Ay Ay Ay [Import]

1. Arco

2. Babilonia

3. Ay Ay Ay

4. Pistolas

5. Angelito

6. Manise

7. Ximenita

8. Ando Ganas (Llora Llora)

9. Fumigator

10. Muy Despacito

11. Es Sentir

12. Te Diria

13. Arco Ii

Ay Ay Ay,Los Piojos,Dbn,Latin,Regional Mexican

Music

jazz

music

Jazz

Average customer rating: An academic exercise well worth studying Amazing stuff! Essential to any early music collection the Unicorn ensamble playing is an insperasion 4 the soul. another glorious entry

Codex Faenza: Instrumental Music of the Early 15th Century Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Machaut | Machaut, Guillaume de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Machaut, Guillaume de | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Black Madonna Early Venetian Lute Music Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection On the Way to Bethlehem (Music of the Medieval Pilgrim) Music Of The Crusades ASIN: B000009OM1 Release Date: 1998-07-28

Tracks:

1. Biance Flour (Codex Faenza)
2. Untitled (Codex Faenza)
3. Non Avra Ma Pieta Questa Mia Donna
4. Non Ara May Pieta Questa Mia Dona (Codex Faenza)
5. Hont, Paour, Doubtance
6. Hont Paur (Codex Faenza)
7. Le Ior (Codex Faenza)
8. Bel Fiore Danca (Codex Faenza)
9. Aquil' Altera, Ferma/Creatura Gentil/Uccel' Di Dio
10. Aquila Altera (Codex Faenza)
11. Untitled (Codex Faenza)
12. Aspire Refus (Codex Faenza)
13. Elas Mon Cuer (Codex Faenza)
14. J'Ay Grant Desespoir De Ma Vie
15. Jay Grant Espoir (Codex Faenza)
16. Kyrie: Cunctipotens Genitor Deus
17. Ave Maris Stella

Customer Reviews:

An academic exercise well worth studying.......2006-03-12

Upon first listen, you might think that "Codex Faenza: Instrumental Music of the Early 15th Century" is wrongly named. These works were composed by 14th Century composers, such as Machaut and Landini, and several songs appear as vocal arrangements without instrumentation.

That's where the "Codex Faenza" comes in. This tome was an early 15th century book of instrumental arrangements of 14th century music. The Unicorn Ensemble performs several works from the Codex Faenza, sometimes preceding the instrumental version with the original vocal arrangement for comparison. The last two tracks, the anonymous compositions "Kyrie" and "Ave maris stella," feature alternating sections of plainchant and organ music.

In many cases, the busy melodies gain something in the translation. The top lines have an improvisatory quality that can seem odd when sung, but sound more natural when played instrumentally. The Unicorn Ensemble has mastered late medieval/early Renaissance instrumentation, and their performances effectively evoke the spirit of past times.

I was somewhat critical of The Unicorn Ensemble's version of Dufay's "Chansons" for making Guillaume Dufay's music sound more conservative than it really was. Here, the group does the opposite: they update the sound of Ars Nova composers and demonstrate how their achievements foreshadowed the continued musical advances of the early Renaissance. It's an academic exercise in many ways, but one well worth studying.

Amazing stuff!.......2005-06-04

Wow, what a stunning CD. Firstly I am just floored by the audiophile quality of the recorded sound - much, much better than a lot of CDs for three times the price. This is a characteristic of all of the Ensemble Unicorn recordings but this one is particularly good. As for the performances, they brim with life and color as interpretations of music of this period rarely do. They really bring this music to life, transporting the listener back centuries. The music represented here also has a good deal of depth to recommend it too.

This is just the sort of CD that reinforces the view that Naxos is above all a serious record label of high quality. This would be worth buying even if it cost three times the price.

Essential to any early music collection.......2003-09-04

When I purchased this album, I was expecting it to be more akin to the other music performed by the Ensemble Unicorn. I was expecting quick and lively, music akin to the Spanish Troubadour tunes and Las Cantigas de Santa Maria. I was wrong, and I was disappointed at first. I quickly changed my mind after giving the entire album a listen, and was enchanted.

If you like the quick, lively medieval tunes, then this album may not be your cup of tea. However, I don't think any early music collection is complete without this, and I found that even slower medieval tunes have their virtues, particularly when performed by the always impressive Ensemble Unicorn. Another great album, same incredibly low price as always from the Naxos label, and the same top-notch skill I've come to expect from the Ensemble Unicorn.

the Unicorn ensamble playing is an insperasion 4 the soul........2001-09-24

refreshing gifted players.
a delight 4 the ears of any early music lover.
i would have paid mutch more to buy it.
buy it.
take a trip to nature and inhale this beutifull music.
love u unicorn, glad i got ur cd.
peace and love from exotic israel.

another glorious entry.......2000-12-13

Unicorn is simply amazing. They turn out CD after CD, all at budget prices, all far surpassing most other early music efforts. Codex Faenza's pieces are mostly two-part, with a florid upper melody supported by a slower-moving tenor. This allows full display of Unicorn's virtuosity -- unlike their Dufay release, which cramped their style with its elaborate polyphony. The opening improvisations are magical, the subtle treatments of text and context fascinating -- and track 10 is the craziest vielle piece I've ever heard

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Bursting with Visceral Life and Earthy Joy! Unexpected delight Would be Worth Buying at Three Times the Price Here's my two cents a window on another world

The Black Madonna Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Early Music | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Codex Faenza: Instrumental Music of the Early 15th Century On the Way to Bethlehem (Music of the Medieval Pilgrim) Alfonso X "El Sabio": Cantigas de Santa Maria Music Of The Crusades Music of the Troubadours ASIN: B000007N63 Release Date: 1998-05-26

Tracks:

1. Cuncti simus concanentes
2. Quant voi la flor novele
3. A Madre do que a bestia
4. Amours, ou trop tart me sui pris
5. Quant ay lomon consirat
6. Mariam, matrem Virginem
7. O Virgo splendens
8. Tanto son da groriosa
9. Comencerai a fere un lai
10. Cantiga de Santa Maria No.77-119
11. O Maria, maris stella
12. Los set gotxs

Customer Reviews:

Bursting with Visceral Life and Earthy Joy!.......2007-02-16

Hard to believe we can buy this precious gem for under $10 -- and what a gem it is! Easily my favourite medieval music CD. This isn't museum music, or a cerebral esoteric dip into European medieval cultures. This music leaps out and grabs you -- recalling images of everything from the still smile of a 13th-century Madonna to the chaos of Breugel and Bosch. Belinda Sykes' voice is alive with earth, grit, heat, and a transcendent beauty that needs to be experienced to be believed. The musicians are magicians: they'll have you dancing, singing, praying -- getting your bare feet soiled in the hot holy dust of a pilgrim's trail: enjoy!

Unexpected delight.......2006-08-29

Not sure what I was expecting, but this is a very refreshing collection. Hypnotic and robust at the same time. Two thumbs up -- 'at's all I got.

Would be Worth Buying at Three Times the Price.......2006-02-19

One of the hidden gems of the Naxos catalog are the series of recordings of Medieval music by the Ensemble Unicorn with Michael Posch. The music they choose to record here comes from the 14th century Llivre Vermell de Monstserrat preserved there in an codex of five parts. The book resulted from an attempt to set contemporary popular music to spiritual texts to help to reach out to a wider audience.

This CD is exemplary in every possible way. The liner notes written by Michael Posch himself are superb. Furthermore, the recorded sound quality is pretty much audiophile grade and runs rings around those produced by major record labels for the fraction of the price. The music making is beautiful, evocative and fascinating with all performances having the intensity and brilliance you can always count on from this superb ensemble.

Very highly recommended.

Here's my two cents.......2006-02-10

Let me add my two cents to the laudatory reviews already given. I bought this CD some time ago when I was developing an interest in early music. The title and the theme fascinated me. Also it was inexpensive, and I know from my experience that NAXOS, even though inexpensive, delivers quality goods. I was not the least disappointed. This is the music of an important era in history brilliantly performed by Unicorn Ensemble and Belinda Sykes. Belinda Sykes deserves to be better known than she is. She has a marvelous voice, and her delivery is without peer. When she sings, I am transported back to the days of those pilgrims whose songs she is singing. This music is not like other music. at times it may seem raucous. Just keep in mind the epoch from which these songs come. Open your mind. I assure you that you will be transformed.

a window on another world.......2005-12-05

I picked up this cd because of a family connection with the Black Madonna of Monserrat. She's an integral part of the religious life of my dad's hometown. I thought the cd would make a good present for my dad but I didn't really expect the music to be anything special. However, I was simply blown away upon listening to it. This is an incredible blend of voice, rhythm and percussion that conveys the earthiness and transcendence of peasant pilgrim experience. I'm not a fan of early music -- I don't dislike it, I just don't know that much about it. Most of the early music I have listened to, however, is nowhere near as textured and intricate as these songs. What's amazing to my ears is that arrangements manage to sound both ancient and startlingly contemporary at the same time. I'm betting that sooner or later, someone will be giving these songs a trance-music treatment -- if that hasn't already happened.

Average customer rating: Let's Make This Precious Great Record - but stop arguing about ska! not your typical 80's techno-pop drivel! One Good Song Does Not an Album Make As good as it gets...

Too-Rye-Ay Dexy's Midnight Runners Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Hardcore & Punk | Alternative Rock | Styles | Music | Vinyl Records | American Punk | British Punk | Emo | Garage Punk | Hardcore | Post Hardcore | Proto Punk | Punk | Punk Revival | Punk-Pop | Riot Grrl | Ska Punk | Straight Edge New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music Post-Punk | New Wave & Post-Punk | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music Blue-Eyed Soul | Soul | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Searching for the Young Soul Rebels Don't Stand Me Down Dare!/Love and Dancing The Very Best of Soft Cell The Crossing ASIN: B00005Y1ZF Release Date: 2002-02-05

Tracks:

1. The Celtic Soul Brothers
2. Let's Make This Precious
3. All In All (This One Last Wild Waltz)
4. Jackie Wilson Said (I'm In Heaven When You Smile)
5. Old
6. Plan B
7. I'll Show You
8. Liars A To E
9. Until I Believe In My Soul
10. Come On Eileen
11. Show Me
12. Dubious
13. Tsop (The Sound Of Philadelphia)
14. Let's Get This Straight (From The Start)
15. Reminisce Part One

Customer Reviews:

Let's Make This Precious.......2007-04-16

If you know Dexy's Midnight Runners, it's probably from their 1982 smash "Come On Eileen". And why not? It's brilliant, a perfectly incandescent gem of a song simply bursting at the seams with new wave rock n' roll energy, Celtic conviviality, and blue-eyed soul fervour. That pretty much describes the album from which that one-hit-wonder was drawn, TOO-RYE-AY.

What is the most identifiable element of Dexy's Midnight Runners' sound? Is it the Stax-like horns that bolster these cuts with their taut R&B charts? Is it the Irish gypsy fiddle of Steve Brennan and Helen O'Hara? How about Billy Adams' sprightly banjo? Their bedraggled, dungareed street image is certainly distinctive as hell. Or it could very possibly be bandleader and songwriter Kevin Rowland's off-kilter vocals that sound like the common ground between Ric Ocasek, Joe Strummer, and Van Morrison (wherever that may be).

Speaking of Van Morrison, Dexy's fusion of rock, soul, and Irish folk certainly owes much to the Man's work - they cover his "Jackie Wilson Said" on TOO-RYE-AY as a matter of fact. But especially toward the end of the album as the songs start to get longer and blend into one another, that same indefinable, searching quality emerges in Rowland's songwriting as he emulates Van's incantory talk-singing. This is especially evident in the album's shortest ("I'll Show You") and longest ("Until I Believe in My Soul") songs, the latter of which is probably the best song on the album this side of "Come On Eileen". Combined with the prominent fiddle alongside the R&B elements TOO-RYE-AY actually reminds me of Morrison's INTO THE MUSIC, and that's compliment, since INTO THE MUSIC happens to be one of my favourite albums ever. But that's not to say that Dexy's Midnight Runners are derivative. They have a sound all their own, and make no mistake - you'd never mistake a song like "The Celtic Soul Brothers" or "Plan B" for anything but Dexy's.

Evidently, Dexy's Midnight Runners only have two other albums: SEARCHING FOR THE YOUNG SOUL REBELS and DON'T STAND ME DOWN. And if they're anywhere near as good as TOO-RYE-AY (and everything I've heard, in terms of reviews and listening both, has been indicative of the affirmative) I'll be going after them in the not-too-distant future.

Great Record - but stop arguing about ska!.......2007-02-08

In the U.S., Dexy's Midnight Runners were a one hit wonder of the first order, but in the UK, they charted hit after hit after hit in the early 80's. Pick up this album, or better yet, pick up "Let's Make This Precious," and you'll see why. You won't regret it.

But please, let's not get into an argument about who "invented" ska here. To claim that either DMR or the Clash invented ska is absurd. Ska - like reggae, its cousin, a Caribbean/American form of popular music characterized by its hybridization of U.S. American R&B with an Afrocentric rhythmic sensibility - was huuuuge among British youth in the 60's and 70's, and found a niche audience in the burgeoning punk scene in London. Bands like the Clash (and hundreds of others) anglicized ska/reggae, creating from it their own "rebel music," but it was also swiftly aestheticized and adopted/assimilated by any number of punk subcultures, including, ironically, an often-sinister brand of racist skinhead. But whatever.

not your typical 80's techno-pop drivel!.......2007-01-31

ok, so we all know the one song that made the charts, but that is not typical of the entire album. it is really hard to place what genre to place this in. its a cross between top 40, old r&b,and maybe a little folk. if you like this album, i strongly recommend DMR's live BBC radio concert.

One Good Song Does Not an Album Make.......2006-06-13

Except for the hit song "Come On Eileen" there is little else that is either memorable or enjoyable on this CD. Their cover of Van Morrison's "Jackie Wilson Said" is not very well done.

How another reviewer could state this band deserved as much billing as the Beatles is beyond me. No accounting for poor taste.

That reviewer also makes the statement: "Do I detect Commodore-mania with 'Jackie Wilson Said'". Not sure what the reviewer meant by that statement.

As good as it gets..........2006-02-08

I have a few CDs that are as good as this one, but none better. It's as perfect a CD as could ever be hoped for.

I didn't particularly like "Come on Eileen" when it was big, but someone (who???) gave me this tape to listen to one night in college and that was it. I could be found on many a night with it on my headphones at RISD's architecture studio. I still have the same cassette and I still love it to death. Sorry to whoever lent it to me... man so I owe you one! If you haven't heard this, do yourself a favor and give a shot, you will not be sorry!

Average customer rating: "Ay Caramba " is Good! An exciting blend of Caribbean musical cultures A musical style that should have been

Ay Caramba! Ska Cubano Manufacturer: Cumbancha ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Reggae | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Mambo | Latin Music | Styles | Music Cumbia | Latin Music | Styles | Music Son | Latin Music | Styles | Music Pop Rock | Pop | Styles | Music Ska General | Ska | Alternative Rock | Styles | Music Similar Items: Je Pense a Toi: The Best of Amadou et Mariam Balkan Beat Box Putumayo Presents: Afro-Latin Party Boulevard de l'Independance Tráfico ASIN: B000FUIV4C Release Date: 2006-07-11

Tracks:

1. Soy Campesino
2. Ay Caramba!
3. Tabu
4. Oye Compay Juan
5. No Me Desesperes
6. Big Bamboo
7. Tungarara
8. Chachita
9. Istanbul (Not Constantinople)
10. Marianao
11. Chispa Tren
12. Jezebel
13. Bobine
14. Cumbia En Do Menor

Amazon.com

Leave it to a British band to combine Latin rhythms, Jamaican mento, and ska beats, all dressed in retro zoot suits. The group is fronted by Cuban vocalist Ben Billy and London-born singer Nathan "Natty Bo" Lerner, with Jamaican trumpeter Eddie "Tan Tan" Thornton, Japanese saxophonist Megumi Mesaku, and Havana bassist Ray Crespo. For the most part, the music is a surprising melange of Beny More-type vocals and upbeat ska rhythms made famous by The Skatalites, as evidenced by the snappy instrumental "Jezebel," the hypnotizing mid-tempo "Soy Campesino," and the humorous title track. Also included are the Colombian cumbia "Tungarara" and Miguelito Valdes' "Babalu." Before purists attach the gimmick flag to the ensemble's second CD, they should please note that a few of the creators of ska were born in Cuba, and since African descendants are the prime creators of Caribbean music, this effort represents a reunion of kindred rhythms. --Eugene Holley, Jr.

Album Description

Ska Cubano takes classic Jamaican ska, blends it with Afro-Cuban son and salsa, throws in some retro swing and Colombian cumbia for spice, and creates a magic musical concoction that will get your feet moving and your hips shaking.

The UK world music magazine Songlines voted "Ay Caramba" one of the top 10 world music releases of the year, saying the record is, "A triumph. Remaining seated is not an option." Mojo magazine exclaimed the album, "Will have you on your feet before you've had time to consider the whys and wherefores."

Ska Cubano's "Ay Caramba!" is the first release from the new record label Cumbancha, which was founded by the long-time head of A&R and music research at the popular world music label Putumayo.

Customer Reviews:

"Ay Caramba " is Good!.......2006-09-26

While traveling from Marrakech to Agadir my wife had the Moroccan radio station on, we noticed that the song playing was in English with a Latin beat, after the song was over the DJ announced it as "SKA CUBANO", what impressed me was that the singer sounded like the late Cuban singer Beny More! Later that night while staying in the Agadir Beach Club we heard the song again. We approach the DJ and he informed us that it was a recording from an English man and a Cuban singer who called themselves the SKA CUBANO. I was amazed when I heard the remaining songs it was fascinating. We danced all night to the music, and all the people seem to like the sound. Cumbia, Jamaican Ska, Jazz, and Cuban music altogether sounded great. My favorites are Soy Campesino, Tabu, and Istanbul. All the songs are very good and the back up band is outrageously good. Buy it and experience the excellent combination of this CD. My Mediterranean girl insisted that I write a review. Check it out on the web-site and listen to the songs.

An exciting blend of Caribbean musical cultures.......2006-08-13

Ay Caramba! is the musical creation of a UK/Cuba collaboration called Ska Cubano, which blends the bouncy ska beat that once took Jamaica by storm in the 1960s with Cuban cultural music. The result is an album with "hand-clapping" songs, rousing rhythm, and a diverse mixture of lively styles. An exciting blend of Caribbean musical cultures, Ay Caramba! is not to be missed. Tracks include Soy Campesino (3:42); Tabu (3:32); Oye Company Juan (3:35); No Me Desesperes (3:35); Big Bamboo (2:59); Tungarara (3:50); Cachita (4:31); Istanbul Not Constantinople (2:34); Marianao (3:51); Chispa tren (3:22); Jezebel (3:20); Bobine (4:56); Cumbia en Do Menor (4:41); and the title piece, Ay Caramba! (3:02).

A musical style that should have been.......2006-07-25

The fact that the label this artist records on is associated with Putumayo is what initially drew me to it. One listen to the samples and I knew I had to add this to my collection.

If you aren't dancing after a few bars of the first track, best go see the doctor because either your ears don't work right or your rhythm bone is broke!

Average customer rating: Perfect Performances Mucho me pesa la cabeza Just Get it! This is such a great recording ýCreoleý Songs and Dances from Old Spain to the New World

Villancicos y Danzas Criollas Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: La Folia, 1490-1701 Altre Follie, 1500-1750 Isabel I: Reina de Castilla Harmonie Universelle Elizabethan Consort Music ASIN: B0000E64U4 Release Date: 2004-03-09

Tracks:

1. Chacona: A La Vida Bona
2. Danza Del Hacha - Hesperion XXI
3. Moresca: Di Perra Mora
4. Negrilla A 4: San Sabeya Gugurumbe
5. Ritual Formulario: Hanacpachap Cussicuinin
6. Joto
7. Tono Humano: Ay Que Me Rio De Amor
8. Mestizo E Indio: Tleycantimo Choquiliya
9. Negra A 5: Antonya Flaciquia Gasipa
10. Cachua - Hesperion XXI
11. Rorro: Desvelado Dueno Mio
12. Negrilla: A Siolo Flasiquiyo
13. Juguete: Un Juguetico De Fuego
14. Juguete A 4: Convidando Esta La Noche
15. Guaracha: Ay Que Me Abraso
16. Villancico A 8: Serafin Que Con Dulce

Customer Reviews:

Perfect Performances.......2007-07-11

Villancicos y Danzas Criollas is a homage to the cultural traditions of Iberia and Ibero-America, showing the influence of European traditions in the Americas. The Villancico (also called Chanzoneta) is a form of poetry that was adopted for use in secular songs and, in the 17th century, for Christmas carols (the modern usage of the word denotes a carol). The secular songs were gradually replaced by the Romance while the Christmas carol form became more popular. The typical lyrics of villancicos have two or three stanzas followed by a refrain. The most religious-oriented villancico of this collection is Hanacpachap Cussicuinin (from Lima) where the author asks for their prayer to be answered.

The transmission of musical culture is a favorite (and fascinating) subject for Jordi Savall and this CD includes some beautiful and rousing music. The CD begins with four selections reflecting Iberian music that sets the stage of presenting a song (usually) followed by a dance. Following this introduction we are off the Americas and music from Peru, Guatemala and Mexico.

As pointed out in the booklet, the colonial expansion that took place during the 15th and 16th centuries widen cultural connections to include Africa, Asia and the Americas, which is reflected in this collection of music. One will discover a mixing of African dance rhythms and percussion with European polyphony. This is nicely demonstrated by the first selection with its strong use of drums and bold brass playing combined with a fast-paced dance melody and mixed voices. The second work, by an anonymous composer, is quite a contrast with its more restrained and courtly rhythms played by string instruments without the percussion or brass. The Hanacpachap Cussicuinin is scored for percussion, brass and voices sounding like a solemn funeral procession and is followed by a beautifully played piece for harp and percussion from Mexico. The incomparable Montserrat Figueras sings with peerless passion and beauty, particularly in the short Tono Hidalgo of Juan Hidalgo. One could go on and on extolling the wonderful music of this CD, suffice it to say that among my collection of early music discs this one is at the top.

As with all of Jordi Savall's recordings the performance is excellent and beautifully balanced with voices and instruments receiving equal emphasis. If you do not have this disc and love early music get it without hesitation.

Mucho me pesa la cabeza.......2007-07-02

Again and again we hear "Mucho me pesa la cabeza"..... "Much it pains my head."

This music is so ephemeral... so unique.... so mind massaging..... I love reading while it softly plays in the background in the room!

The massage is quite expansive!

Not a painful massage at all, but it does get inside your head!

Just Get it!.......2006-08-20

It's hard to pick out anything special on this disk... everything is top-notch. The opening 'La Chacona' is a delight and it just gets better and better and better. The second piece definitely is having some fun setting the listener up for 'something.' The ritual piece is majestic while the tone changes again with the harp solo... Hesprion XX/XXI are treasures in the ocean of music.
Gracias, Senores!

This is such a great recording.......2006-01-10

This recording is so great and so
breath taking that leaves me with
only this to say: since the day it
arrived to my doorstep back in mid
December, I have listen to it daily,
not just few tracks, but the whole
CD several times a day.....One
of the best works of Savall and
Hesperion XXI.....

ýCreoleý Songs and Dances from Old Spain to the New World.......2004-05-16

An astonishing collection of vocal polyphony and dance music, largely from Guatemala, Peru, and Mexico. Performed with flair and feeling by the preeminent Spanish early-music ensemble of our time. Not to be missed!

My translation of the album title, given above, is not exact. "Criolla" can refer to anything Latin American, and a "villancico" is first and foremost a Spanish poetic genre from the 15th and 16th centuries. The Norton/Grove Concise Encyclopedia tells us that it was "originally derived from a medieval dance lyric and associated with rustic or popular themes." Certainly the rustic and popular loom large in this lively selection of Renaissance music. Hesperion XXI and its director Jordi Savall have often sampled folk styles in their imaginative reconstitutions of early performance tradition. So most of these selections get percussion accompaniment accentuating the dance element, while strumming guitars, castanets, maracas, and more are employed discreetly but effectively. Lusty and characterful vocal contributions come courtesy of La Capella Reial de Catalunya and soprano Montserrat Figueras, who takes a couple of fine solo turns. It's all recorded in a warm, resonant church acoustic.

In his liner notes, Prof. Rui Vieira Neri introduces the Spanish part of this collection by noting a long tradition of mixing high and low culture, not to mention Christian, Jewish, and Muslim cultural elements in the art and music of the Iberian peninsula. And right away we get to hear a vocal chaconne (a dance imported from the Indies "by mail" according to Lope de Vega) and a Moresca "Di Perra Mora," with strong Arabic flavor and hints of 5/2 meter.

Of the New World selections, some of the most engaging combine indigenous languages with Netherlands musical style. The solemn processional hymn "Hancpachap cussicuinin," written by a native composer in the Quechua language of Peru, was also the first example of polyphony printed in the Americas. Gaspar Fernandes (1570-1629), chapel master at the Puebla cathedral, wrote a number of villancicos that mix Castilian with Nahuatl, the Aztec tongue, including "Tleycantimo choquiliua" on this recording. It is based on a local Indian dance, as is another Christmas villancico included here, "Ay que me abraso," which moves to the beat of the Mexican guaracha.

Bantu and Yoruba phrases crop up frequently in the refrains of the African-influenced numbers, so numerous in their day that they were customarily referred to in the old manuscripts as Negro, Negrilla, or Guineo. Savall includes three such pieces on this recording; they abound in the sort of rhythmic intricacies and call-and-response effects that Europeans already associated with Africa. Among the most infectious is "Antonya, Flasiquiya, Gasipá," in which the song's characters wake up after a long night of drinking and dancing in order to go to Bethlehem to pay homage to baby Jesus, where more carousing will be called for. Each refrain ends with the words "Mucho me pesa la cabeza": "Oh, my aching head."

I wouldn't want to give the impression that this music will appeal mostly to scholars. In fact, it is simply full of human joy, tenderness, and fun, qualities that leap across the centuries at us and need no special pleading, thanks to the terrific performances on this CD. You will enjoy it.

Average customer rating: The most noble voice PURCHASE THIS JEWEL WHILE YOU CAN luminous artistry from a genius A special Dignity and an Unfailing Beauty of Voice.

Songs Of Spain / De Los Angeles, et al Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Morales, Cristóbal de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Spain | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Similar Items: Isabel Bayrakdarian ~ Azulão The Fabulous Victoria De Los Angeles The Maiden and the Nightingale: Songs of Spain The Very Best of Victoria de los Angeles On the Wings Of Song and Zarzuela Arias - Victoria de los Angeles ASIN: B00000I4KQ Release Date: 1999-02-23

Tracks:

1. El rossinyol
2. El testament d'Amelia
3. Adios meu homino
4. Mina nay por me casare
5. Tengo que subir
6. Ahi tienes mi corazon
7. La vi llorando
8. Ya se van los pastores
9. Campanas de Belen
10. Jaeneras que yo canto
11. A dormir ahora mesmo
12. Granadinas
13. Hincarse de rodillas
14. Cancion de trilla
15. Parado de Valldemosa
16. Nik baditut
17. Andregaya
18. Din, dan, boleran
19. Mariam matrem
20. Ay, triste vida corporal!
21. Que es mi vida, preguntais?
22. Porque es, dama, tanto quereros?
23. No me llames segalaherba
24. Ay, luna que reluces
25. En esta larga ausencia
26. Molinillo que mueles amores
27. Confiado jilguerillo
28. Seguidillas religiosas
29. Cancion de cuna
30. El jilguerillo con pico de oro
31. El canape

Tracks:

1. Ah, el novio no quiere dinero
2. Coma la rosa en la guerta
3. Estavase la mora
4. Aquel rey de Francia
5. Damos gracias a ti, Dios
6. Sobre Baca estaba el rey
7. Ay que non hay!
8. Rosa das rosas
9. Maravillosos e piadosos
10. Tres moricas m'enamoran
11. Paseabase el rey moro
12. Dime a do tienes las mientes
13. Si no's huviera mirado
14. Dexo la venda
15. Puse mis amores
16. Aqui me declaro su pensamiento
17. Pues que me tienes
18. Gentil dama, non se gana
19. Mi querer tanto vos quiere
20. Una hija tiene el rey
21. Una matica de ruda
22. Si la noche se hace oscura
23. Pastorcico, non te aduermas
24. Ay triste que vengo
25. No soy you quien la descrube
26. Pase el agua, Julieta
27. Aquel caballero, madre
28. Duelete de mi, Senora
29. De Antequera salio el Moro
30. De los alamos vengo, madre
31. Enfermo estaba Antioco
32. Dame acogida en tu hato
33. Morenica, dame un beso
34. Senora, si te olvidare
35. De donde venis, amore?

Tracks:

1. La rosa enflorece
2. Ven querida
3. Adio, querida
4. Durme, durme, hermozo hijico
5. Paxaro d'hermosura
6. Avrix, mi galanica
7. Irme quiero, la mi madre
8. Ya viene el cativo
9. Yo m'enamori d'un aire
10. Una matica de ruda
11. Anda, jaleo
12. Los cuatro muleros
13. Las tres hojas
14. Los mozos de Monleon
15. Las morillas de Jaen
16. Sevillanas del siglo 18
17. El cafe de Chinitas
18. Nana de Sevilla
19. Los pelegrinitos
20. Zorongo
21. Romance de Don Boiso
22. Los reyes de la baraja
23. La tarara
24. El combat del somni: Damunt de tu, nomes les flors
25. A l'ombra del Lledoner: Canco de grumet
26. Canciones negras: Cancion de cuna para dormir a un negrito
27. Cuatro madrigales amatorios: De los alamos vengo, madre
28. Coleccion de tonadillas: Callejeo
29. Coleccion de tonadillas: El tra la la y el punteado
30. Seis canciones castellanas: No quiero tus avellanas
31. Seis canciones castellanas: Jota
32. Panxolina
33. Tu pupila es azul
34. Cantos populares espanolas: Malaguena
35. Cantos populares espanolas: Granadina
36. Cantos populares espanolas: El Vito
37. Cantos populares espanolas: Pano murciano
38. Clavelitos
39. Adios, Granada
40. Madrigal

Tracks:

1. Coleccion de tonadillas: Amor y odio
2. Coleccion de tonadillas: Callejeo
3. Coleccion de tonadillas: El majo discreto
4. Coleccion de tonadillas: El majo olvidado
5. Coleccion de tonadillas: El majo timido
6. Coleccion de tonadillas: El mirar de la maja
7. Coleccion de tonadillas: El tra la la y el punteado
8. Coleccion de tonadillas: La maja de Goya
9. Coleccion de tonadillas: Las currutacas modestas
10. Tres majas dolorosas: Oh muerte cruel!
11. Tres majas dolorosas: Ay majo de mi vida
12. Tres majas dolorosas: De aquel majo amante
13. Goyescas: La maja y el ruisenor (Rosario)
14. 'La vida breve': Vivan los que rien! (Salud - Act 1)
15. 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
16. 'Acis y Galatea': Confiado jilguerillo
17. El tripili
18. Llorad, corazon
19. Iban al pinar
20. No lloreis, ojuelos
21. Mananica era
22. Mira que soy nina
23. Gracia mia
24. El pano moruno
25. Seguidilla murciana
26. Asturiana
27. Jota
28. Nana
29. Cancion
30. Polo
31. 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)

Customer Reviews:

The most noble voice.......2004-05-28

Victoria de los Angeles' voice not only has a silken quality and fascinating glow to it but it is one of the most regal, noble sounds you'll ever hear. She illuminated those moments of quietness, gentleness and noble, feminine pride and elegance like no other soprano before and after her. This release of her "Spanish Songs" has never been surpassed. The songs of her homeland seem to have been written for her beautiful instrument alone, she fills every piece with special beauty and charm, religious flair and beautiful, noble simplicity. Buy this recording and see why Victoria is one of the best sopranos ever having come from Spain.

PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08

FOR A LONG TIME "SONGS OF SPAIN" HAS BEEN MY FAVORITE ALBUM OF CLASSICAL, POPULAR, SECULAR AND RELIGIOUS (CHRISTIAN AND SEPHARDIC) SPANISH SONGS. DE LOS ANGELES DEFIES A RIVAL IN THIS GENRE. DE LARROCHA, SORIANO AND ZANETTI PROVIDE UNEQUALED ACCOMPANIEMENTS. THE RECORDINGS ARE SECOND ONLY TO LIFE PERFORMANCES. I UNDERSTAND THAT EMI INTENDS TO TAKE THIS SET OUT OF PUBLICATION. PURCHASE THIS JEWEL WHILE YOU CAN! I JUST PURCHASED MY THIRD SET FROM AMAZON AND I TREASURE IT AS MUCH AS MY FIRST!

luminous artistry from a genius.......2000-12-26

the vocal artist of vocal artistsdisplays her absolutely gorgeous voice and musical understanding of spanish feeling with a warmth that is unmatched anywhere.the only thing better was to hear her in person!

A special Dignity and an Unfailing Beauty of Voice........2000-09-17

This set offers four generously-filled CDs comprising almost 140 Spanish songs from Victoria de los Angeles' repertoire. To all of them she brings a special dignity and an unfailing beauty of voice. The earliest recordings date from 1950 and the last is the items she sang at the opening of the Barcelona Olympics in 1992. Yes, you will find the ubiquitous "Clavelitos!" here, and a later version of "La maya el ruisenor" from "Goyescas". The enclosed booklet provides illuminating notes by Lionel Salter, who also translated many of the texts which are also included. Accompanists include Gerald Moore and Alicia de Larrocha, and Victoria de Los Angeles provides a guitar accompaniment herself in one song. The last track of all, a zapateado from a zarzuela, recorded live in New York, must almost have brought the house down.

Average customer rating: For the last time! Standing Ovation !!! A mistake that we need to remember I Wish I Was There Not the best tenors album.

Paris 1998 Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Three Tenors | ( T ) | Featured Performers, A-Z | Classical | Styles | Music Giordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Cardillo, Salvatore | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Grieg, Edvard | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Capua, Eduardo di | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Curtis, Ernesto de | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Hardelot, Guy d' | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lara, Agustin | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Bixio, Cesare Andrea | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Buzzi-Peccia, Arturo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rodgers, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Three Tenors | Q to T | Featured Performers, A-Z | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Similar Items: The 3 Tenors in Concert 1994 Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta The Three Tenors Christmas The Best of the Three Tenors 20th Century Masters: The Best of the Three Tenors (Millenium Collection) ASIN: B000009N02 Release Date: 1998-08-18

Tracks:

1. Maristella: Io Conosco Un Giardino
2. Fedora: Amor Ti Vieta
3. Granada
4. T'estimo
5. Memoires De Danton
6. Caruso
7. Medley Of Romance: Sous Le Ciel De Paris
8. Medley Of Romance: Solamente Una Vez
9. Medley Of Romance: Maria, Mari
10. Medley Of Romance: Torero Quiero
11. Medley Of Romance: Parlami D'amore Mariu
12. Medley Of Romance: Tu, Ca' Nun Chiagne
13. Medley Of Romance: Manha De Carnaval
14. Medley Of Romance: Ti Voglio Tanto Bene
15. Voce E Notte
16. La Del Soto Del Parral: Quiero Desterrar De Tu Pecho El Temor
17. Turandot: Nessun Dorma
18. Because
19. O Sole Mio
20. Medley Of The World: O Surdato 'Nnamurato
21. Medley Of The World: Ay, Ay, Ay
22. Medley Of The World: Lolita
23. Medley Of The World: Standchen
24. Medley Of The World: Dicitencello Vuie
25. Medley Of The World: Core 'Ngrato
26. Medley Of The World: You'll Never Walk Alone

Amazon.com

If you think you've heard it all, you're wrong. The three big guys are indeed back, in the shadow of the Eiffel Tower, with a rabidly enthusiastic crowd to welcome them. They sing many favorites-- "Granada," "Because," "Nessun dorma"--and there are a pair of medleys: one devoted to love songs, and one called "Medley of the World," which ends with a rendition of "You'll Never Walk Alone" that might just bring tears to your eyes. If the truth be known, the three tenors have put on 8 years since we first heard them together, and a fair amount of bloom is off their rose-like voices--with Domingo's ardency sounding a bit hard-edged, Carreras's tone even more spread than before, and some of Pavarotti's gold tarnished and his breath shorter. Suffice it to say that older CDs by these three formerly-really-great tenors are worth their weight in gold, compared to the bronze you'll find here. But the classy James Levine at the helm keeps the "event" going with passion, and it's hard not to get caught up in the excitement. --Robert Levine

Customer Reviews:

For the last time!.......2006-12-23

The last of the great tenor concerts that is worth watching!

Standing Ovation !!!.......2001-09-24

Once again, the Tenors electrified the world. It was estimated that over 1.6 billion viewers saw this extraordinary display of musical genius.
The Pavarotti rendition of "Nessun Dorma" was breathtaking as he "hit" his famous high C with VINCERO!!!
With the exception of "Nessun Dorma & Caruso", I felt that it
was Domingo who carried the show. His voice style changes so dramatically to fit the mood and melody of each song.
Carreras, I felt, was lacking the "oomph" in his solos on this tour. However, no one can top Carreras when a line needs to be delivered that has "deep-gut" emotional feelings, almost mad sounding, i.e. the song "Because" -- listen when he sings "his love makes mangle of devile...", you'll understand what I mean.
Combine the Three together and you have pure brilliance. Listen to the song "You'll Never Walk Alone" is almost patriotic like.
"O' Sole Mio" and the show stopper "La Donna Mobile" left the people standing and cheering.
The Paris setting was spectacular. James Levine was his normal go lucky conductor self as he makes the viewing audience and the orchestra feel at ease with his upbeat facial expressions.
An awesome addition to your collection. I highly recommend it to anyone who wants to see why the world has labled them "The Three Tenors." BRAVO

A mistake that we need to remember.......2001-09-10

I was blessed to have a chance to be in Paris at that time, and really one of the reasons I went to the City of Romance was because I was so eager to go to the Three Tenors Concert. I managed to get a very good seat at the front in order to really experience and enjoy the concert that I had been dreaming to go all my life, because I am so madly in love with classical and opera music. Also I am a great fan for all of these three tenors, particularly Placido Domingo.

Having watched the Three Tenors Concert in Los Angeles, which was so great and inspiring, I was hoping this one can turn out to be greater and more successful. However it really failed my expectation and turned me into disappointment. Several mistakes were made which surely caused this concert to be a failure.

First, the choice of the conductor. James Levine was really the wrong choice for the position which is actually the heart of such an important event. His style of conduct and taste of music was proven unsuitable. It did not make you feel excited, but at sometimes made you feel uneasy and uncomfortable.

Second, something seemed to be limiting Domingo's ability and talent to be fully expressed. In fact he appeared to be much older and less energetic. The usual powerfulness and beauty of his voice really disappeared somewhere that can be hardly known.
As for Pavarotti we can only give him an average mark for his performance.

Third, lack of common sense. Even three years old child knows Granada has to be and is best to be sung by Domingo, just like Nessun Dorma has to be by Pavarotti, but I just can't understand why the organiser or the music directors did not realize this? Were they too commercially motivated or too careless???

Jose was the best and played an instrumental role to keep this concert going, my admiration towards him grow more after this event. Anyway huamns do make mitakes including the famous and popular ones. Although this concert was not their greatest my support for them will still remain.

I Wish I Was There.......2000-12-11

I found this is one of my favorite of all "The Three Tenors" recordings. I would have loved to have been present one the night of this concert. I want to say all of the tenors do a superb job. I cannot understand why people put down Carreras because he proves here how much he appreciates his gift. Domingo is almost flawless. I have been a fan of Pavarotti since I 1980 (when I was just 12). Here is my personal favorite, Caruso.

Not the best tenors album........2000-05-03

First of all, the change of the conductor. We were used to the thundering conducting of Mehta. Then, Pavarotti is not the same man that he was in '94 and in '90. His range fell a lot. Then, he dared to sing a song that is traditionally sang by Domingo (Granada) It lacks opera arias. Not a good purchase. Buy the first or the second albums.

Average customer rating: Great Addition to My Collection

Music for the Spanish Kings Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande Gombert, Nicolas | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chansons | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Isabel I: Reina de Castilla Secular Music from Christian and Jewish Spain Spanish Music of Travel and Discovery/ The Waverly Consort Armada: Music from the Courts of England and Spain Villancicos y Danzas Criollas ASIN: B000059LOK Release Date: 2001-06-05

Tracks:

1. Zappay
2. Viva, Viva Rey Ferrando
3. De Tous Biens Plaine
4. Donde Estas Que Non Te Veo
5. Figlie Guilielmin
6. Amor, Che T'o Fat Hio
7. Puis Fortuna
8. Qu'es Mi Vida Preguntays
9. Collinetto
10. Dindirindin
11. O Dio Se Vede Chiaro
12. Il Re Di Spagna
13. Dezilde Al Caballero
14. Diferencias Sobre El Canto Del Caballero
15. Cingari Siamo Venit'a Giocare
16. Fantasia I - Fantasia II 'Salve Regina'
17. Ay Luna Que Reluzes
18. Gallarda Napolitana
19. Vecchie Letrose

Tracks:

1. Himno XIX Pange Lingua IV
2. Pour Un Plaisir
3. Diferencias Sobre 'La Dama Le Demanda'
4. Tiento II. Cuarto Tono
5. Pavana Con Su Glosa
6. Fabordones Del Sexto Tono
7. Tiento VIII
8. Quien Llamo Al Partir, Partir?
9. Tres Sobre La Alta
10. Un Gay Bergier
11. Diferencias Sobre 'Las Vacas'
12. Tiento IX. Quinto Tono
13. Para Quien Crie Cabellos
14. Tiento XIII. Fuga A Cuatro
15. Tiento VII. Cuarto Tono
16. Diferencias Sobre La Pavana Italiana
17. Je Fille Quant Dieu Me Donne De Quoy
18. Tiento III. Primer Tono

Customer Reviews:

Great Addition to My Collection.......2006-10-29

Jordie Savall and Hesprion XX do it again. I've yet to hear a CD of his that I didn't love. Most of my collection of 15th-17th Century music is English, French, German, and Italian, and I am happy to see the Spanish masters taking their place alongside them.

Average customer rating: It's like listening to a catfight! pseudo-"medieval" jollity and little else Simply outstanding I TROVATORI Oh wondrous Spanish early music!

Music of the Troubadours Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Early Music | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Codex Faenza: Instrumental Music of the Early 15th Century Music Of The Crusades On the Way to Bethlehem (Music of the Medieval Pilgrim) Music for a Medieval Banquet The Black Madonna ASIN: B00000IX6O Release Date: 1999-06-01

Tracks:

1. So Much I Love
2. Lady, For You
3. I Cannot Prevent With Pain/Now I Can Be Satisfied With Love
4. Bujo
5. It Is Fine To Sing
6. The Birds Were Singing
7. Such A Lady
8. Estampie: Reis Glorios
9. Praise, Now, Praise, Praise
10. Humble, Sinful, Accused And Penitent
11. When I See The Lark Move
12. When The Days Are Long in May

Customer Reviews:

It's like listening to a catfight!.......2005-12-31

Ugh! I'm a big fan of Medieval music, but this has got to be some of the worst singing I've heard on such a CD. I'm guessing the lady was thinking of how, with modern rock music, often the singers will wander from the original melody and rythm a bit. But I stress here A BIT -- that doesn't mean these should be turned into pseudo-rap, or bad poetry. She totally just starts SCREAMING certain songs -- trying maybe to communicate the emotion?
Also (and I noticed in the liner notes that the group often does Middle Easter music) there was a sort of unpleasant Turkish/Indian style to the improv that I didn't like.
My final complaint is that it is a woman singing all these songs -- these songs were meant for men to sing. I don't think the lyrics were even altered to match.

pseudo-"medieval" jollity and little else.......2005-05-07

I'd be the first to admit that this recording of 12th and 13th century troubadour and trouvere songs is probably not aimed at listeners like myself. Yet whilst it would be difficult to deny the enthusiasm and aplomb with which these kitschy and Clemencic-inspired interpretations are delivered - with a kaleidoscopic array of instruments, including some [apparently indispensable] arabic ones - let's not overlook one VERY crucial point here: this recording does NOT EVEN ATTEMPT to present a faithful portrayal of this repertoire. In fact, it flies in the face of ALL recent musicology (see literature by Christopher Page, Elizabeth Aubrey etc...) which leaves little doubt that these songs were performed in one of only two ways: either one unaccompanied singer, or one singer accompanied by one (or two) instrument(s) - principally harp or vielle (although one wind instrument was sometimes used in lower style genres, like the dansa or pastourelle/pastorela). Additionally (!), only certain songs [Low Style - like track 2] were probably sung in a metric fashion, whereas High Style Chansons seem to have been rather more rhapsodic in delivery from start to finish, in complete contrast to how they are presented here [tracks 1, 3, 5, 7, 11, 12]...

But perhaps the performers (and listeners) don't believe this is relevant, or don't even care - after all, it's certainly rather "merrie". Just make sure you realise it's about as "medieval" as Terry Gilliam & Terry Jones's 'Monty Python and the Holy Grail', or John Milius's 1981 film 'Conan the Barbarian' [starring Arnold Schwarzennegger].

Incidentally, if you're interested in hearing some academically and aesthetically more convincing recordings of this repertory, then the following are recommended:

1. 'Dante and the Troubadours', Sequentia/Bagby [DHM 05472 77 227 2]
2. 'Le fou sur le pont' - Bernatz de Vendadorn, Camerata Mediterranea/Cohen [Erato 4509-94B25-2]
3. 'The Spirits of England and France 2 - Songs of the Trouveres', Gothic Voices/Page [Hyperion CDA66773]

Simply outstanding.......2005-05-03

By far the best medieval music album in Naxos. This truly is a delight for senses. What I most enjoy is its wonderful attempt to recreate what a troubadour ambiance would have looked like: Maria Laffite's voice is unvaluable in that respect. Smart choice of songs and a particularly well-directed consort. It seems to me that the first feature that a troubadour album must offer, is for its scope to border on the literary value of the songs. "Music of the Troubadour" truly is a wonderful blend of medieval literature and music.

I TROVATORI.......2004-10-22

Absolutely fascinating, and it goes without saying not much like Verdi. This is an illuminating selection of the music of the troubadours, part vocal part instrumental, dating from the 12th to the 14th centuries. The artists are two groups of specialists, representing it seems slightly different traditions in the performance of the music, but with previous experience of collaborating. Particular care was apparently given to the selection of the vocalist, the final choice being Maria Lafitte of Canso Catalana, a specialist not only in the music of the period but also in the mediaeval romance languages - Provencal and some near congeners - of the poetry we find here.

The performances have a great deal of `presence' and what sounds to me like an air of authority. Maria Lafitte puts her heart and soul into all her contributions, and it should be taken as a compliment when I say that for me there was an odd suggestion of Piaf about her. With one exception, the mildly risqué # 9, all the vocal work is solo work. In # 9 I have to suppose the instrumentalists double as the choristers, since no other credits are given. The instrumental music (comprising about half of the disc) has not advanced at this stage beyond rudimentary harmony consisting of drone basses and percussion effects, but it is strikingly well recorded, particularly as regards parts of the percussion, and the liner note details the precise instruments used. What I would have liked to find in the note is rather more about the choice of instruments - is it specified in the scores or, as I suspect, did the specialist performers prescribe it themselves? As regards the vocal side, the liner note is completely admirable, pitching to an audience of newcomers to this music and packing in a lot of the historical background in a short space. There is also a brief section on the performers, the commentary is given in German and French as well as English, and there is a full text of the poems with English translation.

Oh wondrous Spanish early music!.......2003-09-04

This album is quite possibly my favorite of all that have been put forth by the Ensemble Unicorn. As always, they perform tight, with lots of wonderful improvisation, and the recording itself is excellent. Add in some very WONDERFUL Asturian vocals, and you've got the music that wound up being rewritten into the famed Cantigas de Santa Maria.

Jazz Music:

1. Baila Hits
2. Breaking Night
3. Chac Tu Chac [Import]
4. Coleccion 78 R.P.M: 1937 - 1943 [Import]
5. Coleccion RCA: 100 Anos de Musica