Triptico 1 [Original recording remastered] [Import]

1. Me Veo Claramente (Introduccion)

2. Domingo Rojo

3. Nuestro Tema

4. El Tren Blindado

5. Mi Lecho Esta Tendido

6. Camino A Camaguey

7. El Vagabundo

8. Cancion De Invierno

Editorial Reviews

Product Description
Digitally Remastered. Originally Released in 1984.

Triptico 1,Silvio Rodriguez,EMI Int'l,Cuban,Latin,Latin Pop

Music

jazz

music

Tracks:

Me Veo Claramente (Introduction)
Domingo Rojo
Nuestro Tema
Tren Blindado
Me Lecho Estendido
Camino a Camag Isabel Santos)
Vagabundo
Cancion de Invierno

Album Details

Digitally Remastered. Originally Released in 1984.

Average customer rating:

Awesome musicality
Fabulous? Yes!!!

The Fabulous Victoria De Los Angeles

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Songs Of Spain / De Los Angeles, et al
The Very Best of Victoria de los Angeles
Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

ASIN: B000002S5G
Release Date: 1994-02-15

Tracks:

Sheherazade: Asie
Sheherazade: La Flute enchantee
Sheherazade: L'Indifferent
Cinq Melodies populaires grecques: Le Reveil de la mariee
Cinq Melodies populaires grecques: La-bas vers l'eglise
Cinq Melodies populaires grecques: Quel galant m'est comparable
Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
Cinq Melodies populaires grecques: Tout gai!
Duex Melodies hebraiques: Kaddisch
Duex Melodies hebraiques: L'Enigme eternelle
L'Invitaiton au voyage
Phidyle
L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
Poeme de l'amour et de la mer: La Fleur des eaux
Poeme de l'amour et de la mer: Interlude
Poeme de l'amour et de la mer: La Mort de l'amour

Tracks:

Cinco Canciones Negras: Cuba dentro de un piano
Cinco Canciones Negras: Punto de habanera
Cinco Canciones Negras: Chevere
Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
Cinco Canciones Negras: Canto negro
Coleccion de canciones amatorias: Llorad corazon
Coleccion de canciones amatorias: Iban al pinar
Cuatro madrigales amatorios: Con que la lavare?
Cuatro madrigales amatorios: Vos me matasteis
Cuatro madrigales amatorios: De donde venis, amore?
Cuatro madrigales amatorios: De los alamos vengo, madre
Cinco canciones playeras espanolas: Rutas
Cinco canciones playeras espanolas: Pregon
Cinco canciones playeras espanolas: Las 12
Cinco canciones playeras espanolas: El pescador sin dinero
Cinco canciones playeras espanolas: Coplilla
Quatre cancons: Canco de grumet
Quatre cancons: Cancon incerta
Quatre cancons: Maig
Quatre cancons: Anacreontica
La Dama d'Arago
El can dels ocells
Canco de Sega
El combat del somni: Damunt de tu nomes les flors
El combat del somni: Aquesta nit un mateix vent
El combat del somni: Jo et presentia com la mar
Triptic de Mossen Cinto: L'Harpa Sagrada
Triptic de Mossen Cinto: Lo violi de Sant Francesh
Triptic de Mossen Cinto: Sant Fransech i la cigala

Tracks:

Chansons de Bilitis: La Flute de Pan
Chansons de Bilitis: La Chevelure
Chansons de Bilitis: Le Tombeau des Naiades
Fetes galantes: En sourdine
Fetes galantes: Fantoches
Fetes galantes: Clair de lune
Noel de enfants qui n'ont plus de maisons
Chants populaires: Chanson espagnole
Chants populaires: Chanson francaise
Chants populaires: Chanson italienne
Chants populaires: Chanson Herbraique
Trois jours de vendange
Le Rossignol des lilas
Tristesse, Op. 6, No. 2
Au bord de l'eau, Op. 8, No. 1
Les Roses d'Ispahan, Op. 39, No. 4
Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
Siete Canciones populares espanolas: El pano murano
Siete Canciones populares espanolas: Sequidilla murciana
Siete Canciones populares espanolas: Asturiana
Siete Canciones populares espanolas: Jota
Siete Canciones populares espanolas: Nana
Siete Canciones populares espanolas: Cancion
Siete Canciones populares espanolas: Polo
Doce canciones gallegas: As florinas dos toxos
Triptico, Op. 45: Farruca
Villancicos: Pastorcito santo
Psyche
Soneto a Cordoba

Tracks:

Proserpina: E dove t'aggiri
Le violette
Joshua: Oh! had I Jubal's lyre
Der Tod und das Madchen, D. 531
Die schone Mullerin, D. 795: No. 2: Wohin?
D. 547: An die Musik
Op. 59, No. 8: Dein blaues Auge
Op. 84, No. 4: Vergebliches Standchen
Op. 27, No. 1: Chanson d'amour
Op. 46, No. 2: Clair de lune
Let Us Wander
Lost Is My Quiet
Schlaf in deiner engen Kammer
Ah! lamenta, oh bella Irene
Irish Songs: Oh! Would I Were But That Sweet Linnet
Irish Songs: He Promised Me At Parting
Irish Songs: They Bid Me Slight My Dermot Dear
Welsh songs: The Dream
Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
Les Fleurs des landes: Le Trebuchet
Moglichkeit
Der Apfel
Schottische Ballade
Pastorale
Pleurs d'or
Sapphische Ode
La Partenza

Amazon.com

The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns

Customer Reviews:

Awesome musicality.......2006-07-26

This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.

Fabulous? Yes!!!.......1999-09-13

The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.

I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.

Tracks:

Una Voce Poco Fa
Non So Piu
Voi Che Sapete
Temerari!...Some Scoglio
Ch'io Mi Scordi Di Te?...Non Temer, Amato Bene
Che Faro Senza Euridice?
Che Puro Ciel!
Divinites Du Styx
Medea! O Medea!...Solo Un Pianto
Mi Lusinga Il Dolce Affetto
Verdi Prati, Selve Amene
Quand Je Vous Aimerai?...L'amour Est Un Oiseau Rebelle - The Ambrosian Singers
Pres Des Remparts De Seville - Placido Domingo
Cruda Sorte! Amor Tiranno!
Nacqui All'affanno...Non Piu Mesta

Tracks:

Ahi! Che Forse Ai Miei Di
Intorno All'idol Mio
Confusa, Smarrita
Qual Mia Colpa, O Sventura...Se Delitto E Adoravi
Chi Vuol Innamorarsi
La Rosaura (Un Cor Da Voi Ferito)
Elitropio D'amor
Como Quieres Que Adivine
Mananita De San Juan
Cuatro Canciones Vascas
Saeta En Forma De Salve A La Virgen De La Esperanza
El Tra-La-La Y El Punteado
El Majo Timido
La Maja Dolorosa
Farruca
El Pano Moruno
Seguidilla Murciana
Asturiana
Jota
Nana
Cancion
Polo
Sagrario's Romanza
Margarita's Romanza
Txalopin Txalo
Nere Maitea
Atea Tan Tan
Tun, Kurrun, Kuntun
Arranoak Bartuetan
Ainoarra Nimino
Anderegeya
Amak Ezkondu

Customer Reviews:

A FORTY YEAR LOVE AFFAIR.......2004-09-02

The lack of a fifth star reflects the shortcomings of Decca, not of the artist.

DISCLAIMER: What you are about to read are the judgments of a man not completely rational about the subject at hand.

Teresa Berganza has the most gorgeous female voice I've ever laid ears on. There, I've said it! Biased? Proudly. Smitten? To my core. From the moment I heard her in recital forty years ago, until this very day, I have been completely enamored of this gracious and sensitive artist. I own, I think, every note she has ever recorded. I have seen her in recital or on the opera stage several times, and I have never heard a vulgar sound emerge from her throat. The sheer depth and harmonic richness of her mezzo simply shower warmth and luxury on the listener.

She is also arguably the most versatile singer of the last generation. Most people think of her as just a Mozart and Rossini specialist, and indeed she is. But her repertoire ranges from Cesti to Stravinsky, from Fernando Sor to Mussorgsky to Villa Lobos. She has also been a devoted advocate for the music of her native Spain, along with Latin and South American music. At a Carnegie Hall recital the program included Faure, Schubert, Mozart, Wolf, de Falla, Rodrigo, Garcia Lorca, and Toldra, with encores of Gimenez, Rossini, and Schumann. Phew! One might think it impossible to hold together such a varied program, but Berganza did it seamlessly.

Now to the appointed task. This Decca compilation is a mostly fair cross section of her core work. I could gripe about the inclusion of material that is available on multiple other CDs, or prattle on about this omission or that, but considering how generously this package is filled out, I'd be arguing for an extra disc or two.

The Rossini on the disc doesn't require much comment. A true mezzo with voluptuous tone, a completely secure and supple fioratura, and the temperament to make the character come alive... what else could one possibly want? It's hard to imagine a Naqui all'affanno... Non piu mesta sung with more bravura brilliance. Much the same thing could be said of the Mozart. Finding something to criticize would require a truly picayune personality. The 1963 Mozart LP on London put Berganza firmly on the international map. The reviews were extravagant with praise, and the selections here are some of the finest, although the inclusion of Come scoglio shows the least flattering side of her vocal talents - the tessitura lies just a bit too high for her compass. The nearly complete CD version of the LP is available on Decca's "The Singers" series, where you can sample her Dorabella and Sextus.

Disc 1 is rounded out with selections from Handel, Gluck, Bizet, and Neris's second act recitative and aria from Medea. To enter a note of criticism, I find the Gluck rather straight-jacketed; she certainly doesn't have the cutting edge or the horsepower to make Divinites du Styx very convincing. The Orfeo tracks suffer some of the same deficits, although, because the voice is not overtaxed, she is able to maintain equilibrium of tone, but in the end they come up flat sounding. These problems are more than made up for by her Ruggiero from Handel's Alcina and Neris's heart-rending aria, where her strengths are fully evident. The chestnuts from Carmen give a taste of what is certainly one of the most unusually conceived assumptions of this often hackneyed role. This is no tramp cigarette girl, but a fully realized independent woman, whose goals will not be thwarted by mere convention - and Berganza has the vocal and dramatic resources to back it all up. The recording is still in the DGG catalog - snap it up.

If the contents of disc 2 seem a bit scattered, that would be because they are a bit scattered. This is where Decca should have made more coherent choices. The most grievous example: Arambarri's Ochos canciones vascas comes form a 1967 Zacosa LP. The fact that the flip side of that record, Gombau's Siete claves de Aragon, is omitted borders on the incomprehensible. Both of these song cycles are piquant, wonderfully conducted by Gombau himself, and show Berganza's interpretative range in singing Spanish music, plus they are perfect companion pieces. As fine as they are, we did not need the umpteenth incarnation of her collaborations with her then husband, pianist and composer Felix Lavilla.

These discs are billed as having four "First international releases" on CD (whatever that means). But de Falla's Siete canciones populares espanolas has appeared on at least two discs that I know of. Possibly it was never released in the Philippines. The Arambarri and the two zarzuela songs are the other "firsts." Speaking of zarzuela... for anyone unfamiliar with this delightful and important genre, you are in for a treat. It is often referred to as Spanish operetta, but that fails to hit the mark. These are musical slices of working class Madrid streetlife, with a unique combination of the rough and the refined, all shot through with a verve that is utterly Spanish. Once bitten by this bug, you will find it difficult to not learn more. The excerpts presented here give only a tiny peek into the enormous amount of this music Berganza sang. From the mid 50's through the early 70's she committed thirty-some (!) of these roles to tape. Many of them are available on CD in Spain (the transfers, however, are among the worst I've ever heard). For present purposes, I would have included one of the rhythmically passionate or playful songs, instead of picking two rather melancholic romanzas. If one wants a better survey of her contribution to zarzuela, they can seek out the two still available discs on Ensayo, with Asensio and the English Chamber Orchestra. With such rivals as Caballe, de los Angeles, and Bayo, it is a tribute to Berganza's commitment to the form that these recordings are the best ever.

The remainder of the recording presents some truly wonderful songs. Among my favorites are all of the Scarlatti. Because she is so acutely aware of the value of rhythmic flexibility and pacing, she is able to reveal all the subtlety in the work of this baroque genius. The Guridi tracks show her skill in mating the music with the words, with perfect dynamics and some tricky intervals that are flawlessly negotiated. It's a shame there wasn't room for the whole song cycle of this unfairly neglected composer. Manual de Falla's Siete canciones don't reach the same rare heights of, say, Granados' La maja dolorosa, but Berganza makes it seem so. The Seguidilla and Jota are particularly sprightly and fetching. Finally, the Farruca of Turina combines her ability to effortlessly spin out a high lying line, then switch into the song's rapid passage work without any trace of the shifting of the gears..

As for the recording quality, the various tracks pretty much reflect the recording technology of their time. The only exception to a range of pretty good to excellent is the Arambarri. The recording is shrill and thin, with some badly clipped peaks. What a pity; the LP is well recorded, and I know a good transfer is possible, because I've done my own with an outdated computer and $69 worth of software. Sometimes I wonder whether anyone actually listens to what the final product sounds like. As with most every twofer, no texts and translations are included.

The subtitle of this release is A portrait of Teresa Berganza, and it does a decent job of living up to its billing, but it's only one portrait of an incredibly versatile artist, whose spell I've been under for my entire adult life. If this has all ended up sounding more like a paean to Berganza than a record review, I plead guilty.

Average customer rating:

Triptico V.1
Silvio Rodriguez
Manufacturer: Bmg
ProductGroup: Music
Binding: Audio CD
ASIN: B000051SU9
Release Date: 1999-11-15

Tracks:

Me Veo Claramente
Domingo Rojo
Nuestro Tema
El Tren Blindado
Mi Lecho Esta Tendido
Camino A Camaguey
El Vagabundo
Cancion De Invierno

Album Details

Reissue of the Original Album, Released in 1984. Digitally Remastered.

Around the World in Under 80 Minutes: Organ Music From Many Lands

Average customer rating:

Around the World in Under 80 Minutes: Organ Music From Many Lands
Samuel Coleridge-Taylor , Sir Charles H.H. Parry , Dale Wood , Claude-Beninge Balbastre , Johann Sebastian Bach , Franklin Ashdown , Pietro Yon , Georgi Mushel , James H. Spencer , Angelo Camin , Ramon Noble , Seth Bingham , Powell Weaver , and John Philip Sousa
Manufacturer: Arkay Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music
ASIN: B00001P4RZ
Release Date: 1999-10-05

Tracks:

Trumpet Tune in A (For The Queen Mother)
Canada Pacific Railway
Canadian Wedding March
Comin' Thro' the Rye
The Planets: 'Jupiter' Theme
Impromptu, Op. 78, No.1
Jerusalem
Ar Hyd Y Nos (All Through The Night)
Toccata
Marche Des Marseillois Et l'Air Ca-ira
Toccata in d, BWV 538 ('Dorian')
A Tuscan Adagio
Humoresque 'L'Organo Primitivo'
Toccata
Chinese Boy And Bamboo Flute
Scherzo
Triptico Mexicano: La Bamba
Toccatina
Sailing Over Jordan
The Squirrel
The Liberty Bell

Average customer rating:

Cancions y Danzas, Vol. 2

Manufacturer: Channel Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
ASIN: B00000I43X
Release Date: 1999-01-12

Tracks:

Dedicatoria - Vc Octet Conjunto Iberico/Elias Arizcuren
Nunca Olvida
Cantares
Los Dos Miedos
Las Locas Por Amor (Op.19 Poema En Forma De Canciones)
Rima
Saeta En Forma De Salve (Op.60)
Farruca (Op.45 Triptico)
El Fantasma
La Giralda (Op.37 Canto A Sevilla)
Granadina
Tonada De La Nina Perdida
Murciana
Asturiana
Canto Andaluz
Saeta
El Vito
Melangia - Vc Octet Conjunto Iberico
Cuba Dentro De Un Piano
Punto De Habanera
Chevere
Cancion De Cuna Para Dormir A Un Negrito
Canto Negro

Lebendige Vergangenheit: Victoria de los Angeles Vol. 2

Average customer rating:

Lebendige Vergangenheit: Victoria de los Angeles Vol. 2

Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
ASIN: B0009A4124
Release Date: 2005-10-25

Average customer rating:

Triptico, Vol. 1
Silvio Rodriguez
Manufacturer: Spartacus
ProductGroup: Music
Binding: Audio CD

Cuba | Caribbean & Cuba | International | Styles | Music

General | International | Styles | Music

General | Latin Music | Styles | Music

General | Pop | Styles | Music

Caribbean & Cuba | International | Indie Music | Stores | Music
ASIN: B00005YNSK
Release Date: 1995-10-27

Tracks:

Me Veo Claramente (Introduction)
Domingo Rojo
Nuestro Tema
Tren Blindado
Me Lecho Estendido
Camino a Camag Isabel Santos)
Vagabundo
Cancion de Invierno

Average customer rating:

Spanish Divas

Manufacturer: Retro Music
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Easy Listening | Pop | Styles | Music

Classical | Imports | Stores | Music

Opera & Vocal | Imports | Stores | Music
ASIN: B000AM4Y7I
Release Date: 2006-09-25

Tracks:

Il Trovatore, Opera - Tacea La Notte Placida...
Il Trovatore, Opera - I Tale Amor...
Il Trovatore, Opera - Siam Giunti... Vanne, Lasciami...
Il Trovatore, Opera - D'amor Sull'ali Rosee...
La Traviata, Opera - E' Strano!... Strano!... Ah, Fors'Lui...
La Traviata, Opera - Follie!... Follie!... Sempre Libera Degg'io...
La Traviata, Opera - Teneste La Promessa...
La Traviata, Opera - Addio, Del Passato...
Luisa Miller, Opera - Lo Vidi, E 'L Primo Palpito...
Luisa Miller, Opera - Tu Puniscimi O Signore...
Luisa Miller, Opera - A Brani, A Brani, O Pereido...
Il Pirata, Opera - Oh! S'io Potessi... Col Sorriso D'innocenza...
Un Ballo In Maschera, Opera - Ecco L'orrido Campo...
Un Ballo In Maschera, Opera - MorrMa Prima In Grazia...
Ernani, Opera - Surta La Notte...
Ernani, Opera - Ernani, Ernani Involami...
Ernani, Opera - Tutto Sprezzo Che D'ernani...
Songs (4) For Voice & Piano, Op. 43 - Von Ewiger Liebe
Canzones Castellanas (6) For Voice & Piano - Jota
Canzones Castellanas (6) For Voice & Piano - No Quiero Tus Avellanas
Triptico, For Voice & Piano, Op. 45 - 1. Farruca
Stornellatrice, Song For Soprano & Piano, P. 69 (From Opera "Re Enzo")
Joshua, Oratorio, Hwv 64 - O Ht' Ich Jubals Harf
Tonadillas Al Estilo Antiguo, Songs (10) For Voice & Piano, H. 136-La Maja Dolor
Tonadillas Al Estilo Antiguo, Songs (10) For Voice & Piano, H. 136 El Majo Discr
Tonadillas Al Estilo Antiguo, Songs (10) For Voice & Piano, H. 136-El Mirar De L
Der Nussbaum ("Es Gret Ein Nussbaum Vor Dem Haus"), Song For Voice & Piano (My
Canciones Epigramicasel Retrato De Isabela
Canciones Epigramicas - El Amor Y Los Ojos
Saeta En Forma De Salve A La Virgen De La Esperanza, For Voice & Piano (Or Orche
Hlame De Amores
Cantos Populares Espales (20), For Voice & Piano-15 Pa Murciano
Cantos Populares Espales (20), For Voice & Piano - 18 El Vito
E Se Un Giorno Tornasse, Recitative For Mezzo-Soprano & Piano, P. 96
Cantares, Poema En Forma De Canciones For Voice & Piano (Or Orchestra), Op. 19/3
Clavelitos!, For Voice & Piano

Album Description

Two of the greatest Spanish sopranos of the 20th century on this 2CDset. Recordings have not been available since 1990.

Album Details

Two of the Greatest Spanish Sopranos of the 20th Century, with One Disc Apiece in this Double Album Set. The Montserrat Caballe Recordings have Not Been Available Since the Early 1990s; Victoria De Los Angeles' Recordings have Been Scarce.

Jazz Music:

Jazz Music

jazz music