Jennifer Peña delivers on the promise of her 1996 debut album with this spirited sophomore effort that blends lilting cumbia rhythms and pop classics. Backed by her polished band, Los Jetz, Peña sounds confident and focused on clever cumbia versions of the girl group and soul classics "Will You Still Love Me Tomorrow?" and "Just One Look." Peña even manages a heated dance/rock version of Rick James's "Super Freak" featuring a guitar solo by Chris Perez. It's clear that Peña is being prepped for international markets, but she is equally effective on the more traditional Tejano tunes "Solo Por Ti," "Que Paso," and "Si No Me Quieres, Dimelo." It's the same double musical life that, sadly, her role model Selena never had the chance to fully enjoy. --Joey Guerra
Jennifer,Jennifer Y Los Jetz,EMI International,Latin,Latin Pop,Mexican,Regional Mexican,Tejano
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Jersey Boys (2005 Original Broadway Cast)
Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH2QY Release Date: 2005-11-01 |
Tracks:
- Ces Soirees la'
- Early Years Medley
- Cry For Me
- Backups Medley
- Sherry
- Big Girls Don't Cry
- Walk Like A Man
- December, 1963
- My Boyfriend's Back
- My Eyes Adored You
- Dawn (Go Away)
- Big Man In Town
- Dialog: A Little Trouble
- Beggin'
- Dialog: See How You Handle It
- Medley Listen Listen
- c'mon marianne
- Can't Take My Eyes Off Of You
- Working My Way Back To You
- Fallen Angel
Amazon.com
Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth VincentelliAlbum Description
Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.Customer Reviews:
Jersey Boys (2005 Original Broadway Cast).......2007-07-19
Jersey Boys.......2007-07-08
Like being there.......2007-07-05
A step back in musical time.......2007-07-05
Great music, but missing too much.......2007-07-04
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Dreamgirls
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000J103YI Release Date: 2006-12-05 |
Tracks:
- MOVE
- FAKE YOUR WAY TO THE TOP
- CADILLAC CAR
- STEPPIN' TO THE BAD SIDE
- LOVE YOU I DO
- I WANT YOU BABY
- FAMILY
- DREAMGIRLS
- IT'S ALL OVER
- AND I AM TELLING YOU I'M NOT GOING
- WHEN I FIRST SAW YOU
- PATIENCE
- I AM CHANGING
- I MEANT YOU NO HARM/JIMMY'S RAP
- ONE NIGHT ONLY
- ONE NIGHT ONLY (DISCO)
- LISTEN
- HARD TO SAY GOODBYE
- DREAMGIRLS (FINALE)
- WHEN I FIRST SAW YOU (DUET)
Amazon.com
The big question about this soundtrack is: how's she doing? No, not Beyoncé, silly--how's Jennifer Hudson doing? And more specifically, how's she doing by "And I Am Telling You I'm Not Going"? To this reviewer's ears, she doesn't top the original Effie, Jennifer Holliday--or even Lillias White, from the 2001 Dreamgirls in Concert. On the other hand, Hudson isn't afraid to pullout all the stops, whipping herself up into a total diva frenzy as the song getscaught up in an unstoppable crescendo. As for Beyoncé, she adapts superbly to the 1960s- and 1970s-tinged material, though "Listen"--a ballad that also appears on her own B'day album--lacks the spirit that infuses the classic tunes on this album. For make no mistake: this is hard-hitting, high-octane music, infused with an urgency and passion that makes most contemporary R&B albums sound timid. When Hudson and Beyoncé duke it out on "It's All Over," or when the "One Night Only" ballad gets reinvented as the dance-floor burner "One Night Only (Disco)," the sheer energy flowing from the speakers is transporting.Note that the two-CD Deluxe Edition features a larger booklet and additional tracks, including dance remixes of "One Night Only" and "And I Am Telling You I'm Not Going," as well as composer Henry Krieger's demo of "Patience." --Elisabeth Vincentelli
More from the Dreamgirls Cast
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Customer Reviews:
You GO Girl!.......2007-07-12
If you like the movie you'll like the album........2007-07-11
If you want to live the Dream, this CD will always be there..........2007-06-16
I love this CD...it takes me right through all the emotions and action of the movie. Nothing is left out, all of my favorites are included even the less commercial cuts like Eddie Murphy's "Jimmy Got Soul" which gives the CD a well rounded feel.
Great Movie, Even Better MUSIC..........2007-06-16
of course the showstopper "and i am tellin u (im not going)" is my favourite song. im only 23 and im familiar with the original version performed by jennifer holiday. i love the original but to me J-Hud Killed it!!!! i perfered her version just because it was heartfelt and she performed it OUTSTANDINGLY in the movie. i cried in the theaters when she performed it... STANDING OVATION!!!!
my other favourite track is "i meant you no harm/jimmy's rap". i love the beginning of the song. eddie murphy SANG that song. then it threw me off when he started rappin. that rap was too funny!
all the other songs were great but here are my joints:
"move"
"one night only" (original)
"one night only" (Disco) (my favourite of the 2)
"cadillac car"
"I want you baby"
"dreamgirls"
this does not have all the songs on the movie. you have to purchase the deluxe edition of get "heavy" 'effie sing my song" and more...
this is probably my favourite SDTK i own and i definantly reccomend this SDTK to anyone... and the movie is as good and the songs!!!
I love it....I dooooo!.......2007-06-13
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Como Ama una Mujer
Jennifer Lopez Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N3SS80 Release Date: 2007-03-27 |
Tracks:
- Qué Hiciste
- Me Haces Falta
- Como Ama Una Mujer
- Te Voy A Querer
- Por Que Te Marchas
- Por Arriesgarnos
- Tu
- Amarte Es Todo
- Apresurate
- Sola
- Adios
Amazon.com
Through the course of Como Ama Una Mujer, the first full-blown collection of Spanish-language tunes from multicultural diva Jennifer Lopez, we keep waiting for it to happen. A sweltering, hands-in-the-air dance anthem--the kind that made Lopez a superstar. Alas, the club beats never materialize: not even a soul-diva shimmy. The closest Lopez comes to is midtempo first single "Que Hiciste." (Seek out the pulsing, reggaeton-flavored remix for maximum dance floor fabulousness.) What we get here is a surprisingly solid collection of elegant ballads and rock-flavored tunes that showcase new vocal strengths and surprising lyrical maturity. Producers Marc Anthony, Estefano and Julio Reyes give Lopez the gloss without overpowing her, a key element to the disc's success. La Lopez recycles one track from 2005's Rebirth, "(Can't Believe) This Is Me," which pops up here as the superior "Porque te Marchas." The disc's second half is a sweeping, often gorgeous, stream of romantic consciousness, starting with the lovely "Tu" and gliding through the gently chugging "Sola." And the beautiful closing track "Adios" is a standout, pairing Lopez's lilting vocals with a gentle string arrangement and a rousing chorus of voices. A sterling achievement from a diva whose talent is just beginning to blossom. --Joey GuerraCustomer Reviews:
Terribly Disappointed.......2007-06-27
Mi opinion, escucha este CD antes de comprarlo!.......2007-06-21
1 hit song.......2007-06-15
best ever from jennifer lopez.......2007-06-05
Como Ama Una Mjuer Review.......2007-06-02
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Evil Dead: The Musical (2006 Original Off-Broadway Cast)
Manufacturer: Time Life Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N3ST7U Release Date: 2007-04-24 |
Tracks:
- Book of the Dead
- Cabin in the Woods
- Stupid B****
- Housewares Employee
- Evil Trees
- It Won't Let Us Leave
- Look Who's Evil Now
- What the F**k Was That?
- Join Us
- Good Old Reliable Jake (Intro)
- Good Old Reliable Jake
- Housewares Employee (Reprise)
- Death is a B****
- I'm Not A Killer
- Evil Puns
- Bit Part Demon
- Good..Bad..I'm the Guy with the Gun
- All the Men in My Life Keep Getting Killed by Candaian 19. Demons
- Ode to an Accidental Stabbing
- Boomstick
Album Description
It's frighteningly clear that Evil Dead: The Musical is nothing like its glittery Broadway siblings. Peppered with enough four-letter words to make a rapper blush and bursting with more force than a Monty Python skit, the original cast recording of Evil Dead: The Musical is a truly unique treasure, sure to appeal to many with its offbeat edginess.Customer Reviews:
Something that would be worth a long car ride with very smelly people to see.......2007-07-12
I Have Never Heard Anything Worse.......2007-07-11
But, sometimes, even with all of this forgiveness in my heart, there are some scores that are simply atrocious. I'm afriad that Evil Dead falls into that category. First, the music: In my mind, a musical score has to be either melodic or original. In the best cases, you have both. In the worst cases, you have neither. In this case, you have nothing. Just nothing. The songs don't say anything - musically or otherwise. They have all been done before, and they are all really, really, bad. I just don't know how else to say it. But the worst part of this unforgivable score has got to be the lyrics. When I say that they are unlistenable, I am not exagerating. These are the worst lyrics I have ever heard committed to CD. Seriously, they are that bad. I couldn't find one redeeming moment. Picture rhymes that a 6-year old might come up with - like trying to rhyme "would be" with "groovy", or "girl" with "squirrel". Yes, I'm afraid these are real examples. The lyrics, in fact, are so bad, that I am not completely confident in my review of the music because I couldn't even get through some of the songs. I shudder at the thought of ever going back to listen to this monstrosity again.
The performances are awful - but that I can forgive. After all, this was not a Broadway show and the actors, in all fairness, had no decent material to work with. I do like the concept, so please don't think that this is the problem. In fact, the story is why I even picked up this CD to begin with. My entire problem is that this is the worst score I have ever heard and, because of that, I found myself constantly infuriated at the fact that these composers were given any funding at all to stage this show - clearly based on the draw of the concept - when there are far better unknown composers out there with real talent who just can't get a break.
So, in summary - I encourage everyone reading this review to continue to support off-Broadway theatre and upstart composers and even shows that are not completely perfect. Just don't support this one. I'm sorry if that sounds harsh. But the producers who mounted this show and released this CD really don't deserve your money. There's no nice way to say it.
Evil Dead Rocks!.......2007-06-29
Great fun!.......2007-06-18
Bloody good fun........2007-05-23
I wish I could go see this show again, but listening to these songs takes me right back to that enjoyable yet blood soaked night!
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Returning
Jennifer Berezan Manufacturer: Edge of Wonder ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NC32 Release Date: 2001-08-02 |
Customer Reviews:
Hauntingly Beautiful.......2007-05-07
Beautiful.......2007-02-28
Awesome recording.......2007-01-21
Beautiful, Transformative Chant .......2007-01-09
Each chant comes from a different religion and culture. There is a song to Yemaya, the Yoruba goddess of the sea and rebirth; a Navajo chant to Mother Earth (my personal favorite); A Buddhist mantra to the Bodhisattva of Compassion; and a beautiful line of Alaap singing, a form of Hindi song-prayer. Each voice in this recording is pure and emotionally on-target, and nothing about any of their roles in this piece seems tacked-on or forced.
The combination of all of these elements is soothing and nurturing, just the way a piece centering on "returning to the mother of us all" should be. I recommend it to anyone with a meditation practice, healers, and even just anyone who needs help relaxing at night.
Transformative inner journey.......2007-01-06
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Famous Blue Raincoat
Jennifer Warnes Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000024QBF Release Date: 1987-06-09 |
Tracks:
- First We Take Manhattan
- Bird on a Wire
- Famous Blue Raincoat
- Joan of Arc
- Ain't No Cure for Love
- Coming Back to You
- Song of Bernadette
- Singer Must Die
- Came So Far for Beauty
Amazon.com
Since Ella Fitzgerald never produced a songbook of Leonard Cohen songs, Jennifer Warnes's plush 1986 tribute is the next best thing. The sleekly seductive "First We Take Manhattan" is gilded by the guitars of Stevie Ray Vaughan and Robben Ford. Warnes doesn't add much to an evergreen like "Bird on a Wire," but she lays claim to the noirish title song with a confidential vocal that complements the chamber-pop arrangement. "Song of Bernadette" is a ripened gem, and the selection where Warnes lets down her refined vocal technique to reveal deep emotions. More often, Warnes is as professionally accomplished on this well-chosen set as her band of studio pros. --John MilwardAlbum Details
This album's worth of Leonard Cohen tunes was originally released in 1987. It remains as an audiophile's dream, as the recording is generally regarded as one of the best engineered ever. Many cite this disc as a benchmark to really put a stereo system to the test. Not to mention the fact that the performance is brilliant. Features the guitar work of the late Stevie Ray Vaughan & includes the Cohen staples 'Bird on a Wire', 'Joan of Arc (with L.C. on the guest vocal), and seven others.Customer Reviews:
Lovely & Morose.......2007-07-16
This particular CD was manufactured in Germany, and its poor quality really surprised me. I like playing music a little loud, but to get just a middle line volume (like 50% on most CD's) I had to turn the volume on the player to 100% just to get the mid range on this CD. That was not good.
I was familar with the material on the CD because I had a cassette version from when "Raincoat" was first released in the late 80's. I remember it got lukewarm reviews at the time. "An artistic success, but commercial failure" was the general tone. Being a dedicated Cohen fan from way back, I thought the reviewers must be crazy.
Having matured a bit since then, I now understand what they were talking about. Leonard Cohen is an interesting, extraordinary artist (it's recently been said that Phil Spectre held a loaded gun to his head during a studio session saying, "I love you, man" to which Cohen replied, "I hope so.") Anyway, Cohen is the most successful "sensitive" male singer (I'm using "sensitive" interchangeably with "spiritual" these days) & writer in the contemporary cut throat commercial scene. He is uncompromising & often swims against the social current.
On one recent song he states "I'm neither left or right," but there is certainly a conservative element in his work that I personally have found just a little bit irksome--but on the other hand, his imagery that often combines sexuality with religious themes, has really touches a fundamental chord of beauty in the heart. Another element I can relate to is that LC's lrics don't shy away from brutal self-revelation. Cohen never tries to gloss over the basic inequality & unfairness of life with empty homilies or platitudes.
However, there is a downside too.
Cohen has a tendency to go overboard with social critique & ego-centric bitterness. These are not qualities particulary useful in the pop scene, particularly not in today's resurging political conformity. Despite these observations, Leonard Cohen has consistently worked to forge his success & his songs regularly play on the air. If not exactly a "super star," he is just a breath away. If he WERE a super star, it could well be that his music would have lost some of its depth.
Judy Collins brought both herself and Cohen into the pop mainstream with her beautiful rendition of "Suzanne." From then on Collins' star rose & she often performed her friend's work. In contrast to Collin's light & delicate voice, Cohen has a deep & mournful sounding voice that only accentuates the darkness of his own material. Although Cohen's LP's weren't consistently popular, his music was popularized many other artists, such as Jennifer Warnes.
This CD contains some of Cohen's most wonderful tunes: "Famous Blue Raincoat," "Song of Bernadette," and "Joan of Arc." Unfortunately these great tunes are sandwiched between more self-pitying sounding songs such as "Came So Far for Beauty" and "The Singer Must die."
Jennifer Warnes has a great voice, but it doesn't convey the light, airy quality of Judy Collin's. Collins can sing morose material without it sounding...well, morose. Warnes' deeper voice & delivery does not overcome the self-involved bitterness that characterizes some of the songs. That being said, I don't think even Judy Collins would have helped this CD out. It's a fine CD for people really into melancholia.
People who aren't into Leonard Cohen (and I mean REALLY into LC's work) or huge Jennifer Warnes would probably be disappointed..
Essential Leonard Cohen
Love Lifts Us Up: A Collection 1968-1983
Judy Collins Sings Leonard Cohen: Democracy
Why not ask for more?.......2007-06-18
My initial impression on first listening was that "Famous Blue Raincoat" and "Joan of Arc" (duet with Leonard Cohen) were the album's peak moments. Time has not diminished that belief. But the program overall is brilliant as are the performances and production. Jennifer Warnes' vocals do these songs justice. But if you listen to any of her earlier albums, you will find that she enhances the quality of all of the songs she sings. This disc is as exciting to listen to twenty years later as it was when it was first released.
P.S.: Just read that an expanded version of this album is to be released in the near future. How fortunate for us!
Quite possibly the best album of the 1980s.......2007-05-16
I first bought this album, shortly after it came out, because I was a self-styled audiophile-in-training and all the boutique audiophile magazines raved on incessantly about the production quality, Warnes' voice, and only incidentally, Cohen's music and lyrics. As usual, the really astonishing thing was mostly ignored - the odd and indelible combination of Jennifer Warnes' highly accomplished and almost preternaturally controlled voice with the utter weariness and inventiveness of Cohen's lyrics, all of it put to some exquisite, adult pop music.
This album should come with a warning: "Kids, Don't Try This At Home." This really is powerful stuff about grown-up themes, emotions and experiences, told from a jaded but still slightly hopeful, adult point of view. Something uncanny happened when this album was made, a true "synergy" (God I hate that word, but...)that transforms musicians and material into something they'd never been before. Jennifer Warnes became a true artist, and Leonard Cohen became a true human being. Practically everyone I've played this CD for in the ensuing years has gone right out and bought their own copy.
I can say without exaggeration that I still listen to this CD every week, after twenty years, and I can't wear out my enjoyment of it. It still retains some reminder of the "shock of the new", and it really hasn't become dated. I'm still moved by the sweetness and the steel of Warnes' voice, and I still shake my head at the subtlety and richness of the lyrics.
Like Joni Mitchell at her height ("Blue", "For The Roses"), The Roches first two albums, Rickie Lee Jones at her best ("Pirates") and most of everything Shawn Colvin's ever done (except for most of her new album), this is one of those times when you can call popular music "art". It's also a great introduction to Warnes" later, also episodically wonderful albums ("The Hunter", "The Well").
And for those of you whose interest has been piqued, check out her website to see why the fact that this CD is out of print is maybe not such a bad thing.
For the Love of Leonard.......2007-05-07
Get this one while you can! .......2007-03-13
For those of you who are used to Cohen's deeper, masculine voice, it may be harder to find Warnes as accessable...but I actually like her rendition of Famous Blue Raincoat as much as the Cohen original. Listen closely and you'll hear how she takes his songs and makes them unique, not just copies of his.
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On the 6
Jennifer Lopez Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J7RZ Release Date: 1999-06-01 |
Tracks:
- If You Had My Love
- Should've Never
- Too Late
- Feelin' So Good
- Let's Get Loud
- Could This Be Love
- No Me Ames (Tropical Remix)
- Waiting For Tonight
- Open Off My Love
- Promise Me You'll Try
- It's Not That Serious
- Talk About Us
- No Me Ames
- Una Noche Mas
Amazon.com
Actress Jennifer Lopez's debut album fails in its attempt to provide a worthy musical backdrop to her much-discussed diva-esque image. Over the course of 13 songs, On the 6 displays barely a glimmer of the verve, poise, and sensuality of her screen performances in the likes of Out of Sight. With little vocal talent to rely on, Lopez generally seems content to ape Madonna's middle register like any happy radio listener. Similarly, several of the tracks here seem too rooted in the Latin-lite clichés of "La Isla Bonita." With practice--more Lopez CDs will surely follow in the wake of 6's success--the star might develop into a singer worth reckoning with, but for now she stands as a wonderful actress and a musical artist with an unengaging album to her name. --Rickey WrightAlbum Description
Spanish version. Sony.Album Details
Includes 'if You Had My Love' and 'feelin' So Good', plus Two Bonus Tracks Exclusive to this CD.Customer Reviews:
JLO.......2007-05-16
just like another paula abdul.......2007-01-08
J-lo's best album, before J-lo. This *was* her then!.......2006-08-07
Oh, if only there were a Golden Throats Vol. 5!.......2006-06-21
Her Debut Wasn't Bad At All.......2006-05-21
It starts with the hitsingle "If You Had My Love" that is the best song on the album together with single #2 "Waiting For Tonight", Lopez calls her music Latin Soul. Basically it's R&B songs with a latin flavour. Both songs are very strong with cathcy melody and hooks. "Should've Never" is a ballad, rather bland. "Too Late" is a midtemo that is so so. Puff Daddy produced R&B-Hip Hop song "Feelin So Good" was another hit and Latin sounding "Let's Get Loud" with backround choirs is also pretty good. "Could This Be Love" falls flat and proves ballads is not her strongest part, but the next balled in spanish with her now husband Marc Anthony "No Me Ames" is surprisingly good. "Open Off My Love" sound alot like "I'm Glad" a latter song of hers. "Promise You'll Try" is a suger sweet ballad. "It's Not That Serious" another uptempo Latin-Soul and "Talk About Us" yet another bland ballad. It closes with a spanish version of "Waiting For Tonight" which is pretty fun, if you know spanish.
Overall, I could have lived without half of the ballads here, but the uptempo songs which is her strenght are all catchy and entertaining. "On The Six" is a good album, her best actually. It's varied with many diffrent producers and the hit singles are strong. It's not quite perfect, but defenitely over par. Wether you like JLO or not, don't judge her latter album with this one, Back in 1999 she was still interesting and this album is a pleasant surprise from the new pop diva in town. 4/5 stars.
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Famous Blue Raincoat: 20th Anniversary Edition
Jennifer Warnes Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OPO6WY Release Date: 2007-08-07 |
Tracks:
- First We Take Manhattan
- Bird On a Wire
- Famous Blue Raincoat
- Joan Of Arc
- Ain't No Cure For Love
- Coming Back To You
- Song Of Bernadette
- A Singer Must Die
- Came Do Far For Beauty
- The Night Comes On
- Ballad Of the Runaway Horse
- If It Be Your Will
- Joan Of Arc
Amazon.com
Since Ella Fitzgerald never produced a songbook of Leonard Cohen songs, Jennifer Warnes's plush 1986 tribute is the next best thing. The sleekly seductive "First We Take Manhattan" is gilded by the guitars of Stevie Ray Vaughan and Robben Ford. Warnes doesn't add much to an evergreen like "Bird on a Wire," but she lays claim to the noirish title song with a confidential vocal that complements the chamber-pop arrangement. "Song of Bernadette" is a ripened gem, and the selection where Warnes lets down her refined vocal technique to reveal deep emotions. More often, Warnes is as professionally accomplished on this well-chosen set as her band of studio pros. --John MilwardAlbum Description
On Famous Blue Raincoat: The Songs of Leonard Cohen, Jennifer Warnes rearranged and reinterpreted some of Leonard Cohen's greatest songs for a unique album that remains the ultimate tribute to Cohen's music. It was greeted with rave reviews, and made numerous year-end best-of lists. This deluxe new reissue contains four previously unreleased songs and a 24-page booklet with rare photos from Warnes' personal collection.Best known for such pop hits as the Oscar- and Grammywinning duets "(I've Had) The Time of My Life," with Bill Medley, from the film Dirty Dancing, and "Up Where We Belong," with Joe Cocker, from the film An Officer and a Gentleman, Jennifer Warnes has earned her greatest acclaim for Farmous Blue Raincoat, considered by many to be one of thebest albums of the '80s
Features four previously unreleased recordings
Digitally remastered from the original analog tapes
Deluxe booklet that tells the story behind one of the most acclaimed albums of all time
"Her voice is like the California weather--filled with sunlight , but there's an earthquake behind it." --Leonard Cohen
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The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005AY6I Release Date: 2001-04-17 |
Tracks:
- Overture
- Opening Night
- The King of Broadway
- We Can Do It
- Unhappy
- I Wanna Be a Producer
- In Old Bavaria
- Der Guten Tag Hop-Clop
- Keep It Gay
- When You Got It, Flaunt It
- Along Came Bialy
- That Face
- Have You Ever Heard the German Band?
- It's Bad Luck to Say Good Luck on Op'ning Night
- Springtime for hitler
- Where Did We Go Right?
- Betrayed
- 'Til Him
- Prisoners Of Love (Leo & Max)
- Goodbye!
Amazon.com's Best of 2001
The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.
From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May
Customer Reviews:
Just what I wanted.......2006-11-06
I Want to be a producer.......2006-03-06
Spring Time for "The Producers".......2005-12-13
While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.
As for the song I can't think of one that I don't like, They are all great!
I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.
Mel Brooks = Brilliant.......2005-12-12
I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.
Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.
Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.
it won 11 (if im correct) TONY awards for a reason!.......2005-12-08
So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!
Average customer rating:
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Now That's What I Call Music! 4
Backstreet Boys , Britney Spears , Mandy Moore , Jennifer Lopez , and Aaliyah Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UAL5 Release Date: 2000-07-18 |
Tracks:
- Larger Than Life - Backstreet Boys
- (You Drive Me) Crazy - Britney Spears
- I Need To Know - Marc Anthony
- Candy - Mandy Moore
- Blue (Da Ba Dee) - Eiffel 65
- It Feels So Good - Sonique
- I Belong To You - Lenny Kravitz
- I Knew I Loved You - Savage Garden
- I Wanna Know - Joe
- Try Again - Aaliyah
- Wating for Tonight - Jennifer Lopez
- Get It On Tonight - Montell Jordan
- Steal My Kisses - Ben Harper and the Innocent Criminals
- Then The Morning Comes - Smash Mouth
- Meet Virginia - Train
- I Try - Macy Gray
- This Time Around - Hanson
- All the Small Things - blink-182
Amazon.com
The fourth in the series of Top 40-tracking compilations strikes a good balance between pop radio played-to-death singles, R&B standouts, and straight-up rock chart stormers. The beginning of the disc is packed with requisite teen pop; however, the Britney Spears offering "(You Drive Me) Crazy" will probably disappoint those who were hoping for the more recent "Oops!... I Did It Again"). This disc, where the Italian group Eiffel 65's dance-pop smash "Blue (Da Ba Dee)" lives in the same space as Blink 182's "All the Small Things," Ben Harper's "Steal My Kisses," and Macy Gray's "I Try," is like channel surfing during drive-time radio hours and scoring with every hit of the "seek" button. --Beth MassaCustomer Reviews:
Now 4.......2007-02-15
Britney Spears - (You Drive Me) Crazy: This is my favorite Britney song of all time. Not only is the beat great but it makes me want to sing along. A+
Marc Anthony - I Need To Know: No I don't need to know and this song is just awful I always skip it when I listen to this cd. F-
Mandy Moore - Candy: Great song and great singer. I always did like Mandy Moore's music. A
Eiffel 65 - Blue: This song was awesome; that is all I can say. I loved the song and the music video. This is one of the best songs on the cd. A+
Sonique - It Feels So Good: It depends on my mood with this song. I like the singer but this song was overplayed. C
Lenny Kravitz - I Belong To You: This wasn't one of Lenny's best songs and this song was 2 years old at the time this was released but it is catchy none-the-less. B
Savage Garden - I Knew I Loved You: I liked this song; I danced to it at my wedding reception. It is very romantic. B+
Joe - I Wanna Know: Like the previous song, this is another romantic song that brings back memories. A-
Aaliyah - Try Again: I miss Aaliyah; this was a woman who could sing and the songs were meaningful. I loved this song and I do refer to it from time to time when I am talking with friends. A+
Jennifer Lopez - Waiting For Tonight: This was a good hit for Jennifer. I have to admit the music video was better. B
Montell Jordan - Get It On Tonite: Please don't get it on tonite, this was the second song I didn't like on this cd. Even the music sounded bad. F
Ben Harper and the Innocent Criminals - Steal My Kisses: An average song, have no complaints. C
Smash Mouth - Then The Morning Comes: This was another great hit off of their cd. It is catchy and plain addictive. A+
Train - Meet Virginia: I am not a big fan of Train but I did like this song. I liked it the first time I heard it. A-
Macy Gray - I Try: This is the one of two songs I liked by Macy Gray. It is a shame she went downhill after this cd but I still like this song. A
Hanson - This Time Around: I have no comment on this song. Hanson should have given up with the cd previous to this. They don't deserve an F they deserve a Z-
blink-182 - All The Small Things: This was a great song. The beat and the way it went was good enough to buy the cd. A
Vol. 4.......2006-07-18
Superstar Mandy Moore, who at this day and age is better known for her acting than her singing, serves up her debut single 'Candy' here and shows us that pretty face aside this girl can sing too. Out of all the pop queen diva's, next to Christina of course, Mandy has the purist voice, deffinatly surpassing Britney and that 'shoot myself if I ever have to hear her sing another song' Jessica Simpson.
There are some questionmarks here and they come in the form of Eiffel 65 and Ben Harper and the Innocent Criminals, both of which turn out tracks here that are less than impressive. I never was a far on 'Blue' and until this disc had never heard of 'Steal KIsses' but neither track makes me want to listen. I label these 'Skipable'...
I actually like 'It Feels So Good' mostly becasue it's not average and while it takes a little getitng used to it's still worth the listen. Finally a Lenny Kravitz song I like!!! 'I Belong to You' is a great song and it really showcases Kravitz talent, talent I wasn't privy to until this song. Savage Garden was big with a lot of my girlfriends at the time (both platonic and romantic) and 'I Knew I Loved You' was truly one of the best...plus I have a special place in my heart for that track (some naughty things happened while that track was pumpin').
Some strong tracks by the late Aaliyah (RIP) and a killer track by Montel (love this guy) help round out this album, making it more about the music than any particular genre. And yes J. Lo delivers with 'Waiting for Tonight' which is one of the best dance songs out there, and while some hated it I absolutly loved Trains 'Meet Virginia' for it was our first chance to meet Trian and they are truly one great band. Even Macy is forgivable here for she adds something to this album that no other artist could have...and that's an air of toleration. Notice I didn't list her with the 'sucky' songs for even though I'm not a huge fan of her or 'I Try' I've always respected her talent for what it was even if I just didn't quite get it.
Blink closes us out with yet another great song, though a bit overplayed...but it's Blink and you have to love them. Great collection of the best the year had to offer. Yes some were missed, some great and some not so, but what was shared was still memerable and well worth the storage space.
Item never received.......2006-03-09
"NOW 4"; Not 4 Everyone.......2005-04-08
(1) Backstreet Boys "Larger Than Life" A+. Commonly known for their ballads, the boys deliver a perfect dance number here. Everything is pumped up to create an energized, stormin' pop/rock track flowing with solid beats. You can't help getting caught up in the energy and excitment this gererates. One of 1999's best singles.
(2) Britney Spears "(You Drive Me) Crazy" C+. Fun beat and production, yet very shallow in the end. Sticks to memory afterwards, but after examination we realizie that the song is about nothing. Though it isn't terrible; there are many more songs out there which are more worthy of our time.
(3) Marc Anthony "I Need To Know" A. Simple content that is filled with so much energy, zest and excitment to make it work on all levels. Anthony shows himself to be a very versatile vocalist, and a person who can flow perfectly with his beats. The song is wisely on the short side, any longer could have ruined it. This is a true treasure of 1999.
(4) Mandy Moore "Candy" B+. The material doesn't have much in terms of depth, but Mandy brings enough flair and style to make it work. Her voice is effective as it gives a certain conviction and urgency to the lyrics. Not a brilliant "teen pop" song; just a very entertaining one.
(5) Eiffel 65 "Blue (Da Ba Dee)" B-. This song is very dificult to review. As intriuging as I find the lyrics and get mesmerized by the beat; I still wish the song would pull together and complete what it ventures into. Although it isn't a complete success; it is never boring.
(6) Sonique "It Feels So Good" D+. She sounds extremley high pitched, and the voice is so odd and strange, that the song is irreversably crippled by it. If there is any substance to the song; it becomes lost a muddled through out. This is an example of a dance song failing.
(7) Lenny Kravitz "I Belong To You" B+. It is rather refreshing to hear Lenny shed the massive beats, because that gives him the opprotunity to showcase his vocals. He sings this track with utter conviction and heart throughout. That gives the song a certain depth and emotion.
(8) Savage Garden "I Knew I Loved You" C. A well made song that just plays it safe, and never does anything new or exciting. The vocals are decent (beats are almost none-existent), but there is no real depth in them. In the end, the song lacks the impact that could have had from a better group (i.e. 98 Degrees, Backstreet Boys)
(9) Joe "I Wanna Know" B+. In contrast to many songs; this is a retro R&B track which works. The material is as old as time, yet Joe's classy, polished voice make it sound convincing and touching at all times. As they say: a very good singer can make an old song sound new; and that's what he does here.
(10) Aaliyah "Try Again" A-. There's a really nice undercut of hip-hop here, which gives the song alot of it's edge. Aaliyah's voice adds conviction to make the lyrics sound passionate, and add some depth to them. Proof that not all R&B has to be sad; you get completely wrapped up in Timbaland's production.
(11) Jennifer Lopez "Waiting For Tonight" B. Well made, but it doesn't fully display J. Lo's talents. It's catchy, fun and light, yet we know that the song could have been more than that. "On The 6" was her debut LP, and it seems average compared to her later albums, particularly "J. Lo".
(12) Montell Jordan "Get It On Tonite" C. His 1995 single, "This Is How We Do It" is a memorable R&B classic. Shame that the qualities that made that work (the slick vocals and beat) are all-together lacking here. What's left is a standard R&B tune with no life to it. A real step back for Montell Jordan.
(13) Ben Harper and The Innocent Criminals "Steal My Kisses" D. Their ungainly mix of R&B, funk and folk is a total failure. The beat has no impact, the lyrics have no substance and there is no impact or meaning at all. Strange that "NOW" would use such an odd mess.
(14) Smash Mouth "Then The Morning Comes" B-. The begining is so brilliant, original and different; I wish the song kept up that pace. It's not in the same league as "All Star", but still remains a solid pop/rock single. You can't help listening to the opening over and over.
(15) Train "Meet Virginia" C-. I really liked "Drops Of Jupiter" and "Calling All Angels"; those were rock tracks filled with emotion and power. I don't see any purpose to this song; the emotion isn't there and it's very uninvolving. I guess Train just had to find their skills.
(16) Macy Gray "I Try" B-. This is a beautifully written song with heartfelt lyrics, made unsuccessful by one factor: Macy's voice. Her voice is very weak and not very appealing, thus she detracts from the impact of her work. This song would be much better if someone else sung it.
(17) Hanson "This Time Around" D. It's not as irrating as "MMMBop" (few songs are), but there is nothing good about it either. All that the song does is cement the fact that Hanson was a talentless group. A very disposable song.
(18) blink-182 "All The Small Things" A-. A very good song that delivers everything we expect from blink-182. In fact, it even has more dimension and relevance than most of their music. It's short, but that helps create a nice, little breeze of a rock single. A good ending to a so-so album.
Bottom Line: **1/2. A real step backwards after the great heights that "NOW 3" was able to reach. I liked some of the songs, but I really could have done without a handful of them. Limp Bizkit's "Break Stuff", 98 Degrees' "I Do (Cherish You)", Q-Tip's "Vivrant Thing", Brian McKnight's "Stay Or Let It Go", Destiny's Child's "Say My Name" and Big Pun's "It's So Hard" all would have been better selection. I can not tell you to rush out and buy this, but put it on your wish list or hope for it as a gift.
Now thats music 4.......2005-04-07
1.Backstreetboys-Larger then Life this one was big 10/10
2.You Drive me Crazy-Brittany Spears when she was young 8/10
3.Marc Anthony-I need to know he was a good singer 9/10
4.Mandy Moore-Candy at the time I did not like her much8/10
5.Blue Da Be Dee-Eifel 65 a huge Dance smash from 99 10/10
6.Sonique-Feels good I liked this dance number to 9/10
7.Lenny Kravitz-I Belong to you I think I liked it 9/10
8.Savage Garden-I Knew I loved you this one was big hit10/10
9.Joe-I wanna know was one of 2000 Biggest singles 10/10
10.Aaliyah-I Try was one of my Favorites at the time 10/10
11.Jennifer Lopez-Waiting for Tonight off her 1st album10/10
12.Montell Jordan-Get it on Tonight I liked it then 8/10
13.Ben Harper-Steal my Kisses don't know about this one 5/10
14.Smash Mouth-Then the mourning comes just plain fun 10/10
15.Train-Meet Virginia obviously there best song 9/10
16.Macy Gray-I Try I can handle one song of her I guess 7/10
17.Hanson-This time Around this one was okay no Mmm Bop 8/10
18.Blink 182-All the Small Things I liked this one alot 9/10
That is like a 158 out of 180 are about a 89%
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