Product Description
24 Bit Digitally Remastered Japanese Limited Edition in an LP-STYLE Slipcase.
Midnight Blue,Kenny Burrell,EMI/Blue Note,Guitar,Hard Bop,Jazz
Jazz
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jazz
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Average customer rating:
- One of Burrell's best
- Simply-Great!
- Blindingly Brilliant All-Time Classic!!!!!
- Evocative
- Classic Blues
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Midnight Blue
Kenny Burrell
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000I41G
Release Date: 1999-03-09 |
Tracks:
- Chitlins Con Carne
- Mule
- Soul Lament
- Midnight Blue
- Wavy Gravy
- Gee Baby, Ain't I Good To You
- Saturday Night Blues
- Kenny's Sound
- K Twist
Amazon.com
Kenny Burrell's music is a wonderful blend of elegance and conviction, musical inventiveness and thoughtful restraint. On this 1967 session, the guitarist is joined by regular associates--tenorist Stanley Turrentine, conga drummer Ray Barretto, bassist Major Holley, and drummer Bill English--and together they concentrate on the subtlest and deepest hues of the blues, combining strong rhythmic grooves with a feeling of late-night reflection. There's never a misstep or a superfluous note, from the funky Latin hit "Chitlins Con Carne" to Burrell's deeply felt solo "Soul Lament" and the concentrated swing of "Gee, Baby, Ain't I Good to You." The result is a masterpiece, and the 24-bit remastering by the original engineer, Rudy Van Gelder, adds to the spaciousness and intimacy that have always been hallmarks of the session. --Stuart Broomer
Album Description
Alfred Lion considered this his favorite production and well he should have. Without piano, Burrell, Stanley Turrentine and company get a clean open sound and a deep groove on such now classic compositions as the title tune and "Chitlins Con Carne", which has become a blues band staple.
This RVG Series compact disc also includes extra photographs and 2 bonus tracks.
Customer Reviews:
One of Burrell's best.......2007-05-06
Kenny Burrell is a great jazz guitarist, but he really shines on blues. This set is a quartet setting with bass, drums, guitar and tenor, and it's all blues in various forms. Stanley Turrentine really shines on this CD, too. If you love great blues, you will love this CD.
Simply-Great!.......2006-10-28
Having first a strong love for blues guitar, it was easy to love this album. This was also my first Kenny CD, and I've bought many since then. Kenny has also become my overall favorite jazz guitarist and that's from serious competition from Wes, Johnny Smith, Joe Pass,Tal Farlow, and other top players. Kenny's approach is just cool, his tone great, and it's also what he doesn't do that makes him great! This album says it all for me.
Blindingly Brilliant All-Time Classic!!!!!.......2006-08-04
The pairing of Kenny Burrell and Stanley Turrentine makes for music that is as hot as a fire cracker! Without a doubt, some of Kenny's finest moments are found here. Stanley Turrentine lends his talent to cook up those grooves.
The opener, "Chitlins Con Carne", is one of Kenny's best-known sizzlers. "Soul Lament" is both gently and deeply touching. The title song, "Midnight Blue" has a care-free and easy feel. "Saturday Night Blues" features Stanley Turrentine at his best. "Gee, Baby, Ain't I Good To You" highlights Kenny Burrell at his inspired and awesome finest. There is also a bonus cut, "K Twist" that was not included in the original album.
Kenny Burrell touches music afficienados from all generations. His guitar portrays a subtle exuberance that most musicians envy. Inspired, artistic, and soulful, Kenny Burrell is timeless! Kenny's flawless sound is ageless and color-blind.....his music is world class.
Evocative.......2006-02-01
The real beauty of "Midnight Blue" is the cohesiveness of the whole package. I heard "Chitlins Con Carne" on Pure Jazz on the Sirius Satellite Radio and was smitten and had to check out the recording. So few recordings actually achieve what Kenny Burrell does here which is deliver a group of very distinct, individually excellent pieces that are all quite interesting on their own, but stunning in their totality. The guitar work sizzles, but never stings. Wonderful stuff.
Classic Blues.......2005-12-11
Classic blues with Stanley Turrentine on sax.
Of particular note, "Soul Lament", with Burrell playing
solo guitar. "Midnight Blue", a nice, upbeat number.
Burrell has a very nice chord solo on
"Bee Baby, Ain't I Good To You".
Both Burrell and Turrentine really cook on the
up tempo numbers "Saturday Night Blues" and "Kenny's Sound".
Average customer rating:
- Brilliant Musicianship, Though-Provoking Lyrics -- A Must-Own CD!
- To Petar Vodogaz
- Simply the Best
- Astonishing music with thought provoking lyrics
- Midnight Oil - A Continuing Success
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Blue Sky Mining
Midnight Oil
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000026WB
Release Date: 1990-02-09 |
Tracks:
- Blue Sky Mine
- Stars Of Warburton
- Bedlam Bridge
- Forgotten Years
- Mountains Of Burma
- King Of The Mountain
- River Runs Red
- Shakers And Movers
- One Country
- Antarctica
Customer Reviews:
Brilliant Musicianship, Though-Provoking Lyrics -- A Must-Own CD!.......2007-01-17
I've always liked Midnight Oil. Their unique sound, passion, intelligence, and musicianship were perfect for my music snob ears. If subject matter such as human rights, protecting the environment, and developing a caring heart are important to you, Midnight Oil is the perfect band.
I saw the Oils around the time of this release. I'll never forget the gig. Peter Garrett loomed larged on the stage. His jerky movements and impassioned vocal delivery are branded into my brain.
At the time of the release of Blue Sky Mining, the Oils were on nearly every radio station in Grand Rapids, Michigan. I remember one DJ who commented, "This is the best song on the radio" just before he spun the disc. For a DJ to actually voice an opinion takes guts. And to make such an absolute statement takes more still.
But the DJ's comments are entirely justified. "Blue Sky Mining" is a great song -- one that takes it place among many great songs on this album. Catchy, clever, powerful, unique -- Midnight Oil's Blue Sky Mining album is a milestone release, one of my favorites in my 2,500+ CD collection.
I highly recommend Blue Sky Mining.
To Petar Vodogaz.......2005-07-25
Petar, "10,9,8,7,6,5,4,3,2,1 " was not Midnight Oil's debut album, that would be 1978's "Midnight Oil".
Simply the Best.......2005-06-21
I remember first listening to this album when I was fifteen. It was incredible then, and still is now. Every song is great. The energy and uniqueness of the Midnight Oil sound is present in every track.
The album starts off very strongly - the first five tracks (including Blue Sky Mining, Stars of Warburton, and Bedlam Bridge) are pure class. The songs are very easy to listen to.
If I had to think about a perfect album, this would probably be the closest that I could get to in finding such a beast. The songs on this album have a melodical, inspiring feel to them. I personally like Mountains of Burma, this song lifts you up and lets your head spin in the heavens.
It is, in my opinion, Midnight Oil's best ever album. Better than Diesel and Dust. But it now.
Astonishing music with thought provoking lyrics .......2005-06-07
Okay, so I know this album came out fifteen years ago and I was only like ten when it came out, but I still need to write a review on it. I love this album. They were so ahead of their time when they put this album out. It's just timeless. I love a band that has passion, energy, angst, and feeling in their songs and Midnight Oil has that in every single one. Their songs are very political and thought provoking. Out of all their albums, this one is my favorite. I love every single song.
On a side note, they were awesome to see live. They all had more energy then any group I have ever seen live.
Midnight Oil - A Continuing Success .......2004-09-21
Having become a listener of Midnight Oil most recently after listening to 10,9,8,7,6,5,4,3,2,1 (Midnight's Debut Album) I decided to get some more CD's from this band. Peter Garrett again excels himself in vocals. All Midnight Oil's songs seem to spring from their beliefs whether political or social. Whilst not 100% agreeing with what they have to say in their songs, I must say it is appealing and refreshing to have a band sing from their heart.
Blue Sky Mining, the first track is easily one of Midnight Oil's best of the best. It was based on a event that happened in Australia some time ago, and by remembering the event in a song format, I suppose Peter and his group is hoping that listeners won't forget lightly. Other songs to listen to that I found interesting and nice on this album release were Forgotten Years and King of the Mountain.
ALl in all, Blue Sky Mining, the CD is a strong follow up on this band's previous work. Good going Midnight Oil!
Average customer rating:
- Let's Make This Precious
- Great Record - but stop arguing about ska!
- not your typical 80's techno-pop drivel!
- One Good Song Does Not an Album Make
- As good as it gets...
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Too-Rye-Ay
Dexy's Midnight Runners
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005Y1ZF
Release Date: 2002-02-05 |
Tracks:
- The Celtic Soul Brothers
- Let's Make This Precious
- All In All (This One Last Wild Waltz)
- Jackie Wilson Said (I'm In Heaven When You Smile)
- Old
- Plan B
- I'll Show You
- Liars A To E
- Until I Believe In My Soul
- Come On Eileen
- Show Me
- Dubious
- Tsop (The Sound Of Philadelphia)
- Let's Get This Straight (From The Start)
- Reminisce Part One
Customer Reviews:
Let's Make This Precious.......2007-04-16
If you know Dexy's Midnight Runners, it's probably from their 1982 smash "Come On Eileen". And why not? It's brilliant, a perfectly incandescent gem of a song simply bursting at the seams with new wave rock n' roll energy, Celtic conviviality, and blue-eyed soul fervour. That pretty much describes the album from which that one-hit-wonder was drawn, TOO-RYE-AY.
What is the most identifiable element of Dexy's Midnight Runners' sound? Is it the Stax-like horns that bolster these cuts with their taut R&B charts? Is it the Irish gypsy fiddle of Steve Brennan and Helen O'Hara? How about Billy Adams' sprightly banjo? Their bedraggled, dungareed street image is certainly distinctive as hell. Or it could very possibly be bandleader and songwriter Kevin Rowland's off-kilter vocals that sound like the common ground between Ric Ocasek, Joe Strummer, and Van Morrison (wherever that may be).
Speaking of Van Morrison, Dexy's fusion of rock, soul, and Irish folk certainly owes much to the Man's work - they cover his "Jackie Wilson Said" on TOO-RYE-AY as a matter of fact. But especially toward the end of the album as the songs start to get longer and blend into one another, that same indefinable, searching quality emerges in Rowland's songwriting as he emulates Van's incantory talk-singing. This is especially evident in the album's shortest ("I'll Show You") and longest ("Until I Believe in My Soul") songs, the latter of which is probably the best song on the album this side of "Come On Eileen". Combined with the prominent fiddle alongside the R&B elements TOO-RYE-AY actually reminds me of Morrison's INTO THE MUSIC, and that's compliment, since INTO THE MUSIC happens to be one of my favourite albums ever. But that's not to say that Dexy's Midnight Runners are derivative. They have a sound all their own, and make no mistake - you'd never mistake a song like "The Celtic Soul Brothers" or "Plan B" for anything but Dexy's.
Evidently, Dexy's Midnight Runners only have two other albums: SEARCHING FOR THE YOUNG SOUL REBELS and DON'T STAND ME DOWN. And if they're anywhere near as good as TOO-RYE-AY (and everything I've heard, in terms of reviews and listening both, has been indicative of the affirmative) I'll be going after them in the not-too-distant future.
Great Record - but stop arguing about ska!.......2007-02-08
In the U.S., Dexy's Midnight Runners were a one hit wonder of the first order, but in the UK, they charted hit after hit after hit in the early 80's. Pick up this album, or better yet, pick up "Let's Make This Precious," and you'll see why. You won't regret it.
But please, let's not get into an argument about who "invented" ska here. To claim that either DMR or the Clash invented ska is absurd. Ska - like reggae, its cousin, a Caribbean/American form of popular music characterized by its hybridization of U.S. American R&B with an Afrocentric rhythmic sensibility - was huuuuge among British youth in the 60's and 70's, and found a niche audience in the burgeoning punk scene in London. Bands like the Clash (and hundreds of others) anglicized ska/reggae, creating from it their own "rebel music," but it was also swiftly aestheticized and adopted/assimilated by any number of punk subcultures, including, ironically, an often-sinister brand of racist skinhead. But whatever.
not your typical 80's techno-pop drivel!.......2007-01-31
ok, so we all know the one song that made the charts, but that is not typical of the entire album. it is really hard to place what genre to place this in. its a cross between top 40, old r&b,and maybe a little folk. if you like this album, i strongly recommend DMR's live BBC radio concert.
One Good Song Does Not an Album Make.......2006-06-13
Except for the hit song "Come On Eileen" there is little else that is either memorable or enjoyable on this CD. Their cover of Van Morrison's "Jackie Wilson Said" is not very well done.
How another reviewer could state this band deserved as much billing as the Beatles is beyond me. No accounting for poor taste.
That reviewer also makes the statement: "Do I detect Commodore-mania with 'Jackie Wilson Said'". Not sure what the reviewer meant by that statement.
As good as it gets..........2006-02-08
I have a few CDs that are as good as this one, but none better. It's as perfect a CD as could ever be hoped for.
I didn't particularly like "Come on Eileen" when it was big, but someone (who???) gave me this tape to listen to one night in college and that was it. I could be found on many a night with it on my headphones at RISD's architecture studio. I still have the same cassette and I still love it to death. Sorry to whoever lent it to me... man so I owe you one! If you haven't heard this, do yourself a favor and give a shot, you will not be sorry!
Average customer rating:
- 'And Still...The King..'
- A unique Nat King Cole collection
- better than a greatest hits CD
- After Midnight
- If you think you know Nat "King" Cole...
|
After Midnight: The Complete Session
Nat King Cole Trio
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K45T
Release Date: 1999-07-19 |
Tracks:
- Just You, Just Me
- Sweet Lorraine
- Sometimes I'm Happy
- Caravan
- It's Only A Paper Moon
- You're Looking At Me
- The Lonely One
- Don't Let It Go To Your Head
- I Know That You Know
- Blame It On My Youth
- When I Grow Too Old To Dream
- (Get Your Kicks On) Route 66
- I Was A Little Too Lonely (And You Were A Little Too Late)
- You Can Depend On Me
- What Is There To Say
- Two Loves Have I
- Candy
- You're Looking At Me (Alt Take)
Amazon.com
Nat "King" Cole endured more than his share of scorn and rebuke from all manner of fans and critics. He wasn't jazzy enough to satisfy many, not white enough to please the pop cultural obsession with Anglo- and Euro-American stardom. In answer to all of this, Cole simply proceeded, crooning beautifully even after he'd walked away from the piano and become primarily a vocal sensation. This 1956 collection is famous as Cole's riposte to the critique that he wasn't jazzy. The session brings several Swing Era stars on board: violinist Stuff Smith, trumpeter Harry "Sweets" Edison, trombonist Juan Tizol, and alto saxophonist Willie Smith. The horns and violin fronted a semistandard jazz setup of guitar, drums, and percussion, along with Cole's own considerable chops on piano. As an improviser, Cole heavily influenced a generation of ivory ticklers, including Oscar Peterson and others, and here he shows himself a stellar pianist. His runs bespeak Cole's utter perfection on the keyboard. This is a crucial document. --Andrew Bartlett
Customer Reviews:
'And Still...The King..'.......2006-12-18
I've been wearing this out-and I don't know who's in his league as an entertainer;actually,I think it's a toss-up between Nat-and Louis Armstrong-for 'the greatest' title.Just as it's a tough call to decide whether I prefer Armstrong's playing-or singing,I'd say the same about Nat(I've played his 'instrumental classics' cd for several people;all of them have done a double take.."That's Nat King Cole..?"). This cd is a very balanced work as to what Cole is about(aside fronm the 'Ramblin' Rose'stuff-and,who beats him as a pop singer?,anyway).Maybe,even more importantly,I think I'd enlist him as the number one weapon against illiteracy-and-the general mangling of the English language...nah,with Nat,you can understand every word...whoops..syllable-perfectly.
A unique Nat King Cole collection.......2006-02-12
There is some great stuff here that you won't find anywhere else, including one of my favorites, "Don't Let It Go To Your Head" (Lavene/Nast/Hadamik), that I simply can't find anywhere else and sheet music for it doesn't seem to exist. Willie Smith plays some sweet sax, too.
better than a greatest hits CD.......2005-10-07
"greatest hits" collections are nice but usually they have a quality of being too familiar. These are just familiar enough. These songs became standards, and the title says it all. After midnight has a relaxed quality to Nat's piano playing. Not to be rushed, he sings with ease of a late night jam with enough intensity to warm your insides. "You can depend on me" alone is worth the entire purchase price and you still get 17 more songs!!!
After Midnight.......2005-08-17
I don't believe I have ever heard a bad recording of his, but this is exceptionally inspiring for any Nat Cole fan.
If you think you know Nat "King" Cole..........2005-03-15
If you only know King Cole through his big, heavily orchestrated hits, then you don't know him all that well.
"After Midnight" showcases the extraordinary talent of this man as a vocalist and pianist, with spare, perfect accompaniment by top-notch jazzmen. It is a treasure to discover, and rediscover with every listening.
Average customer rating:
- not enough Galway
- Too Good to Last
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Henry Mancini -The Ultimate Collection
James Galway
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000071UZ
Release Date: 1995-12-06 |
Tracks:
- Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
- Moon River
- Days of Wine and Roses
- Baby Elephant Walk
- Theme from Hatari
- Charade - Henry Mancini, Henry Mancini
- Thorn Birds Theme - National Philharmonic Orchestra
- Blue Satin
- Two for the Road
- Mr Lucky
- Theme from the Molly Maguires - National Philharmonic Orchestra
- Moment to Moment
- As Time Goes By - Henry Mancini, Henry Mancini
- Shot in the Dark
- Misty
- Theme from Love Story
- Pennywhistle Jig - National Philharmonic Orchestra
- Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
- Moonlight Sonata
- Tender Is the Night - Henry Mancini, Henry Mancini
- Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
- Raindrops Keep Falling on My Head
- Crazy World
- Mona Lisa
Tracks:
- Peter Gunn
- Unchained Melody - Henry Mancini, Henry Mancini
- Summer Knows
- Experiment in Terror
- Windmills of Your Mind
- Till There Was You
- Speedy Gonzales - Henry Mancini,
- Sweetheart Tree
- Love Theme from Romeo and Juliet
- Dream a Little Dream of Me
- Lonesome
- Pie in the Face Polka - National Philharmonic Orchestra
- Love Is a Many Splendored Thing
- By the Time I Get to Phoenix
- Dear Heart
- Charade [Opening Titles]
- Shadow of Your Smile
- One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
- Breakfast at Tiffany's
- That Old Black Magic
- Evergreen
- Midnight Cowboy
Album Description
1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.
Album Details
Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.
Customer Reviews:
not enough Galway.......2003-10-02
There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.
Too Good to Last.......2000-03-03
I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.
Average customer rating:
- Ivank
- Excellent.
- Another Masterpiece!
- Quintessential
- late, late blues
|
Midnight Special
Jimmy Smith
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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- Back at the Chicken Shack
- The Sermon!
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ASIN: B000005HC8
Release Date: 1990-10-25 |
Tracks:
- Midnight Special
- A Subtle One
- Jumpin' The Blues
- Why Was I Born
- One O'Clock Jump
Album Description
Organist Jimmy Smith, tenor saxophonist Stanley Turrentine, and guitarist Kenny Burrell always make for a potent team, and with drummer Donald Bailey completing the group, the quartet digs soulfully into such numbers as the groovin' "Midnight Special," "Jumpin' the Blues," and "One O'Clock Jump." A highly recommended album.
Players Include:
Jimmy Smith - Organ, Organ (Hammond)
Stanley Turrentine - Sax (Tenor)
Donald Bailey - Drums
Kenny Burrell - Guitar
Customer Reviews:
Ivank.......2007-03-23
I am rediscovering JS and started to get his CDs, this one is a must in his work. I had the chance to meet personally Mr S. Turrentine years ago, and listened him alive as well, here you can appreciate his art.
High quality jazz music on JS style. The sound could be better but remember is 1960' production. You will not waste your money.
Excellent........2005-10-29
It is surprising that Jimmy's 'Back at the Chicken Shack' has so many more reviews listed than 'Midnight Special'. This title is just as good as or better than Back at the Chicken Shack. If you love one, you'll love the other. If you have neither, buy both for crying out loud - they're excellent.
Another Masterpiece!.......2004-11-25
"Midnight Special" is the lesser-known sister album of Jimmy Smith's monumental "Back at the Chicken Shack." The "Midnight Special" album has exactly the same sound (lineup) and the songs on "Midnight Special" seem to pick up right where "Chicken Shack" left off. Jimmy shines as master of his art, making jamming on the electric organ sound as easy as walking. He's bluesy, funky, and bopping all at the same time. And if the electric organ is the heart of this album, then the saxophone is the soul. There simply isn't a bad note on this album, and it's a shame it isn't remembered with as much popularity and praise as "Chicken Shack." It's just as good.
Quintessential.......2004-08-24
"Midnight Special" and "Back At The Chicken Shack," both featuring the same line-up (Jimmy Smith - organ, Stanley Turrentine - tenor saxophone, Kenny Burrell - guitar, and Donald Bailey - drums,) are the quintessential organ / tenor sax recordings. Which is better? Well they were both recorded at the same place on the same day so they should be treated as one. In other words, buy them both!
late, late blues.......2003-09-06
it's round midnight. the lights are low, the table candles have all burned down. there's a haze of blue smoke hanging just below the ceiling. the conversation has dropped to muffled whisper. it's time for the blues to roll in. it's nearing time for last call, but there's still minute or two to try to drown yesterday.
that's the feel of jimmy smith's opening number. mr. smith is a master of the blues, and when he entered the studio with stanley turrentine and kenny burrell in tow, a super session was put in place. mr. smith revolutionized the hammond b-3 making it a staple of hard bop jazz, but he never forgot the roots of the instrument--blues shacks and also church halls. this album covers the spectrum, revealing the funk at the heart of jazz, but also exploring the nuances of bop--"a subtle one"--
getting this album is getting one of the true masterpieces of the blue note catalog.
Average customer rating:
- The best
- Simply Elegant
- Two discs of Mercer magic
- At last!
- Mabel Mercer: Simply the Best
|
Midnight at Mabel Mercer's/Once in a Blue Moon
Mabel Mercer
Manufacturer: Collectables Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004X0U1
Release Date: 2000-09-26 |
Tracks:
- Just Once Around The Clock
- Poop Pierrot
- Young And Foolish
- It's A Lie, It's A Fake!
- Walk-Up
- Is It Always Like This?
- Blame It On My Youth
- Wait 'Til You See Her
- He Was Too Good To Me
- Wouldn't It Be Loverly
- Lazy Afternoon
- Mandy, Make Up Your Mind
- Lonely Little Boy
- Sonnet
- Lucky To Be Me
- Some Other Time
Tracks:
- Once In A Blue Moon
- In The Spring Of The Year
- Look At 'Im
- Guess I'll Go Back Home
- I'm Glad I'm Not Young Any More
- My Shining Hour
- The Twelve Days Of Christmas
- Whenever Winds Blow
- Isn't He Adorable
- Isn't It A Pity
- If You Leave Paris
- Sunday In New York
- If Love Were All
- Sail Away
Customer Reviews:
The best.......2007-01-09
Mabel Mercer is so sophisticated and accomplished that she delivers songs with a simplicity unfolding the complexity of music, lyrics and emotion.
And the songs she chooses are just wonderful.
Simply Elegant.......2002-04-16
It is impossible to describe Mabel Mercer. She is as unique as Blossom Dearie, Tammy Grimes, Elaine Stritch, Bea Lilly, or Edith Piaf, but not nearly as unusual as any of them. Fred Astaire's style might be closest to hers, although Mercer had a better voice with a greater range. Both were songwriter's singers - interpreters who put the song before the personality, who presented the work paying complete attention to the nuances of the music and the exposition of the lyrics. The song spoke for itself. Among current mainstream performers, perhaps most reminiscent of Mabel Mercer is Rosemary Clooney, although Clooney's direction - and she is superb - is not to distill the songs to quite so pure an essence as did Astaire and Mercer.
If elegance is restraint of ornament allied with purity of form and richness of substance, then Mabel Mercer is simply elegant.
Among this rich substance there are some evergreens like "I'm Glad I'm Not Young Anymore," '"Loverly," "Young and Foolish," and, perhaps, "Blame It On My Youth". But most of these songs were obscure even when the albums were recorded in 1956 and 1958, and the passing of more than 40 years has not shed any more light on them. Some are minor works of major composers and lyricists: Romberg, Hammerstein, Kern, Rodgers, Hart, Lerner, Lowe, Coward, the Gershwins, Arlen, Mercer, Bernstein, Comden and Green. Others are works of a group of less known talent: Howard, Wilder, Levant, Coleman, and Grant. But all tell simple stories or present poignant images, and after a night at the theater Mercer's 11:30 PM audience was ready for gentle songs of quiet reflection made, perhaps, even more evocative by their very unfamiliarity.
Almost all of the songs are about love at some stage: anticipation ("Wait Til You See Her"), yearning ("Lonely Little Boy"), despair ("Blue Moon," "If Love Were All'), fulfillment ("Some Other Time"), loss ("He Was Too Good To Me," "Guess I'll Go Back Home"), lost youth ("Isn't It a Pity," "Young and Foolish"), and gained wisdom ("Once Around the Clock," "Sail Away").
Most of the lyrics are of the Seine/champagne variety, although of course there is Noel Coward with this rhyming full-house ("though I never really grumble life's a jumble indeed, and in my efforts to succeed I've had to formulate a creed"), and Ira Gershwin shows his usual virtuosity in "Isn't it a Pity":
Think of all the lonely nights we've wasted: I with the neighbors, you at silly labors,
What joys untasted: I reading Heine, you somewhere in China
. . .
Think of all the lonely years we've wasted: fishing for salmon, loosing at backgammon,
What joys untasted: my nights were sour spent with Schopenhauer
Mercer adds only the most subtle trace of distaste to the word "Schopenhauer." In "Guess I'll go Back Home" she adds just the slightest emphasis to the first "he": "I'll walk by the house where he used to live, I hope he married well." It's the verbal equivalent of a slightly raised eyebrow or an up-turned palm.
On "Midnight at Mabel Mercer's" the accompaniment is provided by two pianos. The pianos are particularly well arranged on "Sonnet," " Wait Til you See Her," and especially "Young and Foolish." On "Once in a Blue Moon" strings are added. Even at this point in her career, Mercer had the ability to overpower the accompaniment. She chose not to, and the strings are distracting.
Two discs of Mercer magic.......2001-07-20
There's an abundance of Mercer riches to be savored on this generous two disc set. "Once in a Blue Moon," on which Mercer is accompanied by piano and a small string section, is a sentimental favorite of many, and for good reason: Mercer has rarely been more affecting than in the title track and her famous version of "My Shining Hour," and the string arrangements are admirably restrained, accentuating Mercer's message rather than imposing false sentiment on top of her interpretations. But it's "Midnight at Mabel Mercer's" that is the real gem here: it offers an opportunity to hear Mercer much as she must have sounded in her legendary New York appearances in the 40's and 50's, accompanied only by piano (two in this recording) and singing uninhibitedly full-out, going for the climaxes of the songs whether the notes are in her voice or not (and quite often they aren't). A word must be said about "the voice" to those unfamiliar with Mercer--there isn't, by the fifties, when these recordings were made, much of it left, though it sounds as though it must have been a perfectly good mezzo in its prime. Just the same it's hard to think of a more eloquent singer of popular song. As skilled at tossing off a frothy number like "Wouldn't it be Loverly" with just the right light touch as she is in revealing all the genuine sadness and regret in potentially maudlin ballads like "Poor Pierrot" or "Young and Foolish," Mercer has that ability to communicate that no amount of stunning vocal chops can compensate for. Sure, there's a lot of creakiness here and there, flubbed top notes and odd rolled r's, but give her a chance and you'll find the tattered velvet of Mercer's voice enormously appealing.
At last!.......2001-04-05
Mabel Mercer's recordings on CD are hard to find, and, indeed, some exquisite sets have never been released on CD, to my knowledge. ("The Art of Mabel Mercer" is particularly to-be-hoped-for.) This 2-CD set includes perhaps the sweetest of Mercer's collections, "Once in a Blue Moon". I was unfamiliar with "Midnight at Mabel Mercer's", but its bill of fare is so varied and so velvetly sung that I was immediately captivated.
Mabel Mercer is, I know, an acquired taste, but, for those in the process of acquiring the taste, this selection is a splendid introduction.
Mabel Mercer: Simply the Best.......2000-10-18
I am extremely pleased to see that some of Mabel Mercer's finest work on vinyl is finally being reissued on compact disc. Her recording of "Isn't It A Pity" included in this set makes a great song even greater for no one was able to interpret a lyric like the incomparable Mabel Mercer. Her singing of "Once in A Blue Moon" accompanied by an extraordinarily beautiful arrangement is worth the price alone and I cannot recommend highly enough this collection for any true Mercer fan. "I'm Glad I'm Not Young Anymore", "Blame It On My Youth" and Noel Coward's "Sail Away" are particular standouts among the gems included here. A great big thank you to the producer of this superlative set--an absolute must buy! A true artist sadly missed!
Average customer rating:
- arguably London's best album for the Capitol label
- London is at her sultry peak with this 1960's recording!
|
Around Midnight
Julie London
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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- To Go: Stick It in Your Ear
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ASIN: B000H3097Y
Release Date: 2006-09-26 |
Tracks:
- 'Round Midnight
- Lonely Night In Paris
- Misty
- Black Coffee
- Lush Life
- In The Wee Small Hours Of The Morning
- Don't Smoke In Bed
- You And The Night And The Music
- Something Cool
- How About Me
- But Not For Me
- The Party's Over
Customer Reviews:
arguably London's best album for the Capitol label.......2007-02-23
'Around Midnight' is probably Julie London's greatest album from her days with Capitol. There's a dizzying jazz arrangement of "Lonely Night in Paris", a well-judged "Misty", and a suitably sultry "Don't Smoke in Bed" lends itself perfectly to London's style.
The biggest irony of Julie London's singing career was the fact that she never could give herself enough credit. She never felt her voice was special, and constantly downplayed her abilities. In the realm of the great jazz ladies, there was nobody who could touch her, nor will there ever be. Julie London was a complete original, and this reissue of 'Around Midnight' will be welcomed with open arms by her legion of fans.
[Blue Note Records/EMI 0946 3 69810 2 4]
London is at her sultry peak with this 1960's recording!.......2007-01-10
Popular song stylist, Julie London truly got it all together to make this terrific album. 'Round Midnight is a typical example of that jazzy, bluesy, sultry sound that Ms. London was so famous for. Her voice is at it's peak with perfect phrasing.....and what a band! Her back up on all tracks shines as much as the singer! If you aren't familiar with London...this is the perfect CD to introduce her to you.....if you are and don't own this run...GET IT QUICK! You won't be sorry!
Average customer rating:
- Sophisticated and supple hard bop from the summit
- The uncrowned king
- FANTASTIC!!! Classic Jazz
|
Round About Midnight At The Cafe Bohemia: Complete
Kenny Dorham , and Kenny Dorham
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
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- Whistle Stop
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ASIN: B00005UOKS
Release Date: 2002-01-29 |
Tracks:
- K.D.'s Blues (Alternate Take)
- Autumn In New York (Alternate Take)
- Monaco (Alternate Take)
- N.Y. Theme
- K.D.'s Blues
- Hill's Edge
- A Night In Tunisia
- Who Cares? (Alternate Take)
- Royal Roost
Tracks:
- Mexico City
- 'Round About Midnight
- Monaco
- Who Cares?
- My Heart Stood Still
- Riffin'
- Mexico City (Alternate Take)
- The Prophet
Customer Reviews:
Sophisticated and supple hard bop from the summit.......2006-07-23
Kenny Dorham was a musician's musician, the thinking person's trumpet player (though the emotions are personal and deep, even if not instantaneous or obvious). His tone is light but round and always centered, capable of sounding vulnerable and breathy one instant and dynamically brilliant and virtuosic the next. Since Kenny is the least "showy" of trumpet players, my hunch is that this Dorham-led date will not impress the uniniated overly much and that it should probably be purchased after one of his later studio sessions or his dates with Art Blakey ("Live at the Cafe Bohemia") or Horace Silver ("The Jazz Messengers"). Once you've acquired a taste for the Dorham sound--which, incidentally, can be addictive--the pleasures of the present session will be all the more apparent.
Each of the tunes not only features first-rate (if understated) solo work but attention to compositional details that were frequently missing in "hard bop" performances of the era. Listen to the title song--with all of Monk's transitions and intertextual motifs intact--or to "Night in Tunisia," which may be less dramatic and forceful than the version with Clifford Brown and Art Blakey at Birdland but is ten times more musical.
The underrecorded, melodically lithe J. R. Monterose complements K. D. in the frontline as effectively as Hank Mobley, and the overrecorded Kenny Burrell has never sounded more inspired and assured, almost overmatching the more subdued approach of the other players. Bobby Timmons restricts his solo time along with the block chord cliches, turning in some of his most tasteful work on record.
While this may not be "the" Kenny Dorham recording, it belongs in the top 5--which, speaking of the pantheon of all-time trumpet greats, is probably the short list on which Kenny himself deserves mention.
The uncrowned king.......2002-03-20
Kenny Dorham was such a great trumpet player, but even considering the fact, that his recording period spanned about 20 years, starting with important contributions in the forties, when he played with Charlie Parker, Bud Powell and others, it quite seems, that he largely was taken for granted by the wider audience, which paid most of the attention to more glamorous players, namely Dizzy and Miles. But listening to Kenny Dorham's Blue Note recordings you will notice, that he had it all: A beautiful, slightly bittersweet sound, really nice, long lines and a great knowledge about chord-progressions. Of course, he also was a great composer. This latest reissue from the RVG-Series offers for the first time the possibility to really listen to all recorded material from that live-date. You will love it, especially if you already own the two Art Blakey CDs "Life at Café Bohemia", which also feature Dorham at his best. About the personnel of this date, I'd like to notice the presence of Kenny Burrell on some of the tunes. He had finished his first own album ("Introducing Kenny Burrell") just the day before and he sure was in a playing mood. the choice of J.R. Montrose is also a very interesting one. this relatively obscure tenorist really has nice ideas and a pleasant, light sound, somehow similar to Stan Getz or Zoot Sims and he really takes care of business. Bobby Timmons on piano already had his block-chord style, which later would become famous when he was part of Blakey's Jazz Messengers. Sam Jones on bass and the to me completely unknown Athur Edgehill on drums contribute everything necessary for a good groove, so let's say, that I really enjoy this music: The tremendous swinging versions of "K.D.'s Blues", "Night in Tunisia", "Who Cares", a very relaxed "My Heart Stood Still" and gorgous ballad interpretations of "Autumn in N.Y." and "Round Midnight". Considering the originals, I think, that "Monaco" is the most interesting one. It's based on an idea, which first appeared on another Dorham original ("Minor's Holiday") from the above mentioned Art Blakey date and Dorham's first Blue-Note Album, the fantastic "Afro Cuban", which I also reviewed. Enjoy it!
FANTASTIC!!! Classic Jazz.......2002-02-26
I just picked this album up today and I was blown away. First of all, despite being a mono recording, the sound is awesome; clarity and depth are excellent. I have shied away from previous mono recordings, as they tend to get muddied, but this music suffers no such fate. Kenny Dorham sounds as good as I've ever heard him, and Bobby Timmons was just beginning to shine. If you are a fan of classic jazz, this is a must-have for your collection.
Average customer rating:
- The singles are available as data in MOV format
- Amazing Energy from a Storied British Pub Band
- TRACK LISTINGS
- The first and greatest Dexys Album
- I thought that this would be "Geno"
|
Searching for the Young Soul Rebels
Dexy's Midnight Runners
Manufacturer: Caroline
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004WGY9
Release Date: 2000-11-28 |
Tracks:
- Burn It Down
- Tell Me When My Light Turns Green
- The Teams That Meet In Caffs
- I'm Just Looking
- Geno
- Seven Days Too Long
- I Couldn't Help If I Tried
- Thankfully Not Living In Yorkshire It Doesn't Apply
- Keep It
- Love Part One
- There There My Dear
Album Description
20th anniversary, enhanced remaster. Includes a new full color 20 page booklet and enhanced CD-ROM section featuring full lyrics, photo gallery and the videos to 'Geno' and 'There, There My Dear'. Plus non-album A and B sides only to be heard on PC or Mac. Kevin Rowland oversaw the remastering and repackaging. 2000 release. Standard jewel case.
Album Details
20Th Anniversary Enhanced Remaster. Includes a New Full-Color 20 Page Booklet and Enhanced Section with Full Lyrics, Photo Gallery and Videos of Geno and There There My Dear.
Customer Reviews:
The singles are available as data in MOV format.......2006-05-29
A lot of people mentioned that they can't find the songs of the singles in the CD. The interface in the CD is not very clear. The best way is to use Explorer on the CD. The song files are in Quicktime MOV format in the folder D:\DATA\QTS. I opened the files on Itunes and converted them to audio format. These files CAN'T be played from the original CD on a CD player.
Amazing Energy from a Storied British Pub Band.......2006-02-28
Dexy's, in their earlier days, were quite the sonic performers. This album does not contain any of that "Come On Irene" stuff we all saw on MTV back in the early 80s. Nope. This effort shows the true, working-class, blue beat aficianados who could put out a wall of sound and rock the local football supporters into a frenzy with pulsing, frenetic songs. This is the good stuff, for sure. Truly, you won't believe that this band is the same one that donned those queer, matching railroad coveralls and bandanas, and skipped around like a bunch of Kansas City faggots on the telly, chanting "Too Rye Ayeeeeeeeeeeeeee." If you can forgive them that transgression (and I know it'll be difficult), it's well worth your time to check out "Searching ... ." Solid goodness.
TRACK LISTINGS.......2006-02-12
1. Burn It Down
2. Tell Me When My Light Turns Green
3. Teams That Meet In The Caffs, The
4. I'm Just Looking
5. Geno
6. Seven Days Too Long
7. I Couldn't Help It If I Tried
8. Thankfully Not Living In Yorkshire It Doesn't Apply
10. Keep It
11. Love Part One
12. There, There My Dear
The first and greatest Dexys Album.......2004-10-08
I bought this CD having read 'A Music Fans' review not expecting to find any additional tracks and when I found the first five singles (A & B sides) I was delighted. As far as I can tell some of these tracks are not available anywhere else on CD. Tracks like The Horse, Dance Stance (the original version of Burn It Down) and Soul Finger really added to the whole concept of this album. Kevin Rowland has never sounded angrier.
I thought that this would be "Geno".......2004-09-19
I am somewhat confused. I thought that this would have all the tracks that were on the Geno LP but, alas... no.
Only 4 tracks from "Geno" made it on to this CD:
1) Geno
2) There, There My Dear
3) Keep It
4) I'm Just Looking
The other tracks on this album are taken from other sources. Now, please do not get me wrong... I really like anything by Dexy's Midnight Runners; it just cheeses me off that I have to end up purchasing 3 more CDs just to get the original track listing from the "Geno" LP. Also, "The Horse" (from "Geno") is not available anywhere on CD!... thank you.
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