| 1. Mira Que Gris |
| 2. Escualo |
| 3. Si Vos Decis |
| 4. T-33 |
| 5. Retiro |
| 6. Herir Sin Darse Cuenta |
| 7. No Roots |
| 8. Mago |
| 9. Grito |
| 10. Sub |
| 11. Tropical Depresión |
| 12. Balada del Zope |
Sub,Bohemia Suburbana,Head Music,Latin,Rock,Rock en Español,Rock/Pop
Average customer rating:
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Werewolves and Lollipops (W/DVD)
Patton Oswalt Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RGSOM8 Release Date: 2007-07-10 |
Tracks:
- Here We Go
- America Has Spoken
- Beautiful People And A Bridge Troll
- Clean Filth
- Miracle Of Childbirth, The
- You Are Allowed 20 Birthday Parties
- Dukes Of Hazzard, The
- Alternate Earth
- Best Week Never
- Physics For Poets
- At Midnight I Will Kill George Lucas With A Shovel
- Bubble Of Sanity
- Sterling, Virginia
- Racist Cell Phones
- Best Baby In The Universe, The
- Married & Single
- I Tell A Story About Birth Control And Deal With A Retarded Heckler
- Great Food Is Cooked By Psychos
- Wackity Schmackity Doo!
- Death Bed
- Cirque Du Soleil
Amazon.com
On his second "solo" album, this stand-up comic and character actor proves himself to be not just a foul-mouthed everyman and an unrepentant geek, but a rather awesome wordsmith as well. That a comedian might rant about how "Cirque du Soleil is like catnip for old people" or the ridiculous unhealthiness of a popular item at the fast food chain KFC is not surprising. That he'd call the fast food item "a failure pile in a sadness bowl" is, let's face it, pure poetry (and really, actually funny the way he tells it). On the track "I Tell a Story About Birth Control and Deal with a Retarded Heckler," Patton displays some of the finest manipulation of a disturbing audience member you'll ever hear. That the album was released by Sub Pop makes perfect sense, as Patton not only has Catholic music tastes--tossing off references to Hasil Adkins, the Pixies, Minor Threat, and Roky Erickson--but as we all know, stand-up is "the new grunge." --Mike McGonigalAlbum Description
Patton has been a stand-up comedian for almost twenty years and this is his second CD. Lazy...or maybe busy. He's appeared in over twenty movies, including "Magnolia", "Reno 911!: Miami", and the documentary "The Comedians Of Comedy", which he also created and produced. He played Spence on "The King Of Queens" for nine seasons, is a regular on "Reno 911!", a frequent guest on Conan and Jimmy Kimmel, and a recurring voice actor on "Kim Possible", "SpongeBob SquarePants", "Aqua Teen Hunger Force", and "Crank Yankers". He's a regular columnist in the NY Times Magazine and was an uncredited writer on the "Borat" movie. He's also the lead voice in this summer's Pixar movie, "Ratatouille", playing a rat named Remy. This is his first CD on Sub Pop and it includes a DVD with one hour of stand-up.Customer Reviews:
I'm Gonna Fill Your Hoo Haa with Goof Juice!.......2007-07-20
His takes on different political and social issues is fresh and witty. He's brutally honest and insightful and he's evolved into one of the premier stand-up acts working today. There's always a sense of humanity in his act and that's what makes Patton's appeal so broad. He might be saying something that is mostly cynical but it's always tempered with his kind disposition and witty outlook on life. Beyond all of that, he's an incredible comedy writer and his material on this release is masterfully constructed and his delivery is just as sharp.
I laughed, I cried, I bought some for friends! Funny times ten to the X........2007-07-17
I like the inclusion of the DVD as it allows you to watch the genesis of the material. Patton is a distinct physical presence and that adds to the humor.
My husband rarely finds any stand-up comedy funny. However, as I was playing the CD I saw tears of laughter streaming down his face durng "Physics for Poets". It's that good.
His best stuff yet........2007-07-14
This is his best album yet. Buy it.
Immediately.
Extremely Funny.......2007-07-13
The Man Never Disappoints.......2007-07-12
And if you ever get a chance, check out Patton live or check out a Comedians of Comedy tour. Oswalt, Brian Posehn, Zach G., Eugene Mirman, Morgan Murphy, Eddie Pepitone are the best comedians working today and also some of the most gracious people you will ever meet. Buy this cd now!
Average customer rating:
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Wincing the Night Away
The Shins Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000K2VHN2 Release Date: 2007-01-23 |
Tracks:
- Sleeping Lessons
- Australia
- Pam Berry
- Phantom Limb
- Sea Legs
- Red Rabbits
- Turn On Me
- Black Wave
- Spilt Needles
- Girl Sailor
- A Comet Appears
Amazon.com
Indie-rock's hardest-working slackers finally release their third album, on which they've made the clear transition from bedroom-pop to stadium-rock without losing everything that makes them great. Those soaring vocals that sound like the unholiest collision of the Cure and Simon and Garfunkel, the nimble pop hooks that are never overused, those lyrics that are as self-deprecating and razor sharp as they are playful--dude, it's all still here. Relax, you can still swoon. Musically, there are some new elements, from the ragged surf-rock that propels "Pam Berry" to the near hip-hop beats of "Sea Legs" and percolating electronica on "Sleeping Lessons" (which two thirds of the way through shows Band of Horses how to write a song). Wincing is neither the clever genre recombinant exercise of their second album nor is it the perfect little self-contained universe of their debut. This is not the Shins' best album; it's their growing pains third record. James Mercer has learned how to shout his words so the folks in the back row can hear; a slightly harder edge and more confidence is on display. But it doesn't gel fully. Mercer remains one of the most talented songwriters working in pop today, and what this album proves is that the group deserves to move beyond the little Zach-Braff-movie-watching, This-American-Life-listening, Frappuccino-sipping demo-ghetto they've found themselves in. Wincing confidently bristles with stupendous and smart rock music that deserves to be enjoyed by your kid brother and your folks as much as your dorm-mates. --Mike McGonigalThe Shins Get Their "Sea Legs"
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More from the Shins & Friends
Oh, Inverted World |
Chutes Too Narrow |
Garden State Soundtrack (Features tracks by the Shins) |
Album Description
It could be said that the Shins third album, Wincing the Night Away is the most heavily anticipated record of 2007. Post Garden State notoriety, the band has reached beyond their indie-darling status to something approaching mainstream recognition. Recorded over time in James Mercer's basement studio, Phil Ek's Seattle digs, and in Oregon City with veteran engineer Joe Chiccarelli (Beck, U2) - Wincing the Night Away is a whole new animal. It is the sound of a band growing up and out. Mercer's infectious, indelible melodic style is still at the core, and unfaltering. But anything can happen around it - and in this case, it does. Channeling a Morrissey vibe, "Sea Legs" pairs a hip-hop (yes, hip-hop) beat with lush melodic lines and searing guitars. Elsewhere the band toys with tweaked-out piano steeped in psychedelic strings ("Red Rabbit"); fractured synth samples ("Spilt Needles"); gauzy, arpeggiated keyboards cloaking thunderous anthems ("Sleeping Lessons"); and, taking cues from early Jesus and Mary Chain albums - sweeping, fuzztoned epics ("Phantom Limb"). Finally, "Turn on Me," "Girl Sailor" and "Australia" are the lilting, exhilarating, rollicking, rock-solid pop songs we've all come to covet from The Shins.Customer Reviews:
No wincing to be done HERE!.......2007-07-16
This was another one of those cases where the announced Saturday Night Live musical guest was an artist that I didn't know had any recent material out (and speaking of SNL, FYI: the woman singing with the band was Viva Voce vocalist Anita Robinson). But I was pleased because that's when I was first introduced to the single "Phantom Limb", which might be the best song on the album; but the funky "Sea Legs" runs a close second. And "Red Rabbits" and "Sleeping Lessons" are haunting yet enjoyable.
Other notables include "Australia", "A Comet Appears", "Turn On Me", and, well, everything else. While it's true that "wincing" usually denotes what one would do if something was bad, this album definitely won't have you doing that, so pick it up.
Anthony Rupert
Absolutely Fantastic!.......2007-06-25
Some of the songs on this album are so good, that it's truly amazing these guys seem to be sort of slipping under the radar. You never hear about them! But don't let that sway your decision. I'm a music connoisseur and I really just can't relay in words how impressed I am with these guys. Very well done!
You will not be disappointed if you purchase this album. I'm so glad I bought it!
Wincing Worth Listening To.......2007-06-16
The album cover depicts organisms that have tentacles and baleen mouths, revealing the ocean theme that lies beneath. The song titles such as Sea Legs and Girl Sailor suggest an ocean-exploration theme. The music is rich, but quiet and understated. It is often unclear which instruments are being used, which gives the songs a mysterious feel, like being in a dream.
The music is set up to provide a kind of dreamlike state and is complimented by James Mercer's voice, which has an uncanny similarity to The Cure's Robert Smith's. The first track, Sleeping Lessons, draws the listener in with harmonies coming from what sounds like a synthesized, muted, echoing vibraphone. Then, with about a minute left in the song, the music gets rolling and guitar and drums enter, setting course for what's to come. Pam Berry, a kind of interlude, uses a softened surf guitar that conjures images of surf rock and beaches and enhances the album's ocean theme. Phantom Limb, the hit single, has a stronger beat than the others, using drums, bass and even guitar strums to pronounce it. The final track, A Comet Appears, ends the album on a soft note, and sounds like something Simon and Garfunkel would play. The twangy background sounds were made by a hammered dulcimer and a bouzouki. Even a French horn is featured in the song.
The album's lyrics are poetic, but obscure. And just as dreams hide the deeper meaning of ones thoughts, The Shins' lyrics hide the deeper meaning of their songs. Even so, the lyrics could use clarification as fans are aching to know what the songs are really about. But it is still refreshing to hear rock music with poetic lyrics.
Overall, Wincing The Night Away is quite an experience and worth listening to.
More confident, more edgy = their best yet.......2007-06-14
As for the album itself, each song is consistently good, but I think the more groundbreaking stuff comes in the first seven or eight songs (mind you there are only eleven), especially `Sleeping Lessons' `Australia' `Phantom Limb' and `Sealegs'. These songs make me ponder the limits of the band's potential, which is frightening. By the time we get to `Black Wave' I get the feeling, though, that the band slowly reverts to their previous efforts. It's at this point that I feel the lyrics may slightly be too dense for the length of the songs, or that we're hearing more of Mercer than The Shins as a group. For example, `A Comet Appears' appears much like the ending songs in `Chutes Too Narrow' as well as in `Oh, Inverted World'; a slow, introspective song that carries softly until it fades to the light sounds of birds chirping. Ending on a more upbeat, less folkish note would have marked this release as a more complete maturation, not to say that their lyrics are immature by any means. But still, there is no doubt this is a breakout album and their best yet.
Jamming the Night Away!.......2007-06-07
I bought it the day it came out for a mere $9 or something crazy.
I listened to it on the way home and sat in the car in my driveway and finished listening to the whole CD because it was simply that amazing.
As much as I love the old Shins, I'd say this is their best album yet.
Why? Because it contains so many more emotions and it encompasses their various musical abilities.
If you buy any album this year, buy this one.
My favorite songs are "Sea Legs," "Black Wave," "Spilt Needles," "Sleeping Lessons" - hell, the whole album.
This really is one of those albums that grabs you. It becomes impossible to press the "NEXT" button - you will want to listen to every single song in full. I listened to this disc over and over on a recent roadtrip, and never got tired of it.
Every song has a lyric that can be considered genius.
"A dual tone under wall
Selfish fool and hoped you'd save us all
Never dreamt of such sterile hands,
You keep them folded in your lap,
And raise them up to beg for scraps"
All of "Red Rabbits"
"It's like I'm pressed on the handle bars,
Of a blind man's bike,
No straws to grab, just the rushing wind,
On the rolling mind"
and so on.
Considering how epic this album really is, $9 is an absolute steal.
Average customer rating:
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Oh, Inverted World
The Shins Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005JSHW Release Date: 2001-06-19 |
Tracks:
- Caring Is Creepy
- One By One All Day
- Weird Divide
- Know Your Onion!
- Girl Inform Me
- New Slang
- The Celibate Life
- Girl On The Wing
- Your Algebra
- Pressed In A Book
- The Past And Pending
Amazon.com's Best of 2001
Something extraordinary is afoot in Albuquerque. The Shins' first big-time record, Oh, Inverted World, combines mysterious narratives with golden song structures, resulting in lavish and opulent indie pop. Touches of Neutral Milk Hotel's lyrical majesty and the nostalgic swirl of Echo and the Bunnymen abound. But the Shins' music--rich with acoustic guitars, flickering rhythms, and Casio-tone keyboards--is distinct and peculiar. Worry mixes with abstraction throughout, and while James Mercer sings, "You led no celibate life / No skirt while chemicals danced on your head / You stole the keys to this ride / And your fables are falling tonight," you may wonder if he's been routing through your fondest, most troubling memories. This vital album is easily among 2001's most distinguished recordings and one of the best Sub Pop releases to date. --Thom ArnoAlbum Description
Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flakemusic in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors.Customer Reviews:
great.......2007-06-27
Just Textured, Feel-Good Tunes!.......2007-06-08
Best Shins album.......2007-05-17
-JR
Great album.......2007-03-09
Indie Rock Right-Side-Up.......2007-02-15
Like all great artists (The Beatles, Pink Floyd, the Brians Wilson and Eno, to name just a few), there are hints of other influences in this record (in fact, the last two in my parenthetical above are arguably in that list). These influences come in the form of hints and hums, though, and don't overshadow the delicate beauty of the rest of the record. They give it shape and shadow, but the warm, tender heart of the album belongs exclusively to Mr. Mercer, et. al.
Emotional ("Caring is Creepy"), skippingly-playful ("Know Your Onion!"), tender and evocative ("The Past and Pending"), and unabashedly poppy ("Girl Inform Me"), this album spans the spectrum of creativity, and does it with a talent and panache that seems rarer and rarer these days. The Shins mix simple (but gorgeous) chord progressions with airy brass, unobtrusive tambourine and harmonica, and well-blended electronica into something that is almost achingly fun to experience. It would be wrong to say they've turned the world of indie rock upside down, but it's true they've shone light on a new and darker part of it, a part that's worth visiting for a long, long time.
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Give Up
The Postal Service Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000089CJI Release Date: 2003-02-18 |
Tracks:
- The District Sleeps Alone Tonight
- Such Great Heights
- Sleeping In
- Nothing Better
- Recycled Air
- Clark Gable
- We Will Become Silhouettes
- This Place Is a Prison
- Brand New Colony
- Natural Anthem
Amazon.com
Give Up, the debut release by this indie supergroup composed of Ben Gibbard from Death Cab for Cutie and Jimmy Tamborello from Dntel, is a smart, quaint, and often transcendent little pop record. The roots of the album lie in "(This Is) The Dream of Evan and Chan," a woozy, gorgeous song recorded for the rad 2001 Dntel album Life Is Full of Possibilities. With Jimmy in L.A. and Ben in Seattle, the two simply mailed tracks back and forth, collaborating via (you guessed it) the United States Post Office. Lyrically it's far breezier and happier (though not too happy) than anything Gibbard had written up to this point for Death Cab. The music is an elastic, very smart update of synth-pop and the melodies crystal clear, while the backing vocals courtesy of Jen Wood and Jenny Lewis are spartan and pretty. The songs stick in your head for days at a time. Forget the tags that have been thrown up against this music--Poptronica? New new new order? Please just enjoy this album. It just might be a classic--but of what exactly, we're not quite sure. --Mike McGonigalAlbum Description
The collaboration between Death Cab For Cutie's Ben Gibbard and Dntel's Jimmy Tamborello is an album of breezy electronic pop that updates classic 80s synth-pop with contemporary beats. The line-up also features Jenny Lewis from the band Rilo Kiley. Sub Pop. 2003.Customer Reviews:
In Awe.......2007-06-12
The District is alive with The Postal Service.......2007-06-04
Every album has its unique feel, and when I hear Give Up, I think of each song as a different story told from the downtown suburbs of some crowded city, maybe in the midwest somewhere. Starting with "The District Sleeps Alone Tonight" which is one of the best tracks we have here, to "Such Great Heights" that you may have recognized from a UPS commercial. "Sleeping In" was my favorite from the beginning but the more I listened to the CD, the more I realized that every song was just another favorite. This album is like that, packed with hit after hit. "We Will Become Silhouettes" is such a good arrangement that I went out and bought the single for it, stumbling upon another great song, "Be Still My Heart". I mean, are these guys capable of making a bad song? Listen to Give Up a few times and tell me.
I know some of you might be lukewarm about 'that' kind of music, but try it. You just might be surprised, like me.
Ehhh........2007-05-27
You buy this record now and you will not have any interest in listening to it in a two or three years. The only way you'll hear any of these songs then is if you're too lazy to update your mp3 player between now and 2010 and one of these tracks pops up on random play mode.
My Nostalgia.......2007-05-16
Some albums should be respected simply because of the way they have touched people's lives. I dislike it when people diss remarkable bands like the beatles. Half of the value of music is it's interaction with the people who listen to it- not just it's complexity, ingenuity or uniqueness.
That's not to say that this album is lacking in those things, but to say that some people are too quick to judge music and miss out on some things (like Give Up) that demand appreciation.
For fans of "organic" electronica fusion........2007-05-02
Ben's lyrics have always fit the scope of his work but seem overly trite on this album. This project is however less about the lyrics and there are plenty of stellar albums that are none the less week in this regard... "Neon Bible" immediately comes to mind. Alas, an album is much greater than the sum of it's parts. It's difficult to say weather or not this body of work is truly original or just a rehash of something that came before. None the less an album need not be groundbreaking in order to be imeniently enjoyable. I'm growing tired of reviewers suggesting that another artist did it "better" in a past album. While it may or may not be true it does not invalidate a new piece of work nor does it undermine a past one. In this day there really are no new genres.
Unlike most reviewers here I will say that not everyone will love of even like this album at all. It's not mainstream; indeed not everyone thinks that "Funeral" is best thing in the world either. Everything is subjective. That being said fans of "Radiohead", "Arcade Fire", "Sufjan Stevens", "Idiot Pilot", later "Of Montreal", and many other other experimental electronica fusion or "new wave" albums may very well find a place for this in their collection. At least give it a listen and leave your bias at the door.
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The Distant Future
Flight of the Conchords Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000SM7QSE Release Date: 2007-08-07 |
Album Description
A teaser single for the full-length, due in October. This New Zealand duo debuted their new HBO comedy series on June 17th. This specially priced release contains the fan favorites "Business Time" and "If You're Into It" as well as the non-album studio cut, "Crying", and two live versions. HBO's publicity blitz has put the boys on Letterman, Conan, World Café, All Things Considered, and much more. Look for them on tour, including a stop at the Bonnaroo Festival.
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Chutes Too Narrow
The Shins Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009LVXT Release Date: 2003-10-21 |
Tracks:
- Kissing the Lipless
- Mine's Not A High Horse
- So Says I
- Young Pilgrims
- Saint Simon
- Fighting In a Sack
- Pink Bullets
- Turn a Square
- Gone For Good
- Those to Come
Amazon.com
The Shins' sophomore album is a joy from start to finish, though it's rather different from their 2001 leftfield pop genius stunner Oh, Inverted World. That album was like a warm embrace from a long-lost pal. True to its title, all of the songs were of a piece, seeming to inhabit one landscape, with an invitingly similar sound throughout. Chutes is more far-reaching and decidedly eclectic. Each song is essentially its own genre exercise. There's singer-songwriter James Mercer's surprisingly Perry Farrell-ish wail on the almost indie-metal opener, "Kissing the Lipless"; the lovely pedal steel lilt to "Gone for Good"; the moody folktronica of "Those to Come"; and the Cars-gone-rockabilly riffing on "Turn a Square." The strongest song, the acoustic "Young Pilgrims," is stripped-down and brilliant. On every tune, Mercer packs more hooks and melodic invention than most bands do on one album. As a whole, it's an even better record than Inverted World. --Mike McGonigalAlbum Description
Chutes Too Narrow, The Shins heavily anticipated follow-up (to Oh, Inverted World), was recorded in (singer/songwriter) James Mercer's basement home studio, with later mixing assistance from Phil Ek. And, with 10 songs, clocking in at just over 30 minutes, the new record is a brief yet entirely scintillating glimpse at chiming, reflective and perfectly skewed pop innovation.Customer Reviews:
love it.......2007-06-27
Great record.......2007-05-25
oops, I misjudged them.......2007-01-15
Deeper on every listen........2006-12-28
What really gets you about this album and indeed, the Shins in general is the depth. Repeated listens will give you new and exciting perspectives on the songs. It's one of those albums where eevry song on it ends up being your favorite at some point. Initial stand-out tracks are the bubbly jaunting pop of "Young Pilgrims", and the shiver inducing indie ballad "Pink Bullets". But each track here offers something subtly but wholly different. The jittery but smooth "So says I" will get right at you with a relentless drive and lyrical barrage. "Gone For Good" will please any country purist both musically and lyrically. Slide guitar and a bassline that may as well be belted through the lids of jars.
The plain fact is; this is a solid pop album. If you like music there should be no reason to not love this one. It'd be welcome in anyones music collection.
Great Pop (Which May or May Not Change Your Life).......2006-08-20
Average customer rating:
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Our Endless Numbered Days
Iron & Wine Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ENX54 Release Date: 2004-03-23 |
Tracks:
- On Your Wings
- Naked As We Came
- Cinder And Smoke
- Sunset Soon Forgotten
- Teeth In The Grass
- Love And Some Verses
- Radio War
- Each Coming Night
- Free Until They Cut Me Down
- Fever Dream
- Sodom, South Georgia
- Passing Afternoon
Amazon.com
Florida's brilliant singer-songwriter Sam Beam expands Iron & Wine from solo project to a gaggle of friends and family on slide guitar, percussion, and backing vocals on his second album. Fans need not worry--the hushed immediacy and rich melodies remain the focus--but new flavors abound. For instance, the strange "Cinder And Smoke" sounds like a collaboration (with banjos of course) between America, Robert Wyatt and Low. Meanwhile, "On Your Wings," "Free Until They Cut Me Down," and "Teeth in the Grass" showcase a brooding, earthy, Southern-rock-on-laudanum side that the band had previously only demonstrated in concert. It's rare when an artist who's become known for bedroom recordings makes the transition to the studio to produce work that's better--Daniel Johnston, Lou Barlow, and Liz Phair all made their defining moments crouched above a cassette recorder at home. But Beam is the exception to the rule, as he has easily bested himself on the second Iron & Wine album. --Mike McGonigalAlbum Description
Listening to Our Endless Numbered Days makes plain Sam's deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless.Customer Reviews:
What "country" music should be........2007-06-02
The sole mastermind of Iron & Wine is Samuel Beam, an unassuming fellow with an extremely simple, yet extremely beautiful approach to music. Armed with only an acoustic guitar, his wispy vocals, and the occasional banjo, Beam comes off very much like what Nick Drake might have sounded like, had he grown up in the rural south. The feel overall is somewhat similar to Drake, but with a warmer, more down-home kind of vibe. There's also a great deal of Simon and Garfunkel influence there as well, most evident on songs like "Love and Some Verses" and "Each Coming Night". However, despite all these comparisons, there's really nothing quite like this.
Musically, this is just the perfect album to relax to. It's extremely mellow and laid-back throughout, and the closest it comes to "rocking" is on "Free Until They Cut Me Down", which is still pretty laid-back. The melodies are catchy and memorable, and the musicianship, while simple, is top-notch. Perhaps my favorite song here is the mesmerizing "Cinder and Smoke", which actually took a few listens to really grow on me. It's not as readily ear-catching as most of the rest, but it's really beautiful, with its female backing vocals, and odd hypnotic chanting outro. You might know "Sunset Soon Forgotten" and "Naked As We Came" from the Dennis Quaid movie "In Good Company", which are both excellent as well (the latter being the most Nick Drake-sounding song here). Really though, every song here is great, and distinctive unto itself. The only bad thing about this album is that it's over much too soon.
So, whether you're from the country, or you're surrounded by concrete and steel, Iron & Wine will take you to a rural paradise from which you'll never want to leave.
Mediation in the fields.......2007-05-22
While that won't certainly be to everyone's taste (a few of my friends rate this kind of music as barely above the level of Dentist Office Muzak), the ambiance of Beam's Southern stoicism is like a contemplative walk through a field of high grass. There are songs of love and death ("Sodom South Georgia" and "Free Until They Cut Me Down") simple life and love ("Sunset Soon Forgotten" and "Passing Afternoon") set to guitar, banjo and Dobro, all sung in Beam's hushed and melodious voice. Like Ray LaMontagne has in the past couple of years (or even Leonard Cohen before them), Beam is writing deeply poetic songs that are just begging to be covered or placed in a movie soundtrack to offer context.
Recommended for fans of Nick Drake, Leonard Cohen, Ray LaMontagne, Will Oldham and Bonnie Prince Billie.
Defining "the sublime".......2007-03-30
I can't write a definition of "the sublime."
But I know that it's achieved in the last 30 seconds of that song.
Alternative Folk.......2007-01-23
good cd.......2007-01-11
good seller, very punctual.
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Everything All the Time
Band of Horses Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6GBV2 Release Date: 2006-03-21 |
Tracks:
- The First Song
- Wicked Gil
- Our Swords
- The Funeral
- Part One
- The Great Salt Lake
- Weed Party
- I Go To The Barn Cause I Like The
- Monsters
- St. Augustine
Amazon.com
This Seattle-based band was formed from the ashes of the incredibly talented Carissa's Wierd [sic], whose mopey and self-deprecating songs were like some magical and baroque combination of the Magnetic Fields, Cat Power, and Leonard Cohen. Longtime friends of Iron and Wine, few fans in their native Pacific Northwest could understand why Carissa's weren't huge. But they weren't, and after three albums and few folks really caring, they naturally broke up. Band of Horses, led by ultra-charming CW bassist Ben Bridwell, is a remarkably different, though just as radically excellent, brand of indie-pop sulk. These songs are anthems to ambivalence, and Bridwell's lovely high-pitched trill will please any fan of Built to Spill, the Shins, and Modest Mouse. It takes a few listens to sink in, but Everything is transcendent, shimmering, layered, and smartass emo-pop fully ready for stadium saturation. --James CondeAlbum Description
Guitarist/vocalist Ben Bridwell and bassist Mat Brooke formed Band Of Horses in 2004 after the dissolution of their nearly ten-year run in northwest melancholic darlings Carissa's Wierd. Carissa's Wierd trafficked in sadly beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band Of Horses rises from those ashes. Buoyed by Bridwell's warm, reverb-heavy vocals (which channel a strange brew of Wayne Coyne, Neil Young, and Doug Martsch), the group's woodsy, dreamy songs ooze with amorphous tension, longing, and hope. Both raggedly epic and delicately pensive, this is an album painted gorgeously in fragile highs and lows.Customer Reviews:
Awesome Album.......2007-07-19
some beautiful songs.......2007-07-05
whatever, i know i'm late but..........2007-06-18
Great melody........2007-05-27
good, but NOT great.......2007-04-04
Average customer rating: |
Boy with a Coin
Iron & Wine Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000T2DJRK Release Date: 2007-07-16 |
Tracks:
- Carried Home
- Boy With a Coin
- Kingdom Of the Animals
Average customer rating:
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Cansei de Ser Sexy
CSS Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FOPROA Release Date: 2006-07-11 |
Tracks:
- CSS Suxxx
- Patins
- Alala
- Let's Make Love and Listen to Death From Above
- Art Bitch
- Fuckoff Is Not the Only Thing You Have to Show
- Meeting Paris Hilton
- Off the Hook
- Alcohol
- Music Is My Hot, Hot Sex
- This Month, Day 10
Amazon.com
Move over bossa nova! There's a new beat coming out of Brazil in the form of Cansei de Ser Sexy (Portuguese for "Tired of Being So Sexy"), and it's raucous. CSS consists of six 20-something São Paulistas who are injecting some international exuberance into the Seattle-based Sub Pop label. The only inkling that the group hails from the Southern Hemisphere is the smattering of Brazilian-tinged Portuguese that peppers the album, along with a barely detectable accent in lead singer Lovefoxxx's delivery. The CSS sound is far from traditional folksy world music; rather, it's a mishmash of '80s new wave, electronica, danceable beats, and cheeky lyrics (which are just a bit naughty). Think Berlin and Blondie, with a dash of Karen O of the Yeah Yeah Yeahs and Muffin Spencer of Brassy. This largely female group (all women except the drummer) will have you running to the dance floor in your slouchy boots and skinny jeans faster than you can say "Let's Make Love and Listen to Death from Above"--the first single from the album. --Renata SadunasAlbum Description
From Brazil, CSS is the first South American band Sub Pop has foisted upon the global marketplace. The title is Portuguese for "Tired Of Being Sexy" and the sound is a thick, pulsating thing full of haphazard synths and a come-on of call and response that tears down any attempt at posturing. It's equal parts rock mantra and throwback into something new, transcending boundaries of genre and geography. It goes full speed into dance territory, into the unknown and untouched, to emerge all hot and bothered with wild electro-rock. Quick, tightly-wound, unfastened, and supreme.Customer Reviews:
awesome music!.......2007-06-15
an absolut musthave,honestly!
Very nice band!.......2007-05-21
CSS: refreshing the pop scene.......2007-05-14
Great Album by a Great Band.......2007-05-14
Absolutely Brilliant.......2007-04-05
Jazz Music:

