His Guitar & Music

1. Bitter Blue

2. Hello, My Love

3. Talk'n Talk'n Talk'n

4. Tears

5. On the Mountain

6. Easy Listening

7. In Laguna

8. Juju

9. I'll Walk With the Rain

10. Brazilian Bus

11. How Incredible

12. It Was Love

13. Sandpipers

14. Born at Thirty Five

15. Califia

16. Weird But Wonderful

17. Run for the Sun

18. Peppermint Park

19. One Love of Your Loves

20. Butterfly Tree

His Guitar & Music,George Russell,USA Music Group,Avant-Garde,Jazz,Post-Bop

Jazz

Music

jazz

music

Average customer rating: Dick Dale was the Pioneer... Surf mandolin A Great Album but not easy listening music . . . . DickDale-King of the Surf Guitar You Don't Know Dick

King Of The Surf Guitar: The Best Of Dick Dale & His Del-Tones Dick Dale & the Del-Tones Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Surf Rock | Oldies & Retro | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music Surf Guitar | Rock Guitarists | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Innovators | Warner Brothers Records | Stores | Music Similar Items: Rumble! The Best of Link Wray The Ventures Play the Greatest Surfin' Hits of All Time Walk -- Don't Run: The Best of the Ventures The Ventures Play Telstar/Ventures in Space Lost Legends of Surf Guitar, Vol. 1 ASIN: B00000348H Release Date: 1989-08-04

Tracks:

1. Let's Go Trippin
2. Shake 'N' Stomp
3. Misirlou
4. Mr. Peppermint Man
5. Surf Beat
6. Take It Off
7. King Of The Surf Guitar
8. Hava Nagila
9. Riders In The Sky
10. The Wedge
11. Night Rider
12. Mr. Eliminator
13. The Victor
14. Taco Wagon
15. Tidal Wave
16. Banzi Washout
17. One Double One Oh!
18. Pipeline - Dick Dale And His Del Tones w/ Stevie Ray Vaughan

Amazon.com

This collection rightly concentrates on Dale's instrumental exploits as the Jimi Hendrix of surf music. Nineteen sixty-one's "Let's Go Trippin'" was the first real surf instrumental, although the pyrotechnic fretwork of later Dale records is largely absent. Those divebomb runs, reverb drenchings, and impossibly quick picking displays materialize on the next single, "Shake & Stomp," then bloom on the revved-up Middle-Eastern standard "Misirlou." Dale's instrumentals generally fell into two camps: standard-progression frat blasts ("Take It Off," "Night Rider," "Mr. Eliminator") and minor-key Middle-Eastern excursions ("The Wedge," the "Pipeline"-esque "Banzai Wipeout," "The Victor," even "Hava Nagila"--which Jewish purists must have regarded as a hora of Babylon), on which his blistering technique was more likely to find its spotlight Some of his best work is found on "King of the Surf Guitar," a Duane Eddy knockoff with great vocals by the Blossoms garnished by lightning flashes of boss guitar. With all the dazzling axe-work on display (also including a beautiful 1987 duet with Stevie Ray Vaughan on the Chantays' unearthly "Pipeline"), the coolest cut here may be the sole vocal, "Mr. Peppermint Man," on which Dale's rasp oozes a concupiscent slime over the murky tale of a lollipop Lothario who "carries a little sign that says, Have some dessert." Frat rock godhead. --Ken Barnes

Customer Reviews:

Dick Dale was the Pioneer..........2007-05-31

I knew of Dick Dale's more well known tunes, his first "Let's go tripping" & "Misirlou", but the lesser known tracks are quite good. It demonstrates Dale's growth from his first to the "Pipeline" remake. The tracks are pretty much layed out on chronological order, and that's good.

His style is all over this cd, no mistaking it. He's described as "High Energy", and I'm not a fan of harsh surf - some of that here, but all good.

I recommend this cd for surf tune lovers and how surf all started with Dick Dale.

Surf mandolin.......2007-03-05

Dick Dale was left-handed, yet didn't reverse the strings on his guitar. His technique is most accurately described as electrified mandolin that was augmented in 1962 with a portable Fender reverb unit. He is widely considered the father of surf music and there's no denying that those who came after Dale used his music as a starting point.

The Del-Tones never had a hit record in their time; not even "Misrilou" made much of a splash (forgive the pun). That song and Dale enjoyed a sort of notoriety 30 years after the track's release thanks to the film PULP FICTION. It was featured in the movie's opening credits.

In comparison to the surf music that followed in Dick Dale's wake (pun again), his stuff had more energy perhaps, but it just wasn't as good. Dale had a penchant for reworking tunes to his style that probably should have been left alone-- "The Wedge," "Riders In The Sky" and "Hava Nagila" are good examples of this.

The last selection, "Pipeline," features Stevie Ray Vaughan, and was recorded in 1987. RHINO did a fine job of remastering the older sides, and their liner notes are informative. THE BEST OF DICK DALE & HIS DEL-TONES is a collection that will appeal most to surf music completists, and historians of the "California Sound."

TOTAL RUNNING TIME -- 41:54

A Great Album but not easy listening music . . . ........2007-02-17

I am more partial to metal and hard rock, but Dick Dale is great! The first man to blow up amps and melt guitar picks. He used to start with a handful and flick them off into to audience.

Most of the tracks are a good cross section of the times; has artist as well as studio written and produced tracks. If you are interested in pre-Beach Boys 'surf guitar', this is one to get.

Most people will recognize Banzai Wipeout, but there are some 'studio produced' tracks as well that Dale was forced to record. They are insipid, but a good contrast to the artist's material. Dale wanted to see what he could do with a traditional melody, Hava Nagila has to be experienced . . . .its a great revenge track for all the boring whiny gangsta rap you hear in the summer.

DickDale-King of the Surf Guitar.......2007-01-21

Don't think Dale can play a song the same way twice. Didn't like the selection of songs nor the way they produced.
J

You Don't Know Dick.......2006-12-31

I've owned this particular CD for years, but I have been kind of reluctant to review it. Y'see, to me, Dick Dale is kind of like the Tao; "the Tao that is spoken about, is not the Tao..." The Dick dale that I speak about is not really Dick Dale.

Dick Dale needs to be experienced in order to be appreciated. I can't explain his music. It's kind of primal, kind of tribal, it's kind of raw and will gnaw at your gut for hours after listening to it. It takes a "different kind" of soul to not only listen to Dick Dale, but appreciate him. This isn't said out of arrogance, it's just said out of a knowing that not everybody will like him just like not everyone likes the Mills Brothers...

Shine little glow worm...

He is truly amazing. I saw him in concert a few times, but I remember one time he was playing so fast and so furious that he broke a guitar string in the middle of a jam session. Big deal you say? What would you say if I told you he changed that guitar string while he was playing it? He had a stage hand hold the guitar, while he changed the string with his left hand and played with his right. You wouldn't even believe how thunderous the applause was after that happened.

Every time I've seen him, I've been "deaf" for days. I've never left a Dick Dale concert without somehow changing in some way. He's like a Shaman, a wizard, an alchemist. He can transform the ordinary into something pure and golden. He is truly one of the world's greatest (and most overlooked) musicians.

He is the King.

So, buy this album. It's a great little starter and after you learn to appreciate this album, go to another, and another, until you'll finally be able to say, "Wow, I really do know Dick..."

Peace and Blessings, children

Average customer rating: Great introduction to Bo Diddley Bo Is The Real Boss! Immensely Influential Must have Excellent

His Best : The Chess 50th Anniversary Collection Bo Diddley Manufacturer: Chess ProductGroup: Music Binding: Audio CD Chicago Blues | Blues | Styles | Music General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music General | R&B | Styles | Music General | Rock | Styles | Music General | Oldies & Retro | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Howlin' Wolf: His Best (Chess 50th Anniversary Collection) Ray Charles and Betty Carter/Dedicated to You The Definitive Collection Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them His Best ASIN: B000005KQK Release Date: 1997-04-08

Tracks:

1. Bo Diddley
2. I'm A Man
3. You Don't Love Me (You Don't Care)
4. Diddley Daddy
5. Pretty Thing
6. Bring It To Jerome
7. I'm Lookin' For A Woman
8. Who Do You Love?
9. Hey Bo Diddley
10. Mona (AKA I Need You Baby)
11. Before You Accuse Me
12. Say Man
13. Dearest Darling
14. Crackin' Up
15. The Story Of Bo Diddley
16. Road Runner
17. Pills
18. I Can Tell
19. You Can't Judge A Book By Its Cover
20. Ooh Baby

Amazon.com

"Sounds nice," Bo Diddley tongue-in-cheekily observes of his music in "The Story of Bo Diddley," one of three self-named tunes on this 20-track examination of his classic '50s and '60s Checker Records sides. Not only was the former Ellas McDaniels rhythmically sharp enough to have a beat named after himself; he had a great guitar sound and a seemingly endless supply of shaggy-dog stories, lover-man boasts, silly jokes, and complaints with which to fuse them. His Best boils down the two-CD Chess Box, including signature pieces like "Bo Diddley" and "You Can't Judge a Book by Its Cover" alongside unjustly obscure tunes such as "Pills" (later covered by the New York Dolls) and "Dearest Darling." Great. --Rickey Wright

Product Description

BRAND NEW, sealed, includes the original CD, case, and paperwork, fast shipped, ask me for my CD List!;

Customer Reviews:

Great introduction to Bo Diddley.......2007-07-19

This is a nice introduction to the work of Bo Diddley. The liner notes say: ". . .you can't judge a book by its cover, but you can sure tell something about how important a musician is by the artists who do cover versions of his songs." And a lot of musicians covered his songs or were influenced by his work.

Some of the songs on this album well exemplify his art:

"Bo Diddley": This eponymous work lays out the classic Bo. What a romp! The rhythm is infectious and his guitar work is solid. He shows off a nice blues and rock voice. This is, of course, classic Bo Diddley. And it is one of the great blues/rock songs of the ages.

"I'm a Man": The B side to "Bo Diddley" when 45s were the nature of the recording game. One of the best B sides of all time! Compare with Muddy Waters' "Mannish Boy." Tough to choose between them! There is a wonderful basic instrumental tune with great blues vocals from Bo. Classic!

"Hey Bo Diddley": A nicely done variation on "Bo Diddley." Good rhythm.

Finally, "You Can't Judge a Book by Its Cover": There are nice lyrics here, with Bo playing nice variations off of the title. Well done indeed. The rhythm and guitar work is wonderful. The beat is infectious.

This is a wonderful introduction to the corpus of Bo Diddley, one of the major founding figures in rock and roll as well as a nice blues contributor.

Bo Is The Real Boss! .......2007-04-15

Bo is to rock and roll, what Strauss is to the polka. Bo is to rock and roll, what Waylon is to country. Bo is to rock and roll, what BB is to the blues. Bo is without peer! The CD belongs in the library of everybody who has an ear for music. I'll bet you'll open it a second time!

Immensely Influential.......2007-01-03

Few artists have ever had such an impact as Bo Diddley. He left his mark on all rock that followed. Bo's music really shows the evolution of blues into rock. He often gets tossed in oldies bins, but this stuff is timeless, and some of it has more bite than anything one would expect from the time; for example, the awesome "Pills" is one of rocks' first "drug songs" and one of the best rock songs ever written. So many of these songs have been covered by popular artists, and so many original compositions still owe a large debt to Bo Diddley's work. Diddley was a true pioneer, in fact, the originator of a beat so distinctive that musicians know it as the "Bo Diddley Beat." Bo Diddley is not just music for those wanting to learn about the roots of rock though, it is truly vital and irresistible. For those looking for a good place to start, this is essential Bo Diddley and essential music: PERIOD!

Must have.......2006-11-10

If you are in anyway interested in either Chicago/Mississippi blues or the roots of rock and roll this CD is a must have item.

Excellent.......2006-08-28

Bo-Didley's names says it all? Best collection of his music. I will recommend to anyone who is fan of people who have tried Bo's style like Stones, Eric Burden etc., to give a listen to this. An excellent investment for your music collection.

Average customer rating: The foundation of hard rock is right here! "I gotta ax handle pistol/On a graveyard frame/That shoots tombstone bullets/Wearing balls and chain" There really isn't much to say. Muddy Is The Man!!! WOW!

His Best: 1947 to 1955 Muddy Waters Manufacturer: Chess ProductGroup: Music Binding: Audio CD Chicago Blues | Blues | Styles | Music Delta Blues | Blues | Styles | Music General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Slide Guitar | Blues | Styles | Music Similar Items: Howlin' Wolf: His Best (Chess 50th Anniversary Collection) The Very Best Of John Lee Hooker The Sky Is Crying: The History of Elmore James His Best His Best: 1956 to 1964 ASIN: B000005KQH Release Date: 1997-03-25

Tracks:

1. I Can't Be Satisfied
2. I Feel Like Going Home
3. Train Fare Blues
4. Rollin' And Tumblin', Part 1
5. Rollin' Stone
6. Louisiana Blues
7. Long Distance Call
8. Honey Bee
9. She Moves Me
10. Still A Fool
11. Standing Around Crying
12. Baby Please Don't Go
13. I Want You To Love Me
14. I'm Your Hoochie Coochie Man
15. I Just Want To Make Love To You
16. I'm Ready
17. Young Fashioned Ways
18. Mannish Boy
19. Sugar Sweet
20. Trouble No More

Amazon.com essential recording

One of the best recordings in Chess Records' 50th Anniverary series is the first of two bookend Muddy Waters collections, His Best 1947-55. Documenting Waters's most creatively and commercially successful years at Aristocrat/Chess, this CD begins with his formative years and ends with Waters at his peak. So you're in for a lot of terrific bottleneck slide guitar work as well as electric Chicago blues. What's to criticize? Superb remasterings of "I Can't Be Satisfied," "Rollin' and Tumblin'," "I'm Ready," and "Mannish Boy" are simply beyond reproach. With simple bass accompaniment from Ernest "Big" Crawford, Waters's bottleneck tracks are spare, haunting and, quite frankly, perfect country blues. And listening to Waters, Little Walter, Willie Dixon, and Jimmy Rogers piece together (and perfect very quickly) the classic Chicago sound is pure blues epiphany. At the very least, this collection shows you why Waters's rollicking stop-time classics like "Mannish Boy" and "I'm Your Hoochie Coochie Man" have sparked endless imitations over the years--and why nobody has played them better since. --Ken Hohman

Customer Reviews:

The foundation of hard rock is right here!.......2006-10-16

If it weren't for Muddy Waters, hard rock might look totally different...if it would have even come about. So many classic bands took inspiration from Muddy or covered his songs. Just look at the Rolling Stones (who took their name from one of his songs and covered "I Just Wanna Make Love to You"), the Allman Brothers ("Trouble No More"), Aerosmith (who covered two songs on their recent HONKIN' ON BOBO), Ted Nugent ("Baby Please Don't Go"), Eric Clapton ("I'm Your Hoochie Coochie Man") and many others.

But, that statement ignores the quality of this music, which is great. The early tracks like "I Can't Be Satisfied" and "Rollin' and Tumblin' (Pt. 1)" are raw and intimate, just Muddy backed with acoustic guitar and stand-up bass. But the later electric tracks are even better. "I'm Ready," "Mannish Boy," "I Want You to Love Me," and more are stone cold blues classics. Muddy's backing band of the time included Willie Dixon and Little Walter and their great ensemble playing on these tracks contribute to their greatness.

This is a mandatory CD for fans of blues and rock. Get it now.

"I gotta ax handle pistol/On a graveyard frame/That shoots tombstone bullets/Wearing balls and chain".......2006-07-24

Anyone besides me love this line? Anyway...
Though it's hard to say who invented rock, bluesmen can be given much credit for it. I really find it surprising that my friends who are, like me, rock fans aren't into the blues, since blues pretty much shaped rock.
Okay, onto the album itself. It's a damned good one, if you're a fan of the blues and this isn't in your collection, the Ghost of Muddy Waters will be coming for you, and he'll be pissed... especially if it's after a long night of him drinkin' T.N.T and smokin' dynamite. Believe me. You need classics like I Can't Be Satisfied, Rollin' and Tumblin', Rollin' Stone, Baby Please Don't Go, I Just Want to Make Love to You, Hoochie Coochie Man, I'm Ready, Mannish Boy and Trouble No More in your collection. And though some rock bands covered these songs excellently, Muddy's versions win out nine times of ten. Oh, and did I mention Willie Dixon plays bass on, and writes, most of these songs?

There really isn't much to say........2006-03-30

I don't see how anyone could improve. In a talent competition he'd obliterate the competitors on his first note.

Muddy Is The Man!!!.......2005-03-15

If you are a blues fan you have to have at least one Muddy Waters CD and this would be the one. "Mannish Boy" is probably my favorite. This is the first Muddy Waters song I ever heard although I had heard plenty of his songs done by other artists. It was used in a beer commercial (Budweiser I believe)back in the early '90's and I had to find out who it was. His version of the often recored "Baby Please Don't Go" is my favorite version of this song. This is an essential CD if you are just getting into blues. Also see Howling Wolf's "Rocking Chair album" and "Moaning at Midnight." And for Delta Blues, Robert Johnson's complete recordings since it is only two CDs and Son House's "Father of the Delta Blues."

WOW!.......2004-11-15

Is there any better buy you could make? I mean, the cost of these songs comes out to about 69 cents a song. This was my first Muddy Waters CD as I wanted to get a taste of what he offered, and all I can say is that there is no going back now.

Often imitated but never duplicated, Muddy is the epitome of the blues. From I'm Your Hoochie Coochie Man to Mannish boy, these are timeless classics which will never be improved.

This is most definitely a "desert island cd".....add it to your collection. If you don't buy the two "His Best" CD's: 1947-1955 and 1956-1964, I would highly recommend the Chess box set.

Again.....one word: "WOW"

Average customer rating: Great Album beautiful A glimpse inside the audio diary of Elliot Smith Three Cheers Smith's Genius

Roman Candle Elliott Smith Manufacturer: Cavity Search ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Singer-Songwriters | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Indie & Lo-Fi | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Alternative Folk | Contemporary Folk | Folk | Styles | Music General | Alternative Rock | Indie Music | Stores | Music Alternative Folk | Alternative Rock | Indie Music | Stores | Music Singer Songwriters | Alternative Rock | Indie Music | Stores | Music Rock | Alternative Rock | Indie Music | Stores | Music Similar Items: Figure 8 XO From a Basement on the Hill New Moon Good Will Hunting: Music From The Miramax Motion Picture ASIN: B000003D90 Release Date: 1995-07-14

Tracks:

1. Roman Candle
2. Condor Ave.
3. No Name #1
4. No Name #2
5. No Name #3
6. Drive All Over Town
7. No Name #4
8. Last Call
9. Kiwi Maddog 20/20

Amazon.com

A member of the band Heatmiser, Elliot Smith recorded home demos on any equipment he could get his hands on. His first "solo" album is a cheap four-track home recording that hints at the melodic possibilities Smith would explore in greater detail on subsequent releases. The title track is remarkable but with four songs referred to in sequential order as "No Name #1," "No Name #2," etc. ... the inspiration isn't always fully firing. Blessed with a quiet angelic voice and a lyrical mind that easily transforms the squalid details of everyday life into something worth hearing about twice, Smith stood on the verge of getting it on. With his next, self-titled release, he did.--Rob O'Connor

Customer Reviews:

Great Album.......2007-04-17

This maybe my favorite Elliott Smith album next to Either/Or. I would purchase this album with Either/Or if I were just getting into Elliott Smith. It is a very chill album to listen to while driving at night, doing homework, or going to sleep. Elliott's acoustic guitar playing and lyrics are very well arranged. Give it a glance.

beautiful.......2007-03-13

i bought this cd completely on a whim at a local cd store. it took a few listens for certain songs to really sink in, but now i absolutely love it. No Name #3 and Condor Avenue are worth the price tag alone

A glimpse inside the audio diary of Elliot Smith.......2007-03-05

This unpretentious cd is sparse and mysterious as was the late recording artist himself, who died under mysterious circumstances shortly after receiving critical acclaim. I think it is the best representation of Smith, who has other more polished cd's that seem to have somehow missed his essence. This one seems to have been recorded early on, low-fi in a basement or bedroom, and lets you get up close to him without studio intervention. There are many tracks that don't even have bass or drums, just guitars and voice. The tunes are haunting and insecure, but will soon get right under your skin. This is no high-gloss commercial venture, but more like a glimpse inside somebody's audio diary.

Three Cheers.......2006-07-16

Roman Candle has a very endearing adolescence to it much softer than Elliott's later work. An innocent recording of someone's youth.

Smith's Genius.......2006-07-09

Elliot Smith has never written anything but beautiful, listenable music and this first release is no exception. His fan base should only grow. He was a genius.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Brilliant music by great musicians The Royal Family of Spanish Guitar Spanish classical guitar Sumptuous performances! LOS ROMEROS TO PERFORM WITH THE EDISON SYMPHONY AT THE STATE THEATRE IN NJ

The Royal Family of the Spanish Guitar Isaac Albeniz , Enrique Granados , Federico Moreno Torroba , Anonymous , Fernando Sor , Celedonio Romero , Francisco Tarrega , Robert de Visee , Luys de Narvaez , Vincenzo Galilei , Luis de Milan , Johann Sebastian Bach , John Dowland , Jean-Philippe Rameau , Gaspar Sanz , Harold Lawrence , The Romeros , Pepe Romero , Angel Romero , and Celin Romero Manufacturer: Philips ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rameau | Rameau, Jean Philippe | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Ballets & Dances | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | International | Styles | Music Similar Items: Essential Guitar: 33 Guitar Masterpieces The Art of Pepe Romero: Guitar Favorites Songs My Father Taught Me Antonio Vivaldi: Guitar Concertos, Los Romeros Los Romeros: The Rodrigo Collection ASIN: B0000057NF Release Date: 1997-05-13

Tracks:

1. Trad. Spanish Folk Melody: Sevillanas
2. Intermezo from Goyescas
3. Llamada
4. Sevilla From Suite Espanola
5. Obbligato on Etude in B Minor
6. Noche en Malaga
7. Lagrima (Preludio)
8. Romantic Prelude
9. Allegretto From Sonatina In A Major
10. Prelude No. 3 In A Minor
11. Suite In D Minor
12. Cuatro diferencias sobre
13. Suite Of Six Dances
14. Three Pavanas
15. Minuet
16. Bourree
17. Gavotte
18. King Of Denmark's Galliard
19. Gavotte en rondeau
20. Espanoleta

Customer Reviews:

Brilliant music by great musicians.......2007-05-09

I got this for my mother for her birthday, and she was thrilled. I listened to it with her, and it's simply delicious music. I recommend this to everyone who enjoys the guitar, Spanish music, and classical music.

The Royal Family of Spanish Guitar.......2007-05-07

Superb. There is just nothing more to say.

Spanish classical guitar.......2007-04-23

If you are in the mood for some beautiful Spanish guitar music than this disc will fill that void. The Romeros have been recording elegant music for years as the gift of guitar playing has been passed down generations. What is especially nice about this disc is that it features a variety of composers major works. The Romeros interpret Issac Albeniz, Enrique Granados, Federico Torroba, Villa-Lobos and Bach amongst many others. Curiously enough, the works of Rodrigo are misssing. To avoid confusion in your buying this disc it is important to note that all the Romeros do not play guitar together on this disc. There is the occasional duet and group performance on guitar but for the most part these are individual solos. The solo guitar of each Romero is enough to capture your attention but it is important to note that Celedonio Romero dominates this disc. The inclosed booklet is very informative and educational regarding the history of each composition; it is nice reading material while you are listening to these early music time pieces. Although the individual pieces are composed by different people there is a flow to the music. This is great music to relax the mind to , perfect for reading or participating in some quite endevor. Recommended for Spanish classical guitar aficionados.

Sumptuous performances!.......2006-03-16

Since their early years this curious ensemble has detached due their impeccable phrasing, sublime expression and admirable phrasing. (We should remind the case of the Abreu brothers in the Seventies as other emblematic example of familiar ensembles) This special circumstance has allowed them to achieve a very high place in guitar' s world.

Their elegant refinement is not wrangled with the sensitive and required mood. They have maintained the perfect balance, becoming an obligated reference every time they release a new album in the market.

His Rodrigo's performances possess that verve so characteristic of the great interpreters. Listening pieces as Madrigal Concerto, the original Concerto for three guitars and the unbeatable performance of Fandango.

This album contains some of the most representative miniaturist pieces of the Spanish repertoire.

So please, don' t think it over and acquire this album that will reward you every time you listen it.

LOS ROMEROS TO PERFORM WITH THE EDISON SYMPHONY AT THE STATE THEATRE IN NJ.......2005-12-29

THIS IS A GREAT CD! COME SEE THE LOS ROMEROS THE ROYAL FAMILY OF THE GUITAR PERFORM LIVE WITH THE EDISON SYMPHONY ON FEBRUARY 19, 2006, AT THE STATE THEATRE IN NEW BRUNSWICK, NJ 2:00 P.M.

FOR TICKETS: www.edisonsymphony.com and www.statetheatrenj.org

Average customer rating: Wise words and cool tunes Love it and Love Harry Manx exotic, yet strangely timeless another level for Harry

Mantras for Madmen Harry Manx Manufacturer: Dog My Cat Records ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Slide Guitar | Blues | Styles | Music Similar Items: West Eats Meet Road Ragas Live Jubilee Wise and Otherwise Dog My Cat ASIN: B000BITT1M Release Date: 2005-11-08

Tracks:

1. Where Fools Die
2. San Diego-Tijuana
3. The Point Of Purchase
4. Never The Twain
5. A Single Spark
6. You Sweet Name
7. Afghani Raga
8. It Makes No Difference
9. Don't Take His Name Away
10. It Takes A Tear
11. Nothing Fails Like Success
12. Talkin' Turban

Customer Reviews:

Wise words and cool tunes.......2007-03-28

I guess the most obvious way to differentiate Harry Manx from his peers is his use of Indian instruments, and in paricular the Mohan Veena. Well, actually what's unique and very refreshing is the way he integrates those sounds into a fusion of Blues and Americana that remind me of some of the other artists I love, but also stands out from them.
For all the exoticism of the instrumentation, Harry's songs are actually pretty accessible, and like the best songs are a bit mysterious in their actual meaning but give you a feeling that he's really saying something. Don't Take His Name Away is a terrific song about life and death and memory. I wonder who it's about.
Another standout song is A Single Spark, which has the trademark Indian sound mixed with an emotive blues sound and an intriguing, memorable lyric.
There's not a bad song on the album, though It Takes a Tear, a duet with a singer who's not really interesting enough, comes closest to being one you might want to skip past.
I like the production, even though it sounds at times almost too clean and bright for Blues. The production favours the sound of the Indian instruments, and the couple of instrumentals using those instruments sound fantastic.
On the whole, one of the best albums I've heard for some time. I can see I'll be enjoying this one for years to come.

Love it and Love Harry Manx.......2007-01-10

I love this CD, I love Harry Manx, he is so blusey and his voice and music is undescrible, I recommend this CD for every blues lover and sitar music lover. Highly recommended.

exotic, yet strangely timeless.......2006-05-17

While most musicians are content to work within the accepted boundaries of their chosen style, lap-slide guitarist Harry Manx likes to color way outside the lines. His crayons? Soulful, raspy vocals, poetic lyrics, and the whining drones and mysterious melisma of Indian music. In addition to picking Hawaiian-style flat-top à la David Lindley, Ben Harper, or Kelly Joe Phelps, Manx plays the mohan veena-a 20-string archtop developed by Indian slide wizard Vishwa Mohan Bhatt. East/West fusions can sometimes sound forced or awkward, but Manx-who studied with Bhatt for five years-dodges that bullet. On Mantras for Madmen, mandolin, banjo, harmonica, tamboura, tabla, and haunting female voices swirl seamlessly around intricate slide melodies, creating an exotic, yet strangely timeless sound. Drawing from blues, ragas, and the story-telling heritage of British Isles folk music, Manx conjures songs that are as bewitching as they are unique.

another level for Harry.......2006-01-20

I've been listening to Manx' blues ever since I caught him in concert here in New Mexico. "Road Ragas" being my favorite until this new release which really showcases his talent at writing songs, let alone the unique Indian instrument (I would write the name but would slaughter the spelling-a sitar/guitar cross)he plays them to. Don't let Mantra in the title sway you into thinking this is true sanskrit mantra (which I also listen to) but I think it is his way of honoring his unique East/West style and he does have a terrific sense of humor which also prevails in his songs. Good go Harry-come back to New Mexico soon!

Average customer rating: I love this CD! Awesome guitar -- beyond comparison Essential blues from the Slidewinder! ****1/2. The last and greatest of Elmore James' disciples Good Chicago slide-guitar blues

Hawk Squat J.B. Hutto & His Hawks Manufacturer: Delmark ProductGroup: Music Binding: Audio CD Chicago Blues | Blues | Styles | Music General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Slide Guitar | Blues | Styles | Music General | Blues | Indie Music | Stores | Music Chicago Blues | Blues | Indie Music | Stores | Music Similar Items: Bricks in My Pillow Live on Maxwell Street West Side Soul Hound Dog Taylor and the Houserockers Hoodoo Man Blues ASIN: B000004BIJ Release Date: 1994-07-30

Tracks:

1. Speak My Mind
2. If You Change Your Mind
3. Too Much Pride
4. What Can You Get Outside That You Can't Get At Home
5. The Same Mistake Twice
6. 20% Alcohol
7. Hip-Shakin'
8. The Feeling Is Gone
9. Notoriety Woman
10. Too Late
11. Send Her Home To Me
12. Hawk Squat

Customer Reviews:

I love this CD!.......2007-01-03

Never heard of these cats until I found them browsing on Amazon.com. Downloaded this CD to my iPOD and listen to it all the time. I wish they were still around.

Awesome guitar -- beyond comparison.......2006-04-05

JB Hutto LAYS WASTE to any other electric guitarist you've ever heard play. How it is he isn't a household word is beyond my comprehension -- he's unbelievable!!!

Essential blues from the Slidewinder!.......2003-06-10

I think J.B. himself summed up this album with those immortal words from the title song- "HAVE MERCY!"

****1/2. The last and greatest of Elmore James' disciples.......2003-01-06

Hound Dog Taylor and J.B. Hutto were the last disciples of the king of post-war slide guitar, the great Elmore James, and Joseph Benjamin Hutto's main source of inspiration is obvious on this his first studio album, "Hawk Squat". The first track, "Speak My Mind", is in fact a thinly-veiled cover of "Dust My Broom".

But don't let that deter you. This is one of the all-time great Chicago blues albums, recorded between 1966 and 1968, and perfectly showcasing Hutto's raw, slash-and-burn approach without ever getting muddled or losing its sense of restraint.

"Hawk Squat" boasts both powerful, hard-rocking tracks like the awesome "Hip-Shakin'", and the deep-dug grooves of "20% Alcohol" and "Notoriety Woman".
J.B. Hutto and the Hawks are accompanied by sixty-year-old Albert Luandrew, better known as Sunnyland Slim, on piano and organ, and Maurice McIntyre plays tenor saxophone on a few tracks. The sound is good, and the production brings Hutto's loud, wailing, but seemingly effortless vocals to the forefront where they belong.

There are no obvious #1 hit singles on this album - it is not a pop record, after all - but nor does it contain a single weak track. Every minute is worth listening to - and that is rare praise for a twelve-track LP!

Good Chicago slide-guitar blues.......2002-11-16

If you haven't been to the Checkerboard Lounge on East 43rd Street in Chicago at 2 AM, drinking Budweisers at the long, slender, rickety tables there, eyeing the sometimes exotic females that come into the place and listening to a smoky blues band (I have, and the experience is beautiful), this CD will get you close. And for good reason; although J B Hutto and His Hawks weren't regulars at the Checkerboard, they did have a gig at the nearby Turner's Blue Lounge back in the '60s. This is good, straight-up, old-fashioned Chicago slide-guitar blues, nothing fancy, with many tunes about women and alcohol (Rory Gallagher's great track "Too Much Alcohol", found on his Irish Tour CD, is taken from a J D Hutto track). On this CD, you get a bonus with Sunnyland Slim playing organ. J B Hutto is long gone, but the music lives on; recommended for knowledgeable blues fans. Real juke-joint stuff.

Average customer rating: A true modern classic what a truly haunting score nocturne number 6 Favorite song not on the soundtrack A Huge Disappointment for a wonderful movie score

Deer Hunter: Original Motion Picture Soundtrack Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Deer Hunter (Universal Legacy Series) Raging Bull Midnight Cowboy: Original Motion Picture Score Apocalypse Now Redux Rain Man: Original Motion Picture Soundtrack (1989 Soundtrack) ASIN: B00000DR9S Release Date: 1990-10-25

Tracks:

1. Cavatina
2. Praise The Name Of The Lord
3. Troika
4. Katyusha
5. Struggling Ahead
6. Sarabande
7. Waiting His Turn
8. Memory Eternal
9. God Bless America
10. Cavatina (Reprise)

Customer Reviews:

A true modern classic.......2007-01-18

The title track alone to Michael Cimino's film "The Deer Hunter" makes it a worthwhile purchase.

Truth be told, you're not getting too much more than that. The three significant guitar pieces on this album (composed by Stanley Myers) are the title theme, the Sarabande, and a reprise of the title music (in a slightly longer and fuller arrangement).

The Sarabande is lovely, and comparatively underrated, but it's just not quite in the same league as its companion.

The Russian Orthodox choral pieces, while also good, are recorded live and thus lack the careful intonation and clean sound of studio versions.

The folks songs "Katyusha" and "Troika" are performed energetically. They also have, for better or worse, all the shouting, stamping, clapping, whistling, and audience sing-along that goes with a good live performance.

Finally, "Struggling Ahead" and "Waiting His Turn" are short, comparatively minor variations on the theme music that underscore particular scenes, just as good film music is supposed to do.

Now, here's what the soundtrack album doesn't have that it SHOULD:
(A) Frankie Valli singing "Can't Take My Eyes Off of You." The boys in the bar horse around to this song.
(B) Bobby Bare singing "Drop Kick Me, Jesus, Through the Goalposts of Life." When the boys return to the bar after their hunting trip, they drunkenly sing this.
(C) Frederic Chopin's sixth nocturne for piano (Opus 15, Number 3), in g minor. John the bartender plays it (just the first section, actually) just as the movie shifts from Pennsylvania to Vietnam.
All three of these pieces are significant in establishing the movie's moods. (Just like the simple, hymnlike version "God, Bless America," which IS found here.) Why in the world they were omitted from the soundtrack album, I can't figure.

That said, this album is still absolutely worth it. The theme music, published under the title "Cavatina," has become classical guitarist John Williams's signature piece. ("Cavatina," in case you're wondering, is an Italian musical term meaning a sustained melody or simple song.) It's been recorded many, many times since by other admiring musicians (in arrangements good, bad, and horrible). I suspect music lovers will be falling in love with it a hundred years from now. I've found the piece on other albums, but to me the two soundtrack versions -- particularly the concluding reprise -- remain, all told, the best combination of arrangement and performance. (Williams has also arranged this piece for solo guitar. The soundtrack recording benefits from a gently subdued strings-and-woodwind orchestral backing.)

By the way, people have rightly wondered why Myers's score didn't win an Oscar when "The Deer Hunter" did so well otherwise at that year's Academy Awards. It may be because (as I understand it) Stanley Myers had actually composed the piece several years earlier, and had even used it in another movie, titled "The Walking Stick." It apparently just hadn't grabbed people's attention yet. So guitarist John Williams deserves major credit for recognizing and championing this beautiful composition until people finally sat up and listened.

what a truly haunting score.......2006-05-28

This motion picture had such an emotional impact on me when I saw it back in the early '80s that it left me totally drained, and I was never able to get the haunting guitar out of my head.

As far as the music goes on this CD, it wasn't the entire score I was in love with (& needed to hear again), but a yearning, instead, to hear John "Guitar" Williams' awesome guitar playing.

Unfortunately, you only get three numbers by this great guitarist, three. I still love what the man does, but it is hardly enough.

I guess I'll have to either keep playing the same three tunes over and over, or else buy some more CDs by him.

nocturne number 6.......2006-04-17

thank you all for identifying this gorgeous piece of music. it's truly magical. i can't believe how many people it has touched. again thank you.i've been looking for it for years.

Favorite song not on the soundtrack.......2005-12-09

The scene when they're in the bar, just before they leave for vietnam, there's an emotional piano instrumental. Its not on the soundtrack, so if you're looking for it, its by Frederic Chopin, called Nocturne Number 6, Opus 15-3, in g minor.

A Huge Disappointment for a wonderful movie score.......2005-02-15

All I can say is what a ripoff. I think this soundtrack runs less than 15 minutes--what a lost opportunity. Not only are the scores way too short--but the most two vital songs/socres--"I Love you Baby--not only at the tavern but also as part of the wedding festivals--and even more importantly, the score whose name I don't know--after the deer hunt and the most poignant moment in the films--the score in the tavern where a classical piece is played and all the boys go into the deepest moments of intimacy in the entire film--none of this is part of the sound track.

I love the film, looked forward to the soundtrack--and felt I (and others) were totally ripped off.

Average customer rating: One of my favorites the last track is clearly the best. Raw Hank "A MUST" for Diehard Hank Williams & Classic Country Fans! Great Performances

Alone with His Guitar Hank Williams Manufacturer: Mercury Nashville ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Honky-Tonk | Country | Styles | Music General | Traditional Country | Country | Styles | Music Similar Items: Beyond the Sunset Hank Williams: Honky Tonk Blues I Saw the Light Live At The Grand Ole Opry Three Hanks: Men with Broken Hearts ASIN: B00004YLOG Release Date: 2000-09-19

Tracks:

1. Tennessee Border
2. First Year Blues
3. Blue Love
4. Please Don't Let Me Love You
5. Alone & Forsaken
6. You Caused It All By Tellin' Lies
7. With Tears In My Eyes
8. Rockin' Chair Money
9. Cool Water
10. We Live In Two Different Worlds
11. My Bucket's Got A Hole In It
12. A Teardrop On A Rose
13. Hoinky Tonk Blues
14. Thy Burdens Are Greater Than Mine
15. Weary Blues From Waitin'
16. I Can't Escape From You
17. I Could Never Be Ashamed Of You
18. Kaw-Liga

Customer Reviews:

One of my favorites.......2007-04-15

I got this cd and listened to the whole thing. I really loved it. The cd is very clear and the songs are all good. I believe in taking this cd for what it is, which is a collection of some rarely heard Hank songs. If you're a fan of his "40 greatest hits" then I would recomend this. Hank doesn't disappoint.

the last track is clearly the best........2005-03-12

there are lots of good songs. if you listen a lot you can learn the words and then sing along but be sure not to sing too loudly because your voice is probably not as beautiful as mister hank william's is. it's too bad he had children because their music could never compare to his.

Raw Hank.......2003-01-09

Hank's brief career fortunately coincided with the dawn of affordable tape recording. Thus the preservation of these ten 1949 Shreveport, Louisiana,radio broadcasts plus eight demos. As the title indicates, he's singing with no accompaniment except for his guitar. "The vocal-guitar demo leaves no place to hide, and it was in this context that Hank was at his most riveting," say the notes. From a practical standpoint, the intimate context also spared him the cost of sidemen.

Thanks to the Grammy winning The Complete Hank Williams, there's nothing new here, yet conceptually this package rises far above mere recycling, starting with the primitive cover art by original Mekon Jon Langford and William Gay's essay (narrated by lookalike grandson Hank III on the enhanced CD, which offers lyric sheet, bio, screen saver and more). The sound is surprisingly clean considering the low-tech recording equipment that was used.

Some demos have lines that subsequent studio versions revised. Even the comic "Kaw-Liga" - clearly a work in progress - conveys heartbreak in the voice. While Hank Sr.'s way with a word is well known, the 11 covers found here - including Roy Acuff, Sons Of The Pioneers and Red Foley songs - are among the peaks. Whereas Ernest Tubb portrayed the disillusioned husband of "First Year Blues" with humor, Williams' version aches with the first-hand experience of his own awful marriage. The white blues never got much bluer than Hank's.

"A MUST" for Diehard Hank Williams & Classic Country Fans!.......2002-12-10

I can't believe I'm the first to review this; I expected reams of praise for this album. Now, if you've never listened to Hank, I respect you if this is your choice, but first-timers should really go for the 40-singles CD. For all the rest, it's Hank Williams: Unplugged. It's a little raw, just him and guitar of course, but it sounds great, not scratchy at all. Excellent songcraft, voice, and guitar. This is the first album I've reviewed, and don't plan on making it a habit, so trust me, this is one fine album. Hearing Hank do 'Cool Water' is great, so are a bunch of the others. In conclusion, this is a good album.

Great Performances.......2002-03-14

I'm a big fan of Hank's music,but don't plan on shelling out big bucks for the 10 CD box. I've heard a friend's copy, and while I love historic recordings,some of those things on the box were in real bad shape, and maybe should have been edited a little.Alone With His Guitar is a nice alternative for getting a taste of Hank's radio performances and demos. While not as massive or inclusive as the box,it's a good anthology for slightly more than casual fans.

Jazz Music:

1. I Remember Bobby
2. Illuminations
3. Images [Import] [Original recording remastered]
4. Immortal Concerts [Live]
5. It's Better With A Band
6. Jazz at the Philharmonic: The Oscar Peterson Trio Set [Live]
7. Jazz Masters 3 [Box set] [Import]
8. Jerry Garcia/David Grisman [Live]
9. Journey
10. Kenny G

Jazz Music

jazz music