| 1. Salvame |
| 2. Siempre Alrededor |
| 3. Hacia La Luz |
| 4. El Dinero No Es Nuestro Dios |
| 5. Basura |
| 6. Son Las Cero Horas Cero Minutos |
| 7. Vuelve A La Realidad |
| 8. En La Disneylandia Del Amor |
| 9. Rendirse No Es Perder |
| 10. Misterios |
| 11. Nada Nuevo Bajo El Sol |
| 12. Dios Odia A Los Cobardes |
| 13. Felicidad Por La Electronica |
| 14. Hay Que Sufrir |
| 15. Carta Blanca Para Los Rudos |
| 16. Sentimental |
| 17. Autopsia A Un Fantasma |
| 18. Dr. Jekyll / Salvame |
| 19. Hacia La Eternidad / Hacia La Luz |
| 20. Basura Toxica Espacial |
Editorial Reviews
Includes Four Videos: "Salvame", "Revision Liquida", "el Dinero No Es Nuestro Dios" and "en La Disneylandia Del Amor".
Un Dia Culquiera En Vulcano,Fangoria,Wea International,Latin,Rock
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Un Gran Dia en el Barrio
Spanish Harlem Orchestra Manufacturer: Rope a Dope ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006IZNW Release Date: 2002-09-17 |
Tracks:
- Mama Guela
- Obsesion
- Tambouri
- Aprende A Querer
- La Musica Es Mi Vida
- La Banda
- Pa' Gozar
- Somos Iguales
- Vale Mas Un Guaguanco
- Pueblo Latino
Amazon.com
We all know that Harlem was the home of the fabled African-American renaissance of the '20s and the birthplace of bebop in the '40s. But it was also the spawning ground for Latin jazz, the boogalo, and the Hispanic musical lingua franca also known as salsa. The title of this CD, which translates as "A Great Day in the Neighborhood," was inspired by the famous '50s jazz portrait by photographer Art Kane. It aurally illustrates the overlooked contributions of the Puerto Rican musicians from Spanish Harlem who created salsa and kept Cuban music alive in America during the early years of the Cuban embargo. With the talented Rubén Blades pianist Oscar Hernandez serving as musical director, this band of NYC's top Latin musicians (featuring bongo drummer Bobby Allende, bassist Rubén Rodriguez, singers Jimmy Sabater and Herman Oliveira, and trumpeter Ray Vega) lay down some serious, no-nonsense salsa dura grooves. This clave-powered crash course features some heavyweight selections, including Tito Puente's "Mama Guela," the enchanting Pedro Flores bolero "Obsesión," and the Willie Colón/Hector Lavoe classic "La Llego la Banda." The mambo, cha-cha-cha rumba, and guajira are blended together in a zesty musical dish by these Puerto Ricans in the Big Apple, and it's a dish best served on the dance floor. --Eugene Holley, Jr.Album Description
This record is Spanish Harlem's answer to Cuba's Buena Vista Social Club. Slipcase. Ropeadope Records. 2002.Customer Reviews:
I am going to dead this stupid argument!.......2005-03-13
In the documentary which accompanies the excellent performance film "Calle 54", Bebo and Chucho Valdes, Richie Gonzalez, Michel Camilo, Eliane Elias, and even Chano Dominguez all say that 'Africa is the Grandfather of Latin Jazz'. In case you lost count, that's two Cubans, a Puerto Rican, a Dominican, a Brazilian and a Spainard (thrown in for good measure) all saying the same thing so what are we arguing about. We know that the majority of the "ritmos" that make up what we today call Salsa came from what "re-emerged" and "melded" in Cuba. These styles were brought to New York, met with some Bomba, Plena and probably a little, Merengue and Bachata (and don't forget the Blues, Swing and Soul)and eventually became the "sauce" that we now call "Salsa".
So instead of you guys fighting, you should be happy that your ancestors were ablle to keep more of their own unique traditions and music (unlike my own) and give the world such a rich palette of culture and music. So don't let the pride blind you to the truth.
By the way, this CD is worth the price for "Obssesion" alone, as one reviewer pointed out.
Basic and unmoving. Unoriginal........2004-12-23
Solid Throughout.......2004-11-21
Nuyorican vs Cuban - There is a difference.......2004-07-04
Also, comparing Buena Vista Social Club (BVSC) to Spanish Harlem orchestra is like comparing Apples to Oranges. BVSC are firmly rooted in the Cuban "salsa" tradition, whereas SHO are rooted in the Nuyorican tradition. There is a distinct difference (read below). Also complaining about the voices of Ferrer and Portuondo is silly because they are both elderly and there best days are behind them. There is no way they could sound as good as younger singers in their prime.
Now, on this Puerto Rican - Cuban feud. I think I can speak ojectively because my father is Spanish, my mother Peruvian, and I was born in Australia. I have no alegiance to either side (except that I do prefer Nuyorican-salsa dura to Cuban salsa-guaguanco, etc) . Also I am 27 but am a lover of Latin American music in general and I devour it.
So here it is. The Cubans no doubt invented forms that would lead and formed the base of salsa - for example Guaguanco, Montuno, etc - but they did not invent salsa. Salsa is the music that came out of New York in the late 60's and 70's (and indeed the term didn't even get used to describe the music until mid 70's). Nobody was calling Cuban music "salsa" prior to the 70's. Salsa was used to describe the music coming from New York (and the Puerto Rican community) and the Fania label as well as the stuff on the Tico and Inca labels. Then it got adopted by every other music with a clave and is even used to describe certain manufactured pop artists (whom I won't name).
On the music itself, listen to a Sonora Matancera record and then compare it to Sonora Poncena. They are different forms of music. It's like comparing Benny Goodman to Count Basie. The fact is the "salsa" music coming out of New York/Puerto Rico in the 70's was a hybrid of Cuban music, funk, jazz, and soul. It was much more open to influence and is much more dynamic - Nuyorican salsa is disco whereas Cuban is ballroom. Willie Colon even chopped up the sacred clave so that it was almost unrecognizable, a Cuban would never have done that.
One last gripe, I keep hearing how Salsa Timba is so fresh and new and how they are mixing R&B and jazz with salsa (they don't even do it very well). What's so new about it? Wasn't this what salsa was in the 70's from New York. I challenge anyone to listen to Hector Lavoe's La Voz album (as well as countless of Colon, Barretto, Palmieri, Blades tracks) from the mid 70's and tell me that the album isn't littered with funk, soul, and jazz references from the beginning to the end.
I give love to both salsa communities (Puerto Rica and Cuba) but its about time Cubans stopped saying that Nuyorican salsa is just a badly made version of Cuban music. The Nuyoricans took Cuban music to a whole new level of experimentation and energy and created a new form that should be recognised.
Finally, it's amazing how little recognition is given to the Latino community of New York for creating salsa. It is a forgotten story and a little known fact (even amongst some latinos). I speak to Australian's (even some latino-Autralians) who wouldn't have the first clue about how important New York Puerto Ricans were to salsa history. They just assume its all from Cuba and its all the same music. From what I understand its a similar issue in the US where latino contribution to music and culture is not understood or acknowledged. When pop artists get called salsa you know there is a problem.
Buy the album
las cosas en su lugar.......2004-06-24
Ahora lo rescatable es que la gente que toca en este disco (Jimmy savater, Ray de la Paz, jimmy Bosch) esta preocupada por darle nueva vida a la salsa dura y olvidarse de la perjudicial "erotic salsa". Y eso no tiene el CD de BVSC. Salvo Compay Segundo y Eliades Ochoa, los demas no son lo mejor de la historia musical cubana. Falto gente como Graciela Grillo (diez veces mejor que Omara Portuondo), Laito Sureda (veinte veces mejor que Ibrahim Ferrer), o la genialidad de los señores Reynaldo Hierrezuelo o Reynaldo Creagh (mil veces mejor que Puntillita Licea). En este caso me gusta mas lo hecho por Vieja Trova Santiaguera que este fenomeno del marketing llamado BVSC. hace unos dias vi a I. Ferrer en Lima con algunos musicos de BVSC y no me convencio.
Este disco de SHO que cumple su cometido: sabor, descarga, sandunga, y tumbao. Altamente recomendable para bailar y tomar unos tragos. El CD de BVSC solo fue bueno en su momento, today no more. Pero la salsa y el son aun viven y hay que seguir escuchandolos
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The Symphonic Tango
Manufacturer: Wea International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SHO Release Date: 2007-03-02 |
Tracks:
- Symphonic Tango: Adios Nonino
- Symphonic Tango: Caminito
- Symphonic Tango: Fuimos
- Symphonic Tango: Astoreando
- Symphonic Tango: El Choclo
- Symphonic Tango: El Dia Que Me Quieras
- Symphonic Tango: La Cumparsita
- Symphonic Tango: Milonga En El Viento
- Symphonic Tango: Cafetin De Buenos Aires
- Symphonic Tango: Oblivion
- Symphonic Tango: Uno
- Symphonic Tango: Inspiracion
Customer Reviews:
The Sound But Not The Soul.......2001-06-04
Sweet & Warm..........1999-03-13
Excellent Tango Compilation.......1999-01-08
This is stunning--dance-able, listen-able tango music........1998-09-29
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Sol y Sombra: Baroque Music of Latin America
Jose de Orejon y Aparicio , Anonymous , Rafael Antonio Castellanos , Vicente Ortiz De Zarate , Juan de Lima Serqueira , Gregorian Chant , Gaspar Sanz , Manuel de Zumaya , Danny Mallon , Scott Pauley , Julie Andrijeski , Emily Davidson , and Patricia Halverson Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IX9W Release Date: 1999-02-23 |
Tracks:
- Gaitas
- Zangarilleja
- 'A del arrebol luciente'
- Fandango
- Zarambeques o Muecas
- Recitado: Ya que el sol misterioso
- Aria: Mariposa de sus rayos
- Ausente del Alma
- Jacaras
- Jota
- Ya murio mi redentor
- Los Impossibles
- Pesames a las Damas...
- Fidelis Servus
- Beatus ille servus
- Aria: Ascendit Deus
- In hac mensa novi Regis
- Canarios
- Aria: Alegres luces del dia
- Recitado: Mirad que ya en campana
- Seguidillas: Herodes el primero
- Folias
Customer Reviews:
Lively and cheerful!.......2002-11-29
shadows dancing on the walls.......2001-04-21
It is one heck of a recording. Sun and Shade indeed! This collection of secular and sacred music from the Latin American baroque period is outstanding.
This is music that one can slip into like a trustworthy pair of old slippers. "Sol y Sombra" is worth meditating upon; but at the same time is the kind of music one can play in the background with the repeat button on for hours as you converse late into the night with Good friends.
Psalm 68:25 says: "The singers went on, the musicians after them, In the midst of the maidens beating tambourines." I imagine the same kind of scene here...shadows dancing on the walls--cast there by the firelight...the alternately reflective and then lively music driving them on.
The playing and singing are lovely. Carol Ann Allred joins Custer LaRue in my pantheon of favorite singers on the Dorian label.
This the music of a people that was moved by the presence of God in the midst of all their imperfections. I can feel it...so will you.
"Bless God in the congregations, Even the LORD, you who are of the fountain of Israel." (Psalm 68:26)
Get a copy of "Sol y Sombra" and see for yourself.
VERY GOOD INTERPRETATIONS.......2000-04-12
Sensuous, soulful, spirited..........1999-08-22
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Spanish Music of Travel and Discovery/ The Waverly Consort
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TQR2 Release Date: 2000-10-10 |
Tracks:
- Ayo Visto Lo Mappamundi
- Viva Gran Re Don Fernando
- Una Sanosa Porfia
- Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
- B'tayhi-M'saddar
- Nunca Fue Pena Mayor
- Ay Santa Maria
- Virgen, Bendita Sin Par
- El Cervel
- En Memoria D'Alixandre
- La Alta ('La Spagna')
- Pase El Agoa, Ma Julieta
- Oy Comamos Y Bebamos
- El Paso Del Mar Rojo
- Ah, El Novio No Quere Dinero!
- Kyrie: Ayo Visto Lo Mappamundi
- Ayo Visto Lo Mappamundi
- Improvisations On Ayo Visto Lo Mappamundi
Tracks:
- O Virgo Splendens
- Stella Splendens In Monte
- Laudemus Virginem/Splendens Ceptigera
- Los Set Gotxs Recomptarem
- Cuncti Simus Concanentes
- Polorum Regina
- Mariam Matrem Virginem
- Imperayritz De La Ciutat Ioyosa
- Ad Mortem Festinamus
- Ondas Do Mar De Vigo/Mandad' Ei Comigo
- Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
- Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
- Santa Maria, Strela Do Dia
- El Buesca Del Padre
- Las Hermanas Reina Y Cautiva
- El Sueno De La Hija
Customer Reviews:
Beware! two old CDs reissued with a new name.......2006-08-02
A reworking of a prior disc - but now with 2 CDs.......2006-01-27
perfect by candlelight or in the office.......2000-10-20
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Les tres riches heures du Moyen Age: A Medieval Journey
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000074R Release Date: 1995-11-21 |
Tracks:
- 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY
Tracks:
- 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
- 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
- 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum
Tracks:
- The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
- Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
- Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY
Tracks:
- 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4
Tracks:
- 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
- Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble
Tracks:
- Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
- 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
- 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
- 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
- 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
- Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
- Lute Music: 'Nous bergiers' - Paul O'Dette
- Lute Music: Ricercar No. 33 - Paul O'Dette
- Lute Music: 'Il est bel et bon' - Paul O'Dette
Customer Reviews:
Excellent, but What Are the Words?.......2006-07-04
outstanding collection.......2002-09-27
Awesome.......2001-09-20
7.5 hours of superb music at a most reasonable price........1999-12-24
You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.
When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.
At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.
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Carlos Gardel, the King of Tango, Vol. 2
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K082 Release Date: 1999-08-17 |
Tracks:
- Viejo Rincon
- La Mariposa
- Anclao En Paris
- Madre Hay Una Sola
- Como Abrazao A Un Rencor
- Tomo Y Obligo
- Tacondeando
- Madreselva
- Quejas Del Alma
- Ojos Maulas
- Mentiras
- Milonga Sentimental
- Melodia De Arrabal
- Criolita De Mis Ensuenos
- Ventarron
- Al Mundo Le Falta Un Tornillo
- Estudiante
- Silencio
- Milonga Del 900
- Mis Flores Negras
- Si Se Salva El Pibe
- Desden
- Volver
- El Dia Que Me Quieras
- Sol Tropical
Customer Reviews:
Even better than volume 1.......2007-01-04
Gardel voice is brought to life in this recordings thanks to nimbus records superb technology, music played by gardel guitarrist sound clear and more detailed than previous compilations.
This album as well as Vol.1 is a must for every Gardel lover or music enthusiast, you won't regret this album if yopu are an early opera singer lover.
Gardel is a natural baritone with perfect intonation, musicality and sense for drama and passion, you will be impress even if you don't speak spanish.
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Buenos Aires Madrigal: Argentine Tangos & 17th Cent. Italian Madrigals
La Chimera Manufacturer: M.a. Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001K63R8 Release Date: 2004-05-25 |
Tracks:
- Sinfonia
- Ti Lascio Anima Mia
- Vuelvo Al Sur
- Ancor Che Co'l Partire
- Volver
- Soledad
- Solo E Pensoso
- Garua
- Voglio Di Vita Uscir
- Dia Que Me Quieras
- Chiome D'Oro
- Uno
- Naranjo En Flor
- Ausencia
- Lamento Di Apollo
- Papas Calientes
- Recercada I & II
- Milonga De Mis Amores
- Sus Ojos Se Cerraron
- Despertar
- Pianto Di Orfeo
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Song of David
Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD ASIN: B000001Q77 Release Date: 1995-05-23 |
Tracks:
- Sephardic Songs: Pesah Ala Mano
- Sephardic Songs: Triste Esta El Rey
- Sephardic Songs: Mizmor L' David
- Sephardic Songs: Buena Semana
- Sephardic Songs: Mose Salio De Misrayim
- Sephardic Songs: El Dia De Purim
- Spanish Renaissance: Jancu Janto
- Spanish Renaissance: Dime, Robadora
- Spanish Renaissance: Calabaca, No Se, Buen Amor
- Spanish Renaissance: Recercada Segunda Sobre 'Douce Memoire'
- Spanish Renaissance: Zagaleja De Lo Verde
- Spanish Renaissance: Cancion Del Emperador
- Spanish Renaissance: Fantasia Que Contrahaze La Harpa En La Manera De Ludovico
- Spanish Renaissance: Pues Que Mi Tienes, Miguel
- Spanish Renaissance: Ay Triste, Que Vengo
- Spanish Renaissance: Recercada Segunda
- Spanish Renaissance: Tres Morillas M'enamoran
- Spanish Renaissance: L'amor, Dona, Ch'io Te Porto
- Spanish Renaissance: Triste Estava El Rey
- Spanish Renaissance: La Bassa Castiglia
- Spanish Renaissance: Yo Me Soy La Morenica
- Sephardic Songs: Las Hermanas, Reina Y Cautiva
- Sephardic Songs: Il Bastidor
- Sephardic Songs: Secretos Quero Descuvir
- Sephardic Songs: Madre Mia Si Mi Muero
- Sephardic Songs: El Rey Por Muncha Madruga
- Sephardic Songs: Yo Hanino, Tu Hanina
Customer Reviews:
Absolutely Delightful.......2004-05-24
A Song of David: Music to my heart.......2003-01-01
My only complaint is that the lyrics as sung don't always match with the lyrics as printed. Syllables and letters seem to be missing from the printed version.
Average customer rating: |
Byanka "Chica Materialista" 1. Chica Material 2. Atraccion Fisica 3. Como Una Virjen 4. Ardiendo 5. Dia De Fiesta 6. Escucho Al Muchacho 7.loca Por Ti 8. Tu Eres Mi Alma Y Corazon 9.lo Se 10. Jirando En Mi Sueno .
ProductGroup: Classical Binding: Audio CD ASIN: B000KS7IOS |
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Troubadours, Trouvères, Minstrels
Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SQB Release Date: 1996-01-09 |
Tracks:
- Baron, de mon dan covit
- Leu chansonet' e vil
- Salterello
- Can vei lauzeta mover
- Veris ad imperia
- A l'entrada del temps clar
- Kalenda maia
- A chantar m'er de so qu'eu no volria
- Retrowange novelle
- Chanterai por mon coraige
- Lasse, pour quoi refusai
Tracks:
- De moi doleros vos chant
- Biaus m'est estez
- Trop est mes maris jalos
- Li joliz temps d'estey
- Mir hat Gerhart Atze ein pfert
- Unter der linden an der heide
- Nu alrest lebe ich mir werde
- Meie, din liehter schin
- Blozen wir den anger ligen sahen
- Furste Friderich
- Meienzit
- Chanconetta Tedescha I
- Wol mich des tages do mir alrest ist worden kunt
- Chanconetta Tedescha II
- Der kuninc Rodolp
- Ez waent ein narrenwise
- Ich warne dich, vil junger man, gezarte
- Loibere risen
Customer Reviews:
"unica" por Thomas Binkley.......2002-07-09
Too much countertenor.......2001-09-20
More Thomas Binkley.......2001-06-17
Binkley fans may want to go to amazon.co.uk for recordings not found on the US site such as Binkley's Peasant, Dance and Street Songs in Germany in the (early) 16th Century - in my view one of his finest.
Essential Collection for the Medievalist.......2001-02-27
I never grow tired of this collection.......2000-08-06
For those who are interested in medieval music, I highly recommend this collection.
Jazz Music: