Out There

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By the time of this 1960 recording, only his second as a leader, Dolphy has already dispensed with the "traditional" jazz instrumentation. With bassist George Duvivier and drummer Roy Haynes holding down the rhythm, Ron Carter moves to the frontline armed with a cello, joining Dolphy as he switches from alto to bass clarinet to regular clarinet to flute. Out There catches Dolphy at a significant crossroads: The music is more ambitious and more jagged than on its predecessor Outward Bound, but more cohesive and less aurally challenging than on his 1964 master work, Out to Lunch. Dolphy's improvisations---on each instrument--are bursting with creative, far-reaching ideas, expressive wails, and frenetic flurries while Carter's eerie arco (bowed) cello ambles quietly, sometimes melancholy, sometimes menacing. Dolphy's four originals show his absorption of Mingus---especially on the blues distortion of "Serene"---and provide perfect blueprints for his bizarre constructions. The quartet also handles one tune from Mingus himself (the ruminating "Eclipse") plus Randy Weston's fragile "Sketch of Melba." --Marc Greilsamer

Out There,Eric Dolphy,Ojc,Avant-Garde Jazz,Jazz,Jazz Music,Pop,Post-Bop

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Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Better than the studio version Buy it now! Where's the legimite DVD? Careful what you get! A piece of history

Is There Anybody Out There? / The Wall Live Pink Floyd 1980-81 (Deluxe Limited Edition) Pink Floyd Manufacturer: Sony ProductGroup: Music Binding: Audio CD Disco | Dance & DJ | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Supergroups | Classic Rock | Styles | Music General | Live Albums | Classic Rock | Styles | Music General | Classic Rock | Styles | Music General | Rock | Box Sets | Stores | Music Hard Rock & Heavy Metal | Rock | Box Sets | Stores | Music Classic Rock | Box Sets | Stores | Music Box Sets at 30% Off | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music Hard Rock & Metal | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pink Floyd - Pulse Delicate Sound of Thunder The Final Cut Pulse Animals ASIN: B00004SVIK Release Date: 2000-04-18

Tracks:

1. MC:Atomos
2. In The Flesh?
3. The Thin Ice
4. Another Brick In The Wall - Part 1
5. The Happiest Days Of Our Lives
6. Another Brick In The Wall - Part 2
7. Mother
8. Goodbye Blue Sky
9. Empty Spaces
10. What Shall We Do Now?
11. Young Lust
12. One Of My Turns
13. Don't Leave Me Now
14. Another Brick In The Wall - Part 3
15. The Last Few Bricks
16. Goodbye Cruel World

Tracks:

1. Hey You
2. Is There Anybody Out There?
3. Nobody Home
4. Vera
5. Bring The Boys Back Home
6. Comfortably Numb
7. The Show Must Go On
8. MC:Atomos
9. In The Flesh
10. Run Like Hell
11. Waiting For The Worms
12. Stop
13. The Trial
14. Outside The Wall

Amazon.com

Exactly what was Pink Floyd's The Wall? Rock opera? Concept album? Performance art? Mere entertainment? While the truth may lie in a combination of all of the above, during the band's tour of 1980-81, The Wall was a bona fide spectacle. More than anything, Is There Anybody Out There? captures the volume, the bombast, and the grandeur of these famed performances with remarkable accuracy. Meticulously recorded, these concerts are astonishingly faithful to the band's studio versions and flow out of the speakers with practiced authority and absolutely fantastic sound. That said, there are few new revelations to be gained from hearing The Wall live that can't be gleaned from the studio version. Some moments do have an additional spark, however. "Run Like Hell" is launched with blistering intensity, and the first notes of "Another Brick in the Wall, Part 1" will surely raise a shiver. The release also includes two tracks ("What Shall We Do Now," "The Last Few Bricks") left off the original release due to space constraints. Essential for Floyd fanatics as well as those wishing to hear just how terrific a live concert can sound. --S. Duda

Customer Reviews:

Better than the studio version.......2007-05-25

I got this as a gift from a friend and was first impressed with the very nice package of great photos and artwork. Honestly, it sat around for a while before I listened to it because I was never really that excited about The Wall as an album. Finally I listened from beginning to end and was pleasently surprised. I think this version is much better than the original studio release as it has a more cohesive feel to it and is not nearly as disjointed. The audio quality is fantastic too. The studio version was recorded in four different studios if I remember correctly, and you can tell. Here, the band is performing to visual presentations onstage so everything must stay together, and of course, there is always something magical about a live performance that you can't reproduce in the studio. All of the earlier PF live stuff is great though, like Cruel But Fair for example.

This is a must have for the hard core Floyd fan! Don't buy the cheesy two disc set, get the box set, it is a far better presentation.

Buy it now!.......2007-05-07

My boss at work recently lent this to me- at first I thought I would burn myself a copy- but the minute I put it in my player I knew I just had to buy it! Like every other Floyd experience, this is magical too.

Thank you Steve :)

Where's the legimite DVD?.......2007-04-26

5 stars for the audio CD...

But, more than a review I would like to ask if the "Is there Anybody Out there?/The Wall Pink Floyd" has been released on DVD as well?.

I have seen some DVDs on sale under the name of "The Wall at the Earls Court" but according to some reviews there...that DVD is a pirate DVD, nothing to do with this Audio CD.

Is There Anybody Out There...to help me?

Careful what you get!.......2007-01-25

The music is great, the bad rating is for Amazon. Although I've ordered the limited edtion, I received the "simple" editon. Of course, I got my money my money back (thanks for that) but I still wanted the limited edition. When I contacted Amazon, they've told me there is no way to ensure that I'll get the right edition and that it seems there is a problem with this product.

A piece of history.......2006-12-28

I never liked the studio version of 'The Wall'. All in all, I believe Roger Waters lost his mind and slipped into complete megalomania while they recorded their epic double album of despair. Of course, the wall has a group of outstanding songs that should have made up a single album. As a double album/cd somewhere along the way the music starts taking the listener down a one-way path to places that aren't very interesting at all.

That said I still have to give this live edition 5 stars. Why? It's a bloody good show. If you can get beyond the whining of Waters and concentrate on what he and the band accomplished theatrically then I believe you will find this a considerably enjoyable experience.

Plus, it's really cool to go back in time and hear Comfortably Numb played live for one of the first times ever. That's amazing in itself.

Average customer rating: The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE A Landmark Classic Now Made Even Better. A Milestone of Early Rock! I Love it ! The Who's classic rock opera gets a 35th birthday celebration fit for a king!

Tommy Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Supergroups | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Similar Items: Who's Next (Deluxe Edition) Live At Leeds [Deluxe Edition] My Generation (Dlx) (Dig) Avalon Quick One (Happy Jack) ASIN: B0000DJZAH Release Date: 2003-10-28

Tracks:

1. Overture
2. It's A Boy
3. 1921
4. Amazing Journey
5. Sparks
6. Eyesight To The Blind (The Hawker)
7. Christmas
8. Cousin Kevin
9. The Acid Queen
10. Underture
11. Do You Think It's Alright
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror!
16. Tommy Can You Hear Me?
17. Smash The Mirror
18. Sensation
19. Miracle Cure
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It
25. See Me Feel Me/Listening To You

Tracks:

1. I Was
2. Christmas (Out-Take 3)
3. Cousin Kevin Model Child
4. Young Man Blues (Version 1)
5. Tommy Can You Hear Me? (Alternate Version)
6. Trying To Get Through
7. Sally Simpson (Out-Takes)
8. Miss Simpson
9. Welcome (Take 2)
10. Tommy's Holiday Camp (Band's Version)
11. We're Not Gonna Take It (Alternate Version)
12. Dogs (Part 2)
13. It's A Boy
14. Amazing Journey
15. Christmas
16. Do You Think It's Alright?
17. Pinball Wizard

Customer Reviews:

The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE.......2007-06-12

The Album is a masterpiece of all time rock n roll, even if this is "the less Who album" of the Who... but nevermind!
The Sound in both Stereo (from the original master tape discovered in the vault of UMG) and 5.1 (mixed by Pete Townshend himself) is great...
As you put the disc in your player you'll hear the great differences from the 1996 reissue even if you have only a "simple" CD player..
If You're a great Who fan and you a have SACD player buy ABSOLUTELY this album and enjoy it 'til the laser of your player won't work anymore...
The second disc is clearly for fans only but the quality of some track even if are demos or outtakes is very very good!!

A Landmark Classic Now Made Even Better........2006-12-26

One of the most important, groundbreaking amd influential albums in the history of rock and roll, The Who's 1969 magnum opus "Tommy", a rock opera about a deaf, dumb and blind kid who sure plays a mean pinball, is now better than ever thanks to the brilliance of SACD and DSD remastering techniques.

Every song on the cd sounds like it was recorded just yesterday. It is 100 % crystal clear, perfectly remixed and remastered. It gives you a clearer view of the story as well as a more pleasurable than ever listening experience. Pete Townshend and the people involved in this truly put their hearts into making "Tommy" better than ever.

The bonus disc is also worth it. A lot of awesome raritis. The liner notes are an interesting read, and the album itself is of course a masterpiece nobody should be without.

A Milestone of Early Rock!.......2006-09-29

"Tommy" is beyond question one of the big milestones of early rock. Musically the band were at the peak of their creativity.

All band members were obviously extremely talented musicians and both Roger Daltrey and Pete Townshend were/are great singers. Apart from few exceptions like "Cousin Kevin" all songs are outstanding; and it's really great to have the whole story on one CD - compared to the old double vinyl album.

Though the storyline may seem a little weird today ( to me it always did ), there is so much great music on this album.

The second bonus CD gives a very interesting insight in the developement of some of the songs. Though the sound quality is exellent CD 2 will mainly be of interest to hard-core Who fans. None of these alternate versions are better than the ones chosen for the album, though a few come close. The studio version of "Young Man Blues" which did not appear on the original album is a nice addition too!

I Love it !.......2006-09-06

I was so blind-sided by this reissue - really. I have looked at this for a few years now, but I never picked it up. My impression of this was that it had some very good music along with some dated sounding tracks, so it wasn't a high priority. I'd been having very good luck buying hybrid SACD's even though I don't own a SACD player; the CD layers benefit greatly from the DSD mastering, making them stand head and shoulders above the latest PCM remasters (there are a few exceptions), so I decided to take the plunge.

The CD layer is stunning. I must have been sitting there with my mouth open after "Overture" began. I experienced emotion that wasn't there on previous listens to this on CD and vinyl. Yes, some of the tracks still sound dated, but most of this album is very good indeed, and this remaster is so incredible. If you own a great stereo rig, I highly recommend buying this - in fact, even if you don't have a great rig, I recommend it!

The Who's classic rock opera gets a 35th birthday celebration fit for a king!.......2006-08-13

The Who's fourth studio(and fifth overall) album Tommy was released in May of 1969.
The Tommy album by The Who was the make or break for the group because if Tommy had failed, The Who would have probably disbanded due to lack of funds despite their concerts selling out based on Pete Townshend's guitar smashing and Keith Moon's drum kit demolishing at the end of each gig.
Guitarist Pete Townshend, under the gun after I Can See For Miles failed as a single in the UK(although it was their biggest ever hit here in the US) came up with a rock opera about a deaf, dumb and blind kid named Tommy whom becomes those aforementioned things after witnessing an event as a child that traumatized him(his father killing his step-father whom he considered his father).
Originally considered to be a single length album, the band felt it didn't make sense so they expanded it into a double album and the result is one of rock's Top 10 greatest double studio albums in history(alongside other classic double albums like the then-already released Jimi Hendrix's Electric Ladyland and The Beatles' White album and would help pave the way for more classics like The Rolling Stones' 1972 masterwork Exile on Main Street, The Who's 1973 release Quadrophenia, Elton John's 1973 classic Goodbye Yellow Brick Road, Genesis' 1974 masterwork The Lamb Lies Down on Broadway, Led Zeppelin's 1975 classic Physical Graffiti, Pink Floyd's 1979 masterpiece The Wall and Bruce Springsteen's 1980 classic The River among many others).
Alot of classics appear on this album like the Overture, the classic Top 20 hit Pinball Wizard, Amazing Journey, the Underture(best instrumental on here which is basically a repeat of the album's other instrumental Sparks), Go to the Mirror, I'm Free, Cousin Kevin(one of bass player John Entwistle's greatest compositions), Fiddle About(about the perverted Uncle Ernie), Tommy's Holiday Camp(another excellent ditty written by drummer Keith Moon whom did an excellent rendition in the film version of Tommy in 1975) and the classic finale We're Not Gonna Take It/See Me Feel Me.
The other tracks on the album It's a Boy, 1921(You Didn't Hear It), Eyesight to the Blind, Christmas, The Acid Queen, Do You Think It's Alright, There's a Doctor I've Found, Tommy Can You Hear Me?, Smash the Mirror, Sensation, Miracle Cure, Sally Simpson and Welcome are all great pieces as well though tend to be overlooked.
The album made The Who legends for good and peaked at #4 on the Billboard chart and was their first Gold seller(eventually Platinum).
In 1996, the album was re-released as a remastered CD but used different masters for the remixed reissue.
In October of 2003(just in time for Tommy's 35th Anniversary), Geffen Records(formerly known as MCA) re-released the album as a 2-disc Hybrid SACD with the original mix on the CD layer and a killer 5.1 mix on the SACD layer and this version uses the very original tapes that were found in Universal's vault after being said that the original tapes were destroyed by Kit Lambert in a fire. As a result of the discovery of the original tapes, the sound quality is amazing on here.
Disc two has great outtakes and demos like I Was, The Who trying to record Sally Simpson with hilarious results and instrumental versions of Tommy Can You Hear Me and Tommy's Holiday Camp among many other rarities plus a cool booklet with rare photos.
Highly recommended.

Average customer rating: this has the depth you need... Oddly Boring a bit disappointing Cocktail Party Radiohead Good effort

Hold Me to This: Christopher O'Riley Plays Radiohead Manufacturer: World Village ProductGroup: Music Binding: Audio CD O'Riley, Christopher | ( O ) | Featured Performers, A-Z | Classical | Styles | Music General | New Age | Styles | Music Solo Instrumental | New Age | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music O'Riley, Christopher | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: True Love Waits: O'Riley Plays Radiohead Home to Oblivion: Elliott Smith Tribute Second Grace: Music of Nick Drake Christopher O'Riley At The Break Strung Out On OK Computer: The String Quartet Tribute To Radiohead ASIN: B0007TFI4W Release Date: 2005-04-12

Tracks:

1. There There
2. (Nice Dream)
3. No Surprises
4. Polyethylene Part II
5. How I Made My Millions
6. Like Spinning Plates
7. Sail To The Moon
8. The Tourist
9. Cuttooth
10. 2+2=5
11. Talk Show Host
12. Gagging Order
13. Paranoid Android
14. Street Spirit (Fade Out)

Amazon.com

Tribute albums are always suspect; classical interpretations of rock even more so--and follow-ups to the same are fraught with mediocrity. Just witness the inexplicable glut of String Quartet Tribute discs to Tool, Bruce Springsteen, and many other top-selling and cult artists. On Hold Me to This, his second run at the music of art-rock group Radiohead, classical pianist Christopher O'Riley avoids all these pitfalls. These aren't easy-listening piano renditions of Radiohead tunes, but deeply inspired, often challenging and dissonant re-imaginings. O'Riley succeeds by taking the music on its own terms. He doesn't try to make it "classical" but lets the classical nature of the music ring out. From the storming chordal overtone clusters of "There There" to the Chopinesque refrain of "The Spinning Plates," O'Riley makes you forget these songs were originally played by a raging rock band. Instead, they seem born on the keys of his piano. His "Paranoid Android" is like Conlon Nancarrow going boogie-woogie one moment and painfully, sweetly rhapsodic the next. I'm not sure how Radiohead fans will respond to this, but piano and classical listeners should rejoice. --John Diliberto

Customer Reviews:

this has the depth you need..........2007-02-17

I don't believe you need to be ga-ga over Radiohead to enjoy this CD. This CD, it's all piano (w/o vocals) if you didn't already know that going in, will provide an even deeper appreciation of the textures & depth of the Radiohead catalog. Mr. O'Riley does takes some artistic liberties with the songs, albeit minor, but in so doing he unleashes the potential they all have. And this potential is truly staggering---some selections are nothing short of gorgeous.
Hold me to this: you WILL be floored by this CD. it's well worth the purchase.

Oddly Boring.......2006-07-16

I adore Radiohead, and really enjoy solo piano. I should love this disc, but I don't. Even though the wonderful creepiness of Radiohead is completely absent, I would be willing to chalk that up to artistic interpretation. But that's not what bugs me about this disc. What really bugs me is his style of playing. He relies on resonance and the transcript is completely devoid of silence. The result is a droning wall of notes, and all the pieces sound the same. It reminds me of Windham Hill recordings, but without the expression. Get Yorke's new album, Eraser, if you need a Radiohead fix, or get George Winston if you want solo Piano. I really wish I could recommend this, but I just can't.

a bit disappointing.......2006-07-11

O'Riley takes some liberties here, and that's fine. I'm a bit disappointed by his dynamic range, which is a bit predictable from song to song, and also with his tendency to overload the songs with schizophrenic ramblings. The craziness works well at times -- see "There There" for a time when it works well -- and other times it is overwhelming (see: "Nice Dream").

Despite a sometimes overloaded sound, the song list is so attractive and O'riley hits so many high notes (if you will..) that the CD is well worth owning. I prefer the "True Love Waits" album.

Cocktail Party Radiohead.......2006-03-21

I own the first Christopher O'Reily Radiohead Tribute - True Love Waits. If you love his stunning piano in that, or if you love stunning piano altogether, you will love Hold Me To This. I am an avid lover of all things Radiohead turned into wordless music lullabyes and this one does not dissapoint.

Good effort.......2006-03-02

Sound all the same...listen to the samples before you buy it. If your a fan of radiohead you wont like it...if your a fan of the piano you wont like it. But I give my respect to the musician for making the effort to replicate already beutiful music.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: An American Treasure DON'T DESPAIR. IT'S BEEN REISSUED!!!!! An American tragedy.... Gorgeous! Defective disc.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Von Stade, Frederica | Divas | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Classic Musicals | Musicals | Broadway & Vocalists | Styles | Music Revivals | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Broadway & Musicals | Broadway & Vocalists | Box Sets | Stores | Music Similar Items: Carousel (1987 Studio Cast) Pal Joey: 1995 Original New York Cast Recording Lady, Be Good! (1992 Studio Cast Recording) Kiss Me, Kate (1948 Original Broadway Cast) Oh, Kay! (1994 Studio Recording) ASIN: B000002SJL Release Date: 1990-10-25

Tracks:

1. Overture
2. Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
3. Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
4. Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
5. Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
6. Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
7. Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
8. Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
9. Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
10. Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
11. Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
12. Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
13. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
14. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
15. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
16. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
17. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

1. Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
2. Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
3. Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
4. Show Boat: Act One, Scene Six - Villain Dance
5. Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
6. Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
7. Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
8. Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
9. Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
10. Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
11. Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
12. Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
13. Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
14. Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
15. Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
16. Show Boat: Act Two, Scene Six - Apache Dance
17. Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
18. Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
19. Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
20. Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
21. Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

1. Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
2. Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
3. Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
4. Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
5. Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
6. Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
7. Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
8. Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
9. Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
10. Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
11. Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
12. Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
13. Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
14. Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
15. Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
16. Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

Average customer rating:

Modern Rock 1982-1983 1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars various artists , 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country , 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx , 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes , and 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses ProductGroup: Music Binding: Audio CD New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music ASIN: B000NHZHKS

Product Description

Year: 1982 Track Title 1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses

Average customer rating: Live Version of the Wall a Good Choice Secret Message... The Wall Live..so ya, thought ya, might like go to the show ! the pink floyd live experience An Rare Instance In Live Recording

Is There Anybody Out There? The Wall Live Pink Floyd Manufacturer: Sony ProductGroup: Music Binding: Audio CD Disco | Dance & DJ | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Supergroups | Classic Rock | Styles | Music General | Live Albums | Classic Rock | Styles | Music General | Classic Rock | Styles | Music CDs Under $7 | Disco | Dance & DJ | Today's Deals in Music | Formats | Music All Bargain Titles | Disco | Dance & DJ | Today's Deals in Music | Formats | Music CDs Under $7 | Hard Rock | Hard Rock & Metal | Today's Deals in Music | Formats | Music All Bargain Titles | Hard Rock | Hard Rock & Metal | Today's Deals in Music | Formats | Music Box Sets at 30% Off | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music Hard Rock & Metal | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pulse Animals Delicate Sound of Thunder The Final Cut Atom Heart Mother ASIN: B00004SVID Release Date: 2000-04-18

Tracks:

1. Master Of Ceremonies
2. In The Flesh?
3. The Thin Ice
4. Another Brick In The Wall - PT1
5. The Happiest Days Of Our Lives
6. Another Brick In The Wall - PT2
7. Mother
8. Goodbye Blue Sky
9. Empty Spaces
10. What Shall We Do Now?
11. Young Lust
12. One Of My Turns
13. Don't Leave Me Now
14. Another Brick In The Wall - PT3
15. The Last Few Bricks
16. Goodbye Cruel World

Tracks:

1. Hey You
2. Is There Anybody Out There?
3. Nobody Home
4. Vera
5. Bring The Boys Back Home
6. Comfortably Numb
7. The Show Must Go On
8. Master Of Ceremonies
9. In The Flesh
10. Run Like Hell
11. Waiting For The Worms
12. Stop
13. The Trial
14. Outside The Wall

Amazon.com

Exactly what was Pink Floyd's The Wall? Rock opera? Concept album? Performance art? Mere entertainment? While the truth may lie in a combination of all of the above, during the band's tour of 1980-81, The Wall was a bona fide spectacle. More than anything, Is There Anybody Out There? captures the volume, the bombast, and the grandeur of these famed performances with remarkable accuracy. Meticulously recorded, these concerts are astonishingly faithful to the band's studio versions and flow out of the speakers with practiced authority and absolutely fantastic sound. That said, there are few new revelations to be gained from hearing The Wall live that can't be gleaned from the studio version. Some moments do have an additional spark, however. "Run Like Hell" is launched with blistering intensity, and the first notes of "Another Brick in the Wall, Part 1" will surely raise a shiver. The release also includes two tracks ("What Shall We Do Now," "The Last Few Bricks") left off the original release due to space constraints. Essential for Floyd fanatics as well as those wishing to hear just how terrific a live concert can sound. --S. Duda

Customer Reviews:

Live Version of the Wall a Good Choice.......2007-05-17

The live version of the Wall is a must have for advid fans of Pink Floyd. Seeing the group perform in years(decades) past gives me an appreciation for any of their music recored live on a CD. Its that simple.

Secret Message..........2007-03-04

The Wall is, like any other great art, a true masterpiece. Roger Waters delves deep into the human psyche and asks some very difficult questions whilst providing very few answers...

The live version is only an extension of the album...one truly needed to be there and experience it In The Flesh to appreciate it completely. However, the question remains...

Do you know the secret message that lies within The Wall? If you are not aware of the secret message that is hidden behind The Wall fear not...you are in the majority. Shocking that so many people don't actually know about this.

Listen...focus...concentrate...repeat...

That is the best hint I can offer for you...

The Wall Live..so ya, thought ya, might like go to the show !.......2007-02-18

I am a die hard fan of Pink Floyd and Roger Waters. We have heard The Wall so many times, the studio album. It is very good to hear other version of this well knonw prog rock masterpiece. The sound is surprisingly good and there is awesome version of classic such as "Mother", "Hey you" and of course "Comfortably Numb"
The Wall is an icon, and few album are so completed as this one.

the pink floyd live experience.......2006-08-13

pink floyds best live album by far, tracks include some of floyds best such as comfortbly numb, young lust in the flesh nobody home, hey you and mother, what shall we do now should have been released on the studio album but at least we have it here, unfortunately some of the songs on here are really bad such as vera lynn and bring the boys back home but those arent good on the studio album, this is even better than the studio album of the wall buy this

An Rare Instance In Live Recording.......2006-06-10

I bought this album having been in love with PF's album The Wall for years. I also knew the reputation PF had as a live band, and I must say they did not fail me. It is one of the only instances where I prefer the live recording to that of the original. The sound is full, rich, and one can feel the energy bursting out of their speakers. The audience noise also adds to the performance of the concert. People complaining that it's too close to The Wall album are missing the point, Pink Floyd can actually replicate an entire album live! That's an amazing feat for any musician. I would love for a DVD version of this to come out--but until that time I will satisfy my love for The Wall with this live CD.

Average customer rating: ZRODN paul tierney, low-life critic Excellent Best DJ ALIVE GREAT SEX MUSIC!!!!

Out There and Back Paul Van Dyk Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Trance | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Dance & DJ | Indie Music | Stores | Music Trance | Dance & DJ | Indie Music | Stores | Music Similar Items: Reflections The Politics of Dancing, Vol. 2 Global (Bonus DVD) 45 RPM The Other Side ASIN: B00004TLYL Release Date: 2000-06-20

Tracks:

1. Vega
2. Pikes
3. Another Way
4. Travelling
5. Avenue
6. Tell Me Why (The Riddle)
7. Together We Will Conquer
8. Face to Face
9. Love from Above
10. Columbia
11. Out There and Back
12. Alive

Tracks:

1. Santos
2. All I Need
3. Namistai
4. Another Way (Original)
5. Tell Me Why (Vandit Mix)
6. Tell Me Why (Club Mix)
7. Face To Face (Piano Mix)
8. Together We Will Conquer (Radio)

Amazon.com

Paul van Dyk spent most of the '90s perfecting a strain of credible, melodic Eurotrance that connected with clubbers all over the globe. Having honed his style and established a trademark sound, the East German DJ brings it all together on this, an album the overzealous are calling the first great dance record of the century. It begins in fine fashion with the cool breakbeat shimmer of "Vegas," swiftly followed by "Pikes," a valve-pumping Ibizan knees-up that's a tribute to the island's fabled hotel. So far, so good--this is topnotch progressive house that's guaranteed to make them move. However, if you're expecting more of the same, beware, because from here on in it's out with the Glo-Sticks and on with the face paint as a succession of clichéd trance anthems rudely gatecrash the party. From the lunar-landings vibe of "Avenue" through to the sweet pop lilt of "Face to Face," hypnotic riffs, sanguine chords, and hollow metronome beats take center stage. Van Dyk's no ATB, but ultimately this is just as one-dimensional. --Paul Tierney

Customer Reviews:

ZRODN.......2006-12-15

i didnt even buy this cd just heard snips of it at random and it sounded good this is an old cd and still cutting edge thats why paul is number 1 right now. some of the other masters i.e. sasha, armin van buuren, tiesto, started with proper music format and then just jumped to a whole new mature so called sound. i mean is it a mid life crisis i dont know but if you spin new music format in front of me you better be ready for my criticism because it aint gonna be good. if the beats are off, sound rotation off, sound structure off, bass off, treble off, pitch off, i or any so called professional musician will raise are hands and say hey what they hell is going on you guys played perfect now you play like shrek 2 all of these so called masters cds can be shelved with the shrek 2 music anthology its that bad. the most terrible sound ever created by it or what or who would have to be attributed to the shrek 2 sound track, i still have sound nightmares from that cheese whiz oozing from the crazy minoet or sonata blarred from those god dam creatures. those so called masters are beginning to sound like the shrek 2 musical dynasty and im not the only musician sitting back and laughing maybe im wrong and i need a hearing aid but if it sounds funky its gotta be funky but dam thats like a terrible sound but if the masses want to hear the new shrek sound format than so be it but i will cover my ears

paul tierney, low-life critic.......2006-05-22

Ladies and Gents, read the Amazon review of this CD, by one Paul Tierney, and weep for the guy, he's just a talentless hack. First of all, Van Dyk unlike everybody else in this genre, is not just a mixer, he is also a composer (I know Van Buuren and Tiesto have written their own stuff, but it is, shall we say, less than impressive stuff). Van Dyk's material is first rate (check out "Spellbound" on his later Reflections CD for another superb example of his composing ability). Second of all, this is one of the most fabulous mixes, the tracks fit brilliantly together, and it is all his own creations. Third, so far as the "same old stuff" charge by Tierney goes, just check out the last track, technically it is "We Are Alive," one of van Dyk's best known ORIGINAL compositions. Van Dyk has basically "inverted" the song, bringing forward stuff kept in the background in the original, stripping it down to a stylized few musical pulses---basically he takes his star tune and creates a new track out of it. Hardly hackneyed. The title composition also makes for an outstanding, irresistible peak song in the mix. There is nothing else like this track "out there" or "back." Really, I would love to know what Mr. Tierney thinks is original.

In Mr. Tierney's defense, many of the tracks on this CD were floating about in the community before the album came out. But that doesn't make CD1 any less impressive; indeed, the reverse is so. Van Dyk does use some of the same sound effects here as in some of his other works, and it would be better if he hadn't, but that is small change compared to the achievement of this CD.

CD 1 is the big draw, described above. CD 2 starts with a little trio of great tracks, then veers into some moderate remixes of older van Dyk hits. There is less mixing, but solid music. The highlight on CD 2 is "Tell Me Why (Club Mix)".

This is a must-own CD for anyone interested in House/Trance. It was the first mix I ever listened to (the second was Armin van Buuren's "004", which like "Out There and Back," features a fabulous mix on CD1, and solid backup stuff [mostly mixes of late 90s classic trance tracks] on CD 2). Those two have set quite a bar for later listens to meet, really only Digweed's Fabric 20 has come up to that level, with perhaps van Buuren's State of Trance '05 CD1, and some of the Hotel Costes stuff, coming close (such as, in the Costes series, the excellent Saks CD).

Hey Mr. Tierney, why don't you switch over to "reviewing" country music or Pee Wee Herman's greatest hits, where you belong?

Excellent.......2006-03-20

I was surprised how hard it was to get this one n Europe. I bought it in Montreal actually and was blown away by this CD. This is really perfect techno. Recommended. I got the 2 CD version taht is simply spectacular.

Best DJ ALIVE.......2006-02-27

PVD is the best dj on the face of the earth!! Paul knows how to mix any and i mean any track to make it sound PERFECTO!!! Out of all of the tracks i heard from Paul, i think that LOVE FROM ABOVE is the best for any mood!!!

GREAT SEX MUSIC!!!!.......2005-11-02

love to "ride" with this album on. Go and buy it now!

Average customer rating: A Sad Ending to a Very Promising Story I only listen to one song mostly. Breaks my heart that it'll be the only one... What could have been... One of the best albums of the decade

Anybody Out There? Burlap to Cashmere Manufacturer: A&M ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Christian Rock | Christian & Gospel | Styles | Music General | Christian & Gospel | Styles | Music Christian Alternative | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Christian & Gospel | Indie Music | Stores | Music Similar Items: Me Died Blue Live At The Bitter End Caedmon's Call 40 Acres Much Afraid ASIN: B00000DMNO Release Date: 1998-10-13

Tracks:

1. Digee Dime
2. Eileen's Song
3. Basic Instructions
4. Chop Chop
5. Anybody Out There?
6. Treasures In Heaven
7. Skin Is Burning
8. Divorce
9. Good Man
10. Scenes
11. Ancient Man
12. Mansions

Amazon.com

Mediterranean flourishes mixed with big rock rhythms and flawless pop hooks propel the debut CD by righteous rockers Burlap to Cashmere out from the crowd of new artists into a territory relatively unoccupied in either the Christian or mainstream marketplace. Familial harmonies resonate against nylon-stringed guitars and catchy worldbeat rhythms, while Steven Delopoulos's sweetly gritty voice gives an instrument to his universally spiritual yet uniquely Christian lyrics. Songs like "Digee Dime," "Basic Instructions," and "Anybody Out There?" percolate with Mediterranean heat. While more-conventional pop tunes like "Eileen's Song," "Treasures in Heaven," and "Mansions" are less distinctive, they display the band's deft skill at pop songcraft as well as its impeccable melodies and playing. A remarkable debut. --Bradley S. Caviness

Customer Reviews:

A Sad Ending to a Very Promising Story.......2007-05-15

Two friends & I literally stumbled across Burlap to Cashmere as we were meandering through Greenwich Village in NYC back in '97. There was a crowd lined up to pay to see them at the Bitter End, although there were loads of artists to see for free at many other local joints. We figured they knew something we didn't, so we took a risk and boy what a payoff. They blew the house away. I have never seen/heard anything so instantly musically captivating in my life. I talked to Stephen afterwards and was amazed at what a nice, humble person he was. They were signed shortly after that, and then I heard they were going to be at the Magic Bag, which is a tiny club in Detroit. I took some other friends down and found Stephen and the lads hanging out before the show. Again, these guys were just wonderful to talk to. There were probably only 20 of us in the club, but it seemed like 200 since my friends were soon just as mesmerized as I had been and were on their feet whooping it up the entire time. Sadly the story has a somewhat tragic ending and we all are left to wonder what could have been. I suspect burnout and disagreements came from overtouring thanks to being pushed too hard by the record label. I can only pray for a reunion for what could have been one of the greatest bands that could have spread their incredible music and wonderful message throughout the world.

I only listen to one song mostly........2007-01-12

The CD has a strong spanish influence. I do not care for the fast paced music. But I love Treasures in Heaven.

Breaks my heart that it'll be the only one..........2007-01-10

THIS IS THE ABSOLUTE BEST ALBUM EVER MADE!! Hearing about them breaking up just breaks my heart- their music is truly unique and their sound is incredible. I'd pay twice as much for half the number of songs just to get another album. The guitar player is incredibly talented. I highly recommend this albumt to anyone with ears.

What could have been..........2006-01-27

Here is the true and tragic story of Burlap to Cashmere.

Burlap to Cashmere started gaining popularity in 1997 into 1998 and did a tour with Jars of Clay. I had the opportunity to see them open for Jars of Clay at the University of Iowa in 1998. There were probably under a thousand of us there in a small room so it was a real intimate feel. Even those standing in the back were not more than 50 feet away from the stage. What we saw that night absolutely amazed every single person in the audience. I'll never forget watching members of the band playing different instruments seemingly each and every song. One guy in particular that played percussion on one song was literally running back and forth from one side of the stage to the other to play different instruments. Each song was a clinic on how to play many different instruments on the same song. Each song the crowd got into more and more and by mid-way through their set every last person was in awe. Absolutely everyone was 100% into the music. When they finished their set we screamed for an encore and then another one but sadly they had to stop playing. Jars of Clay came on next and put on a good show. At the end of their show Jars of Clay said they'd like to meet all of us and offered to sign autographs after they had a few minutes to rest and get some water. As we were streaming out of the auditorium everyone was saying the same thing in different ways "Jars of Clay was good but we want to meet Burlap to Cashmere!!!" The funny thing about it was the chatter going into the room was "Who in the world is Burlap to Cashmere? Have you ever heard of them??" Everyone was so taken by Burlap to Cashmere that their table was 10 people deep waiting to buy their album while only a few were at the merchandise table of Jars of Clay.

Their CD "Anybody Out There?" went on to sell very well and the band rose to stardom and their fans eagerly awaited their next release. Sadly, no studio album was ever released again as the band members started fighting about where to take the music and eventually broke up. Their only other release was a very short live album called "Live at the Bitter End" Stephen Delopolous (one of the lead singers) put out a solo album that, in my humble opinion, is terrible.

I can't pick out any highlights off of this album as each and every song is a highlight that I rate as 10/10. Buy this album and treasure it for the amazing musiciansip, amazing lyrics and for what could have been.

One of the best albums of the decade.......2005-11-12

In the post grunge wake of the early 90's, music took a nosedive towards the incoherent. Burlap to Cashmere is one of the best exceptions of the decade of angst ridden pop. The songs are deeply moving and stirring. The classical-nylon guitars are virtuosic in their performance and dynamic sensitivity. I haven't heard anything like it in recent years. The sheer passion of the music comes through the CD with great clarity. The world beats and complicated rhythmic meters are stunning in their execution. The desperation and simultaneous hope of the lyrics come through. I have no idea why we haven't heard more from these guys. They easily are one of the best bands to have come in the modern era.

Jazz Music:

1. Plays Duke Ellington
2. Plays Duke Ellington
3. Preminado
4. San Francisco Suite for Jazz Trio
5. Seems Like Old Times
6. She Touched Me
7. Some of My Best Friends [Import]
8. Song for My Lady
9. Soundscape
10. Stan Getz and the Oscar Peterson Trio

Jazz Music

jazz music