The listener has to forgive a few things about this undeniably brilliant collection of Dave Brubeck's first big ensemble. First: the liner notes' pretentions. Brubeck announces there that between 1946, when some of these tunes were recorded, and 1956, when the tapes were first "reissued" on LP, "very few released recordings" have "more musical importance" than the octet. Second: the nearly seven minutes of "How High the Moon" narrated to show how jazz was formed, as the band plays in short demonstrative segments. Third: the audio vérité sound, which even Brubeck thought questionable in 1956. Hearing this dynamic set, though, makes forgiveness easy. The arrangements show a wild abundance of color and orchestral finesse (many of the group's members were, like Brubeck, students of Darius Milhaud). You get quick-clip swingers like "The Way You Looked Tonight" and the string of chamber-esque horn studies that includes "Schizophrenic Scherzo" and more. You also get to hear early Paul Desmond and William O. Smith bouncing ideas off each other and drummer Cal Tjader. And it's all a delight, especially with the magnanimity of "forgiving" Brubeck. --Andrew Bartlett
Dave Brubeck Octet,Dave Brubeck,Ojc,Jazz,Jazz Music,Pop
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The Dave Brubeck Octet
Dave Brubeck Octet Manufacturer: Ojc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000Y60 Release Date: 1991-07-01 |
Tracks:
- The Way You Look Tonight
- Love Walked In
- What Is This Thing Called Love
- September In The Rain
- Prelude
- Fugue On Bop Themes
- Let's Fall In Love
- IPCA
- How High The Moon
- Serenade Suite
- Playland-At-The-Beach
- Prisoner's Song
- Schzophrenic Scherzo
- Rondo
- I Hear A Rhapsody
- You Go To My Head
- Laura
- Closing Theme
Amazon.com essential recording
The listener has to forgive a few things about this undeniably brilliant collection of Dave Brubeck's first big ensemble. First: the liner notes' pretentions. Brubeck announces there that between 1946, when some of these tunes were recorded, and 1956, when the tapes were first "reissued" on LP, "very few released recordings" have "more musical importance" than the octet. Second: the nearly seven minutes of "How High the Moon" narrated to show how jazz was formed, as the band plays in short demonstrative segments. Third: the audio vérité sound, which even Brubeck thought questionable in 1956. Hearing this dynamic set, though, makes forgiveness easy. The arrangements show a wild abundance of color and orchestral finesse (many of the group's members were, like Brubeck, students of Darius Milhaud). You get quick-clip swingers like "The Way You Looked Tonight" and the string of chamber-esque horn studies that includes "Schizophrenic Scherzo" and more. You also get to hear early Paul Desmond and William O. Smith bouncing ideas off each other and drummer Cal Tjader. And it's all a delight, especially with the magnanimity of "forgiving" Brubeck. --Andrew BartlettCustomer Reviews:
Birth of the Cool vs the Dave Brubeck Octet.......2006-06-05
Miles Davis and Dave Brubeck weren't the only jazz and classical people doing this at this time period (the late 1940s and early 1950s). Jazz musician Charles Mingus on Debut records did equally serious classically oriented work. You can also argue that Dizzy Gillespie and Charlie Parker were using chords and notes that were only associated with classical musicians before the mid nineteen forties. Igor Stravinsky also did classically oriented work for the Woody Herman orchestra in the mid 1940s. Before that even, we find that Charles Ives was influenced by jazz in his classical work in the early twentieth century.
About a "racial agenda" that another poster has pointed to: Miles Davis had white musicians and arrangers (Gerry Mulligan, Gil Evans in the "Birth of the Cool" and Bill Evans in "Kind of Blue" later on). It wasn't just Miles Davis and to my knowledge he never said it was. So, all these people, white and black, influenced each other in combining classical music with jazz. I never take the title "The Birth of the Cool" as a literal statement that Miles Davis made, and instead just see it as a marketing agenda that Capitol Records used when they reissued those sessions in the seventies. Maybe Charles Ives from 1917 could be reissued as the "Birth of the Cool".
Chamber Jazz History Lesson.......2000-12-18
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The Complete Octet Sessions
Dave Brubeck Manufacturer: Import ProductGroup: Music Binding: Audio CD ASIN: B0000C83ZM Release Date: 2004-04-05 |
Tracks:
- How High the Moon
- I Hear a Rhapsody
- Laura
- Playland at the Beach
- Serenade Suite
- Prisoner's Song
- Rondo
- Schizophrenic Scherzo
- Closing Theme
- You Go to My Head
- Love Walked In
- Ipca
- Way You Look Tonight
- What Is This Thing Called Love?
- September in the Rain
- Prelude
- Fugue on Bop Themes
- Let's Fall in Love
Album Description
This fascinating group performs highly original musical throughout this CD reissue. Predating the world famous quartet, the octet blended 20th century classical music with bebop to pioneer a unique brand of experimental third stream. Apart from Brubeck & Paul Desmond, the octet also featured such notable sidemen as trumpeter Dick Collins, clarinet & baritone sax player Bill Smith, tenor saxophonist Dave Van Kreidt & drum phenomenon Cal Tjader, among others. 20 bit remastered. Definitive. 2003.
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The Complete Octet Sessions
Dave Brubeck Manufacturer: Definitive Spain ProductGroup: Music Binding: Audio CD ASIN: B0000V46B8 Release Date: 2003-11-25 |
Tracks:
- How High the Moon
- I Hear a Rhapsody
- Laura
- Playland at the Beach
- Serenade Suite
- Prisoner's Song
- Rondo
- Schizophrenic Scherzo
- Closing Theme
- You Go to My Head
- Love Walked In
- Ipca
- Way You Look Tonight
- What Is This Thing Called Love?
- September in the Rain
- Prelude
- Fugue on Bop Themes
- Let's Fall in Love
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I Hear a Rhapsody
Dave Octet-Trio Quartet Brubeck Manufacturer: Past Perfect ProductGroup: Music Binding: Audio CD ASIN: B00006GE4K Release Date: 2002-12-04 |
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The Complete Octet Sessions
Dave Brubeck Manufacturer: Import [Generic] ProductGroup: Music Binding: Audio CD ASIN: B0000CDLAM Release Date: 2003-09-16 |
Tracks:
- How High the Moon
- I Hear a Rhapsody
- Laura
- Playland at the Beach
- Serenade Suite
- Prisoner's Song
- Rondo
- Schizophrenic Scherzo
- Closing Theme
- You Go to My Head
- Love Walked In
- Ipca
- Way You Look Tonight
- What Is This Thing Called Love?
- September in the Rain
- Prelude
- Fugue on Bop Themes
- Let's Fall in Love
Jazz Music:
- Dave Brubeck Octet
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- Dragon Fly
- Duke Ellington
- Eddie Gale's Ghetto Music
- El Conguero
- El Hombre
- Elegant Mister Ellington [Live]
- Espana
- European Concert [Live]