Con Alma [Live]

1. Blue Bossa

2. Con Alma

3. Coming Home Baby

4. Speak Low

5. Blue in Green

6. Star Eyes

7. Naima

8. St. Thomas

9. Con Alma

10. Speak Low

11. Blue Bossa

12. Like Sonny

Con Alma,DePaula & d'Andrea,Philology,Bop,Brazilian Jazz,Hard Bop

Jazz

Music

jazz

Tracks:

Questo guajo mancava...Son qual lacera tartana (La secchia rapita)
Che dunque!...Or ei con Ernestina...Ah sia gia (La Scuola dei gelosi)
Vi sono sposa e amante (La Fiera di Venezia)
Voi Lusingate invano lo smarito cor mio...Misera abbandonata (Palmira, Regina di Persia)
E void a buon marito...Non vo gla che vi suonino (La Cifra)
Alfin son sola...Sola e mesta (La Cifra)
Dopo pranzo addormentata (Il Ricco d'un glorno)
No, non cacillera...Suelle mi temple (La secchia rapita)
Lungi da me sen vada quella veste fatal...Dunque anche il cielo...Contro un'alma sventurata (Palmira, Regina di Persia)
Se lo dovessi vendere (La Finta scema)
Eccomi piu che mai...Amor pletoso Amore (Il Ricco d'un Glorno)
La ra la (La Grotta di Trofonio)
E non degg'io seguirla!...Forse chi sa...Vieni a me sull'ali d'oro (Armida)

Amazon.com

Antonio Salieri is, unfortunately, best known as Mozart's great Viennese rival. Some of his work has appeared on recordings, and he was clearly an interesting composer of well-crafted, entertaining music. But now that a singer with the stature and prodigious gifts of Cecilia Bartoli has undertaken an entire CD of his opera arias, he may just become a quasi-household name. Here he proves himself a composer who wrote for virtuosos; Bartoli is nothing if not a vituoso. And, indeed, this CD opens with an impressive bang: An aria from La secchia rapita features a wild vocal line complete with wild coloratura, huge leaps, a range from low G to high D flat (Bartoli flirts more and more with the soprano range while using her chest register even more forcefully!), and vast dynamic changes accompanied by a full orchestra augmented with grand, martial trumpets. Other arias--one from Palmira, Regina di Persia, for example--are more introspective and are spun out with a graceful, seamless legato and seemingly endless pianissimo. Everything one loves about Bartoli is here: the intensity, absolute fluidity in execution, breath control, glorious trill, the ability to whisper or holler, and an identification with the character she's portraying which makes the situation credible and involving for the listener. At the same time, we can't overlook a tendency to overstatement and exaggeration and a breathiness to some of the delivery which can be an annoying mannerism. But where else can one get such excitement and commitment coupled with an irresistible charm in a singer so clearly at her peak? Most/all of the arias and operas here are virtually unknown; this CD whets our appetites for more Salieri. The accompaniments are as superbly thought-out and played as one would hope for--the wacky pizzicato strings and solo wind and brass lines in an aria from La Cifra, for instance, will delight. Bartoli fans and fans of great singing should not wait another moment before ordering this. --Robert Levine

Customer Reviews:

Mostly nice selections sung well.......2007-03-07

This CD features many delightful selections of Salieri's music, expertly performed by Ms. Bartoli and by the Orchestra of the Age of Enlightenment. Anyone who likes Bartoli, and most people (non-experts) who like Mozart, would enjoy this album. The slower pieces, such as "Ah sia gia" and "Lungi da te" are especially beautiful.

That said, some of the selections seem to drag on (Salieri's fault). After a while listening, one just gets the feeling that "Vi sono sposa e amante" should have ended already, and the same goes for "Sulle mie tempie."

Painful introduction to Salieri.......2006-10-27

Ms. Bartoli is one of the great mezzos of our recent era, and her voice used to delight me, especially in the repertoire of Rossini, Mozart, & Handel sung by other great mezzos like Teresa Berganza.
Unfortunately, the voice that used to move so smoothly and accurately through florid passages is entirely absent here, and I have no explanation or understanding for the fervent praise bestowed upon this CD by others.
It is, in short, a travesty.
Bartoli emits the most painful and harsh pecking sounds......listening to just ONE of the tracks all the way through is a test of willpower and endurance! Granted, as someone else pointed out, these Salieri pieces are not an ideal choice for Bartoli, which explains some of the discomfort, but there is no way to excuse the vocalization that permeates the entire disc.
Sadly, this is a recording that should never have been released, and is a mockery of what the bel canto voice used to be.

Bartoli- The Most Important Voice of Our Age.......2006-02-27

Cecilia Bartoli is not only noteworthy for her unique voice, but for her contributions to musical study. She seems to be effectively and singlehandedly changing the face of how we approach music history with her recordings. This is why this recording is important.

She has been recording rare arias from operas which have dropped out of common repetoire for centuries. She has unearthed forgotten operas of great musical innovators such as Glueck and Vivaldi, and now Salieri. And due to what she achieves here, I will happily put "Salieri Album" in a rank next to my most prized Mozart records.

It seems as though Mozart dominates today's ouvre as the sole Classical Period composer of opera, but it was composers like Vincente Martin y Soler and Antonio Salieri who dominated the scene. Salieri was also just as innovative as Mozart. Works such as the overture to "Cesare in Farmacusa" harbor proto-Beethovenian storms, while his opera "Axur," in it's ahead-of-its-time construction, look foreward to the music-dramas of Wagner. These days, we look mainly at Mozart and his Donna Anna or Queen of the Night as THE voices of the Classical Period, but when you consider the bigger picture, Salieri's heroines, especially those the Cecilia Bartoli electrifyingly portrays on this record, equate or exceed what we might hear from Mozart in technical demand and overall beauty (Take for example the first track on this record).

With Cecilia Bartoli, opera is never boring. Some might thing she overacts, but is opera not essentially a fusion of music and drama? In this respect, Signora Bartoli is the perfect voice to define our generation, a generation which is looking to expand its musical horizons by exploring operas of more obscure composers. It is a relief that she knows how to bring her roles to LIFE. This is why her mission to revive these works has been so succesful. She has people interested.

As for the composer himself, Salieri was without a doubt, the most influential on the upcoming Romantic Period, even more so than Mozart. Notable names who had their musical education nurtured under Salieri's wing include Schubert, Weber, Beethoven, Mozart's son Franz Xaver, and even Liszt. It really is unfortunate that Pushkin and Peter Shaffer have pinned against Mozart, a composer who Salieri admired and had good relations with, according to letters.

The recording quality is excellent, and the Orchestra of the Age of Enlightenment compliments Bartoli's voice perfectly. Adam Fisher, furthermore, has a difficult task since much of this recording is world-premiere material. However, he presents the material as vividly as though they have never left the repetoire.

Buy this recording. I believe Signora Bartoli has set out on something great, and "Salieri Album" will have a ripple effect in the music world. I love this release.

Genius! Sheer genius!.......2005-12-19

Cecilia Bartoli is known for recording unfamiliar music. Here she recorded arias by Mozart's great rival Salieri and how beautifully she does it. She finds the right colours for every single piece, combined with her brilliant technique you get a feast of tasteful singing that will take your breath away! Buy it!

A revelation!.......2005-04-05

I came rather late to this CD. Am I the only one who saw "Amadeus" and came out wanting to hear more of the music of Salieri?

Ms Bartoli brings a her wonderful skills to the recording of some feriously difficult arias and proves up to the task. I know that some people have commented on flaws in her singing or the recording but the the joy of the album is the journey of discovery....each track is an adventure and a revelation.

A revelation of two great musical talents in top form ..Bartoli and Salieri.

Salieri's music is technically sophisticated and he wrote some truly glorious music for the female voice.

I can only recommend this to any lover of music.

Los Ministriles: Spanish Renaissance Wind Music

Average customer rating:

Pifarro's Best Album!
Fun, syncopated music from Piffaro, the Renaissance Band.
Renaissance Music is Anything but Boring!
Fun music

Los Ministriles: Spanish Renaissance Wind Music

Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Canzoni e Danze: Wind Music from Renaissance Italy
Chansons et Danceries (French Renaissance Wind Music)
Codex Faenza: Instrumental Music of the Early 15th Century
Medieval Dance Music

ASIN: B000001GYR
Release Date: 1997-09-16

Tracks:

La guerra
Calata ala spagnola
Fantasia del cuarto tono
Chacona ytaliana: 'Sencilla pastora'
Chacona: 'Un sarao de la chacona'
Espanyoleta - Gayta
Adoramoste, Senor
Si habra en este baldres?
[Untitled motet]
Crux Fidelis - Panis Angelicus - Crux fidelis
Puesque me tienes, Miguel
De la piel de sus ovejas
Parce mihi
Alli in Midbar - Canario
Sospiros, pues que descansa
Recuerde el alma dormida
Huyd, huyd, o ciegos amadores
Propinan de Meylor
Ay Jhesual frayle!
Ojos claros y serenos
Yntolerable rrayo!
Pois con tanta graca
Villano
Paradetas
Baile a finale

Customer Reviews:

Pifarro's Best Album!.......2003-07-08

Although Pifarro has released some wonderful stuff in the past couple of years, "Los Ministriles" is still, in my opinion, their best offering to date. Simply, this recording is a delight, and although I've heard it dozens of times, it always remains fresh and enjoyable upon each re-aquaintance. There is something about music from the Spanish renaissance that sets it apart from almost anything being written in Europe at the time, and Pifarro captures the fun, spontanaity and pure beauty that this music exudes from note one. Highly recommended.

Fun, syncopated music from Piffaro, the Renaissance Band........2002-11-25

The full title of this album is "Los Ministriles: Spanish Renaissance Wind Music", and it features a wide variety of genteel and folksy tunes that would have been played by multi-instrumentalist minstrels employed by the nobles and clergy of the time. Originally founded in 1980 as the Philadelphia Renaissance Wind Band, Piffaro took its current name from the Italian version of "Pfeifer", or piper. And indeed, this group boasts a wide variety of wind instruments: entire families of shawms, recorders and crumhorns; along with sackbuts, a bass dulcian and various bagpipes; accompanied by Spanish essentials such as harp, vihuela, guitar and percussion. The lively and intricate syncopation of Renaissance Spanish compositions lends a distinctive character to this CD in comparison with the group's other releases, which are also very good. Try their Flemish and German recordings too--"A Flemish Feast: Flemish Renaissance Wind Music" and "Stadtpfeiffer: Music of Renaissance Germany".

Renaissance Music is Anything but Boring!.......2000-03-20

I will admit an immediate bias for this recording, as my Renaissance Music instructor's husband is one of the players. However, leaving that fact out entirely, this disc, like all of Piffaro's recordings, is a joy. I listen to them everywhere, especially when I need to stay awake on long drives. To hear such difficult ensemble instruments as shawms, krumhorns and recorders in a resonant environment, played perfectly in tune is rare. This particular disc ranges from organ-like works for recorder consort to rousing dances like ¡Si abrá in este baldres! Unlike CDs that contain lengthy masses with no lighter interludes (although these are equally gorgeous, especially the Gabrielli Consort's Moralès Mass for the Feast of St. Isidore), Piffaro's CDs are widely varied in terms of instrumentation, style, tempo and inflection. I have played this for many people who claim to not like early music and have had much favorable response, not to mention the personal enjoyment and sheer fun!

Fun music.......1998-11-21

Much of this CD is typical Renaissance music with period instruments: a delight to listen to, but sounding a lot like other Renaissance delights. What I found really unique is that this is the first selection of Renaissance music which I'm familiar with that includes bagpipes among the instuments. Crumhorns and sackbuts are nice but familiar; the bagpipe selections blew me away.

Average customer rating:

Excellent product and service!
A must if you love Mozart Opera
Great CD but beware!
A MUST-BUY treasure trove!

Mozart: The Concert Arias

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Te Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

The Decca Records Store | Specialty Stores | Music
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Mozart: Lieder; Notturni
Mozart: Der Schauspieldirektor [Germany]
Song: A Guide to Art Song Style and Literature
Motezuma
Mozart Arias

ASIN: B0000042GL
Release Date: 1997-11-11

Tracks:

K272: 'Ah, lo previdi!...Ah, t'invola,'
K583: 'Vado, ma dove? oh Dei!'
K79: 'Oh, temerario Arbace!...Per quel paterno amplesso'
K582: 'Chi sa, ch sa, qual sia'
K490: 'Non piu. Tutto ascoltai..Non temer'
K528: 'Bella mia fiamma, addio!...'
K383: 'Nehmt meinen Dank, ihr holden Gonner!'
K580: 'Schon lacht der holde Fruhling'
K78: 'Per pieta, bell'idol mio'
K369: 'Misera, dove son?...Ah! non son io che parlo'
K579: 'Un moto di gioia'

Tracks:

K496a: 'Basta, vincesti...Ah, non lasciarmi'
K578: 'Alma grande e nobil core'
K374: 'A questo seno deh vieni...Or che il cielo a me ti rende'
K83: 'Se tutti i mali miei'
K217: 'Voi avete un cor fedele'
255: Ombra felice!...lo ti lascio
K77: 'Misero me!...Misero pargoletto'
K577: 'Giunse alfin il momento...Al desio di chi t'adora'
K82: 'Se ardire e speranza'

Tracks:

K23: Conservati fedele
K505: Ch'io mi scordi di te?... Non temer amato bene
K88: Fra cento affanni
K74b: Non curo l'affetto
K294: Ah! spiegarti, oh Dio
K119: Der Liebe himmlisches Gefuhl
K294 (Version 1): Alcandro, lo confesso... Non so d'onde viene
K294 (Version 2): Non so d'onde viene
K538: Ah se in ciel, benigne stelle

Tracks:

K368: Ma che vi fece, o stelle... Sperai vicino il lido
K416: Mia speranza adorata!... Ah non sai qual pena sia
K418: Vorrei spiegarvi, oh Dio!
K419: No, che non sei capace
K70: A Berenice... Sol nascente
K316: Popoli di Tessaglia!... lo non chiedo, eterni Dei
K21: Va, dal furor portata
K209: Si mostra la sorte
K210: Con ossequio, con rispetto
K431: Misero! O sogno... Aura, che intorno spiri

Tracks:

K368: Clarice cara mia sposa
K416: Se al labbro mio non credi
K418: Or che il dover... Tali e cotanti sono
K419: Per pieta, non ricercate
K433: Manner suchen stets zu naschen (Warnung)
K539: Ich mochte wohl der Kaiser sein!
K513: Mentre ti lascio, oh figlia
K432: Cosi dunque tradisci... Aspri rimorsi atroci
K541: Un bacio di mano
K512: Alcandro, lo confesso... Non so d'onde viene
K584: Rivolgete a lui lo sguardo
K612: Per questa bella mano

Customer Reviews:

Excellent product and service!.......2005-09-11

Love the product and received it record time overseas. Thank you!

A must if you love Mozart Opera.......2002-04-06

The LA Reviewer said it all and I totally agree. The sound is wonderful and singing top notch. A great discovery and a must for any opera collector. Mozart gets better the more you listen to his opera compositions - the set contains many of the outstanding arias not always done in concert but which are lovely and some rediscoveries. Also, our recent loss of Winbergh makes this a buy as we don't have alot of recordings of his beautiful tenor voice. This set features him on 4 arias and his Mozart singing is truly outstanding. This set of 5 CD's a great value and highly recommended.

Great CD but beware!.......2002-02-24

This has to be the ultimate compendium of these undeservedly neglected arias. Many of the arias themselves rival the most glorious moments in the operas, and some of them, particularly the high soprano arias, are highly-charged vocal stuntfests that have to be heard to be believed.

This set has much to recommend it but does have one major technical flaw. Every copy that I have heard (and that is several) has a skip near the end of Track 10 of Disc 1. It seems to be part of the master and many listeners will be able to live with it, but I do wish that producers would take the time to fix a defect like this for such a significant musical document. Purists beware!

A MUST-BUY treasure trove!.......1999-09-04

Can't get enough of sublime Mozartian aria music? This complete compilation of concert arias should be part of every Mozart lover's collection, especially as a supplement to better known opera arias. There are gems among the concert collection that challenge even the loveliest of Mozart's better known operatic work. I can't say this is the only version of the concert arias ever to buy... the more versions I hear, the more I love the different interpretations. But if you're only going to sample one set, this could be the winner. The singers represented are masters of the Mozart craft; one virtuoso piece after another - for five discs, each over an hour long! The arrangement of voices, mostly soprano (since they sing the originally castrati arias as well), is also wonderful; no one sound is heard for too long before a very different one takes its place to give a contrasting flavor. And they're all in top form: Kiri Te Kanawa with her trademark creamy mildness is followed by Edita Gruberova's agile, silver-haunted coloratura. Teresa Berganza, whom I usually link with mezzo roles, is a tour de force of golden warmth; her Ch'io mi scordi de te? on disc 3 (piano accompaniment originally played by Mozart himself) is magnificent and deserves special note. Krisztina Laki and Elfriede Hobarth were lesser known to me; both are quite fine, although Laki's crystal sweetness is stronger and more pitch-perfect than Hobarth's, particularly in the highest notes of some mind-boggling musical phrases. The final 1.5 discs are handed to the men; Gosta Winbergh sings the tenor arias with heroic beauty and Dietrich Fischer-Dieskau and Fernando Corena as the bass-baritones are simply the richly toned legends one would expect. A very nice booklet with notes, lyrics and translations to each aria is included. It's a marvelous set; one of my favorite discoveries.

Average customer rating:

Sanroma: Greatest Almost-Unknown Pianist of the Century

Piano Masters: Jesus Maria Sanroma

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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Jesus Maria Sanroma, Vol. 2

ASIN: B00004R8MB
Release Date: 2000-04-25

Customer Reviews:

Sanroma: Greatest Almost-Unknown Pianist of the Century.......2005-02-26

Jesus Maria ("Choo Choo")Sanroma used to stay at our home in Coconut Grove (Miami), Florida..when on tour. My father was a Baldwin Piano dealer and Choo Choo was a Baldwin artist...and they were fast friends. He was master of the great Baldwin SD-10 concert grand piano. Both Jose Iturbi and Artur Rubenstein told my father that Sanroma was probably the best of all of them.
Unfortunately, his Gershwin tours, which were astounding, allowed illiterate classical snobs to discount his talents. However, within this album you will experience the fire and passion of this amazing artist. A great & kind man. And from, proudly, Purto Rican parentage.

Average customer rating:

A lovely sing along.
Isagani Urgino
Domingo's "continuing tradition" is one worth ending!
Domingo's "continuing tradition" is one worth ending!

Placido Domingo: Songs of Love
Daniel A. Robles , Jacob Gade , Richard Tauber , Eugene Kohn , Bebu Silvetti , John J. Dee , Bill Ross , Rafael Solano , Julio Hernandez , Orlando Hernandez , Peter Horton , Charles Boito , Joseph Meyer , Amy Shulman , Ramon Stagnaro , Joel Timm , James Walker , and Woodward, Gary
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
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Placido Domingo: A Love Until The End Of Time
Be My Love
The Broadway I Love
The Best of Domingo
Por Amor

ASIN: B00004W4MV
Release Date: 2000-09-04

Tracks:

Love Story
O Sole Mio
Be My Love
Sabor A Mi
Somewhere My Love
En Aranjuez Con Tu Amor
Spanish Eyes
Sabras Que Te Quiero
Aquellos Ojos Verdes
Alma Latina
Somewhere Over The Rainbow
El Condor Pasa
Jealousy Tango
Love Be My Guiding Star

Amazon.com

If the concept of an operatic tenor plying the pop charts with a broad range of songs d'amour is hardly a new one (see also Mario Lanza and Luciano Pavarotti), it's one that has enduring appeal, especially when entrusted to the talents of an established master like Placido Domingo. Culled from his albums De mi alma Latina ("From My Latin Soul") (volumes 1 and 2) and Be My Love, this collection ably finds the common ground between Hollywood and La Scala, and wends its way through a Latin-inflected romantic songbook that stretches from Rome to Rio. Whether mining the sentiments of filmdom's Francis Lai ("Love Story") and Maurice Jarre ("Somewhere My Love") or pop standards like Bert Kaempfert's "Spanish Eyes" and "Somewhere over the Rainbow," Domingo infuses them all with a grace and drama that belie the sometimes overly precious arrangements that back his efforts. The singer has aimed for timelessness here, and largely hit the mark. --Jerry McCulley

Customer Reviews:

A lovely sing along........2007-01-03

We teach voice improvement for singing and speaking so it is heart warming to be able to use such an incredible master to sing along with
in our mother language of English.
Michael White, Director, The Optimal Breathing Institute

Isagani Urgino.......2006-08-08

Placido Domingo is a legend and this CD only prooves that he is not only a legend in the field of Opera but as well as popular music (Crosover). Excellent interpretation. I love it.

Domingo's "continuing tradition" is one worth ending!.......2001-06-28

Classical artists' attempts to cross over to the many varied popular music genres, and vice versa, are rarely pleasant experiences especially for informed and knowing devotees on either side. Domingo's is by far is not only one of the worst but one of the saddest. Domingo's own liner notes attests to the "huge influence" and "lasting inspiration" that the sources of these popular songs had on him. Domingo must have devoted a remarkably great degree of effort overcoming these to become one of this generation's great classical vocalists. But despite this Herculean effort, they tragically resurfaced as evidenced by the universally poor quality of virtually every element of this album. The recordings of Florence Foster Jenkins illustrate well what happens when someone doesn't know any better. Domingo does know better and still couldn't help himself proving bad habits never die. That is what makes Jenkins' effort so funny and, regrettably, what makes Domingo's so sad. The great Domingo "tradition" is more than well documneted in so many previous wonderful recordings and this CD clearly demonstrates he has little left to do in the studio except discredit himself. But he's is only following the same path so many before have traveled in their declining years. And as usual, those in the know are amazed but never surprised.

Domingo's "continuing tradition" is one worth ending!.......2001-06-27

Classical artists' attempts to cross over to the many varied popular music genres, and vice versa, are rarely pleasant experiences especially for informed and knowing devotees on either side. Domingo's is by far is not only one of the worst but one of the saddest. Domingo's own liner notes attests to the "huge influence" and "lasting inspiration" that the sources of these popular songs had on him. Domingo must have devoted a remarkably great degree of effort overcoming these to become one of this generation's great classical vocalists. But despite this Herculean effort, they tragically resurfaced as evidenced by the universally poor quality of virtually every element of this album. The recordings of Florence Foster Jenkins illustrate well what happens when someone doesn't know any better. Domingo does know better and still couldn't help himself proving, once again, bad habits never die. That is what makes Jenkins' effort so funny and, regrettably, what makes Domingo's so pittifully sad. The lasting Domingo tradition was documented on recordings many years ago and "Songs of Love" represents all that's left for him to do in the studio. Like so many before him, he's simply following an all too familiar path in his declining artistic years. Those in the know are always amazed but never surprised.

Average customer rating:

Brava Berganza! A Birthday Tribute

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

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Una voce poco fa: A Portrait of Teresa Berganza

ASIN: B0007DHPRG
Release Date: 2005-04-12

Average customer rating:

Con el Alma Entre Las Manos
Yahir
Manufacturer: Warner Music Latina
ProductGroup: Music
Binding: Audio CD

General | Latin Music | Styles | Music

Latin Pop | Latin Music | Styles | Music

Mexico | International | Styles | Music
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No Te Apartes de Mi
Yahir
Otra Historia de Amor
No Te Apartes de Mi
El Mundo Se Equivoca

ASIN: B000I0QJIE
Release Date: 2006-09-26

Tracks:

Si Tu Me Faltas
Si Te Vas
Maldito Amor
Lo Que No Sabes
Casi, Casi Mia
El Amor
Teresa
Aguanta Corazon
SUlce Bendicion
No Seamos Tontos
Y Me Acuerdo
La Mujer

Average customer rating:

Shirley Verrett Sings Bellini & Verdi

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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I Never Walked Alone: The Autobiography of an American Singer
Great Operatic Duets
French Opera Arias (Dig)

ASIN: B00005Y92Y
Release Date: 2000-06-06

Mozart: Don Giovanni (Arranged for Wind Octet)

Average customer rating:

Mozart: Don Giovanni (Arranged for Wind Octet)

Manufacturer: Rondo Grammofon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
ASIN: B00005RGJZ
Release Date: 2001-10-30

Tracks:

Ov (Andante - Allegro Molto)
Intro: Notte E Giorno Faticar (Allegro Molto)
Ah Chi Mi Dice Mai (Allegro)
Madamina, Il Catalogo E Questo (Allegro)
Giovinette Che Fate All' Amore (Allegro)
La Ci Darem La Mano (Andante)
Non Ti Fidar, O Misera (Andante)
Dalla Sua Pace (Andante)
Fin Ch' Han Dal Vino (Presto)
Batti, Batti O Bel Masetto (Andante Grazioso)
Presto, Presto Pria Ch' Ei Venga (Allegro Assai)
Eh Via Buffone (Allegro Assai)
Ah Taci, Ingiusto Core (Andantino)
Dah Vieni Alla Finestra (Allegretto)
Mata Di Voi Qua Vadano (Andante Con Moto)
Vendrai, Carino (Grazioso)
Per Queste Tue Manine (Allegro Moderato)
Mi Tradi Quell' Alma Ingrata (Allegretto)
Non Mi Dir, Bell' Idol Mio (Larghetto)
Gia La Men Sa E Preparata (Allegro Vivace)

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De Wert: Madrigaux - Madrigals

Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B0000007BJ
Release Date: 1997-10-14

Tracks:

Vezzosi augelli (Livre VIII no. 4)
lo non son pero morto (Livre VIII no.1)
Non sospirar, pastor (Livre VIII no.12)
Forsennata gridava (Livre VIII no.11)
Questi odorate fiori (Livre VIII no. 13)
Con voi giocando, Amor (Livre VIII no.15)
Voi ch'ascoltate (Livre II no. 2)
Dolci spoglie (Livre XV no. 17)
Novo amor, nove fiamme, e nova legge (Livre III no.9)
Dica chi vuol (Livre XIV no. 5)
Voglia mi vien (Livre XIV no.18)
Vago augeletto (Livre IX no.4)
L'anima mia ferita (Livre IX no. 9)
O, come vaneggiate, Donna (Livre IX no. 10)
Misera, che faro (Livre VII no. 2)
Solo e pensoso (Livre VII no. 8)
Giunto a la tomba (Livre VII no. 9)
Sorgi e rischiara (Livre VII no. 1)
Occhi, de l'alma mia (Livre XIV no. 11)
M'ha punt'Amor (Livre XIV no. 21)
Del vago Mincio (Livre X no. 7)
Amor che sai (Livre X no. 12)
Soccorete, ben mio (Livre X no. 13)
Crudelissima dogila (Livre X no. 14)
Ahi, come soffriro (Livre XII no. 3)

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