Bravo!

Disc: 1

1. Solo

2. Ella

3. Contigo Pierdo

4. Vuelve a Mi Vida

5. Puerta del Sol

6. Cada Cosa Tuya

7. Una Mujer a Quien Amar

8. Tu Amor

9. Padre Querido

10. Tú

Disc: 2

1. Solo [DVD] [Multimedia Track]

2. Ella [DVD] [Multimedia Track]

3. Making of "Solo" [DVD] [Multimedia Track]

4. Making of "Ella" [DVD] [Multimedia Track]

Bravo!,Claudio Bravo,Sony International,Latin,Latin Pop,Latin Pop/Rock

Music

jazz

music

Jazz

Average customer rating: Not My Style Rockin' Western Collection Hard to Find Great Western Themes Western Music A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2 Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Holdridge, Lee | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: The Wild West: The Essential Western Film Music Collection Songs Of The West, Vol. 4: Movie & Television Themes From Alamo to El Dorado, Vol. 2 The Essential Elmer Bernstein Film Music Collection The Greatest Western Movie Themes ASIN: B000060PBU Release Date: 2002-03-26

Tracks:

1. The Hallejuah Trail-Overture
2. The Alamo-The Green Leaves Of Summer
3. The Alamo-Davy Crocket
4. The Big Country-The Welcoming/Finale
5. The Big Valley-Main Theme
6. Blazing Saddles-Blazing Saddles
7. Bonaza-Main Theme
8. Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
9. The Comancheros-McBain/Main Title
10. Duel In The Sun-Main Title/The Legend/Orizaba
11. A Fistfull Of Dynamite-Duck You Sucker
12. For A Few Dollars More-Main Theme
13. Friendly Persuasion-Thee I Love
14. Giant-Main Theme
15. The Good, The Bad And The Ugly-Main Theme
16. The Good, The Bad And The Ugly-The Ecstasy Of Gold
17. Gunfight At The O.K. Corral-Suite
18. Hang 'Em High-Main Theme
19. The Hanging Tree-Main Title

Tracks:

1. High Caparral-Main Theme
2. How The West Was Won-Prelude/The Land
3. High Noon-Do Not Forsake Me Oh My Darlin'
4. The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
5. The Lone Ranger-William Tell Overture: Finale
6. Nevada Smith-Main Title
7. Old Gringo-Main Themes
8. Once Upon A Time In The West-Man With The Harmonica
9. One Eyed Jacks-Main Title
10. The Proud Rebel-Main Titles
11. The Quick And The Dead-End Titles
12. Quigley Down Under-End Titles
13. Rio Bravo-Rio Bravo/De Guella
14. The Scalphunters-Main Title
15. Shane-Main Theme: The Call Of The Farwaway Hills
16. The Shootist-Main Title
17. The Unforgiven-The Need For Love
18. Viva Zapata-Gathering Forces
19. The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating: Best Cherubino... wonderful music Close Your Eyes and Listen Terrific value, beautiful quality. Exceptional recording

Mozart: The Marriage of Figaro / Pace, de Carolis, Frontali, Morandi [Highlights] Wolfgang Amadeus Mozart , Hungarian State Opera Orchestra , Pier Giorgio Morandi , Patrizia Pace , Natale de Carolis , Donato di Stefano , Ingrid Kertesi , Roberto Frontali , Denes Gulyas , Tamas Bator , and Jozsef Mukk Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Most Famous Opera Arias The Shawshank Redemption: Original Motion Picture Soundtrack The Most Famous Opera Duets Mozart: Don Giovanni [Highlights] Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra ASIN: B00004NK2F Release Date: 2000-03-14

Tracks:

1. Overture
2. Cinque, Dieci...
3. Bravo, Signor Padrone!
4. Se Vuol Ballare, Signor Contino
5. La Vendetta
6. Non So Piu Cosa Son
7. Non Piu Andrai
8. Porgi Amor
9. Voi, Che Sapete
10. Venite, Inginocchiatevi
11. Susanna, Or Via Sortite?
12. Hai Gia Vinta Causa!
13. Vedro, Mentr'io Sospiro
14. Riconosci In Questo Amplesso
15. E Susanna Non Vien!
16. Dove Sono I Bei Momenti?
17. Sull'aria...
18. Tutto E Disposto
19. Aprite Un Po' Quegl'occhi
20. Giunse Al Fin Il Momento
21. Deh Vieni Non Tardar
22. Pace, Pace, Mio Dolce Tesoro!
23. Final Scene: Gente! Gente!

Customer Reviews:

Best Cherubino..........2007-05-06

No kidding. This album has the best Cherubino part compared to the other Le Nozze di Figaro copycat. After you've listened to Non so più cosa son, you would feel bad hearing the other rendition of the same song.

wonderful music.......2006-06-20

you do not have to be an opera expert to appreciate this cd , as a person who is just beging to appreciate fine opera this is a wonderful choice . waht is nice amazon gives you the opportunity to listen to the tracs prior to buying it. i am extremelly pleased with this item and im sure you will be to. sincerly christian john nielsen

Close Your Eyes and Listen.......2006-05-28

If right now you need to know joy and timelessness, a heart filled with light, beauty that has been and will be always, overflowing with the splendor you are fashioned from, knowing all that is your own, that you are only in the least important sense alone, with nothing to fear other than never perceiving any of this, close your eyes and listen to the Duettino Sull'aria from Le Nozze di Figaro...

Terrific value, beautiful quality........2004-04-16

This CD is a wonderful value with top-notch recording. The Cherubino character (mischievous lovestruck youth) is especially delightful on this CD. I fell in love with "Sul Aria" in The Shawshank Redemption, and later saw this opera live. Though it's only a highlights album, I found it rather complete, with solid linear notes (plot summary for you to follow along), and ALL of the beloved songs I had remembered. I recommend this one!

Exceptional recording.......2003-09-29

The quality of this recording is exceptional. Naxos recordings are often played on classical music stations for good reason. The performances are excellent.

Average customer rating: This is for Belcantista Dramatic! Lovely, heart-breaking performance Beautifully lucid Fantastic Manon Lescaut

Puccini: Manon Lescaut (complete opera) with Maria Callas, Giuseppe di Stefano, Tullio Serafin, Chorus & Orchestra of La Scala, Milan Fiorenza Cossotto , Giulio Fioravanti , Carlo Forti , Giuseppe di Stefano , Tullio Serafin , and Chorus & Orchestra of La Scala Theatre - Milan Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music Similar Items: Puccini: La Boheme (complete opera) with Maria Callas, Giuseppe di Stefano, Anna Moffo, Antonino Votto, Chorus & Orchestra of La Scala, Milan Puccini: Turandot (Complete Opera) Maria Callas; Elisabeth Schwarzkopf: Eugenio Fernandi; Tullio Serafin Donizetti: Anna Bolena (complete opera live 1957) with Maria Callas, Gianni Raimondi, Gianandrea Gavazzeni, Orchestra & Chorus of La Scala, Milan Verdi: Un Ballo In Maschera (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Antonino Votto, Chorus & Orchestra of La Scala, Milan Verdi: Il Trovatore (complete opera) with Maria Callas, Giuseppe di Stefano, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan ASIN: B000002RXY Release Date: 1997-08-19

Tracks:

1. Manon Lescaut: Act One - Ave, Sera Gentile (Edmondo - Coro - Des Grieux)
2. Manon Lescaut: Act One - Tra Voi, Belle, Brune E Bionde (Des Grieux - Coro)
3. Manon Lescaut: Act One - Ma Bravo! (Edmondo - Coro)
4. Manon Lescaut: Act One - Discendono, Vediam! (Coro - Edmondo - Lescaut - Oste - Des Grieux - Geronte)
5. Manon Lescaut: Act One - Cortese Damigella, Il Priego Mio Accettate (Des Grieux - Manon - Lescaut)
6. Manon Lescaut: Act One - Donna Non Vidi Mai (Des Grieux)
7. Manon Lescaut: Act One - L Tua Ventura Ci Rassicura (Edmondo - Coro - Geronte - Lescaut - Oste)
8. Manon Lescaut: Act One - La Tua Proserpain Di Resisteri (Edmondo - Des Grieux)
9. Manon Lescaut: Act One - Vedet? Lo Son Dedele Alla Parola Mia (Manon - Des Grieux - Lescaut)
10. Manon Lescaut: Act One - Non C'E Piu Vino? (Lescaut - Des Grieux - Lescaut)
11. Manon Lescaut: Act One - Cavallii Pronti Avete? (Lescaut - Geronte - Edmondo - Coro)
12. Manon Lescaut: Act Two - Dispettosetto Questo Riccio!
13. Manon Lescaut: Act Two - Sei Splendida E Lucente! (Manon - Lescaut)
14. Manon Lescaut: Act Two - In quelle Trine Morbide (Manon)
15. Manon Lescaut: Act Two - Poiche Tu Vuoi Saper (Lescaut - Manon)
16. Manon Lescaut: Act Two - Ch Ceffi Son Costor? (Lescaut - Manon - Musico - Coro)
17. Manon Lescaut: Act Two - Paga Costor! (Manon - Lescaut)
18. Manon Lescaut: Act Two - Vi Prego, Signorina (Maestro di ballo - Geronte - Manon - Coro)
19. Manon Lescaut: Act Two - Oh, Saro La Piu Bella! (Manon - Des Grieux)
20. Manon Lescaut: Act Two - Ah! Afte, Madamigella (Manon - Geronte - Des Grieux)
21. Manon Lescaut: Act Two - Ah, Manon, Mi Tradisce (Ds Grieux - Manon)
22. Manon Lescaut: Act Two - Lescaut! Tu Qui? (Des Grieux - Manon - Lescaut - Sergente)

Tracks:

1. Manon Lescaut: Intermezzo (Orchestra)
2. Manon Lescaut: Act Three - Ansia Eterna, Crudel (Des Grieux - Lescaut)
3. Manon Lescaut: Act Three - Manon! Des Grieux! (Des Grieux - Manon - Lampionaio)
4. Manon Lescaut: Act Three - All'armi! All'armi! (Coro - Lescaut - Des Grieux - Manon)
5. Manon Lescaut: Act Three - Il passo M'aprite! (Sergente - Comandante - Coro)
6. Manon Lescaut: Act Three - Rosetta! (Sergente - Coro - Lescaut - Manon - Des Grieux)
7. Manon Lescaut: Act Three - Presto In Fila! Marciate! (Sergente - Des Grieux - Coro - Comandante)
8. Manon Lescaut: Ah, Non V'avvicinate!... Come Lo Piango Ed Imploro (Des Grieux - Comandante)
9. Manon Lescaut: Act Four - Tutta Su Me Ti Posa
10. Manon Lescaut: Act Four - Manon, Senti, Amor Mio! Vedi, Son Lo Che Piango
11. Manon Lescaut: Act Four - E Nulla! Nulla!
12. Manon Lescaut: Act Four - Sola, Perduta, Abbandonata... (Des Grieux - Manon)

Customer Reviews:

This is for Belcantista.......2006-07-20

So far as I know, Rene Fleming has never sung Manon Lescaut. I can always be incorrect, but I believe you're referring to Massenet's Manon. I have the DVD and I'm iffy about it.

I love the Callas CD and equally, the Olivero. De Stefano has the "prettier" voice, but wouldn't we love to have another Tucker show up these days.

I've enjoyed all the reviews and I always do. They are often my guide to purchases, so thanks to everyone who takes time to do this.

Dramatic!.......2005-11-23

From the first "Manon Lescaut mi chiamo..." I was laughing my head off. Callas sounds ridiculous in most of Act I. Fortunately, Manon undergoes a sudden change and Callas is in her element. Never have I heard a more dramatic Manon! The duet with Des Grieux put my speakers on fire! Then, for some reason I thought he sounded quite impotent in "Ah, Non V'avvicinate". Act IV is without a doubt the most boring thing Puccini has ever composed. Manon's hysterical last aria was satisfactory but I thought her diction was a bit tied up.

Lovely, heart-breaking performance.......2004-10-28

Manon Lescaut is the heroine of several operas of which two are pretty famous: Massenet's MANON and this one, Puccini's Manon Lescaut. Once again while reading the "negative" remarks all I find are insipid, bottom-showing comments that are merely personal attacks with nothing to back them up. One asked: "Why is Callas famous?" and another said "Maybe she just should just entertained Onassis. AGREED!" Well, how are these for "reviews"? And written in haste and horrid grammar! Just to hurt Callas-Fans during the shameful "diva-war" here in 2003 where all parties behaved horribly, including the Callas-party. It might be interesting to set the record straight, as the same basher called Callas "Onassis' wife" in another of his tirades. Callas was never married to Onassis and her career was in its prime when their relationship started in 1958. So he DID NOT "cause" her fame. So the "reviewer" put nothing forward except lies and ignorant, unmusical trash. And as for the other reviewer saying that Puccini needs "warmth" and Callas should stick with Bellini& Verdi: Isn't Violetta all about a heart-warming heroine? Isn't Amina one of the sweetest characters in operatic history? And I find Callas to be a great Manon even though she isn't a "natural" in the role as young Tebaldi. What she does with the character, the vocal line and the phrasing makes this essential. And di Stefano is about the most ardent and passionate Des Grieux ever! A great recording of a wonderful opera!

Beautifully lucid .......2004-10-11

This is a most unique recording as it portrays all shades and lights of Manon Lescaut without exaggerated "verismo" tears but with lucid elegance, heartbreaking pathos and beautiful singing. If I were to choose a - I'd pick Callas' topnotes of which some are somewhat unsteady but that's like saying that the Venus of Milo is ugly because she has no arms. Another essential Callas-Gem.

Fantastic Manon Lescaut.......2004-10-04

Following the review as written by a Tebaldi-Fan Verdi and Bellini isn't about feelings then? What kind of a notion is THAT? What is more about emotions than Rigoletto or La Traviata? How about Bellini's "La Sonnambula"??? These operas are ALL about feelings!!! And warmth? The lucid warmth in Callas' voice as she sings young flirtatious Manon cannot be denied. And how about del Monaco bellowing sensitive Des Grieux's phrases? Des Grieux wasn't written for a tenore robusto. I have excerpts of Manon Lescaut with Tebaldi&di Stefano when both were young and in their prime, absolutely lovely. But Callas alone also shows the dark and greedy aspects of Manon. Why does Des Grieux hate her so much at a moment? Because she acted like a "warm"-hearted and "fragile" and "sweet" girl? No, because she acted like a courtesan lusting for luxury! Manon is very close to Violetta in "La Traviata". Di Stefano always sounds at his very best in poetic and/or romantic roles. This is the Manon Lescaut to buy. And a live-recording with either Fleming or Scotto in the title-role. Young Tebaldi also sounds great. For a DVD get the one with Scotto&Domingo from the MET and the one with Renee Fleming and Marcelo Alvarez from Paris.

Average customer rating: Iffy Rebecca Caine is what made me buy this album. Very Nice!!!! NOT AS GOOD AS THE LONDON CAST RECORDING I liked Colm Wilkinson better in Les Miz

The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast) Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Stage Heroes Fantasma De La Opera / O.S.R. The Phantom of the Opera (Original German Cast) Highlights from Phantom of the Opera The Phantom Of The Opera (1999 Japanese Cast) ASIN: B0000072VS Release Date: 2002-11-26

Tracks:

1. Prologue-The Stage Of The Paris Opera House, 1911
2. Overture
3. The Dress Rehearsal Of Hannibal
4. Think Of Me
5. The Mirror... (Angel Of Music)
6. The Phantom Of The Opera
7. The Music Of The Night
8. Notes/Prima Donna
9. All I Ask Of You
10. I Gave You My Music...
11. Entr'acte
12. Masquerade
13. The Graveyard
14. Wishing You Were Somehow Here Again
15. Wandering Child.../Bravo Monsieur...
16. The Point Of No Return/Down Once More
17. The Phantom's Lair

Amazon.com

A few years after The Phantom of the Opera debuted in London, Harold Prince unveiled Andrew Lloyd Webber's gothic musical in Canada, in 1989. It was so good that this recording of highlights from the Canadian cast is--dare we say it?--more enjoyable than the equivalent London cast highlights album. No, it doesn't have the authenticity of London principals Sarah Brightman (for whom then-husband Lloyd Webber wrote the role of Christine) and Michael Crawford, but it doesn't have their idiosyncrasies, either, and it does have the richer voices of Colm Wilkinson and Rebecca Caine (who played Jean Valjean and older Cosette, respectively, in the 1985 London cast of Les Misérables). At 69 minutes, the Canadian album is also 10 minutes longer than the London, allowing inclusion of the prologue and dress rehearsal for Hannibal. Of course, Lloyd Webber's melodies--"Angel of Music," "The Music of the Night," "All I Ask of You," "Wishing You Were Somehow Here Again"--are scrumptious on any continent. --David Horiuchi

Album Description

1990 Polydor release featuring highlights from Andrew Lloyd Webber's epic musical by the Original Canadian Cast, including Colm Wilkinson and Rebecca Caine. Directed by Harold Prince, it features 17 tracks, including 'Think Of Me', 'Notes/ Prima Donna', 'Masquerade' and 'Wishing You Were Somehow Here Again'.

Album Details

Contains highlights from the Andrew Lloyd Webber brainchild performed in Ottawa, Vancouver, Montreal & Calgary during April, 1991 through September, 1992. Stars Colm Wilkinson & Rebecca Caine in leading roles.

Customer Reviews:

Iffy.......2007-01-22

I've only listened to clips here and online, but I personally would not buy this entire album. Why? Well, I would LOVE to have Rebecca Caine's "Think of Me" and "Wishing You Were Somehow Here Again" - she has a beautiful voice, much stronger than either Sarah Brightman or Emmy Rossum, and much better trained. But what I have heard of the Raoul annoys me. He's supposed to be the good guy, not a dork!

And Colm Wilkinson as the Phantom? Whose idea was that??? I really do not like his voice, even as Valjean in Les Miz. I highly doubt he's a strong enough singer to pull of "Music of the Night" the way Michael Crawford or Hugh Panaro (best Phantom EVER) can.

If, however, this was on iTunes, I'd jump at the chance to get Rebecca's songs!

Rebecca Caine is what made me buy this album........2006-12-04

Rebecca Caine is my favorite Christine. I think that she has one of the most amazing voices, and I loved her in the title song.

As for everything else...
Honestly, Colm Wilkinson cannot sing. His voice is just too weak for the role. Like one of the reviewers before me said, he's no Michael Crawford, not even Gerard Butler. Maybe I should hear him sing in Les Miserables to appreciate his voice.
As for Byron Nease, he's okay, but I've easily heard better.

In all, the album's okay, but there are many better recordings.

Very Nice!!!!.......2006-08-25

Although this is a specatcular Disc, I find it very hard to appreciate fully Colm Wilkinson's voice in the role of the Phantom after being so used to Michael Crawford's for that role (and being used to mr. Wilkinson's as Jean Valjean in Les Misérables). Don't get me wrong I very much like Colm wilkinson, but not so much as the phantom.
Apart from that Rebecca Caine is a stunning Christine!!!! And at times seems to me to be...dare I say.... better than (my personal favourite singer) sarah brightman, Ms. Caine's "Think Of Me" blew me away, it was very inspiring....

Overall the rest of the cast is very good as well and if you are a true "phan" this is a must have CD very much worth its price!!!!

NOT AS GOOD AS THE LONDON CAST RECORDING.......2006-07-02

Today, after Phantom of the opera became the longest running musical in history of Broadway, and being one of the most produced of Andrew Lloyd Webber's work around the world, we can only agree with the statement of "The Times" reviewer which appeared on October 10, 1986, a day after the premiere in London, who wrote: "One thing is clear: Gaston Leroux's famous story is God's gift to the musical theatre. It wraps up the legends of Faust, Svengali, and Beauty and the Beast into a grand final death rattle of the romantic agony. It turns a theatre--the Paris Opera--into a replica of the universe, from the Statue of Apollo above the city's rooftops down to the infernal regions with their furnaces and stygian lake. And, musically, not only does it unfold to an accompaniment of the operatic repertoire, but also features a protagonist who is himself a great composer."

Phantom, with its operatic and lush melodies, intensive story and grandiose staging, remains one of the best and most beloved musicals of all time.

The musical is based on the Gaston Leroux's novel of the same title. It is set in the second part of the 19th century Paris and its famous opera house. The young soprano, Christine, is discovered as a talented young opera singer in the opera house. She is noticed by an old childhood friend, Raoul, and they fall in love. However, we find out that a third person, the mysterious Phantom, hiding behind a mask, is a musical genius who had been giving Christine singing lessons and who has developed a mad passion for his young pupil. He hides in the catacombs of the opera house, lurking on the outside world. He is determined to keep Christine for himself and the story evolves from here.

Apart from this interesting plot, the audiences were swept away by Lloyd Webber's tremendous score, which probably remains his best work. It combines the beautiful love songs and sweeping operetta-like arias, with numerous orchestral leads and crescendos. You can't help but being charmed by this beautiful and haunting score. The large numbers, especially, the last one, will probably move you deeply. The most popular numbers are "The phantom of the opera", a vibrating duet between Christine and the Phantom; "All I ask of you", a lovely love duet between Christine and Raul; Phantom's mesmerizing voice will hold you till the end in "The music of the night", Christine in "Wishing you are somehow here again" will evoke sadness, and many more.

One of the main reasons for the early success of this show and this recording was its original London cast. All of the three principals: Sarah Brightman as Christine, Michael Crawford as The Phantom and Steve Barton as Raoul gave the performances of their lives. Michael Crawford's take on the role of The Phantom became stuff legends are made of, due to his amazing vocalisation and the powerful, almost hypnotic attraction in his voice and performance, exactly how the Phantom is supposed to sound.

The lyrics by Richard Stilgoe and Christopher Hampton are the weakest link here, but they manage to convey the basic story.

After the show's success in London and on Broadway, the Canadian production was mounted and it premiered in Toronto's Pantages Theatre in September 1989. This CD captures the highlights of that production. All the important musical numbers are here, however, the problem is the cast, that is, some of them. Colm Wilkinson is a great singer, his interpretation of Jean Valjean being the best example. Unfortunately, he doesn't have what it takes to play the Phantom. His interpretation lacks the depth of Michael Crawford and he struggles to stretch his voice, especially on the high notes. Overall, he sings too deep for the role, sounding as if he is still in Les Miserables. Still, he is much better than the mediocre performance Gerard Butler gave in the 2004 movie version. Rebecca Caine is a fine Christine, her soprano has no problem of getting into the character. Byron Nease, who plays Raoul, also fails to deliver, sounding too old and squeaky. The unwritten rule of the musical theatre, that the miscasting can affect the best of materials, is regrettably evident here. There is also a minor problem with the orchestrations, since some parts have a faster tempo than in the original. The aficionados will notice small lyrical changes in comparison with the original cast recording.

The CD comes with a synopsis (a rear treat in the Andrew Lloyd Webber's cast recordings), the lyrics and production photos.

This recording works best as an addition to the existing Phantom collection. For the first time listeners, I highly recommend the 2-disc 1986 London Cast Recording. Not only does it feature almost the entire musical, but also the cast is much, much better, as well as the orchestrations, which have a more classical touch.

I liked Colm Wilkinson better in Les Miz.......2006-05-12

Not to say that he doesn't do a good job in this role as well, but often times it just sounds like Jean Valjean singing the Phantom. He does have some great moments but I think the Christine is the best thing about this recording. I don't know why, but I find her voice incredibly sexy. It's easy to see why the Phantom would want to seduce her and foster her talent. Raoul's line (and vocal) delivery is a little too "Dudley Do Right" for my tastes. It sounds almost comical at times. I dunno, maybe that's what he was going for. The London Cast recording is probably still the gold standard simply because the actors have become so synonymous with the roles they played, but you should pick this one up if you want a more up-to-date version of the orchestrations and, subsequently, the libretto.

Average customer rating:

Puro Sierreno Bravo Los Cuates de Sinaloa Manufacturer: Sony International ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Tejano | Latin Music | Styles | Music Corridos | Latin Music | Styles | Music Norteno | Latin Music | Styles | Music Mexico | International | Styles | Music Similar Items: Mil Heridas Detalles y Emociones Lobo Domesticado Vencedor ASIN: B000MM1FEQ Release Date: 2007-02-27

Tracks:

1. La Siembra En El Cerro
2. Jesus Berrellez
3. Comandante Bandido
4. Equis 4 Equis 5
5. El Nino
6. El Enyerbado
7. El Aguachile
8. Chuy Y Mauricio
9. El Carril Numero Tres
10. El Lider
11. La Semillita

Average customer rating: More expensive than the other Essential but worth it. Excellent compilation of an important composer. "film composer Dimitri Tiomkin gave his all and then some"

The Alamo: The Essential Film Music Collection Dimitri Tiomkin Manufacturer: Silva America ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Tiomkin: Red River The Essential Elmer Bernstein Film Music Collection Way Out West: The Essential Western Film Music Collection, Vol. 2 The Wild West: The Essential Western Film Music Collection Giant ASIN: B00022MBNK Release Date: 2004-07-13

Tracks:

1. Night Passage
2. Tension At Table Rock
3. High Noon
4. The War Wagon
5. The Wild Wild West: Main Theme
6. The Wild Wild West: The Ballad Of Jim West
7. Gunfight At The O.K. Coral
8. Rio Bravo
9. Rawhide
10. Red River
11. The Unforgiven: Across The Texas Panhandle
12. The Unforgiven: The Need For Love
13. The Unforgiven: Horse Ballet
14. The Young Land
15. Duel In The Sun

Tracks:

1. The Fall Of The Roman Empire: Overture
2. The Fall Of The Roman Empire: The Fall Of Love
3. The Fall Of The Roman Empire: Pax Romana
4. 55 Days Peking
5. Land Of The Pharaohs
6. Circus World (The Magnificent Showman)
7. Dial M For Murder
8. Strangers On A Train
9. Giant: Main Title
10. Giant: Love Theme
11. Giant: The Jett Rink Theme
12. The High And The Mighty
13. Wild Is The Wind
14. The Guns Of Navarone

Tracks:

1. Cyrano De Bergerac
2. The Well
3. Friendly Persuasion
4. Town Without Pity
5. It's A Wonderful Life
6. Tarzan And The Mermaids
7. The Thing From Another World
8. The Alamo: Overture/Prologue
9. The Alamo: Davy Crockett
10. The Alamo: Tennessee Babe
11. The Alamo: The Battle Of The Alamo
12. The Alamo: The Green Leaves Of Summer
13. The Alamo: Finale

Tracks:

1. Giant: This Then Is Texas
2. Rawhide: Rawhide
3. High Noon: Do Not Forsake Me
4. Night Passage: Follow The River
5. Giant: The Ballad Of Jett Rink
6. Friendly Persuasion: Thee I Love
7. It's A Wonderful Life
8. Wild Is The Wind
9. The High And The Mighty
10. The War Wagon: The Ballad Of The War Wagon
11. Rio Braco
12. The Young Land: Strange Are The Ways Of Love
13. The Wild Wild West: The Ballad Of Jim West
14. The Wild Wild West: The Wild Wild West

Amazon.com

Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley

Customer Reviews:

More expensive than the other Essential but worth it........2007-04-22

This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:

Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.

Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".


Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".

The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"

Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".

The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!

Excellent compilation of an important composer........2004-07-16

This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).

"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13

Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.

Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.

Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.

On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.

The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.

Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.

When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!

Total Time: 4-CD-Set ~ Silva America 811 ~ (7/13/2004)

Average customer rating: Thank you for the memories A CLASS ACT The best Spanish crooner Todas sus grabasiones including 2 inéditos Todos sus canciones including 2 inédotos

Todo Nino: La Obra Completa De Nino Bravo Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Latin Music | Imports | Stores | Music Similar Items: 24 Páginas Inolvidables 30 Aniversario Lo Mejor de Lo Mejor 30 Grandes Canciones 30 Exitos Insuperables ASIN: B0000AKCAF Release Date: 2005-03-15

Tracks:

1. Te Quiero, Te Quiero
2. Noelia
3. Amca, Amca
4. Libre
5. Beso y Una Flor
6. Tbiar
7. Nuestro Hogar Serl Mundo
8. Esa Seri Casa
9. Voy Buscando
10. Es el Viento
11. Como Todos
12. Vuelvo a Estar Sin Ti
13. No Debo Pensar en Ti
14. En Libertad
15. Mi Querida Mama "My Yiddishe Momme"
16. Aquel Atardecer
17. Tren Se Va
18. Adi
19. Ni el Viento Ni el Tiempo
20. Por Culpa Tuya

Tracks:

1. Cartas Amarillas
2. Mi Gran Amor
3. Mis Noches Sin Ti
4. Hoy Soy Fel
5. Elizabeth
6. Amanecer
7. Flor de Invernadero
8. Perdona
9. Ese Hombre
10. Para Darte Mi CorazLook Around (And You'll Find Me There))
11. Arena de Oto
12. Por Fin Mi Amor
13. Para Queguir
14. Por Fin Ma
15. Nis Ya Mujer (This Girl Is a Woman Now)
16. Contigo Soy Feliz
17. Yo Te Quiero Dar
18. Volver a Empezar
19. Eres Todo Cuanto Quiero
20. Amor

Tracks:

1. Mi Tierra
2. Puerta de Amor
3. Vete
4. Se, Se
5. Por Qu
6. Gracias a Ti
7. Hoy Te Quiero Ofrecer
8. Carolina
9. Te Acuerdas Mar
10. Vuelve
11. Mi Mundo Esta Vacio
12. Laura
13. Pintaru Color
14. Yo No Sor Qusta Melod
15. Cantar
16. Aquel Amor
17. Mona Lisa
18. Vivir
19. Quien Eres T
20. Te Amar
21. PotpourrTe Quiero, Te Quiero/Puerta de Amor/Noelia/Un Beso y ...

Album Details

Triple CD Set of 30 Years Compiled for a Total of 61 Tracks Where his Music Crossed Frontiers and Cultures, Moments and Passions, Memories and Sensations. Bravo's Name is Synonymous with Initiative, Professionalism, but above all Humanity. The Album Reached #2 on the Spanish Billboard Chart.

Customer Reviews:

Thank you for the memories.......2007-02-15

If you are over 40 and speak spanish (weather Spaniard or South American ) then you will love this album. beautiful songs bring good memories.

A CLASS ACT.......2006-02-05

I am a 35 yr old male who recently discovered this late great entertainer through a wonderful Spanish radio station (92.3 CLASSICA 92) that specializes in those great songs of yesteryear

this collection brings together all of the albums that Nino recorded during his all-too-brief lifetime. Passion and soul infuse every number....the songs are timeless ....

in this world of Britneys and Justins and Jessica Simpsons sadly topping the charts....it is nice to have recordings like these to show us that having a voice and being able to actually sing a song without any "machine support" is what its all about

Nino was a true class act and his musical legacy will always live on.....buy this compilation you will not be disappointed

The best Spanish crooner.......2006-01-12

He was,and still is, the greatest spanish crooner of all times. A particular vision of the music, full of passion and great voice, from a talented singer and musician. Unfortunately,life didn't give him any opportunity to share his talent to the rest of the world, but his music is still alive, now and forever.

Todas sus grabasiones including 2 inéditos.......2004-02-12

"The Tom Jones español" Nino Bravo is one of my favorite singers in Spain.
This album including his 5 albums and 2 inéditos
("Quién eres tú" and "Te amaré").
If you want to listen to his all songs, you can buy this album.

Todos sus canciones including 2 inédotos.......2004-02-11

"The Tom Jones español" Nino Bravo is one of my favorite singers in Spain.
This album including his 5 albums and 2 inéditos("Quién eres tú" and "Te amaré").
If you want to listen to his all songs, you can buy this album.

Average customer rating: Among the best Tango albums absolutely wonderwul Saw The Show 5 Times, Love the CDs, Wish There Were More It's just powerful and extraordinarily well done. Go for it! THE MOST BEAUTIFUL MUSIC OF THE WORLD!

Forever Tango (1994 Original Broadway Cast) Luis Bravo Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Tango: Original Motion Picture Soundtrack Tango 20 Best of Classical "Tango Argentino" The Tango Lesson: Original Motion Picture Soundtrack (1997 Film) Tantalizing Tangos of Argentina ASIN: B0000064YE Release Date: 1998-02-24

Tracks:

1. Obertura
2. El Choclo
3. Que Falta Que Me Haces
4. A los Amigos
5. Derecho Viejo
6. El Dia Que Me Quieras
7. Comme it Faut
8. Berretin
9. La Tablada
10. Responso
11. Milongueando en el' 40
12. Volver
13. Los Angeles '90
14. Recuerdo

Tracks:

1. A Fuego Lento
2. Gallo Ciego
3. Convencernos
4. Quejas de Bandoneon
5. Payadora
6. La Cumparsita
7. Celos
8. Felicia
9. Adios Nonino
10. Libertango
11. Tus Ojos de Cielo
12. Balada Para Un Loco
13. Lo Que Vendra

Customer Reviews:

Among the best Tango albums.......2004-12-17

This album is uniformly strong in its compositions and performances, perfect for Tango practicas and milongas. The music is very tasteful, wonderfully performed, and sets a magnificent panoply of moods. A much better candidate for "The Best Tango In The World Ever!" that the album of that name.

absolutely wonderwul.......2001-04-04

Unlike most of the so-called tango recordings out there, this one has solid tango rhythms and instruments that sing. It is trully passionate and I can't help loving it. This is beautiful music excellently performed.

Saw The Show 5 Times, Love the CDs, Wish There Were More.......1999-09-13

This CD should be in the collection of anyone that loves the tango, especially the beginner. Violin solos are wonderful. I saw the show 5 times (3 times on Broadway). It was like visiting friends. It has done much for Argentina and for the tango.

It's just powerful and extraordinarily well done. Go for it!.......1999-03-16

It's not necessary to be a qualified musician to realize that we are before a wonderful piece of music. What a delightful pleasure is to listen this CD. Don't hesitate, go for it.

THE MOST BEAUTIFUL MUSIC OF THE WORLD!.......1998-07-13

Tango is pure passion. Powerful. Inspiring. And the Forever Tango show is able to pass along these feelings to the public - quite a challenge! This is simply an unforgettable CD. Nothing can ever compare to its profundity.

Average customer rating: beautiful music Overwhelming first song Beautiful great first album, a bit of the Venezuelan Zeitgeist of 60s

Songs of Venezuela Soledad Bravo Manufacturer: Buda Musique ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Venezuela | South & Central America | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music General | Rock | Styles | Music General | International | Indie Music | Stores | Music General | Latin Music | Indie Music | Stores | Music Salsa & Merengue | Latin Music | Indie Music | Stores | Music International | Imports | Stores | Music Latin Music | Imports | Stores | Music Rock | Imports | Stores | Music Similar Items: Revolutionary Songs of Latin America The Rough Guide to the Music of Venezuela Mis Canciones: My Songs Cantos Revolucionarios De America Latina Lo Mejor: The Best of Soledad Bravo ASIN: B000001N7S Release Date: 1995-09-01

Tracks:

1. Polo Margariteno
2. Malaguena
3. Fulia
4. Cantos De Pilon
5. Mi Tripon
6. Caramba
7. Alla Viene Un Corazon
8. Tonadas De Ordeno
9. Cantos De Pilon II
10. Malaguena II
11. Pajarillo Verde
12. Cantos De Trabajo
13. Flor Del Cacao
14. Malaguena
15. Sabana Blanca-Mocho Hernandaz
16. Canto De Ordeno
17. Galeron Margariteno
18. Canto De Trapiche
19. Punto Margariteno
20. Zumba Que Zumba
21. Para Los Mares
22. Fulia
23. Llamado De San Juan

Customer Reviews:

beautiful music.......2007-01-23

For those who don't speak Spanish, the first words sung on the album say "To sing makes sense... singing makes sense, has understanding and reason..." which although it loses something in the translation, tells the listener straight away that this is an album dedicated to Venezuelan song, from African derived work songs to folk tales, protest music and romantic and at times tragic poetry. Soledad Bravo pays tribute to the treasure trove of folk with her beautiful emotive voice which is variously angelic and earthy and her guitar, accompanied only occasionally by other folk instruments. Get it and track down the lyrics on the net if you're a non-Spanish speaker.

Overwhelming first song.......2005-05-28

One of the reviewers below hits it right on the mark. The first song "Polo Margariteno" is so heartfelt, so overwhelming in its intensity that the rest of the CD (and 99% of any other music that you hear) could not possibly match it. It is that powerful. It is that joyous. Everytime I listen to it, I feel like weeping. That being said, there are plenty of other great songs on this CD, especially tracks 2, 9, 10, 17, and 19. Check it out. Everyone should hear "Polo Margariteno." It is one of the greatest songs ever recorded.

Beautiful.......2003-06-16

Heard this music on KPFA in the car once and when I got home I immediately looked up their play list and ordered it. Not all the songs are as good as the first one, but this has become one of my favorite CDs very quickly.

great first album, a bit of the Venezuelan Zeitgeist of 60s.......1998-08-31

This is a collection of Venezuelan folk tunes, interpreted by single voice and guitar (not the traditional formula). It is a fine sample of the Nueva Trova movement, which sought to revive folk traditions with new political and social statements. Bravo's voice changed dramatically in following albums; here the words just float from her mouth in a bright, sweet tone, with a gentility of diction that evokes instant nostalgia. This album is a great, accessible introdution to the wealth of Venezuelan music.

Average customer rating: A star among modern Werthers, but there are others Another Smash Hit From The French Opera Specialists ¿El mejor Werther despues de Kraus? Best Werther recording since the 1930s thoughts on "Werther"

Massenet - Werther / Alagna · Gheorghiu · Hampson · Petibon · Courtis · Fouchécourt · Frémeau · LSO · Pappano Jules Massenet , Antonio Pappano , Roberto Alagna , Angela Gheorghiu , London Symphony Orchestra , Tiffin Children's Choir , Thomas Hampson , Patricia Petibon , Jean-Philippe Courtis , Jean-Paul Fouchécourt , Jean-Marie Frémeau , James Savage-Hanford , Pierre Dupont , and Sophie Boulanger Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Massenet - Manon / Gheorghiu, Alagna, Patriarco, van Dam, Ragon, Rivenq, Panzarella, Koch, Schimmack, Pappano Puccini - La Rondine / Gheorghiu · Alagna · Matteuzzi · Mula · Rinaldi · Ciofi · Bacelli · LSO · Pappano Puccini - Il Trittico / Alagna, Gheorghiu, Guelfi, Guleghina, Gallardo-Domás, Manca di Nissa, Palmer, Shicoff, van Dam, Pappano Massenet: Le Jongleur de Notre Dame Verdi - Simon Boccanegra / Freni, Cappuccilli, Carreras, Ghiaurov, van Dam, Foiani, Teatro alla Scala, Abbado ASIN: B00001ZSVU Release Date: 1999-10-19

Tracks:

1. Werther: Prelude (Orchestra)
2. Werther: Act One: Assez! Assez! M'ecouterat-on cette fois? (Le Bailli, Les Enfants)
3. Werther: Act One: Bravo pour les enfants! (Johann, Schmidt, Les Enfants, Le Bailli, Sophie)
4. Werther: Act One: Alors, c'est bien ici la maison du Bailli?
5. Werther: Act One: Je ne sais si je veille (Werther)
6. Werther: Act One: Jesus vient de naitre!...Chers enfants! (Les Enfants, Werther)
7. Werther: Act One: Ah! comme ils sont meilleurs que moi! (Werther, Les enfants, Le Bailli)
8. Werther: Act One: Arrivez donc, Bruhlmann! (Le Bailli, Charlotte, Werther, Sophie)
9. Werther: Act One: O spectacle ideal d'amour et d'innocence (Werther)
10. Werther: Act One: Monsieur Werther!...Vivat Bacchus, semper vivat! (Le Bailli, Charlotte, Sophie)
11. Werther: Act One: Sophie!...Albert! Toi de retour! (Albert, Sophie)
12. Werther: Act One: Elle m'aime!...Quelle priere de reconnaissance et d'amour (Albert)
13. Werther: Act One: Interlude (Orchestre)
14. Werther: Act One: Interlude (continued) ...Il Faut nous separer
15. Werther: Act One: Mais vous ne savez rien de moi
16. Werther: Act One: Reve! Extase! Bonheur! (Charlotte, Werther)
17. Werther: Act One: Charlotte! Charlotte! Albert est de retour! (Le Bailli, Charlotte, Werther)
18. Werther: Act Two: Prelude (Orchestre) ....Vivat Bacchus! Semper vivat!
19. Werther: Act Two: Allez, chantez l'office (Johann, Schmidt)
20. Werther: Act Two: Trois mois! Voici trois mois que nous sommes unis! (Albert, Charlotte)
21. Werther: Act Two: Un autre est son epoux!
22. Werther: Act Two: J'aurais sur ma poitrine (Werther)
23. Werther: Act Two: Si! Katchen reviendra, je vous dis! (Schmidt, Johann)
24. Werther: Act Two: Au bonheur dont mon ame est pleine...Vous l'avez dit: mon ame est loyale et sincere (Albert, Werther)
25. Werther: Act Two: Frere, voyez! Voyez le beau bouquet!...Heureux! Pourais-je l'etre encore? (Sophie, Werther, Albert)
26. Werther: Act Two: Ai-je dit vrai? L'amour que j'ai pour elle Ah! qu'il est loin, ce jour plein d'intime douceur
27. Werther: Act Two: N'est-il donc pas d'autre femme
28. Werther: Act Two: Oui, ce qu'elle m'ordonne
29. Werther: Act Two: Lorsque l'enfant revient d'un voyage avant l'heure
30. Werther: Act Two: Mais venez donc! le cortege s'approche (Sophie, Werther, Charlotte, Albert)

Tracks:

1. Werther: Act Three: Prelude (Orchestra)
2. Werther: Act Three: Werther! Werther!...Qui m'aurait dit la place
3. Werther: Act Three: Des cris joyeux d'enfants montent sous ma fenetre (Charlotte)
4. Werther: Act Three: Bonjour, grand soeur! (Sophie, Charlotte)
5. Werther: Act Three: Va! Laisse couler mes larmes (Charlotte)
6. Werther: Act Three: Tiens, Charlotte, crois-moi, ne reste pas ici (Sophie, Charlotte)
7. Werther: Act Three: Ah! mon courage m'abandonne! (Charlotte)
8. Werther: Act Three: Qui, c'est moi! Je reviens! (Werner, Charlotte)
9. Werther: Act Three: Ha! bien souvent...Toute mon ame est la!...Pourquoi me reveiller, o souffle du printemps? (Werner)
10. Werther: Act Three: N'achevez pas! Helas!
11. Werther: Act Three: Ah! Moi! Moi, dans ses bras! (Charlotte, Werther)
12. Werther: Act Three: Werther, est de retour...on la vu revenir (Albert, Charlotte)
13. Werther: Act Four: Entr'acte: La Nuit de Noel (Orchestra)
14. Werther: Act Four: Werther! Werther! Rien! (Charlotte)
15. Werther: Act Four: Qui parle? Charlotte, ah! c'est toi!
16. Werther: Act Four: A cette heure supreme, je suis heureux (Charlotte, Werther)
17. Werther: Act Four: Noel! Noel! Noel!...Dieu! Ces cris joyeux (Les Enfants, Charlotte, Werther, Sophie)
18. Werther: Act Four: Ah! ses yeux se ferment!...Non...Charlotte!...je meurs (Charlotte, Werther)

Amazon.com

The modern discography of Massenet's Werther has long been dominated by the (currently out of print) Philips recording starring José Carreras and Frederica von Stade as well as the earlier EMI version with Alfredo Kraus and Tatiana Troyanos. But this EMI newcomer is within shouting distance of greatness, mainly due to conductor Antonio Pappano. Although any Werther succeeds or fails on the strength of its singers, the conductor is a crucial catalyst (on the Philips set, it's Colin Davis, while on EMI it's Michel Plasson) for maintaining the poetic intensity in a drama that can too easily seem like a naive case study in stalking. The Byronic title character essentially practices emotional blackmail on the married woman he loves by never hiding his suicidal tendencies, though one never thinks such mundane thoughts with tenor Roberto Alagna. Although his voice lacks the tenor bloom one might want, he's so at home with the role and the French language that he delivers a characterization full of imagination and immediacy, sometimes bordering on vocal genius. Soprano Angela Gheoghiu's vocal center is too high for this mezzo role, but she makes a vivid impression through the sheer force of her personality. Thomas Hampson gives vocal glamour but surprising dramatic restraint to the role of her husband, Albert. Although the sound quality is somewhat studio bound, Pappano and the London Symphony Orchestra play as if it's a live performance. --David Patrick Stearns

Customer Reviews:

A star among modern Werthers, but there are others.......2006-05-28

The reviewers below have praised this EMI Werther so thoroughly that there's little to add. Gheorghiu is the only soprano besides Victoria de los Angeles (1868, also on EMI) to record this classic mezzo role, and at times one hears the strain as she reaches for the bottom notes. She lacks de los angeles's many emotional shadings, giving us instead a fairly consistent, verismo-tinged passion, but her vocalism as such is thrilling.

Roberto alagna, a native French speaker despite his name, is the only prominent Werther who can claim that distinciton. I've always felt he was much better suited to French opera than the heavier Verdi-Puccini roles that he now sings, and which (shadoes of Carreras) have led to a coarsening of his voice, along with a pronounced wobble and intonation problems. but he is a star, no doubt, and here he brings charisma and style to Wether. He takes care to find many musical shadings throughout, and since the date for this recording is 1998-99, he is nearly in best voice.

Everyone has praised Pappano (are they following the lead of The Gramophone reviewer, who thought he was the best thing here?), but Colin Davis, Georges Pretre, and Kent Nagano had done as well. Pappano;s distinciton is that he is a bit slower, more dleiberate, and self-consciously refined. I'm not sure that's always a great advantage in Massanet, whose music is given to sighs and longueurs--it can use help form an energetic conductor. EMI's recording form London is a bit distant but otherwise quite good.

IN all, this is a gripping peformance that deserves all the praise it has gotten, but it doesn't erase memories of other fine Werthers, an opera that has been amazingly successful on records. The Davis features a remarkable Charlotte in Frederica von stade and a passionate, verismo Carreras in top form (Philips), the Nagano has gorgeous if not quite idiomatic singing from von Otter and Hadley in a more low-key, melliflous style (Erato), and of course there's the classic Pretre version with de los Angeles and Gedda. This only skims the surface, for there is an oustanding live 1977 performance with Domingo and Fassbaender under Lopez-Corbos from Munich (Orfeo). Indeed, when the Amazon reviewer claims that the Plasson set with Troyanos and Kraus on EMI "dominated" the stereo era, he is far from accurate.

Another Smash Hit From The French Opera Specialists .......2006-02-25

Husband and wife singing sensatio Roberto Alagna and Angela Gheorghiu, in another stunning EMI recording, dramatically commit themselves to the passionate characters in this now forgotten opera Werther, which quite possibly is Massenet's best work. Although Alagna and Gheorghiu can sing the Italian opera repertoire with aplomb (Tosca, Trovatore, Boheme, Pagliacci, La Rondine) they have proven time and again that their strongest reperotoire is French opera. As soon as their Romeo Et Juliette hit record stores and stage houses, they were immediately hailed as today's finest French opera singers, a rarity. Not only do they possess beautiful voices but they are intensely dramatic and character-driven. Never more so than in Massenet's Werther, a Gothic romantic drama about the tormented love of the titular hero who kills himself. It's drawn from a popular Romantic-Era 19th century novel - The Sorrows of Young Werther. Both Alagna and Gheorghiu are in great vocal shape. They understand the significance of the text and they are blessed with the talents of their champion conductor, Antonio Pappano, who draws out the power in the musical score with the London Symphony Orchestra. All true fans of Alagna and Gheorghiu will want to own this one, as it is indeed their best work yet.

Roberto Alagna has been criticized for his flawed technique- he sings with self-conscious grandeur and often imitates the lyric tones of predecessors Giuseppe Di Stefano and Franco Corelli. He has a nearly "pop" style voice - all razzzle-dazzle, great volume, beautiful tone, but often fails in the more difficult music. He is however, very gifted and intelligent and attempts to sing with as much passion and drama as possible. I for one love what I hear from him, especially in this recording, where he has never sang better. Angela Gheorghiou sings with her usual dramatic diva flair - thrilling high notes, tessitura, chest voice, musicality and all the good things she has used for other great hits like Juliette and Manon. But in this performance, while it is still good, she is not really in her element. This is a mezzo-soprano role. Charlotte, Werther's unattainable love, must sing with mezzo soprano voice in order to seduce Werther a la Bizet's Carmen. While it is definately a role for a high mezzo, it is not for the purely soprano voice of Angela Gheorghiu. You have to be a fan of these two in order to appreciate Gheorghiu's treatment of a mezzzo soprano role. It is basically the same thing as her Carmen, another mezzo soprano role. If you want to hear outstanding mezzo sopranos in Werther check out the dramatic mezzo style of Brigitte Fassbaender who is by far the best intepretor or check out Federica Von Stade who sings a cooler and less intense Charlotte opposite the supercharged Jose Carreras. Pappano does a great job with the music - bloom, brilliance, darkness and this is by far the best modern recording of the opera.

¿El mejor Werther despues de Kraus?.......2004-10-23

Sorprendente acierto de la EMI (la casa para la que grababa Alfredo Kraus, uno de los interpretes de referencia del papel de 'Werther') al confiar a una de las parejas mas activas discograficamente del momento, Roberto Alagna y Angela Gheorghiu, la grabacion de 'Werther' en 1999 (justo el año de la muerte del mitico Kraus)
Y digo sorprendente porque quizas ROBERTO ALAGNA sea el mejor interprete de Werther desde el mitico Kraus. Sus interpretaciones son muy diferentes entre si, ya que Alagna muestra un timbre mas baritonal que el liviano de Kraus y un canto mas afrancesado: Un canto elegante y entregado capaz de llegar a los agudos sin grandes problemas, que hacen de Alagna seguramente el mejor Werther de su generacion (y por tanto el mejor despues de Kraus).
Como Charlotte encontramos a la soprano ANGELA GHEORGHIU, en un papel que aunque habitualmente es cantado por mezzos, le queda francamente bien: la voz doliente y expresiva de Gheorghiu se presta perfectamente a la psicologia de Charlotte, y la quimica con Alagna en los duos de amor (sobra decir que es su esposo en la vida real) es total.
Completando el reparto nos encontramos con los lujos de PATRICIA PETIBON (una Sophie cuyo timbre recuerda mucho al de Natalie Dessay) y el Albert de un THOMAS HAMPSON que es todo sutilidad. El resto del reparto rinde tambien a buen nivel.
ANTONIO PAPPANO dirige a la LONDON SIMPHONY (que suena igual de bien que siempre) y el coro infantil canta con mucha correccion. Si a esto le sumamos un sonido magnifico (podemos oir en algunos momentos incluso los susurros de Pappano a la orquesta), esto nos lleva a pensar que este 'Werther' sea la mas adecuada segunda opcion, despues de tener la obviamente obligada de Alfredo Kraus. Muy buen trabajo.

Best Werther recording since the 1930s.......2000-03-17

I will admit that I am "imprinted" on the Georges Thill/Ninon Vallin recording from the 1930s and no recording since then has even come close. But this recording does. Alagna (who is a native French speaker, in spite of the Italian name) has the diction and, more important, the style to sing poor Werther perfectly. Gheorghiu sings beautifully as well, and there is no problem with the tessitura, in spite of Charlotte generally being more comfortable for mezzos. Pappano is an up-and-coming conductor who does himself proud with this recording. I wouldn't hesitate to recommend this one.

thoughts on "Werther".......2000-01-07

Perfect casting for the title role... Alagna feels *good* and sorry for himself...no problems there! Just listen to him belt and bleat through "Pourquoi"...it's no wonder Charlotte changes her mind. "Stop whining!"

This CD is worth your money, provided you already like the opera. Personally, Werther's selfishness drives me up a wall.

There's only one major problem: why is Gheorghiu singing a mezzo role? The middle register of her voice is *not* her best of show.

Jazz Music:

1. Cafe de los Maestros [Box set] [Deluxe Edition] [Import]
2. Canciones [Import]
3. Cantan Larroca Y Dante [Import]
4. Carabali
5. Carabali 2
6. Carta de Verano
7. Chalino Sánchez Con Vaquero's Musical
8. Con la Excusa de Nu Bolero
9. Con Mariachi
10. Con Sophy [Import]

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