Afro-Cuban Jazz

Disc: 1

1. Okiedoke - Machito

2. Tanga Pts. 1 & 2 - Machito

3. Mango Mangue - Machito

4. No Noise, Pts. 1 & 2 - Machito

5. Afro-Cuban Suite - Machito

6. Cancion - Machito

7. Mambo - Machito

8. 6/8 - Machito

9. Jazz - Machito

10. Rhumba Abierta - Machito

Disc: 2

1. Jatap Mambo

2. Havana Special - Chico O'Farrill

3. Fiesta Time - Chico O'Farrill

4. Cuban Blues - Chico O'Farrill

5. Avocadoes - Chico O'Farrill

6. Almendra - Chico O'Farrill

7. Disappearance - Chico O'Farrill

8. Carioca - Chico O'Farrill

9. Manteca Suite - Dizzy Gillespie & His Orchestra

10. Manteca Theme - Dizzy Gillespie & His Orchestra

See all 13 tracks on this disc

Afro-Cuban Jazz,Various Artists,Polygram Records,40's,50's,Afro-Cuban Jazz,Bop,Jazz,Latin Jazz,Latin Pop

Jazz

Music

jazz

music

Average customer rating: Nice cuban music Cubano Revisited Ry Cooder With All Star Cuban Band Buena Vista Social Club Classic Absolutely fantastic!

Buena Vista Social Club Ry Cooder , Ibrahim Ferrar , Ruben Gonzalez , Compay Segundo , and Omara Portuondo Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Buena Vista Social Club Presents Ibrahim Ferrer Buena Vista Social Club Introducing...Rubén González Buena Vista Social Club Presents Omara Portuondo A Toda Cuba Le Gusta ASIN: B000005J56 Release Date: 1997-09-16

Tracks:

1. Chan Chan
2. De Camino A La Vereda
3. El Cuarto De Tula
4. Pueblo Nuevo
5. Dos Gardenias
6. Y Tu Que Has Hecho
7. Veinte Anos
8. El Carretero
9. Candela
10. Amor De Loca Juventud
11. Orgullecida
12. Murmullo
13. Buena Vista Social Club
14. La Bayamesa

Amazon.com essential recording

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright

Customer Reviews:

Nice cuban music.......2007-03-15

I have had this album a number of years, and my enthusiasm is not quite as great as many of the viewers here, because although it is generally pleasant listening, I don't think there are really any outstanding tracks or personal favorites on here.

I should add that I speak Spanish fairly well and therefore understand the lyrics, and am generally an enthusiast of Hispanic culture and music. The story of this worthy project and how this was recorded are interesting and I suspect some reviewers are moved more by sentiment than just on the merits of the music, some of which seems very middle-of-the-road to me, albeit pleasant enough for casual listening.

Cubano Revisited.......2007-02-12

Ry Cooder did a good thing reassembling these wonderfully talented and forgotten stars of another period. Great album, wish it was a double, triple, a collection. I would buy it. Can't replace these icons of another era and their sound will be gone with them.

Ry Cooder With All Star Cuban Band.......2007-02-02

All done in Spainish, this excellent CD has a book included with translations and facts about the players. The music here oozes with atmosphere, taking you to the heart of Cuba. First rate musicianship and great songs all the way through. Ry leaves the vocals to various others, but his guitar work is unmistakably present. A good veiw indeed!

Buena Vista Social Club Classic.......2007-01-16

For those of you who are fans of the Buena Vista Social Club already, this is the masterpiece. A culmination of talented musicians, soul, love, and sultry afternoons with a cool drink getting ready to kick on into the night!

For those of you who have never listened to this style of music, don't just listen to it once as you could compare it to the first 3 olives you have ever eaten.

The first one shocks your taste with a layered complexity that is both sharp and mellow, leaving you with a look on your face that says "what just happened?".

The second takes you back to the memory of your first taste, and enjoying re-living the sensation, you start looking for more.

The third confirms your interests and instils an infatuation with something unique, powerful, and good for the heart and soul, that will be played over and over again.

Absolutely fantastic!.......2007-01-11

Michael Fletcher reviewed this CD spot-on. And I concur with the review that it is magical--it is indeed that. I can listen to it over and over at work or at home! It seems to suit almost any mood and simply nourishes the soul. I highly recommend for anyone who enjoys good music--you don't even need to be a fan of Cuban music. I certainly am not well versed in Latin music, but am a definite fan of this album!

Average customer rating: Great compilation!

Putumayo Presents: Latin Jazz Various Artists Manufacturer: Putumayo World Music ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music Mexico | International | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Putumayo Presents: A New Groove Putumayo Presents: Gypsy Groove Putumayo Presents: World Party Raise Your Hand Putumayo Presents: Women of the World - Acoustic ASIN: B000P6R8F4 Release Date: 2007-06-26

Tracks:

1. Congo Mulence - Machito
2. El Sabroson - Poncho Sanchez
3. Rumdrum - Tomas R. Einarsson
4. Cha Cha Cha - Tito Puente
5. La Clave, Maraca Y Guiro - Chico Alvarez
6. Summertime - Ray Barretto
7. Steppin' With T.P. - Hilton Ruiz
8. Cuando Se Acabara - Manny Oquendo & Libre
9. Trompeta En Montuno - Chocolate Armenteros
10. Guajira Dubois - The Bryan Lynch/Eddie Palmieri Project

Album Description

A mixture of Afro-Cuban rhythms and jazz style come together on Latin Jazz, a lively collection of songs by masters of the genre.

The artists featured on Latin Jazz represent an honored cast of musicians ranging from early pioneers of the genre to those who have helped it remain a viable force for more than 60 years. Machito, a contemporary of Dizzy Gillespie and Duke Ellington, was a pioneering bandleader who helped deepen the bond between Afro-Cuban music and American jazz. His classic track "Congo Mulence" opens the album and features fellow jazz legend Cannonball Adderley. Other legendary figures on the album include Tito Puente, whose mastery of the timbales combined with old-fashioned showmanship kept his music fresh and relevant over the years, and Eddie Palmieri, whose piano techniques put him in the same league as jazz legends Thelonious Monk and McCoy Tyner. He teams here with Brian Lynch on "Guajira Dubois," a game of musical tag between Palmieri's piano and Lynch's trumpet.

The driving rhythm behind most Latin jazz comes from its powerful percussion, and Latin Jazz showcases some of the finest in this field. Master conguero (congo player) Poncho Sanchez leads one of the most popular Latin jazz groups in the world. His seasoned ensemble contribute the cool energy of "El Sabroson", while Ray Barretto covers the classic "Summertime." Considered the "godfather of Latin jazz," Barretto was the first Latino to have a Latin hit on the American Billboard Charts.

Other luminaries on the album include Hilton Ruiz, a former child prodigy who appeared at Carnegie Hall at the age of 8, Chocolate Armenteros, the legendary Cuban trumpet player, and Manny Oquendo & Libre, who represent a multigenerational dynasty of Latin music. Icelandic double-bassist Tómas R. Einarsson, and New York icon Chico Alvarez round out the collection.

Customer Reviews:

Great compilation!.......2007-07-16

This music is a fun combination of latin rhythms and jazz. It almost begs you to dance!

Average customer rating: Raise Your Hand Great Groove

Raise Your Hand Poncho Sanchez Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Rumba Palace Funk Tango United We Swing Spirit of the Moment CARLOS SANTANA & WAYNE SHORTER/LIVE @ MONTREUX JAZZ FEST/CD ASIN: B000PA9Q46 Release Date: 2007-05-22

Tracks:

1. Raise Your Hand
2. Tropi Blue
3. Shotgun
4. El Agua De Belen
5. Rosarito
6. Maceo's House
7. Donde Va Chichi?
8. Gestation
9. Amor Con Amor
10. Knock On Wood

Amazon.com

On paper, the teaming of Latin-jazz veteran Poncho Sanchez with Stax legends Eddie Floyd, Booker T. Jones, and Steve Cropper on two Floyd classics may have looked like a nifty way to expand Sanchez's audience while promoting Concord's re-launch of the Stax and Volt labels. But the cover versions of "Knock on Wood" and the title track are little more than agreeable (Sanchez handles lead vocals, with Floyd in support). And if you're looking for a lively remake of the Motown classic "Shotgun," you're better off with jazz upstart Don Byron's recent version than the one here featuring onetimes James Brown saxist Maceo Parker. The rest of the album mainly sticks to the pop-influenced sound in which the conga-playing Sanchez has long specialized--a sound that in combining airy melodies and arrangements and tight grooves reflects both his California roots and his debt to New York greats including onetime labelmate Tito Puente. A solid guest vocal by salsa and salsatron star Andy Montanez might have been even better had he recorded with the band rather than back home in Puerto Rico. --Lloyd Sachs

Customer Reviews:

Raise Your Hand.......2007-07-15

Very good job by the Master Congero. He's was able to put together a very a good balance between soul music and his bread butter Latin Music

Great Groove.......2007-06-27

I recently heard Poncho Sanchez live for the first time and was immediately in love with his music. I had to buy the CD after hearing Poncho's great arrangements of soul classics "Shotgun", "Raise Your Hand" and "Knock on Wood". Including Booker T. & the MGs on several of the album cuts was a great bonus. The rest of the album contains smokin' Latin jazz arrangements with a great rhythm section and tight horn arrangements.

Average customer rating: Rumba Palace Absolutely AMAZING!! Rumba Palace....Not so much Something is missing..

Rumba Palace Arturo Sandoval Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Arturo Sandoval & the Latin Jazz Orchestra Funk Tango Arturo Sandoval & His Group Raise Your Hand United We Swing ASIN: B000OQDX2M Release Date: 2007-05-22

Tracks:

1. A Gozar
2. Guarachando
3. El Huracan Del Caribe
4. 21st Century
5. Sexy Lady
6. Peaceful
7. Having Fun
8. Arranca De Nuevo
9. Rumba Palace
10. Nouveau Cha Cha

Amazon.com

Sandoval, a Cuban ex-pat who was a founding member of Irakere, one of Havana's most legendary jazz bands, has so far won four Grammys, six Billboard Awards, and even an Emmy (for the soundtrack to For Love Of Country -- The Arturo Sandoval Story). His trumpet style, with its soaring improvisational pyrotechnics and sometimes blustery but always sonorous tone, has influenced an entire generation of young Latin players. Now a tenured professor at Florida International University and proud owner of Miami's Arturo Sandoval Jazz Club but still a working musician, he has performed with everyone from Dizzy Gillespie to Michel Legrand to Tony Bennett to Patti Labelle. The present album captures both his virtuosity and generosity toward other musicians, as he leads a hand-picked cadre of headliners through 12 delightful tracks, all recorded in robust, state-of-the-art sound. Felipe Lamoglia (sax), Antonio Perez (piano), Armando Gola (bass), Alexis "Pututi" Arce (drums) and Tomas Cruz (percussion), plus some very talented sidemen, toss themes around with playful or obsessed abandon, making some tunes into a mad scrimmage and others into a post-coital meditation. Even a new-comer to jazz and/or Latin music will be charmed and elated by the sonic brilliance and musical passion on tap here -- it's one of Sandoval's latter-day high points and that's saying a lot. --Christina Roden

Customer Reviews:

Rumba Palace.......2007-07-15

Rumba Palace Is a very good blend of awsome Jazz with very fine Latin background . If you're already a fan of Arturo you won't be disapointed. If not, check it out. You will hear some of the best of both worlds

Absolutely AMAZING!!.......2007-06-13

Arturo Sandoval is the king of Latin jazz and one of the world's most dynamic performers and this album proves just that!

This album is sophisticated and elegant, but also displays plenty of fire. I love that ten of the eleven songs are original compositions by Arturo himself, I think they really highlight his renowned Latin side.

His band also sounds incredible and really rounds out the whole album. The whole band sounds really excited to be a part of it and the songs just flows so smoothly.

It's high-powered and shows remarkable range, but at time is also moody and graceful, and it even showcases Sandoval singing!

I love it!

Rumba Palace....Not so much.......2007-06-01

I have been an Arturo fan since before he came to the US. I was very disappointed with this CD. First, the arraignments are aweful, as if they were thrown togather just to fill the disc, no imagination, each track sounds the same as the next. Second, the CD was overproduced. Third, the CD would put you to sleep, not entice you to dance as Arturo said in an interview. Arturo, you can do better. Try allowing others do the arrainging on some of the tracks for a better variety. Try using actual musicians, rather than laying mutiple tracks of the same musician playing the various tracks. I will still be a loyal fan and buy your next CD, but I was very disappointed in this effort.

Something is missing.........2007-05-23

Finally is he back with some real Arturo playing, but it feel like somethings missing. This cd do not have the soul of the earlier DanZon and Y El Tren Latino records. But still, a nice recording!!

Average customer rating: Beautiful synergy Passionate! A new interpretation for Latin Classics Lagrimas Negras A must have for your music library!

Lágrimas Negras Bebo & Cigala Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music Afro-Cuban | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music Flamenco | Latin Music | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Blanco Y Negro: En Vivo Bebo de Cuba Recuerdos de Habana: A Portrait at 80 Undebel Corren Tiempos de Alegria/Teatro Real ASIN: B0001EKZOQ Release Date: 2004-06-22

Tracks:

1. Inolvidable
2. Veinte anos
3. Lagrimas Negras
4. Nieblas del riachuelo
5. Corazon loco
6. Se me olvido que te olvide
7. Vete de mi
8. La Bien Paga
9. Eu sei que vou te amar

Amazon.com

This album pairs one of the greatest flamenco singers of today, cantaor Diego El Cigala, with one of Cuba's finest Afro-Cuban pianists, Bebo Valdes. With Valdes (father of the great Chucho Valdes) born in 1918, there's a 40-year age difference between the pianist and the singer, but they do a fine job crossing generations and oceans to discover the commonalities between Caribbean and the Iberian music, coming up with a romantic marriage of the two cultures using rumbas, guajira, sons and boleros. All the songs are classics out of the Latin music tradition, using just a handful of players in support. Valdes's fingers are delicate and prone to dramatic flourishes; Cigala's voice is pure flamenco in its hoarse intonation, cadence and emotional outpourings. The two masters make the union work by focusing on the drama of the love songs--"Veinte Años," "Inolvidable" and the title track are just three amazing examples--as fuel for some of the most exquisitely passionate music to come out in ages. --Tad Hendrickson

Album Description

Winners of three PREMIOS DE LA MUSICA AWARDS (Spanish Academy of Musical Arts & Sciences) Lágrimas Negras, a collection of old standards performed by Cuban jazz pianist Bebo Valdes and Spanish flamenco vocalist Diego el Cigala.

This was recorded at the suggestion of Hollywood Oscar® Award-winning director, Fernando Trueba (Belle Epoque), which has become a phenomenon in Spain.

The result is a journey that discovers the essence of the Latino "love" song with connections to Cuba, Central and South America, and Spain.

Picked by New York Times critic Ben Rattcliff as "the best album of the year", Lágrimas Negras has had an impressive debut. The album has never been out of the top 30 since its release in Spain over nine months ago, achieving double Platinum sales status. It has won five Amigo Awards, one Premio Ondas, and three Premios de la Musica Awards (including Best Album).

Customer Reviews:

Beautiful synergy.......2007-06-08

A unique combination of beautiful jazz piano music played by acclaimed Cuban Bebo Valdés with the sensuous hoarse voice of young Gypsy singer El Cigala. First heard them at a friend's house and could not wait until I purchased the CD for myself and to give to friends. Great selection and variety of songs. The nearest to perfect symbiosis I have ever seen in a collaboration between jazz and flamenco.

Passionate!.......2007-05-15

This is the best CD I've bought in a while. We play it during painting class and it really gets the creative juices flowing...

A new interpretation for Latin Classics.......2007-03-09

Lagrimas Negras is a beautiful collection of Latin American beats combined with traditional Flamenco sounds. It is a perfect blend of music.

Lagrimas Negras.......2007-02-12

It is quite rare to find an album that can be enjoyed in its entirety, but this happens to be one of them. The genius arragangements of Bebo Valdes accompanied by the moving and impassioned vocals of Cegala are a match that could only be made through divine intervention.

A must have for your music library!.......2007-01-16

I love every single song on this album! Truly a masterpiece!

Average customer rating: Top Notch Needs more cowbell........ MUST HAVE! Food for your Soul ! Recommended only if you're in one of these two categories...

A Toda Cuba Le Gusta Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music Afro-Cuban | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Buena Vista Social Club Introducing...Rubén González Buena Vista Social Club Presents Ibrahim Ferrer Buena Vista Social Club Presents: Manuel Guajiro Mirabal Distinto Diferente ASIN: B000005J54 Release Date: 1997-09-16

Tracks:

1. Amor Verdadero
2. Alto Songo
3. Habana Del Este
4. A Toda Cuba Le Gusta
5. Fiesta De La Rumba
6. Los Sitio' Asere
7. Pio Mentiroso
8. Maria Caracoles
9. Clasiqueando Con Ruben
10. Elube Chango

Amazon.com

A rousing ensemble recording, A Todo Cuba Le Gusta features a band made up largely of Cuban music elders. As a reflection of their collective experience playing multiple percussion instruments and brightly lit trumpets, the Afro-Cuban All Stars churn with high drama, even while playing music that's paced with extravagant patience. The time signatures overlay and run against each other in a casual trot while the trumpets blare with fat fullness. Add to that the impassioned group vocals and you've got a hard-to-beat Cuban traditional music session. --Andrew Bartlett

Customer Reviews:

Top Notch.......2005-09-08

If your into salsa or any of that type of music you will really enjoy this CD. When I first put into my player I was so surprised at what I heard, I think I even said to myself what a plesant surprise to me ears. Very dancable music, and the lyrics are a plus. I also took it to work and several of my co-workers also commented on the music. One of my favorite CD's.

Needs more cowbell...............2005-08-03

This CD is lively, upbeat, and rockin'! A must have if you enjoy Cuban music. As one who has vistied Cuba, this CD takes me back to hanging out in dive bars, searching for great music, big bands, lively older musicians, and dancing in every available space in the club. Another Buena Vista Social Club Masterpiece.... fantastic! I'm running home to light up a Monte Cristo!

MUST HAVE!.......2004-06-26

You cannot even claim to have a collection without THIS! Brilliant! Beyond brilliant!!

Food for your Soul !.......2004-04-13

This definitely is an album that is full of life! If you love music this indeed needs to be in your collection of albums. You can hear the warmth of Cuba in the sounds and rhythms of the tracks.

If you aren't having the brightest of days it will lift you out of any kind of 'blue' mood you might be in.

Buyt it!

Recommended only if you're in one of these two categories..........2003-04-08

Honestly, I can think only of two groups of people who will enjoy this recording, and if you're in either group, I urge you to order it immediately if not sooner.

If you're one of those totally or mostly unfamiliar with Cuban jazz, you'll love this. It's a celebration of life, full of good humor and vigor. The excitement of the music is bound to get to you, and you'll wonder why you've never given it a chance before.

On the other hand, you might be quite familiar with this sound, with the vocals of veterans such as Ibrahim Ferrer, Pio Leyva, Manuel 'Puntillita Licea, Raul Planas, Jose Antonio 'Maceo' Rodriguez, and Felix Valoy, and with the full sound of trumpets, teombones, enhanced by sax, flute, and piano. If so, you'll find this the best you've heard, and will insist on its being in your collection.

If you're in neither group, well, what can I say?

Average customer rating: Where have you been?? Dizzy Atmosphere Don't Overlook This Underrated Gem! Diz and Bird at Town Hall June 22, 1945; Genius Overcome Technical Short Comings

Town Hall, New York City, June 22, 1945 Dizzy Gillespie , and Charlie Parker Manufacturer: Uptown Jazz ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Thelonious Monk Quartet with John Coltrane at Carnegie Hall One Down, One Up: Live at the Half Note Complete Jazz at Massey Hall Live at the House of Tribes Without a Song: The 9/11 Concert ASIN: B0009Q0EQ0 Release Date: 2005-06-21

Tracks:

1. Intro
2. Bebop
3. A Night In Tunisia
4. Groovin' High
5. Salt Peanuts
6. Hot House
7. Fifty Second Street Theme

Amazon.com

Dizzy Gillespie and Charlie Parker first became aware of each other in 1940 when the former was playing in Cab Calloway's band and the latter with Jay McShann. Two years later they were both living in New York City and a real friendship developed. By 1945 they were recording and gigging together, culminating in this Town Hall concert on June 22, 1945. These recordings languished for sixty years as acetates that weren't even known to exist in their entirety. That this set captures these two formidable players in their ascendancy and with such clarity is a staggering find. Here, with host Symphony Sid announcing the songs (this would have been for his radio show, but apparently never ended up in his possessions), an important chapter in American music is now restored. By the end of the summer of '45 Gillespie and Parker went their separate ways, both emerging with their own bands and reaching new heights of commercial success. --David Greenberger

Customer Reviews:

Where have you been??.......2006-05-20

According to jazz gospel, jazz's Anno Domini is November 1945, when Charlie Parker and Dizzy Gillespie cut several sides including the incredible "Ko Ko". Before then, there was a recording ban that prevented the innovations of the Bebop musicians from being heard. (True, there were some Dizzy Gillespie-led sessions including Salt Peanuts, but they sold so badly that they don't count).

In this version of events, jazz music was totally turned on its head, and the New Testament era of jazz began. When Ko Ko came out in November of 1945, the technical brilliance of the new form of jazz blew everyone away, and the music was changed forever.

But in 2005, this version of events was slightly altered. Finding a complete, live performance of Charlie Parker and Dizzy Gillespi, a full five months before the Ko Ko session, is an astonishing coup. The source of the recording is still rather hazy, with some indications that the anonymous person hoarding them may yet have more to release in years to come. At any rate, this is an astonishing discovery, perhaps even slightly more astonishing than the Monk-Coltrane discovery in the same year.

Dont forget, this is BEFORE the widespread use of tape to record sound (tape was invented in Nazi Germany, and is largely a postwar thing). Also, discs only lasted three minutes a side back in 1945. So you have to imagine some engineers lurking in the Town Hall, with a battery of recording lathes and a pile of fragile lacquer discs, furiously changing discs every three minutes. And yes, they got every note of the concert. Incredibly, the discs were not separated from each other, nor did any of them break over the years! There must have been about twelve or thirteen sides altogether.

Now at last we can hear bebop from before November 1945. The concert is astonishing. I still can't get over Parker's solo on Salt Peanuts, which is really filled with the fresh energy of a newly discovered art form. Another highlight is Night in Tunisia. Both Parker and Gillespie are in terrific form. The crowd seems very appreciative; although the liner notes include a contemporary review which says of Dizzy's music, in effect, "too many notes"! Also, Parker arrives late for the first tune, Bebop; I wonder exactly what he was doing out back?

The sound quality is fantastic. It was far better than I expected. The first few bars of "Bebop" are a bit muddy; but aside from that the sound is the equal of the Royal Roosts, perhaps even slightly better.

So I would heartily encourage anyone to get this disc; whether you are totally new to jazz, or a crusty veteran. The music is very accessible. Music this good, and a discovery that is this historically important, should be heard by everyone!!!

Dizzy Atmosphere.......2006-04-28

Just when the listener thinks that Be Bop has been worn out and has little else to offer, we are presented with lost recordings that, once again, show what all of the fuss was about. This is Charlie Parker and Dizzy Gillespie at the top of their game, giving a seminar on flatted fifths and fast playing.

Don't Overlook This Underrated Gem!.......2006-04-14

The Gillespie-Parker Town Hall CD is easy to overlook next to Monk-Parker--but that would be a loss. For one thing, the listener to this CD is privy to on-going commentary and intros by legendary jazz and beebop deejay "Symphony Sid"--offering an inside peek at the birth of some innovative tunes. Evidently Parker was (characteristically) late for the show: Sid had given lots of verbal patter to the eager crowd; Parker comes in the auditorium mid-way through the first number; the group doesn't skip a beat! Sid proceeds to tell the audience the music is going to flow rapidly because you folks sure waited long enough, and flow it certainly does--Tunisia; Salt Peanuts--the musicians playing top quality to a very appreciative crowd. Recording quality is fine for the time and place. Highlight: drummer Sydney Catlett stays for an encore despite Sid telling him he's got to be somewhere else. An all-around entertaining and informative birth of beebops by the legends experience

Diz and Bird at Town Hall June 22, 1945; .......2006-03-03

I read a rave review of "this masterpiece" record in The New Yorker. I was underwhelmed compared to that review.
However, these are good early beebop performances and the accompanying notes and copies of contemporary reviews support a better understanding of what's going on. In particular, there are some very interesting comments re perceptions of what was going on that day at Town Hall in Leonard Feather's July 1945 Metronome review, which is reproduced.
There are three Gillespie classics: Beebop, A Night in Tunisia and Salt Peanuts running about seven minutes each. These are the longest early recordings of these numbers that I have heard.
Perhaps even more interesting would be the as yet unapproved release of the second half of the Concert with a program by a very young Errol Garner and Don Byas.

Genius Overcome Technical Short Comings.......2006-02-25

The only bad thing about this recording is that it was made with the Town Hall's standard audio system. Gillespie is way off mic. Too bad there was not a real audio engineer to mic the performance. If you are a stickler for hi fidelity this may disappoint you. However the sheer genius and energy of the performances overcome this technical shortfall. If you enjoy either Gillespie or Monk, this recording deserves a place in your collection.

Average customer rating: Manuel Guarjiro Mirabal Hot Latin Big Band "debut solo for Manuel Guajiro Mirabal" Another Gem From A Buena Vista Social Club Veteran

Buena Vista Social Club Presents: Manuel Guajiro Mirabal Manuel "El Guajiro" Mirabal Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Buena Vista Social Club Presents Ibrahim Ferrer Buena Vista Social Club Presents Omara Portuondo Introducing...Rubén González Buena Vista Social Club A Toda Cuba Le Gusta ASIN: B0006SSNCI Release Date: 2005-01-04

Tracks:

1. El rincon caliente
2. Para bailar el montuno
3. Deuda
4. El roloj de Pastora
5. Me bote de guano
6. Mi Corazon no tiene quien lo llore
7. Tengo que olvidarte
8. Canta montero
9. Chicarronero
10. No vuelvo a Monon/Las tres Marias/Apurrunenme mujeres Medley
11. Dombe Dombe

Amazon.com

For his first solo album, 71-year-old trumpeter Mirabal has created a tribute to the seminal bandleader Arsenio Rodriguez. The latter was a tres-wielding maverick who reveled in Cuba's African heritage and gave new opportunities to the piano and brass. With three trumpeters on board, it is not surprising that the tracks often explode into blaring, festive, sloppy--precise fanfares, but Papi Oviedo on tres and pianist Roberto Fonseca more than hold their own. The singers also get a workout, notably on Me Bote De Guano, with its humming opening chorus and robust tenor lead vocal. The late Rubén González, who was Rodriguez's original keyboard man, is heard on Dombe Dombe, a tune he suggested for the set list. The sessions were recorded in Havana at legendary Egrem Studios with a minimum of technical bells-and-whistles and if the sonic texture is somewhat rough and remote, it only adds to the studio-live atmosphere. --Christina Roden

Recommended Similar Titles

Buena Vista Social Club	BVSC Presents Omara Portuondo	BVSC Presents Ibrahim Ferrer
Introducing Ruben Gonzalez	Mambo Sinuendo	Cachaito

Album Description

Cuban trumpeter Manuel "Guajiro" Mirabel was among the first musicians recruited by British producer Nick Gold for the now legendary sessions at Havana's Egrem Studio that yielded the multi-platinum Buena Vista Social Club album and Wim Wenders' groundbreaking concert documentary. But the veteran player already had enjoyed a rich musical history, having performed for more than 40 years in some of the most celebrated Cuban nightclub orchestras. With this lively set of '40s-era conjunto classics, he pays tribute to pioneering Cuban composer-bandleader Arsenio Rodriguez, whose trumpet arrangements inspired Mirabel as a boy.

Customer Reviews:

Manuel Guarjiro Mirabal.......2006-03-05

I'm a true collector of orginal Cuban music from the 1930 to 1970's and this CD is probably one of the best I've heard from new age bands.

Hot Latin Big Band.......2005-02-26

This album burns from start to finish. It is a straight up party album--- if you're looking for romantic make-out music, try another Buena Vista member. This record is loud and hot and made for dancing. Imagine a sweaty ballroom in a Havana casino in the 40's and this is the band that would be playing there. All of the musicians are excellent. The band has the traditional three trumpet, dual percussion, tres, bass and sonero line-up and there is not a weak member of the group. The vocalists are uniformly outstanding. Most of the album was recorded live in one take, and it definitely has the spontaneous, joyous feel of a live recording. Highly recommended.

"debut solo for Manuel Guajiro Mirabal".......2005-02-02

Nonesuch Records and Warner Music present "Buena Vista Social Club Presents - Manuel Guaijro Mirabal", in his solo debut album featuring the music of Arsenia Rodgriguez performed by Manuel "Guaijro" Mirabal and a very selective group of Buena Vista Social Club musicians...recorded at Havana's Egrem Studios with that electricity of "Live Performances"...this is an album you would stay up late at night for, sipping a glass or two of your favorite...entire album is performed in a playful setting.

Composer Rodgriguez sends our way "CANTA MONTERO", "EL RELOJ DE PASTORA", "EL RINCON CALIENTE", "ME BOTE DE GUANO", "MI CORAZON NO TIENE QUIEN LO LLORE", "PARA BAILAR EL MONTUNO", "TENGO QUE OLVIDARTE", creativity and innovation sends a modern salsa conjunto that will keep your head spinning...craving more of the same much like "Mambo Kings"..."DEUDA", composed by Luis Marquetti in 1945..."CHICHARRONERO", composer Louis "Lili" Martinez Grinan blends piano solo and brass to this rhythmic tune..."NO VUELVO A MORON LAS TRES MARIAS APJURRUNENME MUJERE MEDLEY", composers Otilio Del Portal and Arsenia Rodriguez favor us with a 5 minute medley of Cuba's finest offerings..."DOMBE DOMBE", beautiful opening trumpet solo, with haunting counter-melodies arranged and performed by Ruben Gonzalez, just the way it was back in the '40s...gotta love it!

Total Time: 46:36 on 11 Tracks ~ Nonesuch Records 79810 ~ (1/04/2005)

Another Gem From A Buena Vista Social Club Veteran.......2005-01-22

I owned all the albums of Buena Vista Social Club veterans and this one I waited with great anticipation. And I'm proud to say that I am not disappointed. All the selections in this album are superb and Guajiro Mirabal's playing of the trumpet is simply superb, most specially, if you are aware that he is more than 70 years old. Trumpet sound can be very annoying because of its inherent loudness but in the hands(or mouth) of Guajiro Mirabal, it is simply intoxicating. I played the album any time of the day and it never failed to amaze me. You can listen to it in any kind of mood you are. Morning. Late afternoon. Late night.

I highly recommend this album, along with all the albums of Buena Vista Social club members. Let's enjoy this music. This is the kind of music that you will not get tired listening at. Why? Because they are made by real musicians. All the sounds you hear are coming from real instruments all recorded live in the studio. If you are tired of listening to "manufactured" music, this kind of music will surely give you an entirely different experience.

Average customer rating: Endless talent, humor(!), peerless voice A Superb Sound, Filled With Passion And Soul! Another great offering Lovely Lila!!! From Latin standard to modern vocals

Una Sangre (One Blood) Lila Downs Manufacturer: Narada ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music General | International | Styles | Music Mexico | International | Styles | Music General | Reggae | International | Styles | Music Afro Brazilian | Latin Music | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Bolero | Latin Music | Styles | Music Mariachi | Latin Music | Styles | Music Ranchera | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: La Sandunga La Cantina Border (La Linea) Tree of Life La Llorona ASIN: B00023GFT0 Release Date: 2004-06-15

Tracks:

1. Viborita
2. Dignificada
3. Cielo Rojo
4. La Bamba
5. One Blood
6. Malinche
7. Tiringini Tsitsiki
8. La Cucaracha
9. Mother Jones
10. Paloma Negra
11. Brown Paper People
12. Una Sangre
13. Yahahuari Nin

Amazon.com

There's no doubt that singer Lila Downs' profile is on the rise after her appearance in the film Frida and on the accompanying soundtrack, which led to a performance at the 2003 Academy Awards. The dividing lines between cultures and classes are major themes throughout the Mexican-American singer's decade-long career; but whereas 2001's Border is more angry about the disparities, One Blood: Una Sangre is more inclusive, if only for the hopeful note of unity sounded in the English-language version of the title cut (the album has two distinctly different readings of the song sung, respectively, in English and Spanish). While much of the cumbia-based, genre-breaking material here is original, Downs and her band completely revamp two covers: Ritchie Valens classic "La Bamba" features techno beats and African drumming; the folk song "La Cucaracha" opens with wailing guitar before settling into a gentle reggae groove. Stylistically restless and lyrically didactic, One Blood: Una Sangre is as ambitious as it is beautiful. --Tad Hendrickson

Customer Reviews:

Endless talent, humor(!), peerless voice.......2006-02-04

It does not happen very often that one can hear a forty year old classic in a new cover version, and it is as if you hear that song all new and all over again. Especially, I had always thought that Chavela Vargas' version of Paloma Negra would remain the "gold standard", but when I listened to Lila Down's version here, ohh boy was I wrong, and ohh boy was I blown away! She plays with her talent, she jiggles with her incredible musical possibilities. Where other artists put a lot of effort into a single interpretation, where you see they work hard, Lila Downs seems just like a child that opens a big box of candies and asks: "What type of magic do I feel like doing next?"

All the other songs range from the great (Cjelo Rojo, Tirineni Tsitsiki) to the curious (Mother Jones) and to the original (covers of La Cucaracha and La Bamba), but Lila's Paloma Negra shines as the jewel and showpiece of this CD. If Chavela Vargas' version was the "classic", now it seems more like the pedestrian version to me. And don't get me wrong: I still think it was in itself an incredible performance. But if you want the overdrive, listen to the Lila Downs. Her's is so full of vioce and class, it will blow your mind away! Only in a song like this can it show, where the true genius of an artist really lies.

Let's hope there will be many more showpieces for Lila's endless talent and peerless voice to come!

A Superb Sound, Filled With Passion And Soul!.......2005-07-05

I first heard Lila Downs' sultry, smokey voice in the film "Frida." The movie's entire soundtrack is extraordinary, and I still listen to the CD frequently. Fortunately Ms. Downs has come out with four albums since then, because I love the passion and soul she puts into her music. "Una Sangre" is her latest offering. And it is an eclectic, outstanding mix, based on her multicultural artistic vision!

Lila Downs is a Mexican-American vocalist, with a Scottish-American father, and a Mixteca mother. She grew up in both the Mexican state of Oaxaca and in Minnesota, USA, bi-lingual and bi-cultural. Lila received formal voice training in Mexico and in the States, and performs her own compositions, as well as tapping into the rich indigenous music from the Mixtec, Zapotec, Maya, and Nahautl cultures. Her variegated sound is a real fusion of Mexican folk songs, rich American blues and jazz, along with some pop, mixed in with Afro-Cuban and Brazilian rhythms. I occasionally hear some gospel in there also. It is really difficult to pigeonhole her music and interpretations into a genre. This is a good thing! She is totally original.

"Viborita (Little Snake)," leads off with a fantastic driving Afro-Latino beat sustained by a fleet bass drum, with call-and-response vocals. It is very reminiscent of coastal music from Mexico, Central and South America, as well as the Caribbean - similar influences, right? The poignant "Dignificada," comes right afterward, and really gives the artist an opportunity to show-off her versatility with this slow sensual bolero. "Cielo Rojo," (Red Sky), is an excellent cut, one of my favorites - a sort of Mexican flamenco with 3 very different guitars at work here. It's gypsy-like, with soaring vocals and Lila, at times, trilling a falsetto high in the back of her throat.

"Bamba" is her take on the 200+ year-old song that Ritchie Valens made famous outside of Mexico, and her version of "La Cucaracha" is a fabulous 'cumbia', which some folks mistakenly call reggae. Reggae, which I really like, is totally different. The cumbia is a Colombian folk dance and music, which originated among African slave populations on the country's Atlantic coast. It is popular in areas of Mexico and Latin America. Extremely sensual, the music is often classified as "salsa, played in 4/4 time with a heavy beat one and accentuated beats three and four, giving a loping rolling rhythm similar to 'riding a horse.'" Anyway, this version of "Cucaracha," which usually has political lyrics, is certainly the most unusual I have heard.

"Tiringue Tsitsiki" (Flower of Marigold), is beautiful and sweet. Lila harmonizes with herself with minimal accompaniment here. While Malinche, with Downs' deep-toned voice and powerful delivery is bold, with lots of percussion - snare drums, maracas, and harp. "Paloma Negra" is traditional Mexican, with a fresh touch. "Mother Jones," performed in English, is pure blues. "One Blood," and "Brown Paper People" are also sung in English.

Lila's husband, Paul Cohen, is the musical director and saxophonist. He has brought together an excellent, international group of instrumentalists who come from the US, Mexico (string-multi-instrumentalist, Celso Duarte), Cuba (bassist, Junior Terry Cabrera), Chile (drummer/percussionist, Yayo), and Brazil (guitarist, Guilherme Monteiro). Mexican and American guitarists Ernesto Anaya and Marvin Sewell, make guest appearances, as does the renowned Japanese percussionist Satoshi Takeishi.

This is a wonderful CD! Lila Downs is a unique artist - simply superb! Highly recommended!
JANA

Another great offering.......2005-06-16

On this Lila Downs fourth or fifth CD if you count the rerelease (with additional tracks)of "Sandunga" finds her even deeper and more comfortable in her binational soul. Revealing her bicultural identity by the light of the moon , much like a leopard in a starless night jungle, her vocals pounce on your soul, invading and capturing your innermost feelings. There is a certain maturity to her latest work that reveals an accomplished artist, one who has travelled the globe and still comes back to her roots. There are no less than five traditional songs that have been given the Lila Downs treatment to retain their folkloric roots but with an edge, the Lila Downs edge. Even the songs that are originals have that feeling of traditional folkloric music because of fine production and musicianship. Although Lila is the star, credit must be given to the tight band that hails from different lands and whose flags make them like a U.N. delegation. Of course, it goes without mentioning that Lila's "amorcito" Paul Cohen does a wonderful job arranging and producing the various melodies for a tight cohesive sound. If you are new to Lila you may feel the disc lacks continuity but this is who Lila is. She is a multitalented artist whose voice is like a contortionist, bending ,dipping and weaving between genres in her unimitable style. To say she is unique is an understatement. Whether she sings in husky tones, soft whispers, lingering, escalating ,suddenly diving operatic high notes or any style Lila chooses , she is fantastic. Listening to her gives me chills today just like the first time I heard her back in 1999 . The haunting melodies stay with you long after the disc stops playing. I've been listening to this disc for about a year now and never seem to get tired of it. I only put it away , off my multi-disc rotation to give others a chance but I always come back to her. She can sing avariety of styles, many are featured here and they are all really good. Obviously she could do just a jazz album, as is evident on her English version of "One Blood" where she sounds like like a sultry, throaty , Latina, Sade. Her talent is boundless. She has been compared to Chavela Vargas but really there is no comparison, there is Lila and then there is Lila. It is her style, her persona, her music that creates the magic. Some of the more traditional songs that have received the Lila treatment are the mystical "Cielo Rojo," "La Cucaracha," La Bamba," and "Paloma Negra" come to new life like antiques recently brought out of the cabinet to be proudly displayed at the table. Although I like very much the traditonal songs featured on this disc I am also drawn to "Dignificada" which has a slight reggae back beat, "Malinche" which explores the Mexican godmother cursed by some but that belongs to all of us who have Mexican heritage, the bluesy , rootsy sung in English "Mother Jones," the call to musical arms Paul Cohen sax introduction on the Arabic sounding "Brown Paper People" with it's hip-hop inflected vocals adding further worldly textures and both Spanish and English versions of "One Blood/ Una Sangre" solidify the bilingual/binational nature of this disc. Lila is like a fine glass of wine or aged anejo Tequila that resonates with the various nuances and influences of the earth and climate, creating an experience to be savored and to reflect upon. She is not a person who fits into the flavor of the day pop- variety-disposible-icons that flood the music market today. This is a true artist who reflects what many people only feel and cannot express. This is another in a succesive line of great Lila Downs albums to be experienced. As others have stated, check her out live too. I've seen her three times and her shows are incredible. You need this CD in your collection, your soul will never be the same.

Lovely Lila!!!.......2005-01-31

Lila Downs is by far the most amazing vocalist of our time. I have all her CD's and can't wait until the next. Her music and live shows are inspiring and moving. She's a Latina who keeps it real and is proud of who she is, where she comes from and where she's been. I had the honor of meeting her and her inner beauty surely compliments her outer beauty. Her talent is moving, and her humility inspiring. I recommend this CD 100% as well as all her others. Hear it for yourself... and catch her live performances when she's in your town!

From Latin standard to modern vocals.......2004-11-18

UNA SANGRE/ONE BLOOD is perhaps the most startlingly contemporary. 'Viborita' opens with pounding drum beats, choral quality, and a beat that is contemporary in style.
 Downs' vocals have moved from Latin standard to modern in UNA SANGRE, without losing any power.

Average customer rating: when is it classic and when is it stale? great compilation Should be better known A great first Tito Puente album

King of Kings: The Very Best of Tito Puente Tito Puente Manufacturer: RCA ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music Mambo | Latin Music | Styles | Music Big Band | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Oye Como Va: The Dance Collection 100% Azucar!: The Best of Celia Cruz con la Sonora Matancera Dance Mania The Essential Tito Puente Salsa, Merengue, Mambo! ASIN: B00006EXC9 Release Date: 2002-08-20

Tracks:

1. Dance Mania (Mambo)
2. Oye Me Guaguanco (Listen To The Guaguanco)
3. El Cayuco (Son Montuno)
4. Caonao
5. Ti Mon Bo
6. Dance Of The Headhunters
7. Hong Kong Mambo
8. Cuando Te Vea (Guaguanco)
9. Baile Como Es (Mambo)
10. Saca Tu Mujer (Guaguanco)
11. Cuancona (Guaguanco)
12. Mambo Gozon
13. Mi Chiquita Quiere Bembe (Cha Cha Bembe)
14. Elequana
15. A Gozar Timbero
16. Cual Es La Idea (What's The Idea)
17. 3D Mambo (Mambo)
18. Son De La Loma
19. Llego Mijan (San Montuno)
20. Yambeque (Mambo Yambu)
21. Night Ritual

Customer Reviews:

when is it classic and when is it stale?.......2007-04-05

I didn't enjoy this cd as much as I expected. Guess it's all in the ears of the reviewer. I had heard too much like it before and it wasn't strong enough as a classic to hold my interest.

great compilation.......2006-11-08

this CD is a compilation of Tito Puente's music, mostly recorded in the 50's and early 60's. Every selection is a winner, and if you are just getting started listening to Tito Puente's music, this is a good jumping off point. However, please note: this is not a CD of strictly "mambo" or "salsa" music, there are other selections here that do not fit that category, although all of the tunes are Latin in flavor.

Should be better known.......2006-06-16

I had the pleasure of attending a Tito Puente concert a few years before his death. The man loved what he was doing and his concert was full of joyous, dancable music. Salsa is more popular now than when Puente started his career so you would think that more people would be interested in his music. This is the type of cd to listen in the background or to just dance non stop. Too bad more people will not have the joy of listening to his live concerts.

A great first Tito Puente album.......2004-04-10

Get a great introduction to the early work of Tito Puente, El Rey, the King. Tito Puente, salsa extraordinaire and father of afro-jazz, was an incredible talent who will be long remembered. This CD is the perfect collection to get started with Puente's vast library.

Smooth latin grooves are guaranteed on every track. Scary tribal rhythms shine through on Dance of the Headhunters. As one of my friends said, if you don't bob your head to Ti Mon Bo, you probably don't have a pulse. Night Ritual, Hong Kong Mambo, and El Cayuco would rank as some of my favorites if I had to choose, but thankfully I don't.

Informative liner notes give a good history lesson about Tito's roots, how he begun, and how he lasted and played amazing music even into his older years. Puente will certainly be remembered for one of the longest lasting, highest quality musicians the world has ever seen.

A great stepping stone for other Puente albums, this will give a brief introduction to many of the styles Puente cultivated over the years. I suggest Mambo Birdland: Dancemania, a live album from the late 1990s, as a wonderful chance to hear Puente and his full orchestra in rare form, playing a live show in the Palladium, decades after his playing originally sparkled there.

A high quality album all around, a great beginning to more Puente albums. Highly recommended to any newcomers to salsa who have interest. As the liner notes proclaim, El Rey esta meurte: long live the King!

Jazz Music:

1. Afro-Cuban Jazz Moods
2. All Night Session! Hampton Hawes Quartet, Vol. 2
3. All Night Session!, Vol. 1
4. All Night Session!, Vol. 3
5. Arne Domnérus Sextet With Bengt Hallberg & Rolf Ericson
6. At His Best
7. Bean Stalkin'
8. Bird Eyes, Vol. 19
9. Bird Eyes, Vol. 9
10. Bird: The Original Recordings of Charlie Parker

Jazz Music

jazz music