Amazon.com
Natalia La Fourcade has joined her own band for
Casa, the jangly and mature follow-up to her 2003 self-titled debut album. That may seem like a step backward for La Fourcade, but it makes perfect musical sense. She has known the trio that comprises La Forquetina since high school and toured extensively with them in support of her critically acclaimed first disc. That connection makes
Casa a tight, focused affair: it incorporates cruchier guitars, heavier percussion and more thoughtful lyrics than its predecessor. La Fourcade has weathered constant comparisons to fellow edgy divas Nelly Furtado, Shakira, and Julieta Venegas, but the earthy vibe of Casa is all her own. "En Tus Ojos" is a pleading opener, the precious title track bounces on a wistful pop groove, and "Alimento" is a fragile highlight. It's all framed by a casual rock vibe, but there's enough musical diversity inside this Casa to put a smile on anyone's face.
--Joey Guerra
Casa,Natalia y la Forquetina,Sony International,Latin,Latin Pop,Latin Pop/Rock,Rock,Singer/Songwriter,Tejano
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Average customer rating:
- One of Savall's finest
- Nearly every night for 6 months!
- Diáspora sefardí / Hespèrion XXI
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Diáspora Sefardí
Manufacturer: Alia Vox Spain
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ASIN: B00004RBWV
Release Date: 2000-03-14 |
Tracks:
- El Moro De Antequera
- Levantose El Conde Nino
- El Rey De Francia
- Por Alli Paso Un Cavallero
- Por Que Llorax Blanca Nina
- La Guirnalda De Rosas
- Nani Nani
- El Rey Que Tanto Madruga
Tracks:
- Las Estrellas De Los Cielos
- En La Santa Helena
- A La Una Yo Naci
- Improvisacion
- Paxarico Tu Te Llamas
- Yo Era Nina De Casa Alta
- Longe De Mi Tu Estaras
- Hermoza Muchachica
- Axerico De Quinze Anos
- Improvisacion Sobre 'Axerico'
Amazon.com essential recording
The Sephardic Jews, scattered through the world after their expulsion from Spain in 1492, kept alive for centuries not only their language, Ladino, but an extraordinary repertory of "folk" songs, many of them quite sophisticated. As Ladino culture began to slowly fade away over the course of the 20th century, musicologists collected and transcribed these melodies from Ladino-speaking communities in Sarajevo, Sofia, Salonika, Smyrna, Jerusalem, and other cities. Beginning in the 1970s, these extraordinary songs were revived (to considerable excitement) for concert audiences--a revival sparked in large part by a 1976 recording by Hesperion XX. This now-legendary early music ensemble, renamed Hesperion XXI for the new century, has returned to the music of the Sephardic Diaspora with this beautifully produced and packaged release. Disc 1 contains eight songs performed lovingly by the magnetic Montserrat Figueras (who sings with an appropriately unstudied tone). The second disc includes eight more melodies performed instrumentally; the choice of instruments reflects the influence of the Muslim-ruled areas where the Sephardim settled with the oud, rebab, and qanun (Middle Eastern equivalents of the lute, fiddle, and dulcimer) performing alongside harps, lutes, flutes, and frame drums. (Inexplicably, however, the final track of this second CD--an improvisation for the sarod and tabla--sounds nice but feels completely foreign to the theme of this release.) It may have been more effective programming to mingle the vocal and instrumental tracks across the two CDs rather than segregating them. --Matthew Westphal
Customer Reviews:
One of Savall's finest.......2004-05-19
Hespérion XXI (formerly Hespérion XX, but renamed to honour the new century) is one of the most accomplished ensembles specialising in the early music of the Iberian peninsula. It is one of the ongoing collectives led by the formidable Jordi Savall, renowned for his interpretations on the viol da gamba. The members are always changing, which makes the ensemble simply a name for a grouping of artists and interpreters of this immensely rich musical heritage, yet always under Savall's masterful direction. Diaspora Sefardi is a double-CD of music of the Sephardic Jews, a diverse culture originating in Spain and later settling in countries around the Mediterranean after their expulsion from most of Spain in 1492. Never losing sight of their basic identity as Jews or their awareness of their Spanish origins, the Sephardic culture gradually incorporated numerous influences from the peoples among whom it evolved: from the Arab culture of north Africa, from the Turks, Greeks, Bulgarians, Rumanians, Serbocroats, etc. In short, Sephardic music is an amazing blend of all these influences, immediately recognisable for its unique manifestation of this diversity.
Led by the impeccable soprano Montserrat Figueras, a generous collection of sephardic romances resides on disc one, and ten instrumental pieces are found on disc two. Savall (performing on lira, viola and rebab) is joined by some virtuoso players here: Pedro Estevan on percussions, Yair Dalal on oud, Andrew Lawrence-King on arpa doppia, Pedro Memelsdorff on flutes, and a handful of others on psaltry, qanun, laud, sarod and medieval harp. This recording differs in kind from other interpretations (by Savall or by countless other interpreters of this music) in that it employs a more diverse instrumentation that lies beyond the standard western European grouping of percussion, viol, flutes and harps, and rather embraces the instrumentations of eastern influences of this music (oud, qanun, sarod, etc.).
Disc one, subtitled "Por que llorax blanca nina" (Why do you weep fair child?) is a selection of beautiful songs, mostly from 16th and 17th century documents, though all of them look back much earlier to a very old tradition of songs. Montserrat Figueras is full of vitality, her breathtaking voice and accomplished techniques show her complete mastery of this challenging material.
Disc two, "Las estrellas de los cielos" (The stars in the sky), is a diverse collection of instrumental pieces, interpreted and performed to perfection by this ensemble. This second disc is the real jewel here. Even in the complexity of rhythms, fostered by Pedro Estevan's challenging techniques, the rhythms are extremely accessible, allowing the listener to move around within the multifaceted and subtle instrumentations. Some are traditional dance pieces, while others more meditative reflections and variations on the music of the popular romances.
Listening to this music is always a rewarding enterprise. Full of surprises, it never provokes the same response twice. This release comes highly recommended for the curious listener. It comes beautifully packaged with lyrics and an informative essay by Paloma Diaz-Mas.
Nearly every night for 6 months!.......2003-05-01
After owning this CD for about 4 years, when my newborn daughter needed bedtime soothing I grabbed this (the 2nd CD). We listen to it nearly every night and I am never bored with it. It only bothers me a little when I find it getting stuck in my head during the day. I still enjoy sitting in the dark listening to it after 6 months. Beautiful moving music.
Diáspora sefardí / Hespèrion XXI.......2000-11-13
En este disco Jordi Savall y su grupo retoman el trabajo que emprendieron en discos anteriores sobre la música de origen judío ("Secular music from christian and jewish Spain" y los dedicados a la Sibila). El primer disco está compuesto por obras vocales que pertenecen a distintas expresiones de la diáspora judía a través de Europa, pero todas en ladino (lengua de los sefarditas o judíos españoles), interpretadas con una gran variedad de instrumentos (percusiones, flauta dulce, salterio, arpa, laúdes, etc.) sobre las que se alza la voz de Monserrat Figueras, que maneja bastante bien el estilo y el dramatismo requeridos, a pesar de que a mi juicio su interpretación es poco variada, y no se distingue tanto de sus versiones de música barroca italiana, por ej. El segundo disco trae sólo obras instrumentales, en las que se da un mayor espacio a la improvisación y la ornamentación, lo que considero bastante pertinente pare este tipo de música, y que realmente está muy bien lograda en este caso, permitiendo trabajar toda suerte de matices (el uso del aire por parte del flautista Pedro Memmelsdorff, por ejemplo). En todo caso, es necesario señalar que éste es un disco muy fresco, donde realmente se percibe un compromiso emotivo de los músicos con las obras, que pertenecen a un repertorio bastante poco trabajado en el campo de la música antigua, y sobre el cual todavía debe quedar mucho por investigar.
Average customer rating:
- Celestial music -
- Gentle Magic to Free Your Soul
- Some of the Best Music ever!
- jazzman
- absolutely amazing....
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Morelenbaum (2)/Sakamoto: Casa (Tribute to Jobim)
Antonio Carlos Jobim , Ryuichi Sakamoto , and Jaques Morelenbaum
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006FIBO
Release Date: 2002-08-20 |
Tracks:
- As Praias Desertas
- O Amor em Paz
- Vivo Sonhando-Dreamer
- Inutil Paisagem
- Sabia
- Chanson pour Michele
- Bonita
- Fotografia-Photograph
- Imagina
- Estrada Branca
- O Grande Amor
- Cancao em modo menor
- Tema para Ana
- Derradeira Primavera
- Esperanca perdida-I Was Just One More For You
- Sem Voce Album Version
- Samba Da Aviao
- Improvisation (Live)
Amazon.com
"Casa" is the Portuguese word for "house." It's also the title of this melodic and moving tribute to Antonio Carlos Jobim by the Oscar® and Grammy award-winning pianist-composer Ryuichi Sakamoto, Brazilian cellist Jaques Morelenbaum, and his vocalist wife, Paula. The Morelenbaums, who cofounded Quarteto Jobim-Morelenbaum, both worked with the maestro, and almost all of the tracks here were recorded in Jobim's Rio home. The CD contains fluid and florid renditions of bossa nova-era classics from the Jobim canon, from "Amor em Paz"--with Jobim's son Paulo on guitar--and "Bonita" to "Vivo Sonhando." It also unveils rare songs like "Chanson pour Michelle," a short and sweet composition written for a soap opera, and a never-before-heard work, "Tema para Ana," an intimate piano/cello duet. Sakamoto's spare and splendid pianisms ring from Jobim's piano. Morelenbaum's singing cello tones complement his wife's angelic Portuguese and English vocals. Together this talented trio--with occasional accompaniment by percussionist Marcos Suzano, guitarist Luiz Brasil, vocalist Ed Motta, and bassist Zeca Assumpçao--beautifully exposes the French influences of Satie, Ravel, and Chopin in Jobim's music. --Eugene Holley, Jr.
Customer Reviews:
Celestial music - .......2007-05-07
My Profile: 43 yo - no music qualifications whatsoever-
I got this fine cd last year in my first time in Buenos Aires.. though my trip was for widenning my musical horizons.. what can I said that has not been adequately commented by more knowledable reviewers than I?.. the music is serene, celestial, non-strident...he piano, the cello and that voice!! you know you are prividledged in life to have a chance to comtemplate on this type of beauty... whatever scars we have in the soul and body, take a moment to soothe yourself..
Gentle Magic to Free Your Soul.......2007-03-28
I just love love love this CD. Everything about it is so artfully rendered, it takes my soul away to gently float free in a most beautiful place. Ms. Morelenbaun has a voice that, of all female vocals in the world, is often my most favorite to hear. Virtually no vibrato, just clean and clear exquisite and delicate classic femininity. Mr. Morelenbaum, Mr. Sakamoto and all supporting musicians provide the most sensitively interwoven instrumental skills that there could ever be; they perfectly ride, complement and contribute to the magical musical moment that is always now, in flowing pieces such as these. Of course, the ineffably beautiful heart and soul of the basic songs to start with are indispensible (thank you now and forever, o-most revered JC Jobim!). Honestly, this CD places in my top 10 of all time, especially now, in my more relaxed and gentle mature years... ;)
Some of the Best Music ever!.......2007-02-03
I came by the Morelenbaums by 'A Day in New york'. It was love at first
sound. I checked out to see if anything else was available. I found 'Casa'
and immediately ordered it. It has been in my CD player since I got it.
This from a Classical music buff and a college music degree. This music
defies description (I do like bossa nova and Jobim especially). This group is so together, it sounds like the members know exactly what each
other is thinking. It is all so right that it appears precision and class
like this is not possible. Paula's voice has a simple (without vibrato) beauty that is mesmerizing. The arrangements are exquisite. The Cello and piano never over-do and the whole is something you must hear to believe. I can only add to this - GET IT!!
jazzman.......2007-01-17
Absolutely fabulous renditions of Jobim. Paula's voice is so pure and
gentle, along with Jacques' cello gliding through the sketches. And the
pianist Sakamoto is perfect as well. I just love this cd. I quickly
obtained their other Jobim tribute cd "A Day in New York" (the Japanese
enhanced version with 5 bonus tracks), which is even further proof that
there is a musical heaven on earth. So sophistocated, cool, and gentle.
I eagerly await their next release. 5 million stars.
absolutely amazing...........2006-01-16
So much to say about this wonderful recording. As I write this, there are 27 reviews posted for Casa and not one of them is less than 4 stars, with the vast majority as 5 stars. That speaks volumes in itself. But the quality of the words and the thought behind them is truly a tribute to Jobim. If we were all lucky enough to have him with us now, the words of these reviews would surely either make him smile or bring tears of joy to his eyes. This truly is music that soothes...reflects...and makes us all appreciate either finding it or being introduced to it by someone. Introduce only your best friends to this, those that would appreciate it as much as you and I do.
Average customer rating:
- Lovely rendition of Italian songs
- Best 'Italian' Selection yet.
- Salon pieces to delight the listener
- The Italian Songbook......
- che bella..
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Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000042H2
Release Date: 1997-09-16 |
Tracks:
- Bel Canto Songs: Aragonese
- Bel Canto Songs: Vaga luna che inargenti
- Bel Canto Songs: II barcaiolo
- Bel Canto Songs: Ah! rammenta, o bella Irene
- Bel Canto Songs: L'abbandono
- Bel Canto Songs: Or che di fiori adorno
- Bel Canto Songs: Malinconia, ninfa gentile
- Bel Canto Songs: Amore e morte
- Bel Canto Songs: Bolero
- Bel Canto Songs: La conocchia
- Bel Canto Songs: II fervido desiderio
- Bel Canto Songs: Torna, vezzosa Fillide
- Bel Canto Songs: Vanne, o rosa fortunata
- Bel Canto Songs: Dolente immagine di Fille mia
- Bel Canto Songs: La farfalletta
- Bel Canto Songs: A ma belle mere
- Bel Canto Songs: Per pieta, bell'idol mio
- Bel Canto Songs: Me voglio fa 'na casa
- Bel Canto Songs: L'esule
- Bel Canto Songs: La danza (tarantella napoletana)
Amazon.com
The Italian mezzo-soprano Cecilia Bartoli is one of the most charming and talented singers to appear on the scene in recent years, and this collection of Italian songs by three great opera composers--Bellini, Donizetti, and Rossini--is a most deserving bestseller. There are many small pleasures in the selections, which reflect the bel canto predilections of their authors, and Bartoli renders them artfully. Some will be familiar even to casual listeners (Rossini's La Danza, the famous tarantella); others will be new to most, but equally deserving of a hearing. The sensitive and skillful accompaniment is by conductor-pianist James Levine. --Sarah Bryan Miller
Customer Reviews:
Lovely rendition of Italian songs.......2007-03-11
The booklet coming with the CD says of Cecilia Bartoli that she "is justly famous for her coloratura mezzo-soprano voice and her interpretations of Rossini and Mozart." This CD features her lush voice taking on songs of three great Bel Canto composers--Rossini, Bellini, and Donizetti. Some might think of these as trifles, but the singing and musicality is rich and the songs evocative. The piano accompaniment is by famed conductor James Levine, and he does a splendid job.
Some sampling of the songs. . . . The CD begins with a song by Rossini, "Aragones." This is lushly sung; Bartoli has a wondrously rich and textured voice. The pace is contemplative, altogether consistent with the words of the song, the reflection of a disappointed lover. Well done.
Donizetti's "Il barcaiolo" is also well done. Bartoli shows her vocal agility in this tune. This is a spirited song, and her coloratura technique animates her rendition. There are segments sung forte, showing the power of her voice. There is a nice soft closing to the song, so she ranges from forte to piano.
Bellini is represented, too. His "Vaga luna che inargenti" is a pleasant love song. Bartoli sings this tenderly, creating a melancholy spirit, fitting the song's words.
To close, there is Rossini's wonderful tarantella, "La danza." Levine plays at a quick pace, as he must for this spirited song. Bartoli shows great vocal agility and strong breath control (this is a tough song to get right!). A wonderfully spirited version. She even takes a pass at a trill toward the close. All in all, most satisfying.
Thus, this represents a nice CD, showing Bartoli's skills with the songs of some of the great Bel Canto composers. An album that is a lot of fun to listen to!
Best 'Italian' Selection yet........2006-06-16
'An Italian Songbook' by mezzo-soprano Cecilia Bartoli and accompaniest extraordinare, James Levine is the best of the three collections of Italian material from Bartoli I have reviewed to date. Much of this may be due to Levine, but I believe it is more due to the quality of the material selected. All songs are by 'heaviweights Vincenzo Belline, Gaetano Donizetti, and Gioachino Rossini. It is certainly not due to a difference in the quality of Ms. Bartoli's singing, which is uniformly beautiful throughout.
This would be my first choice for Italian material with only piano accompaniment. For a very first Bartoli album, see her 'flagship' recording, 'Cecilia Bartoli' where she is backed by full orchestra and chorus.
Salon pieces to delight the listener.......2006-03-13
Italian art song never became the serious and high form of art that it did within Germany, and hasn't the same place in culture that the French mélodies had. Rather, Italian operatic composers wrote lighter vocal pieces with fairly simple piano accompaniment, designed to be performed in a more intimate setting. One hears immediately the Bellini line (so familiar to those who love Bellini's operas) in his songs - ditto with the Donizetti and Rossini songs.
This in no way robs the songs of immense charm. It would be easy to perform these songs without a great deal of thought, simply making them sound "pretty". But Cecilia Bartoli never does that - she always gives everything, voice, intelligence, musicality, to her performance.
That is what makes this recording so superb. I can see there are some less-than-satisfied reviewers - I am surprised by the comments. For rest assured, there is no vocal difficulty here at all. Cecilia Bartoli's voice is in superb condition throughout, and her interpretation is of course second to none. Having recorded "Vaga luna" myself, I would be the first to say if I thought anything was lacking in Ms Bartoli's performance - but there's nothing adverse I can say at all. It's simply gorgeous singing, with immaculate phrasing, an intensely personal approach, and some of the most beautiful sounds you're likely to hear.
It is hard to imagine anyone being disappointed by this recording. The comments made about squally sound are not just unfair, they're totally inaccurate. I remember purchasing this CD on the very day it was released in Australia, and it's a firm favourite of mine.
In all... delightful.
The Italian Songbook.............2005-12-09
...........sung like a string of pearls. I have never heard "Vaga luna che inargenti" sung so beautifully radiant and lucid. What a contrast when listening to her mournful "L'abbandono" where she sounds so utterly sad and full of melancholy. Brilliant vocal colouring here. "Malincolia, ninfa gentile" is sung with the appropriate pathos but without gimmicks and tricks. Utterly gorgeous Bellinian line. "II fervido desiderio" is sung with just the right amount of yearning and passion. "Per pieta, bell'idol mio" finds her beautifully charming and endearing, who could say no to her? The closing piece, "La Danza" is a tasty little song that suits her to a T. In my humble opinion every young voice student should not only study the Italian Songbook but own this in order to hear how it's done. This is still my favourite Bartoli album.
che bella.........2004-12-23
Cecilia Bartolia is such a refreshing singer in the current state of vocal affairs. For one thing, she is a serious student of the music she sings, and scorns all the 'popera' and crossover artists. She has sought out plenty of unknown/lesser known material to record (Salieri, Vivaldi, Gluck, etc). In the CD in question she does wonderful work with these Italian pezzi. Her voice is now dark, now breathy, now intense, always altered to reflect the words she is singing. Her vocal agility and control are simply remarkable. Pay no attention to the Bartoli nay-sayers, she is a first rate singer.
Average customer rating:
- Profound Words, Beautiful Music, Awesome Worship!!!!
- One word to describe/"Beautiful!"
- awesome!
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Jesus Adrian Romero El Aire De Tu Casa
Manufacturer: Vastago
ProductGroup: Music
Binding: Audio CD
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ASIN: B000COZCEI |
Product Description
1. El aire de tu casa
2. Mi universo
3. Esperame
4. Aqui estoy
5. No es como yo
6. Mi corazon te canta
7. Te veo
8. Mi herencia
9. Me dici que me ama
10.Es por tu gracia
11.De ti dependo
12.Pegao a ti
Customer Reviews:
Profound Words, Beautiful Music, Awesome Worship!!!!.......2007-04-04
This is one of the most beautiful Spanish CD's I've heard. The words are so profound! What a psalmist!!! I use it to start my day with the Lord and it takes me right into His presence. Each song has it's own message relating to the different aspect of our relationship with the Lord. I highly, highly recommended!!!!
One word to describe/"Beautiful!".......2006-07-05
This album is without a doubt his best since "Cerca de Ti",beautiful poems set to music make this album a must have,period!Most of the songs are ballads,Jesus Adrian Romero definatly has a way with melody and wisely chooses to record songs, that are actually songs and not just choruses repeated endlessly like many of his contemporarys."Esperame" is a gorgeous ballad that will stay in your head for days,"Mi Universo" will do the same and so will many others from this project.This album is like discovering a hidden treasure chest,spiritual treasure that is,I highly recomend it....enjoy!
awesome!.......2006-02-09
Perhaps his best disc yet. A lot of acoustic, mellow jams. Lyrics go down smooth! The guitar playing makes me think a little of Phil Keaggy. This album has been the only one in my car, mi casa, and my laptop for over a month!
Average customer rating:
- mano! negra! ya! ya! ya!
- EXCELLENT!!!
- Good to see everyone speaks so highly of this CD.
- Man, You should give this album a Chance
- Creeme, es increible
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Casa Babylon
Mano Negra
Manufacturer: EMI Latin
ProductGroup: Music
Binding: Audio CD
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- Puta's Fever
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- Proxima Estación: Esperanza
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ASIN: B000005MZW
Release Date: 2002-06-18 |
Tracks:
- Viva Zapata
- Casa Babylon
- The Monkey
- Senor Matanza
- Santa Maradona (Larchuma Football Club)
- Super Chango
- Bala Perdida
- Machine Gun
- El Alakran
- Mama Perfecta
- Love And Hate
- Drives Me Crazy
- Hamburger Fields
- La Vida (La Vida Me Da Palo)
- Sueno De Solentiname
- This Is My World
Album Details
Fusionning Trash Rock and Latin Music, They Became France's Biggest Alternative Rock Band in the Late 80's / Early 90's.
Customer Reviews:
mano! negra! ya! ya! ya!.......2007-01-30
The final and most mature effort from Mano Negra, basically driven by Manu Chao before he went solo and ironic for that fact since it is so much more rock and electronic than his subsequent solo work. Mano Negra were a great, interesting, rocking band that were entertaining as well as thought-provoking. Some people have called them 'the latin Clash' and there are definitely similarities although the Mano Negra were obviously on the scene a little later. A great album for fans, but as others have noted, maybe Puta's Fever would be a better initiation to the band.
EXCELLENT!!!.......2006-04-12
This is a mix of rithms and thoughs between Eurpoe and Latinamerica. This work reflects the reaility of LatinAmerica through songs like Senor Matanza. Excellent Job!
Good to see everyone speaks so highly of this CD........2005-12-07
Good to see everyone speaks so highly of this CD.
What can you say about Mano Negra that has not been said? This CD is one of the best top 10 Castellano rock albums of all times. How do I know this? Well besides being from Buenos Aires I have traveled Latin America and España all my life and this CD is always in any hip rock bar's jukebox from Argentina to Mexico. It's true + what Manu did with Clandestino, etc... set this cd into eternal immortality. Rock, rap, reggae, Caribbean sounds, punk, English, Castellano, French (+ you start to notice Manu playing around with the sounds bites from TV and radio on this album) Buy it and you will not be disappointed. Amazon has all from Manu and Mano Negra on here which you should check out. Look for the Bolivian mountain sessions on MP3 Download sites, also has a rare Mano Negra appearance at a French prison early 90's. " 2 de la tarde 28 minutos con radio recuerdos...tu suerte merece un chance...._" Arturo
Man, You should give this album a Chance.......2005-07-24
I MEAN IT. I WASN'T SURE TO BUY THIS ALBUM BECAUSE I WASN`T SURE IT WAS MY STYLE YOU KNOW, I WAS (AND AM) INTO SONIC YOUTH, DEAD KENNEDYS, KYUSS, HENDRIX, FUNKADELIC AND THE MARS VOLTA, BUT I BOUGHT IT A FEW MONTHS AGO AND IT IS MIND BLOWING. YOU CAN`T DOWNLOAD JUST "SOME SONGS" BECAUSE THIS ALBUM IS ALMOST A CONCEPT ALBUM, YOU GOTTA HEAR IT THE WHOLE WAY THROUGH. I DON`T GIVE A XX@@€ ABOUT THE VARIETY OF STYLES, I REALLY DIG IT BEACAUSE OF THE VERY CORE OF MUSIC ITSELF. ENERGY, PASSION, FIRE. YOU`LL NEVER GONNA GET TIRED OF THIS CD. NOW, I MEAN IT.
Creeme, es increible.......2005-03-01
La primera vez que oi la voz de Manu (el cantador) fue en mi clase de espanol hace dos anos. Inmediatamente compre su disco solo "Clandestino" y lo amaba mucho. Por eso compre Casa Babylon, y ahora es uno de mis discos favoritos. Los ritmos son perfectos para las personas que les gusta bailar (como yo) y las letras tambien son muy buenas. Dos canciones son lentas e increibles, muy poderosas: "mama perfecta" y "sueno de solentiname," y las otras canciones son mas rapidas y igualmente fantasticas. A mi parece muy sofisticada, y hay muchisimos sonidos diferentes aunque el disco es muy unido. Otros grupos/artistas que me encantan: The Beatles, The Greatful Dead, Led Zeppelin, John Coltrane, Miles Davis, The Allman Brothers, y otros grupos americanos de los 60s y 70s (musica "hippie"). (lo siento por mi espanol ojala que no sea terrible)
The first time I heard Manu's voice was in my spanish class two years ago. I immediately bought his solo cd, Clandestino, and i loved it, so I bought "Casa Babylon" and now it's one of my favorite CDs. The rhythms are perfect for people who like to dance (like me) and the words are also really good. Two songs are slow and incredible, very powerful: "mama perfecta" and "sueno de solentiname" and the other songs are faster and just as fantastic. It seems very sophisticated and there are a lot of different sounds although the disc is very united. Other bands/artists I like: The Beatles, The Greatful Dead, Led Zeppelin, John Coltrane, Miles Davis, The Allman Brothers, and other American groups from the 60s and 70s ('hippie' music).
Average customer rating:
- Crossover works!
- One of my favourite Bossa Nova album
- Great CD for Relaxing
- A Sophisticated Album
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A Day in New York
Morelenbaum2/Sakamoto
Manufacturer: Sony
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ASIN: B00009ATJC
Release Date: 2003-05-27 |
Tracks:
- Desafinado
- Bim Bom
- Insensatez
- Coracao Vagabundo
- Falando De Amor
- Chora Coracao
- Sabia
- Tango (Versao Em Portugues)
- Chega De Saudade
- Samba Do Aviao
- Fototografia
Amazon.com
The second chapter of Morelenbaum2/Sakamoto, A Day In New York picks up where the trio's moody and elegant 2002 debut, Casa, left off and broadens the vision. Rather than covering a broad spectrum of Antonio Carlos Jobim's compositions while stressing lesser-known material, as it did on the debut, Morelenbaum2/Sakamoto does five more Jobim tunes and three songs from other composers as well as three new versions of songs that also appeared on Casa. The playing on this session (a studio date tacked to the end of a tour) is a little more upbeat than the moody debut. Nonetheless, the music is again absolutely stunning thanks to additional help from guitarist Luiz Brasil and percussionist Marcelo Costa. Highlights here include classics "Desafinado" and Joao Gilberto's "Bim Bom" and "Insensitez," all of which couldn't have been done better. Filled with yearning romance, sentimental playing, and the tasteful restraint of classic bossa nova, A Day In New York is a fine follow-up to an excellent debut. --Tad Hendrickson
Customer Reviews:
Crossover works!.......2007-04-02
Two superb concert musicians playing the best of traditional Brasilian
pop-- Tom Jobim-- but in a serious manner!. Combine this with a woman whose voice would make Astrud Gilberto green with envy and you have some first rate "Thinking man's (or woman's)" music. This is creativity at its best!
Listen, read a book, WRITE a book, make love; it's the perfect background.
If you like Heavy Metal, I'd suggest you go to the junkyard and hang out with the rottweilwers.
One of my favourite Bossa Nova album.......2004-04-18
I have more than 20 titles of Bossa Nova music, from Jobim's play to Ono Lisa. This title "Day in New York" is one of my favourite. I suggest all Bossa Nova lovers should have this one. The most impressive paly is "Chega de Saudade", the best version I've ever heard. The whole feeling is just right! Very wild and sexy singer and players.
Great CD for Relaxing.......2003-08-08
I bought this CD about 2 days ago and I love it! I purchased this one a few months after thoroughly enjoy their first release "Casa." Unlike "Casa," this one is recorded live. Believe it or not, I'm enjoying their CD's more than the Antonio Jobim CD's I have in my collection!
A Sophisticated Album.......2003-07-16
The Morelenbaums, part of Tom Jobim's musical "family" have done an excellent job once again of proving that his music, some of it now almost 50 years old, is indeed timeless. Jobim's elegant and intricate melodies, combined with Vinícius de Moraes' poetic lyrics keep this music a strong statement of the seductive music Brasil has offered to the world. The brilliant addition of Ryuichi Sakamoto makes this group shine. Reading the liner notes, it would appear that this album was almost an afterthought to the tour-ending of the remarkable previous album by this group, "Casa". What a treat then that the recording was even made! "A Day In New York" is very similiar to "Casa" with a live feel to it and includes, in addition to the Jobim/de Moraes songs, one of João Gilberto's early, fun compositions *Bim Bom* and a haunting song *Coração Vagabundo* (Vagabond Heart) by the superb singer, songwriter etc., etc., Caetano Veloso, as well as a truly gorgeous new song composed, it seems, by the Morelenbaums, Sakamoto and T. Onuki called *Tango*. This song as well as all the others, is superbly sung by the beautiful voice of Paula Morelenbaum. No wonder Jobim wanted her to sing his melodies. She has the gift of being able to sing the "saudade" that is so prevelant in his music, perfectly, and has a crystal clear, sensual voice on these songs. The cello of Jaques Morelenbaum is, as always, achingly beautiful and the piano sound of Sakamoto is eerily like that of Jobim himself. The inclusion of the great guitarist, Luiz Brasil and Marcelo Costa at percussion puts this album over the top. My favorite song on the album? The heart-rending *Chora Coração* by Jobim and de Moraes. Jaques Morelenbaum says in the notes that it is "saddest song that could ever be composed". I would have to agree. Beautiful. This would make a wonderful companion album to "Casa". Here's hoping the Morelenbaums will continue to shine the Jobim light for many more years to come.
Average customer rating:
- Very Bad
- Different is not always bad!
- Pay special attention to this new promise !
- A tenor who wishes he were a baritone
- Finally, a SPINTO tenor!!!
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Jose Cura - Puccini Arias / Domingo
Giacomo Puccini , London Philharmonia Orchestra , Plácido Domingo , and Jose Cura
Manufacturer: Erato
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ASIN: B000005E5L
Release Date: 1997-10-28 |
Tracks:
- Turandot (Act III): Nessun dorma
- Turandot (Act I): Non piangere Liu!
- Gianni Schicchi: Avete torto! - Firenze ome un albero fiorito
- Il Tabarro: Hai ben ragione
- Il Tabarro: Io voglio la tua bocca - Folle di gelosia
- La Rondine (Act I): Parigi! a cittei desideri
- La Rondine (ActIII): Dimmi che vuoi seguirmi
- La Fanciulla del West (Act II): Una parola sola - Or son sei mesi
- La Fanciulla del West (Act III): Risparmiate lo scherno - Ch'ella mi creda
- Madame Butterfly (Act I): Dipende dal grado di cottura - Amore o grillo
- Madame Butterfly (Act III): Addio fiorito asil
- Tosca (Act I): Recondita armonia
- Tosca (Act III): E lucevan le stelle
- La Boh (Act I): Che gelida manina
- Manon Lescaut (Act I): Tra voi, belle
- Manon Lescaut (Act I): Donna non vidi mai
- Manon Lescaut (Act II): Ah, Manon mi tradisce
- Manon Lescaut (Act III): Ah! non v'avvicinate! - No, pazzo son
- Manon Lescaut (Act IV): Manon...senti, amor mio - Vedi, son io che piango
- Edgar (Act II): Orgia, chimera dall'occhio vitreo
- Le Villi (Act II): Ecco la casa - Torna ai felici di
Amazon.com essential recording
Good tenors are always in short supply, a particularly lamentable circumstance given the great demand for them in the operatic and symphonic repertoire. Thus, the advent of a good young tenor is always cause for rejoicing. A tenor of the caliber of Jose Cura--a composer, conductor and guitarist as well as a singer--is really good news. There is nothing wimpy about Cura's singing, nothing strained; he sings with baritonal beef and strong, chesty high notes. A protege of Placido Domingo, he shares some qualities with the older tenor, but is definitely an artist with something to say for himself. This is a career to watch. --Sarah Bryan Miller
Customer Reviews:
Very Bad.......2007-03-29
First of all, his voice does not suit for Puccini(I do not know what is fitting for him). If you buy this cd, you may listen the worst "Non piangere liu" "E Lucevan Stella" etc. He can not bring a little emotion. But Puccini demands it.
Different is not always bad!.......2006-11-26
It's very interesting to read all the reviews smashing Jose Cura for his "baritone-like" voice and supposed stiff and unvaried interpretation. The first opera I ever saw was The Washington Opera's 1997 production of Samson et Dalila (I was 13) with Jose Cura and Denyce Graves. Immediately I was converted into an opera lover! (specifically an opera-goer-lover) I don't necessarily like listening to all opera, and a lot of singer's voices still annoy me, but Jose Cura's voice is different (the source of much of the controversy...). The richness and deep quality of his voice that so contrasts with most tenor's voices (which can be rather squeaky at times) is what attracts me. And you should see this man act! A refreshing experience against the stereotypical stiff opera singer standing in the middle of the stage bellowing his/her lungs out. So please, try to actually see the man before you form an unshakeable opinion. I think his voice alone is gorgeous (especially with Puccini's incomparable work!), but pared with his charisma and ability on stage, it's irresistable.
Pay special attention to this new promise !.......2006-06-30
A talented artist, a potent and polished voice emerges to satisfy the Opera lovers all over the world.
Jose Cura is nowadays, one the most prominent figures of the Bel Canto. His charismatic presence and his timber have deserved him the best praises all over the world.
In this opportunity we may listen him singing a selection of Puccini's Arias, accompanied by Placido Domingo with the Philharmonia orchestra, a magnificent occasion to enjoy his art and impeccable timber.
A tenor who wishes he were a baritone.......2005-12-14
I bought this CD because I love Puccini above all other composers, due to the sheer emotion that he could put into his music. I also wanted to hear Placido Domingo conduct and I'm always on the lookout for a good tenor. However, this is not the CD to buy if you're looking for a good tenor. I can't help but agree with the reviewer who gave only one star, at first Jose Cura sounds great. But after I really listened I had to change my opinion. Cura sings ridiculously heavy to be a tenor. If you listen to him with the mindset that this is a tenor it's really laughable how heavy and pressed his voice is. I was reminded of Placido Domingo (Ugh) or Franco Corelli who also depressed his larynx giving him a very baritonal sound but by the time he was in his forties, when most voices really blossom, his was declining do to the tremendous weight he sang with. Cura scoops up even to middle register notes because he is unable to start on the pitch, and has one tone to his voice (except when he goes bellow mezzo forte when he has almost no control) and very little in the way of vocal expression due to the restrictions this weight puts on the voice. Now don't get me wrong, I'm not usually an opera snob (I listen to and love Josh Groban, Russel Watson, and Andrea Bocelli), but Cura truly warranted a review. I gave it two stars because I didn't think Placido did a bad job at conducting (not the best by any means but certainly not bad) and despite everything I just said, I really like Cura's performance of Nessun Dorma (I don't get why it's weak).
Finally, a SPINTO tenor!!!.......2005-10-14
I am SO happy that there is finally a tenor out there with the vocal power to sing over a Puccini orchestra but still keep the lyricism for the upper register! If your preference is for a sweeter, lighter sound, check out recordings of Carlo Bergonzi and Roberto Alagna. This is a voice meant for singing over large orchestras with some "muscle" in the low register and the ability to make high notes soar. (It also doesn't hurt that Sr. Cura is as gorgeous as his voice! :) )
Average customer rating:
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Casa De Leones
Casa de Leones
Manufacturer: Warner Music Latina
ProductGroup: Music
Binding: Audio CD
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ASIN: B000QTCXQE
Release Date: 2007-06-19 |
Tracks:
- Intro (Pa' Mi Ponce)
- Esto Es Perreo
- Potrona
- Trambo
- Dale Con Presion
- Shorty
- A Veces Pienso
- Biggie Booty Lady
- No Te Veo
- Ponte Ahi
- Listen To Me Baby
- There's No Reason
- Yo Se
- Que Paso Yal
Tracks:
- Sacala a Bailar
- Dos Palgas
- Soltura
- Te Ando Buscando
- Eh Oh Eh Oh
- Que Te Vaya Bien
- Velandote
- Ese Amor
Average customer rating:
- Mesmerizing
- NOT TO BE MISSED
- The Perfect Rendition?
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Strauss: Four Last Songs, Arabella/Della Casa (Vier letzte Lieder)
Manufacturer: Decca
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Binding: Audio CD
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ASIN: B00004XQ8H
Release Date: 2000-10-10 |
Tracks:
- Four Last Songs: Beim Schlafengehen
- Four Last Songs: September
- Four Last Songs: Fruhling
- Four Last Songs: I'm Abendrot
- Arabella: Er ist der Richtige nicht fur mich...Aber der Richtige
- Arabella: Der Richtige - so hab ich stets zu mir gesagt...Und du wirst mein Gebieter sein
- Arabella: Das war sehr gut, Mandryka
- Ariande auf Naxos: Es gibt ein Reich
- Capriccio: Orchestral introduction
- Capriccio: Wo ist mein Bruder?
- Capriccio: Morgen mittag um elf!
- Capriccio: Kein Andres, das mir so im Herzen loht
- Capriccio: Ihre Liebe schlagt mir entgegen
Customer Reviews:
Mesmerizing.......2004-10-20
From the day it was released all those years ago, this remains one of the most beautiful (Strauss) recordings ever made. It's been available in different versions (I have the earlier release that includes the Wesendonck Lieder with Flagstaf), but it's worth it to get this one for the opera arias. I'm not a big fan of these operas, but it's unlikely you'll ever hear them sung with more beauty or understanding. You may have another favorite recording of the Songs, but you owe it to yourself to listen to what Della Casa does here. And not to slight Bohm either; he obviously knew this music inside out, and is miles ahead of most of his competition.
NOT TO BE MISSED.......2000-11-26
As one record reviewer put it: "It was a voice unlike any other." Indeed, for sheer vocal beauty no one matches Lisa della Casa, and a quick sampling of this disc's contents will demonstrate why Strauss himself identified her as his ideal Arabella. The voice's glory was its upper register: full, free, intensely colored, and exciting. But she had other gifts: superlative breath control (amazing in this music), naturalness of utterance, and perfect diction. Her tone quality suggests restrained emotion, and although she is Swiss, I can think of no singer who evokes Viennese elegance better. I like lots of singers past and present, and I admire many, but I worship this voice. If the house were on fire, I'd grab this CD before jumping out the window.
Although the Boehm-led 'Four Last Songs' are a classic performance, I find they are my least favorite part of this recording. Boehm's tempos are a little fast and della Casa, for all her beauty, sounds disengaged. But from then on she is matchless. The 'Arabella' duets are stunning, both for the singer's high level of vocal accomplishment and her ability to convey the character's changing moods. She sounds so genuine and unaffected and the voice is so gorgeous that I find myself drawn into the drama as with no other singer. She has good partners in Gueden and Schoeffler, but Poell brays relentlessly. Her rendition of the passage beginning "Und du wirst mein Gebieter sein" is my number one tear-inducing moment in all of recorded history. The 'Ariadne' aria is nicely sung, although she was even better a few years later for EMI/Testament. The 'Capriccio' final scene is ravishing from beginning to end, with della Casa's voice soaring gloriously above the Vienna Philharmonic's lush carpet of sound. For once you will see the moonlight shimmer during the orchestral interlude. It's almost too rich and delicious, like Sachertorte for breakfast.
Decca's remastering brings the singer forward and gives the orchestra more presence, but am I the only one who misses some high frequencies as a result? Although there are some terrific Strauss sopranos around these days, no one should be without della Casa. She DEFINES Strauss singing. Don't deny yourself this superlative musical experience.
The Perfect Rendition?.......2000-10-10
Lisa della Casa's recording of the Four Last Songs has been a part of my life for the past twenty years; and in my book it beats all the competition, past, present and (probably) future. It may not be your perfect rendition, because one's response to a voice is such a personal, unpredictable thing; but it is certainly mine. Della Casa's shimmering, silvery soprano soars radiantly above the lush, romantic orchestration; and even after many, many times of listening to this disc, I still find something new in it. I never get tired of it, and it never fails to move me. The excerpts from Arabella are also excellent, although not as well recorded as the Four Last Songs. However, they reward repeated listening, and they preserve della Casa's celebrated interpretation of Arabella (her most famous stage role). Even if you have heard other interpreters of the Four Last Songs, and have your own favourite, please give this a try. For sheer tonal beauty, it cannot be beaten.
Average customer rating:
- FABULOUS!
- Eduardo Carlos Leon
- Unique and pleasant.
- Emotional, Powerful, Fizzy
- Infernal Violins
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Infernal Violins
Manufacturer: Analekta
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ASIN: B00015EDL6
Release Date: 2007-04-03 |
Tracks:
- Danse Macabre
- Allegro Con Fuoco - Lento - Allegro Vivace - Andante
- Allegro
- I. Larghetto Affettuoso
- II. Allegro Energico / III. Grave - Allegro Assai
- Les Beautes Du Diable
- Pantomima
- Danza Ritual Del Fuego
- Mephisto Waltz No.1
- Le Diable Matou
- Caprice No.24
- Le Reel Du Diable
- Andante Sostenuto
- Allegro Con Molto
- Paint It Black / Sympathy For The Devil
- Once Upon A Time... The Devil
Amazon.com
Angèle Dubeau is a remarkable violinist, and here, she and her all-woman, 12-strong (including herself) group, La Pieta, tackle some of the showiest---and most interesting---virtuoso pieces composed or transposed for solo violin and strings, in various combinations, and occasionally featuring a piano. The violin tone at the start of Saint-Saens' Danse Macabre has a warmth which stays with us throughout the disc, despite the fact that so many of the pieces are razzle-dazzle. Hearing the delicious can-can from the overture to Orpheus in the Underworld so thrillingly played, with as much emphasis on the piano as the violin, is a treat, and the "Fire dance" from El amor brujo positively throbs. There's great skill---even daring---in the Tartini "Devil's Trill" sonata and a Boccherini Sonata, but the string tone never turns strident. And as a complete surprise, Dubeau and her group offer an arrangement of The Rolling Stones' "Paint it Black" which teases and riffs before getting into the melody, then plays it in the lower reaches of the instrument, and is then joined by the piano, allowing it to reach upwards and jazzily improvise---and then she throws in a moment or two of "Sympathy for the Devil" (!) before it concludes with the original melody. There are other joys on this CD as well---this is not your everyday violin bon-bon recital. It's all highly recommended. --Robert Levine
Album Description
This mischievious recital celebrates works inspired by the Devil: from Tartini's Devil's Trill, written after the composer dreamt that he had sold his soul to the Devil, to the infernal whirlwinds of Saint-Saën's Danse Macabre and Dompierre's Les Beautés du diable, composed specifically for La Pietà. It also pays homage to Paganini, the famed violinist who once confided to a friend that the Devil led him by the hand. This program shows an impish sense of humor as well... it features a unique arrangement of The Rolling Stones' Paint it Black and Sympathy for the Devil! Angèle Dubeau is one of Canada's most prominent recording artists. belonging to the exclusive group of Canadian classical soloists who can boast of having attained "gold" sales status. She is also the founder and director La Pietá. This CD is packaged with a bonus DVD featuring video clips and live concert excerpts.
Customer Reviews:
FABULOUS!.......2007-02-15
I ADORE this CD. I first heard it on the local classical music station and my ears picked right up. "What IS that?" It was so alive, so vibrant. The station only plays it about once a year, but each time it catches my attention. "Ah, that's Angele Dubeau." The selections are a mix of new and old. Two of the new pieces are by Francois Dompierre; his "Le Diable matou" is one of my favorites. I play this CD over and over and over...
I disagree with the reviewer who said you must love violin music to enjoy this. I do enjoy the violin, but I think the CD's power and reach go far beyond violin lovers.
The CD also includes a DVD of concert excerpts.
Give this CD a try. I'm so glad I did.
Eduardo Carlos Leon.......2007-02-01
The sound is tight and fresh.But take heed--only a person who love`s violin works would enjoy this c-d.And i would be one of those persons.ESP.Hot Women with violins!!!
Unique and pleasant........2006-12-23
It is refreshing to hear something new. The tracks are old favorites but the sound is new. Different. And in a good way.
Not the same old interpretations sped up or slowed down. But a genuine new groove down a familiar road.
She is a great violinist and has a knack for interplay with the rest of the band. It's not a flashy highly technical performance like you may expect from Perlman or Mutter. But not on the emotional ragged edge like Sonnenberg. But something in between with a new twist.
Emotional, Powerful, Fizzy.......2005-05-19
Long a stodgy devotee of baroque music, with the first few notes of this strong stuff I became an addict. Over and over again I play this CD, never quite anticipating the power and emotional bang of the music as it plays - even though I know the notes by now. If you ever studied Walter Piston's "harmony" the structures and transitions are back-of-the-book stuff, but the push is all elemental, basic, built-in, the familiar 1-4-5 with musical sequins, trampolines, backflips, and gelginite. Wow. And then some.
I'm so besotted, I had a couple of 13-year old boys (my son and a friend) listen to it in the car one day. They were bug-eyed after a couple of cuts, and not with horror. Now they ask for it, and yell with glee when the musical tension breaks over their heads in crashing chords.
Can I add a few more stars?
Infernal Violins.......2004-04-12
This music is fantastic. Because the violin she uses is a Stradovarius, the music pours like liquid velvet out of it. The choices of compositions are fantastic also. I think her interpretation of them along with the violin and her back-up group are what make this album so outstanding.
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