Smack Up

Amazon.com
Along with 1957's Meets the Rhythm Section, which featured Miles Davis's band behind him, 1960's Smack Up forms the cornerstone of the altoist's first classic period. As the title may or may not hint at, Pepper would soon after vanish from the scene, the result of heroin addiction and related prison terms. Buoyed by the presence of trumpeter Jack Sheldon, Pepper intently runs through six saxophonist-penned cuts (plus two alternate takes) from the books of the legendary (Benny Carter), the contemporary (Harold Land's title track, Buddy Collette, Jack Montrose, Ornette Coleman), and the obscure (Duane Tatro). His own blues "Las Cuevas de Mario" would become a staple of his mid-1970s repertoire (his second classic period). No matter what baggage he brought with him into the studio, Pepper always seemed to rise to the occasion. --Marc Greilsamer

Smack Up,Art Pepper,Apo (Analogue Productions)

Jazz

Music

jazz

music

Average customer rating: Art Pepper redux Smack Up: Perfect title Middle Art Consistently high standard Art's art

Smack Up Art Pepper Manufacturer: Ojc ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Similar Items: Intensity Art Pepper Meets The Rhythm Section Living Legend The Way It Was Winter Moon ASIN: B000000Y9Y Release Date: 1991-07-01

Tracks:

1. Smack Up
2. Las Cuevas De Mario
3. A Bit Of Basie
4. How Can You Lose
5. Maybe Next Year
6. Tears Inside
7. Solid Citizens (Take 33) (Bonus Track)
8. Solid Citizens (Take 37) (Bonus Track)

Amazon.com

Along with 1957's Meets the Rhythm Section, which featured Miles Davis's band behind him, 1960's Smack Up forms the cornerstone of the altoist's first classic period. As the title may or may not hint at, Pepper would soon after vanish from the scene, the result of heroin addiction and related prison terms. Buoyed by the presence of trumpeter Jack Sheldon, Pepper intently runs through six saxophonist-penned cuts (plus two alternate takes) from the books of the legendary (Benny Carter), the contemporary (Harold Land's title track, Buddy Collette, Jack Montrose, Ornette Coleman), and the obscure (Duane Tatro). His own blues "Las Cuevas de Mario" would become a staple of his mid-1970s repertoire (his second classic period). No matter what baggage he brought with him into the studio, Pepper always seemed to rise to the occasion. --Marc Greilsamer

Customer Reviews:

Art Pepper redux.......2007-05-26

I recently added this album to my Art Pepper collection. It has some great sounds and very reminiscent of a bygone era.

Smack Up: Perfect title.......2006-02-21

Art's second-to-last Contemporary album during the classic 1956-60 period, and it's consistently top-notch. The title track is the highlight, a real handsome Harold Land tune taken up-tempo. Jack Sheldon plays a lyrical trumpet when heard; unfortunately, he's not featured prominently here. Frank Butler's drumming is extremely inventive throughout. Pepper's playing is relaxed and imaginative, especially on the 5/4 blues LAS CUEVAS DE MARIO. Indicative of an awareness of Things To Come, Art even includes an Ornette Coleman composition in this set - TEARS INSIDE. Drug addiction was beginning to take its toll on Art's life, and it wasn't long after this date that he was busted and began a long jail term. This is an album anyone would be proud of, though.

Middle Art.......2006-01-17

This album is a very important example of the ending part of the first section of Art's career. I own all his later box set (Galaxy, Village Vanguard, Hollywood all stars) and a lot of his earlier albums. I think this one stands clearly among the two periods even if it has been recorded at the end of the first. He was no more the impressive shining alto player who recorded Plus Eleven, Rhythmn section or Surf ride some time earlier and the one who won placed second behind Charlie Parker in a 1951 "Down beat" polls (Smack up is from 1960). Here he played already different for what I can hear and compare. Slower, with a different sound. He had a slightly different use of space and ideas. You can hear they were not in the fifties no more. you can hear that the change of decade has changed the view of things for what I am concerned. Even if its not a blue note album absolutly not that kind of sixties sound here. It is still a west coast record from Art, but even if the program is still "fifties", blues and originals but in "that fifties vein" something had already changed. It's there, in the air, you can breathe that. It is a nice album, with very strong soloing from the guys and from the always splendid Art of course. It's a transition album in a sense. When we were able to hear Pepper again he changed again and was ready for his definitive come back and affirmation in the seventies which was a splendid period for him artistically. Even if I am totally in love with his albums from the full fifties. Sonically it is a very well recorded album, unfortunatly the cover its not one of "those" fantastic covers from the fifties.

Consistently high standard.......2005-07-27

Art is again in excellent form with "Smack Up" which was one of the last records of his first classic period. The tracks are consistently of a high standard with excellent recording quality. Highlights for me are "How Can You Lose" and "Maybe Next Year". Well worth buying.

Art's art.......2002-10-08

Many people have difficulty separating the life of the artist from the imaginative life of his work. When the life of the artist takes on mythic proportions, especially those accompanying Romantic self-destructive genius, the task of evaluating the art with any sort of objectivity is even more daunting.

To my ears, Pepper's is an engaging voice on this session, alternately lyrical and cerebral, taking a few risks but quickly retreating. He hasn't made the commitment to achieving the "emotional moment" that seemed to characterize his work after 1975, making each of his solos a kind of epiphanic quest.

Sheldon sounds bolder than ever on this recording, providing strong hints of the extroverted trumpet soloist he's become since the mid-nineties (his relative obscurity is a sad commentary not just on the music scene in general but the elitist jazz critics who declare who belongs in the church of what's happening now). Jolly is plenty nimble, but his left-hand voicings are pretty basic and his melodic lines fail to elevate the proceedings. Butler is still the world's most underrated drummer; without him, this session would have been little more than a period piece. Finally, Contemporary deserves some kind words. The miking of the individual instruments, the balance between the rhythm section and soloists, the attention to dynamic nuance (missing on the Blue Note recordings of this period) all contribute to a sound that, though recorded over 40 years ago, could have been captured just yesterday.

Average customer rating:

Smack My Bitch Up Ultramagnetic MCs Manufacturer: Tuff City Records ProductGroup: Music Binding: Audio CD East Coast | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: The Basement Tapes 1984-1990 Mo Love's Basement Tapes New York What Is Funky Pablito's Way The Best Kept Secret ASIN: B000026FTY Release Date: 2006-02-14

Tracks:

1. Intro
2. Positive Beams
3. Mo Love's Original Poppa Large
4. Because You Are So Funny
5. TR Love The Superstar (Freestyle)
6. NBA Allstars
7. Nervous
8. Talkin' Out Your Ass (ReMix)
9. Bonus Beats
10. Dog This Is For You
11. I Like Your Style (Remix)
12. Smack My Bitch Up
13. Moe Love Is On The Mix

Album Description

"[Combines] funk-heavy tracks with jeep-rocking beats and obscure lyrical references…" -ALL MUSIC GUIDE

Ultra Magnetic MCs have long held the reputation as one of the most groundbreaking groups to come out of hip-hop's old school. These recordings feature legendary members Kool Keith, Ced Gee, and Mo Love in a group at the height of its powers.

Average customer rating: very good don't misunderstand Don't Believe the Hype Drop kicking basslines and screaming climaxes...

Smack My Bitch Up The Prodigy Manufacturer: Maverick/Warner Bros. ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music Dance & DJ | Imports | Stores | Music Similar Items: Fire/Jericho/Pandemonium EP ASIN: B00002DCYG Release Date: 1997-01-01

Tracks:

1. Smack My Bitch Up (Edit)
2. No Man Army
3. Mindfields
4. Smack My Bitch Up (Dj Hyp

Album Details

Tracks: Smack My Bitch Up (Radio Edit), No Man Army, Mindfields (Headrock Dub), Smack My Bitch Up (Dj Hype Mix). Same as UK.

Customer Reviews:

very good .......2006-10-01

"Smack My B**ch Up" is a very good single. Naturally, you already own the title track on the corresponding "Fat of the Land" disc. 'No Man Army' is a strong instrumental that features the band's typical hard techno. While 'Mindfields' is one of the LP's best tracks, this Headrock Dub version sounds suspiciously similar to the original. For many, the purpose of a single is the release of a remixed version of the title track. The DJ Hype Mix does not disappoint. If you've listened to the LP version a zillion times, this mix will keep it fresh for a few more listens. Overall, "Smack My B**ch Up" will help to extend your enjoyment of what may be Prodigy's most compelling time period.

don't misunderstand.......2005-11-22

The song "Smack My Bitch Up" is often misunderstood. Case in point, NOW claiming that it promoted violence against women. Rather, the song is about the drug heroin. "Smack" is slang for heroin; "my bitch" refers to the vein/artery in the arm used to inject the drug. The controversial video for the song explicitly shows someone shooting up heroin, then going club-hopping, to a strip-club, throwing up, and basically having a drugged-up night. This explains the mood of the song. So don't worry that the song promotes misogynistic attitudes; rather, it's a very thinly veiled "When I got high..." story, as evidenced by the video.

Don't Believe the Hype.......2002-04-21

One of the best bands to be signed on Madonna's Maverick label, Prodigy produced a smash hit song and plenty of controversy when "Smack My Bitch Up" was released in the United States in 1997. The song which was used in a major scene in the film "Charlie's Angels" incorporates eletronica, rock, and Middle Eastern music in providing the listener with a throbbing, enjoyable tune. This maxi-single contains several versions of the song, however I am still a big fan of the original album version. The other remixes are okay.

However, with the political correctiveness that runs the world today, many feminists and anti-domestic violence advocates caused a stir in the media saying that this song was sexist and degrading. With media news hounds interviewing such people and groups as Denise Brown (sister of murder victim Nicole Brown Simpson) and N.O.W., many rush to criticize Prodigy when in fact the title totally means something else in British slang (a similar case was when the film "Austin Powers: The Spy Who Shagged Me" was released in the USA; the term "shag" doesn't mean anything offensive in the USA, however the film was retitled for release in the United Kingdom, because the term "shag" is used as an expletive in that country's lingo).

Overall, "Smack My Bitch Up" was one of 1997's best songs. Madonna is one smart business woman if she is able to sign this great band on her label before anyone else could. What a great band and song!

Drop kicking basslines and screaming climaxes..........2001-01-03

describes this cd single, which is one of many, to the fullest. Liam Howlet (the musical genious behind The Prodigy) gives a taste of whats to come in the, then upcoming album; "Fat Of The Land." In this single you hear to be what I believe one of the phattest songs in the set, and if you too get your kicks out of hearing slamming bass and meaningless shouted slogans mixed and remixed then this is the single your looking for. Definitely the phattest out of all the singles from "Fat Of The Land." Do yourselves a favor and Go Get It!

Average customer rating:

Smack Up (20 Bit Master) Art Pepper Quintet Manufacturer: Contemporary ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Similar Items: Art Pepper Meets The Rhythm Section Art Pepper + Eleven (20 Bit Mastering) Caravan (20 Bit Mastering) Plays Best of Lerner & Loewe (20 Bit Master) Boss Guitar (20 bit mastering) ASIN: B0001I2C16 Release Date: 2004-03-16

Tracks:

1. Smack Up
2. Las Cuevas De Mario
3. A Bit Of Basie
4. How Can You Lose
5. Maybe Next Year
6. Tears Inside
7. Solid Citizens (Take 33)
8. Solid Citizens (Take 37)

Average customer rating: Review of it Don't Believe the Hype clarifying DISGUSTING, SEXIST AND DEGRADING! THIS BELONGS IN THE TOILET Sex, Drugs, and Violence

Smack My Bitch Up The Prodigy Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music General | Rock | Styles | Music ASIN: B000002MEW Release Date: 1997-11-25

Tracks:

1. Smack My Bitch Up (Radio Edit)
2. No Man Army
3. Mindfields (Acid Rock Dub)
4. Smack My Bitch Up (DJ Hype Remix )

Album Details

Tracks: Smack My Bitch Up (Radio Edit), No Man Army, Mindfields (Headrock Dub), Smack My Bitch Up (Dj Hype Mix). Same as UK.

Customer Reviews:

Review of it.......2005-11-23

The excellent rave/techno song "Smack My Bitch Up" is often misunderstood. Case in point: N.O.W. claiming that it promoted violence against women. Rather, the song is about the drug heroin. "Smack" is slang for heroin; "my bitch" refers to the vein/artery in the arm used to inject the drug. The controversial video for the song explicitly shows someone shooting up heroin, then going club-hopping, to a strip-club, throwing up, and basically having a drugged-up night. This explains the mood of the song. So don't worry that the song promotes misogynistic attitudes; rather, it's a very thinly veiled "When I got high..." story, as evidenced by the video.

Don't Believe the Hype.......2002-12-05

One of the best bands to be signed on Madonna's Maverick label, Prodigy produced a smash hit song and plenty of controversy when "Smack My Bitch Up" was released in the United States in 1997. The song which was used in a major scene in the film "Charlie's Angels" incorporates eletronica, rock, and Middle Eastern music in providing the listener with a throbbing, enjoyable tune. This maxi-single contains several versions of the song, however I am still a big fan of the original album version. The other remixes are okay.

However, with the political correctiveness that runs the world today, many feminists and anti-domestic violence advocates caused a stir in the media saying that this song was sexist and degrading. With media news hounds interviewing such people and groups as Denise Brown (sister of murder victim Nicole Brown Simpson) and N.O.W., many rush to criticize Prodigy when in fact the title totally means something else in British slang (a similar case was when the film "Austin Powers: The Spy Who Shagged Me" was released in the USA; the term "shag" doesn't mean anything offensive in the USA, however the film was retitled for release in the United Kingdom, because the term "shag" is used as an expletive in that country's lingo).

Overall, "Smack My Bitch Up" was one of 1997's best songs. Madonna is one smart business woman if she is able to sign this great band on her label before anyone else could. What a great band and song!

clarifying.......2001-11-12

someone said how this song is sexist and offensive. If you didn't know, the whole sentence means something else in England where their from. Don't know the meaning though. Though the lead singer said it was really about intensity, rather than offense at women. The song is weird, yet kind of enjoyable. I don't think it's their best song at all, though.

DISGUSTING, SEXIST AND DEGRADING! THIS BELONGS IN THE TOILET.......2000-08-21

I truly hate this recording. There is nothing in creation to recommend it and I find it offensive, disgusting and sexist. It is not only an insult to women. This repulsive recording is an insult to anybody with a conscience and more than a modicum of intelligence. This has no redeeming features and the sound is horrendous. I'd rather hear JACKHAMMERS! Some beat! It is ruthless, relentless and just plain atonal and completely lacking in talent. What on earth would compel anybody to own this? I had the misfortune of hearing it at a party and I hope I never am so auditorally punished again. I HATE THIS RECORDING!

Sex, Drugs, and Violence.......2000-07-22

This is the video that made MTV run a brief 30 second MTVNews spot to warn AMP audiences about the content of the video. They tried to keep it from us by showing it at 2:00 in the morning, now you can own it at home. This video is simply amazing, directed by Jonus Ackerland, who also directed one of Madonnas videos, it won breakthrough dance video at the MTV Video awards in 97. As is its an amzing video and at the end of the video itself is a twist that makes the video the greatest Prodigy video of all time, if not one of the greatest all-round videos of all time, be warned though, its not for the faint of heart, contains, nudity, alcohol use, drug use, and several scenes of grotesque acts (vomitting for instance).

Average customer rating: THiS IS THA BOMB

Smack My Bitch Up Prodigy Manufacturer: Emi ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music Dance & DJ | Imports | Stores | Music ASIN: B00004U2R5 Release Date: 1997-12-10

Album Details

Tracks: Smack My Bitch Up (Radio Edit), No Man Army, Mindfields (Headrock Dub), Smack My Bitch Up (Dj Hype Mix). Same as UK.

Customer Reviews:

THiS IS THA BOMB.......2001-06-15

This is one of the best prodigy songs ever written. It has an amazing beat, tune and a breakdown in the middle that you will never forget. this vocals in it are amazing and the tune makes me shiver every time i hear it.

i strongly recomend that you at least think about buying this because it will rock the night away.

Average customer rating: Art Pepper redux Smack Up: Perfect title Middle Art Consistently high standard Art's art

Smack Up Art Pepper Manufacturer: Analogue Productions ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Jazz | Imports | Stores | Music Similar Items: Intensity Art Pepper Meets The Rhythm Section Living Legend The Way It Was Winter Moon ASIN: B000001PE8 Release Date: 2001-02-13

Tracks:

1. Smack Up
2. Las Cuevas De Mario
3. A Bit Of Basie
4. How Can You Lose
5. Maybe Next Year
6. Tears Inside

Amazon.com

Along with 1957's Meets the Rhythm Section, which featured Miles Davis's band behind him, 1960's Smack Up forms the cornerstone of the altoist's first classic period. As the title may or may not hint at, Pepper would soon after vanish from the scene, the result of heroin addiction and related prison terms. Buoyed by the presence of trumpeter Jack Sheldon, Pepper intently runs through six saxophonist-penned cuts (plus two alternate takes) from the books of the legendary (Benny Carter), the contemporary (Harold Land's title track, Buddy Collette, Jack Montrose, Ornette Coleman), and the obscure (Duane Tatro). His own blues "Las Cuevas de Mario" would become a staple of his mid-1970s repertoire (his second classic period). No matter what baggage he brought with him into the studio, Pepper always seemed to rise to the occasion. --Marc Greilsamer

Customer Reviews:

Art Pepper redux.......2007-05-26

I recently added this album to my Art Pepper collection. It has some great sounds and very reminiscent of a bygone era.

Smack Up: Perfect title.......2006-02-21

Art's second-to-last Contemporary album during the classic 1956-60 period, and it's consistently top-notch. The title track is the highlight, a real handsome Harold Land tune taken up-tempo. Jack Sheldon plays a lyrical trumpet when heard; unfortunately, he's not featured prominently here. Frank Butler's drumming is extremely inventive throughout. Pepper's playing is relaxed and imaginative, especially on the 5/4 blues LAS CUEVAS DE MARIO. Indicative of an awareness of Things To Come, Art even includes an Ornette Coleman composition in this set - TEARS INSIDE. Drug addiction was beginning to take its toll on Art's life, and it wasn't long after this date that he was busted and began a long jail term. This is an album anyone would be proud of, though.

Middle Art.......2006-01-17

This album is a very important example of the ending part of the first section of Art's career. I own all his later box set (Galaxy, Village Vanguard, Hollywood all stars) and a lot of his earlier albums. I think this one stands clearly among the two periods even if it has been recorded at the end of the first. He was no more the impressive shining alto player who recorded Plus Eleven, Rhythmn section or Surf ride some time earlier and the one who won placed second behind Charlie Parker in a 1951 "Down beat" polls (Smack up is from 1960). Here he played already different for what I can hear and compare. Slower, with a different sound. He had a slightly different use of space and ideas. You can hear they were not in the fifties no more. you can hear that the change of decade has changed the view of things for what I am concerned. Even if its not a blue note album absolutly not that kind of sixties sound here. It is still a west coast record from Art, but even if the program is still "fifties", blues and originals but in "that fifties vein" something had already changed. It's there, in the air, you can breathe that. It is a nice album, with very strong soloing from the guys and from the always splendid Art of course. It's a transition album in a sense. When we were able to hear Pepper again he changed again and was ready for his definitive come back and affirmation in the seventies which was a splendid period for him artistically. Even if I am totally in love with his albums from the full fifties. Sonically it is a very well recorded album, unfortunatly the cover its not one of "those" fantastic covers from the fifties.

Consistently high standard.......2005-07-27

Art is again in excellent form with "Smack Up" which was one of the last records of his first classic period. The tracks are consistently of a high standard with excellent recording quality. Highlights for me are "How Can You Lose" and "Maybe Next Year". Well worth buying.

Art's art.......2002-10-08

Many people have difficulty separating the life of the artist from the imaginative life of his work. When the life of the artist takes on mythic proportions, especially those accompanying Romantic self-destructive genius, the task of evaluating the art with any sort of objectivity is even more daunting.

To my ears, Pepper's is an engaging voice on this session, alternately lyrical and cerebral, taking a few risks but quickly retreating. He hasn't made the commitment to achieving the "emotional moment" that seemed to characterize his work after 1975, making each of his solos a kind of epiphanic quest.

Sheldon sounds bolder than ever on this recording, providing strong hints of the extroverted trumpet soloist he's become since the mid-nineties (his relative obscurity is a sad commentary not just on the music scene in general but the elitist jazz critics who declare who belongs in the church of what's happening now). Jolly is plenty nimble, but his left-hand voicings are pretty basic and his melodic lines fail to elevate the proceedings. Butler is still the world's most underrated drummer; without him, this session would have been little more than a period piece. Finally, Contemporary deserves some kind words. The miking of the individual instruments, the balance between the rhythm section and soloists, the attention to dynamic nuance (missing on the Blue Note recordings of this period) all contribute to a sound that, though recorded over 40 years ago, could have been captured just yesterday.

Average customer rating:

Smack Up Art Pepper Manufacturer: Jvc Victor ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz | Imports | Stores | Music ASIN: B000FZDN54 Release Date: 2006-08-07

Tracks:

1. Smack Up
2. Cuevas de Mario
3. Bit of Basie
4. How Can You Lose
5. Maybe Next Year
6. Tears Inside
7. Solid Citizens [Take 33]
8. Solid Citizens [Take 37]

Album Details

Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.

Average customer rating:

BOOM SHAKKA COOL V , Intro [Cool V -N- Da House] / Rock Wit Me 1 Time , I Wanna Go Where da Whoes Go [Miami Style] / Boom Shakka [Radio Mix] , Drop It / Fuck Nigga / Let It Bounce (Let It Roll) , Blunt [Intermission] / Where da Whoe's At [Hip Hop Style] , Flip It (Rub It Down) My Blunt Is on Fire / Smack It up , Work It (Now Shake It) / Shake Down , and Boom Shakka [Original Version] / Shout Outro ProductGroup: Music Binding: Audio CD ASIN: B000PT3HTW

Product Description

BOOM SHAKKA ASIN: B000PT3HTW Artist: COOL V, Intro [Cool V -N- Da House] / Rock Wit Me 1 Time, I Wanna Go Where da Whoes Go [Miami Style] / Boom Shakka [Radio Mix], Drop It / Fuck Nigga / Let It Bounce (Let It Roll), Blunt [Intermission] / Where da Whoe's At [Hip Hop Style], My Blunt Is on Fire / Smack It up, Flip It (Rub It Down), Work It (Now Shake It) / Shake Down, Boom Shakka [Original Version] / Shout Outro Format: Audio CD

Average customer rating:

Gimmie Shut Up Marie Manufacturer: remedial children records ProductGroup: Music Binding: Audio CD Pop Rock | Pop | Styles | Music ASIN: B000CAD4CE Release Date: 2005-06-07

Tracks:

1. Broken
2. Short Bus
3. Breathe
4. Happy
5. I Can't Stand
6. Everything
7. Always Wasted
8. Where Do We Go
9. Gimmie
10. Borrowed
11. You and Me (The Jennifer Song)

Jazz Music:

1. Something for Everyone [Original recording remastered]
2. Songs of the Season
3. Sonny Clark Trio
4. Spanish American Themes
5. Spirit Sensitive
6. Spirits [Limited Edition] [Import]
7. Stan "The Man" Turrentine
8. State of Grace
9. Strength [EP]
10. Stump Jumper

Jazz Music

jazz music