Piano de Navidad

1. Blanca Navidad (White Christmas)

2. Cantares de Navidad/Si No Me Dan de Beber..

3. Campanitas Cubanas

4. Posadas/Las Maanitas

5. Recuerdos de Navidad/Felix Navidad

6. Cascabel (Jingle Bells)

7. Noche de Paz (Silent Night)

8. Arbolito

9. El Nio del Tambor (Little Drummer Boy)

10. Dime Nio de Quien Eres/La Marimorena...

11. Pastores a Belen

12. Noche Santa (O Holy Night)

Piano de Navidad,Enrique Chia,Begui Records,Christmas,Christmas / Chanukkah,Cuba,Latin,Tango

Music

jazz

music

Tracks:

Ill Mio Tesoro
Un'aura Amorosa
Dies Bildnis Ist Bezaubernd Schon
La Ci Darem La Mano
Vani Sono I Lamenti...Svegliatevi Nel Core
Pays Merveilleux...O Paradis
Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
None But The Lonley Heart
Lensky's Aria
Donna, Non Vidi Mai (Manon Lescauy Act, II)
Ah, Manon, Mi Tradisce
Dammi I Colori...Recondita Armonia
E Lucevan Le Stelle (Tosca, Act III)
Ch'ella Mi Creda (La Fanciulla Del West, Act III)
Dai Campi, Dai Prati (Mefistofele, Act I)
Virgini Muse...Quando Al Soave Anelito
O Sink Hernieder, Nacht Der Liebe
Was Am Besten Er Kann...Hoho! Hohei!

Tracks:

Se Quel Guerrier Io Fossi!...Celeste Aida
Su, Profetessa...Di Tu Se Fedele
Forse La Soglia Attinse...Ma Se M'e Forza Perderti
O Tu Che In Seno Agli Angeli
Su, Cacciator...Fontainebleau!...
Niun Mi Tema
Ach, Wie So Herrlich Zu Schau'n
Sckenkt Man Sich Rosen In Tirol
Gern Hab'ich Die Frau'n Gekusst
O Vaterland...Da Geh'ich Zu Maxim
Dein Ist Mein Ganzes Herz
Mi Aldea
Cancion Del Sembrador
No Puede Ser
Serenata
Copillas De Belen
Coplas Del Pastor Enamorado
En Aranjues Con Tu Amor
Jealousy Tango
La Golondina

Amazon.com

Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler

Customer Reviews:

A great introduction to the art of Placido Domingo.......2007-07-04

Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!

This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:

"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.

From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.

From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.

And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.

Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.

Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.

Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.

Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.

So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.

This is really the best........2007-05-16

I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.

If you like Placido at all, you must have this CD........2005-04-06

Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.

Rare And Great Domingo Classics.......2005-03-08

EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.

Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......

A real Bobby Dazzler.......2004-02-19

Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.

Average customer rating:

First Christmas Album I bought for myself
wonderful
Wonderfully Different & Addicting! And All Your Friends Will Be Calling HOO-HOO!
Wonderful and funny compilation
A historical meeting...

The Three Tenors Christmas
Pavarotti , Domingo , and Carreras
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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#1 Christmas Album

ASIN: B00004YB9Y
Release Date: 2000-10-31

Tracks:

Cantique de Noel (O Holy Night)
Adeste Fideles
Ave Maria, Dolce Maria
Wiegenlied
Oh Tannenbaum
Tu Scendi dalle Stelle
Amazing Grace
White Christmas
Dormi O Bambino
Silent Night
Pregarla (El Can de L'Anima a La Verge)
Susani
Happy Christmas/War is Over
Wiegenlied
Carol of the Drum (The Little Drummer Boy)
La Virgen Lava Paqales
I'll Be Home for Christmas
Sleigh Ride
Winter Wonderland
Un Nuevo Siglo
Feliz Navidad

Amazon.com

Resplendent in voice and manner, José Carreras, Placido Domingo, and Luciano Pavarotti deliver 21 songs of traditional sacred music and secular numbers in a remarkable 1999 live recording from the opulent Viennese concert hall (Konzerthaus), with the Vienna Symphony Orchestra and a renowned choir. The Three Tenors are practically as famous as the faces of Mount Rushmore and inspire perhaps even more awe and adulation around the world than the four presidents. The performances--whether alone, in tandem, or simply as the threesome that has made them collectively famous--are generally impeccable for their passion, nuance, and sheer tour de force vocal artistry. Reaching often into the classical realm for such works as the traditional German carol "Susani," Strauss's and Brahms's "Wiegenlied," plus traditional Polish and Spanish pieces, the trio also visits Pavarotti's "Ave Maria, dolce Maria" (cowritten with Vittoriano Benvenuti), and "Un nuevo siglo," written by Domingo's son. Only John Lennon and Yoko Ono's "Happy Christmas/War Is Over" doesn't quite work in this grand setting. --Martin Keller

Customer Reviews:

First Christmas Album I bought for myself.......2007-01-16

Album is great. For any other holiday music, just listen to your local radio station that plays it during December.

wonderful.......2007-01-15

they are wonderful singers a delight to the ears and doing Christmas music made Christ mas even better

Wonderfully Different & Addicting! And All Your Friends Will Be Calling HOO-HOO!.......2005-08-23

First, let me state I don't listen to opera singers that much; thus, don't expect a hypercritical review here. (Really, is there ANY field of music that has more hypercritics than opera?) I got this CD simply because Columbia House had it on sale for $2.99, and I wanted some new Christmas CDs.

I found the CD delightful beyond words. It has some beautiful versions of well-known Christmas songs, as well as songs I've never heard before. "Carol of the Drum" and "War Is Over" are my two favorites, with "Sleigh Ride" a close third.

Sure, there is some tripping over of words by these three great opera stars...but that makes it even more enhancing in my opinion. Pavarotti was particularly amusing when he was singing: "And all our friends are calling 'HOO-HOO'!" (Watch the DVD for Carreras' reaction to that one!) And let's not forget Pavarotti singing: "I'll be home for Christmas. You can PLAY on me."

The children's chorus is great, the Vienna Symphony is great...and, once again, buy or rent the DVD so you can get the full affect of this astounding Christmas concert...the music, the lights, the colors, and the marvelous Steven Mercurio conducting it all.

Wonderful and funny compilation.......2005-03-09

The Three Tenors are, of course, wonderful to listen to. This is also a funny CD. When they sing the more modern songs (Happy Christmas by John Lennon and Yoko Ono, for example) they have trouble keeping up with the pace of the song. They almost sound like they're tripping over the syllables, because as opera singers they are more accustomed to long, drawn out vowels, not fast ones. This doesn't hurt the song at all, it makes it more interesting to listen to. It's a great CD. I would recommend this as an addition to any collection of Christmas music.

A historical meeting..........2004-11-28

Although several labels already had Christmas albums of the three tenors in their catalogue, the three maestros never actually trioed on these releases. When Plácido Domingo and the "Christmas in Vienna" team started preparing the eighth concert in the series (six predecessors were captured by Sony, and one, titled "Celebration of Christmas" issued by Erato-Warner), they made a monumental decision: Re-uniting three of the greatest voices of the current music business.
For one and a half hour, Carreras, Domingo and Pavarotti performed the greatest Christmas songs and carols from around the world. Nearly 65 minutes of this monumental concert are captured on this disk. The opening version of "O Holy Night" (aka "Cantique De Noel", "Minuit, Chrétien") by Domingo and Pavarotti would be reason enough to get this one. But wait, there is far more on the way, than selections from the classical genre. The real enjoyment starts, when the three tenors do one of the most romantic arrangements of Irving Berlin's "White Christmas" ever heard and fade from a rousing "La Virgen Lava Pa`nales" into one of the finest treatments of "I'll Be Home For Christmas" ever heard. Also of great interest is the trio arrangement of "Let It Snow!", which is included on some of the import versions and on the DVD.
If you are a hopeless completist like me, you may be asking, what happened to the 25 minutes cut from the CD release. Well, first let me say, that none of the currently available releases has the order of the songs as they were performed in the concert. Although this is a live recording, handclaps and other characteristics of a live recording are hardly audible on the CD version. Two tracks, "Jingle Bells" and "Let It Snow", which had clearly audible handclaps at the beginning and at the end of the performance (and therefore couldn't be faded out) can be found on the mentioned import disk and on the DVD's PCM soundtrack. "Children of Christmas" (a Plácido Domingo Jr. composition originally introduced in "Christmas In Vienna IV" by Plácido Domingo and Michael Bolton) and "Ay" Para Navidad" can be found exclusively on the DVD. Currently unavailable on any official release is the "Overture" (which can be found on the DVD, but abridged with sound effects). So here's the actual running order: "Overture", 20, 2, 1, 11, 3, 4, "Children of Christmas", 16, 17, 6, 15, 8, "Let it snow", 5, "Ay! Para Navidad", 9, 19, 14, 18, 12, 13, "Jingle Bells", 7, 21, 10;
If you still doubt about the quality of this performance, let me say one for sure: As other volumes in the series will slowly disappear (as some of them have already in the US), this one is a matter of decades and when you buy this one, you will have joyful Christmas hours for many, many Christmases to come.

Average customer rating:

Nice repertory and singing, but give the girl some castanets

Canciones Amatorias

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000682WC
Release Date: 2002-07-09

Tracks:

Granados: Descubrase el pensamiento
Granados: Mananica era
Granados: Llord, corazon, que teneis razon
Granados: Mira que soy nina
Granados: No lloreis, ojuelos
Granados: Iban al pinar
Granados: Gracia mia
Granados: Oh muerte cruel!
Granados: Ay! Majo de mi vida
Granados: De aquel majo amante
Rodrigo: Pastorcito santo
Rodrigo: Coplillas de Belen
Rodrigo: Por mayo era
Rodrigo: Adela
Rodrigo: Cancion del Duero
Nin: Asturiana
Nin: El pano murciano
Nin: El vito
Guastavino: La rosa y el sauce
Guastavino: Cita
Guastavino: La palomita
Ginastera: Cancion al arbol del olvido, Op. 3 No. 2
Ginastera: Chacarera
Ginastera: Triste
Ginastera: Zamba
Ginastera: Arrorro
Ginastera: Gato

Customer Reviews:

Nice repertory and singing, but give the girl some castanets.......2002-12-25

This recital was a mixed blessing. The program is well chosen. The music is exciting and alluring, accessible yet rare enough to be attractive to travelers along the byways of song. The performances are beautiful and thoughtful. Fink's tone is consistently attractive, her technique and ornamentation are impressive. But there are essential Spanish elements missing. Rhythms are not accented, with scarcely any rubato in evidence. She does not bite into her consonants or relish the typical Spanish sounds like "ll," "j," and "y." Part of the problem is in the foursquare playing of Roger Vignoles on the piano. In any case, the songs are captivating and Bernarda Fink's expressiveness is beautiful but undermined by this lack of flair. Though less effective than her debut art song recorded of Schumann Lieder on harmonia mundi, this remains nonetheless a record of lasting appeal.

The program is of love songs offered from the perspective of man, woman, and third person. This music is so rarely heard and worth hearing as to make the disc self-recommending. Spanish composers lean more toward collections than narrative cycles, and here we have some collections presented in full and some excerpted. Spanish art song conveys a rich bittersweetness, stretching the ear with tangy chromaticisms and veiled harmonies, their unsettling effect kept within bounds by recognizable rhythms, modulations, melismas, and other characteristic flourishes. Refined, yes, but never too distant from its popular variants.

The Granados collection that begin the disk has the first 5 songs rather centered on the pains of love, from different angles: deeply sympathetic narrator, a girl in the torments of young love, one man rueful, another wry and cynical. The last 2 songs move into more sanguine areas of the heart, the 6th a lighthearted folksong admiring young beauties at work, the 7th an exuberant transport in rhythms alternately propulsive and swaying. The Granados mini-cycle "La maja dolorosa" that follows is the best-known item in the program. Portraying three different women in grief, or perhaps a progression of grief in the same woman, the first song represents stark betrayal and disbelief; the second emerges somewhat, still distraught, dispossessed, drenched in desolate desire; in the third, bereavement gives way to a proud nostalgia.

The Rodrigo selection is astute: "Pastorcito santo" a haunting, gently lilting Christmas carol, "Coplillas de Belén" another carol with jazzy rhythms imparting the impatient joy of Christmas morning. "Por mayo era" starts with the heat of the day underscored by piano arpeggios (shifting neatly to depict a nightingale). The fullness of the scene is contrasted with the singer's desolation in the second verse, where the arpeggios now become fractured and acerbic. "Adele" is pure folksong, sad and plain in regard of the girl's demise for love, free of harmonic twists and other commentary. The set concludes with the vibrant and soaring "Cancion del Duero," with rustic images elevated by the rapture of joyous and world-embracing love, building to a thrilling final verse and a rousing sendoff.

The 3 Nin songs, while enjoyable, are more self-conscious in execution and the music a tad more bombastic. His arrangement of "El Vito" is too dense, not nearly as fun as Obridors's. "El pano murciano," about setting a kiss in silver, after a rather excessive piano introduction, does give into the simple whimsy of the verses.

The program ends with music of the singer's homeland, Argentina. Guastavino is very sentimental: "La rosa y el sauce" ("The Rose and the Willow") is a pensive elegy. "Cita" offers a charming scene of a lazy tryst. "La palomita" ("Little Dove") is in antique style. These are united expressively in a straightforward musical style. Ginastera is represented by a sensuous, sad tango "Canción al arbol del olvido" ("The Tree of Forgetting") and a collection of 5 popular songs. "Chacarera" is notable for its dense rhythms. "Triste" starts with slow arpeggios again depicting a dry landscape of the soul, the blankness pierced by the singer's stricken cries of "Ah!" "Arroró" is a lovely lullaby, with sharp insomniac harmonies and the long hours tolling in the piano layer. Ginastera's accompiments are restrained but inventive.

Though by rights this music ought to be close to home for her, what I found lacking here were musical traits that are distinctly Spanish -- the rhythmic verve, the bite of the consonants -- elements that would have given her performances greater personality. This is especially noticeable in the faster songs, where words are less distinguishable because of this weakness and accentuation of individual words doesn't come through. Berganza and De Los Angeles both have it -- you can compare their versions of "La maja dolorosa". Berganza's is on a 2-disk set on DG, De Los Angeles in a 4-disk compilation on EMI. Native qualities of De Los Angeles's voice, the inimitable blend of sweetness and sadness, give her an advantage in these songs. Her performance of the first features cor anglais accompaniment along with the piano, deepening the sorrowful effect. With this additional support, DLA takes a slower tempo resting on sturdy chest tones. The third song is underpinned by tentative staccato in the piano as the bereaved avows feelings and memories. Berganza is more confessional, but at times a tad lugubrious. Both have a piquancy to their voice that Fink lacks here. Even Margaret Price on an Orfeo disk of French and Spanish songs sounds no less authentic.

The elements of rhythm and enunciation are even more decisive in comparing DLA's performance of 6 of the 7 Granados songs, recorded live in 1971 with De Larrocha at the piano delivering more robust sound. Though DLA is less secure tonally throughout, her performances have a radiance that Fink's lack. "Mañana era" is very delicate with more sadness in the voice; "Mira que soy niña" has crispness of rhythm; "Gracia mia" dances, the rapid-fire phrases maintaining a contour that Fink loses. Though both singers have facility in ornamentation, De Los Angeles is more successful thank Fink because her placement and pacing are better.

Rodrigo: Concierto de Aranjuez & Fantasia para un Gentilhombre; Manuel Barrueco
Average customer rating:

Brilliant Conducting and Essential Interpretation

Spanish Soul Concerto

"Adagio" is very authentic !!!!!

Big Disappoinment !

Rodrigo: Concierto de Aranjuez & Fantasia para un Gentilhombre; Manuel Barrueco
Manuel Barrueco , Joaquin Rodrigo , Placido Domingo , and Philharmonia Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RWY
Release Date: 1997-11-11

Tracks:

Concierto de Aranjuez: I Allegro con spirito
Concierto de Aranjuez: II Adagio
Concierto de Aranjuez: III Allegro gentile
Coplillas de Belen (Villancicos, III)
Pastorcito Santo (Villancicos, I)
Un tiempo fue Italica famosa
Adela (3 Canciones espa olas)
Coplas del Pastor enamorado
Zarabanda lejana
Fantasia para un gentilhombre: I Villano y Ricercare
Fantasia para un gentilhombre: II Espanoleta y Fanfare de la Caballeria de Napoles
Fantasia para un gentilhombre: III Danza de las Hachas
Fantasia para un gentilhombre: IV Canario

Customer Reviews:

Brilliant Conducting and Essential Interpretation.......2006-05-07

Shame, shame, shame on the reviewer who says Domingo is not a conductor. This is the most moving, soul satisfying performance I have ever heard of the Rodrigo Concerto. I originally heard this on my local classical musical station, and I nearly caused a traffic accident when THAT passage played: I am sure you know what passage I am talking about. I am not exaggerating, this piece makes love to you. Most recordings are too fast and sterile. This one sent me orbiting.

Spanish Soul Concerto.......2005-11-25

Rodrigo's Concierto De Aranjuez has never sounded more Spanish than on this EMI recording conducted by Spanish tenor Placido Domingo. Aside from his career as a tenor, Domingo has for a few years since the 90's developed as a conductor as well. This natively Spanish album of guitar and orchestral music is wholly suited to his talents. I love the opening movement, allegro con spirito, with its brisk, jovial rhythms and it is a sharp contrast from the sensually slow adagio. The rest of the album contains Spanish orchestral pieces and songs, almost the equivalent of Lieder. Especially when sung by Domingo, "Capilllas De Belen" "Un Tiemp Fue Italica Famosa" and "Coplas del Pastor" are romantic Spanish Lieder. The "Fantasy for a Knight" - Fantasia Para Un Gentilhombre" is admirably executed. EMI has done a lot of great albums that prominently feature Domingo and this is one that speaks to his authentically Spanish soul...and to the Spanish audience.

"Adagio" is very authentic !!!!!.......1999-08-13

The second movement of this great composition is indeed the most authentic version I have ever heard since I first listened to this masterpiece 25 years ago .Andre Previn's version is also excellent. I have heard John Williams's version and respectfully submit that Manuel Barrueco truly captures the soul and spirit of Joaquin Rodrigo in a Concierto clearly composed for the Gods!!!!!!

Big Disappoinment !.......1999-04-29

We were expecting that this recording of the Concierto D' Aranjuez came out to be the best, but it shows one more time that only John Williams's recording with the Philharmonia Orchestra bring to the audience the authentic message from the composer. On Manuel's recording is very difficult to hear the guitar and the sound sometime is very weak. Manuel decided to take a lot of notes out on technical challenge parts, maybe he did not know how to practice those parts or he did not have enough time to prepare the piece. I would like to say that Placido Domigo is not a conductor, a good musician can tell the diference between this reocording conducted by Placido and a recording conducted by a real and professional conductor. I will buy twenty times John Williams's recording then this CD.

Average customer rating:

Christmas All Over the World

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Wintersong

ASIN: B00006L3QH
Release Date: 2002-10-01

Tracks:

Adeste Fideles - Luciano Pavarotti
O Holy Night - Placido Domingo
Winter Wonderland - Vanessa Williams
I'll Be Home For Christmas - The Three Tenors
Hark! The Herald Angels Sing - Sissel Kyrkjeb0
Angels From The Realms Of Glory - Placido Domingo
Tu Scendi Dalle Stelle - Luciano Pavarotti
El Nino Del Tambor (Little Drummer Boy) - Alejandro Fernandez
Gesu Bambino - Ying Huang
Ave Maria, Hymne An Die Jungfrau, D 839 - Jose Carreras
Because It's Christmas - Placido Domingo
Feliz Navidad - The Three Tenors
Jingle Bells - The Three Tenors
It's Christmas All Over The World - Placido Domingo
Have Yourself A Merry Little Christmas - Patricia Kaas
First Of May - Sarah Brightman
Silent Night - The Three Tenors

Average customer rating:

Awesome musicality
Fabulous? Yes!!!

The Fabulous Victoria De Los Angeles

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Songs Of Spain / De Los Angeles, et al
The Very Best of Victoria de los Angeles
Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

ASIN: B000002S5G
Release Date: 1994-02-15

Tracks:

Sheherazade: Asie
Sheherazade: La Flute enchantee
Sheherazade: L'Indifferent
Cinq Melodies populaires grecques: Le Reveil de la mariee
Cinq Melodies populaires grecques: La-bas vers l'eglise
Cinq Melodies populaires grecques: Quel galant m'est comparable
Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
Cinq Melodies populaires grecques: Tout gai!
Duex Melodies hebraiques: Kaddisch
Duex Melodies hebraiques: L'Enigme eternelle
L'Invitaiton au voyage
Phidyle
L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
Poeme de l'amour et de la mer: La Fleur des eaux
Poeme de l'amour et de la mer: Interlude
Poeme de l'amour et de la mer: La Mort de l'amour

Tracks:

Cinco Canciones Negras: Cuba dentro de un piano
Cinco Canciones Negras: Punto de habanera
Cinco Canciones Negras: Chevere
Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
Cinco Canciones Negras: Canto negro
Coleccion de canciones amatorias: Llorad corazon
Coleccion de canciones amatorias: Iban al pinar
Cuatro madrigales amatorios: Con que la lavare?
Cuatro madrigales amatorios: Vos me matasteis
Cuatro madrigales amatorios: De donde venis, amore?
Cuatro madrigales amatorios: De los alamos vengo, madre
Cinco canciones playeras espanolas: Rutas
Cinco canciones playeras espanolas: Pregon
Cinco canciones playeras espanolas: Las 12
Cinco canciones playeras espanolas: El pescador sin dinero
Cinco canciones playeras espanolas: Coplilla
Quatre cancons: Canco de grumet
Quatre cancons: Cancon incerta
Quatre cancons: Maig
Quatre cancons: Anacreontica
La Dama d'Arago
El can dels ocells
Canco de Sega
El combat del somni: Damunt de tu nomes les flors
El combat del somni: Aquesta nit un mateix vent
El combat del somni: Jo et presentia com la mar
Triptic de Mossen Cinto: L'Harpa Sagrada
Triptic de Mossen Cinto: Lo violi de Sant Francesh
Triptic de Mossen Cinto: Sant Fransech i la cigala

Tracks:

Chansons de Bilitis: La Flute de Pan
Chansons de Bilitis: La Chevelure
Chansons de Bilitis: Le Tombeau des Naiades
Fetes galantes: En sourdine
Fetes galantes: Fantoches
Fetes galantes: Clair de lune
Noel de enfants qui n'ont plus de maisons
Chants populaires: Chanson espagnole
Chants populaires: Chanson francaise
Chants populaires: Chanson italienne
Chants populaires: Chanson Herbraique
Trois jours de vendange
Le Rossignol des lilas
Tristesse, Op. 6, No. 2
Au bord de l'eau, Op. 8, No. 1
Les Roses d'Ispahan, Op. 39, No. 4
Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
Siete Canciones populares espanolas: El pano murano
Siete Canciones populares espanolas: Sequidilla murciana
Siete Canciones populares espanolas: Asturiana
Siete Canciones populares espanolas: Jota
Siete Canciones populares espanolas: Nana
Siete Canciones populares espanolas: Cancion
Siete Canciones populares espanolas: Polo
Doce canciones gallegas: As florinas dos toxos
Triptico, Op. 45: Farruca
Villancicos: Pastorcito santo
Psyche
Soneto a Cordoba

Tracks:

Proserpina: E dove t'aggiri
Le violette
Joshua: Oh! had I Jubal's lyre
Der Tod und das Madchen, D. 531
Die schone Mullerin, D. 795: No. 2: Wohin?
D. 547: An die Musik
Op. 59, No. 8: Dein blaues Auge
Op. 84, No. 4: Vergebliches Standchen
Op. 27, No. 1: Chanson d'amour
Op. 46, No. 2: Clair de lune
Let Us Wander
Lost Is My Quiet
Schlaf in deiner engen Kammer
Ah! lamenta, oh bella Irene
Irish Songs: Oh! Would I Were But That Sweet Linnet
Irish Songs: He Promised Me At Parting
Irish Songs: They Bid Me Slight My Dermot Dear
Welsh songs: The Dream
Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
Les Fleurs des landes: Le Trebuchet
Moglichkeit
Der Apfel
Schottische Ballade
Pastorale
Pleurs d'or
Sapphische Ode
La Partenza

Amazon.com

The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns

Customer Reviews:

Awesome musicality.......2006-07-26

This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.

Fabulous? Yes!!!.......1999-09-13

The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.

I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.

Tracks:

Cantique de No(O Holy Night) - Pldo Domingo, Luciano Pavarotti
Adeste Fideles - Josarreras, Luciano Pavarotti
Ave Maria, Dolce Maria
Wiegenlied I
Oh Tannenbaum
Tu Scendi Dalle Stelle - Luciano Pavarotti
Amazing Grace
White Christmas
Dormi, O Bambino (Lulaj Ze Jezuniu)
Silent Night
Pregar(El Cant de l'Amina a la Verge) - Josarreras
Susani
Happy Xmas (War Is Over)
Wiegenlied II
Carol of the Drum (The Little Drummer Boy) - Josarreras, Pldo Domingo
Virgen Lava Pas
I'll Be Home for Christmas
Sleigh Ride
Winter Wonderland
Nuevo Siglo - Pldo Domingo
Feliz Navidad

Customer Reviews:

The Three Tenors tradition continues.......2000-12-20

My CD collection is filled with these fellows.Always a Pavarotti fan (25 years)I naturally purchased the 1st disc,and have kept on buying each one.This CD is quite different.I don't know exactly what I expected,but felt it would be enjoyable.It was.As time has gone by the voices have changed,that is to be expected.What I didn't expect were the musical selections,my error,I didn't look.I assumed the selections would be more of the sacred genre.However endearing these gentlemen are,I don't see them doing crossover type music.They are great at their craft and should they decide to do another Christmas CD I hope it will be on the classical side.In the meanwhile I will enjoy this one,as it stands.

Average customer rating:

Fresh, invigorating interpretation of the folk mass!
Wow!
burial and dismal style

Ramirez: Misa Criolla; Navidad Nuestra

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Ariel Ramirez: Misa Criolla; Navidad en Verano; Navidad Nuestra
Mozart: Vespers K. 321 & 339/Ave Verum Corpus; King's College Choir, Cambridge; Hilliard Ensemble
Misa Criolla
Misa Criolla/Missa Luba/Misa Flamenca
Ariel Ramirez: Misa Criolla

ASIN: B000CGYOAE
Release Date: 2006-01-17

Tracks:

The Annunciation - Manuel Melendez
The Pilgrimage - Manuel Melendez
The Nativity - Manuel Melendez
The Shepherds - Manuel Melendez
The Three Kings - Manuel Melendez
The Flight - Manuel Melendez
Kyrie - Christal Rheams
Gloria - Christal Rheams
Credo - Christal Rheams
Sanctus - Christal Rheams
Agnus Dei - Christal Rheams
Kyrie - Manuel Melendez
Gloria - Manuel Melendez
Credo - Manuel Melendez
Sanctus - Manuel Melendez
Agnus Dei - Manuel Melendez

Customer Reviews:

Fresh, invigorating interpretation of the folk mass!.......2006-12-23

I myself liked this recording so much that I have been prompted to write my first Amazon review, and would like to commend the Choral Society of Washington for its interpretation of the Criolla (haven't yet listened thoroughly to the Missa Luba portion of the recording, hence 4 rather than 5 stars). I'm not a professional musician, merely an avid choral singer, and the Carreras version which has been available for some time is widely disliked among my compatriots (a view which I share). Searching online for a newer recorded version I found this and just received it yesterday. An initial few listens reveal much to like and to fascinate. With the Carerras version one feels as if everyone is in a huge amphitheater and whatever the heck Jose is doing is miles away from the chorus... off synch and a quarter tone sharp, or maybe flat (it's been a while since I listened to it). This version can easily lead you to envision yourself in an intimate house of worship, with folk art hanging everywhere and a group of villagers gathered to celebrate in a spirit of empassioned reverence. It was impossible not to get up and dance around my Christmas tree while listening. The addition of harmonic singing to the solo parts with three tenors instead of one is incredibly invigorating and adds to the ensemble feel of the work; the instrumentation is bold and rhythmic; the feel of the whole thing is fresh and improvisatory. Personally, I adored it and will be recommending it to all my choir-geek friends still searching for a version of the Misa Criolla they can love! Looking forward to giving the interpretation of the Luba a good listen.

Wow!.......2006-06-07

I'm so sorry that the reviewer in El Salvador feels that Ramirez' work has been "destroyed" in our effort, feeling its moods as dismal. In fact, the tempi and moods in this one and those in Ramirez' own recording made in Argentina when Misa Criolla was much younger, are not all that far apart! The biggest difference between ours and his is our adaptations of the instrumentation, legitimate in a still-evolving work like this one inspired by folk music, performed and recorded before with one tenor soloist. Ours has three, along with the extra excitement their ensemble singing provides, and the traditional and modern instruments are played in our recording, as in the composers, by specialists from Argentina.
I love this music, these performances of it and this recording, The more I still listen after having long completed the lengthy process of recording then preparing it for publication, I continue to hear in it new things to savour.

Curt Wittig, recordist & mastering engineer for this CD

burial and dismal style.......2006-05-14

En esta grabaci?n se ha destruido la obra de Ariel Ram?rez. No tiene la alegr?a de las misas y la m?sica latinoamericana, m?s bien tiene un estilo sepulcral y l?gubre.
De haber sabido no la hubiera comprado.
In this recording the work of Ariel Ram?rez has been destroyed. It does not have the joy of the masses and Latin American music, rather has a burial and dismal style. Of to have known it had not bought it.

Average customer rating:

Scaling new heights

Christmas in Vienna
Placido Domingo , Diana Ross , and Jose Carreras
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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A Gala Christmas in Vienna
The Three Tenors Christmas
Very Special Season
#1 Christmas Album
Christmastime in Vienna

ASIN: B0000028YU
Release Date: 1993-10-05

Tracks:

Intoruction: Jingle Bells
Mille cherubini in coro
Amazing Grace
Wiegenlied
Carol Of The Drum
The Gift Of Love
Navidad
White Christmas
Ave Maria
Ave Maria
It's The Most Wonderful Time Of The Year
Adeste Fideles
If We Hold On Together
Medley: O Tannenbaum - Minuit, Chretien - Jingle Bells - La Virgen lava panales - O Little Town Of Bethlehem - Tu scendi dalle stelle - Joy To The World
Silent Night

Customer Reviews:

Scaling new heights.......2001-01-02

On the soundtrack to a PBS TV Special that coincided with the Christmas Season of 1992, this set reached the the Top 10 that Christmas in several European countries. La Ross, ever able to meld her voice around difficult arrangements and changing styles,once again holds her own with two opera stars.

The novel "Upside Down" seemed challenging enough; Ross was able to hit the notes, while all the while adjusting the speed of her soft and airy voice to adjust to the tempo of the track. Even Ross' critics who contend her voice is too light and airy, or that she is one to emphasize style over substance in her pop work would have to concede that neither is sacrificed for the other here. Both elements are at play in a presentation full of grace and finnesse-which is what such a degree of a great performance would require.

Here, she shines on solos "Amazing Grace" and "Ave Maria". "Ave Maria" is notoriously difficult to deliver-especially in a dead language. Ostensibly, "Ave Maria" is in Latin. Thrown in for good measure is her then-current British chart entry-that is, "If We Hold On Together" from "The Land Before Time", a huge hit in Japan years earlier that contains all the majestic power of an opera.

Tracks:

I Wonder As I Wander - Emily Van Evera
Villancico De Navidad - John Williams
O Little Town Of Bethlehem - Mormon Tabernacle Choir
Children's Prayer From Hansel And Gretel - Bernstein
Lo, How A Rose E'er Blooming - Andre Previn
The Coventry Carol - Eileen Farrell
Good People All, This Christmastide - Andrew Parrott
Watts's Cradle Hymn - Martin Neary
Pastoral Ad Libitum - Largo From Concerto Grosso In G Minor Op.6 No.8 'Christmas Concerto' - Richard Kapp
O Tannenbaum - Rita Ford Music Boxes
It Came Upon A Midnight Clear - Eileen Farrell
Largo From Concerto In F Minor For Violin And Orchestra, Op.8 'L'Inverno' (Winter From The Four Seasons) - Zukerman, St. Paul Chamber Orchestra
Ave Maria - Ayako Shinozaki
Pie Jesu From Requiem, Op.48 - Andrew Davis
Ich Steh' An Deiner Krippen Hier (I Stand Here By Thy Crib) (Choral) From Christmas Oratorio, BWV248 - Helmuth Rilling
Lullay My Liking - Gregg Smith
What Child Is This? (Greensleeves) - London Symphony Orchestra
O Come, O Come, Emanuel - Philadelphia Orchestra
Silent Night - Mormon Tabernacle Choir
Wiegenlied 'Guten Abend, Gut Nacht' Op.49, No.4 - Helmut Deutsch

Tracks:

Hallelujah Chorus From Messiah, HWV - Philadelphia Orchestra
Hark! The Herald Angels Sing - Philadelphia Orchestra
Cantique De Noel (O Holy Night) - Wiener Symphoniker
Jesu, Joy Of Man's Desiring - Philadelphia Orchestra
Carol Of The Drum (Little Drummer Boy) - Mormon Tabernacle Choir
Deus IN Adjutorium From Vespers Of The Blessed Virgin - Canadian Brass
Laudemus Te From Gloria In D Major, RV 589 - La Grande Ecurie Et La Chambre Du Roy
German Dance, K. 605, No.3 'The Sleigh Ride' - Bernstein
Deck The Halls With Boughs Of Holly - The Philadelphia Brass Ensemble
Hark! The HErald Angels Sing - Andrew Parrott
Gesu Bambino - Mormon Tabernacle Choir
O Come, All Ye Faithful - Mormon Tabernacle Choir
The First Noel - Philadelphia Orchestra
Ding Dong! Merrily Oh High - Anthony Newman
March From The Nutcracker Ballet, Op.71 (Act I) - Philadelphia Orchestra
I. Allegro (Exsultate) From Exsultate, Jubilate, K.165 - Mostly Mozart Festival Orchestra
Canzon Septimi Toni No.2 - Philadelphia And Cleveland Brass Ensembles
Die Menge Der Engel (The Hosts Of Angels) From Historia Der Geburt Jesu Christi/History Of The Birth Of Jesus Christ, SWV435, 435A - Barockorchester Stuttgart
Joy To The World - The Philadelphia Brass Ensemble
Once, In Royal David's City - The Chestnut Brass Company
O Sanctissima (O Du Frohliche) - Philadelphia Orchestra
Angels We Have Heard On High - Mormon Tabernacle Choir
Magnificat From Magnificat In D Major, BWV243 - Helmuth Rilling

Customer Reviews:

Breathtakingly beautiful!.......2007-01-15

Over and over we played "Die Menge der Engel" - - it is stunningly beautiful! The loftiness of the voices, wonderful.

We loved the boys/children's choruses on many of the other pieces on the album. Duets by Placido Domingo and Luciano Pavorati - - magnifico!

It is a pleasant compilation of traditional favorites and awesome classical pieces that are worth listening to again and again.

Pretty good, though maybe not 'ultimate'.......2004-10-08

If you love Christmas as much as I do, you will probably enjoy this album. It features plenty of standard favorites - especially sung by the MoTab, who seem to be a holiday staple. I probably wouldn't pay $17.95 just to hear songs like 'The Little Drummer Boy' of 'We Wish You a Merry Christmas.'

What makes this compillation interesting is the liberal sprinkling of less traditional - or, anyway, less well-known - classical pieces. Vivaldi's 'Gloria', Corelli's 'Christmas Concerto', and the opera 'Hansel and Gretel' all make an appearance. The standout, in my mind, is the ethereally beautiful 'Watt's Cradle Hymn,' which I have never seen or heard anywhere else - that one song alone makes this album worth a listen.

Not ultimate, but truly classical.......2003-11-19

Good mix of the expected ("Silent Night", "O Come All Ye Faithful", etc) and the unexpected (the Vivaldi Gloria, Gabrieli, Schutz). Kudos to the Sony team for uniform clarity & quality of sound, despite source material from 1959 through 1998. Word to the wise: the performance of "O Little Town of Bethlehem" credited to Marilyn Horne is actually by Eileen Farrell from her excellent "Carols for Christmas Eve" release. No disrespect to Ms Horne, who is well represented by two performances with the Mormon Tabernacle Choir. If you're truly a classical music fan but don't mind a traditional carol or two, this is an excellent buy.

Jazz Music:

Jazz Music

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