| 1. Soul Blues |
| 2. I Hadn't Anyone Till You |
| 3. Groovin' |
| 4. Greensleeves |
| 5. Sunday Mornin' |
| 6. Until the Real Thing Comes Along |
| 7. Sweetnin' |
Editorial Reviews
20 bit digitally remastered. --This text refers to the Audio CD edition.
Soul,Coleman Hawkins,Ojc,Classic Jazz,Jazz,Mainstream Jazz,Pop
Average customer rating:
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Back to Black
Amy Winehouse Manufacturer: Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N2G3RY Release Date: 2007-03-13 |
Tracks:
- Rehab
- You Know I'm No Good
- Me & Mr. Jones
- Just Friends
- Back To Black
- Love Is A Losing Game
- Tears Dry On Their Own
- Wake Up Alone
- Some Unholy War
- He Can Only Hold Her
- Bonus Track 1
From Amazon.co.uk
Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted KordAlbum Description
Hailed by Newsweek Magazine as a cross between Billie Holiday and Lauryn Hill, British soul singer Amy Winehouse's U.S. debut, Back To Black hits the US amid a flurry of accolades, radio and TV buzz unprecedented in recent years for a young siren.Her brassy mix of emotive vocals tinged with 60's girl-group stylings, sly funk, and anguished jazz, sparked the New York Daily News to crown Back To Black a "marvelous debut that would do Etta James proud" while New Yorker Magazine called her "a fierce English performer whose voice combines the smoky depths of a jazz chanteuse with the heated passion of a soul singer," and Spin Magazine affirming "there's never been A British star quite like her."
Back To Black smolders with a bristling fusion of old school doo-wop/soul inflected uprisings, (the charismatic singer/songwriter wrote or co-wrote all of the songs on the album) brewing instant classics such as the Shirley Ellis influenced "Rehab," the Supremes tinged title song "Back To Black," the aching "Wake Up Alone," and the album's closer, "Addicted."
Album Details
Ivor Novello Award Winner, Mercury Music Prize and Triple Brit Nominee Amy Winehouse, Follows the Release of her New Single "rehab" and Recent Sell-out Mini-uk Tour, with the Hugely Anticipated Release on October 30th of her New Album "back to Black". On "back to Black", the Follow-up to her Platinum Debut "frank" which Established her as One of the Most Exciting and Challenging Artists in Pop Music, Amy Confirms, Beyond Any Reasonable Or Unreasonable Doubt, What a Truly Remarkable Talent She Is.Customer Reviews:
Retro soul revival---more like 4.5 stars.......2007-07-20
Only nits to pick with "Back to Black." The vocal artifacting is somewhat jarring. I'm not sure if I got a bad press or they're doing it on purpose to sound like old vinyl, but pleasing to this listener. Additionally, this is not a CD I would simply put on and listen to for long. The material is all good, but for the most part it's all so bluesy, I have to mix it with some other more up soul and jazz to listen.
Simply The Best.......2007-07-20
I then bought Frank from Amazon UK. It is as good if not better than Back to Black. Clearly, Amy Winehouse is simply the best talent around right now.
Good, except for the noise..........2007-07-19
Judge by the music, not her appearance.......2007-07-19
One girl: girl-group sound, with a new attitude.......2007-07-19
Average customer rating:
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The Mix-Up
Beastie Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PY32CE Release Date: 2007-06-26 |
Tracks:
- B For My Name
- 14th St. Break
- Suco De Tangerina
- The Gala Event
- Electric Worm
- Freaky Hijiki
- Off The Grid
- The Rat Cage
- The Melee
- Dramastically Different
- The Cousin Of Death
- The Kangaroo Rat
Amazon.com
Having long since shed their image as hip-hop's clown princes, the Beastie Boys now bring what feels like their emeritus recording, a celebratory instrumental memoir of all of the influences (except punk) that brought them to their secure place among hip-hop's fickle elite. The party opens with the aptly titled "B for My Name," its plodding bounce staking claim to the mid-tempo path the album treads almost throughout. "14th St. Break" picks up the pace, especially in the auxiliary percussion breakdown, complete with rally whistle. Then, beginning with "Suco de Tangerina," the album drops into a deep groove cut from dub- and dancehall-tinged ostinati that carry through a full third of its tracks. Among these, "The Gala Event" suffers from a lack of developmental motion that characterizes many of these tracks, but highlights still abound. "Off the Grid," for example, departs from the otherwise unbreakable chill and rips the proceedings wide open, blooming again and again in a series of pulsing riffs that celebrate the very institution of the instrumental groove. More than 20 years since Licensed to Ill took a long, irreverent piss into the mainstream, it seems you can still fight for your right to party. --Jason KirkAmazon.com
The Mix-Up is Beastie Boys' first-ever full album of all-new instrumental material. The follow-up to 2004's To The 5 Boroughs, The Mix-Up features Diamond, Horovitz and Yauch back on drums, guitar and bass, with able assistance from Keyboard Money Mark and percussionist Alfredo Ortiz, on 12 brand new wordless, sample-less, scratchless originals. Sure to please fans of the instrumental cuts from Check Your Head and Ill Communication and the cult hit compilation album made up largely of those tracks, The In Sound From Way Out!, The Mix-Up finds NYC's favorite sons drawing on one of their arsenal's primary strengths and pushing it into bold new directions.
Beastie Boys Photos
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More from Beastie Boys
Paul's Boutique |
Check Your Head |
Ill Communication |
Licensed to Ill |
Awesome, I Shot That |
DVD Video Anthology - Criterion Collection |
Customer Reviews:
The CD from a rap band with no words..........2007-07-16
Actually, There is a "Mix-Up" Here..........2007-07-16
At least that's what it sounds like to this Beastie fan. I've bought all of their albums, but after one listen to the "Mix-Up," I'm going to have to leave this one on the shelf. The "5 Burroughs" album wasn't perfect but it was a step in the right direction (from the bizarre "Hello Nasty"), but this new "all instrumental" album is a bore to listen to. I think that some people will really like it--perhaps I'm just missing their sense of "irony".
three sets of listeners, three sets of reviews.......2007-07-14
1. You like the BB's as hip hop artists, especially the funny lyrics, and enjoy the old school beats. You like Hello Nasty and To the Five Boroughs more than Check Your Head. Chances are good that you won't care for this album---don't buy it.
2. Your favorite album is Check Your Head and you really like the funky instrumental interludes on that and other albums of that era. BUT, you are not an avid listener of funk/acid jazz and are not familiar with Medeski, Martin, and Wood, etc. You will probably like this album and should buy it.
3. You fit into Category 2 EXCEPT that you ARE familiar with MMW, recent collaborations by John Scofield, Grey Boy Allstars, etc. You will be disappointed in this album because it just doesn't measure up. Frankly, this album comes off as very amateurish and shows that, though the BB's have developed some chops, they can't pull off a full album of instrumentals. The interludes in Check Your Head were just that---interludes---and you can't support a full album on interlude music. Not being a hater---I love the BB's too---but check out any of Stanton Moore's albums and you will see exactly what I mean.
Listen to The Music not the critics........2007-07-10
For those of you out there who want something a little groovy and different, get it. Meanwhile I'm going to mix myself a gimlet and listen to a great little combo called the Beastie Boys. Their new album is cool as hell.
Play this CD anytime........2007-07-10
Average customer rating:
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Introducing Joss Stone
Joss Stone Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MTPAGI Release Date: 2007-03-20 |
Tracks:
- Change (Vinnie Jones Intro)
- Girl They Won't Believe It
- Headturner
- Tell Me `Bout It
- Tell Me What We're Gonna Do Now feat. Common
- Put Your Hands On Me
- Music feat. Lauryn Hill
- Arms Of My Baby
- Bad Habit
- Proper Nice
- Bruised But Not Broken
- Baby Baby Baby
- What Were We Thinking
- Music Outro
Amazon.com
In the run-up to this, her third album, Joss Stone told a phalanx of glossy magazines that the difference between this disc and the two that preceded it was a newfound clarity of vision. Whereas the other records--their gold status notwithstanding--represented the fumblings of a huge-voiced kid being bossed around by experienced music-biz types, this one, she promised, would reveal the real her. Thus, the titular "introduction." To which anybody who spins the 14 groovy and fully unbuttoned tracks herein will wish to reply not "nice to meet you"--far too lame a sentiment for so fully realized a disc--but "Where have you been all my life?" As good as Joss Stone's previous efforts are, Introducing Joss Stone represents a giant step forward: there's a freshness to these songs that suits her age (19 as of the album's release) and a funkiness that suits modern pop sensibilities. There's also a cross-hatching of visions with artists like Lauryn Hill and Common that will rightly advance her reputation as an artist who can sling disco, R&B, and rock almost as convincingly as soul. Splicing girl-group harmonies with blaxploitation-style funk with Joplin-esque and, at times, Shelby Lynne-reminiscent vocals, Stone works these Raphael Saadiq-produced beats with the stealth and steadiness of a '70s-era legend who's still going strong. "Girl They Won't Believe It," she wails against the tight hoo-hoo harmonizing of talented backup singers on the opening track; get a load of how much she's accomplished in the space of three albums, and you won't believe it, either. --Tammy La GorceAmazon.com
Joss Stone Photos
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More from Joss Stone
Mind, Body, & Soul |
The Soul Sessions |
Mind, Body, & Soul Sessions [DVD] |
Customer Reviews:
We both see clearly now.......2007-07-19
Admittedly, at 14 she was too young to make the important decisions to launch her career, but this girl's been through more changes than the weather.
I think when she really hits her groove, folks will stop comparing her to Shelby Lynne, etc. It'll happen, but 19 may still be too young.
You want to hear a great Brit chick with more heart and identity, you need to listen to "Put your Records On" by Corrine Bailey Rae. Corrine doesn't have Joss' voice, but she's got down who she is.
2 Song CD.......2007-07-17
Jossing Around.......2007-07-17
She has a rich voice and knows how to turn a phrase. Her style is not indicative of Joss turning 20 this year. If she is this good now, I can't wait to see what she has produced over a 20 or more year career.
Get this one because it she has a lot to offer, and this I think is only the beginning.
Kevin
The girl has funk and soul!.......2007-07-17
This an ALBUM. You truly can listen and enjoy from beginning to end. It wasn't created to just release one or 2 hit singles. She just keeps getting better and better. Cant wait to see her in concert!
First, but not the last!.......2007-07-12
Excellent music, warm voice, the right rithm to dance all the night.
Thanks Joss
Average customer rating:
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The Best of Van Morrison Volume 3
Van Morrison Manufacturer: Manhattan/EMI ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IY0FDA Release Date: 2007-06-19 |
Tracks:
- Cry For Home
- Too Long In Exile
- Gloria
- Help Me
- Medley: Lonely Avenue/4 O'Clock In the Morning
- Days Like This
- Ancient Highway
- Raincheck
- Moondance
- Centerpiece
- That's Life
- Benediction
- The Healing Game
- I Don't Want To Go On Without You
Tracks:
- Shenandoah
- Precious Time
- Back On Top
- When the Leaves Come Falling Down
- Lost John
- Tupelo Honey
- Meet Me In the Indian Summer
- Georgia On My Mind
- Hey Mr. DJ
- Steal My Heart Away
- Crazy Love
- Once In a Blue Moon
- Little Village
- Blue And Green
- Sitting On Top Of the Wolrd
- Early In the Morning
- Stranded
Amazon.com
Navigating Van Morrison's extensive catalog since 1993 is a formidable task even diehard fans might not want to attempt. The Irish icon has flirted with blues, jazz, country, pop, Celtic, and his own style of indescribable into-the-mystic spiritually-oriented poetic folk on his numerous releases, making for quite a thorny culling assignment. So the EMI brass were probably ecstatic when the singer took the job himself. He weeds through a dozen or so albums released since Volume 2's mile-marker, and adds a clutch of previously unavailable mixes, rarities, and live tracks. The result: a nearly two-and-a-half-hour, 31-track double-disc set as sprawling, eclectic, and tenacious as Morrison's vision and discography. From occasionally rambling but spirited duets with veterans Bobby "Blue" Bland, Junior Wells, Georgie Fame, Lonnie Donegan, B.B. King, the Chieftains, Ray Charles, and even Tom Jones to concert versions of hits such as "Moondance" and an impressive take on Sinatra's classic "That's Life," along with hidden gems like "Steal My Heart Away," this is a beautifully assembled and sequenced collection. It presents most of this multitalented auteur's facets and softens his often crusty exterior by showing his appreciation for the journeymen that helped develop the trail that Morrison then blazed in his own distinctive style. --Hal HorowitzAlbum Description
The new 2-CD collection, compiled by Morrison himself, offers a comprehensive overview of his later material. The set's 31 tracks include previously unreleased collaborations with Tom Jones and Bobby Bland, as well as duets with John Lee Hooker, B.B. King and Ray Charles.Customer Reviews:
Great selection.......2007-07-12
Continuing writers block.......2007-07-10
The Legend Continues..........2007-07-04
Van is still a mighty force in a world that needs more soul and less pop.
www.vanmorrisonnews.blogspot.com
Rock the gypsy in your soul.......2007-07-03
Ancient Highway.......2007-06-29
any broadcast radio station in the US.
I have quite a few of the tracks on other albums over 60% but
didn't hesitate on this purchase.
Average customer rating:
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Evolution of Robin Thicke
Robin Thicke Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000M8NMV4 Release Date: 2007-02-09 |
Tracks:
- Got 2 Be Down
- Complicated
- Would That Make U Love Me
- Lost Without U
- Ask Myself
- All Night Long
- Everything I Can't Have
- Teach U A Lesson
- I Need Love
- Wanna Love U Girl
- Can U Believe
- Shooter - Lil' Wayne
- Cocaine
- 2 The Sky
- Lonely World
- Angels
Amazon.com
R&B with tempo: Justin Timberlake resurrected it, and it's proving way more influential than that other lost commodity--sexy--he claimed to be bringing back in 2006 on FutureSex/LoveSounds. Timberlake is to Robin Thicke what 'N Sync and Backstreet Boys were to a band like O-Town, in fact: he pretty much made it all possible. But even though it took one blue-eyed soulster with a hot look and an achy falsetto to bang down the door for another, Thicke presents a convincing case here that he had the goods to get us grooving all along: Evolution is a classy disc that tiptoes up to its listeners, first with an elegant duet with Faith Evans ("Got 2 Be Down"), next with a slick lament that wouldn't sound out of place on a Boyz II Men disc ("Complicated"), and then with a sweet plea that commands a finger-snap ("Would That Make U Love Me"). By the time we reach the long, sweeping lullaby that is the final track, "Angels," we've also had a taste of Thicke's swaggering side ("I Need Love," "Cocaine"), his hip-hop loving side ("All Night Long" and "Shooter," both with Lil Wayne), and the side that fantasizes about 1950s Latin ballrooms ("Everything I Can't Have," a hot tamale of a number that commands a visual if ever there was one: it's impossible to hear this song without imagining a raven-haired woman with a red rose between her teeth). Despite the range of moods on display, they're all in service to Thicke's inner R&B smoothie, and they all brush up against the ear with something like affection. Hard as it will be for listeners of a certain age to get past knowing that Thicke is the son of Alan Thicke, the actor who did his part to cheese up 1980s TV with the sitcom Growing Pains, they're going to have to: with his fan base swelling by the second, the evolution of Robin Thicke is going to be a deservedly loud one. --Tammy La GorceAlbum Description
NOTE: This deluxe edition features a ringtone of "Lost Without U," an autographed poster, and cell-phone wallpaper.The Evolution of Robin Thicke is the second solo album from the critically acclaimed, Grammy award winning songwriter and producer of records for such artists as Michael Jackson and Christina Aguilera. The album is a timeless work of art. With a voice of purity, passion and soulfulness, Robin brings to life the stories and emotions of the last two years of his life.
The album is filled with incandescent magic. It is an album that tells the tales of love, loss, temptation, redemption and finding hope when all the odds are against you. "My greatest desire with this album was to write songs that were completely honest and sing them with the emotion I was feeling when I wrote them, so that whoever listens to my music is brought as close to my experiences and life as possible."
Reflective, redemptive, passionate and etched with a soulfulness that is undeniable, The Evolution of Robin Thicke is an imaginative and heart-felt album that you cannot help but be moved by, bob your head to and smile throughout.
FEATURING GUEST APPEARANCES BY Faith Evans, Pharrell, and Lil' Wayne PRODUCTION BY The Neptunes
Customer Reviews:
Love it!.......2007-07-20
GREAT MUSIC FROM A GREAT ARTIST.......2007-07-20
Soothing love music.......2007-07-15
Robin Thicke's Evolution CD - Only Liked Half.......2007-07-12
I'm Surprised........2007-07-11
Average customer rating:
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I Am
Chrisette Michele Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q364KG Release Date: 2007-06-19 |
Tracks:
- Like A Dream
- Work It Out
- Best Of Me
- Your Joy
- Good Girl
- Be Ok feat. will.i.am
- If I Have My Way
- Mr. Radio
- Golden
- Let's Rock
- Love Is You
- In This For You
- Is This The Way Love Feels
Amazon.com
If you didn't get to know Chrisette Michele by way of Jay-Z (she was the one singing sparkling hooks on "Lost Ones") or Nas (she channeled Billie Holiday on "Can't Forget About You"), stop wasting valuable seconds. Though the hype on this pure-voiced, raunch-resistant songstress has her resuscitating a classic jazz sound that rarely infiltrates R&B--comparisons to Lady Day, Nina Simone, and Ella Fitzgerald are mounting--she's more her generation's answer to Erykah Badu: any notes she wraps her lips around come out fresh-sounding, and she adds to the effect with a built-in elegance that's irresistible to R&B and non-R&B fans alike. Hip-hoppers get a custom dose of Michele's magic on "Be O.K.," featuring the flabbergastingly prolific yet still likable Will.i.am, jazz sentimentalists will instantly succumb to "Like a Dream," and anybody with ears on his or her head will warm to the slinky slow jam that is "If I Have My Way." Michele's is a rare talent; count on this outstanding debut propelling her to stratospheric heights. --Tammy La GorceAlbum Description
I Am, her soulful debut album, is an artistic exploration that fuses 24-year old Chrisette Michele's diverse musical interests into a wonderland. "I realize that I'm new to the music world, but I've been preparing for this moment for long time," says the Long Island native. Even before signing a recording contract, Michele had performed on concert bills with more established artists like Kem, India.Arie, Angie Stone, and Lionel Richie. "India saw me singing at the Village Underground in New York City. She came backstage that first night and graciously offered me a gig as her opening act," says Michele. Working hard in the studio writing songs and recording demos, Michele finished an album's worth of material before even trying to get signed. "I've been creating songs since I was 12, so I knew I needed the right musical blend in order to stand out from the many other performers trying to get a deal." Though already a fan of gospel and classical, it wasn't until Michele was 17 that she also developed a passion for jazz. "When I was still in high school a teacher introduced me to jazz singer Astrud Gilberto, and afterwards my life was all about jazz," she remembers. With the release of I Am, Chrisette Michele will soon be sharing those musical dreams with the rest of the world.Customer Reviews:
Quientessential Soul Album of the year.......2007-07-19
Lend Her Your Ear!.......2007-07-11
"I Am" is easily a 5 star album. This album is completely void of fillers, haphazardly written songs and "commercialism". Every song is unique and worth listening to. "If I Have My Way" is the albums most vibrant highlight. It's a remarkable love song. Chrisette is telling her listener that she could easily render herself to this man, however, she knows that it is best if she takes her time and lets love lead them. This song has some of the most profound lyrics I have heard in a long time. "Best of Me" has a catchy hook and once again we are blessed with great songwriting. "Best of Me" is about a woman who wants to give all of herself to a man but he simply doesn't deserve it. "Let's Rock" is my favorite uptempo track on this masterpiece. To describe this song concisely, Chrisette is introducing herself, but she manages to make you dance in the process. "Golden" is just beautiful. Yearning for love and wanting to get married and stay together is this song's subject matter.
I encourage anyone reading this review to check this CD out because you will have a masterpiece added to your music collection. "I Am", Chrisette? Yes, you ARE! You are wonderful, and that may be an understatement.
Best New Artist goes to . . ........2007-07-10
Chrisette's raspy, strong voice and song's lyrics both entice men, while encourages and empowers women listeners.
This CD is on shuffle and repeat in my CD player rotation.
Might be my favorite cd released this year.......2007-07-09
My favorite songs on this album are Good Girl, Golden, and I Am One.
Highly recomended.
So excited!!!!! BUY IT .......2007-07-09
Average customer rating:
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Rubber Soul
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UAO Release Date: 1990-10-25 |
Tracks:
- Drive My Car
- Norwegian Wood (This Bird Has Flown)
- You Won't See Me
- Nowhere Man
- Think For Yourself
- The Word
- Michelle
- What Goes On
- Girl
- I'm Looking Through You
- In My Life
- Wait
- If I Needed Someone
- Run For Your Life
Amazon.com essential recording
Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don HarrisonCustomer Reviews:
Fusion Album.......2007-07-18
A New Direction.......2007-07-02
During the time of Rubber Soul, the guys were getting into differnt styles of music from their own. Bob Dylan was a huge influence on every artist after him, his writting influenced a new direction for John and Paul. Also like everyone else drugs creeped into play.
Drive My Car is a good opening track that is a good transition into this new sounding album. It's what kids in the suburbs expected. Norwegian Wood is basically the same thing as Bob Dylan's 4th Time Around with a sitar.
The other Songs like Nowhere Man are kind of surreal in the lyrics and singing of the three. John and Paul had similar songs in Michelle and Girl. Michelle has that smooth sound that's his bread and butter, and Girl is basically Johns version of the same song (in my opinion).
John always took more chances in his writting than Paul. Paul was a lot more commercial and was hesitant to do anything drastic. In My Life is my favorite track on the album and I think it's one of the best out of their whole catalog.
George and Ringo also have their time to shine. In Previous songs, Rino could only play the back beat cause if he tried anything else you couldn't hear it over the screaming girls. This new direction really gave him more freedom to fill the empty space of the songs. And George is always spot on with his playing. I love how he just seemed to stay true to himself after all the mania.
I look at Rubber Soul, Revolver, and Sgt. Pepper as almost like a trilogy. All three just have nice transitions that you can some how tell that that's the order they were released in. The maturaty in the lyrics, the new sounds incorporating new instruments and musicians.
Back to Rubber Soul... Overall it's one of my favorite albums of all time. It's definitely an album everyone should listen to. The songs are timeless and it sounds like nothing else. I love how the songs never go out of "style" I don't really believe one can slap a date on the music because it's revelant even today. There's always new generations discovering this music continuing the legacy of the Four Working Class Lads from Liverpool.
One of the first real albums.......2007-06-29
This album, which marks the beginning of The Beatles' middle period, is often cited as one of the first real albums. Prior to this, just about all albums consisted of a couple of big hits padded out with a lot of filler designed to boost sales for the popular singles on it. But here we have something which was consciously made as an album as opposed to just a haphazard collection of songs thrown together in no particular or special order. And although this album might not quite be up to their highest artistic level yet, there's no denying these songs show a huge maturity and step up from the type of pop they'd been doing for the past few years. Heavily influenced by pot and folk rock, this album paints a picture of a band whose transitional period from pop songs to more serious and mature recordings was pretty much over, with no going back.
I'm rather amused at all of the people who insist that this isn't the "real" RS but "only" the British version. The British version IS the real RS! From what I've heard, the American repackaging from Capitol probably did have a more consistently folksy feel, but it still wasn't the album The Beatles worked hard on making and meant for their fans to hear! As a second-generation Beatlemaniac, this, the genuine original untampered with version, is the one I'm familiar with; it would feel just as wrong to me to hear it starting with "I've Just Seen a Face" as it might for some nostalgic aging Boomer to hear it starting with "Drive My Car." And though there are a few songs not quite up to the overall level of quality (most particularly the junky closing number "Run for Your Life"), this album is pretty much near-perfect. The songs don't belong any other way. Although at least Capitol recognised how different and special this album was, and thus didn't do as much tampering as they usually did, and even retained the original title and cover.
Overall, this is a wonderful album to get mellowed out to, and a real snapshot in time, of that brief period when The Beatles had matured beyond cover songs and pop songs into more mature and serious artists, yet before they became as heavy and experimental as they did as the decade wore on. The songs range from soft slow songs like "In My Life" and "Michelle," to lighter poppier fare such as "You Won't See Me" and "Drive My Car," to rather deep and introspective songs such as "Girl" and "Think for Yourself," and everything in between. Probably the only major flaw with it is that it has to end with such a throwaway as "Run for Your Life." While not every song on even a great album has to be a winner, it just seems wrong for one of the weakest tracks to be placed at the very end, which kind of disrupts the nice folksy mood that had been set.
Nowhere Album.......2007-06-18
Classic Beatles.......2007-06-14
Average customer rating:
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S.O.S.: Save Our Soul ( Amazon Exclusive with Bonus Track )
Marc Broussard ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QG512A Release Date: 2007-06-26 |
Tracks:
- You Met Your Match
- If I Could Build My Whole World Around You
- Harry Hippie
- Let The Music Get Down In Your Soul
- I Love You More Than You'll Ever Know
- Inner City Blues (Makes Me Wanna Holler)
- Love And Happiness
- I've Been Loving You Too Long
- Respect Yourself
- Yes We Can, Can
- Come In From The Cold
- Bring It On Home To Me ( Amazon Exclusive Bonus Track)
Amazon.com
It's difficult to fault Marc Broussard's intentions in releasing this collection of mostly covers as the follow-up to his 2004 breakthrough Carencro. He's intent on showing his roots in the uplifting soul music that he clearly loves. However, it's too early in his nascent career to be going the Rod Stewart route. Broussard's committed, grainy voice works well with these R&B standards and obscurities, even if the arrangements generally stick close to the originals. Yet he can't help but come up short singing timeless classics such as Marvin Gaye's "Inner City Blues," Otis Redding's "I've Been Loving You Too Long," and Al Green's "Love and Happiness." Broussard is more convincing uncovering hidden nuggets such as Bobby Womack's slow dance "Harry Hippie," Rance Allen's gospelized "Let the Music Get Down in Your Soul," and the frisky funk of Stevie Wonder's "You Met Your Match." He also dusts off Blood, Sweat & Tears' "I Love You More than You'll Ever Know," sweating out the tune's inherent soulfulness. Toby Lightman swings into Tammi Terrell's part for a peppy, finger-snapping take on the sweet Gaye/Terrell duet "If I Could Build My Whole World Around You." Not surprisingly, Broussard's sturdy self-penned ballad "Come in from the Cold" pales somewhat in this heady company. It does, however, show his songwriting abilities haven't diminished, even if he apparently needs more time to compose another album's worth of his own material. --Hal HorowitzProduct Description
This follow-up to Marc's acclaimed debut Carencro features Broussard'sstaggeringly soulful voice on classic songs by: Allen Toussaint, Bobby
Womack, Marvin Gaye, Al Green, Stevie Wonder, Otis Redding and more...Plus 1
new tune penned by Broussard that closes the set with a soul intensity on
par with the company of its keeping.
AMAZON EXCLUSIVE - If you purchase this album here, it comes with a bonus
track of Marc covering "Bring It On Home To Me" originally by Sam Cooke.
Customer Reviews:
SOSO---I'll give it a 3.5.......2007-07-11
I'm not saying he's not good doing this album of all but one cover songs, but he's stuck so close to the original arrangements that it's a waste of his talent.
"Come in from the Cold" is Broussard's only original song on SOS and it's a lovely ballad.
My suggestion is to buy "Carencro" and stick to the original singers of this wonderful soul music.
Marc is the Best!.......2007-07-10
on a scale of 1 to 10, I give it a 12.......2007-07-08
Marc keeps on giving us his best.......2007-07-06
Brilliantly soulful... with a retro vibe........2007-07-02
Carencro, his 2004 release on Island Records, sold 230,000 copies, an enormous total, in his native south Louisiana, that draws a yawn in the million-selling world of pop.
Now Broussard follows with an 11-song CD that has only one original. The covers, masterpieces by soul heavyweights like Otis Redding, Bobby Womack and Marvin Gaye, would prove fatal if attempted by amateurs. But Broussard, raised on soul and swamp pop, feels right at home.
The disc features Broussard's soulful voice tackling Al Green's "Love and Happiness", Otis Redding's "I've Been Loving You Too Long", Bobby Womack's "Harry Hippie" and "Respect Yourself" by the Staple Singers.
The CD's lone original track , "Come In From the Cold", maintains the old school R&B vibe.
After Carencro , singer and guitarist from Louisiana Marc Broussard was critically acclaimed and got great visibility and airplay mostly for his fantastic single "Home".
It is down and dirty blues, his voice a deep baritone in the choruses, and nothing but purely cool. Yet, it is the only song on the album with that particular vibe. "Rocksteady" and "Where You Are" are pop perfect, but it's difficultt to understand how they all went together other than the connective tissue that is Broussard's soulful voice.
Now, with his newest effort and one that is particularly close to his heart, Broussard is hitting his stride.
"S.O.S: Save Our Soul" is comprised completely of covers from the soul-heavy Motown and Stax catalogues.
Broussard says that he is trying to bring back the feeling because, "Soul music grew out of the church, out of gospel, but somewhere along the way it lost its heart".
With a very talented group of musicians, including De Marco Johnson killing the piano and organ, Broussard has kept close to the original arrangements of the songs, giving younger generations the opportunity to experience these classics as they were intended, but feeling as if they are brand new.
There is not a weak track here, but one of my most favorite is "Yes We Can, Can", a song you might remember the Pointer Sisters making famous. Broussard seems to channel Harry Connick, Jr. and all the funk of some deep-south soulsters.
Two other tracks you can't miss are "If I Could Build My Whole World Around You" (originally by music royalty Marvin Gaye and Tammi Terrell, now a duet with Toby Lightman) and "Let the Music Get Down in Your Soul".
Pick up S.O.S and the music will most definitely be "down in your soul".
I love it, you will not disappointed.
Average customer rating:
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Elliott Yamin
Elliott Yamin Manufacturer: Hickory Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N60HD6 Release Date: 2007-03-20 |
Tracks:
- Movin On
- Wait For You
- Find a Way
- One Word
- You Are the One
- I'm the Man
- Trainwreck
- Free
- Alright
- Take My Breath Away
- A Song For You
Amazon.com
Elliott Yamin's debut is so agreeable and well-executed it may well convert hardened R&B experts--the kind who'd normally distance themselves from a disc with a TV pedigree. With sincerity and a voice that vaults itself to places no talent-show contestant should be able to go, Yamin bares his soul here in a way that would do his hero, Donny Hathaway, proud. Tracks like "Take My Breath Away" and "You Are the One" find him twisting a wrench around love-stained lyrics; "I'm the Man" and "Find A Way" flow with hat-in-hand grace (and, in the case of the latter, a scat worthy of a vintage jazz stage); and opener "Movin' On" immortalizes the season five judges'-table words of Paula Abdul: Ellliott Yamin is "one funky white boy." As he proves with this five-star album, he is also among the most gifted artists ever to a turn a stint on the show into a recording career. --Tammy La GorceCustomer Reviews:
An exceptional debut that grows on you.......2007-07-20
Indeed when I first bought the album and upon the initial listens, I couldn't help but be disappointed that such a great talent had put out a CD that in my opinion was very forgettable, granted I did like a few songs at first, such as the first single "Wait For You" and "Movin On". Thankfully I refused to give up on the album, and after making myself listen to the tracks multiple times I soon realized my initial impressions of the album were pretty off. No this is not a 5 star album or a classic in my opinion (but then again how many debut albums are?), but I now regard it as a very solid r&b/pop album. The tracks on this album really do grow on you, so I just want to stress to fans of Yamin that if they're not crazy about the album at first give it a chance before making your final judgments.
The album is definitely very R&Bish / soulful (who says white men can't have soul right?), but there are also pop influences present on the album. Almost every song is well written, especially such ones as "Find a Way", a modern R&B track about the unfairness of the world, and how love has to find a way in order to cope with it all. "Free" is another lyrical highlight about how we have the freedom to be able to make our dreams realities if we put our mind to it, although it's not one of my favorite songs melody-wise.
Some of my favorite melodies on the album are the mid tempo first single "Wait For You" which mixes R&B and pop, and the soft and soothing "You Are The One", a straight up love ballad. "Train Wreck" is a pure R&B song, and a favorite of mine, where Yamin's voice is in top form as he sings about a relationship thats heading for a "train wreck", and I love the hook of the song. On the other end, I love the upbeat rhythms of "Movin On", which boasts a hand clapping beat that accompanies lyrics about getting tired of waiting for his significant other to decide what she wants, and "movin on" with his life. "Alright" is another upbeat track, that wouldn't feel out of place in a club, the song definitely has a hip/hop vibe to it and to me sounds similar to something Usher would record. It's a great change of pace and another favorite of mine.
Thats another good thing about the album, there really is a variety of appeal on here, "Wait For You" and "You Are the One" for example would be perfect for ac radio or even pop, whereas I could see songs like "Movin On" and "Alright" fitting in on current R&B/Hip Hop stations, the album really has a range of appeal from old to young, Adult Contemporary to R&B. Even commercially the album has potential, "Wait For You" has so far become a top 20 hit on the Billbaord Hot 100, and I don't think its the only song on here capable of making it into that tier of the charts.
But perhaps the best thing about this album, is Yamin's voice itself. Even when I wasn't too into the songs yet, I still loved listening to Yamin's strong soulful voice, which shines on pretty much every track here, and fans of Yamin should enjoy the "A Song For You" cover, which is definitely a showcase for Yamins vocals. Even the tracks I don't really care for such as "I'm the Man" and "Take My Breath Away" are made much better by the voice thats singing them.
So overall I'm pleased with Elliott's debut, it took some time, but the album is one that I'll be listening to for awhile. If Yamin can improve upon his debut and grow more as an artist, he should have a long, bright career ahead. 4/5 stars
My Top 5:
1. Wait For You
2. Alright
3. Train Wreck
4. Find A Way
5. Movin On
Elliott Yamin does not need synthesizer.......2007-07-16
Elliott sounds really good. .......2007-07-14
OK, so I was wrong. This CD is better than I thought!.......2007-07-14
Wait For You - 8
Find A Way - 9
One Word - 6
You Are The One - 7
I'm The Man - 6
Train Wreck - 7
Free - 8
Alright - 9
Take My Breath Away - 7
A Song For You - 9
This CD starts on a good note with Movin' On and ends nicely with Donnie Hathaway's A Song For You. Elliot co-wrote Movin' On, Find A Way, You Are The One, Train Wreck and Alright. And this is just his debut!
84/11=7.636363636
That equals 3 stars and then some.
3.8 stars
A great CD!.......2007-07-13
Average customer rating:
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Breakfast in Bed
Joan Osborne Manufacturer: Time Life Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O78KZG Release Date: 2007-05-22 |
Tracks:
- I've Got To Use My Imagination
- Ain't No Sunshine
- Midnight Train To Georgia
- Baby Is A Butterfly
- Breakfast In Bed
- Cream Dream
- Natural High
- Heart Of Stone
- Sara Smile
- Eliminate The Night
- Break Up To Make Up
- I Know What's Goin' On
- Alone With You
- Kiss And Say Goodbye
- Heat Wave
- What Becomes Of The Brokenhearted
Amazon.com
On Breakfast in Bed, her first release on Time Life Records (yes, that Time Life) Joan Osborne tackles a crop of hand-picked soul and R&B favorites with equal parts sass and sensitivity. Long an underappreciated artist, Osborne is a performer with the wisdom to exercise vocal restraint for an effect that's more Dusty Springfield than Christina Aguilera. Her fine previous outing interpreting soul standards was aptly titled How Sweet It Is, and witness her contribution to the terrific 2002 film Standing in the Shadows of Motown, where Osborne's astute readings of "What Becomes of the Brokenhearted" and "Heatwave" outshone performers like Ben Harper and Gerald Levert (happily, both songs are included here). The title track and Hall and Oates' "Sara Smile" are both canny choices that play to her strengths in delivering credible blue-eyed soul, and six new Osborne-penned songs fit neatly into the record. If her compositions pale a bit next to the classics she covers (with the sultry and slithery exception of the excellent "Eliminate the Night"), give Osborne credit for bravely placing herself side-by-side with songwriting luminaries like Holland-Dozier-Holland and Bill Withers. Breakfast in Bed makes for a leisurely listen on a sunny Sunday morning, so put up your feet and stay awhile. --Ben HeegeAlbum Description
Joan Osbourne's recently recorded album pays homage to the great Soul and R&B songs of the late '60s and early '70s. The album features a unique combination of unforgettable interpretations of timeless R&B classics. Her first single to radio will be "I've Got to Use My Imagination."Customer Reviews:
Joan O. has got it.......2007-07-19
The first time I saw her was pretty much by accident. I wound up crossing through the front of a very large crowd between acts at a Woodstock reunion in Bethel, NY (not Pepsistock in Saugeraties), in the late 90's. Then Joan and her band came on and I'm front and center and she blew me away with St. Teressa or something like that. I've been a fan ever since.
Fantastic voice and song list.......2007-07-12
Here in "Breakfast In Bed", Joan takes the jazz practice of covering American classics and favorites in her dynamic, raspy alto voice. This is a great CD, my favorites include the live performances of "Heatwave" and "What Becomes of a Broken Hearted" with Motown's Funk Brothers; and classics "Natural High" and "Sara Smile."
Check the song list, if you find any of your old favorites the GET THIS CD, you will definately not be disappointed. However "What Becomes of a Broken Hearted" is worth the $13 alone.
easy, breezy...and sexy...me likes!.......2007-06-30
Speaking for myself, more times than not, Joan selects covers that are mostly new to me - on this disc, besides the 2 live tracks, I was only familiar with Midnight Train. So, generally, all the songs are new to me. Then again, I like covers and I like how Joan mixes in her own songs. She is a singer, after all! I don't think a true singer should be afraid of (or criticized for) covering songs... Admittedly, if I really had my way with Joan, I'd get her to release all those original songs that have gone unreleased over the years, but this album satisfies just as well. Simply put, it's great.
Honestly, when I first listened to the sound samples online, I wasn't quite sure what to think, but since listening to the full album, I've come to really enjoy it. I think it's an accessible album that everyone can enjoy. Joan's voice sounds unbelievably sexy and gorgeous! I don't dislike the first 2 tracks, but I could do without them at the same time. My favorites from this disc are Baby Is A Butterfly & Heart Of Stone (two originals), and Kiss And Say Goodbye (so good!). I'm not one to hum, but I've found myself randomly humming these songs (like while shopping or lounging in bed).
In any case, all the songs work and sound well alongside each other and I'm glad Joan's being more prolific and enjoying herself.
expected it to be better.......2007-06-30
What To Do About Joan Osborne........2007-06-30
That said, I think Osborne is an excellent vocalist, but her vocals have been squandered by re-doing classic r&b, blues and soul songs. I have to admit that some of her successful covers on "Breakfast In Bed" came in unexpected places. When I looked over the titles I thought, "There's no way she's going to pull off Gladys Knight & The Pips's "I've Got To Use My Imagination", but there she was giving it a fresh coat of new paint. This didn't carry over to the other Gladys Knight & The Pips hit "Midnight Train To Georgia". To me, it was a lifeless interpretation of the original. Likewise, Bill Withers's "Ain't No Sunshine" was a rather bland interpretation. "Natural High" by Bloodstone was unfamiliar to me, so I couldn't compare the original with what Joan had done, but the song was okay, not great. "Breakfast In Bed" is eluding me. I'm not sure if it is a cover song because I've never heard it before. Hall & Oates's "Sara Smile" was treading on dangerous ground for me since I am a huge fan of theirs. I was not amused by the original take of a song about a woman being sung by a woman. Again, Osborne didn't bring anything new to the table. "Break Up To Make Up" by The Stylistics was okay. I wasn't too familiar with that song, so again, I couldn't compare. Manhattan's "Kiss And Say Goodbye" is an often covered song, and Osborne did a decent job of it. Strangely, the two songs not designed for this cd, but included as extras, tended to be some of the strongest material. Joan does a decent cover of Martha & The Vandellas' "Heat Wave" and Jimmy Ruffin's "What Becomes Of The Broken Hearted" to finish off the disc.
This leaves six originals penned by Joan. I give her credit for making six songs that do sound like the genre she was going for. However, I found only two of the songs to really stand out in my mind: "Baby Is A Butterfly" and "Cream Dream". "Heart Of Stone", "Eliminate The Night", "I Know What's Going On" and "Alone With You" are all unremarkable.
So, what's it going to be? Give Joan five stars because you like her and she's a talented singer/songwriter, or give her three stars because she's not giving fans what they really want (all new material)? For me, it's the latter. I can't stress enough that after 7 years it's high time for Osborne to walk the walk and give us a full album of new material.
Jazz Music:

