| 1. Waltz |
| 2. Monk's Mood |
| 3. In Your Own Sweet Way |
| 4. Horn Salute |
| 5. Tonica |
| 6. This Love of Mine |
Jazz Contemporary,Kenny Dorham,Bainbridge,Hard Bop,Jazz
Average customer rating:
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Call Me Irresponsible
Michael Bublé Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIXDW Release Date: 2007-05-01 |
Tracks:
- The Best Is Yet To Come
- It Had Better Be Tonight (Meglio Stasera)
- Me And Mrs. Jones
- I'm Your Man
- Comin' Home Baby (duet with Boyz II Men)
- Lost
- Call Me Irresponsible
- Wonderful Tonight (duet with Ivan Lins)
- Everything
- I've Got The World On A String
- Always On My Mind
- That's Life
- Dream
Amazon.com
It's no coincidence that Michael Bublé's new album starts with just his voice and some fingersnaps on "The Best Is Yet to Come," a song made famous by Frank Sinatra. The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, about 20 seconds into the track. That Bublé means business is confirmed by the second cut, a fast-paced take on Henry Mancini's "It Had Better Be Tonight," and of course by the CD's very title, another song identified with Sinatra as his cockiest. There are just a few sidesteps from the retro formula that's served Bublé so well so far: a languid duet with Brazilian star Ivan Lins on the bossa "Wonderful Tonight," a gospel choir on "That's Life." Interestingly, Bublé co-wrote the best of those sidesteps, "Everything," a Norah Jones-esque number that alluringly harks back to sunny '70s pop. It's also the only song on the album produced by Bob Rock (best known for his work with Metallica), sending out a strong signal that Bublé should reach out to unlikely collaborators more often. --Elisabeth VincentelliMore Music from Michael Bublé
It's Time |
Michael Bublé |
Caught in the Act |
Album Description
Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.Customer Reviews:
Buble Swinging and Singing Softly - A VERY Good Effort.......2007-07-19
CALL ME IRRESPONSIBLE.......2007-07-17
call me responsive.......2007-07-17
Buble bubbles.......2007-07-16
Awesome CD.......2007-07-15
If you like this genre of music, you'll love this CD.
Average customer rating:
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Not Too Late
Norah Jones Manufacturer: Blue Note ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KCHZK6 Release Date: 2007-01-30 |
Tracks:
- Wish I Could
- Sinkin' Soon
- The Sun Doesn't Like You
- Until The End
- Not My Friend
- Thinking About You
- Broken
- My Dear Country
- Wake Me Up
- Be My Somebody
- Little Room
- Rosie's Lullaby
- Not Too Late
Amazon.com
Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening "Wish I Could" (about a boyfriend lost to war), intimations of mortality in "The Sun Doesn't Like You," and the post-election horrors of "My Dear Country." The last seems to channel the inspiration of Brecht/Weill, while the equally bleak "Sinkin' Soon" is set to a jaunty Dixieland rag. Throughout, Jones's vocal intimacy and melodic warmth remain as disarmingly understated as ever. The soulful "Thinking of You," the countryish "Wake Me Up," and the syncopated "Be My Somebody" reflect the captivating style of her previous work. Although too much in the same midtempo mode becomes a dreamy lull, cut by cut, Jones's voice is irresistible. --Don McLeeseFrom Blue Note
Album Details
1. "Wish I Could" (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello
2. "Sinkin' Soon" (Lee Alexander-Norah Jones): Norah Jones: vocals, piano; Daru Oda: vocals; M. Ward: vocals; Jesse Harris: guitjo; Kevin Breit: mandolin; J. Walter Hawkes: trombone; Lee Alexander: bass; Andy Borger: drums, slit drum, pots and pans
3. "The Sun Doesn't Like You" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Paul Bryan: Chamberlain keyboards
4. "Until The End" (Norah Jones-Lee Alexander): Norah Jones: vocals, Wurlitzer, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ
5. "Not My Friend" (Norah Jones): Norah Jones: vocals; Jesse Harris: acoustic guitars; Adam Levy: backwards electric guitars; Lee Alexander: bass; Andy Borger: marimba, cymbals
6. "Thinking About You" (Norah Jones-Ilhan Ersahin): Norah Jones: vocals, Wurlitzer; Chuck Mackinnon: trumpet; Rob Suddith: tenor sax; Lee Alexander: bass; Tony Mason: drums; Devin Greenwood: Hammond B-3 organ
7. "Broken" (Norah Jones-Lee Alexander): Norah Jones: vocals, electric guitar; Julia Kent: outro cellos; Lee Alexander: pizzicato, bowed basses
8. "My Dear Country" (Norah Jones): Norah Jones: vocals, piano; J. Walter Hawkes: trombones; Jose Davilla: tuba; Bill McHenry: tenor sax; Larry Goldings: Hammond B-3 organ
9. "Wake Me Up" (Norah Jones-Lee Alexander): Norah Jones: vocals, acoustic guitars; Lee Alexander: bass, lap steel; Andy Borger: drums
10. "Be My Somebody" (Norah Jones): Norah Jones: vocals, Wurlitzer; Richard Julian: vocals; Tony Scherr: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ
11. "Little Room" (Norah Jones): Norah Jones: vocals, acoustic guitar; Lee Alexander: bass; Daru Oda: whistle
12. "Rosie's Lullaby" (Norah Jones-Daru Oda): Norah Jones: vocals, Wurlitzer; Daru Oda: vocals; Adam Levy: electric guitar, vocal; Robbie McIntosh: electric guitar; Lee Alexander: bass; Andy Borger: drums
13. "Not Too Late" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano, Mellotron; Lee Alexander: bass; Andy Borger: drums
Produced by Lee Alexander
Norah Jones Photos (by Danny Clinch)
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More from Norah Jones
Come Away with Me |
Feels Like Home |
New York City |
Customer Reviews:
LOVE IT!.......2007-07-19
The Voice and the Soul.......2007-07-15
I too am surprised to see the strongly negative reviews here. Her 3 CDs have sold more than 39 million copies worldwide, so there is clearly a strong fan base somewhere! The added plus on this third CD is that Norah wrote or co-wrote every song, so we are gaining a glimpse into her musical soul as well as hearing the beauty of her voice.
There are some real gems here. "Sinkin' Soon" evokes 1930's jazz with its honky-tonk piano (played by Norah) and its wah-wah trombone. "Until the End" has country roots. "Not My Friend" is a mellow, dreamy, wistful song with dagger-sharp lyrics. "My Dear Country" is a lament about what election day hath wrought. The final title cut, "Not Too late," winds things up on an optimistic note.
It is not surprising that Norah has good musical genes. Her father, Ravi Shankar, brought his sitar to the Beatles and Indian music to a global audience. Norah's seamless blending of country, jazz, blues, pop, and folk brings great talent and aural delight to a new musical generation.
Not as strong as the her first two releases.......2007-07-11
Right after I bought this CD, I was privileged enough to see her in concert. She is clearly talented, and has an accomplished band. The concert was wonderful and was over before I knew it. Her performance got rave reviews in the local newspaper the next day.
I look forward to her next release, mostly to see how her artistic style evolves.
Not her best.......2007-07-11
Insipid and inoffensive, uninspired and uninspiring.......2007-07-08
I wish I could wax enthusiastic, but after quite a few listens at this point, I don't think my opinion is likely to change appreciably.
Time for Ms. Jones to find her passion. It isn't evident on this CD.
Average customer rating:
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Up Front and Down Low
Teddy Thompson Manufacturer: Verve Forecast ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QXDCI8 Release Date: 2007-07-17 |
Amazon.com
Yes, Teddy Thompson's parents are renowned folkies Richard and Linda Thompson. And, sure, he's spent the past few years touring the world with his good friend Rufus Wainwright, who recently wrote a song about their inimitable relationship called "Nobody's off the Hook." But it's Thompson's rich, twangy voice that deserves the spotlight. After turning out two thoroughly underappreciated albums of original material--it would be pushing it to even call them cult favorites--the lovelorn singer-songwriter takes on a dozen classic country tunes on Up Front and Down Low. It's a good fit, the bitter sentiments the inform his own work paired with the sterling melodies of Ernest Tubb's "Walking the Floor Over You" and Elvis Presley's "I'm Left, You're Right, She's Gone." Thompson gives each of the tunes a masterful makeover, polishing them up with an all-star cast of players that includes Iris DeMent, Tift Merritt, and Marc Ribot. Wainwright offers string his own "Down Low" into the mix without breaking the mood. It's the kind of stuff that could represent a breakthrough moment, as long as nobody gets distracted by the fact that he was born and raised in a Sufi commune. --Aidin VaziriCustomer Reviews:
mediocre effort, he's too young.......2007-07-19
Lean close, Teddy...write your own songs. No you aren't a great songwriter yet and yes, you have issues with Richard and Linda as your parents, but you get no sympathy from this listener.
This album could have been done better by about 1200 country artists just in Tennessee alone.
Maybe you should join Van Morrison on a country tribute tour.
From a non-country fan... .......2007-07-19
If country isn't your "thing" I still say there is a place in any alt-rock collection for this CD. Perfect for a night of missing that certain someone. Perfect for a night of drowning your sorrows. Perfect for that long trip you didn't want to make in the first place. Ah, it's just perfect.
No longer "just" the son of.............................2007-07-19
Great work, Teddy!
He's too cool for the room (so join the cult).......2007-07-18
Except it wasn't "special." And it wasn't "too good." It was great writing and great music and a remarkable voice, start to finish, without a single dud. I don't know why only a few of my nearest and dearest flipped for it. Maybe because it was depressing, in a wonderfully funny way.
Like this line: "I wish when the phone rang/it wasn't always you."
Not exactly a universal sentiment, is it?
So let's call Teddy Thompson an acquired taste --- until the day one of his songs becomes an unlikely hit and tens of thousands rush back to fall in love with all the great music they so breezily rejected.
And what of the follow-up to "Separate Ways"?
It's no follow-up at all. "Upfront & Down Low" is country. Classic country, if you will: songs by George Jones, Dolly Parton, Merle Haggard, the Everly Brothers, Elvis. Thompson uses a standard backup band, but he adds a string section, courtesy of the arranger responsible for the strings on Nick Drake's CDs.
Sounds like a vanity project? Not in the least. Teddy Thompson --- who didn't hear music that wasn't country until he was 16 --- understands this music completely. And delivers it authentically. But that understates. What happens in "Upfront & Down low" is captured magic, the alchemy of great taste and a compelling voice.
I went to see Teddy Thompson preview this CD in a downtown club. It was one of those rare nights: a small room, no more than a hundred people in the audience, all of them very much on the singer's side. Two violinists, a cellist and a string bass player came onstage first, then a drummer and a slide guitarist, then Thompson. Hard to miss him --- he was wearing a white suit. "I'm from the corporate office of Willie Wonka," he explained.
Naturally he apologized for the tone of the songs: "These songs are depressing. That's what country music is about."
But the songs needed no apology. They were flawless, if not exactly fun, and the title song, which he wrote, just might be the best. That song was, of course, the most depressing. Funny. I can't get it out of my head.
Fresh and emotional interpretations........2007-07-18
On his latest record, "Upfront & Down Low" he covers country songs of the classic era.
These finely crafted pieces, marked by mournful wit, were penned by writers like Ernest Tubb, Dolly Parton and Boudleaux Bryant and made famous by singers like Merle Haggard, George Jones and Elvis Presley.
Though a first-rate songwriter himself, Thompson only put one of his own pieces into the mix, "Down Low", in which he sings "You're better off dead/ with a bullet in your head/ than comin' back to me..."
He hired the renowned Robert Kirby, the man who distinctively and innovatively scored the prim strings on Nick Drake's albums, to arrange a tidy clutch of cello, violin and viola on the tracks.
"My Blue Tears," also from the album, sounds great with minimal instrumentation, because Rufus Wainwright contributed a "wacky" string arrangement for the piece.
(Just for the record "No One's off the Hook" on Wainwright's new album Release the Stars was written for and about Teddy, who continues to tour with Rufus as an opening act ).
No doubting, of course, that Teddy's choice of guest musicians sets a hell of a seal on the proceedings too - there's his illustrious father Richard Thompson on guitar, his mate Rufus , guitarist Marc Ribot, David Mansfield, Jenni Muldaur, Tift Merritt and Iris DeMent on vocals , Greg Leinz for a start!
But whatever, it's Teddy's excellent choice of material and his very own musical personality that's stamped on these thirteen tracks, encompassing a basic honesty of approach and harnessing a gentle power that's very attractive indeed.
Teddy Thompson
Separate Ways
Release the Stars
Sweet Warrior
Average customer rating:
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The Best of Van Morrison Volume 3
Van Morrison Manufacturer: Manhattan/EMI ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IY0FDA Release Date: 2007-06-19 |
Tracks:
- Cry For Home
- Too Long In Exile
- Gloria
- Help Me
- Medley: Lonely Avenue/4 O'Clock In the Morning
- Days Like This
- Ancient Highway
- Raincheck
- Moondance
- Centerpiece
- That's Life
- Benediction
- The Healing Game
- I Don't Want To Go On Without You
Tracks:
- Shenandoah
- Precious Time
- Back On Top
- When the Leaves Come Falling Down
- Lost John
- Tupelo Honey
- Meet Me In the Indian Summer
- Georgia On My Mind
- Hey Mr. DJ
- Steal My Heart Away
- Crazy Love
- Once In a Blue Moon
- Little Village
- Blue And Green
- Sitting On Top Of the Wolrd
- Early In the Morning
- Stranded
Amazon.com
Navigating Van Morrison's extensive catalog since 1993 is a formidable task even diehard fans might not want to attempt. The Irish icon has flirted with blues, jazz, country, pop, Celtic, and his own style of indescribable into-the-mystic spiritually-oriented poetic folk on his numerous releases, making for quite a thorny culling assignment. So the EMI brass were probably ecstatic when the singer took the job himself. He weeds through a dozen or so albums released since Volume 2's mile-marker, and adds a clutch of previously unavailable mixes, rarities, and live tracks. The result: a nearly two-and-a-half-hour, 31-track double-disc set as sprawling, eclectic, and tenacious as Morrison's vision and discography. From occasionally rambling but spirited duets with veterans Bobby "Blue" Bland, Junior Wells, Georgie Fame, Lonnie Donegan, B.B. King, the Chieftains, Ray Charles, and even Tom Jones to concert versions of hits such as "Moondance" and an impressive take on Sinatra's classic "That's Life," along with hidden gems like "Steal My Heart Away," this is a beautifully assembled and sequenced collection. It presents most of this multitalented auteur's facets and softens his often crusty exterior by showing his appreciation for the journeymen that helped develop the trail that Morrison then blazed in his own distinctive style. --Hal HorowitzAlbum Description
The new 2-CD collection, compiled by Morrison himself, offers a comprehensive overview of his later material. The set's 31 tracks include previously unreleased collaborations with Tom Jones and Bobby Bland, as well as duets with John Lee Hooker, B.B. King and Ray Charles.Customer Reviews:
Great selection.......2007-07-12
Continuing writers block.......2007-07-10
The Legend Continues..........2007-07-04
Van is still a mighty force in a world that needs more soul and less pop.
www.vanmorrisonnews.blogspot.com
Rock the gypsy in your soul.......2007-07-03
Ancient Highway.......2007-06-29
any broadcast radio station in the US.
I have quite a few of the tracks on other albums over 60% but
didn't hesitate on this purchase.
Average customer rating:
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Come Away with Me
Norah Jones Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YW4H Release Date: 2002-02-26 |
Tracks:
- Don't Know Why
- Seven Years
- Cold Cold Heart
- Feelin' The Same Way
- Come Away With Me
- Shoot The Moon
- Turn Me On
- Lonestar
- I've Got To See You Again
- Painter Song
- One Flight Down
- Nightingale
- The Long Day Is Over
- The Nearness Of You
Amazon.com
It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael RossAmazon.com
Norah Jones Photos (by Danny Clinch)
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More from Norah Jones
Not Too Late |
Feels Like Home |
The Little Willies |
Customer Reviews:
Simply addictive!.......2007-07-12
Her voice is unbelievable, the delivery is amazing and the lyrics are stunning!
Haunting sounds.......2007-07-06
The phenom Ms Jones.......2007-06-27
Glad i bought it ( Part II )...!.......2007-06-20
I'd Love To...........2007-06-05
The daughter of famed Indian sitarist Ravi Shankar, Jones grew up in Dallas with her mother, and her work is firmly rooted in the dry Texas soil. The youngest in this survey (she was born in 1979), Jones burst on the scene in 2002 with this debut album of nine original songs plus a handful of country and pop standards. Renowned for her sweet and soulful set of pipes, Jones has often been compared to Billie Holiday. There's also a touch of Roberta Flack and Emmylou Harris in there.
Come Away with Me is an honest-to-goodness country-blues recording that you can sit back with on the front porch rocker on a brisk autumn afternoon. Sort of like an early James Taylor, Jones mixes a little bit of country, folk, and soul into a collection that's the perfect antidote to today's insincere fare. The public must have sensed the same thing, because it bought this CD in boxcar loads, and in 2003 Jones walked away with eight Grammies, including album of the year and best new artist.
The title track, written by Jones, is the first new song I've heard in a long time that's utterly believable. "Come away with me and I'll never stop loving you," she begs, and it's as though she's singing it to you, personally. To Hank Williams's "Cold Cold Heart" she brings an R & B feel, petitioning in anguish to her lover man to come back, body and soul. "I've Got to See You Again" is an exquisite modern torch song in the same vein, while "One Flight Down" is an upbeat tune with chord progressions right out of Paul McCartney's Wings songs, like "Carry That Load." She ends with Hoagy Carmichael's "The Nearness of You." Close your eyes, let Jones's words envelope you with their soulful caress, and you'll sense that she's a lot nearer than your living room speakers.
Average customer rating:
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It's Time
Michael Bublé Manufacturer: Home ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00070Q7VO Release Date: 2005-02-08 |
Tracks:
- Feeling Good
- A Foggy Day (In London Town)
- You Don't Know Me
- Quando, Quando, Quando - duet featuring Nelly Furtado
- Home
- Can't Buy Me Love
- The More I See You
- Save the Last Dance For Me
- Try A Little Tenderness
- How Sweet It Is
- Song For You - featuring Chris Botti
- I've Got You Under My Skin
- You And I
Amazon.com
Michael Bublé's assured debut and the tireless year of globe-trotting touring he spent promoting it elevated the 20-something Vancouver native into the first rank of pop crooner revivalists. His sophomore studio follow-up largely turns on the same formula that helped make his considerable vocal prowess so attractive to mainstream audiences, mixing the nigh flawless, if expected Sinatra-channeling ("I've Got You Under My Skin") with more playful and inviting renditions of pop standards like the Gershwin's "A Foggy Day in London Town," "Feeling Good," "Try A Little Tenderness" and Cole Porter's "I've Got You Under My Skin." But it's the eclectic mix of more contemporary material the singer seasons them with -- apt tribute to Bublé hero Bobby Darin -- that keeps him walking the narrow tightrope between artistic intrigue (a blues-tinged vamp of Holland-Dozier-Holland's "How Sweet It Is," Leon Russell's lovely "Song For You," with a guest turn by Chris Botti) and the kitsch-laden abyss ("Quando, Quando, Quando"'s Euro-centric duet with Nelly Furtado, a ring-a-ding-fling with the Beatles' "Can't Buy Me Love" that echoes fellow Canadian crooner/rival Matt Dusk's more successful flirtation with Lennon-McCartney). Arranger/producer Tommy LiPuma offers Bublé a welcome swinging jazz showcase on "The More I See of You," a bracing respite from the rest of producer David Foster's slick, if typically bloodless MOR production. -- Jerry McCulley [Note: A special edition including two bonus tracks--"Dream a Little Dream" and "Mack the Knife"--is also available.]
Michael Bublé and More
Michael Bublé |
Come Fly with Me |
Totally Bublé |
Come Fly with Me (DVD) |
Two Shots |
Peter Cincotti |
Customer Reviews:
Great music.......2007-07-16
Michael Buble is WONDERFUL!.......2007-07-16
Another well done CD.......2007-07-14
Fantastic CD.......2007-07-05
He just can't do the blues....only slightly convincing.......2007-07-02
Average customer rating:
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Michael Bublé
Michael Bublé Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000088E6D Release Date: 2003-02-11 |
Tracks:
- Fever
- Moondance
- Kissing A Fool
- For Once In My Life
- How Can You Mend A Broken Heart
- Summer Wind
- You'll Never Find Another Love
- Crazy Little Thing Called Love
- Put Your Head On My Shoulder
- Sway
- The Way You Look Tonight
- Come Fly With Me
- That's All
Amazon.com
Pop's rush to raid the cradle continues with this promising debut by 25-year-old Canadian singer Michael Bublé. And while the young vocal star's good looks are smart enough for a boy band, his muse seems to have sprung from a more sassy and compelling musical era. Mentored by Paul Anka (whose '50s hit "Put Your Head on My Shoulder" is covered in dreamy, cabaret fashion here), Bublé sings in the orbits of Darin and Sinatra, covering swing epoch gems ("Come Fly with Me," "The Way You Look Tonight," "That's All") and rock era standards (Van Morrison's "Moondance," "How Can You Mend a Broken Heart" by the Brothers Gibb, Queen's "Crazy Little Ting Called Love") with equal aplomb. David Foster's production is typically slick and played to the back row of the bleachers, but it's informed by smart contexts provided by such arrangers as Johnny Mandel, Randy Waldman, and Mike Melvoin. If the choices of material are sometimes staid and predictable, they also give the singer a crucial framework for building toward something more challenging; his is a bright future. --Jerry McCulleyAlbum Description
Producer David Foster (Celine Dion, Barbra Streisand, Whitney Houston) has a new discovery in the wake of a very successful young find Josh Groban. Michael Buble (pronounced boo-blay) is a 25-year-old singing sensation whose smooth voice & heartthrob style harks back to the swingin' greats of earlier decades, to the likes of Frank & Dean, but also speaks to a new generation's sensibility. 2003 self-titled debut from Reprise/143.Customer Reviews:
MICHAEL BUBLE.......2007-07-17
I love this CD.......2007-07-08
LOVE IT!.......2007-06-27
"Just a Dream".......2007-06-12
This CD is an incredibly great album to from start to finish; there's no need to skip songs which are merely mediocre or plain terrible because each song is a great rendition and a true gem.
Michael Buble'.......2007-06-09
Average customer rating:
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An Ancient Muse
Loreena McKennitt Manufacturer: Verve ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000J3EEBY Release Date: 2006-11-21 |
Tracks:
- Incantation
- The Gates Of Istanbul
- Caravanserai
- The English Ladye And The Knight
- Kecharitomene
- Penelope's Song
- Sacred Shabbat
- Beneath A Phrygian Sky
- Never-Ending Road (Amhrán Duit)
Amazon.com
It's been nearly a decade since Loreena McKennitt's last studio album, The Book of Secrets, but An Ancient Muse picks up the caravan exactly where she left off on her mystical journey through the cultures of the Middle East and northern Sahara. The Canadian singer opens this album the same way as she did her last two recordings: with an incantation, calling out in a wordless voice across an echoing space, cleansing the air and the mind. What follows is a lot like those albums as well, a pan-global excursion centered on Middle Eastern themes and instruments cast into a dramatic exotica. Oud, dumbek, kanoun, hurdy-gurdy, duduk, nyckleharpe (a Swedish-keyed fiddle), and other ancient sounds from the region and beyond ornament her music, though "ornament" might no longer be accurate. With the exception of Hugh Marsh's gypsy violin solos and a handful of other players, it's the Western instruments that serve as ornaments on An Ancient Muse. McKennitt long ago evolved the Celtic sound that launched her career. She's virtually abandoned the harp, which hasn't appeared on her CDs since 1991's The Visit. The lone uillean pipe on "Beneath a Phrygian Sky" sounds like an echo calling from the McKennitt's past. Nevertheless, the Celtic ballad form remains central to her music, and she still draws inspiration from ye olde writers of the British Isles. Lyrics from Sir Walter Scott adorn "The English Ladye and the Knight," recalling "The Lady of Shalott." But despite McKennitt's soaring alto, the tale drags under the dirge-like meter and ponderous arrangement. The epic track of this album is the aforementioned "Beneath a Phrygian Sky," with distorted electric guitar accents and an acoustic guitar melody carrying McKennitt on another journey into her romanticized version of the ancient world. --John DilibertoCustomer Reviews:
Not my style...!.......2007-07-18
Loreena is back in Style.......2007-07-13
Sounds A Bit Like M E H D I.......2007-07-06
ALSO RECOMMENDED: M E H D I ~ Instrumental Paradise Volume 8 ..A True Gem.
An Ancient Muse.......2007-07-04
Mystic Tapestry.......2007-07-03
Average customer rating:
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Feels Like Home
Norah Jones Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00018D44U Release Date: 2004-02-10 |
Tracks:
- Sunrise
- What Am I To You?
- Those Sweet Words
- Carnival Town
- In The Morning
- Be Here To Love Me
- Creepin' In
- Toes
- Humble Me
- Above Ground
- The Long Way Home
- The Prettiest Thing
- Don't Miss You At All
Amazon.com
Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away with Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy coproduction, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single "Sunrise" to Tom Waits's "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley Jr.Amazon.com
Norah Jones Photos (by Danny Clinch)
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More from Norah Jones
Not Too Late |
Come Away With Me |
The Little Willies |
Album Description
'Feels Like Home' features 13 tracks & a host of special guests including Dolly Parton, Levon Helm, Garth Hudson of the Band, Jesse Harris, Robert Burger and Tony Scherr. Blue Note. 2004.Customer Reviews:
Good, but not the best.......2007-06-17
a snoozer.......2007-06-09
LOVE IT.......2007-04-13
Feels Like Home.......2007-03-23
Feels Like Home.......2007-03-16
Average customer rating:
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Surrender
Jane Monheit Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N0U2UA Release Date: 2007-04-24 |
Tracks:
- If You Went Away
- Surrender
- Rio De Maio
- Like A Lover
- So Tinha De Ser Com Voce
- So Many Stars
- Moon River
- Overjoyed
- Caminhos Cruzados
- A Time For Love
Amazon.com
Jane Monheit has a lovely voice, one that in its purest, most lilting form reminds you of the young Barbra Streisand, with the show-stopping qualities that suggests. Her haunting rendition of Sergio Mendes'"So Many Stars," the runaway highlight of Surrender, is also one of the best things she's ever done. (Mendes arranged and produced the track and plays keyboard on it.) Since she stopped trying so hard to be a jazz singer and found her mark as a popular vocalist specializing in Brazilian music (there are also guest turns by singer Ivan Lins and harmonica great Toots Thielemans), Monheit has sounded more at home with herself. The problem is, as delectable as her instrument is, her performances, more often than not, have a perplexing emptiness to them: they're like romantic settings with candles providing the requisite glow but no real warmth. She's only 29, which means she has plenty of time to deepen as an artist. But it could also be that what you hear now is what you're going to get in the future. --Lloyd SachsCustomer Reviews:
Monheit excels again.......2007-07-14
Jane Monheit Surrenders to Mediocrity.......2007-06-25
Her vocals are framed cheaply by "canned" instrumental (especially the string) arrangements that sound like some of the worst Muzak or "elevator music" ever recorded. Jane Monheit and crew are creating audio mannequins on "Surrender"--lifelike but bloodless songs that remind me of puddles of standing water on a city pavement at night, reflecting light, but flowing nowhere. And that's the once-potent Jane Monheit on vocals, lazily poking at the puddles with a twig. If "Never Never Land," her debut album, suggested a young vocalist on the rise, budding like a rose, "Surrender" features the same singer, clueless, compromising, and on her knees. "Surrender" indeed.
I rather like it.......2007-06-17
I have listened to this album on and off at work for two weeks now and I find it, at best, quite touching and sensual, and, at worst, undemanding. I think one could use this album as background music. But if one turns up the volume we are presented with some very stylish interpretations of some standards. If I was in a piano bar and hearing this music, I would be very satisfied.
Jane Monheit has quite a powerful and expressive voice. Here basic timbre is very attractive and she has a good tessitura and she sounds unforced from the top to the bottom of her range. Id est: she can sing.
Her instrumental accompaniment is colourful enough and never overwhelms the voice. If I had any criticism of this album it would be that it is a trifle unadventurous - it is clear to me that Monheit is capable of doing many things in music.
I would enjoy listening to this album juxtaposed Gabriela Anders's album "Last Tango In Rio".
Pleasant........2007-06-15
Her voice is lush and exquisite but she overdoes the breathiness - to the point that one wonders if a ventilator is required - and sticks too much to indistinguishable, slow bossa novas and ballads.
The result is a florid and bland album that washes over the listener.
My favourite tracks are : "So Tinha De Ser Com Voce" and "So Many Stars".
Folks listen to RC, his review is a laser beam on target. Statement album needed badly. .......2007-06-10
On stage 3 weeks ago in Boston with her band she was great. But she badly needs a statement album - one that defines her and her talent. She has been with at least 3 labels and I think that they have been pulling this immensely talented singer in too many directions. Her vocal breadth is so extraordinary and she can do so much vocally that she ends up doing a little of everything well but her albums are not cohesive sounding. They sound watered down and undefined. You never know what you are going to get from song to song and it's been getting worse on the newer albums. I was hoping with the change to a Jazz label like Concord that this would be behind her but not yet. What are those A&R types doing? I even congratulated here on her new label after the show and there was an unstated acknowledgment that her and Sony were not a good fit. Like RC I hope the next CD is great, because I'm running out of patience after 7 CD's and several other tracks on various artists albums and 6 live shows. She is t o o good t o o waste. So how about it producers? - Give us some jazz, give us some swing. Give us the real Jane and get rid of the strings.
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