox Orchestra/Alfred Newman
  3. You're A Queer One, Julie Jordan - Barbara Ruick/Shirley Jones
  4. When I Marry Mr. Snow - Barbara Ruick
  5. If I Loved You - Shirley Jones/Gordon MacRae
  6. June Is Bustin' Out All Over - Claramae Turner/Barbara Ruick
  7. June Is Bustin' Out All Over Ballet - 20th Century-Fox Orchestra/Alfred Newman
  8. Soliloquy - Gordon MacRae
  9. Blow High, Blow Low - Cameron Mitchell
  10. When The Children Are Asleep - Robert Rounseville/Barbara Ruick
  11. A Real Nice Clambake - Barbara Ruick/Claramae Turner/Robert Rounseville/Cameron Mitchell
  12. Stonecutters Cut In On Stone - Cameron Mitchell
  13. What's The Use Of Wond'rin - Shirley Jones
  14. You'll Never Walk Alone - Shirley Jones/Claramae Turner
  15. Ballet - 20th Century-Fox Orchestra/Alfred Newman
  16. If I Loved You (Reprise) - Gordon MacRae
  17. You'll Never Walk Alone (Finale) - Shirley Jones
  18. Carousel Waltz (LP Version) - 20th Century-Fox Orchestra/Alfred Newman

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews:

5 out of 5 stars AWESOME!!.......2007-05-12

LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER

4 out of 5 stars MacRae and Jones soar in this tragic R&H musical.......2007-02-11

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

5 out of 5 stars Great Music.......2007-01-04

Rogers and Hammerstein were in a different league when it came to writing musicals. Their music, lyrics and story are never alike. These two partners were exceptional and their music shows it. Carousel is a tragic story but also shows that human nature can rise above adversity. The music is wonderful and the characters believable. A great movie.

5 out of 5 stars Response to David Pabian's review below.......2004-06-30

Response to David Pabian's review:

My review was not in error, as Mr. Pabian expects. The review was for the original CD release, not this expanded version. Amazon lifted it out of that spot and dropped it here, which of course makes it anachronistic. Why they did it without reading it is certainly an inept decision.

3 out of 5 stars Gummed up an Original.......2003-06-10

This overblown "completeitis" has got to stop. The original soundtrack album Carousel Waltz is now relegated to Appendix status, and terrible sonics accompany dancers' footstomping in the "new" expanded musical sequences, taken directly from the soundtrack rather than from still-existing musical tracks. There was a reason soundtrack recordings were studio performances. The proportions were right, the timings were correct for an overall BALANCED listening experience. These gawdawful expanded editions, often with dialogue thrown in, completely throw off those balances. An argument might be made for expanded sequences appropriate to a CDs longer playing time than the standard L.P. 45min., but possibly only if those sequences are from their original studio-recorded, pre release-print mix -- which could have easily been done in this case. A quick word on one of the above reviews: This is not the first time the complete Carousel Waltz is heard in stereo. There were two previous CD remasterings of the original soundtrack whereon it was included. And the reprise of "If I loved You" was part of every soundtrack release, mono and stereo.
Gershwin Plays Gershwin: The Piano Rolls
Average customer rating: 5 out of 5 stars
  • Wonderfully American
  • A Gersh-winner
  • Interesting... but I think I'd prefer a good Gershwin interpreter
  • Gershwin's playing overated
  • The jazzy Gershwin. What a CD!!!!!!!
Gershwin Plays Gershwin: The Piano Rolls

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  1. The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2
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  5. George Gershwin: Greatest Hits

ASIN: B000005J1I
Release Date: 1993-11-09

Tracks:

  1. Sweet And Lowdown
  2. Novelette In Fourths
  3. That Certain Feeling
  4. So Am I
  5. Rhapsody In Blue
  6. Swanee
  7. When You Want 'Em, You Can't Get 'Em...
  8. Kickin' The Clouds Away
  9. Idol Dreams
  10. On My Mind The Whole Night Long
  11. Scandal Walk
  12. An American In Paris

Customer Reviews:

5 out of 5 stars Wonderfully American.......2007-05-14

I've had a copy of this CD for years and love it. The power and optimism of the music is really quite remarkable... regardless of who or what is actually playing here. The arrangement of Swanee is light but rich with major chord trains like you just want to go marching around the room. And American In Paris leads you on a swaying, dischordy journey the deeper you go, as the narrative begins to trade delicacy for passion. (and I love renditions where you can hear the MUSIC and the instruments don't get in the way, like four-voice midi versions of Bach which reveal the eloquence).

When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.

"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.

4 out of 5 stars A Gersh-winner.......2007-01-07

George Gershwin had a long association with the mechanical device known as the player piano. At the age of ten, Gershwin used a neighbor's pianola to teach himself how to play, by very slowly pumping the foot pedal that advanced the hole-punched rolls, and placing his fingers on the depressed keys. His parents were so impressed by his abilities they enrolled the boy in formal piano studies when he turned 13. Thus, an American genius was born.

The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.

The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.

Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.

TOTAL RUNNING TIME -- 60:36

4 out of 5 stars Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14

Composers are not necessarily the best performers of their own work. A songwriter's songwriter like Jules Shear or Jimmy Webb comes to mind -- surely the best representations of their songs are on other artist's albums.

This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!

I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.

Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.

Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.

2 out of 5 stars Gershwin's playing overated.......2006-04-09

After I heard this cd I bought Gershwin plays Gershwin on the naxos label which arn't piano rolls. Any pianist can tell that many of these rolls are heavily edited and can't be played by a pianists with two hands. On the naxos album that has some of these same songs Gershwin's actual playing doesn't sound very good. Many of Gershwins contempories such as James P. Johnson, Eubie Blake, Luckey Roberts and even Zez Confrey were much better pianists than he was, however they didn't have his melodic gifts as a composer. I would recommend Artis Whodhouse's
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.

5 out of 5 stars The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23

I got this CD as a gift. I am all for the austrogerman post- romantic music and as imagined Gershwin is not my favourite composer. I know him from his best known works such as the 'Rhapsody", the 'American' and his great songs. This CD is a treasure as mentioned from other reviewers of this site. Gershwin full of passion, his music being jazzy to the very end and that great feeling you get after a great live performance is present all over the length of this 'treasure'. No question about the presence of the music. Not to be missed
City of Angels (1990 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • Fun Show, Average Score
  • Cleverness personified
  • Fantastic Jazz Musical That's FUN!!!
  • Great Jazz-Oriented Score
  • I love it!
City of Angels (1990 Original Broadway Cast)
Cy Coleman , David Zippel , James Naughton , and Randy Graff
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000272K
Release Date: 1990-02-09

Tracks:

  1. Prologue-Theme From City Of Angels
  2. Double Talk
  3. What You Don't Know About Women
  4. You Gotta Look Out For Yourself
  5. The Buddy System
  6. With Every Breath I Take
  7. The Tennis Song
  8. Ev'rybody's Gotta Be Somewhere
  9. Lost And Found
  10. All You Have To Do Is Wait
  11. You're Nothing Without Me
  12. Stay With Me
  13. You Can Always Count On Me
  14. Alaura's Theme
  15. It Needs Work
  16. L.A. Blues
  17. With Every Breath I Take-Duet
  18. Funny
  19. I'm Nothing Without You
  20. Epilogue-Theme From City Of Angels
  21. Double Talk Walk

Amazon.com

Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David Horiuchi

Customer Reviews:

3 out of 5 stars Fun Show, Average Score.......2007-02-21

Fun show, ingenuos concept, so-so score, with one exception. The ballad With Every Breath I Take is brilliant. One of Coleman's best pieces.

5 out of 5 stars Cleverness personified.......2006-10-16

A duet between an author and the character he created, each claiming "you're nothing without me," is just one example of how sharp, witty and clever show is, with an unusual score, jazzy and bluesy and very 1940s, and some of the best lyrics I know.

5 out of 5 stars Fantastic Jazz Musical That's FUN!!!.......2006-04-14

City of Angels is an incredibly fun, classy, and jazzy musical that delivers. Stellar vocal performances are provided by the entire cast, particularly the female end. The fact that Randy Graff was the only female from this cast nominated at the Tony Awards that year floors me. Kay McClelland and Rachel York deserved nods for their powerful solos, With Every Breath I Take and Lost Found, alone. These two songs are also the type of sultry, jazz solos that one would expect in the 40's, which is why the show works. The music is completely period with when the show takes place, and that's why I love it. The best tracks are:

3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)

4 out of 5 stars Great Jazz-Oriented Score.......2005-06-25

1990 Tony winner for Best Musical, "City Of Angels" contains a great score, filled with jazz-oriented melodies & torch songs. Not all the songs are terrific, but most of the score lends itself to repeat listenings. Best tracks include:

Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny

Great cast ... great buy!

5 out of 5 stars I love it!.......2005-02-22

This is one of my favorite soundtracks ever! Since I'm going to be working on music for the show, I'm happy that this is the case. It has been in my CD player for a few weeks now, and there's enough variety for it not to get old. But having read through the script makes the lyrics infinitely wittier. Musicals are supposed to rely partially on the lyrics and partially on the script. This show does that perfectly. Without the script, the lyrics are (apparently) lacking. But without the lyrics, the script is missing something. When you put the two pieces together, however, it's really easy to see why this show won a Tony.
Praise to the Lord - Hymns From St. Paul's Cathedral
Average customer rating: 5 out of 5 stars
  • a voice teacher and early music fan
  • Hymns for every one
  • Super Praise!
Praise to the Lord - Hymns From St. Paul's Cathedral

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00002EIUG
Release Date: 1999-10-12

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2007-02-09

'The HYMN-a word derived from the Greek 'hymnos'-has been defined as 'a term of unknown origin applied from ancient times to a wide variety of songs in honor of gods, heroes or notable men.'
The founder of English hymnody is Isaac Watts (1674-1748), whose work in reforming congregational song texts culminated in the publication of his 'Hymns and Spiritual Songs' in 1707. Watts' collection was as complete and comprehensive a set of hymns as had ever been proposed for English worship and it raised the profile of the hymn sufficiently to overcome the prevailing psalmody. The great flowering period of English hymnody began with the work of the Methodist hymn-writers John Wesley (1703-1791) and his brother Charles (1707-1788). The Wesleys gave great prominence to hymns within their Methodist worship and published many books.
The modern hymn book is a collection of hymns drawn from various times and places. This most accomplished recording by St. Paul's Cathedral Choir presents 16 well-loved hymns from 'The New English Hymnal'. A great number of the hymns, which originate from many different eras and traditions, are given an extra musical dimension by John Scott's original descants and thrilling brass arrangements.
Over the years, I have found myself purchasing mostly the recordings of English choirs. They seem to have incredible vocal skills, perfectly executed phrases, flawless diction and some unidentifiable ingredient that makes them very appealing to hear. Of course, I personally enjoy the all male choirs sound; boy sopranos and male altos make the difference. This is a very appealing group of hymns!!!!!

5 out of 5 stars Hymns for every one.......2002-12-01

As I have said already..I am from espiscopal church..these my songs are well know by me...these songs give encouragement when it seems that all hope is lost..these are tunes that are well received....they are also very simple for the every day person to gain strength from day to day..they will become your daily prayer.....

5 out of 5 stars Super Praise!.......2000-06-10

Praise The Lord offers the listener traditional hymns in the English/British tradition. the clarity of the voices make it possible for the listener to follow the words distinctly. The organ soars as accompaniment. the CD provides organ and choral quality for the novice and the experienced musician.
The Essential Elmer Bernstein Film Music Collection
Average customer rating: 4.5 out of 5 stars
  • Sad Really Sad
  • An excellent movie themes antology by ELMER BERNSTEIN
  • Excellent
  • Great Film Music
  • Fun, Powerfull music
The Essential Elmer Bernstein Film Music Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007XTQ14
Release Date: 2005-06-07

Tracks:

  1. The Magnificent Seven
  2. To Kill A Mockingbird (Suite)
  3. The Buccaneer (Overture)
  4. Walk On The Wild Side
  5. An American Werewolf In London (Metamorphosis)
  6. The Age Of Innocence (End Titles)
  7. The Comancheros
  8. Ghostbusters
  9. Heavy Metal (Taarna's Theme)
  10. Johnny Staccato
  11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
  12. Hollywood And The Stars
  13. Zulu Dawn (River Crossing)

Tracks:

  1. The Great Escape
  2. The Man With The Golden Arm
  3. Far From Heaven
  4. The Sons Of Katie Elder
  5. Airplane (Suite)
  6. The Shootist (Main Title)
  7. Hawaii (Overture)
  8. The Birdman Of Alcatraz (Finale)
  9. The Hallelujah Trail (Overture)
  10. The Bridge At Remagen
  11. Thoroughly Modern Millie (Sky-Hi)
  12. The Scalphunters
  13. The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

1 out of 5 stars Sad Really Sad.......2007-05-13

These CDs don't meet the standards I would have expected from Elmer Bernstein's wonderful film music.
*Boring*
It just didn't have the energy one would expect from "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

5 out of 5 stars An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

5 out of 5 stars Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

4 out of 5 stars Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

5 out of 5 stars Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).
Walk On
Average customer rating: 3.5 out of 5 stars
  • My favorit Boston album by far
  • A Brilliant CD But It Missed Brad Delp !
  • Boston - 'Walk On' (MCA) 3 1/2 stars
  • Walk On Rocks !!!
  • use the CD as a coaster
Walk On
Boston
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Third Stage
  2. Don't Look Back
  3. Corporate America
  4. Boston
  5. Boston - Greatest Hits

ASIN: B000002OR8
Release Date: 1994-06-07

Tracks:

  1. I Need Your Love
  2. Surrender To Me
  3. Livin' For You
  4. Walkin' At Night
  5. Walk On
  6. Get Organ-ized
  7. Walk On (Some More)
  8. What's Your Name
  9. Magdalene
  10. We Can Make It

Customer Reviews:

5 out of 5 stars My favorit Boston album by far.......2007-04-12

It's hard picking which Boston album I like best. Each one has a quality to it that is slightly different than every other one. Yes, I was disappointed at first that Brad Delp didn't do the vocals on this one, and at first that prejudiced me and I didn't want to like it. But I can't get over the amazing, beautiful music. While the lyrics might be a little cliche, who cares? The sound is amazing! No one else can play guitar like Tom can. I own every Boston album, but I choose to listen to this one every morning as I'm getting ready for the day. Brad is the voice of Boston, but in my opinion, Fran Cosmo did a darn good job. I love this album, especially "Get Organ-ized," "What's Your Name," and "Magdalene." It's definitely worth owning.

5 out of 5 stars A Brilliant CD But It Missed Brad Delp !.......2007-03-25

"Walk On" is adeptly produced and engineered by Tom Scholz. Vocalist Fran Cosmo is great but this superlative CD started the full-blown implosion of Boston. Nonetheless,vintage and yearning songs emanated from the CD such as " Surrender To Me", LIvin For You" and "What's Your Name". The Walk On Medley showcased Tom Scholz's guitar and keyboard virtuosity. A really fine CD. Fortunately, Brad Delp joined Boston for the ensuing "Walk On Tour". The concerts were captivating and long. The inner notes of the CD humanely condemn Domestic Abuse, Fur, Veal Crates and Hunting. Brad Delp was and Tom Scholz remains a humanitarian and animal welfare advocate who embraces many nonviolent causes.

3 out of 5 stars Boston - 'Walk On' (MCA) 3 1/2 stars.......2007-02-22

Review no. 69. Follow-up to Boston's 'Third Stage' album (see my review). Obviously their fourth lp in eighteen (18) years. I'm giving it a 3 1/2 star rating because after listening to this CD twice in one night, I believe Tom Scholz and crew gave this disc a full hearted effort. Tunes here that sort of grow on you are "Surrender To Me", "Walking At Night" (now, this is like the trademark arena rocking Boston I remember), title track "Walk On" and well written "What's Your Name", Maybe not a classic, but still worth checking out.

5 out of 5 stars Walk On Rocks !!!.......2006-12-31

Walk On is so underappreciated by many. Too bad, people do not know what they are missing. This album has a bit of everything. Fantastic hard rock action ( Get Organ-Ized, Walk On, Walk On Some More), beautiful ballads ( Livin' for You, We Can Make It), terrific melody ( What's Your Name, Magdalene, I Need Your Love). This album is unlike Boston's previous works. It's different but very original and by far my favorite. Give it a chance and you will not be disappointed. One needs to listen to this album several times to really appreciate how good Walk On is. Thank you Tom Scholz for creating your style of rock. You have my deepest respect both for your intelligence and music talent. There aren't that many rock stars with engineering degrees from MIT except you. Way to go Boston!!!

1 out of 5 stars use the CD as a coaster.......2006-12-09

I didn't listen critically, so can't analyze this CD quite the same way others have. Often, I just listen- I either like it or I don't. It hadn't even occured to me that the original singer was missing. I'm not that interested in personnel-only whether I like the music or not.

I have at least 2 other Boston CDs, which are pretty darn good.
When I listened to "Walk On", it was clearly Boston playing. There is just a certain sound that is unmistakablely Boston.

I couldn't get over the lyrics. They often used lyrics including the phrases "I need you", "surrender" and other trashy lines that are so trite and overused. There was nothing creative in the lyrics. There wasn't a whole lot to catch my ear as regards melody or anything else that might give this turkey some musically redeeming value.

LYRICS: pathetic, uninspired.
INSTRUMENTS: definitely Boston, but in some way I can't articulate, old and tired-out from overuse. I don't like grunge or some of the more modern stuff, so that's not my beef. I assumed they were out of material and trying to cash in one last time before their name recognition slowly faded. I didn't know there had been a a 7 or 8 year gap between this album and their previous one. I only learned that from reading these reviews. I was so stunned by the lack of quality, I couldn't believe it. I wanted to see what others thought. I'm stunned to see some consider this CD to be really good.

I bought the CD at a thrift shop, I didn't even know there was such an album. After listening to the whole thing, the assault on my ears meant I wouldn't be playing any more music that day.

Some seem to think this CD is great, so I'll save mine and give it away or maybe trade it for something I like.
Walk On
Average customer rating: 5 out of 5 stars
  • Introspective and laid back
  • The nostalgia
  • An underappreciated gem
  • one of the top 3 hiatt discs
  • Walk on-John Hiatt
Walk On
John Hiatt
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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  1. Bring the Family
  2. Perfectly Good Guitar
  3. Slow Turning
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  5. Stolen Moments

ASIN: B000002TXI
Release Date: 1995-10-24

Tracks:

  1. Cry Love
  2. You Must Go
  3. Walk On
  4. Good As She Could Be
  5. The River Knows Your Name
  6. Native Son
  7. Dust Down A Country Road
  8. Ethylene
  9. I Can't Wait
  10. Shredding The Document
  11. Wrote It Down And Burned It
  12. Your Love Is My Rest
  13. Friend Of Mine
  14. Mile High

Customer Reviews:

5 out of 5 stars Introspective and laid back.......2006-08-11

I'm inclined to say that this is about as country as John gets. That wouldn't really be fair however-- it's not a country record per se, but it has that feel to it. It's just John relecting on life as usual, and getting a little melencholy, perhaps. But the songs are beautiful, and he throws that classic Hiatt humor in there on a few for good measure. Pick it up!

5 out of 5 stars The nostalgia.......2005-10-04

I first listened to this CD many years ago, just borrowing it from my uncle. I didn't quite know what kind of music I was into, and still trying to find what I'd like. I don't even remember any point where I started liking this CD - if I fell for it right away, or if it had to grow on me. All I remember is that at some point along the way, I was completely struck by it. The music, the lyrics, the voice (which I *do* remember being slightly annoyed by at first..), it all just worked. Sometimes, listening to it, I'd just get completely caught up in it, and it would be amazing. Occasionally, I'd even get all misty eyed at a song or two, the empathy was so strong.

Then, well, I moved on to other things, started actually acquiring my own CDs, and ended up focusing primarily on ska, which is to say, completely neglecting John's genre. And then, for reasons unknown again, I decided to purchase some of his other CDs, and basically fell out of my chair, figuratively. Most of his stuff is remarkable. And yes, I finally got my own copy of Walk On. Now, most of the CDs I had borrowed back in the day, I had listened to so much that I practically am bored with them by now. This CD was no exception in terms of play time, but it feels brand new again, and I've already listened to it at least 5 or 6 more times in the last day or two that I've owned my own copy.

And that is the end of my life story. Bottom line: this CD would be a great place to get into John Hiatt, or just another good purchase towards completing your collection. And personally, if I had to recommend other CDs of his along the way, I'd go with Slug Line, Little Head, Bring the Family, the Tiki Bar is Open, and, well, whatever most of the people on here seem to be suggesting already.

4 out of 5 stars An underappreciated gem .......2005-02-19

This 1995 album is not one of John Hiatt's best-known releases, perhaps, but it is a really fine record, one of his most rewarding and one which continues to grow on me.

John Hiatt sings about absent friends and lovers, loss, longing and resentment and about reflecting on the past on a mostly acoustic (but fully band-backed) album which includes some of his very best songs:
"Cry Love", "The River Knows Your Name", the folkish shuffle "Dust Down A Country Road", and the thoroughly disillusioned "Good As She Could Be" are all among my favorite John Hiatt songs. For "Good As She Could Be", he cruelly plays off of Bruce Springsteen's line "baby we were born to run":

Well she had a baby at eighteen
Never finished high school
Her husband beat her for money and sex
Till that Cadillac finally ran out of fuel
One disaster led to another
Down to her and her baby son
Born with a silver spoon in her mouth
Headed south now
'Cause she was never born to run

Not everything is great, sure, but almost everything is good, and John Hiatt remains one of the best, most mature lyricists in popular music.
"Walk On" may not have quite as many hooks or as many truly memorable songs as "Slow Turning", "Bring The Family" or "Riding With The King", and it is somewhat more introvert as well. But it is also a thoroughly solid, professional effort from a great singer-songwriter, and it has a number of truly wonderful moments along the way. Fans will not want to miss this one.

4 out of 5 stars one of the top 3 hiatt discs.......2005-02-08

hiatt puts at least 5 of his best songs on this release (cry love, you must go, walk on, dust down a country road and friend of mine). This is probably the most "country" or "rootsy" of hiatt's albums, and this is good news, as his finest tracks have always had similar foundations. Only track that I need to skip is "wrote it down and burned it," which is just too dark for me to enjoy, but dont let it stop you from picking this one up -- its a classic.

5 out of 5 stars Walk on-John Hiatt.......2004-07-27

Wow, i love this album-i only recently discovered John Hiatt after seeing him on a PBS special. His voice, lyrics, music are amazing...i now have three John Hiatt albums and this is by far by overall favorite, from the first song Cry Love(which i bet you'll find plays over and over in your mind) to the end it is worth the listen. If you are looking for a first taste of John Hiatt, get this one, i'll bet you won't be disappointed.
Copland: Music for Films
Average customer rating: 4.5 out of 5 stars
  • Its okay
  • outstanding!
  • Aaron Copland: the Norman Rockwell of film scoring
  • Great recording of definitive American film music
  • Leonard Slatkin conducts Copland
Copland: Music for Films

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches
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  4. Ultimate Copland Album
  5. The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000003FHI
Release Date: 1994-04-12

Tracks:

  1. The Red Pony: Morning On The Ranch
  2. The Red Pony: The Gift
  3. The Red Pony: Dream March
  4. The Red Pony: Circus Music
  5. The Red Pony: Walk To The Bunkhouse
  6. The Red Pony: Grandfather's Story
  7. The Red Pony: Happy Ending
  8. Our Town
  9. The Heiress Suite
  10. Music For Movies: New England Countryside
  11. Music For Movies: Barley Wagons
  12. Music For Movies: Sunday Traffic
  13. Music For Movies: Grovers Corner
  14. Music For Movies: Threshing Machines
  15. Prairie Journal (Music For Radio)

Amazon.com essential recording

This is a great series of recordings. Leonard Slatkin has generally chosen the right balance of music for the composers used in the series (with terrific cover art from Thomas Hart Benton). This disc is devoted to Copland's film music. The treat here is a version of The Heiress Suite reconstructed by Arnold Freed. Copland's talent for writing for films rested in his ability to identify and maintain themes, at the same time not slacking on the transitional details. This belongs in any Copland collection. --Paul Cook

Customer Reviews:

2 out of 5 stars Its okay.......2007-05-13

I was disappointed and don't listen to it much. I like certain songs, but not the rest.

4 out of 5 stars outstanding!.......2006-01-21

one of slatkins best recordings.with copland hes on, the sound on this cd is ok,not as good as his telarc recordings witch i think are his better recordings but this one is one of them to.

5 out of 5 stars Aaron Copland: the Norman Rockwell of film scoring.......2004-06-14

When I purchased this collection I was already very familiar with Mr. Copland's more popular fanfaric motifs. I was astounded at how much I enjoyed the wonderful division of both sweeping dramatic themes and friendly, home-grown melodies. His film scores for the 1939 'Of Mice and Men' and the 1940 'Our Town' are a testament to classic films set in simpler times. The 'Red Pony' tracks for which the compilation is named are a magical digression from the listener's pre-conceived notions of Copland western fare. When one expects "Rodeo" (arguably one of Copland's most famous themes) one instead receives a gentler and sometimes powerfully moving score. The crowning jewel of this collection, however; is the beautiful suite from his Academy Award winning score for William Wyler's 1949 film of 'The Heiress.' When listening to this magnificent piece of musical history I am reminded how so many great scores are unavailable to listeners of today, and only through recreation and re-recordings can we re-capture those glimpses of film score artistry. I can only hope that many lost or hard to find works continue to be found or recorded so that film score and music lovers in general can continue to discover and rediscover the joy and beauty of our masters in film composing.

5 out of 5 stars Great recording of definitive American film music.......2004-04-08

In a way, filmgoers have been listening to Copland's film scores nearly every time they go to the cinema, since film composers have been shamelessly ripping off Copland for the last half-century or so. When you listen to the "Our Town" suite, do you get the nagging feeling that you have heard this music somewhere before? No doubt you have, in dozens of derivitave film scores from the 1980's and 1990's, sometimes (shamelessly) right down to the exact chord progressions.

How nice it is then to be able to go back to the source, and have rendered in so superb a fashion as it is by Slatkin & the St. Louis Symphony Orchestra. Slatkin, as usual, upholds his reputation as one of the leading interpreters of American music.

This CD contains the premier recording of "The Heiress Suite," which is a delight to listen to, and of course the fairly well-known "Red Pony" music. Is their a more quintessential piece of "Western" music than the "Walk to the Bunkhouse?" How does a jewish boy from Brooklyn nail it on the head so perfectly, anyway?

Other selections include "Music for Movies," a collection of bits & pieces from an assortment of Copland-scored movies that Copland arranged in 1943, and "Music for Radio," an earlier composition that isn't really "movie music," but fits well with the rest of the compositions on this CD.

Instead of wasting your time on movie soundtracks that are nothing more than just derivitave hack jobs, listen to music by a composer who had truly mastered his craft.

5 out of 5 stars Leonard Slatkin conducts Copland.......2000-11-14

This album is worth it just to get the world premiere recording of "The Heiress Suite" reconstructed by Arnold Freed. Also of note are Walk to the Bunkhouse from "The Red Pony" and New England Countryside. Leonard Slatkin conducts these pieces with great emotional feel that states that this is the same America that Copland wanted to us to embrace.
Walk on the Wild Side: The Best of Lou Reed
Average customer rating: 3.5 out of 5 stars
  • THIS COLLECTION SMELLS LIKE A BUFFALO TURD! YUK!
  • Ho-Hum "Best of..." package best left on the shelf
  • Walking Wild
  • Lou Reed
  • A decent, but all-too-short best of.
Walk on the Wild Side: The Best of Lou Reed
Lou Reed
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002W5C
Release Date: 1990-10-25

Tracks:

  1. Satellite Of Love
  2. Wild Child
  3. I Love You
  4. How Do You Think It Feels
  5. New York Telephone Conversation
  6. Walk On The Wild Side
  7. Sweet Jane
  8. White Light/White Heat
  9. Sally Can't Dance
  10. Nowhere At All
  11. Coney Island Baby

Customer Reviews:

2 out of 5 stars THIS COLLECTION SMELLS LIKE A BUFFALO TURD! YUK!.......2006-06-16

This collection is way too short and is missing so much and it makes no sense because there's SO MUCH room left on this cd.
I don't get record companies that decide to release an album on cd yet they don't do anything to enhance an already measly collection.
What is the point????
Anyway, you get the ultra classic "Satellite of Love" with those great Bowie harmonies at the end and hand claps and you also get the expected "Walk on the wild side" which was one of only two top 40 hits scored so far in Lou's career.
You also get a slice of the incendiary "Rock n' roll animal" with "Sweet jane" but the scorching guitar twin attack opening has been chopped off which really sucks since it's one of the highlights of that album but "White light" plays on uncut.
There's the laidback tendertale of "Coney Island baby" in where Lou proclaims that he "wanted to play football for the coach" and then dedicates the song to his transexual love interest Rachel saying that he would give it all up for her.
You also get the playful "Wild child" and "I love you" off his debut and "How do you think it feels" from the ultra depressed but masterful "Berlin".
Now my big problem with this collection is where is the artful and touching masterpiece "Perfect day" and the brutal epic "Street Hassle" and the harrowing "Lady day" and the poetic eloquence of "Women" etc....
I mean Lou is one of the greatest writers of all time so when you say "The Best of Lou Reed" well then you expect to get not a taste of the best of but THE BEST OF!!!!
This is a cd release of an old album so add in the classics like "Street hassle" and or a interview possibly never released before or something else other than this pathetic excuse for a collection from one of the icons of rock.
You'd do much better by breaking out a few more bills and getting the Lou conceived double collection "NYC MAN" where you get a slice of Velvets and a BIG CHUNK of Lou's solo career.
There's no other way to do it because Lou is that great an artist.
Skip on this morsel and get yourself A REAL MEAL and don't forget to click on that response button and voice with me that you agree that this collection SMELLS LIKE A BUFFALO TURD!!!!!!
WHEW!!!!! MAN IT STINKS!!!!!!!!!




Other Essential Lou/Velvet Albums that every rock fan should also have in their collection=The Velvet Underground and nico,The Velvet Underground, Loaded, New York, Berlin, The Blue mask, Transformer, Rock n' roll animal, and Coney Island Baby.

2 out of 5 stars Ho-Hum "Best of..." package best left on the shelf.......2005-03-23

There are a few things about this "Best of" collection that deserve mention:

1) The photo-montage on the cover shows Lou with longtime "girlfriend" Rachel, a transsexual man who Lou dated for a large part of the mid-70's. Lou has refused to mention a single word about her since about 1978. (She also appeared on the inner jacket of the Sally Can't Dance LP)

2) "Nowhere At All" is a little known non-LP B-side. It's pretty good, actually.

3) Unlike so many of his later single-CD "Hits" collections, this pulls songs from all of his solo LP's (up to 1977, that is) minus Lou Reed Live and Metal Machine Music (MMM hardly classifies as a "Rock" album).

4) The "Intro" section to "Sweet Jane," found on "Rock 'N' Roll Animal" has been edited out. Considering the fact this it is one of the GREAT guitar workouts of any "Live" record EVER, I think this is a terrible mistake. However, in order to fit such an eclectic mix of songs onto a single CD, I guess it was necessary.

What this CD accomplishes is it gives the listener a very basic introduction to 70's Lou Reed. Be warned, the sound quality is ATROCIOUS. I suggest this CD is for "completists" ONLY. For everyone else, try "The Wild Side: Best of Lou Reed" instead. If you REALLY want "Nowhere At All," download it from iTunes.

4 out of 5 stars Walking Wild.......2004-05-11

Lou Reed and the Velvet Underground have always been a bit of an -- shall we say -- acquired taste. But the songs on this WALK ON THE WILD SIDE compilation are very much a showing of Reed's more mainstream side; you could almost call them pleasant. Reed has released a lot of "hits" packages over the years (one must put the word "hits" in quotations, because Reed has found little commercial appeal outside of the song this collection takes its name from), but this particular release is a great way for music fans unfamiliar with Reed's work to find something easy to latch onto before delving deeper into his darker, more disturbing side. This is not too dark as to scare off the newcomer, but it isn't dishonest either.

I'm describing this CD as if it's a fluffy collection of Top 40 sounding tracks. This isn't actually true, of course. Only when compared to the rest of Reed's discography do songs like "Wild Child" and "Sally Can't Dance" seem relatively tame. Which isn't to say there isn't a hard edge here; there is. In particular, the live performances of the two Velvet Underground songs ("Sweet Jane" and "White Light/White Heat") are harsher and louder than the studio versions as originally performed (even if this record used shorter versions than from the live album they came from). The nastier, seedier side is subtle, but present, always lurking just beneath the surface. He's singing about the dirtier side of life: drug-pushers, prostitutes, and their various clientele. He may dress them in the fanciest of melodies, but they're still there.

The release date for this collection was 1977, and it does a pretty good job of showing what sort of stuff Reed was up to in the 70s. Reed was doing a lot of weird stuff back then, both musically and in reference to his chemical intake, and the songs on here reflect that diversity. The glam influences of the David Bowie-produced TRANSFORMER are represented by "Satellite of Love" and "Walk On The Wild Side". Lou's brief flirtation with commercial appeal by emphasizing musical smoothness and "cool" over straight lyrics-and-rock is denoted by the inclusion of the title track from SALLY CAN'T DANCE. Lou-Reed-as-poet is, of course, on display throughout. Even Lou-Reed-as-joker is included: what else are we to make of "New York Telephone Conversation"? And just for kicks, the kid in "Coney Island Baby" who just wanted to play football for the coach has a cameo too. Given the short amount of time available on a single album, we don't get a particularly deep look at Reed's 70s material, but it is a broad one.

WALK ON THE WILD SIDE was the first Lou Reed album I owned, and I've bought many more since then. This is a great hook to get yourself familiar with Reed's stylings before diving in headfirst. Get this collection and then get ready to want to get a lot more.

4 out of 5 stars Lou Reed.......2003-07-16

I owned this cassette back in the early 80s! Loved it! I played it until it fell apart. I'm just now getting around to replacing it with a CD. I do recommend this collection of Lou Reed's best.

4 out of 5 stars A decent, but all-too-short best of........2002-01-06

"Best of Lou Reed" was put together back in the dark ages before CDs expanded the amount of material you could put on an anthology album. As it goes, it's a decent sampling of 1970s era Lou Reed that includes material from most of his albums from that up and down period. It contains "Walk on the Wild Side," his only radio ready hit, as well as "Satelite of Love" and "Wild Child" which are just as accessible. Unfortunately, however, the live version of "Sweet Jane" that made it on to this disk is the edited radio version rather than the far superior extended guitar jam original. On the ples side, the album avoids including any portion of the horrid "Metal Machine Music," which is far and away Lou's worst album.

Overall, this collection is likely best purchased by those who are primarily interested in "Walk on the Wild Side" as a single. There is nothing here that ardent fans probably don't already own. It's a good introduction to Lou Reed's dark genius, but that's all it is.
The Spirit of America
Average customer rating: 4.5 out of 5 stars
  • God Bless Daniel Rodriquez
  • Music From and For the Heart
  • Daniel Rodriguez
  • Some definite winners on this album
  • The Spirit of America
The Spirit of America
Daniel Rodriguez
Manufacturer: Manhattan Records
ProductGroup: Music
Binding: Audio CD

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  1. In The Presence
  2. From My Heart
  3. God Bless America
  4. The Impossible Dream
  5. Ronan

ASIN: B00005Y1YC
Release Date: 2002-02-12

Tracks:

  1. God Bless America
  2. We Will Go On
  3. Ave Maria
  4. This Is The Moment
  5. Danny Boy
  6. Bring Him Home
  7. Shenandoah
  8. America The Beautiful
  9. The Lord's Prayer
  10. Into The Fire
  11. You'll Never Walk Alone
  12. The House I Live In

Amazon.com

It's said politics makes strange bedfellows. But it's got nothing on the peculiar marriage of art and history inspired by the tragic events of 9/11/01. Before that day, Daniel Rodriguez was a member of New York's finest, working as an NYPD security officer at the Manhattan South precinct. If it seemed an odd calling for a gifted, operatically trained tenor, it was employment many a journeyman artist could relate to: the proverbial "day job." As it turns out, no police academy in the world could have trained Rodriguez for the crucial role his city's darkest hour thrust upon him. While his colleagues mourned their staggering losses and toiled around the clock in rescue efforts, Rodriguez delivered renditions of "God Bless America" that rallied both his city and his country, much as Kate Smith's version of the Irving Berlin patriotic standard had done at the dawn of WWII.

Contemporary jazz great-producer Tom Scott took it from there, showcasing Rodriguez's powerful voice in this deftly arranged album focused sharply on personal and national inspiration. Taking his cue from his own hero, Mario Lanza, Rodriguez instills no small amount of drama in his performances, and it serves him well on tracks like the American folk classic "Shenandoah," a rousing take on Scarlet Pimpernel's "Into the Fire," and the relative Sinatra rarity "The House I Live In." The "God Bless America" here varies from the original single release, with Rodriguez reading the spoken intro once delivered by Mayor Rudolph Giuliani. Is Rodriguez the greatest tenor of modern times? No. But it's hard to imagine a talent better suited to the challenge history has thrust upon him; we're lucky--make that blessed--to have him. --Jerry McCulley

Customer Reviews:

5 out of 5 stars God Bless Daniel Rodriquez.......2007-07-16

This alblum is a treasure to own and listen to. He really captures the spirit of patriotism. I have played his songs at a local fireworks show that I DJ at and his songs are up there with the other songs by artists by Mr. Lee "God Bless The U.S.A." Greenwood and other great artists. New York City and the nation needed him at a time when we were trying to recover from the worst tragedy in the history of the U.S.A. and he was there for us.

5 out of 5 stars Music From and For the Heart.......2006-11-25

Daniel's album is music to be shared with family and with friends to help further ensure warmth, strong family ties, and love of our beautiful country. His voice is magical, skilled, rich and so memorable that it can take one on a journey from yesterday to promise for a bright tomorrow. This is a superb rendering of past unforgettable music. His solemn rendition of the peace song "God Bless America" is the album's centerpiece and truly unforgettable....

5 out of 5 stars Daniel Rodriguez.......2006-11-11

I first heard of Daniel Rodriguez a couple of months ago when he sang on Jay Leno's show. He was/is WONDERFUL! His voice is beautiful, but he sings from the heart, and that makes him exceptional.

4 out of 5 stars Some definite winners on this album.......2005-12-14

My favorites are "Ave Maria" and "The Lord's Prayer" where Daniel truly shows off his vocal talents. I could have done without the choir backup on "Ave Maria" but nonetheless a great rendition.

The ending that he has for the "The Lord's Prayer" almost brings a tear to my eye each time I hear it. Well done Daniel.

4 out of 5 stars The Spirit of America.......2005-10-10

This is a great CD...of course, Daniel Rodriquez is the best!!!
As much as I enjoyed it, I do think "In the Presence", also by the same vocalist, is the ultimate. That could be because "In the Presence" was the first CD I had of this tenor vocalist, who is outstanding!

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