Sur o No Sur

Amazon.com
It's hard to imagine a more disjointed upbringing than Kevin Johansen's: the songwriter grew up in Alaska and Argentina (to an American father and Argentinean mother). As an adult he spent a decade in New York City honing his chops and writing. Since moving to Buenos Aires in 2000, he's become one of Argentina's biggest pop stars thanks to a mildly psychedelic American-style folk song sung in English entitled "Down With My Baby," which is included on Sur O No Sur. The rest of album is filled with same kinds of cultural paradoxes: he mixes the traditional and the modern while peppering his nicely polished pop gems with salsa, samba, rock, rap, reggae, cumbia, country, hip-hop, and tango. Singing in both Spanish and English (and Spanglish), Johansen has the deep baritone of Leonard Cohen, yet his lyrics are far from somber, telling us that he doesn't take himself too seriously. Other highlights included here are the impossibly infectious "Puerto Madero" and the carnival-like title track. --Tad Hendrickson

Sur o No Sur,Kevin Johansen + the Nada,Kevin Johansen & The Nada,Sony International,Argentina,Folk-Pop,Latin,Latin Folk,Latin Music,Latin Pop,Latin Pop/Rock,United States of America

Jazz

Music

jazz

Tracks:

Louise (Acte 3): Depuis le jour ou je me suis donnee
Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
La rondine (Act 1): Chi il bel sogno di Doretta
Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
Carmina Burana (No. 21): In trutina
Vier Lieder, Op. 27 No. 4: Morgen!
Vocalise, Op. 34 No. 14: Vocalise
Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
LUNA: Epilogo
Chants d'Auvergne, Series 1: Bailero

Amazon.com essential recording

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

Customer Reviews:

The best of the best........2007-04-11

I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.

Beautiful and creamy voice.......2006-02-28

I like so much Ren?e Fleming and this is special cd !

Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30

IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.

The most gorgeous soprano voice I've ever heard.......2006-01-02

I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.

Wow!!!.......2005-09-28

This album is the album that introduced me to Renee Fleming. Every selection on this recording is a gem. Her voice is so gorgeous and her technique is so solid. I love her voice so much, her interpretations of J. Strauss, Jr.'s Csardas is incredible and Puccini's Chi il bel sogno di Doretta makes me cry everytime I listen to it. She is a true American treasure. Brava Renee!!!

Average customer rating:

Not all the arias were her best
DIDN'T QUITE FULFIL MY REQUEST
Fair Enough
Fleming's High Points Well Covered in Compilation CD
Beautiful indeed!

Renee Fleming: By Request
Vincenzo Bellini , Alfredo Catalani , Antonin Dvorak , George Gershwin , Erich Wolfgang Korngold , Jules Massenet , Wolfgang Amadeus Mozart , Giacomo Puccini , Sergey Rachmaninov , Richard Rodgers , Richard Strauss , Giuseppe Verdi , Heitor Villa-Lobos , Georg Solti , James Levine , Jeffrey Tate , Patrick Summers , Sir Charles Mackerras , Lee Ritenour , Chamber Orchestra of Europe , and Renee Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
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Sacred Songs
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Haunted Heart

ASIN: B0000C3ICO
Release Date: 2003-09-16

Tracks:

O Mio Babbino Caro
Ebben? ... Ne Andro Lontana
Porgi, Amor
Come Scoglio
Casta Diva
E Strano...Ah Fors E Lui...Sempre Libera
Un Bel Di Vedremo
Je Marche Sur Tous Les Chemins...Gavotte
Mesicku Na Nebi Hlubokem (O Silver Moon)
Vocalise
Cacilie
Marietta's Lied
Summertime
Bachianas Brasileiras No.5: Aria (Cantilena)
You'll Never Walk Alone

Amazon.com

This is a compilation--plus three previously unreleased selections--of some of the glorious Renée Fleming's finest work, 15 selections covering 13 composers. The rose-in-full-bloom quality of the voice is staggeringly beautiful: Her rendition of Rusalka's "Song to the Moon" is justly famous and is, alone, worth the price of this CD. Other highlights are Marietta's Lied from Korngold's Die tote stadt, an odd arrangement of the aria from Villa-Lobos's Bachianas Brasilerias No. 5, Manon's Gavotte, and a knock-down-gorgeous reading of Gershwin's "Summertime." The three new recordings are of Violetta's big first-act scene from La traviata, which features one of the most perfect trills heard since Joan Sutherland, a thrilling Cäcilie (R. Strauss), and a version of "You'll Never Walk Alone" which is so over the-top that it might make you look away in embarrassment. On the basis of this CD, one would have to acknowledge that Fleming is more interested in--and more successful at--pure singing than she is at character delineation (Butterfly sounds oddly like Wally who sounds too much like Norma), but it's not hard to tell why she's a superstar. Her voice and technique are one in a million. --Robert Levine

Album Details

"by Request" is a Collection of Fleming's Greatest and Most Popular Recordings Including Works by Mozart, Bellini, Pucchini, Verdi and Dvorak. Featuring Recordings from Renee Fleming's Outstanding Decca Discography Together with Two Glorious Tracks Strauss "Cacilie" and Verdi's "la Traviata" a Role Fleming Performed to Critical Aclaim Earlier in 2003.

Customer Reviews:

Not all the arias were her best.......2005-01-15

There is something lacking. Although most of these are indeed her "Best" releases, some things could have been left out. Her O Mio Babbino Caro and her Casta Diva weren't her best efforts at all. Casta Diva, sung to perfection by other revered artists, sounded too breathy and fearful here. It has good chest notes, and it is definitely better than Joan Sutherland's Norma though. Her O Mio Babbino Caro is the usual aria sung in its usual way, without leaving any trace of awe at an ability of a singer to interpret the aria. Rachmaninov's Vocalise was good, and it was great of Decca to release her Song to the Moon on this disc. However, some new additions weren't all that good as well. For example, if you listen to her excerpt from La Traviata, you will find that she sounds like she was singing jazz when uttering out "Gioir!". I think Decca should have issued the live performance version of this instead. That was so much better. Also, they should have showcased more of the bel canto repertoire she had specialized in. That would have made this CD a gem!

DIDN'T QUITE FULFIL MY REQUEST.......2004-11-22

THIS CD DEFINITELY BRINGS OUT THE BEST IN HER REPERTOIRE. SHE IS SOLID, WARM, AND BRILLIANT ON MOST OF THE SONGS. SINCE I OWN MANY OF HER CDS MOST OF THE TRACKS I HAVE IN DUPLICATE. EVEN SO EACH VERSION HAS A DIFFERENT FEEL TO IT. HER "O MIO" IS GREAT BUT GENERALLY I FEEL THAT KIRI TE KAWANA IS A LITTLE CLEARER THAN RENEE. HER "Ebben?...Ne Andrò Lontana" IS ALWAYS BRILLIANT FROM HER HIGH ENDS TO THE NECESSARY LOW NOTES TO FINISH THIS GLORIOUS TRACK. HER COUNTESS HAS ALWAYS BEEN A STRONG AND POWERFUL CHARACTERIZATION AND HER BUTTERFLY TEETERS ON HAPPINESS AND PAIN. THESE RICH LYRIC ROLES DESERVE A SOPRANO LIKE RENEE. I WAS HOWEVER, VERY DISAPPOINTED THAT SHE ADDED "SEMPRE LIBERA" TO THIS CD AS SHE'S NEVER BEEN A COMPELLING VIOLETTA AND CAN'T EVEN MUSTER THE HIGH "C" WE ALL EXPECT NOW A DAYS. HER RUSALKA IS ALWAYS MESMERIZING AND HER SIMPLICITY ON GLUCK'S "Das Mir Verblieb" WAS AN INCREDIBLE SURPRISE. I FOUND THE OTHER SONGS BORING DUE TO THE FACT THAT I DON'T LIKE THEM AND I KIND OF WISHED SHE WOULD HAVE REPLACED THEM WITH SOME BETTER WORKS. I MISSED HER SOFT AND DEFEATED "AVE MARIA" FROM OTHELLO OR HER FULL BODIED SPOILED MUSETTA IN "QUANDO MEN VO" OR HER RICH SADNESS IN "DOVE SONO"

Fair Enough .......2004-10-01

This is a compilation. I can't say love them I think thatpeople want to be surprised by new things, instead of um things they already own.On the other hand a die hard fan wouldn't mind having an extra cd by their favorite artist.Fair Enough.There was one aria that was new to me"Cantilena Brasileras"by Villa Lobos that was very striking.Her voice flows like an unimpeded stream with a lush vibrato.Like I read in one kid's review "Renee has a silky,creamy, instrument that is very beautiful and caresses the ear",couldn't have said it better myself. I agree. One smart kid!!! One thing that I have to comment on that will not escape is the dull cover picture. Renee get a better photographer;you're far more beautiful than that. I'm sounding like her mother,dear lord! She is a fox!

Fleming's High Points Well Covered in Compilation CD.......2004-09-06

Just one listen to the high points of this disc will make you realize why Renée Fleming is an opera superstar. Covering a ten-year period, this compilation disc covers a most fertile period for Fleming, absolutely one of the world's leading lyric and dramatic sopranos. What is particularly impressive is how many different styles she has covered, ranging from Italian bel canto to French Romanticism to Rodgers & Hammerstein. She effortlessly sings in six different languages, including what sounds like flawless Czech on Dvorak's "Měsíčku na nebi hlubokén" (which goes back to her family roots). Her powerful voice is expressive, almost buttery, which allows the listener to enjoy the coloratura agility she has mastered over the years and the tonal qualities she specifically defines for each aria. This is most evident on my two personal favorites - "Ebben?...Ne scoglio" from Catalani's "La Wally" (which will sound familiar to fans of the French eighties noir film, "Diva") where her crystalline voice complements the increasing power of the melody, and the haunting "Mariettas Lied" from Korngold's "Die tote Stadt".

Fleming also has a good sense of the characters she is portraying, for instance, on the "La traviata" aria, "È stano...Ah, fors'è lui...Sempre libera", one gets a strong sense of Violetta's conflict between the attractions of true love versus the free life of a courtesan. She also gets some sturdy help from tenor Joseph Calleja as Alfredo in this piece. But even in this number, the effect of her daunting runs and trills can be a bit overwhelming. She does keep this in check with the slower-paced tracks like "Casta diva" from Bellini's "Norma", which uses a choir in the background to great effect, and Rachmaninov's lovely "Vocalise". The well-worn "Summertime" from Gershwin's "Porgy and Bess" is nicely covered here, and it certainly invites comparisons to even Leontyne Price's definitive version. Fleming ends the disc with a rousing version of Rodgers & Hammerstein's "You'll Never Walk Alone" from "Carousel" that grows a bit too bombastic for listening comfort. Regardless, this disc provides a nice sampling of what this truly great singer has done over the past decade. A treat for her fans and highly recommended for anyone who wants an ideal introduction to her range of talent.

Beautiful indeed!.......2004-07-19

I'm very happy with this CD. She has a lovely voice! And what a fox! ;)

Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras

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Simply beautiful
Simply Sublime
LUSH AND PASSIONATE!
Beautiful!
Only Kiri

Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras
Marie-Joseph Canteloube , Heitor Villa-Lobos , Jeffrey Tate , Kiri Te Kanawa , English Chamber Orchestra , and Instrumental Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Canteloube - Chants d'Auvergne / Victoria de los Angeles
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Joseph Canteloube: Chants d'Auvergne
Canteloube: Chants d'Auvergne
Kiri

ASIN: B00000427R
Release Date: 1995-11-14

Tracks:

La Pastoura als Camps
Bail ro
Trois Bourr es
Pastourelle
L'Antou no
La Pastrouletta lou Chibali
La Dela ssado
Bour es
Lo Fiolair
Passo pel Prat
Lou Boussu
Brezairola
Malurous qu'o uno Fenno

Tracks:

Chants d'Auvergne: Jou l'pount d'o Mirabel
Chants d'Auvergne: Oi ayai
Chants d'Auvergne: Per l'efon
Chants d'Auvergne: Tchut, tchut
Chants d'Auvergne: Pastorale
Chants d'Auvergne: Lou Coucut
Chants d'Auvergne: Obal, din lo coumb
Chants d'Auvergne: Quand z'eyro petitoune
Chants d'Auvergne: Laut, sur le rocher
Chants d'Auvergne: HBeyla-z-y dau f
Chants d'Auvergne: Postouro, su m'aymo
Chants d'Auvergne: Uno jionto postouro
Chants d'Auvergne: Lou diziou b
Bachianas brasileiras: Aria (Cantilena)
Bachianas brasileiras: Dansa (Martelo)

Customer Reviews:

Simply beautiful.......2005-08-07

Kiri Te Kanawa has one of the most beautiful operatic voices and no cd displays this better than Canteloube: Chants d'Auvergne. These folk songs, sung in a french dialect, are sung perfectly by Kiri Te Kanawa. You do not need to understand the language to feel the emotions the songs evoke. This is a simply beautiful cd and Kiri is flawless.

Simply Sublime.......2004-02-27

What is it about these wonderful songs that tend to bring out the best in some of the world's finest sopranos?

There are so many fine recordings of these songs.

The great Frederica Von Stade recorded a quite mesmerizing selection of the Auvergne songs at about the same time as Dame Kiri. There is the lovely recording by the legendary Victoria De Los Angeles, a selection of the songs many of us grew up on.
There is the seminal first complete recording (and then some, as I recall) by the late Natania Davrath, a much under-appreciated artist who, in many ways, is responsible for the popularity these songs enjoy today. Even Anna Moffo recorded a lovely handful of the songs in the 60s conducted by no less than Leopold Stokowski!

And then there is Dame Kiri. We know her. We love her. We have come to expect the best from her. We have come to always expect more from her, in fact, than from just about anyone else.

So unfair. We expect her to jump the musical hurdles of our emotional connections to music and art in a way we expect from few others.

And yet she so seldom disappoints. Is this the absolute best recording of the Chants d'Auvergne ever? Such a personal choice. Who is to say?

I can tell you this, once I heard this truly remarkable set, which has literally sent chills up my back since the the first time I heard it all those years ago, I knew my search for the recording of these songs I would keep near me forever was over.

Here is an interpretation combining, in equal measure, patrician elegance with almost peasant-like eloquence. She renders song after song, some deceptively complicated, with a divine simplicity that simply defies the imagination.

I don't know how Dame Kiri achieved this miraculous feat. It must have come from the heart, because it certainly goes to mine.

And finally, it would be unthinkable not to give credit to the exquisite playing of the English Chamber Orchestra and the always sensitive collaboration of conductor Jeffrey Tate.

LUSH AND PASSIONATE!.......2003-03-09

These traditional songs from the Auvergne region of France, arranged and orchestrated by Joseph Canteloube, are so intensely beautiful that when I requested a classical radio station to play some of them, motorists stopped on the highway to phone in their thanks.

I first heard a selection of these songs 30 years ago, performed by Anna Moffo, and fell in love with them. It's wonderful to find a complete recording of all 5 series on this 2 CD set, sung by Kiri te Kanawa with enormous talent and verve. Whether the mood is passionate, playful, mocking, tender, mournful or-an emotion few composers have ever captured-helpless with pleasure, these pieces have one thing in common: they are the work of a master orchestrator at the height of his powers, using the fullest resources of the modern orchestra. You will not find more beautiful music than this!

Beautiful!.......2001-08-28

In my opinion, this is one of Kiri's better recordings. Her voice, while always gorgeous, is fresh and light here, and her interpretation, while not riveting, is certainly not boring. Musically, this is a wonderful collection, very romantic and lush in sound. A very worth-while recording.

Only Kiri.......2001-07-13

Dame Kiri te Kanawa has just the voice and character to make this music live. Her voice has a spiritual quality (as opposed to a human quality) that suits the fantasy and seductive qualities of the music. However, her characterization is not void of human qualities, a reminder that these are human feelings. The orchestra under Jeffrey Tate copes very well with the virtuosic writing for woodwinds and stratospheric strings. I heard Renee Fleming's recent interpretation of Bailero and the characterization was more human. Their voices are quite similar, but if you want angelic qualities, Kiri is the angel.

Average customer rating:

Good, but lacks some of the ritmo and fun of Guacamole
Absolutely great
Kevin is a world class musician
Mellow
One of the best albums I own

Sur o No Sur
Kevin Johansen + the Nada , and Kevin Johansen & The Nada
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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Nada
City Zen
City Zen
Llueve
Eco

ASIN: B0000JD29W
Release Date: 2003-11-18

Tracks:

Sur O No Sur
Star Estrella
Puerto Madero
La Procesion
Daisy
Timing
Down with My Baby
Chill Out James
Cumbiera Intelectual
No Seas Insegura
Sur O No Sur
Accion
La Chanson De Prevert
Hindue Blues
Go On
Hacele Caso
La Tangpmana
Me Fui Pal Monte
Candombito
He Andao

Amazon.com

It's hard to imagine a more disjointed upbringing than Kevin Johansen's: the songwriter grew up in Alaska and Argentina (to an American father and Argentinean mother). As an adult he spent a decade in New York City honing his chops and writing. Since moving to Buenos Aires in 2000, he's become one of Argentina's biggest pop stars thanks to a mildly psychedelic American-style folk song sung in English entitled "Down With My Baby," which is included on Sur O No Sur. The rest of album is filled with same kinds of cultural paradoxes: he mixes the traditional and the modern while peppering his nicely polished pop gems with salsa, samba, rock, rap, reggae, cumbia, country, hip-hop, and tango. Singing in both Spanish and English (and Spanglish), Johansen has the deep baritone of Leonard Cohen, yet his lyrics are far from somber, telling us that he doesn't take himself too seriously. Other highlights included here are the impossibly infectious "Puerto Madero" and the carnival-like title track. --Tad Hendrickson

Customer Reviews:

Good, but lacks some of the ritmo and fun of Guacamole.......2007-03-09

I love many of the songs on this cd but it lacks some of the ritmo that really made me love all of Guacamole and some of the quirkiness too. Definitely worth having though because it is still more entertaining and fun to listen to than most cds out there.

Absolutely great.......2005-07-16

Kevin is witty, fun and deep at the same time. I got the CD a couple of days ago and can't stop playing it.

Kevin is a world class musician.......2005-03-16

I have heard music far and wide from classic to hard rock from Corse music to china. I single out Kevin as an extremely talented musician. His music although unconventional is elaborate with stunning musicality.

Mellow.......2005-03-10

This is not your typical music in any sense. Kevin uses instruments in ways I have never seen before, and his topics range from tourism, moving to or from south america(he does not tell which), intellectual women, etc.
The lyrics can be very intertaining, and the instruments, once you get used to them you may certainly come to enjoy them.
However the main problem lies in the range of Kevin's voice. It is not very good, and in my opinion he would do better if he found another singer to sing along some of the songs.

One of the best albums I own.......2004-12-05

I knew Kevin when he was 15. We went to the same crazy literary workshop at La Escuela Del Sol in Buenos Aires. He had the deepest, sexiest voice I had ever heard and he still does! I bought Sur o No Sur first and played it constantly and endlessly in my car. Then I bought Nada and did the same. He's absolutely unique. A great singer and songwriter, playing with great musicians, having fun. What I find funniest is that I've incorporated some of his funny lines into my regular conversation with friends.

The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)

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Music and the Great War
How a Century Has Change Our Perception of War
Excellent Recording!
Good music, bad title

The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)

Manufacturer: Sony
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Binding: Audio CD

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Great War
Over There - Songs From America's Wars
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Songs That Got Us Through WWII

ASIN: B00000HXKX
Release Date: 1999-01-12

Tracks:

Military March No. 1 In D Major, Op. 39: Pomp Ad Circumstance
Waltz Fom Der Rosenkavalier Suite
'Von der Schonheit' From Das Lied von der Erde
'De l'aube a midi sur la mer' From La Mer
Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
L'histoire du soldat Suite - IV. The Royal March
L'histoire du soldat Suite - V. The Little Concert
Le tombeau de Couperin - V. Menuet
Le tombeau de Couperin - VI. Toccata
Sinfonia From Pulcinella Suite
Walzer From Funf Klavierstucke, Op. 23
Interlude From Wozzeck, Act III
Prologue From Music Ffor The Theatre
'Shine On Harvest Moon'
'Alexander's Ragtime Band' - Irving Berlin
'Over There'
'How You Gonna Keep'em Down On The Farm (After They've Seen Paree)?'
'The Man I Love' From Stride Up The Band
'West End Blues'

Amazon.com

The first two-thirds of this disc is a fascinating cram course in concert music around the time of World War I. The programmer has put together some fascinating juxtapositions--for example, Strauss's Rosenkavalier leads almost seamlessly into Mahler's Das Lied von der Erde, and Schoenberg sounds out of context with everybody (including Berg). The selections are all short, and performance quality runs from great to mediocre, but this is still a thought-provoking educational experience, even though Bartók and Ives are conspicuously missing. The popular selections are less interesting, often campy, and although vintage recordings are used, they aren't always the right vintage. And someone missed a point by separating Copland's jazzy "Music for the Theatre" from Louis Armstrong, who could have followed immediately. --Leslie Gerber

Customer Reviews:

Music and the Great War.......2007-05-14

This is a fascinating compendium of popular and classical music from the World War One period. It evokes all the turmoil, anguish, and also humor, of the age, and is a vital CD to own if you have an interest in the Great War and the music it inspired or was inspired by.

How a Century Has Change Our Perception of War.......2005-10-29

War. Tough subject these days - tough subject since the beginning of time. Yet Americans tend to mend wounds and gradually allow the atrocities of yesteryear to fade into coated cases that signal more memories of 'how things used to be' rather than learning from the tragedies with which war has scarred the planet. National Public Radio issued this excellent memoir at the turn of the millennium and one wonders if it now has the same response that greeted it in 1999.

Linda Kobler reconstituted this mix of classical and popular music with a keen sense of history. The CD is twice divided (in both the classical and the popular music) into 'Before the War' 1901 - 1917, 'During the War' 1917 - 1922, and 'After the War' 1922 - 1928. In the first era are the works of Elgar ('Pomp and Circumstance'), Strauss (a waltz from 'Der Rosenkavalier'), Mahler (excerpt from 'Das Lied von der Erde'), and Debussy ('La Mer') joining the songs 'Shine On Harvest Moon' and 'Alexander's Ragtime Band'. The War period is represented by Prokofiev's 'Symphony No. 1', Stravinsky's 'L'histoire du soldat', and Ravel's 'Le tombeau de Couperin' in tandem with 'Over There'. After the war include Stravinsky ('Pulcinella Suite'), Schoenberg (Waltz from 'Five Piano Pieces'), Berg (excerpt from 'Wozzeck') and Copland ('Music from the Theatre') with popular songs 'How you gonna keep 'em down on the farm', 'The Man I Love', and 'West End Blues'.

The excerpts selected for this survey are exceptionally good: orchestras include NY Phil, LA Phil, Philadelphia Orchestra, London Symphony, and the Columbia Symphony under such batons a Ormandy, Bernstein, Salonen, Tilson Thomas, Schippers and Stravinsky; soloists include Glen Gould, Robert Casadesus, Lili Chookaskian, Louis Armstrong, et al. The sonics are very fine and the performances are each from significant full recordings remaining in the catalogue.

The booklet accompanying this concert of memories is written by Linda Kobler who uses each selection as a pivotal point in the atmosphere of the globe that accompanied the Great War: it is very well written and informative. This is one of those recorded collections that goes far beyond an accumulation of bits and pieces and instead gives food for thought about how our political and social actions intertwine with the arts in a prophetic way. Highly Recommended. Grady Harp, October 05

Excellent Recording!.......1999-03-13

(It was called The "Great" War, because nobody knew about WWII at the time and it was the biggest war anyone had ever seen.)

I think this CD may be a bit choppy to "easy" listeners, but for anyone who has a sincere interest in delving into the musical senses of earlier generations it's VERY good! I recommend the entire NPR Milestones of the Millennium series to such aficionados.

Good music, bad title.......1999-02-11

Since when is war great? Life in the trenches waiting for the germans to attack you worrying about whether mustard gas is gonna loft your way isn't exactly like sipping chablis.

Average customer rating:

One of my most-played CDs
One of the best sets of organ works
Mystic!
By All Means Get This CD
To be fair...

In A Quiet Cathedral

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Canons | Forms & Genres | Classical | Styles | Music

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Suites | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

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General | Chamber Music | Classical | Styles | Music

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Similar Items:

Organ Favorites
The Music of St. Paul's Cathedral
A Vaughan Williams Hymnal
Bach: Great Organ Works
The Great Organ at Methuen - Bach: BWV 540, 542, 582, 643, & 737

ASIN: B0000006Z0
Release Date: 1994-08-02

Tracks:

Op. 122, No. 5: Chorale Prelude: Schumcke dich, o liebe Seele
Air
Prelude On The Welsh Hymn Tune 'Rosymedre'
Pastorale On 'Forest Green'
Prelude In E-Flat Major
BWV 731: Chorale Prelude: Liebster Jesu, wir sind hier
Adagio (For Glass Harmonica) K. 356
Sonata I in F Minor, Op. 65: Adagio
BWV 647: Choral Prelude: Wer nur den lieben Gott lasst walten
Cantata No. 147: Jesu, Joy of Man's Desiring
Aria
Lotus (Lotus Blossom)
Irish Air From 'County Derry' (Londonderry Air)
Jerusalem, My Happy Home
Suite in D: Air On The G String
Adagio In E Major
The Good Shepherd
Op. 18, No. 10: Magnificat I
Symphonie Gothique, Op. 70: Andante sostenuto

Tracks:

Fiori Musicali: Toccata per l'Elevazione
Chorale Prelude: Meine Seele erhebt den Herren
Prelude And Fugue In F Minor, Op. 7, No. 2
Canon In B Major, Op. 56, No. 6
Pieces de Fantaisie, Op. 53: Clair de lune
Vocalise
Pieces en style libre, Op. 31: Berceuse
Strings, Op. 11: Adagio
Meditation
Sonatina: Very Slowly
Trois Paraphrases Gregoriennes: Ave Maria, Ave Maris Stella
Chant de Paix (Song Of Peace)

Customer Reviews:

One of my most-played CDs.......2005-10-13

This is one of my most frequently played CDs. I find it perfect background music for meditation, prayer, reading and other tasks, as well as a good CD that doesn't disturb people at work.

This is not intended to be organised as a church service or a concert performance per se, but rather, as the co-producer Carol Rosenberger states, 'this album is meant to recreate an experience many of us have treasured: slipping inside the doors of a cathedral and finding oneself alone in a vast, quiet space with light streaming through stained glass windows. The organist begins to play gentle music, and one is lost in contemplation...'

As a churchy person, I've often had the experience of working or sitting in an empty church while the organists or their students practiced. This recording in many ways reminds me of that experience. Of course, our organ is a far cry from the pipe organ in Atlanta's Cathedral of St. Philip, with over 5000 pipes (and our church does not have a 5-second delay reverberation, either), 4 manuals and 96 ranks. This Aeolian-Skinner organ is a genuinely stunning instrument, but as with any instrument, it takes the right performer to bring out the fullness of the sound from it.

Todd Wilson is just such a performer. His playing is solid and well-suited for this task, with occasional flashes of brilliance. Mozart's 'Adagio', Bach's 'Jesu, Joy of Many's Desiring', and Barber's 'Adadio for Strings' (here arranged for the organ) are truly wonderful pieces. The programme here is a diverse collection of pieces from Baroque, Renaissance, and later pieces, including folk tunes and a few modern compositions. Todd Wilson is a church organist and music director at Church of the Covenant in Cleveland, Ohio (a city with not insignificant music resources and life), and is also head of the Organ Department at the Cleveland Institute of Music. He has had an international performance and recording career.

I applaud the decision to make this a double-disc set - the producer writes that there was just too much good music to limit the selection. Thus, there is a method to the organisation, given the availability of two discs. The first disc has more simple pieces, easily recognisable melodies and well-known hymn/sacred pieces. The second disc has a bit more complexity of music.

There is a booklet that is particularly designed for young people, so that they may become more familiar with the organ as an instrument, and this type of music.

This is a truly wonderful recording.

One of the best sets of organ works.......2005-02-20

This is a superb set of organ works. Strongly recommended.

Mystic!.......2003-12-28

The Æolian-Skinner organ in St.Philip's Cathedral, Atlanta is the finest example on Earth of eclectic organ...and the last- really-marvellous instrument erected by this firm. Flutes and Erzählers speak directly from Heaven...and the organ, despite electric, seems to have tracker action! Listen to Bach's BWV 731 and 648: they sound like played on a Silbermann instrument!
Todd Wilson is a delicate musician, a poet of the organ and a genius in the choice of the stops.
Buy also the other recordings of this Æolian-Skinner by Robert Delcamp (Naxos) and Alan Morrison (Gothic)...and don't forget that Michael Murray recorded in St.Philip's Cathedral for Telarc the finest rendition of Poulenc's "Concerto in sol minore per organo, archi e timpani" under the direction of the late Robert Shaw.

By All Means Get This CD.......2003-09-06

I found this wonderfully relaxing CD above and beyond my expectations. Do you enjoy organ music, then listen and explore the sacred music of J.S. Bach. This music will relax you: keep your muscles relaxed as you work on a time deadline for a large project, or doing some casual items around the house.

To be fair..........2003-04-04

The hiss that one reviewer refers to is undoubtedly the organ's wind supply. The wind can be heard on most organ recordings.

Average customer rating:

WOW
From the Keyboard
From the Top, and from the heart.
Michael Hawley

Christopher O'Riley At The Break

Manufacturer: From the Top
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Hold Me to This: Christopher O'Riley Plays Radiohead
True Love Waits: O'Riley Plays Radiohead
Scriabin: Vers la flamme
Home to Oblivion: Elliott Smith Tribute
British Guitar Music

ASIN: B00005RG4Y
Release Date: 2001-10-01

Tracks:

Guastavino: Cantilena, No. 4
Rachmaninoff: Etude-Tableau in D Major, Op. 39, No. 9
Rameau: Le Rappel des Oiseaux
Rachmaninoff: Daisies, Op. 38, No. 3
Delibes-ORiley: "Viens, Mallika!" from Lakme
Rachmaninoff: Etude-Tableau in f#-minor, Op. 39, No. 3
Chopin: Prelude in F# Major, Op. 28, No. 13
Debussy: La Fille Aux Cheveux De Lin
Rameau: La Villageoise
Davies: Farewell to Stromness
Severac Ou L'on Entend Une Vielle Boite A Musique
Rachmaninoff: Prelude in G Major, Op. 32, No. 5
Milhaud: Corcovado
Rachmaninoff: Prelude in c minor, Op. 23, No. 7
Rachmaninoff: Lilacs Op. 21, No. 5
Rachmaninoff: Prelude in g# minor, Op. 32, No. 12
Rachmaninoff: Prelude in D Major, Op. 23, No. 4
Rameau: Musette En Rondeau
Mozart: Gigue in G Major, K. 574
Rameau: Rigaudons 1 & 2
Rameau: Tambourin
Guastavino: Mariana
Prokofiev Masquers
Schumann: Zart Und Singend from "Davidsbundlertanze" Op. 6
Chopin: Mazurka in e-flat minor, Op. 6, No. 4
Bartok: Finale, Fifteen Hungarian Peasant Dances
Chopin: Prelude in d minor, Op. 28, No. 24
Poulenc: Babar et Celeste
Guaraldi: Christmastime is Here

Album Description

"Christopher O'Riley At the Break" is the new compact disc by the renowned concert pianist and host of "From the Top," the hit public radio showcase for America's best pre-collegiate classical musicians.

This collection of 29 works for solo piano is a compilation of pieces O'Riley played on "From the Top," which is heard on more than 200 radio stations nationwide. These pieces were performed at the mid-point of the broadcasts, a required break of approximately 2 minutes during which many stations insert locally generated announcements.

According to Chris O'Riley, "It depends on one's local station, and its own use of `the breaks.' This collection serves as a fondly renewed acquaintance with some favorites of mine as well as some pieces a bit further off the beaten path. For other listeners, this is a great group of exquisite miniatures - a premiere entree into many new worlds."

From the Top is a creation of Concert Productions, Inc. in association with WGBH Radio Boston and New England Conservatory, its home and educational partner. Public Radio International distributes the program. From the Top receives support from the U.S. Department of Education, the National Endowment for the Arts, the Massachusetts Cultural Council, as well as individuals, foundations and corporations.

Customer Reviews:

WOW.......2002-09-01

As a fan of From the Top, and a young classical singer myself...I adore Chris O'Riley and his fabulous piano playing. Each work is played with emotion and meticulous care, creating a truly wonderful listening experience!

I highly recommend this sparkling disk to any fan of From the Top, or those who just enjoy classical music! Purchase today!~Bravo

From the Keyboard.......2002-03-09

Fans of NPR's popular show "From the Top," a showcase for young classical musicians, will recognize Chris O'Riley as the show's fun loving host. Thanks in no small part to O'Riley's easygoing way with kids and his fine accompaniments, the show not only presents good music, but manages to be playful and funny as well. This collection of 29 piano pieces are taken from those O'Riley plays during the mid-program break on the show, and demonstrate the depth and range of his talent. Included with the CD information are short notes by O'Riley in which he describes his connection to each piece and what he is trying to accomplish when he plays it. Particular favorites of mine include Guastavino's Cantilena, No. 4, Rachmanioff's Lilacs, Op. 21, No. 5 and Rameau's Tambourin. However, fans of Chopin, Debussy, Prokfiev and Mozart will also find something to satisfy. This is a CD that I will be returning to again and again

From the Top, and from the heart........2002-01-26

Gorgeous music beautifully played. This is a wonderfully eclectic set of pieces, some familiar, many rare, all of them played with warmth and personality. I love Christopher's eclectic tastes. The Guastavino pieces were new to me, and they're gems. The Rameau is exquisitely played. The Rachmaninoff is familiar, but it's awfully nice to hear it played with a fresh personal feeling. Pieces like the Milhaud, or Poulenc's "Babar and Celeste", or O'Riley's own transcription of the Delibes, or Maxwell-Davies' "Stromness" -- all of them are wonderfully evocative. The program notes are every bit as thoughtful and engaging as you'd expect given such a marvellous selection and such stylish playing.

There are some real treasures here. And you might also enjoy "From the Top," the public radio show O'Riley hosts. Best thing to happen to music since Bernstein's Young Person's concerts.

MJH

Michael Hawley.......2002-01-26

This truly is a collection of gems, both in the selection and in the playing. Christopher O'Riley has wonderful eclectic taste, a beautifully lyric style, and a knack for finding out of the way and not-yet-known treasures (and putting new luster on the regular old treasures!). The pianism is exquisite: beautiful touches in the Rameau, and especially in the delicate Rachmaninoff pieces. Several of the pieces, like the Guastavino (which are fabulous) and Davies' "Farewell to Stromness" (wonderfully evocative of those tough, remote Scottish isles), and his own arrangement of that beautiful Delibes -- these were very happy discoveries for me.

All of these little pieces (though some are not so little!) are full of love and life. The thoughtful program notes were appreciated and enjoyed as well. The sound is great.

It's a wonderful CD. Buy it. And listen to the radio show, too: FROM THE TOP. Best thing to happen to music since Bernstein's Young People's concerts.

Tracks:

La Marseillaise (French National Anthem) - Placido Domingo
Dome Epais Le Jasmin (Flower Duet) - Joan Sutherland
L'amour Est Un Oiseau Rebelle - Regina Resnik
C'est Toi...Au Fond Du Temple Saint - Gregory Cross
Belle Noit, O Nuit D'amour - Joan Sutherland
Apres Un Reve - Renee Fleming
L'invitation Au Voyage - Gerard Souzay
Cantique De Jean Racine, Op.11 - Choir Of St. John's College, Cambridge
Rachel, Quand De Seigneur - Leopold Simoneau
O Vin, Dissipe La Tristesse - Sherrill Milnes
Je Suis Titania - Beverly Sills
Ah, Ou Va La Jeune Indoue - Joan Sutherland
Les Filles De Cadix - Angela Gheorghiu
Mon Coeur S'ouvre A Ta Voix - Marilyn Home
Alerte! Alerte!...Anges Pur - Nuccia Focile

Tracks:

Frere Jacques - Rita Streich
Air De Letter: Mon Chet Amant - Regine Crespin
Marthe Dieu Soit Loue...Deposons Les Armes (Soldiers' Chorus) - Robert Massard
In Paradisum - L Union Chorale de La Tour De Peliz
Villanelle - Regine Crespin
Je Veux Vivre - Joan Sutherland
Chanson A Boire - Gerard Souzay
L'Enigme Eternelle - Suzanne Danco
Sur Le Pont D'Avignon - Hilde Guden
Phidyle - Gerard Souzay
Les Gars Qui Vont A La Fete - Gerard Souzay
Notre Amour - Sylvia McNair
Beau Soir - Elly Ameling
C'est L'extase Langoureuse - Sylvia McNair
Puisqu'on Ne Peut Flechir Ces jalouses Gardiennes-Vainement Ma Bien-Aimee - Alfredo Kraus
Il Est Doux, Il Est Bon - Angela Gheorghiu
Hotel - Gilles Cachemaille
Petite Dinde, Ah! Quel Outrage - Maggie Teyte
Bailero - Kiri Te Kanawa
Brezairola - Kiri Te Kanawa
Malurous Qu'o Uno Fenno - Kiri Te Kanawa

Canteloube - Chants d'Auvergne / Victoria de los Angeles

Average customer rating:

I Found It Sublime.
de los Angeles: Song of the Auvergne

Canteloube - Chants d'Auvergne / Victoria de los Angeles
Marie-Joseph Canteloube , Jean-Pierre Jacquillat , Victoria de los Angeles , and Orchestre des Concerts Lamoureux
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music
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Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras
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Joseph Canteloube: Songs Of the Auvergne
Lakme
Joseph Canteloube: Chants d'Auvergne

ASIN: B00000K4FG
Release Date: 1999-09-14

Tracks:

Songs Of The Auvergne: La Pastoura als camps (Series I, No. 1)
Songs Of The Auvergne: Bailero (I - 2)
Songs Of The Auvergne: Trois Bourrees (I - 3): 1. L'aio de rotso
Songs Of The Auvergne: Troi Bourrees (I - 3): 2. Ound' onoren gorda
Songs Of The Auvergne: Trois Bourrees (I - 3): 3. Obal, din lou Limouzi
Songs Of The Auvergne: L'Antoueno (II - 2)
Songs Of The Auvergne: La Pastrouletta e lou Chibalie (II - 3)
Songs Of The Auvergne: La Delaissado (II - 4)
Songs Of The Auvergne: Lo Calhe (Bourree) (II - 5b)
Songs Of The Auvergne: Lo Fiolaire (III - 1)
Songs Of The Auvergne: Passo pel prat (Grande) (III - 2)
Songs Of The Auvergne: Lou Boussu (III - 3)
Songs Of The Auvergne: Brezairola (III - 4)
Songs Of The Auvergne: Malurous qu'o uno fenno (Bourree) (III - 5)
Songs Of The Auvergne: Oi, ayai (IV - 2)
Songs Of The Auvergne: Pour l'enfant (IV - 3)
Songs Of The Auvergne: Chut, chut (IV - 4)
Songs Of The Auvergne: Pastorale (IV - 5)
Songs Of The Auvergne: Lou Coucut (IV - 6)
Songs Of The Auvergne: Obal, din lo coumbelo (V - 1)
Songs Of The Auvergne: La-haut, sur le rocher (V -3)
Songs Of The Auvergne: He! beyla-z-y dau fe (Bourree) (V - 4)
Songs Of The Auvergne: Te, l'co, te! (V - 6)
Songs Of The Auvergne: Uno jionto postouro (Regret) (V -7)

Customer Reviews:

I Found It Sublime........2002-04-05

I recently acquired a large hard drive for my computer and set about loading my favorite CDs for instant listening while working in my home office. In that process I came upon this CD, but do not remember buying it. To be able to quickly jump from track to track, I loaded it and expected to make a quick decision whether to keep it or not, expecting the not. (I believe that I ordered this CD due to the similarity of the title with a CD of Jean Ferrat's that is quite special to me.)
WOW! Was I wrong! So wrong that I don't mind admitting it.
Victoria de los Angeles is one of the greats. Her command of her voice is superb. Her phrasing leaves me breathless. The previous reviewer called her voice too heavy for these songs. While I have not heard the works he/she noted, I did not have that reaction. The selection of works is marvelous. I cannot recommend this CD higher. I recommend it for the true classic connoisseur, for the person who 'just' likes classics, and for the person who likes some classics but not all and needs to hear a recognizable tune.
A last comment, my first thought was that the recording suffered because I (mistakenly) felt that the source of her voice in the recording was too removed from the microphone. I was wrong again. In fact the balance of her clear, soprano voice to the orchestra is perfect.

de los Angeles: Song of the Auvergne.......2001-11-08

De los Angeles's singing can be wonderful, as in her "On the Wings of Song." I find her voice too heavy for this music. I much prefer the version of the late Netania Davrath. Madline Grey's is also better.

Average customer rating:

Berlioz's ambitious Op. 1 is well worth hearing
It is really good!
Francophiles take note!

Berlioz: Huit Scènes de Faust

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Berlioz - La Révolution Grecque (Grandes Oeuvres Chorales)
Berlioz: Benvenuto Cellini

ASIN: B0000B0A0D
Release Date: 2003-11-11

Tracks:

I Chants De La Fete De Paques - Susan Graham
II Paysans sous Les Tilleuls - Susan Graham
III Concert De Sylphes - Susan Graham
IV Ecot De Joyeux Compagnons - Susan Graham
V Chanson De Mephistopheles - Susan Graham
VI Le Roi De Thule - Susan Graham
VII Romance De Marguerite - Choeur De Soldats - Susan Graham
VIII Serenade De Mephistopheles - Susan Graham
L'Imperiale, Op.26 - Choeur De L'Orchestre Symphonique De Montreal
Sur Les Iagunes (Lamento) - Choeur De L'Orchestre Symphonique De Montreal
Le Chasseur Danois, Op.19 No.6 - Choeur De L'Orchestre Symphonique De Montreal
Plaisir D'amour - Choeur De L'Orchestre Symphonique De Montreal
Hymne Des Marseillais - Choeur De L'Orchestre Symphonique De Montreal

Customer Reviews:

Berlioz's ambitious Op. 1 is well worth hearing.......2006-03-12

Berlioz was fired up by reading Goethe's Faust in its first French translation, and the result from the 25-year-old was his Op. 1, Eight Scenes from Faust. It deals almost not at all with the events in the Damnation of Faust, which would follow 16 years later. Instead, Berlioz set various dances and poems to music for chorus and soloists (choosing a different combinaiton for each scene). Even at this stage, however, his Faust music is evocative and sounds fully like Berlioz, if somewhat simplified. Various melodies that would appear in the later Faust treatment make their first appearance here. Since the composer withdrew the work soon after publication, recorded versions are rare. Neither Munch (RCA) nor Colin Davis (Philips) included it in their extensive surveys.

A charged-up conductor like Munch could make more of this music than the somewhat phlegmatic Dutoit. But as usual, Decca gives him gorgeous sound and the choral and orhcestral forces from Montreal are expert. Of the four soloists Susan Graham is the standout; her voice in 1995 was at its freshest. Everyone else is good to very good. The remainder of this 68 min. CD, roughly half, is devoted to individual vocal pieces that Berlioz orchestrated, including one song from Les Nuits d'Ete (interesting for being sung by a baritone rather than a higher femaile voice) and Berlioz's grandiose arrangement of the Marseillaise. In all, a very satisfying detour into Berlioz's minor works, worth a listen or two.

It is really good!.......2005-10-04

I love my Faust CD, it is really good! But I'd really love to see Faust performed live, maybe if I still lived in the 18th Century when the music was composed(not sure if factual) I'd go and see it performed in person. But ohh well, who knew time machines weren't yet invented??
Later

Francophiles take note!.......2005-09-11

This is a recording meant to rejoice in the French spirit. Charles Dutoit leads Orchestre symphonique de Montréal, the Montreal Symphony Chorus, and soloists through a spectrum of works by Hector Berlioz that range from the sublime to the mundane. The juicy programming ends in a 'make the audience stand' version of Claude-Joseph Rouget de Lisle's 'La Marseillaise' for full chorus and orchestra!

Along the way there are 'Huit Scénes de Faust, for solo voices, chorus, orchestra & guitar' which benefit from the luxurious singing of Susan Graham, Suzanne Mentzer and some other fine vocalists. Dutoit coaxes a thoroughly French sound (!) from his forces and the result is ravishingly beautiful. Also included on this disc are lesser known works such as 'L' impériale, cantata for double chorus & orchestra', a mildly out of context excerpt from 'Les Nuits d'été' (Sur les lagunes) sung by a male (François Roux) which gives a different slant to the cycle, 'Le Chasseur danois, for baritone & piano (or orchestra)', and a lovely rendition of the ever-popular 'Plaisir d'amour' by Johann Paul Aegidius Martini effectively sung by François Roux.

It is a mixed bag but the good moments far overshadow the lesser ones. If for nothing else the collectors of Susan Graham's recordings will most assuredly want to add this CD to their collection! Grady Harp, September 05

Jazz Music:

Jazz Music

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