The More I See You

The More I See You

Track Listings

 
1. In a Mellow Tone
2. Gee Baby, Ain't I Good to You
3. On the Trail
4. When My Dreamboat Comes Home
5. Ron's Blues
6. For All We Know
7. Blues for Lisa
8. Squatty Roo
9. More I See You

The More I See You,Oscar Peterson,Telarc,Bop,Jazz,Jazz Music,Mainstream Jazz,Pop,Swing

Jazz

Music

jazz

music
Greatest Songs from the Musicals
Average customer rating: 3 out of 5 stars
  • You'll be disappointed
  • Pretty good musical mix
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD

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ASIN: B000077JS0
Release Date: 2002-10-21

Tracks:

  1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
  2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
  4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
  5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
  6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
  7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
  8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  9. America [From West Side Story] - National Symphony Orchestra
  10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
  11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
  12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
  13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
  14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

  1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
  2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
  3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
  5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
  6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
  7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
  8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
  9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
  10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
  11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
  12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
  13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
  14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

  1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
  2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
  3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
  4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
  5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
  6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
  7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
  8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
  9. Quintet [From West Side Story] - National Symphony Orchestra
  10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
  11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
  12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
  13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
  14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

1 out of 5 stars You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

5 out of 5 stars Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Andrew Lloyd Webber: Now & Forever
    Average customer rating: 4.5 out of 5 stars
    • I waited for this for five years
    • Excellent collection but BIG PUBLISHING MISTAKE!
    • ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
    • SUCH MAGICAL MUSIC OF THE NIGHT!
    • A Must Have for Sir Andrew fans
    Andrew Lloyd Webber: Now & Forever
    Various Artists
    Manufacturer: Decca Broadway
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    ASIN: B00005R5UJ
    Release Date: 2001-11-20

    Tracks:

    1. Jesus Christ Superstar: Overture - Andrew Lloyd Webber
    2. Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
    3. Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
    4. Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
    5. Jesus Christ Superstar: Superstar - Murray Head
    6. Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
    7. Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
    8. Evita: Another Suitcase In Another Hall - Barbara Dickson
    9. Evita: Don't Cry For Me Argentina - Julie Covington
    10. Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
    11. Cats: The Jellicle Ball - Andrew Lloyd Weber
    12. Cats: Memory - Elaine Paige
    13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
    14. Cats: Mr Mistoffelees - Paul Nicholas
    15. Song And Dance: Take That Look Off Your Face - Marti Webb
    16. Song And Dance: Tell Me On A Sunday - Marti Webb
    17. Song And Dance: Unexpected Song - Sarah Brightman
    18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
    19. Song And Dance: Introduction - Andrew Lloyd Webber
    20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

    Tracks:

    1. Starlight Express: Starlight Express - El Debarge
    2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
    3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
    4. Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
    5. Starlight Express: Light At The End Of The Tunnel - The Company
    6. Requiem: Hosanna - Placido Domingo
    7. Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
    8. The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
    9. The Phantom Of The Opera: The Music Of The Night - Michael Crawford
    10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
    11. The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
    12. The Phantom Of The Opera: Masquerade - The Company
    13. The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
    14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
    15. Aspects Of Love: Love Changes Everything - Michael Ball
    16. Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
    17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
    18. Aspects Of Love: Anything But Lonely - Sarah Brightman
    19. Aspects Of Love: Chanson D'Enfance - Sarah Brightman

    Tracks:

    1. Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
    2. Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
    3. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
    4. By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
    5. By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
    6. By Jeeves: Half A Moment - Sarah Brightman
    7. Sunset Boulevard: With One Look - Glenn Close
    8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
    9. Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
    10. Sunset Boulevard: Sunser Boulevard - Alan Campbell
    11. Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
    12. Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
    13. Whistle Down The Wind: Cold - Everly Brothers
    14. Whistle Down The Wind: No Matter What - Children/Adult Chorus
    15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
    16. The Beautiful Game: Overture - Andrew Lloyd Webber
    17. The Beautiful Game: The Beautiful Game - The Company
    18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
    19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
    20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

    Tracks:

    1. Oh What A Circus - David Essex
    2. Memory - Betty Buckley
    3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
    4. All I Ask Of You - Sarah Brightman/Cliff Richard
    5. Love Changes Everything - Michael Ball
    6. Any Dream Will Do - Donny Osmond
    7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
    8. As If We Never Said Goodbye - Barbra Streisand
    9. The Perfect Year - Dina Carroll
    10. With One Look - Petula Clark
    11. You Must Love Me - Madonna
    12. The Heart Is Slow To Learn - Kiri Te Kanawa
    13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
    14. Whistle Down The Wind - Tina Arena
    15. No Matter What - Boyzone
    16. The Vaults Of Heaven - Tom Jones
    17. Try Not To Be Afraid - Boy George
    18. Pie Jesu - Charlotte Church

    Tracks:

    1. Make Believe Love - Wes Sands
    2. Down Thru' Summer - Ross Hannaman
    3. I'll Give All My Love To Southend - Ross Hannaman
    4. Believe Me I Will - Sacha Distel
    5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
    6. Try It And See - Rita Pavone
    7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
    8. Goodbye Seattle - Paul Raven
    9. John 19:41 - The Andrew Lloyd Webber Orchestra
    10. What A Line To Go Out On - Yvonne Elliman
    11. Disillusion Me - Gary Band
    12. The Ballad Of Robert And Peter - Tim Rice
    13. Christmas Dream - Maynard Williams
    14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
    15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
    16. Magdalena - Tony Christie
    17. Buenos Aires - The Roja Rockers
    18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
    19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
    20. I Could Have Given You More - Petula Clark
    21. I've Been In Love Too Long - Marti Webb
    22. Benedicite - The Stephen Hill Singers

    Album Description

    Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

    Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

    Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

    CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

    Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

    Customer Reviews:

    3 out of 5 stars I waited for this for five years.......2006-06-30

    Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
    It was worth the wait.

    The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
    I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
    The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

    I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

    There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

    But the selections on CDs 1-3 don't make sense.

    First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

    Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

    On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
    So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

    The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

    There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

    With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

    Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

    In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

    5 out of 5 stars Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

    Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

    4 out of 5 stars ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

    Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

    Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

    Here are my basic impressions and comments regarding the material on the discs:

    * Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

    * Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

    * ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

    * Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

    * The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.


    Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

    5 out of 5 stars SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

    "Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
    Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
    ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
    Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

    4 out of 5 stars A Must Have for Sir Andrew fans.......2002-05-21

    This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
    The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
    My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
    A great collection but too much Sarah Brightman!
    Elizabeth's Music
    Average customer rating: 4 out of 5 stars
    • You don't need a Wayback machine
    • A Very Good Compilation of Elizabethan Music
    • Light classics with historical charm
    Elizabeth's Music

    Manufacturer: Dorian Recordings
    ProductGroup: Music
    Binding: Audio CD

    Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by DowlandAll Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
    LuteLute | Instruments | Early Music | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Ballets & DancesBallets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    LuteLute | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    2. The Ladyes Delight
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    ASIN: B00000IGPC
    Release Date: 1999-03-23

    Tracks:

    1. Jane Pickering Lute Book: The Queen's Treble
    2. Consort Lessons: O Mistris Mine (Twelfth Night)
    3. Consort Lessons: My Lord Oxenfords Maske
    4. Robin Is To The Greenwood Gone
    5. Why Ask You
    6. Paduana - Lachrymae
    7. The Fifth Galliard (My Lady Nevell's Book)
    8. Shall I Come Sweet Love To Thee?
    9. In Darkness Let Me Dwell
    10. Packington's Pound
    11. Never Weather-Beaten Sail
    12. It Was A Lover And His Lass
    13. Howells Delight
    14. Green Garters
    15. There Were Three Ravens
    16. (Ballet Lute Book c.1590): Greensleeves
    17. (Thysius Lute Book c.1600): Greensleeves
    18. Greensleeves
    19. See, See The Shepherd's Queen
    20. Willy Prithee Go To Bed
    21. Now Is The Month Of Maying
    22. Weep You No More, Sad Fountains
    23. Beauty, Since You So Much Desire
    24. Fine Knacks For Ladies
    25. Captain Digorie Piper's Galliard
    26. My Lord Willoughby's Welcome Home
    27. Melancholy Galliard
    28. My Lady Hunsdon's Puffe
    29. Fortune My Foe
    30. Queen Elizabeth's Galliard
    31. Mrs. Winter's Jump

    Customer Reviews:

    4 out of 5 stars You don't need a Wayback machine.......2001-12-05

    Just get a CD like this one to get a broad brush review of the popular hits of the late 1500s. While I would have liked a few more recorder pieces, almost every cut was interesting in its own way. If you want just one early music CD with English songs, this is probably the one to get.

    4 out of 5 stars A Very Good Compilation of Elizabethan Music.......2001-09-27

    "Elizabeth's Music" is a great cd to listen to if you are an enthusiast of ballads, the lute or old fashioned jigs. This cd really puts you in the alehouses, courts and courtyards of the Elizebethan age. The music is preformed well and the voices are very authentic and beautiful. The CD loses one star because most of the songs are on other Dorian-released CDs! I got the cd and found out most of the songs were the exact same ones on my "Shakespeare's Music" CD and other Dorian CDs. Ah well. All Elizabethan enthusiasts will enjoy this eclectic collection.

    4 out of 5 stars Light classics with historical charm.......2000-01-07

    Really enjoyed this CD. Light and pleasant, without being too pretentious. Great background music for home or office.
    The Complete Gilbert & Sullivan (Box Set)
    Average customer rating: 4.5 out of 5 stars
    • Don't underestimate those "unknown" Operettas!!
    • A few details
    • Wonderful set, if a little inconsistent at times.
    The Complete Gilbert & Sullivan (Box Set)

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
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    3. Gilbert & Sullivan - H.M.S. Pinafore / Trial By Jury - David Hobson, Anthony Warlow, Colette Mann, Tiffany Speight, John Bolton Wood, Richard Alexander, Opera Australia, State Theatre, The Arts Centre Melbourne
    4. Operas of Gilbert and Sullivan
    5. Gilbert & Sullivan - Master Collection (Opera World)

    ASIN: B00008LJEO
    Release Date: 2003-05-13

    Customer Reviews:

    5 out of 5 stars Don't underestimate those "unknown" Operettas!!.......2005-07-07

    This is, as far as I know - the only way of buying the "official" recordings of "The Grand Duke" and "Utopia" - which seem to be otherwise out of print!! Several of the others are not that easy to get either.

    In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.

    So just for the record - someone has to say this!

    The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.

    Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.

    Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.

    As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!

    This leaves Utopia and the Grand Duke.

    Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!

    The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.

    ANYWAY:

    For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.

    5 out of 5 stars A few details.......2004-03-28

    This 24-CD album consists of 12 plastic cases, each with a thin booklet giving background and plot summaries for the works on its 2 enclosed CD's. Most of the album consists of 15 operettas, 2 of which (Cox and Box, The Zoo) have texts not by Gilbert and 7 of which (The Sorcerer, Princess Ida, The Mikado, Ruddigore, Yeomen of the Guard, Utopia Limited, The Grand Duke) omit most of the spoken dialogue. Before listening to any of these operettas that you don't know well, you'll want to obtain a copy of its text so you can read along and not miss any of the words or the wit.

    4 out of 5 stars Wonderful set, if a little inconsistent at times........2003-07-07

    If you thought that the Sargent set of G&S opera recordings was gargantum enough, then this D'Oyly Carte cycle is even more gargantum. Although it is more expensive (because of the four extra operas that the Sargent cycle did not include), this complete 24-CD set is like a joy to behold. There is a debate as to whether this is better than the Sargent cycle, but I like to think that this is a delight from first disc to last, because of the idiomatic sense of polish that these recordings seem to have, and are given a life that makes them able to breathe well. This is all thanks to Isidore Godfrey and Royston Nash's conducting. I know that the performances may not be entirely consistent (this is evident when you compare the performance and recording quality of Mikado and Pirates with those of Gondoliers and Pinafore), but this is only a matter of personal preference. The 1960s performances were given more sumptuous and well-detailed recordings than the 1970s recordings, made when the performing style was not so fresh. But anyway, I still think that this is definitely a good buy for anyone who loves G&S. Even with the consistency of Sargent's cheaper EMI set, I would still say: do go ahead to invest in the set because of the liveliness and style in this complete G&S cycle that Sargent never (hardly ever) tackles. The only thing is: I would also like to suggest complementing it with the 1957 Decca D'Oyly Carte recordings of Mikado and Pirates, recently released by the Sounds on CD label, so that these recordings can do justice to the enormous spirit of these operas.
    Best of Broadway: Some Enchanted Evening
    Average customer rating: 5 out of 5 stars
    • Some Enchanted Evening is enchanting!
    Best of Broadway: Some Enchanted Evening

    Manufacturer: Reader's Digest
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00006314M
    Release Date: 2002-03-12

    Tracks:

    1. South Pacific: Some Enchanted Evening - Eric Hammerstein
    2. Thumbs Up: Autumn In New York - Larry Dalton And His Orchestra
    3. My Fair Lady: On The Street Where You Live - Eric Hammerstein
    4. On A Clear Day (You Can See Forever): On A Clear Day (You Can See Forever) - The Romantic Strings Orchestra
    5. Camelot: If Ever I Would Leave You - The Romantic Strings Orchestra
    6. Song And Dance: Unexpected Song - Eric Hammerstein
    7. The Fantasticks: Try To Remember - Jo Stafford
    8. How To Succeed In Business Without Really Trying: I Believe In You - Jo Stafford
    9. West Side Story: Maria - Eric Hammerstein
    10. Guys And Dolls: Medley: A Bushel And A Peck/I'll Know/More I Cannot Wish You/I've Never Been In Love Before - London Promenade Orchestra
    11. Annie Get Your Gun: The Girl That I Marry - London Promenade Orchestra
    12. Annie Get Your Gun: They Say It's Wonderful - London Promenade Orchestra

    Customer Reviews:

    5 out of 5 stars Some Enchanted Evening is enchanting!.......2002-07-26

    This album takes you on a stroll down memory lane, enchanting all the way. It is relaxing and soothing listening, and will be great background music for a candlelit dinner for two, an evening party with a mix of ages and backgrounds, or just to sing with while you get some work done. The orchestration is excellent and the performances wonderfully smooth. A hit for everyone!
    Ned Rorem: Selected Songs
    Average customer rating: 4 out of 5 stars
    • Great vocal virtuosity
    • Confuzzled
    • An American Composer of Art Song
    • more German than Rorem
    • delightful art songs
    Ned Rorem: Selected Songs
    Ned Rorem , and Carole Farley
    Manufacturer: Naxos American
    ProductGroup: Music
    Binding: Audio CD

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    5. The Complete Songs of Charles Ives, Vol. 1

    ASIN: B00005QISU
    Release Date: 2001-11-20

    Tracks:

    1. The Waking
    2. Root Cellar
    3. My Papa's Waltz
    4. I Strolled Across An Open Field
    5. Memory
    6. Orchids
    7. The Serpent
    8. Night Crow
    9. Snake
    10. Lilltel Elegy
    11. The Nightingale
    12. Nantucket
    13. Lullaby Of The Woman Of The Mountain
    14. Love In A Life
    15. What If Some Little Pain...
    16. Visits To St. Elizabeth's
    17. Stopping By Woods On A Snowy Evening
    18. Spring
    19. See How They Love Me
    20. Now Sleeps The Crimson Petal
    21. I Am Rose
    22. Ask Me No More
    23. Far-Far-Away
    24. Early In The Morning
    25. Alleluia
    26. Such Beauty As Hurts To Behold
    27. Sally's Smile
    28. Youth, Day, Old Age, And Night
    29. O You Whom I Often And Silently Come
    30. Full Of Life Now
    31. As Adam Early In The Morning
    32. Are You The New Person?

    Customer Reviews:

    5 out of 5 stars Great vocal virtuosity.......2005-04-07

    This is a great recording, by two great artists. Carole Farley is the ideal singer for Ned Rorem's songs. She spell out every
    word and every nuance, giving each song and every poem their full character. The songs are a revelation. I recommend this recording without hesitation.
    Christoph (Berlin, Germany)

    3 out of 5 stars Confuzzled.......2004-01-03

    While these song are GREAT...I cannot get over Carole Farley; her voice is so affected (kind of like a sprechstimme; overly dramatic...). I love the fact that Rorem himself is playing the piano, and as a singer, the catalogue of songs is good to have...but cant say I could ever manage getting over Farley's affectation. There are far superior recordings out there.

    5 out of 5 stars An American Composer of Art Song.......2003-04-02

    American popular song, whether standards, show tunes,jazz, blues, or rock, is one of our country's most visible artistic achievements. American classical (or Art) songs are much less known. Ned Rorem (b. 1923) is probably the greatest American composer in this unfamiliar medium. Rorem is sometimes dubbed the "American Schubert."

    This disc features 32 of Ned Rorem's songs for voice and piano. Soprano Carole Farley is the accomplished singer, and Ned Rorem himself plays the piano. The disc is special because it features settings of the works of American poets. The CD begins with 9 settings of poems by the mid-twentieth century poet, Theodore Roethke, and concludes with settings of 5 poems by Walt Whitman. The disc also includes settings of poems by William Carlos Williams, Gertrude Stein, and Paul Goodman, among others. Thus the disc combines in a special way American creative effort in poetry and in music.

    Rorem's songs are declamatory in style. Typically, the voice line delivers the text of the poetry in a sort of chant. The relationship between the voice line and the piano is far from Schubertian. Generally, the piano takes a separate line and accentuates the voice by means of large chords or by runs or by other comments and punctuation on the voice. The texts are well set and the music is effective. There are some unusual harmonies with jazz and blues influences. Rorem's piano accompanyment on this disc gives the recording a sense of authenticity -- we get a good idea of how the composer wants his songs to be conveyed.

    The disc includes excellent program notes and texts of all the songs. Naxos has received deservedly high praise for its "American Classics" series which makes much music written by Americans available on CD at a low price. This disc includes some lovely, little-known songs. It is an excellent introduction to the American art song and to the music of Ned Rorem.

    3 out of 5 stars more German than Rorem.......2002-07-20

    I've been a Rorem fan since hearing a highschool friend perform some of his work in her college recital. His startling, atonal songs were an instant revelation. For years there were few reliable CDs of his vocal work. A scandal considering his reputation rests more on his art songs and chamber music than on his orchestral pieces. This Naxos entry of a wide overview of his best songs is thus quite welcome, due largely to its availability, wide distribution and professional packaging (he's had some shoddy issues before with incorrect liner notes, etc.; the challenge of the low budget).

    I can't call myself an unalloyed fan of soprano Carole Farley however. Her delivery here recalls the speak-singing style of German 12-tone composers (a specialty of hers), and can sound melodramatic, especially when she rushes the more delicate passages.

    I prefer Rorem's softer, more melodious French side, the one that descends from Impressionism and is more warmly emotive. While Farley loses the shading of some of the more fragile songs, she is well-suited to the longer, more forceful pieces. I've heard many readings of "Early in the Morning" (one of Rorems most popular songs) by male and female vocalists, and its tale of wistful nostalgia is muted by Farley's direct approach. However, she nails "My Papa's Waltz," a fractured setting for a Roethke poem about a frightened child forced to dance with a drunken father. Here her acting skills come to the fore, and she perfectly captures the tipsy madness of the song. Rorem can be quite theatrical himself on occasion. She does almost as well with "See How they love me," a ballad with a regular pace that allows her assertive style to breathe.

    At any rate it's great to hear these lovely songs in a recent (2000) recording, accompanied (rather emphatically, but perhaps he's matching his theatrical singer) by Rorem himself.

    The similar Susan Graham album is more to my taste, but this is a more than competent bargain set.

    4 out of 5 stars delightful art songs.......2002-01-02

    rorem's songs are amazing, and naxos has done well
    to group them by poet. the complete settings of roethke
    are particularly compelling and edgey.

    carole farley's voice is lovely, but her phrasing
    and willingness to push her voice seems
    a big departure from the styling of art songs i've
    heard by poulenc and somers.

    this takes some getting used to- at least 3 or 4 complete
    listen-throughs in my case. her voice is almost jazzy,
    kind of like early recordings by holly cole.

    anyway, rorem accompanies her on piano so obviously
    this reading fits with his intent; his playing is also delightful.

    one small quibble- although there are 32 songs, the CD is
    57 minutes- brief by naxos standards.
    Songs Of Old Russia
    Average customer rating: 5 out of 5 stars
    • Drop dead gorgeous
    • Brilliant !
    Songs Of Old Russia
    Anatoly Grindenko , Anonymous , Russian Traditional , Andrei Yuralev , Igor Puchkin , Oleg Kovalev , Valentin Kulebiakin , Victor Balkarov , Yuri Vishniakov , and The Moscow Male Voice Choir
    Manufacturer: Opus 111
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Folk | Styles | Music
    Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    ASIN: B000005W4Y
    Release Date: 1996-09-17

    Tracks:

    1. Snow, The Time Has Come
    2. Through The Thick, Mysterious Taiga
    3. Song Of The Noble Regiment
    4. Monotonously Rings The Little Bell
    5. On The Wild Steppes Beyond The Baikal
    6. See Our Peasants
    7. Nothing But The Steppe All Around
    8. Hymn of The Slav Peoples
    9. My Little Birch Torch
    10. Behind The Clouds
    11. I Cannot But Think Back
    12. Splendid Sea
    13. The Seperation
    14. Upstream, On The Volga
    15. Glory Be To You, Cossacks Of The Kuban
    16. The Fog Is Coming Down
    17. The Twelve Brigands
    18. He Alone Deserves To Live
    19. Driving The Waves Of The Volga

    Customer Reviews:

    5 out of 5 stars Drop dead gorgeous.......2005-07-04

    Every now and then you get a CD come along where some really outstanding artist allows themself to just let their hair down for a moment. Of course it has to be done with aplomb and thorough good taste adding their unique touch of brilliance while sucessfully avoiding any hint of kitch. Russian Early Music pioneer Anatoly Grindenko here records songs from the time of Tsarist Russia. These are songs that transient political regimens would have tried to replace in the popular affection with political songs. Yet somehow these songs have survived in the hearts and affections of the Russian people and this peasant tradition of folk song that refused to die is presented with Grindenko's usual expertise and sung expertly with the utmost affection. In fact the songs were always sung by this choir for their own private fun but excluded from 'serious' concert performances. The quality of singing, as can be expected under Grindenko's expert choral direction, is superb througout. The end result is a lovely CD that can be highly recommended to anybody who just loves to listen to beautiful singing. After all the works of Tchaikovsky, Borodin and Stravinsky draw heavily on Russian folk song as a rich source of thematic material but any serious music lover would enjoy this CD just as much with its range of songs ranging from boisterous to charming to melancholy. Opus 111, as usual, provide expertly engineered sound to match. The end result is a drop dead gorgeous CD that will delight anyone lucky enough to discover this secret gem.

    5 out of 5 stars Brilliant !.......2001-12-26

    This recording is a fantastic example of the russian choral tradition. Wonderful selections sung with obvious passion .The rousing patriotic tunes will make you want to march to the front, the romantic ballads will make you wish you never left and the songs of hearth and homeland will make you inch closer to your loved ones. If you have a passion for things "russian" this one just might keep you occupied for a while.
    When Will I See You Again/Love &  More
    Average customer rating: 5 out of 5 stars
    • The Last Of The Best...
    • Their unjustly underrated 1983 and 1984 albums now on CD.
    When Will I See You Again/Love & More
    Ojays
    Manufacturer: Edsel
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    Philly SoulPhilly Soul | Soul | R&B | Styles | Music
    Quiet StormQuiet Storm | R&B | Styles | Music
    R&BR&B | Imports | Stores | Music
    RockRock | Imports | Stores | Music
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    5. So Full of Love/Identify Yourself

    ASIN: B000AZ794A
    Release Date: 2005-10-03

    Tracks:

    1. I Can't Stand the Pain
    2. Betcha Don't Know (What Comes After That)
    3. When Will I See You Again
    4. House of Fire
    5. Letter to My Friends
    6. Put Our Heads Together
    7. Ain't Nothin' Wrong with Good Lovin'
    8. Nice and Easy
    9. I've Got to Fall in Love
    10. Extraordinary Girl
    11. I'm the Kind of Man (Every Mother Wants Her Daughter to Love)
    12. Everybody's Dance Krazy
    13. Summer Fling
    14. I Really Need You Now
    15. Love You Direct
    16. Let Me Show You (How Much I Really Love You)
    17. Give My Love to the Ladies

    Album Description

    Currently unavailable on CD in the U.S., these two early `80s titles are an R&B fan's dream come true! The O'Jays remain one of the most popular soul vocal groups ever and features the unforgettable voice of Eddie Levert, father of `90s soul great Gerald Levert. Although these albums don't contain any significant chart hits, they are firm favorites with fans of the band and each album contains enough memorable performances to keep R&B and smooth grooves fans happy. Edsel. 2005.

    Album Details

    Originally Released in 1983 and 1984 Respectively on the Philadelphia International Label.

    Customer Reviews:

    5 out of 5 stars The Last Of The Best..........2006-10-06

    This European import pairs the last two great albums the O'Jays recorded for the Philadelphia International label before they moved on to further endeavors with other labels and producers in the post-Gamble/Huff era(a recently-packaged so-called 'lost' album of unreleased(unfinished)Philly tracks are probably all of what was left over after their departure from the Gamble/Huff organization). At this time; however - (1983/1984) - individual members Eddie Levert, Walter Williams and Sammy Strain(who several years earlier efficiently filled the void after the death of original member William Powell) had become much more involved in the writing, development and production of their material. These two early 1980's releases showcase the most significant contributions from the group members as well as other writers, arrangers and producers besides Kenny Gamble and Leon Huff; who, for close to a decade, masterminded nearly every hit from the label's major acts. Most longtime fans and critics agree that of the several phases of the O'Jays fascinating career in R&B/Soul music, the Gamble & Huff years were the most fertile; mainly due to the consistently high quality of songwriting, arranging and musicianship from the Philly musical community. Unfortunately, the early 1980's period in popular music was a transitional one of both styles and tastes with new ideas and values emerging in the commercial arena. And many of the 'Old Skool' R&B artists found their musical fortunes beginning to decline as record companies started vying for a younger buying audience base. Soon, new jack swing and hip-hop would replace traditional soul music as the 'new' R&B with younger, fresh faces and sounds; leading up to where music is at now in the next millenium. Though there aren't any notable chart hits from these sets, both albums are still solid packages with strong contributions from everyone involved. For most listeners, the familiar Philly Soul sounds are readily evident, with some hints of experimentation in direction; perhaps lending some new colors to the musical palette. If you have most of the big hit releases from the era, these are a nice closing chapter to the incredible string of albums that was initiated with 1972's chart - topping 'Back Stabbers'(possibly the best Gamble/Huff production of all time). Die-hard fans and collectors won't want to miss out on being able to own digital versions of these works since most of the original vinyl versions are long out-of-print and imports are; in some cases; the only way to get it on glass format. And these are some of the last great recordings featuring actual live musicians playing "in the pocket" on the tracks before drum machines, digital electronic keyboards, synthesizers, computers and sampling all but replaced real musical instrument sounds in much of popular music(what I used to refer to as 'regional sounds' have practically disappeared). So, order now - while you can - when these versions eventually go out-of-print, who knows whether the titles will ever be seen again!

    5 out of 5 stars Their unjustly underrated 1983 and 1984 albums now on CD........2006-03-14

    The two LPs reissued on this CD were originally released in 1983 and 1984 respectively. Although neither album spawned a major hit single, songs like "Extraordinary Girl", "Summer Fling", "I'm The Kind Of Man", "Give My Love To The Ladies", "House Of Fire" and "Put Our Heads Together" proved that The O'Jays could still turn out extremely high-quality R&B music and that PIR veterans such as Dexter Wansel, Bunny Sigler, Gamble and Huff and even The O'Jays' own Eddie Levert and Walter Williams could take the classic "Philly Sound" effortlessly into the '80s.
    More (PREVIOUSLY UNRELEASED TRACKS) [SPECIAL EDITION] {LIMITED EDITION}
    Average customer rating: 3 out of 5 stars
    • BUYER BEWARE: Previously unreleased bonus tracks have since been reissued on "It's Time" Fanclub Edition!
    More (PREVIOUSLY UNRELEASED TRACKS) [SPECIAL EDITION] {LIMITED EDITION}

    Manufacturer: 143/Reprise Records
    ProductGroup: Music
    Binding: Audio CD
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    5. Home

    ASIN: B000AA7L02

    Product Description

    (1) You'll Never Know [LIVE] (2) My Funny Valentine [LIVE] (3) Nice 'n Easy (4) Mack The Knife (5) I'm Beginning To See The Ligh [PREVIOUSLY UNRELEASED] (6) Softly as I Leave You [PREVIOUSLY UNRELEASED]

    Customer Reviews:

    3 out of 5 stars BUYER BEWARE: Previously unreleased bonus tracks have since been reissued on "It's Time" Fanclub Edition!.......2006-01-14

    Before you think about shelling out big bucks some sellers are asking for this release (that apparently was only available briefly at Target stores) it is worth noting that the two unreleased bonus tracks on this disc ("I'm Beginning To See The Light", "Softly As I Leave You") have since been reissued on the Fanclub Edition of "It's Time" (available through michaelbuble.com), which in additon includes a third bonus track "It's All In The Game". If you're a serious fan the Fanclub Edition is the one to get!

    Jazz Music:

    1. The Music Teacher [Soundtrack]
    2. The Natural Touch
    3. To Bird With Love: Live at the Blue Note [Live]
    4. Ugetsu [Live]
    5. Ugetsu [Live]
    6. Whims of Chambers [Limited Edition] [Import]
    7. World's Greatest Latin Band
    8. Young Lions & Old Tigers
    9. 10 to 4 at the Five-Spot [Live]
    10. A Touch of Latin

    Jazz Music

    jazz music